grupo instrumental: rítimo, melodia e...

Marcelo Morales Torcato

Grupo Instrumental: Rtimo, Melodia e Harmonia.

4. Edio

Pauliceia Marcelo Morales Torcato

2013

Pauliceia, 16 de agosto de 2010, 1. Edio. Pauliceia, 08 de novembro de 2010, 2. Edio.

Pauliceia, 17 de julho de 2012, 3 Edio. Pauliceia, 27 de maro de 2013, 4 Edio.

ndice.

1. 50 Estudos para Bateria pg. 147

2. A Cesta pg. 208 3. A Estrela pg. 243 4. A Hora de Aula pg. 228 5. A Passos Curtos pg. 226 6. A Pedra pg. 241 7. Abrindo pg. 118 8. Alegre pg. 23 9. Andando pg. 51 10. Ano Novo pg. 183 11. Apresentao pg. 57 12. As Coisas pg. 48 13. As Notas nas Claves pg.

08 14. Au pg. 146 15. Aulas de Canto pg. 26 16. Bem Rpido pg. 242 17. Br - 158 pg. 220 18. Can Can pg. 251 19. Canes e Janelas III pg.

162 20. Compondo pg. 37 21. Correndo pg. 217 22. De Quem Essa Terra?

pg. 140 23. Dona Nobis Pacem pg.

244 24. Duos pg. 88 25. Folia pg. 239 26. Em Casa pg. 142 27. Em Natal pg. 186 28. Em Quilteras pg. 209 29. Escala em D Maior

Exerccio 1 pg. 23 30. Escala em F# Maior:

Exerccio 4 pg. 219 31. Escala em Mib Maior:

Exerccio 3 pg. 212 32. Escala em Sol Maior:

Exerccio 2 pg. 240

33. Estudo de Bateria e Percusso pg. 20

34. Estudo em Cordas pg. 54 35. Eu Quero Um Natal pg.

170 36. Feliz Natal pg. 184 37. Figuras Rtimicas pg. 04 38. First Theme From

Polovetzian Dances pg. 246

39. Fuga para o Campo pg. 230

40. Grade Instrumental pg. 207

41. Halleluja pg. 249 42. Harmonia e Arranjos pg.

40 43. Harmonizando pg. 206 44. Ilha Kwep pg. 215 45. Incio em Arranjos pg.

29 46. Lasciatemi Morire pg.

250 47. Lendo as Notas pg. 14 48. Levadas e Rtimos para a

Harmonia pg. 254 49. Lullaby pg. 247 50. Marcha do Amanhecer

pg. 210 51. Marcha XVIII pg. 236 52. Minueto IV pg. 231 53. Minueto pg. 245 54. Minueto V pg. 232 55. Minueto VII pg. 233 56. Minueto XV pg. 235 57. Minueto XXXVI pg. 238 58. Museta XXII pg. 237 59. Musical de Natal pg. 172 60. No Rio pg. 138 61. Notas nos Instrumentos

Musicais pg. 129

62. O Menino Mentiroso pg. 155

63. O Sol e a Seca pg. 192 64. Op. 261 n 1 pg. 222 65. Op. 261 n 5 pg. 222 66. Op. 261 n 10 pg. 223 67. Op. 261 n 4 pg. 223 68. Op. 261 n 11 pg. 224 69. Op. 261 n 12 pg. 224 70. Op. 599 n 18 pg. 225 71. Os Seis Compassos pg.

