graded pieces all

41
OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments 485 2 Agay Four popular diversions 483 1 Agay Mysterious Procession 484 2 Agay Petit Trianon suite 1270 8 Albéniz Cádiz (saeta) 4th mvt from ‘Suite Española no 1’, Op 47 1271 8 Albéniz En la Playa no 7 from ‘Recuerdos de Viaje’, Op 71 1272 8 Albéniz Evocation From ‘Iberia’ 1176 7 Albéniz Rumores de la Caleta, Op 71/6 1177 7 Albéniz Serenata, from 'España', Op 165 486 2 Alderighi Signi Lieti 487 2 Alexandrow Pieces for Children 663 U Alkan Esquisses op. 63 1034 5 Alkan L'Homme aux Sabots Op.63 No.23 489 1 Alt Hot Noon in the Meadow Introduction to how chords develop emo 488 1 Alt The Ocean Pattern Introduction 490 2 Alt Where the palm tree grows Introduction to contemporary music 664 U Arensky 24 Character pieces Op. 26 620 7 Arensky Consolation Op. 36 No. 5 621 7 Arensky Elegie Op. 36 No. 16 1178 7 Arensky Le Coucou 1179 7 Arensky Prelude in E major, Op. 63 No. 07 1036 5 Arne Sonata in D minor Andante 1037 5 Arne Sonata in G minor 1st mvt 1180 7 Arne Sonata No. 1 in F 3rd mvt 1115 6 Arne Sonata No. 2 in E minor Andante 1181 7 Arne Sonata No. 3 in G 2nd mvt, Allegro 1035 5 Arne Sonata No. 5 Gavotte in B flat 1116 6 Arne Sonata No. 7 in A 1st mvt, Presto 470 2 Attwood Sonatina No. 1 in G major 977 4 Attwood Sonatina No. 2 in C 2nd mvt, Minuetto and 3 variations 118 7 Bach 01 No 15 in G B2 - Preludes & Fugues Form & Rhythm Blues Scales Syncopation More difficult than the one above, they are also more modern in idiom. Each can be used both as repertory and as teaching material. “Little prelude in Waltz time” can be used to teach both about form and rhythm, “Baroque bounce” likewise can be used to discuss what is “Baroque”, “Echoes of the blues” introduces the blues scales, and “Ragtime doll” is excellent for syncopation. Left Hand Melody Sight Reading Hand Independence Expressive Playing This is for the total beginner, and can be taught on the very first lesson. RH play a steady even ostinato using only the note E, while the left hand plays the melody which consists only of ABC in different orders and simple rhythms. Excellent for sight-reading, for hand independence, for expressive playing and for bringing up a melody on the left hand. It can also be used as a seed for These are ten easy pieces, each one covering a dance style on the 18th century. This is excellent for rhythm development and to introduce the student to old dance patterns (which keep recurring on the piano repertory). Excellent recital 10 very easy, short pieces. The harmonies are traditional, the writing is highly pianistic and they make up excellent recital material. The whole collection consists of 8 sets of short pieces for complete beginners. If you are familiar with Kabalevsky’s pieces for children, this is similar. Similar in difficulty to the above, this set of pieces uses modern harmonies to tell stories, so it is a very good introduction to how and why chords and intervals can elicit different emotions (for instance, “The spider” uses tritons to build up suspense, and “Bees and Flies” uses chromatic intervals to emulate A collection of 10 pieces for the complete beginner, most you can teach at the first lesson. The interesting thing here is that they use the whole keyboard and introduce patterns that frequently appear in the more advanced pieces, so they are excellent preparatory pieces. Again very good recital material for More difficult than the previous two, this is thoroughly contemporary music - and let us face it, contemporary music is not the most appealing to beginners – but this is a good introduction since it is not too radically contemporary. Scale fragments Alberti patterns Broken arpeggios Very good for finger articulation/ independence. This has to be the first sonatina to be learned. Grown ups may not find it so useful, but for the below 10 is a great repertory. The second movement is the easiest, but also dull. The first and third movements are excellent.

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Page 1: Graded Pieces All

OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments485 2 Agay Four popular diversions

483 1 Agay Mysterious Procession

484 2 Agay Petit Trianon suite

1270 8 Albéniz Cádiz (saeta) 4th mvt from ‘Suite Española no 1’, Op 47

1271 8 Albéniz En la Playa no 7 from ‘Recuerdos de Viaje’, Op 71

1272 8 Albéniz Evocation From ‘Iberia’

1176 7 Albéniz Rumores de la Caleta, Op 71/6

1177 7 Albéniz Serenata, from 'España', Op 165

486 2 Alderighi Signi Lieti

487 2 Alexandrow Pieces for Children

663 U Alkan Esquisses op. 631034 5 Alkan L'Homme aux Sabots Op.63 No.23

489 1 Alt Hot Noon in the Meadow Introduction to how chords develop emotion

488 1 Alt The Ocean Pattern Introduction

490 2 Alt Where the palm tree grows Introduction to contemporary music

664 U Arensky 24 Character pieces Op. 26620 7 Arensky Consolation Op. 36 No. 5621 7 Arensky Elegie Op. 36 No. 16

1178 7 Arensky Le Coucou

1179 7 Arensky Prelude in E major, Op. 63 No. 07

1036 5 Arne Sonata in D minor Andante

1037 5 Arne Sonata in G minor 1st mvt

1180 7 Arne Sonata No. 1 in F 3rd mvt

1115 6 Arne Sonata No. 2 in E minor Andante

1181 7 Arne Sonata No. 3 in G 2nd mvt, Allegro

1035 5 Arne Sonata No. 5 Gavotte in B flat

1116 6 Arne Sonata No. 7 in A 1st mvt, Presto

470 2 Attwood Sonatina No. 1 in G major

Form & RhythmBlues ScalesSyncopation

More difficult than the one above, they are also more modern in idiom. Each can be used both as repertory and as teaching material. “Little prelude in Waltz time” can be used to teach both about form and rhythm, “Baroque bounce” likewise can be used to discuss what is “Baroque”, “Echoes of the blues” introduces the blues scales, and “Ragtime doll” is excellent for syncopation.

