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SILENT HALLOWEENBy Blair Robertson

‘Halloween will never be the same again’June 2006

NOTE: I do not own any of the rights to either series. I’ve picked parts from a few of the Silent Hill games, to which I’m sure if you’ve played them, you’ll recognise which bits. It’s also a continuation of both the Halloween & Silent Hill series. It does not follow the ‘Silent Hill’ movie.

As it’s a crossover with another film series, there is not one sole Protagonist. It’s different in the sense that it focuses on more people but that doesn’t mean they won’t be alone and isolated, in true Silent Hill fashion. There is also an ‘explanation’ area of everything at the end of the script for anybody who may need deeper answers to things. I hope you enjoy it. And sorry for the delay in sending it in!

BLACK.

Some film logos from both series’ companies fly up. With a terrifying screech ‘EEEEEEEEEEEEIIIIIIIIIRUUUUUUGHEEEEEEEE’ and a blue flash, the logos fade away as we...

FADE IN:

EXT. COUNTRY ROAD – DAY

Tall woods, as far as the eye can see. An isolated road winds through this mountain area. A small red jeep with a black canvas roof drives along, no signs of any other form of life.

Title Card: 30th October 2006 Toluca County

CUT TO:

INT. RED JEEP – DAY

The rugged, dark haired, tortured TOMMY DOYLE sits behind the wheel, wrapped up in a thick green parker. His worn eyes stare out at the road. Beside him, with a large bunch of red curls, is KARA STRODE, asleep with her head up against the window.

Tommy’s eyes flicker into the rear view mirror.

In the back, sits nineteen-year-old DANNY STRODE, with a mop of blond hair, a matured clean-shaven face and wearing ‘Yo dude’ clothes like his Uncle Tim. Beside him is the ten-year-old STEPHEN LLOYD. With a mop of dark brown hair and a small round face with big brown eyes, he’s a male-replica of Jamie Lloyd.

TOMMY

How’s everybody doing back there?

STEPHENDoing good dad.

TOMMYDanny? What about you?

Danny shrugs as Tommy sighs, his eyes looking back to the road.

TOMMYDanny... I want you and I to tryand get along ok? Not for yoursake. Not for mine. But for yourmother’s. I want her to forgetabout everything bad in her lifeand move on.

DANNYDid moving on have to includedragging me to some shitty resorttown?

STEPHENDad! He said the ‘s’ word!

TOMMYDanny. It’s not some shitty resorttown.

Stephen’s eyes bulge at Tommy saying the ‘s’ word.

TOMMY(CONT’D)

It’s a fresh start for us all. Wewant to put the whole Myers sagabehind us, ok?

DANNYIt doesn’t matter where we go! He’llfind us. He found us last year. Thatmeans he can find us again.

STEPHEN(slowly)

The Boogeyman won’t find us again,will he dad? Not like last Halloween?

Silence falls over the car as Tommy concentrates on driving. Stephen looks between Tommy and Danny as Danny sticks his finger up at Stephen. Stephen rolls his eyes, turning to the window as we get a shot of the woods breezing by.

FLASH TO:

INT. FRONT ROOM – HOUSE – NIGHT – FLASHBACK

In a dark front room with a sofa against the wall and an open door, we find a slightly younger looking Stephen Lloyd standing in the centre of the room, tears running down his face. We pull down over a blood-soaked coffee table to find several brutally stabbed bodies lying at Stephen’s feet.

STEPHEN(screaming)

Mommy! Mommy!

We whip up to the doorway as a dark shape steps into view, wielding a large butcher’s knife.

STEPHEN(hysterically)

No! Mommy! Help me!

Stephen turns to run.

CUT TO:

EXT. BACK YARD – HOUSE – NIGHT - FLASHBACK

The moon shines down over a new pool being built. The top half has been tiled, the bottom halve looking like it’s having some problems with a large muddy hole in the middle. We hear Stephen’s shouts and cries followed by a smash as we...

FLASH TO:

INT. RED JEEP – DAY

Stephen closes his tearful eyes in horror at the memory. Silence fills the jeep besides the sound of the engine.

FADE TO:

EXT. COUNTRY ROAD – EVENING

Dusk begins to fall. A set of headlights manoeuvres through the darkening mountain road.

FADE TO:

INT. RED JEEP – EVENING

Kara is now awake, twisted around in her seat and playing thumb wars with Stephen. Danny sits quietly with an iPod in his ears.

KARAYou win again sweetie.

STEPHEN

(grinning)I always win! Cuz I’m the ThumbKing!

KARA(smiling)

Yes you are. Now mommy’s gonna tryto see where we are, ok?

Stephen nods as Kara turns around, clearing her throat.

KARA(bluntly)

So. Where are we?

TOMMYIt shouldn’t be too far now.

KARAThat’s what you said eleven monthsago, when we first moved.

TOMMYDon’t start Kara, ok? It’s takenAtkins a lot of money to keep usmoving about the States.

KARAI’m just glad we can finally settledown here.

TOMMYNew identities. New town. A new life.

KARAAnd a house, which will have realfurniture.

Kara smiles warmly as we get a view out of the windshield. The darkening road up ahead reveals a small town in the distance.

CUT TO:

EXT. COUNTRY ROAD - EVENING

The small town ahead has various lights on. Tommy’s jeep drives around a bend in the road, a large blue sign with italic white letters appears on the right over a large drop.

‘Welcome to Silent Hill’

Tommy’s jeep continues past the sign, heading around another bend in the road. The road suddenly starts to change, the evening sky disappearing as a thick fog begins to grow, darkness falling...

FADE OUT.

A mix between the Halloween and Silent Hill themes haunts the background as the credits appear in a jagged white-font:

Starring:Melinda McGraw

Paul Stephen Rudd Monica PotterMarianne HaganDevin Gardner

WithMax-Lloyd Jones

AndBrad Loree

SILENTSILENTHALLOWEENHALLOWEEN

As the credits come to an end, so does the eerie theme.

FADE IN:

EXT. STREET – TOWN – EVENING

Title Card: 30th October 2006Woodhill, Illinois

‘Laurie’s Theme’ (Halloween) plays softly in the background.

Suburban homes line this average street. Leaves dance along the sidewalks, the wet roads play host to early trick-or-treaters and parked cars.

CLOSE UP of a two-storey house with a driveway. A ‘FOR SALE’ sign is pitched in the front yard.

CUT TO:

EXT. BACK YARD – HOUSE – EVENING

AERIAL SHOT of the garden from Stephen’s flash back. The large pool sits empty and the garden furniture sit stacked on the patio. Footsteps and voices sound.

MALE (OS)This house is amazing.

FEMALE (OS)Wow. It looks... just wow.

A blond haired, middle-aged woman in a red trouser-suit steps up to the pool. By her side, stand a young couple with dark hair, holding hands and wrapped up in thick clothes. The woman looks to be pregnant.

REALTY AGENTWell. We better wrap this up fast.It’s almost six. You’ve seen thehouse and the front, now it’s timeto see the back. This pool wascompleted less than a year ago.

MALEHow deep is it?

The blond haired seller gestures to the male.

REALTY AGENTGo ahead. Try it out.

The male looks at his wife before nodding.

MALEOk.

The male descends into the pool via the ladder, jumping down the last few steps. The male heads for the centre, walking slowly and looking around. The two women watch on.

MALEThis is impressive. It’s not everyhome in this town that you find apool in the back yard.

REALTY AGENTIsn’t it spectacular?

The male nods as he stops in the exact centre of the pool. A cracking sound comes from beneath him. He looks down, taken aback. Tiny cracks start to spread out across the tiled floor.

He steps back as the floor suddenly caves in on itself. His wife screams hysterically as the male jumps back. The realty agent’s eyes open wide.

FEMALE

Oh my god!

REALTY AGENTWhat the hell?

A small hole has accumulated in the centre of the pool, revealing darkness and what looks to be a crumpled up body. The female screams in horror at the body as the male looks on.

MALEJesus Christ!

The body judders. As the male scrambles out of the pool, heavy breathing rises up from the body as it begins to move.

CUT TO:

EXT. BACK YARD – HOUSE – NIGHT

Less than an hour later, night has fallen. Police officers, forensics, the startled couple and realty agent stand around the garden. Large floodlights have been set up. As the forensics look around the pool, the officers hold back the press.

The couple & realty agent stand opposite a middle-aged ANGELA LOOMIS with brown hair down to her shoulders, a stern-looking face and a strong posture in a black trouser suit. She holds out a notepad.

MALEHe just rose out of the rubble andtook a long, hard stare at us.

FEMALE(trembling)

He was so creepy Detective Loomis!What if it was him? What if it wasMichael Myers?

MALEHe walked over to the ladder,climbed out and walked off.

ANGELA LOOMISAnd you say he had a mouldy, whitemask on?

REALTY AGENTAnd a knife. He had a chipped, rustybutcher’s knife.

ANGELA LOOMISThank you for your time.

Angela turns, flicking her eyebrows as she steps over towards the edge of the pool. She stares down at the empty hole with fascinated eyes.

ANGELA LOOMISCould you really be alive Michael?

She gets no response as she simply stares at the hole. A phone rings. Angela whips up her cell phone, frowning at the number. She answers it.

ANGELA LOOMISMr. Atkins? What can I do for you?

CUT TO:

EXT. ATKINS RESIDENCE – NIGHT

A tall, three-storey house leans up against the night sky in a quiet suburban neighbour hood. With a drive containing a dark car, Angela Loomis steps up the porch steps and moves up to the ajar front door. She frowns, pushing the door open.

ANGELA LOOMISMr. Atkins?

A creak comes from within the house. Angela quickly whips up her handgun, lifting up a torch and holding both out.

ANGELA LOOMISShit.

She moves cautiously through the front door.

CUT TO:

INT. HALLWAY – ATKINS RESIDENCE – NIGHT

Angela’s torch lights up the cream walls as she kicks the door shut behind her.

ANGELA LOOMISAtkins?!

Angela slowly moves up to a large archway on the right, peering into a large dining room.

ANGELA LOOMISMr. Atkins?

A creak sounds from upstairs. Angela whips around, her torchlight falling onto the stairs. She steps up to the darkened staircase, looking up.

ANGELA LOOMISMr. Atkins? Are you up there?

Silence. Angela starts to climb the stairs slowly, gun-hand ready.

CUT TO:

INT. UPSTAIRS HALLWAY – ATKINS RESIDENCE – NIGHT

Angela steps into a small hallway, with three doors. The walls have been smeared with mud and blood. Glass frames lie shattered on the carpet as Alison holds her gun & torch up.

She steps up to the first door, opening it slowly and silently. She peers into the room, shining her torch over the messy bed and trashed set of drawers.

She retracts, turning to the second door. She creeps over to it, opening the door ever so slowly.

CUT TO:

INT. BEDROOM – ATKINS RESIDENCE – NIGHT

Angela moves through the doorway, torch up, shining it over the floor. Paper files lay strewn on the floor along with smashed glass. Angela raises the torch to reveal a large desk and several filing cabinets at the back of the room alongside a computer.

Angela shifts over to the desk slowly, looking down at the messed up files. A slam comes from behind her. Angela yelps, whipping around, gun held high to see nothing but the door swinging gently.

ANGELA LOOMISAtkins? That you?

(maybe it’s not...)I’m an armed police officer! I willshoot!

Angela heads for the doorway when she stops, frowning. Something’s caught her eye. She turns to her right, shining her torch over the wall. Written in blood-red letters, are the words ‘SILENT HILL’.

ANGELA LOOMIS(frowning)

Silent Hill?

Angela steps up closer to the wall, holding out her torch hand and sliding a finger down the ‘S’ letter. She retracts her finger, lifting it up to reveal the fresh blood. Her eyes open wide as she turns and darts for the door.

CUT TO:

EXT. ATKINS RESIDENCE – NIGHT

Back outside, Angela moves down the porch and across the lawn, her cell phone held up.

ANGELA LOOMISJust get here will you? Somethingterrible has happened to him. I’mtaking a lead. I think I knowwho’s behind this and where he’sgoing.

(beat)Don’t try to stop me Mason. Justhelp me. Once you’ve looked intowhat happened at Atkins’ place, Iwant you to meet me in Silent Hill.

AERIAL SHOT as Angela walks across the sidewalk and steps up to a silver Mercedes, climbing in quickly.

CUT TO:

EXT. COUNTRY ROAD – NIGHT

The woods stand tall on either side of the dark road, the only light source coming from the above moon. A blue car slowly pulls into view, stopping by the side of the blue ‘Welcome to Silent Hill’ sign.

CUT TO:

INT. MYSTERY CAR – NIGHT

POV: We stare out through the windshield. Several people stand in an orderly line across the road. They’re instantly recognisable; Laurie Strode, Jamie Lloyd and Judith Myers.

Standing to the right of the road is a young boy with sandy blond hair, a vague expression and wearing a bloody clown costume. A younger looking Stephen Doyle. An Alternate Stephen. Heavy breathing rises as we...

CUT TO:

EXT. COUNTRY ROAD – NIGHT

The car pulls forwards. The ‘Halloween’ theme blasts out as the car turns around the bend, disappearing around the mountainside. A heavy fog begins to churn, the gateway to Silent Hill opening...

CUT TO:

EXT. SILENT HILL – MORNING

The average-sized town of Silent Hill fills the screen. The large Lake Toluca is visible between the main town and the large hotel on the hillside. A thick fog covers EVERYTHING.

Title Card: 31st October 2006 Silent Hill

CUT TO:

EXT. STREET – MORNING

Derelict two-storey homes line this quiet street. Dead trees line the sidewalk, trashed cars litter the road and there’s no sign of life. We pull up to a boarded up house, similar to the Carruthers home (Halloween 4/5).

CUT TO:

INT. KITCHEN – HOUSE – MORNING

‘Innocent Moon’ (Silent Hill 3) plays in the background score.

The floor is thick with dust, rubble and fresh blood. Lying in a heap is Tommy Doyle, face down, arms outstretched. Tommy suddenly stirs, groaning gently.

He slowly turns onto his back, revealing his bloody face. With a slash down one cheek, blood seeping through a head wound above his forehead and his clothes dusty as hell, Tommy stares up at the water-stained ceiling for a few silent seconds.

GHOSTLY WHISPER (OS)Tommy...

Tommy frowns, his eyes looking around before realising that he’s on his back. He sits up slowly, groaning loudly as he grabs his throbbing head. He looks around, confused by the derelict room.

TOMMY(croakily)

Kara? Danny? Stephen?

Tommy picks himself up, staggering forwards and catching his balance on the rotting worktop opposite a shattered window. He winces in pain, looking out at the fog that swirls outside. Tommy turns around.

TOMMYHello?

Tommy staggers for the doorway leading into the hall.

CUT TO:

INT. HALL – HOUSE – MORNING

Tommy wanders into the dirty, derelict hall. A large hole in the ceiling reveals an upstairs bedroom. Tommy turns to the smashed open front door.

TOMMY(frowning)

What happened here?

Tommy staggers into the doorway, looking out to his red jeep in the drive, the dead grass for a lawn and the deserted, foggy street.

TOMMY(loudly)

Kara?!

CUT TO:

EXT. STREET – SILENT HILL – MORNING

Tommy staggers out of the house, moving across the front lawn and heading for his jeep. He looks around at the sound of shuffling feet.

TOMMYKara?

He freezes, something moving within the fog.

TOMMYWho’s out there? Kara, baby? Isthat you? I don’t remember...what’s going on here?

(loudly)Anybody?!

He gets no reply. He turns to the jeep, opening the door and climbing in. The engine starts as he throws it into reverse and pulls out of the drive. Several dark figures appear within the fog as Tommy speeds off down the road.

CUT TO:

EXT. COUNTRY ROAD – MORNING

The think fog hides the hilly-woodland terrain surrounding this road. A silver Mercedes pulls up to a stop before the large blue ‘Welcome to Silent Hill’ sign.

The window winds down as Angela looks out with a solemn expression, her hair tied back.

ANGELA LOOMISWelcome to Silent Hill.

Angela pulls forwards, her window going up.

AERIAL SHOT as Angela’s car drives on around a bend in the road.

CUT TO:


Small, boarded up houses line this suburban street. Every so often, a house has an open garage with little inside them. Abandoned cars litter the street. Angela’s silver Mercedes drives along slowly.

CUT TO:

INT. ANGELA’S CAR – MORNING

Angela looks around the street with confusion and apprehension. She passes a destroyed Cadillac, the windows shattered, the doors ripped off.

ANGELA LOOMISWhat the hell happened here?

Suddenly, a piercing, screech of static blasts out from her radio. She lets out a startled gasp, fiddling with the buttons, eyes off the road. No matter what she presses, the screech continues.

ANGELA LOOMISFor God’s sake!

As if sensing something, she looks up sharply. Standing in the middle of the road is a hunched over figure with a white dome head with no facial features (no nose, eyes or mouth). The figure is shrouded in a dirty, beige trench coat. Angela lets out a cry, slamming on the brakes.

CUT TO:


Angela’s Mercedes slams to a stop, the hunched figure gone. Smoke rises from the tires from the force of the braking. Angela climbs out, looking around the foggy, deserted street.

ANGELA LOOMISHello?

Angela turns to look at the boarded up houses, shivering slightly as a few flakes of snow begin to drop. She rubs her arms, a chill running down her spine.

Her eyes wander over to an alley between two homes. The hunched over, dome-headed, trench-coat wearing figure can be seen moving along the alley.

ANGELA LOOMIS(curiously)

Hey. Hello?

Angela slowly walks towards the alley, the figure speeding up as it walks further into the alley. Angela speeds up a little.

ANGELA LOOMISHey! Wait a minute! I need to getto the police station! Can youhelp me?!

Angela enters the alley.

CUT TO:

EXT. ALLEY – DAY/OTHERWORLD

Angela jogs along the alley, as the brick walls on either side appear to get taller and darker.

ANGELA LOOMISHello?

An air raid siren blasts out over the sky above, startling Angela. She looks back the way she came, holding her chest as her heart races.

She looks up to the foggy sky as it begins to darken. A second blast of the siren sounds as Angela starts walking again. The brick walls start to become smeared with blood and odd words as Angela looks around in concern. She squints into the growing darkness.

ANGELA LOOMISWhat’s happening?!

As the siren ends, the darkness completely swallows us. A few seconds of fiddling and short breaths fills the air. A small torch lights up a small area ahead, as Angela holds up a smart little cell-phone, the torch located on its edge. Footsteps sound from ahead.

ANGELA LOOMISH-hello? Who’s there?

Angela uses her spare hand to draw out her gun from its holster. She aims ahead, shining the torch up. It barely pierces the darkness.

ANGELA LOOMISWho’s there? Answer me!

An odd moaning sound comes from behind her. Angela whips around, bringing up the torch/phone. A faceless Lying Figure aka a Demon Patient, with no arms and seemingly wrapped in a straight jacket made out of its own grey/brown skin, stumbles towards Angela, its bent legs slowing it down.

Angela screams loudly, horrified by the sight of this creature. She backs away, shaking her head in disbelief.

ANGELA LOOMISOh my god! Stay back!

Demon-Patient stumbles forwards, coming close. Angela fires, hitting the Demon-Patient in the chest. It staggers back as Angela fires again. And again. The Demon-Patient slumps up against the wall before crumpling into a heap.

Angela exhales heavily, her breath visible. She stares down at the creature in shock and disbelief. Moans sound from behind her. Angela turns quickly, more Demon-Patients staggering towards her, smeared with fresh crimson blood.

ANGELA LOOMIS(screaming)

Oh my god! No!

Angela turns, her feet pounding the ground as she runs. The way back out is barely visible to her as she pants hard, not daring to look back.

CUT TO:

EXT. STREET – SILENT HILL – OTHERWORLD

Angela bolts out from the alley, running across the sidewalk and heading for her car. She dives through her still open door before closing herself within the car.

CUT TO:

INT. ANGELA’S CAR – OTHERWORLD

Angela tries the ignition desperately, panic ripe as tears stream down her face. The engine fails.

ANGELA LOOMISCome on! Come on!

An odd moan sounds from behind her. Angela’s eyes flick up to the rear-view mirror to see a Demon-Patient sitting in the back seat. Angela screams loudly as she pulls up her gun. Her side window suddenly smashes in as a powerful arm flies into view.

Angela screams as a veiny, powerful hand grabs her by the throat. She tries to aim the gun at whatever it is out there but can’t. The Demon-Patient falls forwards through the gap between the seats, groaning loudly

Angela sobs and screams as the veiny hand tightens around her neck. Her eyes slowly start to roll back into her head as everything blacks out.

FADE TO:

INT. ANGELA’S CAR – DAY

Angela jumps-awake from her dream, sitting in the driver’s seat. She’s parked in the same street from the nightmare. She looks around, panting slightly.

ANGELA LOOMIS(relief)

Jesus.

She can only mutter that word as she looks around the street ahead. She tries the ignition, nothing happening. She sighs.

ANGELA LOOMISYou have got to be kidding me.

She tries the ignition again. Nope. It’s not kidding.

ANGELA LOOMISDamn it!

CUT TO:

EXT. STREET – SILENT HILL – DAY

Angela exits her car, looking around cautiously. She spots the alleyway, looking wary of it. She pulls her cell phone out of her coat pocket, lifting it up to see that ‘No Signal’ is displayed on the screen.

ANGELA LOOMISDamn it.

She throws the phone into her pocket, a shadow suddenly falling over her.

FEMALE (OS)Excuse me?

Angela turns with a start to see a bright faced, blond haired female. She wears a white blouse and black trousers, smiling politely.

ANGELA LOOMISUh... Hi.

ALISON TATEHi. I’m Detective Alison Tate.Everything ok here?

ANGELA LOOMISDetective Angela Loomis, Woodhill.My car won’t start.

ALISON TATE(frowning)

You’re all the way from Illinois?

ANGELA LOOMISLook. I don’t have much time. Iwas on the way to the policestation. I um... I felt a littletired, thought it best if I pullover for a minute. Just to rest myeyes.

(then)I need to speak with the chief ofpolice. I think a psychotic killeris here. In Silent Hill. Now, henormally strikes in Haddonfield,but I have a uh... assurance thathe’s coming here.

ALISON TATEMichael Myers.

ANGELA LOOMISYou’ve heard of him?

ALISON TATEWho hasn’t.

(then)You honestly believe he’s cominghere? Why?

Alison places her hands on her hips with a sceptical look as Angela takes a deep breath.

ANGELA LOOMISA year ago, Michael Myers caughtup with a family he’d terroriseda decade earlier. The Doyle’s.

(pause for air)The Doyle’s have been moving allover the US for the past yearbefore finally getting the chanceto settle down. Here. In SilentHill. Now, two days ago, Myersrose out from underneath a pool-

ALISON TATE

(frowning)Wait. Did you say settle downhere?

ANGELA LOOMISYeah... why?

ALISON TATENothing major. Just that SilentHill is a resort town. Kinda putsfolks off from moving here.


Well... that’d work for them. Theyneeded to be in a place whereMichael Myers would not think oflooking for them.

(looking around)But from what I can see... it’snot exactly a resort town anymore.

ALISON TATETrust me. You’re not the onlyone confused here. This isn’tSilent Hill... at least not thetown I know of. Look uh, I noticedyour car isn’t working. You need aride to the station? That is, ifyou know where it is, because Ihave no idea.

ANGELA LOOMISThanks. As long as it’s in thesame place as twenty years ago, Ithink we’ll be fine.

ALISON TATECome on. It’s getting cold out here.

ANGELA LOOMISOk... let’s go.

Alison turns, heading to a sleek, blue Peugeot 307 parked nearby. Angela follows slowly, looking up and down the foggy, derelict street with a cautious, if not unnerved expression.

CUT TO:

INT. ALISON’S CAR – DAY

A little time later, Alison takes a turn whilst Angela looks along the rows of boarded up buildings.

ANGELA LOOMIS

So uh... what happened here?