135 72. Passeio Matinal pg. 227 73. Pauta e Claves pg. 07 74. Pensando pg. 211 75. Perdo Senhor pg. 136 76. Perto da Lareira pg. 229 77. Polonese X pg. 234 78. Pompas e Circunstncias

Marcha n1 pg. 248 79. Refletindo pg. 218 80. S pg. 195 81. Saltos pg. 221 82. Simples 2 pg. 216 83. Sonho pg. 144 84. Tablatura de Flauta-doce

pg. 204 85. Tablatura para Viola

Caipira: Afinao Rio Abaixo pg. 268

86. Tablaturas dos instrumentos musicais pg. 09

87. Te Vi pg. 168 88. The Strifes Is OEr pg.

252 89. Tocar pg. 214 90. Um Minuto pg. 67 91. Uma Tristeza pg. 213 92. Valsa das Flores pg. 253 93. Viu pg. 188

Prefcio. Este livro um mtodo de ensino para vrios instrumentos musicais, incluindo canto. Tem incio com a aprendizagem do ritmo, a seguir a leitura das notas e noes de harmonia. Inclui teoria, sendo o seu aprendizado voltado para arranjos e composio. Possui msicas especficas para instrumentos solistas e de acompanhamento, bateria e percusso, violo e piano. Leitura nas trs claves, tablaturas de notas e acordes. Aborda os instrumentos musicais: flauta-doce, escaleta, bandolim, cavaquinho, violo e guitarra, baixo, viola caipira, bateria e percusso, clarinete, teclado, piano, acordeo.

=======================/01. Figuras Rtimicas.

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semnima

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2

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Grupo Instrumental: Rtimo, Melodia e Harmonia.Marcelo Morales Torcato

(Marcelo Torca)

http://ritimomelodiaeharmonia.grupoinstrumental.net Grupo Instrumental: Rtimo, Melodia e Harmonia. 4

=======================/ c 07. Semicolcheia.

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2

3

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=======================/ 4414. Ritmo 7.

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=============/

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=============/ ?

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http://ritimomelodiaeharmonia.grupoinstrumental.net

Grupo Instrumental: Rtimo, Melodia e Harmonia. 7

Clave de F.

Clave de D.

Clave de Sol.

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As Notas nas Claves.

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Piano, Teclado, Celesta, Espineta Piano, Teclado, Celesta, Espineta

13

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===========================/Bateria. Para um instrumentista.

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(Marcelo Torca)


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===========================& 44

1. Exerccio.

Voz Soprano e Meio Soprano.

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===========================& 44 w

6. Treine atravs das cifras, o acompanhamento. Utilize as notas fundamentais e depois as notas fundamentais e sua quinta.

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===========================& 44

7. Cante utilizando os recursos aprendidos do exerccio 6.

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INCIO EM ARRANJOS: PRIMEIRA AULA. As notas musicais so sete: d; r; mi; f; sol; l; si. Tambm podem ser representadas por: C; D; E; F; G; A; B.

Faa a clave de sol e as notas musicais na pauta.


SEGUNDA AULA. Semitom a menor distncia entre duas notas.

U m S e m i t o m

Do C ao D tem 2 semitons. Do E ao F tem 1 semitom. Calcule os semitons das notas indicadas: a) C ao E: ______ b) D ao E: ______ c) F ao A: ______ d) B ao C: ______ e) C ao G: ______ f) G ao F: ______ g) E ao A: ______ h) A ao D: ______ i) C ao F: ______ j) D ao F: ______ k) F ao B: ______ l) B ao A: ______ m) C ao A: ______ n) D ao B: ______ o) F ao C: ______ p) E ao F: ______


TERCEIRA AULA. Os acordes so formados pela unio de pelo menos trs sons, formam dois intervalos, uma tera e uma quinta, ou seja, entre a primeira nota e a terceira do acorde h 4 semitons se for Maior, mas 3 semitons se for menor. Entre a primeira nota e a quinta do acorde h 7 semitons se for Justa e 6 se for diminuto. Veja algumas tablaturas antes de dar prosseguimento:

As tablaturas so: Guitarra e Violo; Viola Caipira; Baixo; Cavaquinho; Bandolim. Observe a tablatura do teclado e resolva o exerccio a seguir.