Left Hand MelodySight ReadingHand IndependenceExpressive Playing

This is for the total beginner, and can be taught on the very first lesson. RH play a steady even ostinato using only the note E, while the left hand plays the melody which consists only of ABC in different orders and simple rhythms. Excellent for sight-reading, for hand independence, for expressive playing and for bringing up a melody on the left hand. It can also be used as a seed for free improvisation.

These are ten easy pieces, each one covering a dance style on the 18th century. This is excellent for rhythm development and to introduce the student to old dance patterns (which keep recurring on the piano repertory). Excellent recital material for the beginners.

10 very easy, short pieces. The harmonies are traditional, the writing is highly pianistic and they make up excellent recital material.

The whole collection consists of 8 sets of short pieces for complete beginners. If you are familiar with Kabalevsky’s pieces for children, this is similar.

Similar in difficulty to the above, this set of pieces uses modern harmonies to tell stories, so it is a very good introduction to how and why chords and intervals can elicit different emotions (for instance, “The spider” uses tritons to build up suspense, and “Bees and Flies” uses chromatic intervals to emulate buzzing).

A collection of 10 pieces for the complete beginner, most you can teach at the first lesson. The interesting thing here is that they use the whole keyboard and introduce patterns that frequently appear in the more advanced pieces, so they are excellent preparatory pieces. Again very good recital material for beginners.

More difficult than the previous two, this is thoroughly contemporary music - and let us face it, contemporary music is not the most appealing to beginners – but this is a good introduction since it is not too radically contemporary.

Scale fragmentsAlberti patternsBroken arpeggiosVery good for finger articulation/ independence.

This has to be the first sonatina to be learned. Grown ups may not find it so useful, but for the below 10 is a great repertory. The second movement is the easiest, but also dull. The first and third movements are excellent.

Page 2: Graded Pieces All

OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments977 4 Attwood Sonatina No. 2 in C 2nd mvt, Minuetto and 3 variations

118 7 Bach 01 No 15 in G B2 - Preludes & Fugues119 7 Bach 02 No 6 in Dm - Preludes & Fugues120 7 Bach 03 No 21 in Bb - Preludes & Fugues121 7 Bach 04 No 10 in Em - Preludes & Fugues122 7 Bach 05 No 20 in Am B2 - Preludes & Fugues123 7 Bach 06 No 11 in F - Preludes & Fugues124 7 Bach 07 No 2 in Cm - Preludes & Fugues125 7 Bach 08 No 9 in E - Preludes & Fugues126 7 Bach 09 No 13 in F# - Preludes & Fugues127 7 Bach 10 No 21 in Bb B2 - Preludes & Fugues128 7 Bach 11 No 6 in Dm B2 - Preludes & Fugues129 7 Bach 12 No 19 in A B2 - Preludes & Fugues130 7 Bach 13 No 11 in F B2 - Preludes & Fugues131 7 Bach 14 No 19 in A - Preludes & Fugues132 7 Bach 15 No 14 in F#m - Preludes & Fugues133 7 Bach 16 No 18 in G#m - Preludes & Fugues134 7 Bach 17 No 2 in Cm B2 - Preludes & Fugues135 7 Bach 18 No 5 in D - Preludes & Fugues136 7 Bach 19 No 7 in Eb - Preludes & Fugues137 7 Bach 20 No 14 in F#m B2 - Preludes & Fugues138 7 Bach 21 No 7 in Eb B2 - Preludes & Fugues139 7 Bach 22 No 1 in C - Preludes & Fugues140 7 Bach 23 No 17 in Ab - Preludes & Fugues141 7 Bach 24 No 13 in F# B2 - Preludes & Fugues142 7 Bach 25 No 15 in G - Preludes & Fugues143 7 Bach 26 No 12 in Fm B2 - Preludes & Fugues144 7 Bach 27 No 1 in C B2 - Preludes & Fugues145 7 Bach 28 No 24 in Bm B2 - Preludes & Fugues146 7 Bach 29 No 10 in Em B2 - Preludes & Fugues147 7 Bach 30 No 16 in Gm - Preludes & Fugues148 7 Bach 31 No 5 in D B2 - Preludes & Fugues149 7 Bach 32 No 18 in G#m B2 - Preludes & Fugues150 7 Bach 33 No 24 in Bm - Preludes & Fugues151 7 Bach 34 No 9 in E B2 - Preludes & Fugues152 7 Bach 35 No 4 in C#m - B2 Preludes & Fugues153 7 Bach 36 No 23 in B - Preludes & Fugues154 7 Bach 37 No 3 in C# - B2 Preludes & Fugues155 7 Bach 38 No 12 in Fm - Preludes & Fugues156 7 Bach 39 No 3 in C# - Preludes & Fugues157 7 Bach 40 No 8 in D#m - B2 Preludes & Fugues158 7 Bach 41 No 22 in Bbm - Preludes & Fugues159 7 Bach 42 No 17 in Ab B2 - Preludes & Fugues160 7 Bach 43 no 4 in C#m - Preludes & Fugues161 7 Bach 44 No 8 in D#m - Preludes & Fugues162 7 Bach 45 No 20 in Am - Preludes & Fugues163 7 Bach 46 No 22 in Bbm B2 - Preludes & Fugues164 7 Bach 47 No 16 in Gm B2 - Preludes & Fugues165 7 Bach 48 No 23 in B B2 - Preludes & Fugues887 2 Bach Bourrée from Overture in F

1300 8 Bach Capriccio in B flat, BWV 992 ‘on the Departure of his most Beloved Brother’

71 8 Bach English Suite No. 1 - Allemande

Page 3: Graded Pieces All

OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments77 5 Bach English Suite No. 1 - Bouree 178 4 Bach English Suite No. 1 - Bouree 272 6 Bach English Suite No. 1 - Courante 173 6 Bach English Suite No. 1 - Courante 274 6 Bach English Suite No. 1 - Double 175 5 Bach English Suite No. 1 - Double 279 6 Bach English Suite No. 1 - Gigue70 7 Bach English Suite No. 1 - Prelude76 6 Bach English Suite No. 1 - Sarabande81 7 Bach English Suite No. 2 - Allemande84 4 Bach English Suite No. 2 - Bouree 185 4 Bach English Suite No. 2 - Bouree 282 5 Bach English Suite No. 2 - Courante86 6 Bach English Suite No. 2 - Gigue80 8 Bach English Suite No. 2 - Prelude83 6 Bach English Suite No. 2 - Sarabande88 6 Bach English Suite No. 3 - Allemande89 5 Bach English Suite No. 3 - Courante91 6 Bach English Suite No. 3 - Gavotte 192 5 Bach English Suite No. 3 - Gavotte 293 7 Bach English Suite No. 3 - Gigue87 8 Bach English Suite No. 3 - Prelude90 7 Bach English Suite No. 3 - Sarabande95 7 Bach English Suite No. 4 - Allemande96 6 Bach English Suite No. 4 - Courante