ALISON TATEIt’s had some bad occurrences overthe years. Deaths, fires, floods,disease... but I must have missedthe news flash on the abandonmentof the entire town.

ANGELA LOOMISGod, I use to come here years agowith my mother. I can’t believe howmuch it’s changed.

(beat)So why are you here?

ALISON TATEExcuse me?

ANGELA LOOMISWhy are you patrolling the streets?I’m assuming you’re not an officerof Silent Hill.

ALISON TATE(smiling)

You really are a detective. I’mfrom Michigan. I got... I got acall from somebody. Somebody whoneeded my help. Somebody who’shere.

ANGELA LOOMISWho?

ALISON TATE(quietly)

My sister.

ANGELA LOOMISDid you phone the police? Is she inserious trouble?

ALISON TATEI don’t know. We haven’t spoken inyears. I just got this call from her.Saying that she needed me.

ANGELA LOOMISSo... you’re gonna look for her?

Alison doesn’t reply as Angela shrugs. Alison speeds up a little.

ANGELA LOOMISI have an address for the people

I’m looking for. Hopefully therewill be some maps at the station.

Angela hands over a piece of paper as Alison takes it, briefly looking at it.

ALISON TATESo you really believe they’re here?And that Myers is after them?

ANGELA LOOMISI do.

ALISON TATEWell... We’ll find them. Don’tworry.

ANGELA LOOMISThank you. I appreciate it.

ALISON TATENot a problem.

CUT TO:

INT. CLASSROOM – SCHOOL – DAY

Rows upon rows of empty seats line this derelict classroom. Rubble litters the floor whilst thick dust covers everything. A few windows look out to a thick fog. Hunched over one desk is Stephen Lloyd. He stirs, lifting his weary head up, eyes bloodshot.

He looks around, taken aback by the state of the room.

STEPHENHello?

Stephen bites his lip nervously as he stands slowly. He looks towards the open doorway leading out. He staggers across the room, heading for the door.

CUT TO:

INT. CORRIDOR – SCHOOL – DAY

Stephen moves out into the dirty, dank corridor. With light shining through the dusty windows at one end, Stephen heads along the corridor slowly. As he moves, trotting paws can be heard.

Stephen turns to a staircase as several skinned dogs trot down the steps. Stephen whimpers, the dogs turning to face him. With eyeless-sockets staring at him, sharp fangs bared and blood dripping from their skinless, fleshy body; the skinless dogs lean down in a preparation for attack. One of them barks.

Stephen screams as the dogs charge for him, barking wildly. Stephen turns, bolting for the nearest door. He flies into a room, slamming the door shut behind him as one dog jumps up, smashing head first into the door.

CUT TO:


Stephen yanks a nearby unit up against the door, trembling with fear. He grabs a nearby desk, hauling it over, doing the same with a set of drawers.

He backs away form the door as various growls and barks can be heard. He stares at the door with fear, backing up into a desk.

STEPHENPlease... don’t let them get me!Please god!

Stephen turns, panic clear on his face as he darts for the teacher’s desk. He scrambles underneath it, hiding away. He leans his head against the desk, closing his eyes, crying gently.

CUT TO:

INT. TOMMY’S JEEP – DAY

Tommy takes a left at a junction, the fog thick. He sighs to himself as he fiddles with the radio. Only white noise plays back. Suddenly, a blast of odd, tangled screeching static sounds as Tommy slams the radio off.

TOMMYWhat is going on?

He wipes his brow, taking away some of the sweat and blood. He suddenly yells, slamming on the brakes.

TOMMYJesus Christ!

Tommy pants for a few seconds. He throws off his seatbelt and opens the door to jump out.

CUT TO:

EXT. STREET – DAY

Tommy slams his jeep door shut, eyes wide in confusion and shock. He steps along the road, large cracks appearing, the buildings on either side ending abruptly in a pile of debris.

TOMMYOh. My. God.

Tommy steps up to the end of the cracked road, where a large, foggy abyss lies. He looks down into it with horror.

AERIAL SHOT with the large abyss showing the end to Silent Hill as Tommy stands right on the edge, staring down...

Tommy backs off slowly, turning back to his jeep, running his hand over his face.

TOMMYHow... it’s not...

Tommy darts for his jeep, panic in his eyes.

TOMMY(shouting)

I need help! Please! Anybody!

Tommy throws open the jeep door. He goes to jump in when he suddenly slips. He smashes his head on the doorframe, crashing down to the ground with an unconscious thump.

CUT TO:

EXT. POLICE DEPARTMENT – DAY

It’s a basic, two-storey building with barred windows and several trashed, abandoned police cars parked out front. Dead trees decorate the front area, shrouded in fog.

CUT TO:

INT. RECEPTION – POLICE DEPARTMENT – DAY

It’s a bare, grey lobby with water-stained walls and cracked tiles for a floor, a few broken waiting seats, an old elevator at the back and a desk by the double glass doors leading in. Alison and Angela walk in slowly from the doors. Angela looks around in bewilderment.

ALISON TATEWhat a state.

ANGELA LOOMISThis can’t be right. The Doyle’swould not have been moved here.

ALISON TATEThe town is deserted... it doesn’tmake any sense.

ANGELA LOOMISPerhaps your sister left town too?

ALISON TATEPerhaps. I’ll look for some townmaps.

Alison heads around the desk as Angela leans onto the dirty, rotting counter with a small smile.

ANGELA LOOMISThanks for believing me. I had todefy my chief to come here.

ALISON TATE(smirking)

Again. Don’t worry about it.Anything to delay my meeting withmy sister.

Alison bends down in front of a large cabinet, yanking it open. Angela looks around the bleak reception.

ANGELA LOOMISAre you not that bothered abouthelping her?

Angela turns to look at Alison as Alison rifles through various drawers.

ALISON TATE(slowly)

She’s probably fucked up again. Shesaid it was urgent, that she’d beendeceived by her fiancé. It’s notlife threatening.

(then)I have a map.

Alison holds up a town map, spreading it across the counter.

ALISON TATEWhere’s that address?

ANGELA LOOMIS(handing it over)

Here.

Alison reads the address once again before scouring the map with her eyes.

ALISON TATEOk. I’ve got it. Let me just circleit.

Alison pulls out a pen from underneath her coat, circling a street and drawing a few lines from where, we presume, they must be.

ALISON TATELets check it out. And hope wefind them.

Alison and Angela share eye contact for a few seconds before they both head for the doors.

CUT TO:

EXT. HOUSE – SILENT HILL – DAY

Along the foggy lawn, Kara Strode runs into view, bloody faced, torn clothed and looking like she’s been through hell. Black rope dangles from her wrists.

KARA(screaming)

Tommy?!

Kara bounds up the porch steps and runs through the open doors.

CUT TO:

INT. HALLWAY – HOUSE – DAY

Kara looks around the derelict hall, turning to the kitchen area.

KARATommy?

CUT TO:

INT. KITCHEN – HOUSE – DAY

Kara moves into the kitchen, looking down at the spot where Tommy had once lain.

KARAOh god... where are you? Tommy?!You have to help me! I can’tfind Stephen! Danny’s coming! Ican’t-

A thump sounds from somewhere within the house. Kara freezes, turning around slowly, her eyes looking back into the hall.

CUT TO:


POV: We slowly move up the rotting, creaking stairs. Heavy breathing arises around us as ‘The Evil Child’ starts to play slowly.

Kara steps out from the kitchen slowly, looking out of the front doors. A creak sounds from above. She turns quickly to the stairs.

KARATommy? Stephen?!

Kara starts up the stairs cautiously.

CUT TO:

INT. BEDROOM – HOUSE – DAY

Kara pushes a rotting door open. She moves into the dilapidated room, looking over the ruined carpet and the burnt walls. Her eyes fall down onto a photograph in the middle of the floor, sitting just before the large hole overlooking the hallway.

KARAWhat?

Kara bends down, grabbing the photograph of a younger Stephen Lloyd and herself. Her eyes widen.

KARAOh my god.

POV: We move slowly towards Kara, her back to us. Something pointed briefly moves through our view as an arm rises up.

Kara starts to stand. She hears a creak and turns. Her eyes widen as she lets out a terrified scream.

KARANOOOOOOOOOO!

The shape of Michael Myers descends on her like the Angel of Death, as he plunges his rusty, chipped knife into her chest. Kara screams as she stumbles back, falling over and flying through the hole. She lands with a bone-crunching thump below as Michael steps forwards.

He looks over the edge at the spread out body of Kara as a pool of blood forms around her. He tilts his head, admiring his handy work.

CUT TO:


Standing in the open doorway is a stunned Danny. He runs his hand through his mop of hair, distressed at the sight of his mother lying in her pool of blood. He looks up slowly, spotting Michael staring down at him.

DANNYYou fucking bastard! You son of abitch! I’ll kill you!

GIRL (OS)Danny?

Danny spits with rage as a slim, blond hair, pretty girl steps through the doorway, wearing a dirty, torn white vest with jeans. She’s Josie.

JOSIEOh my god Danny... what happened?

DANNYHim!

Danny points up to Michael. Josie trembles as Danny heads for the stairs in a rage.

JOSIENo! Danny wait!

DANNYI can’t Josie! I can’t take itanymore!

JOSIEYou can’t walk into death! Please!You’re the only other normal personI have left!

CUT TO:

INT. BEDROOM - HOUSE – DAY

Danny bursts through the door, looking around the decrepit, large-hole room. He frowns. No sign of Michael.

DANNYWhere are you? Huh? Where are you?

I-PODEEEEEEEEEEEEIIIIIIIIIRUUUUUUGHEEEEEEEE!

Danny yells, jumping around to see his I-pod lying on the floor. He frowns as it continues to blast out the noise from the ear-bud headphones. Danny stamps down, smashing the I-pod.

DANNYPiece of shit.

A figure appears at the edge of the hole in the floor. Tall, skinny, knobbly arms with a pale white mask with fluffy brown hair (Michael’s mask). Danny looks up slowly, fear washing over him as he turns to face the deformed beast.

DANNYNo... it can’t be... you’re from mygoddamn dreams! What’s going on?

Danny backs away as an alarmed Josie appears in the bedroom doorway.

JOSIEDanny, please-

Josie lets out a bloodcurdling scream as the figure, from off screen, lets out a low hissing sound...

CUT TO:

INT. ALISON’S CAR – DAY

Alison sits behind the wheel, the foggy street ahead containing more boarded up buildings and abandoned cars. Angela frowns at her phone.

ANGELA LOOMISI still have no signal.

ALISON TATEIf we find a phone, we’ll call for-

Suddenly, Angela’s phone emits odd static sounds but nowhere near as bad as the ‘monster screech’.

ANGELA LOOMISWhat is wrong with this thing?

ALISON TATE(shrugging)

Try turning it off then back on.

Alison turns back to the road ahead, her eyes widening.

ALISON TATEOh my god!

Angela whips her head with a frown.

ANGELA LOOMISWhat is it?

ALISON TATEHer!

We look through the windscreen. Standing in the middle of the road, shrouded in the fog, is a sleek, feminine figure, arms out spread. Alison slams on the brakes, jarring the wheel to the left. Both women scream as the car skids.

CUT TO:

EXT. FOGGY STREET – DAY

Alison’s blue Peugeot skids across the road. It upturns with ease, the windows smashing as it skids across a lawn. It violently slams into the side of a building, bricks raining down. Silence falls.

CUT TO:


POV: We slowly walk along a foggy street. We come up against a shop door and window. In the window stand, a mannequin is naked besides one thing; a fresh, white Michael Myers mask...

CUT TO:


The upturned blue Peugeot remains still, a pile of bricks on top. Crawling out from a smashed window, is Angela Loomis, groaning loudly with a bloody gash on her forehead. She manages to stand. She looks back down as Alison’s blond head appears.

ALISON TATEJesus Christ...

ANGELA LOOMISNext time, I drive.

ALISON TATEYou saw the... the girl in the road,right?

Angela bends down, grabbing Alison and helping her stand. They both brush off, looking around the white fog.

ANGELA LOOMISI must have missed her. You ok?

ALISON TATEI think I’ve fractured a rib.

Angela wraps an arm around Alison’s back, helping her move around the car. Alison smiles meekly at Angela, leaning into her. They turn to the right, facing a large bay window.

ANGELA LOOMIS

I think we hit a house...

ALISON TATE(oh crap!)

A house?

Angela pulls up the town map from Alison’s pocket. She looks at it for a few seconds, looking around.

ANGELA LOOMISWe just took this turn... Come on.It’s only another block.

We pull back as the two woman move across a grassy front yard, Alison clutching her side and looking across the street for any sign of the girl.

CUT TO:


Basic, derelict, two-storey homes line this quiet street. Dead trees line the sidewalk, trashed cars litter the road and the only sign of life is Alison hobbling along with Angela supporting her. Angela looks up to the ‘Carruthers’ like house. She spots the number.

ANGELA LOOMISThis is it.

ALISON TATELet’s see if anyone’s inside. ThenI suggest we get out of here. Ineed to get to a hospital.

ANGELA LOOMISWhat about your sister?

ALISON TATEI can visit her another time!

ANGELA LOOMISYou said it was urgent.

ALISON TATENo. She said it was urgent. Thatmeans it’s not, ok?

Angela just nods as they both head towards the Doyle’s new house.

CUT TO:


The front door swings gently on its own, banging into the wall. The house is silent as Angela and Alison appear in the doorway. They move into the hallway, looking down instantly to Kara’s body.

ANGELA LOOMISJesus... I’m too late.

ALISON TATELooks like you were right.

Angela bends down by Kara, shaking her head as Alison looks up to the big hole in the ceiling.

ALISON TATEI’ll check for anyone upstairs.

ANGELA LOOMISYou sure you want to take thosestairs? With your rib?

ALISON TATEI can manage.

ANGELA LOOMISBe careful. That son of a bitch ishere. Somewhere.

Alison nods before moving up the stairs as Angela watches her go. Angela then turns and heads for the front room.

CUT TO:

INT. UPSTAIRS HALLWAY – HOUSE – DAY

As Alison steps off the stairs, she looks around the dank area slowly.

ALISON TATE(gasping)

Oh god...

Standing before one of the bedroom doors is a woman in her twenties with shoulder-length blond hair. Wearing torn jeans and a dirty, torn top, she extends her hand out to Alison, silently pleading for help.

ALISON TATE(faltering)

Chloe... what-

Alison blinks, Chloe vanishing from sight instantly. Alison frowns.

ALISON TATEChloe?

She turns to look to an open door by her side. She shakes her head, slightly freaked out as she heads through the door.

CUT TO:


It’s a large square room. With a dirty double bed, rotting chest of drawers standing beside a similar looking wardrobe and a closed en-suite door. Alison steps in, looking around, clutching her ribs.

ALISON TATEOk... just calm down Alison. Shewasn’t really there... she wasn’treally-

A small bump comes from within the en-suite room. Alison jumps up, her eyes on the door. Her right arm pulls out her handgun as she winces in pain from her rib. She aims ahead, moving towards the door.

CUT TO:


Angela moves into the rubble-filled, dirty, dank kitchen. Strips of light filter through the boarded up windows. She frowns. Did something drip in front of her? She looks up slowly at the ceiling as several more red drops of blood fall down in front of her.

CUT TO:


As Alison steps up to the door, her left hand trembles whilst it extends to the doorknob, twisting it slowly. The door creaks open, darkness visible within.

CUT TO:


Angela’s eyes widen in pure horror as she stares up at the ceiling. She covers her mouth, but her scream still escapes. It echoes around the kitchen as we flash-cut up to the ceiling. A flayed-corpse with razor sharp barbed wire holding it to the ceiling, mouth open in twisted horror, eyes sewn shut and arms spread out as if crucified.

CUT TO:


Alison ignores Angela’s scream as she throws the bathroom door wide open. A scream comes from within the bathroom as Alison holds her gun up and flicks up a small pocket torch.

The slim, blond-haired Josie sits huddled up in the bathtub with her clothes stained with fresh blood.

ALISON TATEWho the hell are you?

JOSIEPlease!

ALISON TATEAnswer me!

JOSIEMy name is Josie!

ALISON TATE(suspiciously)

What’s with the blood?

JOSIEI-I tried to help him. It wouldn’tlet go of him. And it took hisskin... It took his skin and I ranto hide.

Alison shakes her head slowly, confused and shocked. She lowers her gun as she gestures for Josie to get up.

ALISON TATECome on.

ANGELA LOOMIS (OS)Alison! Get down here!

Alison turns from the doorway, heading across the bedroom as Josie follows her closely, shaking with fear.

CUT TO:


Angela stands in the doorway, her mouth covered with tissue. Alison appears beside Angela, Josie in the background. Alison spots a pile of fresh vomit on the floor, slowly looking up at Angela.

ALISON TATEWhat is it?

Angela points to the ceiling as Alison looks up. Her jaw drops, her eyes widening. She starts to gag.

ALISON TATEOh my god!

JOSIE(shaking)

What is it? Is it Danny? Danny?!

Josie shoves past Alison and Angela as Angela looks at Josie with shock. Josie spots the body on the ceiling. She lets out a loud scream as she collapses onto her knees. Alison quickly bends down beside her, grabbing her.

ALISON TATEIs that Danny? Did you see who didthis?

Josie cries heavily, shaking her head as Alison stands slowly, wiping her forehead with her hand. Angela steps up to Alison.

ANGELA LOOMISDanny Doyle... Oh god. Who is she?

ALISON TATEShe was hiding upstairs. Her name’sJosie. She knows him.

Alison points to the body above.

ANGELA LOOMIS(quietly)

God. She’s covered in blood. Thereis a body hanging from the ceiling.Myers has beat us to them. Kara andDanny. There are only two others left.

JOSIE(quickly)

Tommy. And Stephen.


You know them?

JOSIEI saw them... but we all ran. Weran to hide from them.

ANGELA LOOMISFrom who?

JOSIEI don’t know.

Josie breaks down into sobs as Angela sighs.

ALISON TATE

There’s a radio in the car. And ashotgun and several torches in thetrunk.

ANGELA LOOMISI have a gun. I’m a detective tooyou know.

ALISON TATEI’d feel safer with a weapon that’llblow this fucker away.

JOSIEIt won’t stop it.

Angela and Alison turn to Josie who looks over her shoulder, her eyes gushing tears.

JOSIEI stabbed this thing and it wouldn’tdie.

ALISON TATESo you did see it?

JOSIE(slowly)

No. I only saw part of it. It’s backand arms. It had a ridged back andlong, knobbly arms with huge claws.It had a mask... a white mask.

ANGELA LOOMISYoung lady, that sounds more likea monster than a man. I thinkthe sight of the body has affectedyou.

JOSIE(standing up)

No! Listen to me! This wasn’t aman! It’s not even human!

Alison looks worried as Josie looks down. Angela rolls her eyes.

JOSIEWe’re all going to die.

ANGELA LOOMISNo! Now come on. Pull yourselftogether.

ALISON TATEWe’ll grab the stuff from the carand set up base here.

ANGELA LOOMISWhat?

Alison turns to Angela.

ALISON TATELook. We’ll be safer staying putfor now, armed to the eyeballs. Ifanything comes at us, we can blowthem away. We won’t make it back inthis fog. Besides, we don’t have anytransport.

ANGELA LOOMISWe have feet don’t we?

(then)In my family, we don’t sit aroundand wait for the cavalry. We goout and get the help. And if weshould happen to run into Myers,who did that-

(points at the body)-then we can still blow him away.

Alison stares hard at Angela, her soft side showing as she nods. Josie continues to sob in the background.

ALISON TATELet’s get the stuff from the car.

The two detectives head for the hallway, leaving Josie alone.

CUT TO:

EXT. HOUSE – DAY

Angela and Alison exit the house, heading across the front lawn. Alison looks at Angela slowly.

ALISON TATEI think there’s something seriouslywrong here.

ANGELA LOOMISI hope that was sarcasm Tate.

ALISON TATEI don’t just mean the dead bodiesin there... Remember I said I wasmeeting my sister?


Yeah. What about it?

ALISON TATEI saw her. Again.

Angela frowns, stopping and turning to face a slightly unnerved Alison.

ANGELA LOOMISWhat are you talking about?

ALISON TATEHer name is Chloe. I think it washer I saw in the middle of theroad earlier. When we crashed.

ANGELA LOOMIS(slowly)

Alison... nobody was in the road.I saw nobody in the road.

ALISON TATEI did. And I saw her again.Upstairs. She looked distressed,her clothes were torn and I thinkshe was asking me for help.

Angela grabs hold of Alison’s arms, shaking the taken aback woman.

ANGELA LOOMISSnap out of this Alison! Chloe wasnot in the road and she could nothave been upstairs with you inthat house. She’s not some ghostwho can just appear and-

ALISON TATE(slowly)

I know what I saw. I’m not crazy.

ANGELA LOOMISYou are seriously unnerving meTate. You sound like Josie!

Alison sighs, rubbing her face as she turns away from Angela. Angela keeps her wary eyes on her.

ALISON TATEWe uh... we better get the stufffrom the car.

Alison wipes her tearful eyes as Angela sighs, shaking her head.

ANGELA LOOMISYou know... I never like to acceptthings that I don’t fully

understand.

ALISON TATE(smirking)

The denial-type, huh?

ANGELA LOOMISI guess. I can sometimes switch offfrom things... unless I cancomprehend them.

ALISON TATECan you comprehend what we’ve seentoday? I’ve seen my sister twice,there’s a homicidal maniac on theloose and there are two corpses inthat house.

Angela stares at Alison, lost for words. After a few silent seconds, Josie appears in the house doorway, trembling with fear.

ANGELA LOOMISThe only thing I can comprehendright now is that there issomething really wrong. Not justwith Michael Myers. Not withwhatever you saw. But with thistown. With Silent Hill. This place-

An air raid siren suddenly blasts out across the town. Angela and Alison both look off down the foggy street with a frown as Josie cries heavily.

JOSIEOh god... make it stop. Please!

ALISON TATEWhat is that?

The siren repeats as Angela shakes her head slowly. The sky above begins to darken.

ANGELA LOOMIS(looking up)

I’ve heard it before. In my dream.

ALISON TATE(nervously)

It’s getting dark. And quick.

JOSIEWe should wait in the house!

The siren repeats a third time as it continues to get darker.

ALISON TATEI don’t like this.

JOSIEPlease! Get in the house! It’scoming!

ANGELA LOOMIS(turning to Josie)

What’s coming? Do you know what’sdoing this?!

Angela sounds slightly on edge... unable to understand what is going on. The siren ends as darkness has completely engulfed the street. With minimal light, Alison and Angela whip out their handguns.

JOSIE (OS)Get inside!

Scraping footsteps sound from everywhere. Low grunts and growls escape through the darkness. Angela and Alison wave their guns around, peering into the darkness.

ALISON TATEWe’re not alone out here.

ANGELA LOOMISIn the house. Now!

Angela and Alison turn, bolting across the lawn as Josie jumps up and down in the doorway.

JOSIEHurry! Please! Hurry!

Josie steps aside as Angela and Alison throw themselves through the doorway.

CUT TO:

INT. HALLWAY – HOUSE – OTHERWORLD

Josie moves over to the stairs as Angela locks the door. Alison holds up her pocket torch, shivering as she backs up to the wall. She frowns, looking around. The walls have all decayed further with blood smeared all over.

ALISON TATEWhat the hell? You seeing this?

ANGELA LOOMISIt’s... changed.

JOSIEWhat are we going to do?

ALISON TATEWell. We can’t see a thing outthere. And something seriouslywrong has happened in here.

ANGELA LOOMISTorches. We’ll take torches andget to the car.

Angela turns, heading through the kitchen doorway as Josie shakes her head.

JOSIEWe can’t go out there... pleasedon’t make us go out there!

ALISON TATEWhat do you know Josie? What isout there? Who set of that siren?Why did the sky just suddenly godark? It’s not even midday forgod’s sake!