Sequncia da escala cromtica de C: C; C#; D; D#; E; F; F#; G; G#; A; A#; B; C. Escreva a sequncia de notas cromticas, ou seja, todas as notas existentes entre duas notas. a) C a E: _________________________ b) C a F: _________________________ c) C a G: _________________________ d) E a B: _________________________ e) F a A: _________________________ f) D# a Bb: _________________________


Escreva as notas dos acordes: a) C: _____,_____,_____ b) D: _____,_____,_____ c) E: _____,_____,_____ d) F: _____,_____,_____ e) G: _____,_____,_____ f) A: _____,_____,_____ g) B: _____,_____,_____ h) Eb: _____,_____,_____ i) F#: _____,_____,_____ j) C#: _____,_____,_____ k) Bb: _____,_____,_____ l) Cm: _____,_____,_____ m) D#: _____,_____,_____ n) Db: _____,_____,_____ o) Dm: _____,_____,_____ p) G#: _____,_____,_____ q) Gb: _____,_____,_____ r) Em: _____,_____,_____ s) A#: _____,_____,_____ t) Bbm: _____,_____,_____ u) Fm: _____,_____,_____ QUARTA AULA. Para fazer um arranjo preciso observar a harmonia e a relao das notas com os acordes. Faa um arranjo para a sequncia que se segue de quatro acordes, tempo quartenrio, sendo que cada acorde ocupa apenas um compasso, os acordes so: C; F; G; C. Comece utilizando as notas do acorde. a) Quantos compassos tem a msica? ___________. b) Nas pautas abaixo faa o arranjo, No esquea de escrever a clave, utilize o espao que for necessrio para resolver o este exerccio.


QUINTA AULA. Figuras musicais.

Figuras rtimicas.

Faa o arranjo para a msica abaixo, sendo que as notas utilizadas so parte dos acordes e de mesmo rtimo da msica.

C G C G C


SEXTA AULA. Faa o arranjo utilizando colcheias apenas.

STIMA AULA. Descubra acordes de trs sons ou trades, ou seja, acordes como da Terceira Aula, formados pela fundamental, tera e quinta notas que utilizam a nota d. Quais so? ______,______,______,______,______. Faa um arranjo utilizando figuras musicais como semibreve, mnima, semnima, colcheia em dez compassos com os compassos encontrados.


OITAVA AULA. Acordes diminutos: tera menor e quinta diminuta, ou seja, entre a primeira e terceira nota do acorde tem 3 semitons, entre a primeira e quinta nota do acorde tem 6 semitons. Encontre os acordes diminutos dos segundos acordes: Cdim: ______,______,______. Ddim: ______,______,______. Edim: ______,______,______. Fdim: ______,______,______. Gdim: ______,______,______. Adim: ______,______,______. Bdim: ______,______,______. NONA AULA. Instrumentos musicais.

Na fileira de cima os instrumentos musicais so: acordeo; bateria; escaleta; percusso; piano; teclado. Na fileira de baixo os instrumentos musicais so: baixo; bandolim; cavaquinho; flauta-doce soprano; guitarra; viola caipira; violo; flauta-doce contralto. a) Quais so de sopro? __________________________, __________________________, _________________________. b) Quais so de percusso? __________________________, __________________________, _________________________, __________________________, __________________________, _________________________, __________________________, __________________________.


c) Quais so de teclas? __________________________, __________________________, _________________________, __________________________. d) Quais so de cordas? __________________________, __________________________, _________________________, __________________________, __________________________, _________________________. DCIMA AULA. Levadas.