100 7 Bach English Suite No. 4 - Gigue98 4 Bach English Suite No. 4 - Menuet 199 4 Bach English Suite No. 4 - Menuet 294 8 Bach English Suite No. 4 - Prelude97 6 Bach English Suite No. 4 - Sarabande

102 8 Bach English Suite No. 5 - Allemande103 6 Bach English Suite No. 5 - Courante107 7 Bach English Suite No. 5 - Gigue105 5 Bach English Suite No. 5 - Passepied 1106 4 Bach English Suite No. 5 - Passepied 2101 8 Bach English Suite No. 5 - Prelude104 5 Bach English Suite No. 5 - Sarabande109 8 Bach English Suite No. 6 - Allemande110 5 Bach English Suite No. 6 - Courante112 5 Bach English Suite No. 6 - Double113 6 Bach English Suite No. 6 - Gavotte 1114 6 Bach English Suite No. 6 - Gavotte 2115 8 Bach English Suite No. 6 - Gigue108 8 Bach English Suite No. 6 - Prelude111 6 Bach English Suite No. 6 - Sarabande

1301 8 Bach Fantasia in C minor, BWV 906

1302 8 Bach French Overture (Partita) in B minor BWV 831 7th and 10th mvts, Sarabande and Gigue

31 7 Bach French Suite No. 1 - Allemande32 6 Bach French Suite No. 1 - Courante36 8 Bach French Suite No. 1 - Gigue34 5 Bach French Suite No. 1 - Menuet 135 4 Bach French Suite No. 1 - Menuet 2

Page 4: Graded Pieces All

OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments33 6 Bach French Suite No. 1 - Sarabande40 5 Bach French Suite No. 2 - Air37 7 Bach French Suite No. 2 - Allemande38 5 Bach French Suite No. 2 - Courante42 7 Bach French Suite No. 2 - Gigue41 4 Bach French Suite No. 2 - Menuet39 6 Bach French Suite No. 2 - Sarabande43 8 Bach French Suite No. 3 - Allemande44 6 Bach French Suite No. 3 - Courante48 6 Bach French Suite No. 3 - Gavotte49 7 Bach French Suite No. 3 - Gigue46 4 Bach French Suite No. 3 - Menuet45 5 Bach French Suite No. 3 - Sarabande47 5 Bach French Suite No. 3 - Trio53 5 Bach French Suite No. 4 - Air50 7 Bach French Suite No. 4 - Allemande51 7 Bach French Suite No. 4 - Courante54 8 Bach French Suite No. 4 - Gigue52 6 Bach French Suite No. 4 - Sarabande55 8 Bach French Suite No. 5 - Allemande59 5 Bach French Suite No. 5 - Bouree 160 6 Bach French Suite No. 5 - Bouree 256 6 Bach French Suite No. 5 - Courante58 5 Bach French Suite No. 5 - Gavotte61 8 Bach French Suite No. 5 - Gigue57 7 Bach French Suite No. 5 - Sarabande62 6 Bach French Suite No. 6 - Allemande67 5 Bach French Suite No. 6 - Bouree63 7 Bach French Suite No. 6 - Courante65 5 Bach French Suite No. 6 - Gavotte69 8 Bach French Suite No. 6 - Gigue68 3 Bach French Suite No. 6 - Menuet66 4 Bach French Suite No. 6 - Polonaise64 6 Bach French Suite No. 6 - Sarabande

933 3 Bach French Suite, No 6 in E Minuet

1 5 Bach Invention 012 5 Bach Invention 023 6 Bach Invention 034 5 Bach Invention 045 6 Bach Invention 056 6 Bach Invention 067 6 Bach Invention 078 5 Bach Invention 089 6 Bach Invention 09

10 5 Bach Invention 1011 7 Bach Invention 1112 7 Bach Invention 1213 5 Bach Invention 1314 5 Bach Invention 1415 7 Bach Invention 15

216 3 Bach Little Prelude, BWV 999980 4 Bach March in E flat, BWV Anh 127 The Anna Magdalena Bach Book of 1725)

Page 5: Graded Pieces All

OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments463 2 Bach March in Eb, BWV Anh. II 127 (anon.) Intro to 2-voice inventions Another excellent preparation for 2-voice inventions.458 2 Bach Minuet in Am, BWV Anh. II 120 (anon.) Hand independence

459 2 Bach Minuet in Cm, BWV Anh. II 121 (Anon.) Hauntingly beautiful slow minuet.464 2 Bach Minuet in Dm, BWV Anh. II 132 (anon.) Hand independence

461 2 Bach Minuet in G, (G. Bohm) Intro to counterpoint Another good introduction to counterpoint that is simple enough for any beginner.455 2 Bach Minuet in G, BWV Anh. 114 (C. Petzold) Ornamentation

457 2 Bach Minuet in G, BWV Anh. II 116 (anon.) Intro to 2-voice inventions

456 2 Bach Minuet in Gm, BWV Anh. 115 (C. Petzold) Ornamentation

981 4 Bach Minuet no 1 in B minor

462 2 Bach Musette in D, BWV Anh. II 126(anon.)