Josie cries, burying her face into her hands as she sits down on the bottom step.

JOSIEI don’t know! God, I don’t know!

A few seconds go by, with the sounds of slamming drawers and that of somebody rummaging through things.

ANGELA LOOMIS (OS)I’ve found a flashlight!Everything’s changed in here! It’s-mother of God... Tate!

Alison leaps forwards towards the kitchen as a nervous Josie looks up, eyes bleary.

CUT TO:

INT. KITCHEN – HOUSE – OTHERWORLD

Alison rushes up to Angela, who stands in the centre of the now-rubble-free kitchen. The floor is tiled with large grey slabs, the walls bare concrete. Angela stares at the ceiling with a torch.

ALISON TATEWhat is it?

Angela nods upwards. Alison follows the beam of torchlight to the bloody ceiling where no body is bound. Alison gasps with fear.

ALISON TATEOh god! The body? Where the hellis the body?

ANGELA LOOMISIt’s gone... someone’s taken it.

JOSIE (OS)Or something.

Angela and Alison turn to the doorway as Josie stares at them, bug-eyed.

ALISON TATEWe have to get out of here... butI can’t leave without my sister.

JOSIEWe could call the police oncewe’re out of here. Let them findher.

ANGELA LOOMISFor the moment, I think we are thepolice. The Doyle’s are out there.Somewhere. And I have to find them.Before Myers. And you have to findyour sister Tate.

ALISON TATEWhat if he’s doing this? What ifhe’s playing with us.

ANGELA LOOMIS(I wish)

Myers doesn’t control the sky.Myers couldn’t have set off thatsiren and collected the bodysimultaneously-

A loud scraping sound cuts Angela off as she whips around, bringing up the torchlight and shining it across an open doorway leading deeper into the house. Alison holds up her gun, clenching her jaw nervously as Josie watches on.

JOSIEWhat was that?

ALISON TATEWho’s there?

Angela pulls out her gun, holding it up with the torch as she takes a cautious step forwards. Alison moves up alongside Angela. As they approach the dark doorway, a shadowy figure appears with strips of barbwire hanging off of its body.

ALISON TATE(screaming)

Jesus Christ!

Angela’s eyes widen in pure horror as the bloody, skinless corpse from the ceiling staggers forwards, groaning loudly. With barbwire wrapped around its body, restricting its movement, it stumbles forwards.

ANGELA LOOMIS(whispering)

What the hell is that?

ALISON TATESomething you can’t comprehend,right?

JOSIEShoot it! Just shoot it, please!

This corpse groans loudly as it comes with inches of Alison. Josie cries, turning and bolting out. Angela turns.

ANGELA LOOMISJosie! Wait! It’s not safe outthere alone!

The front door slams as Angela turns back. The corpse stretches out one twisted, bloody arm towards Alison’s face, strips of barbwire hanging off from the torn flesh.

Alison opens fire, splattering the corpse in the face. The corpse flies backwards, crashing to the floor. Alison lets out a deep breath, panting slightly, holding her gun out rigidly. Angela steps up to Alison, pulling her arm down gently.

ANGELA LOOMISIt’s ok Alison...

ALISON TATE(shaking)

I... what was it?

ANGELA LOOMISThere is something very wrong withthis place. I don’t know what’sgoing on, or why, but we can’t letit freak us out if we’re to getthrough this. Ok?

(beat)Ok?

Alison nods, turning away from the dead corpse. Angela stares at the corpse for a few silent seconds before turning away.

CUT TO:

EXT. DOYLE RESIDENCE – OTHERWORLD

Alison and Angela step out through the door, looking around the eerie, foggy darkness ahead of them as odd grunting and shuffling sounds fill the dark street.

ALISON TATE(whispering)

How are we going to find Josie?


I don’t know. But we can’t stayhere.


What if there are more skinlessthings out here?


Then we avoid them and keepmoving. I think we both know whatwe have to do if they come tooclose.

(Alison nods)Stick close to me, ok?

Alison nods. She extends her hand, to which Angela takes with a small smile. They both step down the porch and onto the grassy lawn. They head quietly and slowly towards the edge of the sidewalk.

Alison trembles slightly, Angela keeping a stiff upper-lip. Two figures appear from the darkness in front of them. Alison and Angela part hands. Alison raises her gun.

ALISON TATEIs it one of them?

Two armless Demon-Patients, with straight jackets made out of their own skin, stumble into view.

ANGELA LOOMISOh god! Shoot them!

Alison blasts one of the Demon-Patients in the gut, sending it flying backwards with a high-pitched screech. Angela whips up her handgun, shooting down the other Demon-Patient.

Angela stares at the bodies as more shuffling footsteps come towards them. Angela shakes her head.

ANGELA LOOMISI’ve seen these things before...

ALISON TATEWhen? Today?

ANGELA LOOMISIn my nightmare earlier, in mycar.

ALISON TATEThe eye-rest?

Angela nods as she looks up slowly to several dark figures who appear before them.

ANGELA LOOMISThere are at least six of them...

ALISON TATEOh god. Oh god. Oh god.

ANGELA LOOMISDon’t panic Alison, ok? Stay withme here.

Angela raises her gun, aiming it at a Patient-Demon. Suddenly, the darkness begins to lighten, the sky above re-appearing. The Demon-Patient suddenly appears to be alone as the other dark figures fade away.

ALISON TATEWhat’s happening?

ANGELA LOOMISDaylight’s back. And it looks likeits taken away most of those things.

(then)Come on. Save the bullets.

Angela grabs Alison’s hand, manoeuvring her around the Demon-Patient as they run along the road. The bright, white fog returns. For now.

FLASH TO:

INT. BRICK ROOM - FLASHBACK

In a basic, brick-walled room with no windows and a metal door, Tommy stands up against the door, holding it firmly shut, sweat pouring down his forehead. The blond-haired CHLOE TATE stands in the room, her jeans/top torn.

CHLOEThat won’t keep them out forever.

TOMMYI know... I know. We just have tothink...

CHLOE(starting to cry)

We’re never going to get out ofhere.

Tommy looks over his shoulder at the tearful Chloe as she lets out a sob.

TOMMYWe will. I promise you. We’ll getout of this, ok?

Chloe nods as the door thumps loudly. Tommy yells, the door pushing open. Chloe screams as the door is suddenly thrown open, sending Tommy crashing to the dirt.

CHLOENOOOO!

Tommy looks up, fear in his eyes as several unseen figures advance on him...

FLASH TO:


Once again, Tommy lies on his back, eyes shut.

TOMMY(quietly)

Chloe...

Tommy’s eyes flare open as he quickly climbs to his feet. He looks along the light, foggy, deserted street. He missed the entire Otherworld. Tommy looks the other way, spotting the large foggy chasm.

TOMMYWho are you Chloe...

Tommy sighs as he staggers up to the sidewalk, balancing himself up against a wall. He runs his hand over a large, bloody patch on the side of his head. He winces from the pain.

TOMMY(sadly)

Is nobody out here?

A low scratching sound comes from somewhere across the street. Tommy whips around to the source of the sound. Dragging footsteps come from the fog along with a grunt. Tommy backs up

against the wall in fear, his eyes darting left to right, not sure what to do.

TOMMY(quieter)

Hello?

A slim figure appears within the fog.

TOMMYHello?

The figure doesn’t respond, letting out grunts. Stepping through the fog is a mannequin. Pale white, stitched together skin, flailing arms and no face. The mannequin moves towards an aghast Tommy.

TOMMY(horrified)

Jesus Christ!

Tommy realises he can’t back away, the mannequin getting closer, gurgled growls escaping from it. Tommy’s eyes dart from left to right, desperate for some kind of defence...

Suddenly, the mannequin stops as a slice sounds. Tommy frowns.

TOMMY(slowly)

Michael?

Michael stands behind the creature, in a new navy boiler suit, fresh white mask, twists his butcher’s knife deeper into the mannequin’s back. It goes limp. Michael rips out his knife, dropping the creature to the ground. Michael looks up to Tommy.

TOMMY(angrily)

No! You can’t be alive! I buriedyou! I fucking buried you!

Michael takes a step forward when a deep growl comes from behind him. He turns slowly as the tall, skinny, knobbly-armed figure from earlier, wearing a replica of Michael’s mask, stands nearby.

Michael tilts his head. Tommy turns quickly to one end, where Alternate Stephen stands in the distance, staring directly at Tommy. Tommy frowns.

TOMMYStephen? What are you doing outhere? Come-

Alternate Stephen turns, taking off. Tommy’s eyes widen.

TOMMYStephen! Wait!

Tommy takes off as Michael remains rooted to the spot, eyes on Knobbly as it staggers closer. Knobbly’s skeletal frame is visible underneath the tightly stretched white skin. Each hand has stubby fingers with razor sharp claws. Michael steps forwards. As they come within a few feet of one another...

Knobbly shoots out his right arm, slashing Michael’s arm with his claws. Michael’s eyes widen in rage as he lunges forwards, swinging his knife at Knobbly’s head. His knife slices across Knobbly’s chin area, a thick slab of white mask & white flesh dropping to the ground. Knobbly screeches loudly as blood pisses out from its chin.

Michael swings his knife like Rudy from ‘Halloween: Resurrection’, slicing the white demon across the chest and abdomen, revealing greying bones and crimson blood. Knobbly’s right arm pushes out, his clawed hand slamming into Michael’s chest.

Michael’s taken off the ground, soaring backwards and smashing through a shop window. Knobbly bends down before suddenly springing forwards, flying through the shop window.

We stay on the street, as the sounds of smashing and hitting comes from within the shop. Knobbly suddenly comes flying back out of the window, smashing down onto the ground hard. Michael steps down out of the shop window, a scythe in his hands as he breathes heavily.

Knobbly stands, swinging with his right claws. Michael swings the scythe with ease, the blade ripping through Knobbly’s arm. Knobbly lets out a high-pitched screech as black blood pisses out of his severed arm. His severed arm flops on the ground.

Michael swings the scythe around, the blade slicing through Knobbly’s skinny neck. Knobbly’s head slides off his neck, slapping onto the ground. The white-stretched body falls down as Michael stands triumphantly.

Michael turns to face where Tommy had taken off, breathing heavily. He sets off in that direction, keeping the scythe.

CUT TO:

EXT. SIDE ALLEY – DAY

Tommy steps into a narrow alley between two tall, buildings with boarded up windows. He looks down the foggy alley, the other end obscured.

TOMMYStephen? You down here champ?

Tommy walks along the alley slowly, using one hand to guide him along the wall.

TOMMYStephen?

Running footsteps sound up ahead as Tommy speeds up into a fast walk.

TOMMYStephen? That you? It’s daddy!Don’t be afraid!

Tommy breaks into a run at the sound of crashing trashcans. As the fog thickens, objects begin to appear along the floor. Tommy passes a pile of bloody syringes with a frown. Tommy looks ahead as Alternate Stephen darts through a door leading into the building.

TOMMYStephen! Wait! Please!

Tommy dashes for the door.

CUT TO:

INT. BOWLING ALLEY – DAY

Inside a dark, grimy, disused bowling alley, Tommy slowly walks along the front row of the various bowling aisles. He looks over the broken TV’s lining the ceiling, the computer stands where players keep their points and the rotting benches.

TOMMYStephen? Where are you? Why areyou running from me?

A giggle sounds from somewhere to the left. Tommy spins around to see Alternate Stephen dashing past the reception desk and pushing out through a dusty glass door.

TOMMYStephen! Wait!

Tommy darts past the benches, heading for the reception desk as a loud growl sounds from somewhere behind him. Tommy turns, looking around the dark bowling aisles.

TOMMY(trembling)

Oh god... who’s there?

Another growl follows. Tommy backs up to the glass door before turning and exiting quickly, fear pounding through him.

CUT TO:

INT. RECEPTION – POLICE DEPARTMENT – DAY

The lobby is void of life. Angela and Alison move through the glass doors, looking around cautiously.

ALISON TATEI can’t believe we lost the map.

ANGELA LOOMISWe’ll just grab another one.

ALISON TATEHow are we going to find my sisterand the Doyle’s?

ANGELA LOOMISI don’t know yet. I’m stillcontemplating getting out of hereand calling the cops. Let themhandle this, you know?

ALISON TATEI hear you. But I just can’t bringmyself to leave my sister in thistown with those things.

Alison looks down the water-stained hallway, a dull grey tint coming through the windows on either side of the elevator at the back.

ALISON TATEThe maps are behind the desk in afiling cabinet. I’ll check for anysupplies.

ANGELA LOOMISThen we’re moving on.

ALISON TATETo where?

ANGELA LOOMISI don’t know... It’s just not safeto stay in one place for too long,not if those things are followingus.

Angela moves around the dirty reception desk, yanking open a nearby filing cabinet’s door. She searches through the files. Alison bites her lip, leaning up against the desk.

ALISON TATEWhat if the Doyle’s are already

dead?

Angela looks up with a pale face.

ANGELA LOOMISI’ve found something.


What is it?

Angela stands, holding up an old, withered, brown map of Silent Hill with red lines, circles and words scribbled here and there.

ANGELA LOOMIS‘Blood will flow. The door will open.I’ve been abandoned. Left alone.’

(beat)It’s on the back. On the map...There are things on it. ‘Avoidalley’. ‘Hole’. ‘Tate’.

Angela’s eyes widen as Alison frowns.

ALISON TATEWhat does that mean?

ANGELA LOOMISThat somebody else knows you’rehere. I’m assuming somebody whoisn’t Chloe.

ALISON TATEBut who?

ANGELA LOOMISI don’t know.

ALISON TATECan I see the map?

Angela hands the map over the desk to Alison who looks puzzled by it.

ALISON TATEThere are markings on the map. Redcircles around certain buildings.

ANGELA LOOMISI guess we now know where to look.

We get a close up of a map of Silent Hill as Angela and Alison exchange glances.

ANGELA LOOMIS

What’s this building here? It’s gota red line leading up to it

Angela points as Alison strains her eyes.

ANGELA LOOMISIt looks like an apartment block.The red line goes from here tothe apartment block.

Angela looks around suspiciously with paranoia as Alison continues to stare at the map in her hands.


Someone is trying to direct usaround town.

ALISON TATEWhat? How could somebody directus when they couldn’t have knownwe were coming back here?

ANGELA LOOMISI don’t know. But see here-

(points to the map)-somebody has scribbled your name.

ALISON TATEIt is strange. Maybe we’re beingset up here. Maybe Myers reallyis behind this. He probably knowsyou’re on his trail.

ANGELA LOOMISNo. I think-

‘EEEEEEEEEEEEIIIIIIIIIRUUUUUUGHEEEEEEEE!’ suddenly blares out from Angela’s pocket. Both women yelp as Angela pulls out her cell phone. She hits it with her hand, the loud, screeching static continuing.

The air raid siren blasts from outside as Angela and Alison both turn towards the dirty, glass doors.

ALISON TATEThere’s the siren again.

ANGELA LOOMISWhy does it keep going off?

Suddenly, all windows/glass doors darken rapidly as the street outside becomes engulfed with pure darkness.

ANGELA LOOMIS

It’s happening again... thedarkness.

Angela lifts up her torch, flicking it on, giving minimal light in the reception area. Alison shivers, turning on her torch whilst looking around.

ALISON TATEI don’t like this. Let’s get outof-

A loud slam comes from within the elevator. Alison whips around, lifting up her gun & torch. Angela drops her phone into her pocket before also lifting up her torch & gun. Another slam sounds as the elevator doors dent outwards.

CUT TO:

EXT. FOGGY STREET – OTHERWORLD

Tommy moves along a row of dead shrubs, looking around the complete darkness before him.

TOMMYWhat in the hell is going on here?

He can barely see, as he stumbles up against a brick wall. He pants gently, catching his breath. He slumps down slowly into a sitting position, rubbing his face with both hands, letting out a frustrated sob.

CUT TO:

INT. POLICE DEPARTMENT – OTHERWORLD

Alison and Angela stand opposite the elevator, guns raised. A thump sounds from within the elevator, the doors dented outwards. ‘Ashes and Ghosts’ (Silent Hill 2) starts to play.

ALISON TATEWhat the hell is that?

ANGELA LOOMISSomething big. And strong.

The elevator doors screech loudly as they’re pulled apart. Two veiny, dirty hands pull the doors open, a grunt coming from within. The doors are semi-open, revealing nothing but darkness.

ALISON TATECome out with your hands up! Now!

The two dirty hands retract into the elevator as a loud scraping sound comes from within.

ALISON TATEI’m warning you! We will open fireif you do not comply! I will giveyou five seconds!

(beat)One.

Angela’s brow starts to sweat as she bites her lip hard.

ALISON TATETwo.

(beat)Three.

ANGLE ON the dark elevator as a narrow, red point appears near the top of the doors.

ALISON TATEFour.

Whoosh! A spear shoots out, heading for Alison. Alison ducks and rolls as the spear strikes into the wall.

ANGELA LOOMISJesus!

Angela quickly opens fire into the elevator as bullets ping off the back of the elevator. Silence follows as Alison stands slowly, Angela reloading her gun.

ANGELA LOOMISYou ok?

ALISON TATEYeah. Who was that?

ANGELA LOOMISI don’t-

She cuts off as a scraping sound comes from within the elevator. Alison raises her gun as Angela whips up her torch.

In dirty brown overalls and with a large, metal, pyramid-shaped head; the muscular Pyramid Head emerges from the elevator. He drags the Great Knife with him (a huge, 6 to 7-foot long knife).

Alison and Angela both look on in awe and horror as Pyramid Head steps forwards. Pyramid Head suddenly swings the Great Knife through the air. Angela lets out a yell as she drops to the floor, rolling to the side as the Knife smashes down, devastating the tiled floor.

Angela stands. Alison fires her gun, Pyramid Head’s stomach splattering out black blood onto the floor. He growls angrily, swinging the knife for Alison’s head.

Angela grabs Alison and pulls her out of harms way as the knife soars over them both.

ANGELA LOOMISCome on! Move!

Alison and Angela dart for the doors, Pyramid Head following. They barge out through the glass doors, torchlight flailing all over the place from Angela’s unsteady hand.

CUT TO:

EXT. STREET – OTHERWORLD

Angela and Alison flee around the corner of a building. Everything is dark. Foggy. Eerily quiet.

ANGELA LOOMISCome on! Keep moving!

ALISON TATEI can’t run fast! My ribs!

Alison clutches at her side as Angela wraps an arm around Alison’s body.

ANGELA LOOMISCome on damn it!

As they move into the middle of the empty road, scraping metal soon follows them. Angela looks over her shoulder, back to the dark buildings behind her as Pyramid Head appears from around a corner.

ANGELA LOOMISOh god! He’s still coming!

Alison looks over her shoulder, letting out a petrified scream as both women move onto the opposite sidewalk. They run along the row of boarded up buildings, Pyramid Head following swiftly, the Great Knife dragging along the pavement.

ALISON TATEI can’t-

ANGELA LOOMISYes you can damn it! Keep moving!

They shakily move on, the scraping of the Great Knife getting louder. Angela suddenly drags Alison into a side alley between two shops.

CUT TO:

EXT. SIDE ALLEY – OTHERWORLD

As water drips down the slimy, bloody brick walls, Alison and Angela move along quickly. Angela’s torch shakily lights up the ground beneath them.

ANGELA LOOMISOver there!

Angela points to an alcove with a set of metal doors inside it. They both dart into the alcove as the Great Knife scraping along the ground sounds from behind them. Angela flicks off her torch, shrouding herself and Alison in darkness. They both breathe heavily, fear running through them. Silence Falls.


Have we lost him?


I can’t hear anything. Maybe-

A large figure leaps out in front of them as a strong, veiny hand grabs Alison by her hair. She screams as she’s yanked out of the alcove and sent down to her knees.

ANGELA LOOMISNo!

Angela flicks on her torch, lifting it up to find herself face-to-face (so to speak) with Pyramid Head. He lets out a deep growl as he yanks Alison up into the air by his side, her feet dangling in the air.

ALISON TATENo! Oh god! Please!

Angela raises her handgun, firing into Pyramid Head’s chest. The great beast stumbles back, barely fazed. Angela fires until she’s empty.

ANGELA LOOMISFuck!

She hurls the gun at Pyramid Head, hitting him in the head. He stumbles to the side, growling as he drops Alison. She lands with a thump as Angela dives down to help her stand.

ANGELA LOOMISCome on!

Angela and Alison turn to continue along the alleyway as Pyramid Head lunges for them. He grabs the back of Alison’s

coat, yanking it off of her as she screams wildly. Angela bends down, grabbing a broken piece of pipe.

She turns, yelling with rage as she smashes it into Pyramid Head’s head. He stumbles back. Angela swings again, smashing him in the gut. He stumbles up against the wall. Alison turns to watch as Angela swings the pipe a third time.

Pyramid Head’s hand shoots out as he grabs the pipe. He yanks it out of Angela’s hands, her eyes widening.

ANGELA LOOMISRun! Go!

Angela turns, grabbing Alison and running on. Pyramid Head growls, smashing the side of his fist into the brick wall. As if sensing something, he turns. He quickly strides off in the opposite direction of the two detectives.

We stay on the now quiet, dark alley. The darkness suddenly becomes lighter, the day re-appearing. Once again, dull grey fog fills the area.

CUT TO:


Tommy moves slowly by a row of thick, bushy trees, squinting into the fog ahead. He panics, running his hand over his sweaty face.

TOMMY(loudly)

Stephen!

A female scream suddenly comes from somewhere within the fog. Tommy freezes. His eyes dart around.

TOMMY(to himself)

Please God... Let Kara and Dannybe ok. And Stephen... please God.

Another female scream rips through the fog as Tommy jumps. A figure appears within the fog, running towards him. The crying, blood-soaked Josie appears, arms waving wildly.

JOSIEPlease! Help me!

Tommy frowns, recognising her...

FLASH TO:

EXT. GRAVEL COURTYARD – NIGHT

A dark, non-foggy courtyard fills the screen. Crunching footsteps sound. Tommy, Danny, Kara and Josie jog into frame. Kara and Danny help support a bleeding Tommy whilst Josie leads them.

JOSIEWe just have to keep moving.

TOMMY(groggily)

Chloe... Chloe...

KARASssh, it’s ok honey. We’ll get backto the house, get in the jeep andget out of here.

JOSIEIt won’t be safe to leave town.

DANNYWhy? We have to get out of here!

Behind them, several shadowy figures can be seen running towards them...

FLASH TO:


Josie stops by Tommy, almost collapsing.

TOMMYWhoa!

Tommy quickly grabs Josie, holding her up.

JOSIEDemons! There are demons everywherein this town! We... we have to hide!

TOMMYWhat happened?

JOSIEI saw one of them kill Danny! Andthen Danny came back to life. Heattacked us!

TOMMY(shocked)

What? Danny? No...

Tommy lets go of Josie, taking a step back as his shocked eyes look down to the ground.

JOSIEThere were these two detectives.They were looking for MichaelMyers. Then the darkness came. Ihad to run.

Tommy’s face drains of all colour. Even more so.

TOMMYWhat’s going on here Josie? Wherewere you taking us last night?

JOSIEI was... I was taking you to hide...anywhere. There are things in thistown. I saw them. When it was dark.

TOMMY(frowning)

It wasn’t just me... it did go dark.

JOSIESomething truly evil is at workhere. Are you still looking forStephen?

TOMMYYeah... He’s out here. Somewhere.

JOSIEThe demons of this town will gethim Tommy. Unless...

Josie trails off, turning away from Tommy as Tommy tilts his head.

TOMMYUnless what?

JOSIE(whipping around)

Unless you find him first.

TOMMYI keep trying. But he keeps runningaway from me. He won’t-

JOSIEIf you succeed in finding him,you can save him. Save yourself.

TOMMYMy fiancé... Kara... I have to getback home.

JOSIE

(slowly)She’s dead. I’m so sorry.