Q q Q q \ Q eE Q q \ Q ee Q q \ E E q E E q \ E E eE Q q \ E xX E x X \

Utilize as levadas que so sequncias rtimicas para fazer arranjos musicais de acordo com o instrumento musical utilizado, vai soar melhor se o arranjo rtimico mudar o formato no decorrer da msica, se tiver variaes de acordo com a msica. Para comear, observe algumas regras. Procure evitar um pouco as teras maiores dos acordes, d mais preferncia a fundamental e quinta nota do acorde. Em acordes diminutos so as quintas que devem ser menos valorizadas. Uma msica comea com menos som e termina com mais som. Baixo: utilize a fundamental, ou seja, a primeira nota do acorde e a quinta. Teclados: para a mo direita utilize acordes fechado, ou seja, com trs dedos, para a mo esquerda toque somente a fundamental ou a fundamental e a quinta. Guitarra, Violo, Viola Caipira: faa acordes valorizando mais a parte aguda. Bandolim, Cavaquinho: so instrumentos agudos, utilize os acordes como um todo, s tomar cuidado com a primeira corda para no soar muito aguda e desequilibrar o acorde. Flauta-doce: utilize acordes arpejados valorizando mais a fundamental e quinta em acordes maiores e menores, em acordes diminutos a quinta que no deve ser to valorizada. Bateria e Percusso: Utilize a expresso, fazendo forte e fraca no decorrer da msica, excessos de batidas podem fazer apenas barulho, quando o solo faz notas longas, neste momento a bateria e percusso conseguem aparecer bem. Visite: www.macrisan.com, www.macrisan.net, www.grupoinstrumental.net,

www.grupoinstrumental.com, www.marcelotorca.com, www.marcelotorca.net, www.flauta-

doce.net, www.flauta-doce.com, www.radiomacrisan.net.

============================& 44J temos uma msica, as notas fundamentais de um acorde so aquelas que do nome ao acorde, C d, F f e G7 sol. Foi iniciado no tom de D maior com os intervalos I-IV-V7-I. bom lembrar que quando se acaba uma msica, tendo como finalizao os intervalos V7-I e IV-I, vai dar sentido de fim.

1. Para comear a compor preciso prestar a ateno nas regras da harmonia, o livro Grupo Instrumental: Rtimo, Melodia e Harmonia de Marcelo Torca, disponvel em http://ritimomelodiaeharmonia.grupoinstrumental.net, atende as necessidades harmnicas iniciais. Neste primeiro exerccio, escreva a nota fundamental dos acordes em semibreve.

C F G7 C

cll ll ll

============================& c2. Escreva a nota fundamental dos acordes e a quinta utilizando mnimas.

C F G7 C 44ll ll ll

============================& 44

3. Escreva a nota fundamental, a tera e a quinta dos acordes utilizando mnimas e semnimas.

C F G7 C

cll ll ll

============================& c

4. Escreva a nota fundamental, a tera, a quinta dos acordes e as notas de passagem, utilizando semibreve, mnima, semnima e colcheia. A nota de passagem aquela que no pertence ao acorde e no est no tempo forte.

C F

ll ll ll ll

============================&C G7 C 44ll ll ll

CompondoMarcelo Morales Torcato

(Marcelo Torca)


============================& 44

5. Faa a harmonia do trecho abaixo.

w cll ll ll

============================& c6. Complete os acordes que esto faltando.

wC wC

ll ll ll ll

============================& wC

wC 44ll ll ll

============================& 44

7. Escreva notas para os acordes abaixo, notas fundamentais, teras, quintas e de passagem.

C F

ll ll ll ll

============================&G7 C Am

ll ll ll ll

============================&Em Dm Am C

ll ll ll ll

============================&F G7 C

ll ll ll ll

============================&Am F G7 C

ll ll ll


============================&

8. Escreva as notas para os acordes e os acordes para as notas. Neste exerccio, parte da melodia est escrita, parte dos acordes esto escritos.

F G7

_ ll ll ll ll

============================&

Am C F

ll ll ll ll

============================&G7

G7 C

ll ll ll

============================&

9. Escreva as notas para os acordes menores indicados, as notas utilizadas so as fundamentais, teras, quintas e de passagem.

Am Dm Em7 Am

ll ll ll ll

============================&Dm Bm F#m7 Em

ll ll ll ll

============================&Am Dm Em7 Am

ll ll ll

============================&

10. Escreva uma melodia para os acordes indicados, encrevendo junto acordes em forma de nota.

C F Dm Am

ll ll ll ll

============================&C G7 F G7 C

ll ll ll


===========================& 44Escala de D Maior.