888 2 Bach Overture in F, BWV 820 5th mvt, Bourrée

1303 8 Bach Partita No. 3 in A minor, BWV 827 1st and 6th mvts, Fantasia and Scherzo

1304 8 Bach Partita No. 4 in D, BWV 828 Menuett and Gigue

1182 7 Bach Partita No. 5, BWV 829 Corrente

886 2 Bach Polonaise in G minor, BWV Anh 119

1117 6 Bach Polonaise No 4 in D minor

934 3 Bach Prelude in C minor, BWV 999

466 2 Bach Prelude in C, BWV 846/I

467 2 Bach Prelude in C, BWV 924

468 2 Bach Prelude in C, BWV 939 Arpeggios

982 4 Bach Prelude in F No 8 of 'Twelve Little Preludes'

469 2 Bach Prelude in Gm, BWV 999 Broken Triads

935 3 Bach Prelude, no 10 Eighteen Little Preludes'

16 6 Bach Sinfonia 0117 7 Bach Sinfonia 0218 6 Bach Sinfonia 0319 7 Bach Sinfonia 0420 7 Bach Sinfonia 0521 6 Bach Sinfonia 0622 7 Bach Sinfonia 0723 7 Bach Sinfonia 0824 7 Bach Sinfonia 0925 6 Bach Sinfonia 1026 6 Bach Sinfonia 1127 6 Bach Sinfonia 1228 6 Bach Sinfonia 1329 7 Bach Sinfonia 1430 7 Bach Sinfonia 15

847 1 Bach Chorale Lord, do with me as you will, BWV 514

227 6 Bach Giga from Partita no. 1

Another excellent 2 voice canonic work that will develop hand independence and yet is easy enough for a beginner.

Another very beautiful reflective minuet, which will develop hand independence. From A Little Notebook for Anna Magdalena Bach

This minuet is meant to be played with the Minuet in Gm in ABA form (minuet in G – minuet in Gm – minuet in G).

Excellent piece to introduce canon (round) writing. It is a perfect introduction to 2 voice inventions which are far too difficult for a beginner.

Beautiful lyrical minuet, reflective and slow. This minuet is meant to be played with the previous one in ABA form (minuet in G – minuet in Gm – minuet in G). For beginners omit the ornamentation. For more advanced players there is a lot of scope for learning the art of ornamentation with these two pieces.

SkipsFast runs

Excellent piece for the virtuoso to be (very easy but impressive), with daring skips on the LH and fast runs on the RH. A favorite with kids.

One of the few pieces in the notebook that is actually by Bach, this prelude is the first prelude in the WTC book I.

A beautiful prelude based on broken triads, this is very easy (but not as effective) if you omit the several ornaments. These can added later on when the student has progressed enough.

An excellent study in arpeggios for both RH and LH and a great introduction to question and answer writing. Only 16 bars long

For the budding virtuoso. Very effective at a fast speed, but equally beautiful at a much slower tempo. The repetitive figuration in broken triads make it an excellent exercise as well.

Page 6: Graded Pieces All

OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments1187 7 Bach, C.P.E. Allegro in A, W 116/16

932 3 Bach, C.P.E. Allegro in C minor

928 3 Bach, C.P.E. Allegro in G, H328 W 116/54

978 4 Bach, C.P.E. Fantasia in D minor From 'Kurze und leichte Clavierstücke', Wq 113/3

460 2 Bach, C.P.E. March in D, H. 1.1 Uplifting and full of joy.929 3 Bach, C.P.E. Menuet: La Pott, W 117/18 No 2 from 'CPE Bach, 23 Pièces Characteristiques'

1038 5 Bach, C.P.E. Presto in C minor, W 114/3

1188 7 Bach, C.P.E. Sinfonia No.15 in B minor, BWV 801

1131 6 Bach, C.P.E. Solfeggietto

1039 5 Bach, C.P.E. Solo per il Cembalo, W.65/7 From Anna Magdalena

1285 8 Bach, C.P.E. Sonata in A flat, W 49/2

1286 8 Bach, C.P.E. Sonata in A, H 18b W 55/4 1st mvt, Allegro assai

931 3 Bach, C.P.E. Sonata in C Allegretto

1186 7 Bach, C.P.E. Sonata in C minor, W 60 1st mvt, Allegretto

1183 7 Bach, C.P.E. Sonata in C, W 55/1, 3rd mvt

1184 7 Bach, C.P.E. Sonata in D minor, W 57/4 3rd mvt, Allegro

930 3 Bach, C.P.E. Sonata in F Allegretto

1185 7 Bach, C.P.E. Sonata in F minor, W 57/6 2nd mvt

502 7 Bach, C.P.E. Sonatas

846 1 Bach, J.C. Air in F, BWV Anh. 131, from 'The Anna Magdalena Bach Book of 1725'845 1 Bach, J.C. Aria in A minor

465 2 Bach, J.C. Aria in F

1299 8 Bach, J.C. Sonata in B flat, Op 17/6

1040 5 Bach, J.C.F. Musical Leisure Hours - Allegretto in F

979 4 Bach, J.C.F. Musical Leisure Hours, no 2 - Menuet and Trio in F

1041 5 Bach, J.C.F. Sonata in G Op. 05 No. 03 Theme and Variations

644 9 Barber Ballade op. 46640 9 Barber Excursions op. 20639 9 Barber Interlude I ('For Jeanne')643 9 Barber Nocturne op. 33 Chromatic and highly atmospheric – if you want poetic and romantic and yet modern look no further.

641 9 Barber Sonata op. 26

642 9 Barber Souvenirs op. 28638 5 Barber Three Sketches

1190 7 Bartók 14 Bagatelles, Op 6 no 2

938 3 Bartók Choral: No 28 from 'For Children' vol 1

1273 8 Bartók Dance in Bulgarian Rhythm no 5 no 152 from ‘Mikrokosmos’ vol 6

1118 6 Bartók Dance with Sticks: no 1 from ‘6 Romanian Folk Dances’

983 4 Bartók For Children, vol 1 no 32 - Jeering Song

984 4 Bartók For Children, vol 2 no 18 - Teasing Song

940 3 Bartók Keringo

936 3 Bartók Lento: No 11, from 'For Children,' vol 1

1189 7 Bartók Mikrokosmos Vol 5 No.139 - Merry Andrew

1042 5 Bartók Mikrokosmos, Vol 4 No. 102 - Harmonics

1119 6 Bartók No 39 from ‘For Children’, Vol 1

939 3 Bartók Peasant's Flute: No 26 from 'For Children' vol 2

Almost forgotten these days and almost never played, his sonatas are real gems. Again, all of the sonatas are around grade 7-8, so you should be able to manage. I particularly like w62 in G.

Only 16 bars long, this beautiful aria can be easily learned by a beginner and then be used at a later stage to teach improvised ornamentation.

Extremely complex – advanced work requiring the utmost pianism. This sonata was written for Horowitz. Originally it had only the first three movements, but Horowitz insisted that Barber write a flashy finale for it, hence the - very difficult - fugue.