TOMMY(devastated)

No... Kara...

Tommy’s eyes fill with tears as he looks away from Josie.

JOSIEYou have to find your son. Weshould stick together. Strongeras a group, than as individuals.

TOMMYOk. But I have no idea where hecould be.

GHOSTLY WHISPER (VO)Tommy...

Tommy frowns.

TOMMYDid you hear that?

JOSIEHear what?

Tommy turns around to face the opposite side of the street where the clown-costumed, sandy-haired Alternate Stephen stands.

TOMMYStephen!

Alternate Stephen turns, running off as Tommy takes off after him.

JOSIEWait! Please don’t leave me!

Josie takes off, following Tommy quickly.

CUT TO:

EXT. FOGGY COURTYARD – DAY

Through the fog, Alison and Angela move quickly through a gravel courtyard, the surroundings engulfed in fog. They pass a large, stone fountain; a screaming, female angel with her wings broken off.

ALISON TATEI think we’re by a church...

ANGELA LOOMISA church? Does anything like thatexist in this town?

Alison looks at the map, frowning.

ALISON TATEIt doesn’t show a church on the map.We should have bypassed this churcha few roads back... Maybe you’reright. Maybe somebody... or somethingis moving us across town.

ANGELA LOOMISA few hours ago, I wouldn’t haveeven thought of that as being apossibility. But after whathappened back at the station...that thing...

Angela sighs. The two detectives step up to a set of large, wooden doors. Several gargoyles sit above the doors.

ALISON TATEIf we cut around the church and-

ANGELA LOOMISWait. Look.

Angela points to the right wooden door, as large, blood-written letters come into sight: ‘Help’. Alison turns to Angela, raising her eyebrows.

ANGELA LOOMISCome on.

Angela pushes the heavy wooden door open. It creaks loudly as Angela & Alison proceed to enter...

CUT TO:

INT. CHURCH – DAY

It’s an old fashioned church, with rows of wooden benches surrounded by thick, round pillars. Alison and Angela cautiously move down the centre aisle. The altar at the front plays host to a dozen of so lit candles. A door sits behind the altar.

ALISON TATEIt looks clear.

ANGELA LOOMISDoesn’t mean it is.

‘Ordinary Vanity’ (Silent Hill 2) plays gently as Alison approaches the altar whilst Angela looks along the benches. Her eyes fall over several items. A broken radio. A bloody jacket. A streak of blond hair.

ALISON TATEOh god...

ANGELA LOOMISThere are papers everywhere.

Angela gestures to sheets lining the benches. Alison doesn’t seem bothered, her eyes filling with tears as she stares down at a photograph on the altar. Chloe Tate, with prim blond hair and clean, in—tact clothes smiles beautifully from the photo.

ALISON TATE(crumbling)

Why is this here? The blood...

Angela steps up to Alison curiously.

ANGELA LOOMISWhat is it?

Alison picks up the photo, handing it to Angela. Angela looks it over.

ALISON TATEIt’s my sister. Chloe.

ANGELA LOOMISWhat is her picture doing here?

ALISON TATEI don’t know. But I think this isher hair-

(grabs the hair)-and her blood.

Angela looks at the blood stained jacket, gulping.

VOICE (OS)Please. Take what you want andleave!

Alison flies around, gun up. Her aim falls onto a tall, late-forties man with a portly build, goatee and combed-over grey hair. He wears a black suit with round glasses.

ANGELA LOOMISWho the hell are you?

MANMy name Richard Worthing. I amthe Mayor of Silent Hill.


What? The Mayor?

RICHARD WORTHINGThat’s correct. And you might be?

ALISON TATEDetective Alison Tate.

ANGELA LOOMISTell me Worthing, how exactly doyou become a Mayor of a town withno residents?

RICHARD WORTHINGSilent Hill has many residents.Many tourists. This is not my town.It’s very different, believe me.

ANGELA LOOMISI think I do. This wasn’t the townI was expecting.

ALISON TATEMe either.

ANGELA LOOMISSo this raises the big question.Where exactly are we?

RICHARD WORTHINGOh. You’re in Silent Hill. Just notthe real Silent Hill.

ANGELA LOOMIS(perplexed)

Come again?

Alison puts her gun in its holster whilst Angela keeps hers in her hand.

RICHARD WORTHINGDo you believe in parallel worldsdetective?

Angela and Alison exchange odd looks as Richard flickers a smile.

RICHARD WORTHINGThis world... I don’t know whywe’re here and what it is meantto represent... but I do know thatthere is a reason for us beinghere. A reason for the sights we

have all seen today.

ALISON TATESights?


Monsters.

RICHARD WORTHINGYes. The monsters. They are apartof this world. And the Otherworld.The world of darkness.

ANGELA LOOMISEvery time we’re plunged intodarkness, an air raid siren sounds.Why? To warn us?

ALISON TATEWho sets the siren off?

RICHARD WORTHINGLadies, please. I am in the sameposition of you. I know very littleof this place. Only that I awokehere this morning with what feltlike the worst hangover I’ve hadsince college.

Angela sighs, turning away from the other two as she looks over the darkened church.

ANGELA LOOMISThere has to be a reason for whywe’re here. None of this makesany sense.

Angela’s eyes fall onto the door behind the altar. She tilts her head in curiosity.

CUT TO:


Within the dusty, dirty classroom, Stephen sits huddled up underneath the teacher’s desk, asleep. Oddly, his eyes open wide, his breathing becoming heavy.

STEPHEN (VO)(screaming)

Mommy! Mommy!

Stephen climbs out from under the desk with a spurt of energy, trembling with fear. He starts to whimper whilst stepping up to a foggy window.

STEPHEN(quietly)

Oh god. No!

‘A STRANGER IN THE HOUSE’ (Halloween 5) begins as the white-masked, boiler suit wearing Boogeyman walks past the window. Stephen backs away, gasping in fear as Michael disappears from sight.

STEPHENMommy... help me... please...

Stephen turns quickly, moving along the row of desks and heading for the door. He stumbles but catches his balance, lunging for the door.

CUT TO:

INT. DOWNSTAIRS – CORRIDOR – SCHOOL – DAY

ANGLE ON a classroom door as it flies open. The terrified Stephen bounds out, looking left and right along the dank, rubble-filled corridor. No sign of the dogs.

At one end is a set of double glass-doors where Alternate Stephen stands in a bloody clown costume. Stephen whimpers, turning the other way to see a set of double doors with frosted glass windows, a staircase leading up on the right. Stephen darts along the corridor, passing various closed classroom doors.

He draws near to the main doors. Just as he reaches out to grab the door handle, the Shape’s silhouette is cast up against the glass (ala Halloween 5).

STEPHENOh god!

Stephen turns, his eyes watering in panic as he darts back along the corridor. We stay on him, the main doors slamming shut somewhere behind him. Tears start to stream down his face as he jumps for the stairs, taking two steps at a time.

A large window is situated at the halfway point as Stephen doubles back on himself and continues up the rest of the stairs.

ANGLE ON the lower steps, as a dark shape steps up into frame, a glint of metal catching the light...

CUT TO:

INT. UPSTAIRS CORRIDOR – SCHOOL – DAY

Like the corridor downstairs, various doors line the walls and the floor is littered with dust & rubble. Stephen appears at the top of the stairs, panting hard as he again looks left and right.

ANGLE ON one end as a tall, shadowy figure stands tall in black trench coat & hat, silver-tipped boots visible.

MAN IN BLACKStephen... Come to me.

Stephen shakes his head in disbelief, backing away along the corridor. The Man In Black takes a large stride towards Stephen as footsteps echo up the staircase.

MAN IN BLACKStephen... Come with me!

Suddenly, Michael Myers steps out from the staircase in front of Stephen, the large scythe in tow. Michael glances towards the Man In Black, but he’s gone. Stephen backs away in fear.

STEPHENNo! Please!

Michael swings the scythe. Stephen screams, ducking and moving along the corridor. The scythe’s blade jams into a classroom door. We hear a pant of rage from Michael as he rips the scythe out before turning to follow Stephen.

CUT TO:


Michael steps into the doorway, his eyes scanning the empty desks, the artwork on the walls, Alternate-Stephen standing in the back corner of the room and the open window with blinds flapping in the wind...

Michael moves across the classroom. Alternate Stephen watches him as the Shape looks out of the window. We get a shot of Stephen running into the thick fog.

Michael suddenly whips around, looking to the back corner, eyes falling onto Alternate Stephen. ‘STRANGER’ ends as Michael tilts his head at Alternate Stephen. Alternate Stephen raises one bloody hand, pointing directly at Michael.

Michael clenches the scythe tightly, unsure of what to do. A loud bang echoes from outside in the corridor. Michael turns to the door. He then turns back, Alternate Stephen nowhere in sigh. He turns back to the door, slowly walking towards it.

CUT TO:

INT. DOWNSTAIRS CORRIDOR – SCHOOL – DAY

A concerned Tommy stands in front of the double frosted glass doors. Josie stands by his side, looking over the drab walls and the rubble-filled floor.

JOSIEIt looks like school’s out. Whywould he run in here?

TOMMYStay behind me, ok?

JOSIEOk.

Tommy walks forwards slowly and cautiously. He looks into the various classrooms that they both pass.

POV: We stand around the corner of the stairs, peeking round to see Tommy and Josie drawing near.

TOMMYI don’t understand what’s going onhere.

JOSIEThere is more to this than meetsthe eye. In many more dark areas,will you find the answers you seek.But it is a journey that you maynever return from.

TOMMYI don’t understand. What are yousaying here? Why are you talkinglike that?

JOSIEI’m saying that to find your son,you will have to face your fears.To get the answers you seek, youcannot stop. You have to press on.

TOMMYHow do you know all this?

JOSIEI know a lot of things Tommy.I’ve been here slightly longerthan you.

TOMMYIn Silent Hill?

JOSIENo. In this world.

Tommy frowns, totally confused as Josie continues ahead.

JOSIEWe have to hurry and find your son.Before the darkness comes again.Believe me, it’ll be harder to doanything once it arrives.

Tommy follows slowly. He turns to his right, spotting Alternate Stephen standing in a doorway.

TOMMY(quietly)

Stephen?

Alternate Stephen turns, disappearing into the classroom.

TOMMYStephen!

CUT TO:


Tommy moves into the empty classroom. Foggy light filters through between the planks of wood covering the windows. Tommy looks around, at the desks, the blackboard and the dirty floor.

TOMMYStephen?

Tommy steps up to the desks, moving through the aisles slowly.

TOMMYIt’s daddy, Stephen. Where areyou?

Tommy passes one desk where a smear of blood covers the top. Tommy stops, frowning. He turns to the desk. Scratched into the desk is the Thorn symbol <|.

TOMMYOh my god.

JOSIE (OS)Tommy?

Tommy whips around with fresh fear on his face.

JOSIEWhat is it?

TOMMYI have to find my son. Now!

Tommy heads for the door, shoving past Josie. She turns.

JOSIETommy! Wait!

Josie takes off after him.

CUT TO:


Tommy steps into the corridor, Josie following. They both look around.

JOSIEWhat happened back in there?

TOMMYThe symbol of Thorn was scratchedinto a desk. That means they’rehere. After my son.

JOSIEThorn?

TOMMYA whacked out cult who tried tocontrol evil. They tried tocontrol Michael Myers. And theyfailed.

JOSIEWhat happened to them?

TOMMYI thought they were all dead. ButI guess I was wrong.

JOSIEYou think they’re behind this?

Tommy frowns, looking away from Josie. We close in on his face.

FLASH TO:

INT. BRICK ROOM - FLASHBACK

In the brick-walled room with no windows and a metal door, Tommy stands up against the door, holding it firmly shut, sweat pouring down his forehead. The blond-haired Chloe Tate stands behind him.

CHLOE(starting to cry)

We’re never going to get out ofhere.

Tommy looks over his shoulder at the tearful Chloe as she lets out a sob.

TOMMYWe will. I promise you. We’ll getout of this, ok?

Chloe screams as the door is suddenly thrown open, sending Tommy crashing to the dirt.

CHLOENOOOO!

Tommy looks up, fear in his eyes as several red-robed figures move into the room. They advance on Tommy...

FLASH TO:


A dark, non-foggy courtyard fills the screen. Kara and Danny help support a bleeding Tommy whilst Josie leads them.

JOSIEIt won’t be safe to leave town.

DANNYWhy? We have to get out of here!

Behind them, several red-robed figures can be seen running towards them. Danny looks over his shoulder at them.

DANNYFuck! They’re coming!

KARAOh god! Tommy, honey, you need tomove faster!

Tommy groans as a dark alley on the right appears. Danny and Josie turn to face the approaching Thorn members whilst Kara leads Tommy down the alley.

CUT TO:

INT. ALLEY – NIGHT

Kara leans Tommy up against a dark wall, leaning in close to him.

KARAYou have to get back home and getthe jeep ready. I’ll find Stephen...

I love you.

Kara pecks Tommy on the cheek before turning away.

CUT TO:


Danny throws a punch at one Thorn member whilst Josie throws one to the ground with ease. Kara appears with a steel pole, swinging it round to a Thorn member’s face. The guy yells, crashing to the gravel.

KARACome on Danny! We have to findStephen!

Danny nods, kicking out into a Thorn member’s chest, sending him falling to the gravel. Danny grabs his mom’s hand as they both run back to wherever they’ve come from.

JOSIEWait!

Josie follows them quickly as only the groans from the fallen Thorn members fill the scene...

CUT TO:

EXT. STREET – NIGHT

Along a dark street with foreboding houses on either side, Tommy staggers along a sidewalk, blood running down from his head.

TOMMY(groggily)

Kara...

Tommy staggers onto the front lawn belonging to the Carruthers-like house...

FLASH TO:


Tommy looks up to Josie.

TOMMYThey’re the ones we were runningfrom last night... I remember...

JOSIEThey’re Thorn? Are you sure?

Tommy nods slowly, looking away as he struggles to think.

TOMMYThey lured us here. Tried to takeStephen away... we fought back,got split up... I saw somebody, agirl. Chloe. She was being heldthere. By Thorn. And then... thenwe escaped.

Tommy turns to the double doors, pushing through them and exiting the school.

CUT TO:

INT. CHURCH – DAY

Alison sits on the front bench whilst Mayor Richard Worthing stands by the altar, looking over the items.

RICHARD WORTHINGIt’s weird. Blond hair. Bloodstained clothes.

ALISON TATEI think I know who they belong to.

RICHARD WORTHINGCare to elaborate?

ALISON TATEThe jacket... It was worn by someoneclose to me. My sister.

Alison lowers her eyes to the floor as Richard frowns.

ALISON TATEI think I should check on Angela.

RICHARD WORTHINGShe’s been in there a while now.

Alison nods, standing slowly and looking up to the door behind the altar.

CUT TO:

INT. OFFICE – CHURCH – DAY

Old, musty and with brown walls. The carpet is covered with dust. Blinds cover the windows, a grandfather clock sits against the back wall and a large desk sits in the middle of the room. Angela stands over the desk, reading through some files, frowning at what she reads.

ANGELA LOOMISFires... Disappearances... Deaths...

We get several flashes of a burning little girl and a burning house, a little girl running through the foggy streets of Silent Hill, James Sunderland running from Pyramid Head, a man with dark hair in a 1950’s suit standing in a hospital waiting room...

Angela shifts through several pictures through the file, her eyes widening as she suddenly stops. She holds a bunch of newspaper clippings up into the light: ‘Myers Strikes Again’, ‘Evil On Two Legs: Spawn of Satan’, ‘Man of Evil’. She puts the clippings down, pulling up some photographs.

ANGELA LOOMISJesus.

She drops the lot of them, turning and quickly heading for the door. We close in on the photos on the desk:

A family picture of Tommy, Kara, Danny and Stephen; a picture of Atkins’ house; a picture of Chloe; a withered photograph of Alternate Stephen and a picture of a smiling dark haired man and woman. They both look like they’re from the 1950’s, holding hands, the female heavily pregnant.

CUT TO:

INT. CHURCH – DAY

Angela strides out from the door behind the altar, startling Alison who is in front of it.

ANGELA LOOMIS(to Alison)

We’re leaving. There’s somethingseriously wrong with this town. Andwith him.

Angela points accusingly at Richard as Alison frowns.

ALISON TATEWhat? What do you mean?

RICHARD WORTHINGI think someone is overreactinghere!

ANGELA LOOMISI mean it Alison! Fires. Deaths.There is a file in that room withpictures of the Doyle’s. Policefiles.

ALISON TATEWhat?

RICHARD WORTHINGI brought them with me! From thestation.

Angela wheels on the Mayor with a scowl.

ANGELA LOOMISWhy? Who’s the couple in the photo?Why did you take the newspaperarticles on Michael Myers and theDoyle’s?

MAYOR WORTHINGWho?

ANGELA LOOMISMichael Myers. What I really wantto know is why did you take thephotograph of Chloe Tate?

Angela grabs Richard roughly by the collar, slamming him up by a nearby pillar as he trembles. Alison frowns, quickly grabbing Angela, trying to calm her down.

ANGELA LOOMISAnswer me! You know who the Doyle’sare! Why else take their photos andall the newspaper clips on them andon Michael Myers! Come to think ofit, I’m betting you know what’sgoing on here and what’s happened toChloe Tate!

RICHARD WORTHING(blubbering)

I don’t know anything! Please! Letme go!

ALISON TATEThat’s enough Angela!

Alison pulls Angela back as Richard lets out a breath of relief. Alison turns to Richard, grabbing him by the collar and shoving him up against the wall. Angela looks taken aback, as does the Mayor.

ALISON TATEMy sister. Do you know where sheis?

RICHARD WORTHINGNo! Please, I don’t-

ALISON TATEI don’t believe you! Why did youtake her photograph?! Did you put

the stuff on that altar? Huh?

Richard suddenly shoves Alison off of him. Alison stumbles, Angela catching her. Richard turns, darting along the middle aisle and heading for the doors. Alison sighs.

ANGELA LOOMISHe knows a lot more than what he’sletting on.

ALISON TATEI know. But he’s gone now.

ANGELA LOOMISWe should to get to that apartmentblock.

ALISON TATEWhy? Why can’t we just follow himand get him to talk?

ANGELA LOOMISI have to know what happened tothe Doyle’s. Who the hell thatman and woman were. And I have toknow what’s going on here. I haveto know.

ALISON TATE(slowly)

You’re right. I have to know whowrote my name on that map. Andwhether Chloe is still in thistown.

ANGELA LOOMISMaybe there are answers at theapartment block. Ones that won’trequire us to beat them out ofsomebody.

Angela turns, heading along the main aisle as Alison follows. She clutches her pained ribs.

CUT TO:

EXT. STREET – DAY

Tommy and Josie walk along a typical foggy street, looking around.

TOMMYStephen?! I’m here! Show me whereyou are!

(sighing)He keeps running from me. I don’t

know what to do!

JOSIEKeep following him. He’s led youhere, where you’ve discoveredthat symbol. Maybe he’ll lead youto them.

TOMMYMaybe.

In the middle of the road, stands Alternate Stephen. Tommy frowns.

TOMMYHis hair... I don’t know why it’sblond.

(shouting)Stephen?

Alternate Stephen turns, running off as Tommy jumps to his feet. He breaks into a sprint.

TOMMYStephen!

Josie quickly follows, panting hard as Tommy races ahead of her.

CUT TO:

EXT. BROOKHAVEN HOSPITAL – DAY

The tall, gothic hospital looms ahead. Alternate Stephen runs through a set of rusty metal gates. Tommy and Josie are a couple of feet behind as Alternate Stephen disappears through a set of rotting entrance doors. Tommy looks around the dirty, debris-littered courtyard. Various syringes litter the ground.

TOMMYWhat’s wrong with him? Why won’the listen to me?

JOSIEI don’t know. Maybe the demons ofthis town have tainted him. Butwe have to hurry before they geta hold of him.

Tommy remains silent. Josie looks at him. Tommy moves up to the chipped, wooden doors of the hospital.

CUT TO:

INT. RECEPTION – BROOKHAVEN HOSPITAL – DAY

A semi-circle desk stands opposite the entrance doors, a corridor entrance on either side of the desk leading down to sets of double doors.

The walls are stained with grime and blood. Stretchers lie idly about along with a wheelchair & a fake-leg. Tommy walks into frame, looking around the dark area.

TOMMYStephen?

Josie looks around cautiously whilst Tommy heads towards an office door on the right.

JOSIEWhere are you going?

TOMMYHe led me here, right? So I wannacheck this place out.

Tommy opens the door, disappearing inside as Josie bites her lip.

CUT TO:

INT. OFFICE – BROOKHAVEN HOSPITAL – DAY

Tommy steps into the semi-lit office. He spots a torch on a side bench. He grabs it, flicking it on. He turns, bringing the light onto a dirty desk with a broken lamp.

He continues to look around, spotting a large filing cabinet. He tilts his head in curiosity. Above the cabinet, on the walls in blood-red writing, reads:

‘Once were near, then moved far from here. They failed before, yet they strive for it once more’.

Tommy moves over to the filing cabinet, opening it slowly. He begins to look through the files, flashing through the letters ‘K, L, M’. He stops on M, something on his mind...

CUT TO:

EXT. APARTMENT BLOCK – DAY

Looming shot of a large, grim apartment block. Dead shrubs fill the dirty courtyard, broken metal gates lay on the ground. Alison and Angela stand before it, looking up.

ALISON TATEWe’re not seriously going in there,are we?

ANGELA LOOMIS

The map ended here. Something wantedus to come here.

Angela paces towards the rotting, wooden doors ahead.

CUT TO:

INT. STAIRWELL – APARTMENT BLOCK – DAY

Along dirty, dank steps, Angela and Alison cautiously move up, holding their flashlights out. Dripping can be heard from somewhere above along with creaking floorboards.

ANGELA LOOMISLooks like this building isn’t asempty as we thought.

ALISON TATEIt’s probably just-

A loud creak comes from beneath them, followed by the slam of a door. They both let out nervous gasps, leaning over the wooden banister and looking back down. They shine the lights down one flight to the bottom floor. The lobby is empty.

Angela retracts her torch, looking up the stairs as Alison mimics her.

ALISON TATEThis is really freaking me out.I don’t know about continuing inthis place. Maybe-

Alison turns to Angela, ignoring the girl.

ANGELA LOOMISNo. We have to solve this thingnow Alison. For the Doyle’s sake.And for Chloe’s.

They both continue up the stairs. The air raid siren sounds from outside again as Alison and Angela both freeze. They turn to one another.

ANGELA LOOMISIt’s happening again.

ALISON TATEWhat is it? What does the sirendo?

ANGELA LOOMISIt signals the arrival of... ofdarkness.

Angela turns, continuing up, her torchlight guiding her. Alison takes a deep gulp before following. A second blare of the siren begins as we...

CUT TO:

INT. OFFICE – BROOKHAVEN HOSPITAL – OTHERWORLD

Tommy looks up from the desk, torch in his mouth, open files laid out in front of him. He listens to the siren as its high-pitched wail comes to an end. He waits a few silent seconds, half expecting something to happen.

He looks back down to the file, the torchlight revealing several black & white photos of a baby in an incubator; a proud smiling couple with dark hair, the same couple from the last 1950’s photo.

Tommy holds up the photo alongside a hospital information sheet. He frowns, taken aback.

TOMMY(slowly)

The Myers’...

CUT TO:


Along a barely visible, dark street, Stephen nervously walks along the middle of the road, looking left and right, shaking with fear. Low grunts and growls come from passing alleys and the road ahead.

WHISPER (OS)Help me...

Stephen freezes, turning to face the opening of a certain alleyway.

STEPHENWho’s there?

A loud crash sounds as Stephen practically jumps out of his skin. A figure appears within the dark alleyway. Stephen trembles with fear as the figure moves closer, revealing an old-male priest in black robes with wispy grey hair. Fresh cuts line his blood face, one of his eyes missing.