1o.

w_2o.

w3o.

w4o.

w5o.

w6o.

w7o.

w1o.

wll ll ll ll ll ll ll

===========================&Acordes da escala de D Maior.

w_ww www www www www www www wwwll ll ll ll ll ll ll

===========================&

Exerccio 1: O semitom a menor distncia entre dois sons em instrumentos temperados, clacule os semitons das notas abaixo:

w_ w w w w w_ w wll ll ll ll ll ll ll ll

===========================& w w w w w w w_ wll ll ll ll ll ll ll ll

===========================&

Exerccio 2: Escreva o intervalo pedido.

3 semitons 2 semitons 0 semitons 5 semitons

ll ll ll ll

===========================&1 semitons 6 semitons 11 semitons 7 semitons

ll ll ll ll

===========================&8 semitons 4 semitons 9 semitons 13 semitons

ll ll ll ll ll

Harmonia e Arranjos


===========================&

Exerccio 3: Classifique os intervalos de teras em Maior (M), ou menor (m), e depois toque-os. Todo intervalo de tera Maior possui 4 semitons, os de tera menor 3 semitons.

w_w ww ww #ww w#w ww_

wwll ll ll ll ll ll ll

===========================& w_bw w#w wbw ww

ww_bww bwwll ll ll ll ll ll ll

===========================& w#w b wbw bww bww # w#w b wbw b wbwll ll ll ll ll ll

===========================&

Exerccio 4: Escreva as teras a partir da nota dada, e segundo a indicao do intervalo.

M

w_m

#wM

wm

bwM

#wm

w wm

ll ll ll ll ll ll ll

===========================& wm

wM

bwm

#wM

bwM

wM

#wM


===========================&m

bwm

#wm

bwM

wM

wm

wm

wM


===========================& wm

#w bwM

wm

w_M

wm

bwM



===========================&

Exerccio 5: Classifique os intervalos de quinta em Justa (J), ou diminuta (d), e depois toque-os. Todo intervalo de quinta Justa possui 7 semitons, os de quinta diminuta 6 semitons.

w_w ww ww # w#w ww #ww_

wbwll ll ll ll ll ll ll

===========================& w_w wbw wbw ww w

b w_b wbw bw


===========================& wbw b ww

b wbw b ww # ww b ww b wbwll ll ll ll ll ll

===========================&

Exerccio 6: Escreva as quintas a partir da nota dada, e segundo a indicao do intervalo.

J

w_d

#wJ

wd

bwJ

#wd

w wll ll ll ll ll ll ll

===========================&d d

w wJ d

bwJ

#wJ

bw wJ

#wll ll ll ll ll ll ll

===========================&d d

bwd

#wJ

bw wJ

wd

wd J


===========================&d

w #wJ

bwd J

w w_d

wJ

bwll ll ll ll ll ll


===========================&

Exerccio 7: Classifique os intervalos de stimas em Maior (M), ou menor (m), e depois toque-os. Todo intervalo de stima Maior possui 11 semitons, os de stima menor 10 semitons.

w_w wbw ww_ #w#w ww #ww_

wb w_ll ll ll ll ll ll ll

===========================& w_bw w# w_

ww wwww bww bw

b w_ll ll ll ll ll ll ll

===========================& w#w b wbw bww bwbw

# ww bwbw b wwll ll ll ll ll ll

===========================&

Exerccio 8: Escreva as stimas a partir da nota dada, e segundo a indicao do intervalo.