(no. 1 - Love Song is a beautiful song without words) and his very lyrical and nostalgic Nocturne which is written with modern harmonies but following John Field's model.

Page 7: Graded Pieces All

OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments1120 6 Bartók Revelry: no 22 from ‘For Children’, Vol 2

889 2 Bartók Romanian Christmas Carol No 4 from 'Romanian Christmas Carols', Series 1

1274 8 Bartók Rondo no 1 from ‘3 Rondos on Folk Tunes’

937 3 Bartók Round Dance: No 17, from 'For Children,' vol 1

1275 8 Bartók Suite, Op 14, 1st mvt Allegretto

1043 5 Bartók Ten Easy Piano Pieces - Evening in the Country

1044 5 Bartók Ten Easy Piano Pieces - Hungarian Folksong

1121 6 Bartók Village Joke: no 130 from ‘Mikrokosmos’ vol 5

851 1 Bartók Children at Play

848 1 Bartók Quasi Adagio no 3 from 'For Children' vol 1

850 1 Bartók Two Little Dialogues

849 1 Bartók Two Short Pieces and Two Little Dances

472 2 Beach Children Carnival op. 25

471 2 Beach Children’s Album op. 36 They are probably more suited to the later beginner (6 months – one year of lessons)1276 8 Beethoven Andante Favori, WoO 57

1122 6 Beethoven Bagatelle in A, Op 33 No. 4

1195 7 Beethoven Bagatelle in Ab, Op. 33 No.7

1123 6 Beethoven Bagatelle in C, Op 119/02

1046 5 Beethoven Bagatelle in D, Op 119/03

1124 6 Beethoven Bagatelle in Eb, Op 33/1

985 4 Beethoven Bagatelle in F, Op 33/3

1045 5 Beethoven Bagatelle in Gm, Op 119/01

1193 7 Beethoven Bagatelle, Op 126/04

986 4 Beethoven Bagatelle, Op 33/06

840 1 Beethoven Ecossaise in Eb major WoO 86

841 1 Beethoven Ecossaise in G major WoO 23172 4 Beethoven Fur Elise 987 4 Beethoven Merry and Sad, Bagatelle in A minor, Op 119/09

1191 7 Beethoven Rondo in A, WoO 49

1192 7 Beethoven Rondo, Op 51/1

218 5 Beethoven Six Ecossaises in Eb major WoO 83

1125 6 Beethoven Six Variations on ‘Nel cor più non mi sento’ WoO 70

253 6 Beethoven Sonata 01. Op. 49 no. 2 (Easy) However I find this sonata a bit dull (Beethoven thought so too254 6 Beethoven Sonata 02. Op. 49 no. 1

256 6 Beethoven Sonata 04. Op. 14 no. 2257 6 Beethoven Sonata 05. Op. 14 no. 1258 6 Beethoven Sonata 06. Op. 2 no. 1259 7 Beethoven Sonata 07. Op. 10 no. 1260 7 Beethoven Sonata 08. Op. 10 no. 2261 7 Beethoven Sonata 09. Op. 2. no. 2262 7 Beethoven Sonata 10. Op. 2 no. 3263 7 Beethoven Sonata 11. Op. 10 no. 3264 7 Beethoven Sonata 12. Op. 13 (Pathetique)

WaltzArpeggioEqualizing Hand Tone

Pierrot & Pierrette (from op. 25) is a wonderful waltz with a beautiful melody and unusual harmony, very easy and yet it sounds very “professional”.My favourite though is “Secrets” (also from op. 25) where arpeggio figurations are divided between the hands so that they are (almost) never together. Excellent exercise in equalizing the hands tone, and an exquisite piece of music.

These are one-page very easy pieces (grade 1) that Beethoven most likely wrote as pedagogical material for is pupils.

These are actually to be played as a single piece. This is a two page affair (3 pages depending on the edition), and more advanced than the other two (around grade 4/5). It sounds far more difficult.

Op. 49/1 being far more musical (the rondo is a real gem). It is a bit more difficult though. Both of these however are not quite full-fledged sonatas (they were most likely composed as exercises for his students).

Page 8: Graded Pieces All

OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments265 7 Beethoven Sonata 13. Op. 22266 7 Beethoven Sonata 14. Op. 28 (Pastorale)267 7 Beethoven Sonata 15. Op. 7 (Grand)268 7 Beethoven Sonata 16. Op. 78 (For Therese)269 7 Beethoven Sonata 17. Op. 26 (Funeral March)270 7 Beethoven Sonata 18. Op. 31 no. 3 (The Hunt)271 8 Beethoven Sonata 19. Op. 31 no. 1272 8 Beethoven Sonata 20. Op. 90273 8 Beethoven Sonata 21. Op. 27 no. 1274 8 Beethoven Sonata 22. Op. 27 no. 2 (Moonlight)275 8 Beethoven Sonata 23. Op. 54276 8 Beethoven Sonata 24. Op. 31 no. 2 (Tempest)277 8 Beethoven Sonata 25. Op. 53 (Waldstein)278 8 Beethoven Sonata 26. Op. 81 (Les Adieux)279 8 Beethoven Sonata 27. Op. 57 (Appasionata)280 8 Beethoven Sonata 28. Op. 101281 8 Beethoven Sonata 29. Op. 110255 6 Beethoven Sonata 3. Op. 79 (Alla Tedesca)

282 8 Beethoven Sonata 30. Op. 109283 8 Beethoven Sonata 31. Op. 111284 8 Beethoven Sonata 32. Op. 106 (Hammerklavier)

1047 5 Beethoven Sonatina in C 2nd movement

588 4 Beethoven Sonatina in F890 2 Beethoven Sonatina in G Anh 5/1, 2nd mvt, Romanze

1194 7 Beethoven Sonatina in G, Op 79 3rd mvt, Vivace

988 4 Benda Sonata in Am 3rd mvt, Presto

1197 7 Benda Sonata in Bb 3rd mvt

1196 7 Benda Sonata in F 3rd mvt

989 4 Benda Sonatina in F

1048 5 Benda Sonatina in Gm

217 4 Benda Sonatina No. 3 in Am

990 4 Berens Study in F, Op 61/4

991 4 Berens Study in F, Op 88/18

652 U Berg Sonata op. 1

491 2 Bloch Enfantines

492 2 Bloch Lullaby

1198 7 Borodin Petite Suite no 4- Mazurka

493 2 Bowles Folk preludes

1277 8 Brahms Ballade in D minor, Op 10/1

Why not stretch a bit and try Op. 79, which is a real sonata, and quite beautiful (the second movement is wonderful). It is considered to be around grade 7, but if you can manage grade 5 pieces, you can manage grade 7.