Stephen shakes as the priest stops in front of him, frowning with his one eye at Stephen.

PRIESTYou... I’ve seen you before. You’vebeen here. And now you’re back.They’ll be wanting you. Run...

before it’s too late!

The priest suddenly turns, staggering off into the darkness as Stephen trembles. He backs away, eyes firmly on the priest. Further scuffling comes from the dark alley. Stephen turns to the alleyway slowly, eyes wide.

Pyramid Head suddenly emerges from the shadows, Great Knife held tightly. He growls, seemingly staring right at Stephen. Stephen’s jaw drops, shitting his pants.

STEPHEN(terrified)

No! Mommy! Daddy! Help me!

Stephen turns to run. He slams straight into the tall, black-coated Man In Black.

MAN IN BLACKStephen.

Stephen screams as the Man In Black descends upon him like the angel of death, wrapping his billowing coat around the screaming child.

As the Man In Black drags the screaming Stephen along the dark road, Pyramid Head follows with a fast paced walk, grunting and dragging along that uber knife of his. The Man In Black turns, looking back at the tremendous beast.

MAN IN BLACKTake care of this beast.

Suddenly, several red-robed men appear from out the darkness. Pyramid Head stops, turning around. One robed member pulls up a steel pole, lunging for Pyramid Head.

Pyramid Head roars as he swings around with the knife, slicing straight through the member’s waist. The two body parts fall to the floor as Pyramid Head whips around, his arm shooting out.

His hand grabs a nearby member’s throat, tugging down hard and ripping away the skin from the neck and chest of the man. The man screams wildly as he falls down into a puddle of blood. The other members shout and yell. They close in, each with steel poles or baseball bats.

ANGLE ON a dark, brick wall as sickening squelches and stabs sound from nearby. Loud screams follow as blood splatters onto the wall...

CUT TO:

INT. RECEPTION – BROOKHAVEN HOSPITAL – OTHERWORLD

Tommy exits the office and moves into the concrete-walled, reception with the file in tow. He closes the door behind him, it shutting with a heavy thump. He turns with confusion, staring at now rusty, metal grey door.

TOMMYWhat the...

He turns back around, noticing that the walls have become concrete with blood smears all over it.

TOMMYWhat the hell happened in here?

(beat)Josie? Josie?!

Tommy spins on the spot, panicking. A shadowy figure appears within the corridor to the right of the reception. Tommy continues to turn on the spot, coming around to face the shadowy figure.

TOMMYJosie?

‘Don’t Cry’ (Silent Hill) plays loudly.

The figure looks like a human porcupine. As the figure draws closer, it is revealed to be some kind of doctor in a white coat, with syringe needles jutting out from almost every possible space on this being. No face can be made out due to the needles as Tommy’s jaw drops in horror. He lets out a scream.

Tommy turns to the main doors, moving up to them and grabbing the handle. The doors won’t budge as he pulls and tugs on them.

TOMMYNo! Fuck!

Tommy turns back as Dr. Syringe stumbles towards him, groaning in a zombie-manner. Tommy turns to the left corridor. He heads for it but another shady figure appears from the corridor. Tommy’s eyes widen as a Nurse stumbles towards him. Faceless and in a dirty white uniform, with a single streak of brown hair falling from her head.

Tommy backs away from both the Nurse and Dr. Syringe. He crashes over the wheelchair near the door painfully. He yells as he smashes to the floor, the file sliding away from him and past the doctor.

TOMMYDamn it!

Tommy stands quickly, facing the doctor as it comes within six feet. He looks around for a weapon, spotting the fake leg. He grabs it, turns and swings it. It collides with Dr. Syringe’s head. The doctor groans loudly as he falls.

Tommy drops the leg and dives for the file, picking it up as the Nurse stumbles towards him like a zombie. Tommy stares at her in shock before a groan sounds from Dr. Syringe. Tommy turns to the right corridor, sprinting off, panting loudly.

CUT TO:

INT. CORRIDOR – BROOKHAVEN HOSPITAL – OTHERWORLD

Tommy moves along a dark corridor, holding out the torch, the file under his arm.

‘Half Day’ (Silent Hill) plays loudly.

He uses his spare hand to feel along the concrete wall, passing by various symbols (including Thorn) and words written in blood.

He comes up to an elevator, the passage ahead blocked by a mass of chairs, tables, wheelchairs and gurneys. He sighs, looking over his shoulder at the dark way he came. Scuffling feet and light groans can be hear from within the darkness.

Tommy turns to the elevator, punching the call button. The doors instantly slide apart. Tommy steps forwards when a pale hand grabs his arm. Tommy brings round the flashlight, illuminating the nurse’s face. She lets out an eerie wail as Tommy yells.

He shoulder barges her away. He kicks out with a right, smashing her in the chest. She hits the wall, crumpling into a heap as Tommy backs away into the elevator. The doors slide shut slowly as the nurse climbs to her feet.

CUT TO:

INT. ELEVATOR – BROOKHAVEN HOSPITAL – OTHERWORLD

Tommy leans up against the back wall, trembling with fear as he closes his eyes.

TOMMYPlease god... let Stephen be ok.Please.

The elevator slows to a stop, the doors sliding open. Tommy looks out to the wall; ‘2’. He steps out.

CUT TO:


TOMMYStephen?

Much like the other corridor, the walls are solid concrete with blood smears, symbols and words all making one big mess. The floor is built out of thick paving slabs. Tommy turns to a set of double doors on his right. He edges towards them slowly, his heart beating loudly, his torch hand shaking.

TOMMYCome on Tommy... keep going...come on.

Tommy steps up to the doors, raising his right hand when several groans sound from behind him. He spins around, shining his torch down the corridor. Within five feet, several nurses stagger towards him, holding out scalpels, groaning loudly. Tommy screams, turning abruptly and throwing himself through the doors.

CUT TO:

INT. CORRIDOR – APARTMENT BLOCK – OTHERWORLD

Alison and Angela move slowly along a dank, door-filled corridor. The carpet is stained with dirt & blood, something they both acknowledge as they hold their flashlights up.

ALISON TATESomething really bad happened here.We should go. There’s nothing herefor us.

ANGELA LOOMIS(checking map)

Under your name... it says 302. Anda ‘D’.

ALISON TATEWhat’s in this room?

ANGELA LOOMISI don’t know. It just says thenumber.

ALISON TATEThe way things are going, I’mguessing ‘D’ is for Doyle.

ANGELA LOOMISPerhaps.

Alison and Angela turn to a nearby door. ‘302’.

ANGELA LOOMIS

And here’s the room.

CUT TO:

INT. STAIRWELL – BROOKHAVEN HOSPITAL – OTHERWORLD

‘The Darkness That Lurks In Our Mind’ (Silent Hill 2) plays.

Along a dirty, moulding stairwell with metal steps and blood-smeared walls, Tommy jumps down the stairs two at a time. He comes to the first floor door, lunging for it and ripping it open.

CUT TO:


Much like the previous corridors, Tommy races for his life past wheelchairs and gurneys. He passes by an ajar door, a growl coming from within. Tommy gasps slightly, panic clear on his face as he clutches the thick file.

Behind him, several nurses appear from around a corner, moaning loudly, staggering towards him. Tommy checks over his shoulder. Tommy lets out a frustrated yell, spit flying from his mouth.

TOMMY(screaming)

Oh god! What are you?!

He comes up to a set of double doors when they suddenly burst open. Tommy, startled, yells as Michael Myers steps through. Michael tilts his head, clenching his scythe.

TOMMYMichael!

Tommy trembles in fear as Michael advances on him. Tommy shakes his head, tears starting to run down his sweaty face.

TOMMYNo... please! This can’t behappening!

Michael suddenly swings the scythe. Tommy yells, ducking as the scythe swings over and slices through a nurse’s head. The top half of her head slips onto the floor, dark, clotted blood spitting out. The nurse collapses silently as Tommy looks between the body and Michael.

Michael suddenly raises the scythe over Tommy, ready to strike. A door by Michael suddenly bursts open, nurses stumbling out, their hands grabbing onto the startled Michael.

Michael struggles furiously, throwing a nurse into the wall. He tries to raise the scythe but the nurses restrict his movement, causing him to drop it. The scythe clatters to the floor as the nurses push Michael up against the wall.

Tommy quickly darts past Michael and the nurses, smashing through the double doors. He looks up ahead along a similar corridor, where Alternate Stephen stands.

TOMMYStephen!

Tommy takes off. Michael throws out his arms, sending several nurses flying into the opposite wall. Michael backhands a nearby nurse, sending her crashing into a gurney and tumbling to the floor. A nurse suddenly grabs at Michael’s neck. The nurse’s face suddenly flashes that of a decomposed zombie.

Michael grabs the nurse by the streak of brown hair, hurling the nurse aside. A scalpel suddenly swings at Michael’s arm, slicing it. Michael grabs the attacking nurse’s arm. She groans as Michael snaps the arm with ease, the scalpel falling to the floor.

As more nurses advance on Michael, he bends down and grabs the scalpel. He turns, furiously slashing out at the nurses, slicing them across their chests, necks and faces. Clotted, putrid blood seeps out from the wounds as Michael continues to hack.

CUT TO:

EXT. ALLEY – BROOKHAVEN HOSPITAL – OTHERWORLD

ANGLE ON a window as a chair smashes through. Tommy appears, climbing out and jumping onto the gravel ground. He pants heavily checking left and right down the darkened alley. Alternate Stephen can be seen running down the right.

TOMMYStephen!

Tommy takes off, his feet pounding along the ground.

CUT TO:

INT. ROOM 302 – APARTMENT BLOCK – NIGHT

Inside the small, decrepit apartment, Alison and Angela stand about, guns and torches held up. Nothing much but a chair, a coffee table and a broken TV underneath a boarded up window.

ANGELA LOOMIS(sighing)

There’s nothing here.

ALISON TATEI need... I need to sit down. Myribs are really hurting now.

Alison stumbles over to the chair, groaning in pain and clutching her side. She sits slowly as Angela steps up to her. Angela lays her torch down beside the chair as Alison does the same.

ANGELA LOOMISI’ll check for a med kit.

ALISON TATENo... I’ll be fine. Just stay withme, ok? I don’t want to be leftalone.

ANGELA LOOMIS(nodding)

Ok. I’m here. Don’t worry.

Angela looks around as Alison leans comfortably into the chair. She looks up to Angela with a slightly crazed smile.

ALISON TATEThis is a pretty fucked up day,huh?

ANGELA LOOMISYou said it. Dead bodies. Creepytown. Psychotic killer. Somepsychotic... weird monsters. Atown that changes to night atthe sound of a war siren-

ALISON TATE(bluntly)

You think we’ll find my sister? Orthe Doyle’s?

ANGELA LOOMISHonestly? I don’t know. Witheverything that’s out here-

Alison freezes, her eyes widening as Angela frowns. Her cell phone from within her pocket starts to emit low static screeches. Angela pulls out her phone, looking over to Alison.

ANGELA LOOMISAlison? You ok?

ALISON TATEChloe...

Angela frowns, turning to see what the hell Alison is staring at. Standing in the bedroom doorway with her bloodstained

blond hair and torn clothes, the scarily distressed Chloe Tate stares at Alison.

CHLOEYou’ve come to far...

ALISON TATEWhat? What do you mean?

ANGELA LOOMIS(not seeing Chloe)

What is it? Is she there?

ALISON TATEHelp me find you Chloe!

Angela looks around, Chloe standing right before her, yet she doesn’t see her.


What? Where?

Alison gulps, shaking all over. She looks up to Angela.

ALISONShe said we’ve gone too far.

ANGELA LOOMISWhere is she? Is she here?

ALISON TATEI... She...

Angela turns back, lowering her gun as Alison looks on with worry. ‘Ordinary Vanity’ (Silent Hill 2) plays again softly...

CHLOEThe church Alison. I led you tothe church. You’ve come too far!

ALISON TATEThe church?

ANGELA LOOMIS(confused)

What?

CHLOEIt’s too late... his rage is toostrong. It’s thriving...

Angela slowly kneels down in front of Alison, taking one of her hands.

ANGELA LOOMIS

What is she saying Alison?

ALISON TATEWe have to go back to the church...she’s there! She’s waiting for me!

Alison tries to stand, yelling in pain at her ribs as Angela forces her to sit.

ANGELA LOOMISNo! You’re not in a fit position togo anywhere anymore!

Angela rubs her shoulders.

ANGELA LOOMISIt’s this town Alison. It’s makingus see things. Hear things. She’snot there.

Angela’s phone continues to emit static.

ALISON TATENo... she’s there.

ANGELA LOOMISWe’re stuck in some whacked outmystery. I’m starting to thinkthat maybe we should get out ofhere and-

Two white hands suddenly grab Angela’s shoulders. She yells in shock as she’s yanked backwards, crashing onto her back. A white-bodied female appears. With literally stitched together skin, a blank face, short black hair and wearing a patient’s gown, this she-creature looms over Angela.

ALISON TATENo! Stay away from her!

The creature looks up to Alison before looking back down to Angela. The she-creature raises her hands, revealing two simple mallets for fists. Angela rolls aside as the hands smash down onto the floor. Alison raises up her handgun, crying heavily.

ALISON TATEHey!

The creature turns to Alison. Angela slowly stands.

‘EEEEEEEEEEEEIIIIIIIIIRUUUUUUGHEEEEEEEE!’ blares out from Angela’s cell phone, louder than ever. Angela covers her ears. Alison lets out a terrified scream, covering her head with her hands and dropping the gun. Even the she-creature looks taken aback.

ALISON TATEWhy does electrical equipment keepdoing that?

ANGELA LOOMISI heard it your car... at thestation... here, when you sawChloe... it always sounds rightbefore something appear.

The she-creature resumes to strike Alison with her mallet hands. The door to the apartment suddenly smashes open. Angela and the she-creature turn rapidly to the door. Alison spots the intruder.

ALISON TATENOOOO!

Pyramid Head lunges across the room, swinging the Great Knife at Angela and the she-creature. Angela ducks as the knife smashes straight into the she-creature, sending her flying to the side. The she-creature smashes into the wall, falling to a crumpled heap with a large, bloody gash in her side.

Pyramid Head drops the knife, turning to face Angela as she lifts her gun. Pyramid Head lets out a growl as he swings a backhand, smashing Angela across the jaw. She flies to the side, dropping her gun and smashing through the wall. She crashes out of sight in another room.

ALISON TATENo! Angela!

Alison struggles to stand as Pyramid Head turns to her. She falls back into the chair, screaming in pain and clutching her side. She stares up at him with terror-filled eyes.

ALISON TATEPlease...

Pyramid Head turns to the she-creature as the she tries to stand. She struggles to get up. Pyramid Head lunges for her, grabbing her violently and shoving her into the wall.

Pyramid Head grabs the she-creature by the hair, smashing her head into the wall several times as Alison screams in shock & horror. Blood spurts out from the she-creature’s cracked skull as Pyramid Head throws her down to the floor. He climbs over her, kneeling down on top of her hips.

Alison struggles to stand as the she-creature struggles underneath Pyramid Head. He thrusts his hips into her hips.

ALISON TATEAngela! Angela, please! Help!

Angela!

Pyramid Head moves his hands over the she-creature’s chest whilst ‘thrusting’ into her. His dirty fingers slowly start to dig into the she-creature’s pale skin. The she-creature lets out a muffled scream as Pyramid Head’s fingers pierce into her flesh.

Crimson blood starts to ooze around Pyramid Head’s penetrating fingers. Pyramid Head starts to scrape away the she-creature’s pale skin, revealing underlying, bloody flesh and muscle tissue. As strands of her skin and flesh are ripped away, Alison heaves.

Alison turns to the side of the chair, vomiting and crying. The she-creature stops struggling. Pyramid Head’s right hand is fully inside her chest, a pool of blood forming around her. Pyramid Head rips out one hand, dragging out a large chunk of flesh with it.

He stands slowly, turning to face the trembling, sickened Alison. Alison shakes her head as Pyramid Head takes a step towards her.

ALISON TATENo... stay the hell away from me!Angela! Help me!

Pyramid Head lunges for her with his disgusting, dirty, veiny, bloody hands outstretched...

CUT TO:

INT. BEDROOM – ROOM 302 – APARTMENT BLOCK – OTHERWORLD

Over Alison’s loud screams, Angela groans, standing up from a pile of dust and debris. She looks up to the large hole in the wall, to see the empty chair in the front room.

ANGELA LOOMISAlison?

Angela jumps across the rotting, mouldy bed and races for the bedroom door.

CUT TO:

INT. ROOM 302 – APARTMENT BLOCK – OTHERWORLD

Angela runs into the room, looking around with a panicked expression. She spots the mutilated she-creature, covering her mouth with horror. She looks around, letting her hand drop a little.

ANGELA LOOMISOh god! Alison? Where are you?

Alison?!

A piercing scream comes from out in the hallway. Angela turns to the smashed door. She looks down, spotting her cell phone, her gun and torch on the floor. She bends down, grabbing all three. She throws the phone into her pocket before racing for the door.

CUT TO:

INT. CORRIDOR – APARTMENT BLOCK – OTHERWORLD

Angela moves out from Room 302, guns held high, squinting into the dark corridor. Her cell phone makes the static screeches from within her pocket. She looks right.

Chloe suddenly appears, Angela gasping slightly. Chloe points behind Angela. Angela turns and runs the other way as another piercing scream sounds from up ahead.

ANGELA LOOMIS(shouting)

Alison!

Angela runs into the darkness.

CUT TO:

EXT. CHURCH – OTHERWORLD

The large, old-fashioned church from earlier looms over the timid looking Tommy. One wooden door stands open, the word ‘Tate’ still scratched into the wood. Tommy heads for the doorway, still holding the file from the hospital.

CUT TO:

INT. CHURCH – OTHERWORLD

Inside a more decrepit church, Tommy slowly walks down the main aisle, passing rows of rotting, broken wooden benches. His eyes stare at the large, blood-covered altar where the candles are still lit. Bloodstains cover the chipped, rotting pillars and the now concrete walls.

TOMMY(quietly)

Stephen? I saw you come in here!

Tommy steps up to the altar, his eyes falling onto the blood jacket. His eyes flicker up to the door behind the altar. Above it, a red-robed Thorn member sticks to the wall, barbed wire maliciously wrapped around his bloody corpse. The member groans loudly, struggling against the wire.

TOMMY

Oh Jesus!

Tommy gags, covering his mouth, eyes wide. Tommy looks down from the thorn member and to the door behind the altar, just in time to see it slam shut.

TOMMYStephen?

Tommy darts for the door.

CUT TO:

INT. OFFICE – CHURCH – OTHERWORLD

Tommy moves into the musty room. The walls have literally changed into blood smeared concrete, the windows now have blood-slicked bars covering them. Tommy’s eyes fall onto a mess of files, papers and photos lining the non-changed desk. He rests his torch down.

TOMMYOh my god.

Tommy pulls up a newspaper clipping: ‘Evil On Two Legs: Spawn of Satan’. He puts the clippings down, grabbing some photographs with confused, yet shocked eyes.

He looks across at several other pictures, spotting the pictures from earlier;

Tommy, Kara, Danny and Stephen; Atkins’ house; Chloe Tate; the withered photograph of Alternate Stephen and a picture of the smiling Mr. & Mrs. Myers, Mrs. Myers heavily pregnant.

ALTERNATE STEPHEN (OS)Do you see?

Tommy looks up, recognising the voice. He turns to face the sandy-blond haired Alternate Stephen, with a young, innocence about him. He wears the half red, half white, clown costume that Myers once wore, back in 1963.

TOMMYI don’t understand... Stephen?

ALTERNATE STEPHENNot quite.

TOMMY(slowly)

Am I dead? Or crazy?

ALTERNATE STEPHENNeither. You’re here. In this world.

TOMMYThis world? Who are you? Whatis wrong with this town? Why-

ALTERNATE STEPHENI will help you understand.

Tommy tilts his head in curiosity as Alternate Stephen remains solemn.

CUT TO:


Along a dark, foggy street, Angela runs furiously, gun & torch held up, eyes watering as she looks around.

ANGELA LOOMISAlison! Where are you?! Alison!

A bloodcurdling screech sounds from ahead in the darkness as Angela lets out a terrified gasp. She continues on, her feet pounding the ground.

CUT TO:

INT. DARK ROOM – UNDERGROUND – OTHERWORLD

Solid darkness. Heavy breathing starts, followed by whimpering gasps. Scuffling, scratching and a small sob.

‘The Suicidal Clock Chime’ (Silent Hill 3) begins.

Suddenly, light fills the room from a hanging bulb. It swings from the ceiling as the terrified Alison staggers into frame.

She leans up against a bloody concrete wall beside a metal door. She looks around the room; just another metal door, which stands opposite her.

ALISON TATE(feebly)

Angela?

Alison moves towards the other door slowly, trembling with fear. A drip of blood suddenly drops onto her face. She runs her hand over the drip, revealing the blood to herself. She gasps in horror, her eyes rising up.

She lets out a bloodcurdling scream before covering her mouth with her hand. She shudders, turns and leans over, removing her hand. More vomit pours from her mouth.

We get a flash shot of several corpses lining the ceiling, all with shredded skin, missing eyes, distorted bodies/faces and horrific wounds.

Alison continues to vomit as a loud crash sounds from the other side of the metal door. She leaps up, letting out a scream. Another loud bang is quickly followed by a growl.

ALISON TATEStay away from me!

She turns, bolting for the first door, grabbing the rusty handle and tugging down hard. It shifts, the door creaking open. She cries heavily as the metal door behind her creaks open loudly.

CUT TO:

INT. LABYRINTH – UNDER GROUND – OTHERWORLD

Alison moves out into a flame-torch lit, damp corridor. She turns quickly, slamming the metal door shut. She screams as something hits the door from the other side. She looks over her shoulder at the dull corridor.

She lets go of the door before running for her life along the corridor. The flame torches flicker as she passes them. The metal door flies open, slamming into the wall. Pyramid Head moves into the corridor, dragging the Great Knife behind him.

Alison looks over her shoulder, Pyramid Head twenty feet away. She clutches her side, crying out in pain and fear as she comes to a junction. She looks left and right. She takes the left.

CUT TO:


Angela pants for breath, leaning up against a shop front. In front of her & the sidewalk, sits a manhole cover. Angela wipes her brow as a loud scream comes from under the manhole. Angela looks down, dull light shinning through the holes on the cover.


Alison?

Another scream follows as Angela dives for the manhole cover.

ANGELA LOOMISAlison!

She drops her gun to the side, grabbing at the cover and trying to pull it up.

CUT TO:

INT. LABYRINTH – UNDERGROUND – OTHERWORLD

Alison runs by a crooked, broken ladder. She cries loudly.

ANGELA LOOMIS (OS)Alison! Can you hear me?

Alison stops, heart racing. She whips around to look back down the dingy corridor she’s just ran along.

ALISON TATEAngela? Where are you?!

ANGELA LOOMIS (OS)I’m up in the street! I can’t getthis manhole cover off!

Alison looks up, spotting the manhole cover above the broken ladder. Alison darts for the ladder, the steps slicked with blood. Alison manages to climb up a few steps before looking along the corridor.

Pyramid Head moves out from a corner. He turns, spotting Alison. She lets out a terrified scream as he heads towards her, sparks flying from the Great Knife being dragged along the concrete ground.

ANGELA LOOMIS (OS)Alison?! What is it?

ALISON TATEHe’s coming! Hurry! Get the coveroff, please!

ANGELA LOOMIS (OS)I’m trying!

Alison pulls herself up the broken ladder, passing by several missing rungs and grabbing the next one.

ALISON TATEAngela! Please!

Alison checks along the corridor, Pyramid Head closing in. She trembles in fear, pushing herself up against the bottom of the sealed manhole cover.

CUT TO:


Angela tugs on the manhole cover desperately, her brow sweating, her teeth clenching.