w_M

#wm

wM

bwm

#wM m

w wm


===========================&mw w

M m

bwM

#wM

bw wM

#wm


===========================& bwm

#wm

bwM

wM

wm

wm M


===========================& wm

#wm

bwM

wm

w_M m

wM

bwll ll ll ll ll ll


===========================&

Exerccio 9: Escreva as escalas das notas pedidas e monte seus respectivos acordesEscala Maior

w_ ll ll ll ll ll ll ll

===========================&Acordes


===========================&Escala Maior

w ll ll ll ll ll ll ll

===========================&Acordes


===========================&Escala Maior


===========================&Acordes


===========================&Escala Maior


===========================&Acordes


===========================&Escala Maior


===========================&Acordes


===========================&Escala Maior

b w_ ll ll ll ll ll ll ll

===========================&Acordes

b w_ ll ll ll ll ll ll ll http://ritimomelodiaeharmonia.grupoinstrumental.net Grupo Instrumental: Rtimo, Melodia e Harmonia. 44

===========================&Escala Maior

bw ll ll ll ll ll ll ll

===========================&Acordes


===========================&Escala Maior


===========================&Acordes


===========================&Escala menor


===========================&Acordes


===========================&Escala menor


===========================&Acordes


===========================&Escala menor


===========================&Acordes


===========================&Escala menor

#w ll ll ll ll ll ll ll

===========================&Acordes

#w ll ll ll ll ll ll ll http://ritimomelodiaeharmonia.grupoinstrumental.net Grupo Instrumental: Rtimo, Melodia e Harmonia. 45

===========================&Escala menor


===========================&Acordes


===========================&Escala menor


===========================&Acordes


===========================&Escala menor


===========================&Acordes


===========================&Escala menor


===========================&Acordes


===========================&Escala menor


===========================&Acordes


===========================&Escala menor


===========================&Acordes



===========================&Escala menor


===========================&Acordes


===========================&Escala menor


===========================&Acordes



===========================& 44

q = 120

C

C

G7

w

F

ll ll ll ll

===========================& C

F

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w_C

ll 5

ll ll ll

===========================& .F

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ll 9

ll ll ll

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===========================& C

F

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w_C

ll 37

ll ll

32. As CoisasMarcelo Morales Torcato

(Marcelo Torca)


===========================B44

q = 120

C

C

G7

wF

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===========================B C

F

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ll 37

ll ll

As CoisasMarcelo Morales Torcato

(Marcelo Torca)


===========================?44

q = 120

C

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ll 25

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wC

ll 37

ll ll

As CoisasMarcelo Morales Torcato

(Marcelo Torca)


===========================& # 44 G

jq = 120

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D7

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ll ll ll

===========================& # G

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ll 5

ll ll ll

===========================& # D7

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ll ll ll

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j . j ll 13

ll ll ll

===========================& # .G

j . j .D7

j . j ll 17

ll ll ll

===========================& # .G J D

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G 14 #G# 44###

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j ll 21

ll ll ll ll ll

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j ll 25

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===========================& #### E

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ll ll

33. AndandoMarcelo Morales Torcato

(Marcelo Torca)


===========================B # 44 G q = 120

_ j .

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ll ll ll

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ll 37

ll ll

AndandoMarcelo Morales Torcato

(Marcelo Torca)


===========================? # 44 G q = 120J _ _ __

___.C __J _

D7

. ll

1

ll ll ll

===========================? # G

J

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ll 5

ll ll ll

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===========================? # G

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ll ll ll

===========================? #_ .G ___J

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#### 44ll 29

ll ll ll ll ll

===========================? #### 44 E

J _

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. ll

33

ll ll ll

===========================? #### E

J _

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ll 37

ll ll

AndandoMarcelo Morales Torcato

(Marcelo Torca)


L

===========================& # 44q = 110

F

===========================& # 44 p w w w w

===========================& # 44 p

===========================& # 44p j . j . j . j . l

lllllllllllll l

lllllllllllll l

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L

===========================& #

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===========================& # J . j . J ._ l

lllllllllllll l

lllllllllllll l

lllllllllllll l

lllllllllllll

Estudo em CordasMarcelo Morales Torcato

(Marcelo Torca)


L

===========================B # 44F

q = 110

===========================B # 44 p w w w w

===========================B # 44 p _

===========================B # 44p j . j . j . j . l

lllllllllllll l

lllllllllllll l

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L

===========================B #

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w

===========================B # J . j . J .