ArpeggiosHand crossing

Exhilarating and athletic piece with fast arpeggios divided between the hands and hand crossings on the second part. This is a one-movement sonatina (only 49 bars long) that sounds much more difficult than it actually is.

A one movement sonata that although supposedly in B minor is actually a chromatic work. Once you get used to it, it is very beautiful and lyrical.

Bloch composed a set of ten very interesting pieces called Enfantines, for his daughters. They are not for beginners though, except the first one, which may be tackled by a late beginner (6 months – 1 year of lessons):

Legato playingCantabile

Impressionistic writing, this is a very expressive piece that allows for the introduction of several concepts: Modes (the piece is written in the Aeolian mode), legato playing (the piece requires that one finger be held while the other fingers of the same hand play the melody above it), cantabile.

Paul Frederick Bowles: These are really for intermediate students, but I could not resist including it. These are excellent arrangements of classical American folk tunes. Truly enchanting pieces.

Page 9: Graded Pieces All

OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments1278 8 Brahms Intermezzo in A minor, Op 76/7

1279 8 Brahms Intermezzo in B minor, Op 119/1

1280 8 Brahms Intermezzo in E flat, Op 117/1

1199 7 Brahms Intermezzo in E, Op 116/6

1281 8 Brahms Intermezzo, Op 116/4

1126 6 Brahms Waltz in C# minor, Op 39/7

1049 5 Brahms Waltz in D minor, Op.39 No.9

1127 6 Brahms Waltz in E, Op 39/2

1128 6 Brahms Waltz, Op 39/3

501 6 Britten Holiday Diary499 6 Britten Notturno Beautiful and haunting500 6 Britten Three Character Pieces Range from the fast and fun Michael to the beautiful Daphne

1050 5 Britten Waltz in D minor, Op.3 No.1

992 4 Burgmüller Barcarolle, Op. 100/22

892 2 Burgmüller Douce Plainte (Sighing), Op. 100/16

942 3 Burgmüller Gracefulness

941 3 Burgmüller Innocence, Op. 100/05

1051 5 Burgmüller L'Hirondelle, Op. 100/24

1052 5 Burgmüller Orage, Op.109/13

943 3 Burgmüller Study in C minor, Op. 100/15

891 2 Burgmüller Study in G minor, Op. 100/16

852 1 Burgmüller Study in Am, Op. 100/02

1282 8 Chabrier Danse Villageoise (from ‘10 Pièces Pittoresques’)

1283 8 Chabrier Idylle (from ‘10 Pièces Pittoresques’)

844 7 Chabrier Pieces Pitoresques

221 6 Chabrier Bourée Fantasque623 9 Chaminade Consolation Op. 87 No. 5622 9 Chaminade Nocture Op. 165367 8 Chopin Andante Spianatto (prelude to Grande Polonaise Brillante op. 22)285 4 Chopin Cantabile in Bb major295 6 Chopin Contradanse368 8 Chopin Ecossaise no. 1 in D (Op. posth, 72 no. 3)326 7 Chopin Ecossaise no. 2 in Gm Op. posth 72 no. 3369 8 Chopin Ecossaise no. 3 in Db (Op. posth, 72 no. 3)408 8 Chopin Etude Op. 10 no. 03370 8 Chopin Etude Op. 10 no. 06407 8 Chopin Etude Op. 10 no. 09406 8 Chopin Etude Op. 10 no. 12409 8 Chopin Etude Op. 25 no. 01371 8 Chopin Etude Op. 25 no. 02410 8 Chopin Etude Op. 25 no. 07411 8 Chopin Etude Op. 25 no. 09412 8 Chopin Fantaise Impromptu op. posth. 66286 4 Chopin Feuille d’album327 7 Chopin Fugue in Am328 7 Chopin Funeral march in Cm (Op. posth. no. 2)413 8 Chopin Impromptu no. 1 in Ab (Op. 29)296 6 Chopin Largo in Eb major297 6 Chopin Mazurka in A minor, op. 7 no. 2298 6 Chopin Mazurka in A minor, op. posth. 67 no. 4

Idylle - the RH is almost as busy as the LH in this delightful piece. The LH mostly plays broken octaves, skipping over two octaves. Excellent for skip accuracy. And it is a wonderful, hauntingly beautiful piece.