ANGELA LOOMISHold on Alison! It’s coming!

The manhole cover gives way, pulling up as Alison’s terrified scream sounds. Angela looks down to see Alison clinging for dear life onto the ladder’s rungs. Two veiny hands hold her legs, pulling her down.

ALISON TATEAngela! Help me!

ANGELA LOOMISOh god! Hold on!

Angela leans into the sewage hole, grabbing Alison’s arms. Angela tries to pull her up. Alison cries heavily as Pyramid Head growls. Angela groans as she struggles to pull Alison up. Angela’s torso slowly starts to slide through the manhole cover.

A slash sounds as Alison screams. Alison suddenly lets go, falling down into the dark tunnel as Angela screams.

ANGELA LOOMISNO! Alison!

Angela turns around, grabbing her gun and lowering her legs into the sewer.

CUT TO:


Angela climbs down the broken ladder, looking left and right down the flame-torch lit corridor. Her cell phone emits loud screeches.

ANGELA LOOMISAlison!!

Angela drops down to the solid ground with a splash. She looks down. She stands in a puddle of blood.

ANGELA LOOMIS(trembling)

Oh god! No!

Her cell phone slowly quietens down, the screeching static subsiding. Angela runs her hand through her hair, looking both ways again, unsure of which way to go...

ANGELA LOOMISAlison!

Angela picks a way, running off along the concrete.

CUT TO:


Tommy sits on the floor, leaning against the blood-smeared concrete wall. Alternate Stephen stands in front of the desk.

ALTERNATE STEPHENA very long time ago, a familyresided here, in Silent Hill.

TOMMYThe Myers?

ALTERNATE STEPHENMy clues have given you insight totheir lives.

TOMMY(slowly)

They had Michael here. Not inHaddonfield.

ALTERNATE STEPHENYes. I am a representative of thegoodness that Michael once had withinhim. Before his soul was completelycorrupted. As you can see, the lastpart of goodness within him endedwhen he was very young. When he wasfive.

Dun, dun, duh!! Alternate Stephen is Young Michael!

TOMMYNone of this can be possible...

YOUNG MICHAELIt is. With Michael Myers here,his sub-conscious has manifesteditself into various beings. Beingsthat represent his rage. Historture. His pain. His inner self.Which I am a part of.

Tommy shakes his head, half smiling in a crazy way as he looks away from Young Michael.

YOUNG MICHAELMichael’s story started like anyother. With seemingly goodintentions. Michael was not likeany ordinary child. Mrs. Myershad a darkness pushed upon her bya group of men, hell bent on powerand greed.

TOMMY

Thorn.

FLASH TO:

INT. CHURCH – SILENT HILL – FLASHBACK

‘Never Forgive Me, Never Forget Me’ (Silent Hill 3) plays.

In a darkened church, lit by flame torches, a group of people fill out the first few benches, including Mr. & Mrs. Myers. A priest-like man in a red robe stands at the front, arms out held in a god-like manner.

PRIESTGod shall rain down his richesupon us and we will be instilledwith Paradise!

Cheers rise from the people.

YOUNG MICHAEL (VO)Thorn. One of two religious groupswithin Silent Hill. Wishing toconvert The Order to their religion,they claimed to be able to raise aGod through one of their members.Mrs. Myers. However, when Michaelwas born, there was no sign thathe was their source of wealth orpower.

FLASH TO:

INT. LABOUR ROOM – BROOKHAVEN HOSPITAL – FLASHBACK

In a white-tiled room with a large bed in the centre of the room; several brunette nurses, a midwife, a doctor and the red-robed priest surround a relieved Mrs. Myers, her hair sticking to her sweaty face. The midwife holds up the crying, newborn Michael.

MRS. MYERS(pleadingly)

Please... my baby.

The doctor, with wispy grey hair, watches on as the priest takes Michael, frowning.

PRIESTI do not understand... this is noGod.

DOCTORPerhaps you were mistaken-

The priest shoots the doctor a scowl, cutting him off.

PRIESTEither way, there is somethingwithin this boy... something dark...something powerful. Something whichwe partially intended to create.

NURSE #1A termination then?

MRS. MYERS(wildly)

No! You can’t do this to my baby!

Mrs. Myers struggles, attempting to get up. We now realise that she’s bound to the table.

PRIESTNo. We shall harness whatever powerthis baby possesses.

(smiling)I can feel it... this baby will beour link to our true prodigy.

YOUNG MICHAEL (VO)They tried to bring out the deepdarkness buried within Michael.Through testing and observationsat the hospital to gain themselvesthe power they’d wanted.

FLASH TO:

INT. WHITE ROOM – BROOKHAVEN HOSPITAL – FLASHBACK

A four-year-old, sandy-haired Michael Myers sits on a basic bed in the corner of the concrete-walled room. The windows have bars over them. A nurse steps into frame, holding a silver tray with various syringes on it.

NURSEIt’s time for your daily shotsMichael.

Michael looks up, fear, sorrow and hatred burning all at once in his eyes.

NURSENow be a good boy.

Two middle-aged nurses step into frame. They grab Michael by each arm, holding him still as he silently struggles. The doctor from the labour room steps into frame.

DOCTORNow Michael. This may sting but

it’ll be over in a few minutes.

Michael struggles harder as the doctor grabs the first syringe. He smiles at Michael, testing the syringe with a squirt.

YOUNG MICHAEL (VO)They failed to get the results theydesired. They sent Michael into astate of laryngitis. They didhowever, discover that Michaelpossessed certain attributes.

FLASH TO:

INT. BASEMENT – BROOKHAVEN HOSPITAL – FLASHBACK

In a grim, darkened room, a young boy’s legs dangle from above. The doctor, a nurse and the priest all stare up at Michael as he dangles from a noose, his face red.

NURSEHe’s been up there for almostthirty minutes.

DOCTOR(turning to the priest)

Why won’t he die?!

PRIEST(in awe)

He truly is our prodigy. He isthe one. We just have to figureout how to unlock him.

Behind them all, the door flies open. The doctor turns to be greeted with a scalpel to the gut. He falls down as the priest and the nurse turn to face an enraged Mr. Myers.

MR. MYERSYou bastards!

PRIESTMyers! This-

Mr. Myers punches the priest across the jaw, sending him sprawling to the floor. The nurse screams, backing off as Mr. Myers grabs a nearby stool. He moves underneath the struggling five-year-old Michael, stepping up and lifting Michael out of the noose.

Mr. Myers brings Michael down to the floor slowly. Michael appears unhurt as Mr. Myers looks down at his son.

MR. MYERSIt’s going to be ok Michael. We’re

getting out of here.

Mr. Myers picks up Michael in his arms, turning for the door. The bleeding doctor looks up slowly, groaning in pain as the priest looks up from the floor.

PRIESTNo! You can’t take him! He’s ours!Ours!!

Mr. Myers exits the room, closing the door behind him.

PRIEST(to nurse)

Get security! Get Wynn! Just dosomething!

The nurse nods, quickly dashing for the door and exiting the room.

FLASH TO:

EXT. STREET – FLASHBACK

On a darkened street with the hospital visible in the background, a single car sits parked by the sidewalk.

YOUNG MICHAEL (VO)On Halloween 1962, the Myers fledSilent Hill.

Mr. Myers runs into frame, as Mrs. Myers steps out from behind the car.

MR. MYERSWe have to hurry. They’ll be coming.

MRS. MYERS(to Michael)

Get in the car with Judith andLaurie sweetie.

Michael obeys, climbing into the car where a sixteen-year-old Judith Myers awaits. In a baby seat, one-year-old Laurie Strode sleeps. The two adults turn to one another.

MRS. MYERSWill this work? What if they followus? What if they find us?

MR. MYERSThey won’t. Trust me. After tonight,we’ll never have to deal with Thornever again.

MRS. MYERS

You promise?

MR. MYERSPromise. Now come on.

They both climb into the car, the engine starting with a churning sound. Slowly but surely, the old 1960’s car pulls away.

FLASH TO:


Tommy now leans up against the blood-smeared concrete wall whilst Young Michael remains in front of the desk.

TOMMYSo... they tried to kill him oncethey thought he was useless? Thenthey discovered that he did havesomething special within him?

YOUNG MICHAELYes.

TOMMYWhat happened once the Myers lefttown? Once they’d discoveredMichael was ‘special’?

YOUNG MICHAELAfter news of what had happened gotout through word of mouth, Thornwere ruined. The police were notinvolved. However, The Order gainedmany Thorn members who felt betrayedand let down by Thorn. Thorn wasseemingly crushed. The Orderbanished the loyal Thorn membersand recycled their idea of raisinga supposedly paradise-giving God.

TOMMYThat doesn’t explain why Michaelkills. Did the darkness within himgrow? Or did the remaining Thornmembers do something to him?

YOUNG MICHAELWith the little real power Thornhad left, they cursed Michael. Thepower he possessed was to be usedon his own flesh and blood. Andonto anyone who got in his way.

TOMMY

His family. Judith. Laurie. Jamie.It’s why he killed them... Why didThorn change from wanting paradiseto wanting an innocent bloodlinebeing wiped out?

YOUNG MICHAELThorn was once about peace andprosperity. Their greed andresentment corrupted them. Thereason the members felt betrayed,was because they discoveredThorn’s true ploy was to gainwealth and power. Not a paradisewhere all would be welcome.

TOMMYAre they here? Did they lureMichael here?

YOUNG MICHAELIn a way, yes. They lured you andyour family here. As bait, knowingMichael would follow.

TOMMYOh my god. They set us up. I ledmy family to their deaths!

YOUNG MICHAELYou could not help it Tommy. Youyourself were set-up. Thornrealised they needed Michael. Butupon summoning him here, Michael’suncontrollable rage and sin openedthe doorway to this world. Thornalong with Michael, your family andtwo detectives are the only oneshere.

TOMMYI still don’t... I just need timefor this to sink in.

YOUNG MICHAELAngela Loomis has come to help youTommy.

TOMMY(frowning)

Loomis?

YOUNG MICHAELShe followed you here. To warnyou of Myers. She’ll be there tohelp you.

TOMMYWhat? Help me? To do what?

YOUNG MICHAELTo save your son and leave town.Before Michael’s rage kills you.

TOMMYWait... I tried to leave. Earlier.But the road was out. Literally.

Young Michael nods understandably, pacing around slowly in front of Tommy. Tommy slowly stands, stretching a little.

YOUNG MICHAELYou are not meant to leave yet.As I said, you must save your son.

TOMMYWhere is my son? Where’s Stephen?

YOUNG MICHAELThorn have him.

Tommy runs his hand through his matted hair, eyes wide in panic.

YOUNG MICHAELAnd they plan to use him.

TOMMYFor what?

YOUNG MICHAELStephen is the last relative ofMichael Myers. As the Curse ofThorn states, once an entirebloodline is wiped out, the Curseis lifted.

TOMMYGod... this is starting to hurt myhead.

YOUNG MICHAELWith Stephen’s death, Michael’sRage will have reached its peak.His peak will spark the beginningof the end.

TOMMYWhat? Why?

YOUNG MICHAELGo deeper. And you will discover

the truth. The truth to why youwere lured here, to why Michaelis here.

Young Michael suddenly fades away as Tommy’s eyes widen. He lunges forwards to grab Young Michael.

TOMMYNo! Wait!

Young Michael is gone. Tommy looks around frantically.

TOMMYHello?!

We pull over the silent room...

CUT TO:

INT. BOILER ROOM – UNDERGROUND – OTHERWORLD

In a dirty, rusty boiler room, Angela Loomis moves slowly along a narrow corridor part, holding her gun & torch up, dripping sounding in the background.

ANGELA LOOMIS(breathlessly)

Alison?

A deep, evil laugh sounds from up ahead, where a metal staircase leads up to a metal-grate platform. Angela breathes heavily as she slowly ascends the stairs, looking all around.

Angela reaches the top, looking over the large boiler room. We get a scanning shot of the large area below, filled with various fenced off boilers, pieces of debris and puddles of dark liquid.

ANGELA LOOMIS(quietly)

God damn it. Where are you Alison?

A clang of metal comes from behind. Angela yelps, spinning around, gun raised to face something. With a dome-shaped head with a literally blank face, it wears a shabby, beige trench coat. The skin of this being is a dull grey with rotting, scabby hands. Angela recognises this beast with horror...

ANGELA LOOMIS(stunned)

Oh my god. Daddy?

The manifestation of Dr. Sam Loomis stumbles towards Angela, letting out muffled words from the non-existent mouth.

DR. LOOMIS

Evil... why can’t you be likethe other children Michael?

ANGELA LOOMIS(trembling)

Michael? You’re not... you’re apart of this town’s hallucination.You’re not real!

DR. LOOMISI tried to save you... Michael.

Angela takes a step back, aiming her gun at the Dr. Loomis creature, a tear running down her cheek.

ANGELA LOOMISWhy are you doing this to me?

Dr. Loomis tilts his head.

DR. LOOMISI can help you. Make you normalagain.

Dr. Loomis’ decaying, rotting hand rises, his fingers stretching out and extending towards Angela’s throat. Angela screams, firing her gun and hitting Dr. Loomis in the chest. Blood spurts out.

Dr. Loomis’ hand comes within an inch of Angela’s neck, his fingers extending around the front of her throat. Angela backs up, hitting the railing. She tumbles over, falling off the platform with a scream.

With a loud thump, Angela smashes onto the boiler room floor, her gun skidding along the floor. She groans loudly, looking up with blurry eyes. Dr. Loomis is gone, but the presence of darkness remains.

Angela slowly turns onto her side, groaning in pain as black-booted feet step up to her. Angela looks up with fear as she’s suddenly kicked in the face with force. She rolls onto over, unconscious.

We pull back as several red-robed men, their features hidden by hoods, surround Angela. One of them looks up to the platform, shivering slightly.

CUT TO:

INT. CHURCH – OTHERWORLD

Inside the blood-smeared, concrete-walled church, Tommy sits on a bench by the front, one of the only benches that aren’t smashed to pieces. Tommy’s face is buried in his hands, sobbing loudly.

TOMMYI can’t do this! I can’t take itanymore! I want my son back! Now!

He looks up, wiping his eyes. The barbed-wired body above the doorway is gone.

TOMMYGet back here Michael! I need toknow where my son is! Or I won’thelp you! I swear to God, I won’thelp you!

OLD PRIEST (OS)Little choice, my friend.

Tommy jumps to his feet as the old-male priest with wispy grey hair in his black robes from earlier wanders along the main aisle. The slices on his face remain, one eye missing.

TOMMYWho-

OLD PRIESTYou cannot allow their God to beborn. You cannot let an innocentchild die.

TOMMY(slowly)

I would never... please. Do youknow where my son is?

OLD PRIESTTo find your son, you must venturedeeper into Silent Hill. I can showyou the way.

TOMMYI don’t know what to do... I feellike I’m trapped in a nightmarewhere nothing makes any sense.

OLD PRIESTAll too true my friend. Now. Youmust hurry.

Doors slam, echoing around the church. Tommy and the priest whip around. Michael Myers walks down the middle aisle, mask bloody and scalpel in one hand.

TOMMYOh God! Michael!

OLD PRIEST

There isn’t much time! Take thiskey! It will open the door!

The old priest brings out an old fashioned, silver key. He shoves it into Tommy’s hands.

OLD PRIESTGo! Out the back!

Tommy backs off as the old priest turns to face Michael. Tommy watches as Michael grabs the priest by the throat. Tommy turns, darting for the door behind the altar. He throws it open, moving into the room as a scream echoes around the church.

CUT TO:


Tommy closes the door behind him, turning round, fear in his eyes. On the opposite wall, stands the tall grandfather clock. Underneath the face, in blood, are the words:

‘Enter Yee Who Seek Certainty’.

Tommy steps up to the clock as a slick keyhole is visible in the centre of the face. Tommy lifts up the silver key, sliding it into the centre of the face and twisting. A mechanical lock sounds as the clock suddenly slides back into the wall.

Tommy jumps back as the clock then slides aside, revealing a narrow set of grimy, stone steps leading down into darkness. A thump comes from the door as Tommy quickly darts down the steps.

CUT TO:

INT. DARK CELL – OTHERWORLD

In a simple, dark cell with a barred window, a chair and a sealed door, Angela sits slumped up against the wall. She stirs, groaning gently as her eyes flicker open. She remains still for a few seconds, adjusting. She looks around slowly, frowning.

ANGELA LOOMISWho... Alison?

YOUNG MICHAEL (OS)She can’t help you now.

Angela whips around, wincing in pain from a migraine as Young Michael sits on the chair, hands in his lap like a good boy.

ANGELA LOOMISWho are you?

YOUNG MICHAELMy name is Michael. Things arehappening Angela. Things from theother world. And it’s time for youto understand your part in thisvery large game.

Angela frowns, tilting her head as we pull back slowly.

CUT TO:


Tommy steps out from a shadowy space in the blood-smeared, grimy concrete walls of the underground maze. He looks around, taken aback.

TOMMYJesus. What is this place?

Tommy, not expecting an answer, sets off along the corridor, passing several puddles of crimson blood. He freezes, seeing something up ahead. From a crevasse in the wall, a grimy, veiny hand runs down the wall, the creature itself hidden.

A deep laugh echoes along the corridor as the hand drags its nails along the wall, leaving deep scratch marks in the concrete. Tommy backs away, turning and taking off in the opposite direction, heart racing.

CUT TO:


POV: We stare down at mess of files, papers and photos. With pictures of the Doyle’s, Chloe, young Michael Myers, his parents and the newspaper clippings from earlier, heavy breathing rises.

Michael looks up, spotting the hole in the wall, the stone steps leading down. He turns slowly to his left where a shadowy figure stands in one corner of the room, trembling. Michael tilts his head, turning fully to this dark figure.

It steps forwards into the light, revealing a slim, brown-haired girl of seventeen. Wearing a short blue skirt, 60’s styled blouse and an upset expression, Judith Myers sobs.

JUDITH MYERSWhy Michael? I was your sister!Your own flesh and blood! I lovedyou! Unconditionally! And how doyou repay me? You butcher me!

Michael remains still as Judith suddenly transforms to the multiple-stabbed victim of 1963, wearing only small panties. She takes a step up towards Michael, tilting her own head.

JUDITH MYERSDo you know why I’m here?

Judith suddenly morphs up into the white figure of a nurse, her face rotting away into that of a zombie. Michael’s head tilts further as the zombie-nurse’s face slowly fades in to that of the dark haired Mrs. Myers.

MRS. MYERSIt’s time to finish your specialjob sweetie. You know what must bedone. You can’t escape your rageunless you do this.

Mrs. Myers quickly morphs into the bushy-brown haired, slim, ‘1978’ Laurie Strode.

LAURIE STRODEIf you fail, you’ll be stuck here.In the town of despair, with nohope of escape. You’ll be here tostay, with your rage for company.

Laurie morphs into the fifteen-year-old, short-black-haired Jamie Lloyd.

JAMIEIt could have ended with me. Butthey dragged out your suffering.Take Stephen. Take Thorn. Takethem all.

Jamie suddenly vanishes in a blink of an eye as we pull back from a likely confused Michael. After a few seconds, he turns to the stone steps. Several notes of the ‘Halloween’ theme play softly as he descends down the steps.

CUT TO:


Angela stands by the metal door, Young Michael still seated, hands in lap. Some time has gone by.

ANGELA LOOMISI think I’m going to throw up.

YOUNG MICHAELThere isn’t time for this. You needto help Tommy.

ANGELA LOOMISHow the hell can I help? This town

seems to be able to do things allon its own. It murdered my friend!

YOUNG MICHAELNo. This town merely plays one partin this game. Michael’s rage killedAlison. And it’s Thorn’s fault thathe’s here.

ANGELA LOOMISIf I stop Thorn... will thisnightmare end?

YOUNG MICHAELPerhaps. So long as you completethe task at hand, you should befree to leave.

ANGELA LOOMISI thought you were the last memoryof Michael’s goodness? How do youknow all of this?

YOUNG MICHAELI have the knowledge because oncereleased from Michael in this town,I have watched them. I havelistened to them. I have-

MALE VOICE (OS)Talking to yourself? Are you thatcrazy?

Angela spins around sharply to come face-to-face with Richard ‘chubby guy’ Worthing. Young Michael has suddenly vanished.

ANGELA LOOMISI know what you’re doing. I won’tlet you do it. I won’t let youkill an innocent boy.

RICHARD WORTHINGYou do not have a choice. Rightnow, I am preparing him for theritual. Once Michael arrives, hewill kill the boy. And we will beblessed.

Angela stands slowly, looking the Mayor up and down with a disgusted look.

ANGELA LOOMISYou tricked Atkins into sendingthe Doyle’s here. Like pawns.

The Mayor does a mock bow as Angela narrows her eyes.

RICHARD WORTHINGBut of course. It was easy. Andit was worth it.

ANGELA LOOMISWhy? For this... this bullshitparadise?

RICHARD WORTHINGHow dare you! Our paradise willbe unique and very real.

MAN IN BLACK (OS)(deep, inhumane voice)

One that you will not be a partof.

Angela looks past the mayor as the Man In Black clinks his way into the room, face bathed in shadows from his hat.

ANGELA LOOMISShe won’t let you. Chloe won’t.

MAN IN BLACKShe has little choice. She is underour control.

ANGELA LOOMISThen why did she call for hersister to help her? If she’s sounder control, why does she wanther sister to find her?

RICHARD WORTHINGShe was happy here. In Silent Hill.About to marry a fine man. Heconvinced her to join Thorn, underthe belief that they were pure andgood. How wrong she was. She soondiscovered what we wanted and wetold her that she had been‘specially’ chosen.

(beat)She opened the doorway for you andher sister, knowing you’d both endup helping her one way or another.

ANGELA LOOMISAnd that thing opened the doorwayfor Michael. To let him commit hisfinal murder, to reach his ragingpeak.

(then)So why are you here?

Richard turns to the Man In Black, with no answer to hand.

MAN IN BLACKShe is a typical, closed-mindedindividual. Leave her here to rot.

The Man In Black turns, exiting with a dismissive hand to Angela. Richard looks at her.

RICHARD WORTHINGWe won’t be here for much longer.It is only a temporary part of theprocess. But you... you will neverleave.

Richard darts out of the room as Angela suddenly charges at him. She yells angrily as the door locks.

CUT TO:


TOMMY (OS)STEPHEN!

Tommy steps into frame, looking around the large, spaced out room. Water runs down the rusty, dank walls as he moves past several tall, hissing boilers, which are fenced off.

TOMMYStephen! Where are you?! Stephen!

Stepping out ahead from behind a boiler, is the Dr. Loomis creature (hunched up, dome head, chalky skin, no facial features, dirty beige trench coat). Tommy freezes.

TOMMYOh god.

Tommy backs away as Loomis groans at him. Tommy’s eyes wander down to the right hand of Loomis where an old 1970’s handgun is held, the chamber open with no bullets. Tommy frowns as recognises the features.

TOMMY(slowly)

Dr. Loomis?

Loomis yells with rage, swinging around the gun and smashing Tommy in the head. Tommy yells as he crashes to the ground. He looks up in time to see Loomis lunging for him. Tommy rolls aside, jumping to his feet.

TOMMYWhat are you?!

The Loomis creature turns to him. Tommy turns, bolting along the corridor. Loomis staggers after him slowly.

CUT TO:

INT. CAVERN – OTHERWORLD

Inside a large, rocky cavern with rocky pillars, rows of intact wooden benches and a large stone table at the front; flame torches light this underground version of a church.

Five red-robed Thorn cultists surround the stone table. The distressed Chloe Tate lies upon the table, strapped down. Her eyes are bloodshot, her clothes torn, her stomach bulging slightly.

CHLOEPlease! Let me go! Please!

The Man In Black appears by the head of the table, looking down at Chloe. He lifts up the hat, revealing a wizened, tired face. Not one that we recognise.