l

lllllllllllll l

lllllllllllll l

lllllllllllll l

lllllllllllll


(Marcelo Torca)


L

===========================? # 44q = 110

F

_ _ _ _

===========================? # 44 pw w w w

===========================? # 44 p_

===========================? # 44p j . j . j . j . l

lllllllllllll l

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L

===========================? # ___ __ __ _ _ _ _ _

_ _ _

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_ _ w

===========================? # j . j . J .

l

lllllllllllll l

lllllllllllll l

lllllllllllll l

lllllllllllll


(Marcelo Torca)


Clarinete=======================& ##### 44q = 144

TromboneTeclado=======================? ### 44 p

j _ _j _ j

_ _j _

Contrabaixo=======================? ### 44p . j . j . j . j

Piano=======================& ### 44 _

_ _

_

=======================? ### 44p . j . j . j . jl

llllllllllllll l

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===========================& ##### fJ

j . J _

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J j j j

===========================? ### . j _

===========================& ### _

j j n _

j J

===========================? ### . j

Fl

llllllllllllll l

llllllllllllll l

llllllllllllll l

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ApresentaoMarcelo Morales Torcato

(Marcelo Torca)


===========================& ##### J J

j . J

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j j j

j _j _ __

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j _ __

j __ ___j ___j __j_ ___

j ___

===========================? ### _. _ _j _ _. _ _j _ . j j j j l

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===========================& ##### J J J J . j . _ .

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j j _ _j j __ _j

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Clarinete=======================& ##### 44q = 144

ll ll ll ll

===========================& ##### fJ

j . J _ ll ll ll ll

===========================& ##### J J

j . J ll ll ll ll

===========================& #####_ . J J . j j . J J J . J . ll ll ll ll

===========================& ##### J J J J . j . _ . ll ll ll ll

===========================& ##### . J . J J J J . j . ll ll ll ll

===========================& ##### _ . J _ . J J . j j ll ll ll ll

===========================& ##### . J J J ll


(Marcelo Torca)


Viola==========================B ##### 44q = 144

fJ ll ll ll ll ll

===========================B #####

j . J

ll ll ll

===========================B ##### _

J J

ll ll ll

===========================B ##### j . J

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===========================B ##### _ _

. . J . J J J Jll ll ll ll

===========================B ##### . j . _ _

. J . J J ll ll ll ll

===========================B ##### . j j . J J J ll ll


(Marcelo Torca)


TromboneTeclado=========================? ### 44 p

j _ _j _

j _ _j _

ll ll ll ll

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p

J j j jll ll ll ll

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_ .

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.

j . j ll ll ll ll

===========================? ### . J .

.

j . ll ll ll ll

===========================? ### j

_ _ _ ll ll ll ll

===========================? ### ll


(Marcelo Torca)


Piano=======================& ### 44 _

_ _

_

=======================? ### 44p . j . j . j . jl

lll llll l

lll llll l

lll

===========================& ### _

j j n _

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Fl

lll llll l

lll llll l

lll

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j j j

j _j _ __

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lll llll l

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lll

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j _ __

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j ___

===========================? ### _. _ _j _ _. _ _j _ . j j j j l

lll llll l

lll llll l

lll

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j _jF p

j j _ _j j __ _j

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_ n _

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lll llll l

lll llll l

lll

===========================& ### ___

j ___ _

j _j j j _ _j j

===========================? ### j . .

_ n _

_ j . l

lll llll l

lll llll l

lll


(Marcelo Torca)


===========================& ### __

_j __

__ _

j _ __

j __

===========================? ### J _ _. _ _j _ _. _ _j _l

llll l

llll l

llll l

llll l

llll

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===========================? ### . j j j l

llll l

llll


Contrabaixo=======================?### 44p . j . j . j . jll ll ll ll

===========================?###

. j _

ll ll ll ll

===========================?###

ll ll ll ll

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