Page 10: Graded Pieces All

OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments299 6 Chopin Mazurka in A minor, op. posth. 68 no. 2300 6 Chopin Mazurka in Ab major, op. 24 no. 3301 6 Chopin Mazurka in B minor, op. 30 no. 2302 6 Chopin Mazurka in Bb major no. 51303 6 Chopin Mazurka in Bb major, op. 7 no. 1304 6 Chopin Mazurka in C major, op. 24 no. 2305 6 Chopin Mazurka in C major, op. 33 no. 3287 4 Chopin Mazurka in C major, op. 7 no. 5306 6 Chopin Mazurka in C major, op. posth. 67 no. 3307 6 Chopin Mazurka in C minor, op. 30 no. 1308 6 Chopin Mazurka in E minor, op. 17 no. 2288 4 Chopin Mazurka in F major, op. posth. 68 no. 3309 6 Chopin Mazurka in F minor, op. 63 no. 2289 4 Chopin Mazurka in F minor, op. posth. 68 no. 4310 6 Chopin Mazurka in G major no. 50311 6 Chopin Mazurka in G minor, op. 24 no. 1312 6 Chopin Mazurka in G minor, op. posth. 67 no. 2313 6 Chopin Mazurka in G# minor, op. 33 no. 1372 8 Chopin Mazurka no. 01 in F#m (op. 6 no. 1)331 7 Chopin Mazurka no. 02 in C#m (op. 6 no. 2)334 7 Chopin Mazurka no. 03 in E (op. 6 no. 3)336 7 Chopin Mazurka no. 04 in Ebm (op. 6 no. 4)341 7 Chopin Mazurka no. 07 in Fm (op. 7 no. 3)342 7 Chopin Mazurka no. 08 in Ab (op. 7 no. 4)373 8 Chopin Mazurka no. 10 in Bb (op. 17 no. 1)329 7 Chopin Mazurka no. 12 in Ab (op. 17 no. 3)330 7 Chopin Mazurka no. 13 in Am (op. 17 no. 4)374 8 Chopin Mazurka no. 17 in Bbm (op. 24 no. 4)375 8 Chopin Mazurka no. 20 in Db (op. 30 no. 3)414 8 Chopin Mazurka no. 21 in C#m (op. 30 no. 4)415 8 Chopin Mazurka no. 23 in D (op. 33 no. 2)376 8 Chopin Mazurka no. 25 in Bm (op. 33 no. 4)332 7 Chopin Mazurka no. 26 in Em (op. 41 no. 1)416 8 Chopin Mazurka no. 27 in B (op. 41 no. 2)333 7 Chopin Mazurka no. 28 in Ab (op. 41 no. 3)417 8 Chopin Mazurka no. 29 in C#m (op. 41 no. 4)377 8 Chopin Mazurka no. 30 in G (op. 50 no. 1)335 7 Chopin Mazurka no. 31 in Ab (op. 50 no. 2)418 8 Chopin Mazurka no. 32 in C#m (op. 50 no. 3)419 8 Chopin Mazurka no. 33 in B (op. 56 no.1)378 8 Chopin Mazurka no. 34 in C (op. 56 no. 2)420 8 Chopin Mazurka no. 35 in Cm (op. 56 no. 3)379 8 Chopin Mazurka no. 36 in Am (op. 59 no. 1)380 8 Chopin Mazurka no. 37 in Ab (op. 59 no. 2)381 8 Chopin Mazurka no. 38 in F#m (op. 59 no. 3)382 8 Chopin Mazurka no. 39 in B (op. 63 no. 1)337 7 Chopin Mazurka no. 41 in C#m (op. 63 no. 3)383 8 Chopin Mazurka no. 42 in G (op.posth. 67 no. 1)384 8 Chopin Mazurka no. 46 in C (op. posth. 68 no. 1)338 7 Chopin Mazurka no. 52 in Am385 8 Chopin Mazurka no. 53 in Am386 8 Chopin Mazurka no. 54 in D

Page 11: Graded Pieces All

OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments339 7 Chopin Mazurka no. 55 in Bb387 8 Chopin Mazurka no. 56 in C340 7 Chopin Mazurka no. 57 in Ab314 6 Chopin Nocturne in C minor, no. 21388 8 Chopin Nocturne no. 01 in Bbm (Op. 9 no. 1)347 7 Chopin Nocturne no. 02 in Eb (Op. 9 no. 2)448 10 Chopin Nocturne No. 03 in B (Op. 9 no. 3)426 8 Chopin Nocturne No. 04 in F (Op. 15 no. 1)391 8 Chopin Nocturne no. 05 in F# (Op. 15 no. 2)349 7 Chopin Nocturne no. 06 in Gm (Op. 15 no. 3)427 8 Chopin Nocturne No. 07 in C#m (Op. 27 no. 1)392 8 Chopin Nocturne no. 08 in Db (Op. 27 no.2)393 8 Chopin Nocturne no. 09 in B (Op. 32 no. 1389 8 Chopin Nocturne no. 10 in Ab (Op. 32 no. 2)343 7 Chopin Nocturne no. 11 in Gm (Op. 37 no. 1)421 8 Chopin Nocturne No. 12 in G (Op. 37 no. 2)422 8 Chopin Nocturne No. 13 in Cm (Op. 48 no. 1)390 8 Chopin Nocturne no. 14 in F# (Op. 48 no. 2)344 7 Chopin Nocturne no. 15 in Fm (Op. 55 no. 1)345 7 Chopin Nocturne no. 15 in Fm (Op. 55 no. 1)423 8 Chopin Nocturne No. 16 in Eb (Op. 55 no. 2)424 8 Chopin Nocturne No. 17 in B (Op. 62 no. 1)425 8 Chopin Nocturne No. 18 in E (Op. 62 no. 2)346 7 Chopin Nocturne no. 19 in Em (Op. posth, 72 no. 1)348 7 Chopin Nocturne no. 20 in C#m350 7 Chopin394 8 Chopin Nouvelle Etude no. 1 in Fm428 8 Chopin Nouvelle etude no. 3 in Db351 7 Chopin Nouvelles Etudes no. 2 in Ab315 6 Chopin Polonaise in Bb major no. 12316 6 Chopin Polonaise in G minor no. 11395 8 Chopin Polonaise no. 01 in C#m Op. 26 no. 1430 8 Chopin Polonaise no. 02 in Ebm Op. 26 no.2431 8 Chopin Polonaise no. 03 in A Op. 40 no. 1397 8 Chopin Polonaise no. 04 in Cm Op. 40 no. 2445 9 Chopin Polonaise no. 05 in F#m Op. 44446 9 Chopin Polonaise no. 06 in Ab Op. 53432 8 Chopin Polonaise no. 08 in Dm Op. Posth. No. 1433 8 Chopin Polonaise no. 09 in Bb Op. Posth. No. 2396 8 Chopin Polonaise no. 10 in Fm Op. Posth 71 no. 3317 6 Chopin Polonaise no. 11 in Gm318 6 Chopin Polonaise no. 12 in Bb352 7 Chopin Polonaise no. 13 in Ab444 9 Chopin Polonaise no. 14 in G#m (Chopin was 12 when he composed this one)429 8 Chopin Polonaise no. 15 in Bbm447 9 Chopin Polonaise-fantasie no. 7 Op. 61398 8 Chopin Preludes Op. 28. No. 01356 7 Chopin Preludes Op. 28. No. 02400 8 Chopin Preludes Op. 28. No. 03291 4 Chopin Preludes Op. 28. no. 04454 10 Chopin Preludes Op. 28. No. 05319 6 Chopin Preludes Op. 28. no. 06

Nocturne  no. 11 in Gm (Op. 37 no. 1)