MAN IN BLACKIt’ll be over soon Chloe.

CHLOELet me go!

Richard appears beside the M.I.B, looking over the six members.

RICHARD WORTHINGWhere is my daughter?

One of the cultist’s turns, lowering their hood to reveal the blond haired, pretty faced Josie.

JOSIEI’m right here father.

RICHARD WORTHINGGood. The ritual will begin as soonas the Dark One arrives. Bring thechild out.

Josie nods silent, pulling her hood back up and walking towards a stone archway behind the table. We notice there is another stone archway at the opposite end of the cavern.

Richard turns to the stone table. Richard smirks smugly at the struggling Chloe.

RICHARD WORTHINGYou’re awake my dear. It’s about

time. I’ll be glad to get back tomy normal town. We can only hopethis works.

MAN IN BLACKIt will. Trust your faith Richard.And anything can happen.

The M.I.B and Richard both look down at Chloe, who cries loudly, almost as if she’s in physical pain.

CUT TO:


Angela bangs on the door, shouting loudly.

ANGELA LOOMISYou hear me? Open this fucking door!

The door clicks as Angela steps back. A disgruntled, chubby guy in the red-Thorn-robe walks in, folding his arms, scowling at Angela.

CULTISTIf you insist on making noise Miss.Loomis, I will insist on shuttingyou up. For good.

Angela yells as she kicks upwards, booting the cultist under the chin. His muffled yelp is followed by the thump of his body on the floor. Angela stands over him, smashing her foot across his jaw, knocking him out.

ANGELA LOOMISLook who’s insisting now.

Angela bends down, grabbing a set of keys from the belt of the cultist before moving out of the cell and disappearing from sight. Loud shouts come from outside the cell.

CUT TO:


Tommy pants hard as he runs along the rusty, dirty metal-walled corridor, darkness starting to consume him as he squints into the distance. Odd rumbling sounds come from above and behind him. He’s lost the Loomis creature.

As the darkness starts to get too much, he digs into his pocket. He pulls out the torch from the hospital, flicking it on.

The torch lights up a large crowd of dirty white skinned mannequins (no faces), all standing still. Tommy gasps, taken

aback as they suddenly start to shuffle towards him, their arms suddenly flailing.

TOMMYStay back! Hey!

Tommy backs off, eyes wandering over the vast crowd. Dozens of them. He looks behind him and along the wall, spotting a broken metal pole on the floor. Tommy places the torch on a vent to the side.

Roaring flames ignite in the distance, behind the mannequins, like a wild furnace, lighting up the area slightly more. Tommy grabs the pole, turning to face a lunging mannequin.

TOMMYFuck!

Tommy swings the pole, smashing the mannequin’s top waving arms. The beast falls down as the others descend on him. Tommy yells as he tries to shove and kick them back but there’s too many. They start to overwhelm him, smashing him on the head and body with their flailing arms.

TOMMYNOOOO! Help me!

Tommy yells as he disappears under the mannequins as they start to pile up on top of him. The clanging of the pole sounds before it rolls along the floor from under the mannequins. It stops as it hits a pair of dirty black boots.

Quickly flying up, we see its Michael. He holds up a scalpel, likely taken from a nurse. He takes a few steps forwards. Several mannequins turn and look up as Michael lunges for them.

They emit an odd, whining sound as Michael stabs them repeatedly with the scalpel. Michael jams the scalpel into the centre of one mannequin, causing it to drop instantly.

Michael turns, grabbing another mannequin’s set of arms and hurling it to the side. The mannequin smashes into the wall, falling down. The other mannequins begin to stand up from Tommy and stagger over to Michael as he systematically throws or rips through them one by one.

Tommy manages to crawl out from under a few mannequins, climbing to his feet slowly, clutching his head and groaning. In the background, Michael yanks a mannequin’s arm out of its socket. Michael turns, spotting Tommy. The mannequins turn to retreat. Tommy looks up to find Michael lunging at him.

TOMMYNo Michael!

Michael grabs Tommy by the throat, shoving him up against the rusty, metal wall with a slam. Tommy chokes, grabbing at Michael’s powerful arm as the Shape stares into his eyes. Loud grinding metal noises come from down the corridor. Tommy’s eyes squint to the side as Michael slowly turns his head.

TOMMY(eyes widening)

Oh God...

Dragging the Great Knife along the ground, spare hand running along the wall, Pyramid Head walks towards them both. Michael releases Tommy. Tommy crumples up on the floor, coughing loudly as he massages his throat. Michael turns fully to Pyramid Head, tilting his head.

Pyramid Head lets out a low, deep growl. He lifts up the Great Knife slowly as if it was as light as a feather. He also tilts his head. Michael’s left fist clenches tightly, as if knowing what Pyramid Head is. His own rage.

Tommy’s eyes dart between the two. Pyramid Head suddenly swings the Great Knife at Michael. Michael dodges to the side, the knife clashing with the metal wall. Sparks fly down over Tommy as he yells.

Michael lunges for Pyramid Head, grabbing his arm holding the Great Knife and twisting it. Pyramid Head drops the knife, swinging up with his left hand and smashing Michael across the head with kind of slap. Michael falls up against the wall as Pyramid Head advances on him.

Tommy climbs to his feet as Michael shoves Pyramid backwards. Pyramid Head smashes into the opposite wall as Michael bends down to grab the Great Knife. Tommy turns, taking off along the corridor as Pyramid Head lunges forwards.

His hand clamps over the back of Michael’s head, lifting the Shape off of the floor! Pyramid Head goes to grab Michael’s mask with his other hand but Michael yanks away, tufts of his mask-hair ripping out. Pyramid Head smashes Michael with a backhand.

Michael falls, rolling across the floor. Pyramid Head advances as Michael climbs to his feet. They both throw out their arms, grabbing one another’s hands. They grapple with one another, twisting each other around, smashing each other against the opposite walls as they battle for supremacy.

Pyramid Head wheezes slightly as he throws Michael up against the metal wall. Michael is actually being out-strengthened. Michael knees up into Pyramid Head’s groin, to little effect. Michael gets one hand loose. Michael’s hand shoots up, disappearing underneath the large pyramid helmet, likely trying to grab this beast’s neck.

Michael pushes Pyramid Head back as the beast grabs onto Michael’s arms. Michael slams Pyramid Head up against the opposite wall, his eyes burning furiously. Pyramid Head lashes out with his right, his short nails slashing Michael’s mask, tearing several white strips off and drawing blood.

Michael staggers back, withdrawing his hand from under the large triangular helmet, revealing sticky black ooze covering his fingers. As Pyramid Head seems slightly fazed, Michael bends down and grabs the Great Knife.

He swings round the Great Knife, smashing Pyramid Head’s metal head. It clangs loudly like a bell, sending the beast to the floor. Michael drags the Knife up, raising it into the air and stepping over Pyramid Head. Pyramid Head’s hand shoots out, grabbing Michael’s leg.

Michael staggers slightly but he manages to thrust the knife down into Pyramid Head’s gut. Black blood spurts out as Michael lets go, having pinned the beast to the floor. Pyramid Head grunts, his arms and legs flailing about as he struggles to get loose.

Michael looks up, noticing that Tommy is gone. His breathing heavy, he takes off with a fast paced walk. We close in on Pyramid Head as he grabs the Knife’s blade with his hands. He pushes the Knife out of his abdomen, grunting loudly.

CUT TO:

INT. CELLS CORRIDOR – OTHERWORLD

Tommy appears from a set of up-stone steps, appearing in a long, stonewalled corridor. With various heavy metal doors on either side and two red-robed cultists lying in a heap on the floor, Angela Loomis stands over them, tying them up with rope. A handgun sits by her side.

Tommy watches her with curiosity, staying back. She stands slowly, sensing something. She grabs the gun, whipping around to face Tommy.

ANGELA LOOMISWho the hell are you?

TOMMYTommy. Tommy Doyle. Are you-


Angela Loomis.

TOMMYHe told me you were trying to helpme.

ANGELA LOOMISI’m guessing he was a little kid.

TOMMYYeah. A younger Michael Myers.

ANGELA LOOMISHe said I’d be helping you to saveyour son. Which was my intentionall along. Except I was hoping tosave...

Angela trails off as Tommy just nods.

TOMMYSo, we’re going that way?

Tommy points along the corridor to where a large staircase leads up, Young Michael standing before it.

ANGELA LOOMISI guess he’s not done directingus.

TOMMYNot until we finish this.

Tommy and Angela exchange glances as footsteps sound from behind them. They both turn to look on as Michael ascends slowly from the other set of stairs.

ANGELA LOOMIS(shocked)

Oh Jesus! Is that...

TOMMYMichael Myers. Run!

Tommy grabs Angela, pulling her along the corridor. Michael pursues them at his usual, steady pace.

CUT TO:

INT. STONE STAIRCASE – OTHERWORLD

Tommy and Angela ascend up the spiral, stone stairwell, panting heavily as they move. A deep growl comes from ahead as they both turn around the spiral steps to come face to face with the Loomis creature. Angela lets out a scream as the figure tilts its dome head.

ANGELA LOOMISDaddy?!

TOMMYIt is Dr. Loomis...

DR. LOOMISI can help you Michael...

TOMMYHe must be a manifestation ofMichael’s pain.

ANGELA LOOMISBeing stuck with my father forfifteen years, locked up? I canunderstand that.

Michael suddenly appears behind Tommy and Angela, lunging for them both. They both turn, screaming as the Loomis creature suddenly yells, lunging forwards and smashing into Michael. Angela screams as Michael and the Loomis creature tumble back down the spiral staircase, rolling out of sight.

TOMMYCome on. We have to hurry!

Tommy and Angela continue up the stairs, panting hard.

CUT TO:

INT. CORRIDOR – OTHERWORLD

Along a dark, dull corridor with various closed doors, rubble filled floor and a doorway at either end, Tommy and Angela burst in through one of the doorways.

ANGELA LOOMISWhich way?

Tommy looks ahead, where Young Michael stands with a solemn expression by one of the doors on the right.

TOMMYOver there.

Tommy heads over to the door, Young Michael now gone. Angela follows.

CUT TO:

INT. STAIRWELL – OTHERWORLD

Tommy and Angela step into a dark stairwell. With a grated floor and grated steps leading down into a fiery level beneath them, they both look very apprehensive.

ANGELA LOOMISJesus...

TOMMY

Come on. We have to keep going. Ihave to get to my son!

Tommy heads down the steps, his boots slamming loudly. Angela follows.

CUT TO:


Back in the dank corridor with various doors, Michael Myers stands at one end, looking around with uncertainty. Young Michael appears before him.

YOUNG MICHAELDoes the true Michael remember?

Michael tilts his head.

YOUNG MICHAELThe sins that you have committedMichael. Travel deeper inside ofyourself. Beyond the cold, cursedexterior to the true, unknowingman within.

Michael takes a step back, lifting his hands defensively. He shakes his head as Young Michael steps forwards with a solemn expression.

YOUNG MICHAELFor every person you have murdered...

Behind Young Michael, all the doors along the corridor swing open. Out of the doors, the Mannequins appear, arms flailing.

YOUNG MICHAELFor every person affected by yourdarkness and who have affectedyou...

Nurses and the Dr. Loomis creature move out from other doors.

YOUNG MICHAELFor every person you have rapedand instilled fear...

Jamie Lloyd steps out from one door, whilst Judith Myers and Laurie Strode step out from others.

YOUNG MICHAELFor every person that your ragehas affected, including yourself...

Pyramid Head steps out of one door, turning to face Michael amongst the mass of gathered creatures.

YOUNG MICHAELDo you remember? Do you feel?

Michael’s hands rise to his head as he grapples with himself, stepping backwards.

CUT TO:

INT. STAIRWELL – OTHERWORLD

Tommy and Angela move down the metal grated stairwell, lit up by the fiery pit beneath them. They come to a dead end, the stairs ending with a rocky archway. They exchange glances before proceeding through the archway.

CUT TO:


A solid wall has formed behind Michael as he’s pressed up against it. The mannequins flailing arms smash into him, causing him to bump about. Various nurses try to grab at him whilst Judith, Jamie, Laurie and Young Michael stand in the distance, watching with vague expressions.

Pyramid Head pushes through the crowd of creatures, throwing various mannequins, nurses and Dr. Loomis to the side in an attempt to reach Michael.

Michael bangs on the wall behind him, clearly in panic. He turns to a door on his right. He pushes through the nurses, a scalpel slicing his arm. He barges up against the door, a mannequin’s arm smashing him in the head.

Pyramid Head draws near, grunting loudly over the loud moans of the creatures. Michael manages to open the door, disappearing through it. The door slams shut but Pyramid Head moves up to it. With both hands, he smashes the door off of its hinges. He heads through the doorway after Michael.

CUT TO:

INT. UNDERGROUND CAVERN – OTHERWORLD

‘Prayer’ (Silent Hill 3) plays in the background score.

Inside the flame-torch lit, rocky underground church, the five red-robed cultists surround the stone table to which Chloe is bound. She looks unconscious again. Stephen Lloyd is now bound to a rocky pillar off to the right. Tears stream down his terrified face.

STEPHENPlease! Somebody help me!

As Stephen sobs on, Richard Worthing appears by him in a red ceremonial robe. He holds a butcher’s knife in one hand, a stun gun in the other.

RICHARD WORTHINGQuiet child. It will all be overfor you soon enough. You arenothing but a symbol to an end.

Richard turns to the Man-In-Black, who sits in the first row of the empty wooden benches. Richard sounds slightly unnerved.

RICHARD WORTHINGHe should not be taking this long.

MAN IN BLACKHe can sense his son. He’ll behere.

RICHARD WORTHINGPerhaps we should lure him here.

MAN IN BLACKNo. We cannot risk venturing intothe Otherworld. Michael’s ragewill kill us.

Richard sighs, turning away as we pan over to the back of the church-like cavern. At the back row of benches, Tommy and Angela appear from a stony corridor. They look around, quickly spotting Thorn, Chloe and Stephen.

TOMMYSte-

Angela’s hand clamps over Tommy’s mouth, silencing him. She drags him to the side up against a rocky pillar.


Quiet. We have to think this throughor we’re all dead! Including your sonand that woman... who I’m guessingto be Chloe Tate.

Tommy nods with a frown as Angela lowers her hand. They both look around the pillar.

TOMMY(whispering)

Who’s Chloe Tate?


A detective was searching for hersister, Chloe. She died... here.

In Silent Hill. And now I’m goingto get her sister out of this. ForAlison Tate.

Angela’s eyes show great sadness as Tommy looks down slowly.

ANGELA LOOMIS(sadly)

The man in black...

TOMMYWhat about him?

ANGELA LOOMISI know him.

TOMMY(hissing)

What?!

ANGELA LOOMISHis name is William Atkins. An old,family friend... I can’t believehe’s here... it was at his housethat I realised I had to come toSilent Hill.

TOMMYDo you think he set you up?

Angela narrows her eyes, deeply hurt. We cut back to Thorn.

RICHARD WORTHINGI’ve had enough. Move aside, Ishall slay the child!

Richard raises the knife as Atkins turns to him angrily.

ATKINSNo! It must be done by Michael forhis rage to maximise. Once he isfree from the curse of Thorn, hewill realise all that he has done.Those who he has killed. And hewill become filled with hatred forus.

RICHARD WORTHINGEnough to bring about our God?

Richard points to the bulge in the crying Chloe’s stomach. Atkins nods.

ATKINSWe failed once to bring about ourGod. But we did however make the

instrument that will bring the Godinto our lives. The Order wereclearly not meant to succeed us.We shall be the victorious ones.

Josie looks out from under her hood nervously as the remaining Thorn members remain still.

ATKINSOnce the God is born, we will befreed from this devastation of aworld. We can rejoice with theremaining Thorn members and beginthe paradise to which millions willseek a place in.

Angela and Tommy withdraw around the pillar. Angela looks down slowly.

FLASH TO:

INT. DARK CELL – OTHERWORLD – FLASHBACK

Angela stands opposite Young Michael who sits in the chair in the dank cell.

ANGELA LOOMISTell me why they’re doing this.

YOUNG MICHAELThorn have a woman. Impregnatedwith the spawn of evil. Thisabomination grows inside her womb,feeding off of Michael’s rage andhatred. Its power has projectedMichael’s rage and torment, turningthis place into a living hell.Once Michael kills Stephen and hehas reached his peak, the demonwithin the woman shall be born.

ANGELA LOOMIS(thrown)

Demon? Inside a woman?

YOUNG MICHAELThorn used the alterations totheir original plan by The Orderto bring about their ‘God’. Butbelieve me. The thing inside heris no God.

Angela looks down slowly, letting this sink in along with the rest of the information she was likely to have received...

FLASH TO:


Behind the pillar, Angela looks towards Tommy.

ANGELA LOOMISAtkins... he’s crazy... it’s nota God... it’s hell. How did Chloeget into this?

Angela looks towards Tommy but instead sees Young Michael. He offers out his hand as Angela frowns.

YOUNG MICHAELLet me show you.

Angela hesitates as Young Michael tilts his head.

YOUNG MICHAELDo not be afraid Angela. Take myhand and you will see.

Angela extends her hand slowly. She takes Young Michael’s hand...

FLASH TO:

INT. ROOM 302 – APARTMENT BLOCK – DAY

Sunlight shines through the windows of this modern apartment, a stark contrast to the room we saw earlier. A leather sofa sits against one wall, with a TV and a few cabinets against the other.

The pretty, blond-haired Chloe Tate stands by the window, a guy in his early thirties with thick dark hair and a medium build beside her. He rubs his hand along Chloe’s shoulder.

CHLOEI don’t like this Mike.

MIKEIt’s going to be fine. You’ll geton with everybody. Trust me. Thornis an accepting group.

CHLOEI’m not very good with religion.

MIKENeither am I! All we have to dois sign up, attend regular servicesand be married by them.

Chloe looks down from the window as Mike kisses her neck softly.

MIKEEverything will be fine. Trust me.

FLASH TO:

INT. DARK ROOM – NIGHT

Barely anything is visible. But Chloe is. Her fearful face shines through like a beacon. She’s strapped up against the wall, legs wide apart. Several figures stand before her. Mike, two robed cultists and the Man In Black.

MAN IN BLACKYou have been chosen Chloe. For avery special purpose.

CHLOEPlease Mike! Make them stop this!

MIKEI’m sorry Chloe... it’s for the best.

MAN IN BLACKIt is your fate my child. To bringabout the beginning of paradise.

Several doctors suddenly appear from either side of Chloe, advancing on her. She screams loudly.

FLASH TO:

INT. CORRIDOR – NIGHT

Along a concrete-walled corridor with sealed metal doors, Chloe runs as fast as she can. Her blond hair sticks to her sweaty face, her stomach bulging with pregnancy.

She checks over her shoulder, looking back down the dark, barely visible corridor. No one’s following. She turns to a door, throwing it open and running inside.

CUT TO:

INT. OFFICE – NIGHT

Chloe slams the door shut, turning to face a simple doctor’s office. Neat desk with phone and notepad whilst filing cabinets line the back wall. She dives for the phone, grabbing it and dialling a number. A few seconds pass by.

ALISON TATE (VO)Hello?

CHLOE(breathlessly)

Alison... it’s me.

ALISON TATE (VO)Chloe? Why are you calling me solate?!

CHLOEYou have to come to Silent Hill.You have to help me! They lied tome, they’ve done something to me!I’m infec-

The line goes dead as Chloe looks up sharply. Mike stands on the other side of the desk, wagging his finger at her.

MIKEWho’s a naughty girl?

He suddenly backhands Chloe. She screams as she falls to the floor. Red robed cultists burst in from the office door, spotting Chloe and lunging for her.

CHLOENo! Damn you!

The cultists grab Chloe, hauling her up to her feet as Mike watches on with a blank expression.

CHLOEDamn you all to hell!

FLASH TO:


A horrified Angela withdraws her hand, looking up to a taken aback Tommy, no sight of Young Michael.

TOMMYYou ok?

Angela withdraws handgun, nodding at Tommy who frowns.

TOMMYWhat-

ANGELA LOOMISGet your son out of here.

Angela steps out from the pillar, raising her gun.

ANGELA LOOMISFreeze!

All five Thorn members turn quickly as Richard and Atkins look on in shock. Josie and Mike are visible beneath their hoods.

ATKINSAngela?

STEPHENHelp me!

RICHARD WORTHINGHow did you get out?

ANGELA LOOMISThat’s not important. Just get yourhands into the air! Now!

Richard grins as Atkins smirks smugly. Angela frowns as a shape steps up behind her.

ATKINSThe Dark One has arrived to releaseour saviour.

STEPHEN (OS)NOOOO!

Angela turns quickly as Michael grabs her by the throat with unbound strength. Angela chokes loudly, dropping the handgun. Tommy watches on, sweating. He turns, heading along the side of the cavern, ducking behind pillars..

ANGELA LOOMIS(choking)

I... can’t... I...

Angela’s eyes start to roll back into her head. Suddenly, the Great Knife swings into view, smashing Michael in the side. Angela’s drops to the ground as Michael falls to the side, smashing through a wooden bench. Pyramid Head steps into frame, Great Knife held up. Angela’s eyes widen.

ANGELA LOOMISOh god!

Angela quickly rolls to the side, grabbing her gun. She jumps to her feet, charging down the centre aisle as Thorn begins to panic.

RICHARD WORTHINGThis cannot be happening!

ATKINS(spitting with anger!)

Michael! Rise up! Finish yourdestiny! Bring about our God!

STEPHENNo! Please!

Michael stands, turning slowly to the front altar. Pyramid Head throws the Great Knife to the side, smashing it through several benches. Tommy yelps as the Knife slides in front of him. Richard turns, spotting Tommy.

RICHARD WORTHINGDoyle!

Richard charges for Tommy whilst Angela slows down to a stop a few feet away from an enraged Atkins. Josie and the other four members slowly move to the side of the cavern, each clutching basic kitchen knives.

On the opposite side, Richard tackles Tommy, both of them crashing to the dirt. Tommy yells with rage as he smashes his fists into Richard who gains the advantage by rolling on top.

By the back of the cavern, Pyramid Head grabs onto Michael, pulling him back. Michael turns quickly, throwing up his right fist and smashing Pyramid Head in the chest.

By the front, Angela aims at Atkins as they stand off.

ANGELA LOOMISWhy Atkins? Why?

ATKINS(slowly)

I’m so sorry you got involvedAngela. I had hoped that when youreceived my call, you wouldn’tcome round.

ANGELA LOOMISYou knew how much I cared for you.Why wouldn’t I come?

ATKINSI wanted to share my power withyou. Not with any of those-

(points to Thorn)-fools. It’s not a paradise that’scoming. It’s power. Power that Ishall wield.

Angela simply shakes her head, her eyes pinpricking with tears.

ANGELA LOOMISI’ve seen shit here that wouldmake John Carpenter’s stomachturn. Beings that even CliveBarker couldn’t imagine. And it’sall because of your greed. Yourdesire to bring about some demon

that will end us all!

The five Thorn members, including Josie & Mike, exchange confused glances.

MIKEDemon?

JOSIEWhat do you mean?

ANGELA LOOMIS(slyly)

He didn’t tell you, did he?

Atkins clenches his teeth as he goes red.

ANGELA LOOMISInside Chloe is the spawn of evil.It’s feeding off of Michael’s rage.It won’t give you paradise. It’llgive you death.

Atkins yells in rage, flying at Angela. She goes to shoot but he grabs her, throwing her arm up. A bullet hits the rocky ceiling as they both fall to the ground, rolling along.

To the side of the cavern, Tommy and Richard now stand as Tommy throws both fists across Richard’s jaw. Richard yells, falling up against the wall. Richard kicks out, smashing Tommy in the chest. Tommy falls back, smashing through a wooden bench.

Tommy looks to the rocky pillar where Stephen is bound.

TOMMYHold on Stephen! Daddy’s coming!

STEPHENDaddy! Help me! Please!

Tommy stands, attempting to run for the front. Richard spears him, both men crashing to the dusty ground and rolling about.

By the back, Michael and Pyramid Head circle each other slowly over an area of shattered benches.

Pyramid Head makes the first move. He lunges for Michael with both hands. Michael dodges to the side, bending down and grabbing a sharp piece of wood. Pyramid Head turns to Michael, as Michael jams the wood into Pyramid Head’s leg. The beast growls angrily, staggering backwards as Michael grabs another piece of wood.

Pyramid Head throws out his right hand, grabbing Michael by the face. Michael drops the wood, grabbing at Pyramid Head’s

arm as he’s lifted into the air off of his feet. Pyramid Head throws Michael to the side, the shape smashing into the wall and collapsing.

By the front, Angela and Atkins continue to wrestle as Josie runs forwards.

JOSIEYou lying bastard!

Josie jams the knife in her hand into Atkins’ shoulder. He screams loudly as she helps pull him off of Angela. Angela climbs to her feet.

ANGELA LOOMISThanks.

JOSIEWe were all blinded Angela. We allthought this was for the greatergood... if we had of known we wereto be damned...

ANGELA LOOMISJust get them-

(points to Stephen/Chloe)-out of here! Ok?

Josie nods, heading for Chloe as the three Thorn members back off, too scared to move. Mike watches Josie, unsure of what to do.

ATKINSNo! Stop her!

MIKEStop her yourself!

Atkins yells loudly as the three Thorn members & Mike head for the stone archway leading out where Michael and Pyramid Head struggle, Michael up against the wall.

Angela turns to the side of the cavern, where Tommy right hooks Richard across the jaw.

TOMMYMurdering son of a bitch!

Tommy yells angrily as he punches Richard again, again, again and again. Richard falls up against a rocky pillar, face mangled and bloody as Tommy steps up to him, grabbing him by the collar.

TOMMYI ought to kill you!

RICHARD WORTHINGYou don’t have it in you...

Tommy yells with rage as he smashes Richard’s head off the pillar several times, blood splattering onto his face. Tommy lets the chubby body slide down to a crumpled heap.

In the background, Josie turns to look over from Chloe’s side, her eyes widening.

JOSIE(screaming)

No! Daddy!

Josie bolts past Angela, running for Tommy. Angela turns, heading for Chloe. Tommy turns to face Josie as she flies at him with her knife.

STEPHEN (OS)Help me!

Josie swings at Tommy, missing him by an inch.

JOSIEYou bastard! He was my father!

TOMMYHe was a murderer!

Tommy dives through the air, smashing into her, the knife embedding into Tommy’s chest. Stephen screams loudly as he watches on. They both fall to the ground, Josie pinned underneath Tommy.

At the stone table, Angela starts to undo the ropes holding Chloe down. She’s still unconscious.

ANGELA LOOMISIt’s ok... it’s going to be ok.

By the back area where the stone archway leads out, the Thorn members try to get past the furiously fighting Pyramid Head and Michael. Pyramid Head throws Michael flying past them. Michael crashes to the ground, rolling along and smashing hard into the wall. All four cultists stop dead.

MIKEShit!

Pyramid Head’s powerful, veiny hand suddenly grabs the front of the Mike’s face. He screams loudly as a sickening crunch follows, his face caving in from the brute force, blood splattering out over Pyramid Head’s arm. Mike is thrown backwards, smashing into the rocky pillar.

Pyramid Head growls angrily as he lunges for the other cultist. Mannequins suddenly appear from the stone archway, having found their way down. They move across the cavern, attacking two of the Thorn cultists who scream loudly.

Pyramid Head holds the last Thorn member up by his leg, his body dangling in the air.

THORN CULTIST #1Please! Help me!

He scrams loudly as Pyramid Head slams his fingers into the man’s abdomen, blood spurting out.

Back by the front, Angela tugs on the rope holding Chloe’s arm down.

STEPHEN (OS)Please! My daddy!

Angela looks over to the grief-stricken Stephen before following his gaze over to the side of the cavern. Tommy lies on top of Josie, as Josie squirms to escape.


Tommy?

Angela steps down from the altar-like area, heading over to Tommy.

ANGELA LOOMISTommy?

STEPHENDaddy? Is he ok? Daddy?!

Angela dives down by Tommy’s side, pulling him carefully onto his back. The knife juts out form his chest, blood staining his front, eyes closed. Josie, now free, rolls to the side and jumps to her feet. She backs away.

ANGELA LOOMISOh my god! Tommy?! No!

Angela shakes Tommy, her eyes filling with tears.

ANGELA LOOMISNo! Don’t you die on me damn it!Tommy?! Tommy!

Various cultist screams sound from the background along with gruesome crunches & squelches. Angela lets out a sob, tears dripping down her face. Josie watches on, taken aback by it all.

ANGELA LOOMISPlease god... don’t do this! Hehas to take care of his son!

ATKINS (OS)No. He doesn’t.

Angela looks around, eyes wide. Atkins stands by Stephen, one hand covering the terrified youth’s mouth, the other holding up a dagger.

ANGELA LOOMISNo... don’t do it Atkins! It won’thelp you! It has to be Myers!

ATKINSActually, I think the rage you’reabout to experience, along withyour grief, Josie’s recent rageand Michael’s endless rage, it’llpop that God right out of thatbitches’ womb!

Atkins grins manically as Angela jumps to her feet. She screams loudly as Atkins brings down the dagger. The blade jams into Stephen’s chest, blood spurting out. Stephen’s muffled screams sound from under Atkins’ hand as he rips out the dagger, fresh blood dripping off the blade.

Atkins steps back, removing his hand from Stephen’s mouth. Stephen cries loudly, his sobs becoming quieter and weaker. Josie watches on in horror as the furious Angela charges at him.

ANGELA LOOMISYou evil bastard! I’ll kill you!

Angela jumps onto the stone table, avoiding Chloe and leaps into the air. She crashes into a taken aback Atkins. They both fall backwards, crashing down hard. Angela head butts Atkins before swinging in her elbow to his jaw. Stephen cries lightly.

In the background, Michael rises slowly. He turns, spotting several mutilated corpses being ravaged and beaten by the mannequins whilst Pyramid Head peels the skin off of his cultist victim.

Michael walks forwards quietly towards Josie.

JOSIEGod... what have I done?

Michael steps up behind her. She frowns, sensing something. She turns with a gasp as Michael’s hand shoots out, grabbing her by the throat and crushing it quickly. Her larynx shatters

as she gasps and groans. Michael slams her up against the rocky wall, squeezing harder as her eyes roll back.

Angela and Atkins both wrestle on the ground a few feet behind the stone table; a weaker old man against a furious woman. She yells angrily as she knees into Atkins’ groin. He yells in pain. Stephen’s cries subside as his head leans down, eyes closing.

Michael drops Josie’s lifeless body before turning to look at the lifeless Stephen, his body bound to the pillar. He stops moving. Young Michael appears by his side.

YOUNG MICHAELYou see, don’t you? What you havedone. The pain you have caused.The curse has ended. And now youfeel.

The mannequins become motionless as Angela manages to get off of Atkins and put some space between herself and the bastard.

YOUNG MICHAELBut it is too late.

Atkins grabs a rock, swinging it into Angela’s head. She falls to the side, groaning loudly. Atkins grins crazily, standing slowly. Atkins looks to Chloe whose eyes flare open. She screams loudly.

Michael turns to look at Chloe as Atkins steps up to her. Angela looks over the cavern as a literal blood/darkness seeps down the walls, blood pouring from the ceiling. Pyramid Head drops the dead cultist in his hands whilst the mannequins remain motionless.

Through the stone archway, the three ‘guard’ Thorn cultists appear, having gotten free from Angela’s rope. They look around in horror at the sight of the several dead bodies.

Atkins stands over Chloe’s torso, arms outspread as Chloe screams wildly. Angela slowly climbs to her feet nearby, looking groggy.

ATKINSCome forth! Unleash your bountifulpower onto me! Give me what isrightfully mine!

Chloe screams as her stomach tears outwards, several strips of barbed wire shooting out through her flesh and torn clothes. Angela, Michael, Pyramid Head, the mannequins and the three Thorn members watch on as a strip of barbed wire flies up and knots itself around Atkins’ neck.

Atkins lets out a choked cry, trying to pull the barbed wire away. He slices his hands open on the razor wire as it tightens around his throat. Atkins chokes loudly, falling to his knees, blood gushing from his neck.

Angela watches on with wide eyes, covering her mouth. The wire tightens, Atkins’ head practically severing from the body, the neck bone visible. The wire releases him as he slumps to the side in a pool of his own blood.

Angela’s eyes look up to Chloe’s stomach as a bloody, grotesque, demonic hand punches up into the air. Angela backs away slowly as the three Thorn members charge past Pyramid Head, Michael and the mannequins.

THORN CULTIST #6Our God! Bless us!

The Thorn members stop by the stone table, falling to their knees as a large built, blood-covered, demonic Samael climbs out from Chloe’s stomach. Chloe’s lifeless eyes stare at Angela, who backs into the corner of the cavern, hidden from Samael’s view.

Strands upon strands of barbed wire hang out of Samael’s bony back, twisting around as if alive. Parts of his flesh have not yet formed with bone, muscle and tendons visible. Samael’s glaring red eyes look down upon the three cultists. In a loud, booming voice...

SAMAELFools. I am the darkness and thelight of this town. I am God. Iam Satan. I am the first and thelast. The Giver and the Reaper.I have instigated this day foryears. And there is no body tostop me. No Aglaophotis to holdme back.

The three Thorn members look up in fear as the barbed wire from Samael’s back shoots out towards them. They jump to their feet with screams as the barbed wire strikes them around their necks, their torsos, their arms etc. As each member is lifted up into the air by the barbed wire, blood is drawn from various slices on their bodies.

Angela gags in the corner whilst Pyramid Head and the mannequins slowly begin to melt away into chunks of black flesh. Michael however walks forwards slowly towards the dying cultists and Samael. Samael looks past the cultists, right at Michael.

SAMAELGood. I sense your rage againstme. But the curse is over. You

have no real power. Only that ofwhich is borrowed from me!

A strand of barbed wire shoots out, past the dead cult members and straight for Michael’s neck. Michael raises his right hand, grabbing the piece of barbed wire, throwing it to the side. Samael looks out raged, his body starting to swell as he grows upwards another foot. He’s getting bigger every few minutes!

Michael walks forwards, stepping past the dead cultists. Samael releases their bodies. They fall into bloody pools. Angela moves along the sidewall, breathing heavily, eyes on the demonic God.

She spots her handgun lying nearby in the rubble of the broken benches. She edges towards it, one eye on Michael & Samael.

Samael tilts his head curiously at Michael before throwing up his right hand. A jet of fire shoots out. Michael side steps, the jet missing him. Samael growls angrily throwing out his other hand, another jet of fire shooting out. Again, Michael side steps.

SAMAELEnough!

Samael raises both hands as the ground begins to shake. The rocky ceiling begins to crack as Michael steps up to the God. Michael’s right hand shoots up, grabbing Samael by the throat. Samael looks down to Michael, his right hand shooting down and grabbing Michael’s throat.

They both stand off, choking the life out of one another as Angela appears in the centre of the rocky cavern. The ceiling cracks even more as Angela raises the handgun, walking forwards slowly.

Samael throws Michael to the side with ease, the Shape crashing to the ground. Samael looks over to Angela who fires at him. The bullet pierces his bony, gaunt face knocking his head back.

He clicks his neck as he looks down to Angela, a snarl escaping his unformed lips. He raises his right arm, the radius bone visible. A jet of fire shoots out as Angela dives to the side with a yell.

The benches catch fire as Michael stands. Angela looks up to Samael, shooting at him several times. He yells with rage as each bullet hits him. He staggers back slightly. The barbed wire from his back shoots towards Angela.

Michael suddenly grabs Samael from behind, pulling him backwards and throwing the God to the floor. The barbed wire

instantly turns on Michael, several strands wrapping around Michael’s left arm and right leg.

Michael staggers to the side as Samael rises up unnaturally. He sneers at Michael as Angela darts to the back of the cavern, where the Great Knife lies. She grabs its handle, struggling to even lift that. She yells and manages to drag the knife along the ground.

Michael’s right hand grabs Samael’s neck again, squeezing tightly. Samael uses both hands to grab Michael by his head. He lifts Michael into the air, more strands of barbed wire wrapping around Michael’s waist.

SAMAELYou shall die.

The barbed wire cuts through Michael’s waist, the Shape’s eyes widening in shock. The barbed wire cuts through Michael’s left arm, his hand falling to the ground in a puddle of blood. Samael smiles with gnarled, yellow teeth as his hands begin to crush Michael’s head, blood dribbling from the eye sockets of Michael’s mask.

SAMAELAnd I shall bathe in your blood.

The barbed wire completely severs Michael’s waist as Samael lets go of the Shape. Michael’s two body halves fall with a bloody thump to the rocky ground as Samael lets out a deep, booming laugh.

ANGELA LOOMIS (OS)Hey God!

Samael turns to see Angela swinging round the Great Knife with all the force she can barely muster. The Knife manages to swing up into the air as Samael’s eyes flare open.

SAMAELNOOOO!

Barbed wire shoots out, wrapping around Angela’s neck and legs. But he’s too late. The Knife slices through Samael’s neck, his head falling to the side and hitting the ground. Angela screams in pain at the wire wrapped around her neck/legs.

Samael’s body collapses to the ground, the barbed wire withering away and turning to dust. Angela breathes with relief, blood dripping from the shallow gash around her neck. She staggers back, falling up against a rocky pillar.

Fires burn in the background as Angela stares down at the dead God. She turns her view to the deceased Shape. Michael Myers. A large pool of blood surrounds the infamous killer.

ANGELA LOOMISIs it over?

Angela gets no reply as a crazed smile appears on her face.

ANGELA LOOMISIt’s over.

A relieved Angela staggers towards the large stone archway leading out. She groans in pain, limping. To her right, stands Young Michael. He smiles at her. She stares at him as he slowly fades away.

AERIAL SHOT of the burning/trashed benches and the blood stained cavern. The seven mutilated bodies of the Thorn cultists lay about along with Michael’s severed body, Samael’s rotting corpse, Tommy, Stephen, Chloe, Josie, Atkins and Richard.

CUT TO:


AERIAL SHOT of the rusty, metal boiler room. The boilers are quiet, the only sign of movement coming from Angela as she walks through the darkened walkways.

CUT TO:


Angela walks up and out of the small staircase leading down to the boiler room. She staggers towards the desk before collapsing to the floor. She lets out a wailing sob, her eyes filling with tears. The grandfather clock slides back over the stairwell.

Angela cries heavily, letting it all out after being strong. We pull back from her as she sobs & sobs.

CUT TO:

EXT. STREET – SILENT HILL – OTHERWORLD

In a dark, foggy street, nothing stirs. No creatures. No people. No darkness. Slowly but surely, day begins to appear, the darkness fading away as the bright, foggy daylight returns.

FADE TO:


The fog and snow fades away, the buildings mending themselves, the boarded up windows changing to shiny, clean glass. The

cracked pavements seal up and the trashed cars change into modern, parked vehicles.

The sky changes to a brilliant blue, the sun shining down as people appear on the sidewalks, walking along as normal. We’re in the normal, resort town of Silent Hill.

Title Card: 1st November 2006

FADE TO:

INT. CHURCH – DAY

In the large, modern looking church with marble pillars, oak benches, various people filling the benches and a smiling, wispy-haired Priest standing by a modern altar with a large crucifix in place, the door behind the altar opens slowly.

‘Lost Carol’ (Silent Hill 3) plays softly in the background.

Angela appears, blood stained, dirty, clothes torn and looking distressed. The people within the church gasp at the sight of her as she walks out slowly. The priest turns with a frown. That soon turns to shock.

PRIESTGood lord! What happened my child?

The priest steps up to Angela as she looks up into his old yet wise eyes.

ANGELA LOOMIS(meekly)

Oh God!

Angela falls onto her knees, grabbing the Priest’s robes as he looks taken aback. She sobs into his white robes, smearing the dirt and blood onto them.

CUT TO:


On a street with tourists walking by with digital cameras and laughing children, a blue jeep sits parked between two cars. An athletically built guy in his late-twenties with deep brown hair steps out of the jeep. Wearing a grey jacket with jeans, he looks around the street slowly.

KYLEI’m just going to grab some snacksRose.

ROSE (OS)Don’t be too long Kyle.

KYLEI won’t Rose.

Kyle closes the door, as his young wife sits in the passenger seat with a slim build, flowing brown hair and a pretty face dotted with freckles.

Kyle steps onto the sidewalk, a convenience stone in front of him. Several people pass him, talking and laughing. As the people walk on, Kyle steps up to the glass door of the store, his hand extending the handle when;

‘Promise (Reprise)’ (Silent Hill 2) begins to play...

A baby’s cry comes from the alley to the side of the store. Kyle frowns. He backs off from the store, turning to the opening of the alley as the cry continues.

KYLEWhat in the world?

Kyle steps around the corner of the alley, looking down.

KYLE(stunned)

Oh my god.

ANGLE ON a cute, young baby with wispy brown hair and brown eyes. The baby is wrapped up in a bundle of white sheets. A note sits on the baby’s chest, as the baby cries loudly. Kyle bends down slowly.

KYLE(softly)

Hey there little guy. Hey. What’syour name, huh?

Kyle smiles sweetly at the baby, grabbing the note. He lifts it up. Only a few words;

‘Please take care of Michael’

KYLEMichael? That’s you’re name huh?

Kyle tickles the baby’s stomach as the baby continues to cry. Kyle picks up baby Michael slowly. He turns to the street as several young kids run by. Kyle walks forwards towards his jeep as Rose exits the jeep.

ROSEOh my god, what are you doing withthat baby?

Kyle and Rose meet one another by the front of the jeep, Kyle smiling.

KYLEI found him in the alley. Somebodyjust left him there.

ROSEOh my god. That’s... horrible.

KYLEI think it’s a sign from god.

ROSE(thrown)

What?

KYLEThink about it Rose. You can’tconceive. I don’t want to adoptsome seven-year-old kid. Thisbaby... he can be raised as ourown.

ROSEWe should call the police. He couldbe-

KYLEI know. And we will. And we’re goingto make sure they know how much wewant a child. How willing we wouldbe to adopt him. Please Rose?

A warm smile spreads over Rose’s face at Kyle’s pleading eyes.

ROSEAre you sure? You’d be willing toadopt?

KYLELook at him Rose. I’m positive.

(to Michael)Michael Adams. It has a nice ring.

Kyle and Rose both smile warmly down at Michael as we pull up slowly. Over the resort skyline of Silent Hill, ‘Promise (Reprise)’ fades out...

FADE OUT.

End Credits as a modern Halloween theme kicks in.

Tommy Doyle … Paul Stephen RuddKara Doyle … Marianne Hagan

Danny Doyle … Devin GardnerStephen Lloyd … Max Lloyd-JonesYoung Michael …

Angela Loomis … Melinda McGrawAlison Tate … Monica PotterJosie Worthing …Atkins …Richard Worthing …

Michael Myers … Brad Loree

Soundtrack:

1) Halloween Theme2) Silent Hill Theme3) Laurie’s Theme4) Innocent Moon5) Ashes & Ghosts6) A Stranger In The House7) Ordinary Vanity8) Don’t Cry9) Half Day10)The Darkness That Lurks In Our Mind11)The Suicidal Clock Chime12)Never Forgive Me, Never Forget Me13)Lost Carol14)Promise (Reprise)15)Remixed Halloween Theme (End Credits)

For Those Readers Needing Answers:

Ok. This is a brief explanation into my intentions of the story, the creatures and how everything happened.

My intentions were to try and resolve the mess of ‘Halloween 6’ whilst also doing a sequel to the Silent Hill series (mainly the 1 & 3 God-storyline). My intention was also to write, what I hope you felt was, a creepy, eerie tale ending with gore, action and a lot of revelations crammed into the last 40-50 pages.

Most creatures were related to Michael’s pain at the hands of Thorn, his time in Smiths Grove, the rape he committed on Jamie Lloyd (the scene where Pyramid Head assaults the she-creature) and the various murders he has committed. All magnified by his own inner darkness/rage and by the power of the God.

The mannequins represented the amount of people Michael has murdered whilst the dogs represented his seeming hatred for the animals. The Loomis creature and the Demon-Patients (i.e. mental patients) represented some of the emotional pain of his Smiths Grove years and the nurses/syringe doctor were a part of his life growing up in Silent Hill under observations and tests at the hospital thanks to Thorn. To which Chloe

likely suffered too, also helping to create the concrete-walled, barred windows world.

Now, Pyramid Head represented his unbound rage and what actions Michael has ever taken (including raping the she-creature who is a representation of Jamie Lloyd). That is why PH doesn’t follow Michael around. He’s not there to punish Michael like he was with James in SH2, he’s there to express Michael’s rage. And that is on whoever he comes across, mostly Angela & Alison.

Chloe Tate, as explained, lived in Silent Hill and was persuaded to join Thorn under false pretences, after The Order were long gone. Chloe was then impregnated with Samael, who only Atkins knew would come through, the others tricked into believing it would be a paradise-bearing God. Atkins merely wanted power. Chloe managed to call Alison before she was sedated and kept under the watchful eye of Atkins.

Now I know the ending was a little bit abrupt, as the kind proof-reader JH informed me. Believe me, it is meant to be that way. It’s meant to be like the true Silent Hill fashion. Thanks again JH for proof-reading this for me and giving me the confidence to submit it!

The ending, where Michael is re-born, occurs because Michael himself is not a demon/god like Samael, but is pretty damn powerful as stated by Thorn & Young Michael, likely from the power he acquired from Samael at birth. With the power he has, he has been re-born into a new body. Don’t ask me why! It’s a secret for now.

I hope you liked it even if it isn’t your favourite crossover piece. But I hope it is and I get at least somebody’s vote!!!

Any further questions, just ask me.

Alternate Versions:

There were four other original versions of ‘Silent Halloween’.

1) Michael Myers was lured to Silent Hill to face his sin. The town itself lured Thorn to town, trapping them within the foggy world. They then managed to lure the Doyle’s, in turn luring Michael. All for him to face his guilt. But Thorn had other plans; by getting Michael to kill Stephen, the last in his bloodline, the Curse of Thorn would lift from Michael and the Thorn members, expelling the responsibility for the sins they had committed. This was very Silent Hill 2 like.

2) Silent Hill was trying to break out of its Otherworld area and into our world. The darkness of Silent Hill was to lure Michael to town, enter his being and use him as a

tool to slowly but surely infect the rest of the world. People’s worst nightmares and sins would become reality.

3) Heather Mason, aka Cheryl Mason, was to be held by Thorn, a God implanted within her. The cult believed the God was pure and good, ready to bring paradise whilst the Man In Black knew that it was an abomination (Samael). To bring about the God’s birth, Michael’s semen would be needed, as he is the most powerful, concentrated source of evil. The Doyle’s would have been lured to Silent Hill as bait for Michael to follow. This is very similar to the final storyline.

4) An alternate ending involved Angela Loomis carrying the God inside her, having been set-up since the day she was born by Terence Wynn and Atkins. There was no Doyle’s and no Michael Myers, they were all manifestations of her deeply troubled mind, had she of been written different. She was to be bound to the stone table and a ceremony would have brought out the God from within her, creating the final boss battle.

The reason I went with the story I did, was because to me, it felt like a faithful sequel to Silent Hill (mainly 1 & 3) whilst also showing more insight into Michael’s past and completing his run as a legendary serial killer. May Michael Myers RIP along with all the other poor sods that died in this.

Maybe some time, Michael Adams will come back to Silent Hill.

halloween: reunion - horror fanfictionhorrorfanfiction.com/silenthalloween.doc · web viewshe holds...

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