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OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments292 4 Chopin Preludes Op. 28. no. 07438 8 Chopin Preludes Op. 28. No. 08320 6 Chopin Preludes Op. 28. no. 09434 8 Chopin Preludes Op. 28. No. 10435 8 Chopin Preludes Op. 28. No. 11449 10 Chopin Preludes Op. 28. No. 12353 7 Chopin Preludes Op. 28. No. 13354 7 Chopin Preludes Op. 28. No. 14355 7 Chopin Preludes Op. 28. No. 15450 10 Chopin Preludes Op. 28. No. 16 (Arguably the most difficult)399 8 Chopin Preludes Op. 28. No. 17451 10 Chopin Preludes Op. 28. No. 18452 10 Chopin Preludes Op. 28. No. 19290 4 Chopin Preludes Op. 28. no. 20357 7 Chopin Preludes Op. 28. No. 21436 8 Chopin Preludes Op. 28. No. 22437 8 Chopin Preludes Op. 28. No. 23453 10 Chopin Preludes Op. 28. No. 24358 7 Chopin Soanta no. 2 in Bbm (Op. 35) 3rd mov. Marche Funebre401 8 Chopin Sonata in Cm (Op. 4) 2nd mov. – Menuetto359 7 Chopin Sonata no. 1 in Cm (op. 4) 3rd mov. Larghetto.360 7 Chopin Sonata no. 3 in Bm (Op. 58) 3rd mov. Largo439 8 Chopin Souvenir de Paganini.361 7 Chopin Variations in E on Bellini’s I Puritani.440 8 Chopin Variations on a German National air402 8 Chopin Waltz No. 01 (Eb, op. 18 )442 8 Chopin Waltz No. 02 (Ab, Op. 34 no. 1)325 6 Chopin Waltz No. 03 (Am, Op. 34 no. 2)405 8 Chopin Waltz No. 04 (F, Op. 34 no. 3)443 8 Chopin Waltz No. 05 (Ab, Op. 42)363 7 Chopin Waltz No. 06 (Db, Op. 64 no. 1)364 7 Chopin Waltz No. 07 (C#m, Op. 64 no. 2)366 7 Chopin Waltz No. 09 (Ab, Op. Posth. 69 no. 1)321 6 Chopin Waltz No. 10 (Bm, Op. Posth. 69 no. 2)441 8 Chopin Waltz No. 11 (Gb Op. Posth. 70 no. 1)322 6 Chopin Waltz No. 12 (Fm, Op. Posth. 70 no. 2)362 7 Chopin Waltz No. 13 (Db, Op. Posth. 70 no. 3)323 6 Chopin Waltz No. 14 (Ab)324 6 Chopin Waltz No. 15 (E)403 8 Chopin Waltz No. 16 (Em)293 4 Chopin Waltz no. 17 in A minor294 4 Chopin Waltz no. 18 in Eb major404 8 Chopin Waltz No. 19 (Eb)365 7 Chopin Waltz No. 80 (Ab, Op. 64 no. 3)222 6 Chopin Polonaise Op. 40 no. 1 in A219 3 Clementi Grand Waltz

1200 7 Clementi Sonata in A major, Op 10/1 1st mvt, Allegro con spirito

1201 7 Clementi Sonata in B flat, Op 47/2 1st mvt

1284 8 Clementi Sonata in D minor/major, Op 40/3 1st mvt, Adagio molto – Allegro

1054 5 Clementi Sonata in D, Op 25/6 2nd movement, Un poco andante

1055 5 Clementi Sonata in D, Op 26/3 Andante

1129 6 Clementi Sonata in F# minor, Op 25/5 2nd mvt, Lento e patetico

Page 13: Graded Pieces All

OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments1053 5 Clementi Sonata in F, Op 4/6 1st mvt

1056 5 Clementi Sonatina in C, Op 36/3 Spiritoso

1130 6 Clementi Sonatina in D, Op 36/6 1st mvt

993 4 Clementi Sonatina in G, Op 36/2 1st mvt, Allegretto

994 4 Clementi Sonatina in G, Op 36/4 2nd mvt, Andante con espressione

853 1 Clementi Arietta in C, Op 42, Lesson 5

854 1 Clementi Sonatina, Op 36/3, Un Poco Adagio

996 4 Couperin Allemande

1058 5 Couperin Allemande in D minor

1057 5 Couperin Gigue in G minor, 'La Milordine'

1134 6 Couperin L’Atalante, from ‘Pièces de Claveçin’, Book 2 Ordre 12

893 2 Couperin La Bourbonnaise

1135 6 Couperin La Lutine, from ‘Pièces de Claveçin’, Book 1 Ordre 3

1136 6 Couperin Le Bavolet Flottant

995 4 Couperin Le Moucheron

1137 6 Couperin Les Petits Moulins à Vent

944 3 Couperin Rondo

1203 7 Cramer Etude no 33 in D

1202 7 Cramer Study in F# minor, No 22 of '84 Studies'

945 3 Czerny Study in A flat, Op 139/51

895 2 Czerny Study in B minor, Op 139/98

1204 7 Czerny Study in D minor, Op 740/37

894 2 Czerny Study in G, Op 139/25

946 3 Czerny Study in G, Op 261/17

220 3 Dacquin Le Coucou601 7 Debussy Arabesque 2600 7 Debussy Ballade166 7 DeBussy Clair de Lune 593 6 Debussy D’un cahier d’esquisses602 7 Debussy Danse605 8 Debussy Estampes 1 - Pagodes594 7 Debussy Estampes 2 - Soirees dans Grenade609 8 Debussy Estampes 3 - Jardins sous la pluie117 8 Debussy Gardens in the rain606 8 Debussy Images I 1 - Reflets dans l'eau591 6 Debussy Images I 2 - Hommage a Rameau610 8 Debussy Images I 3 - Mouvement607 8 Debussy Images II 1 - Cloches a travers les feuilles592 6 Debussy Images II 3 - Et la lune descend sur le temple qui fut611 8 Debussy Images II 3 - Poissons d'or167 5 DeBussy La Fille aux Cheveux de Lin 612 8 Debussy L'isle joyeuse603 7 Debussy Masques598 7 Debussy Mazurka608 8 Debussy Pour le piano 1 - Prelude590 6 Debussy Pour le piano 2 - Sarabande613 8 Debussy Pour le piano 3 - Toccata

1287 8 Debussy Prélude no 6, Book 2 ‘Général Lavine-eccentric’

589 6 Debussy Reverie1288 8 Debussy Serenade of the Doll from ‘Children’s Corner Suite’

595 7 Debussy Suite Bergamasque 1 - Prelude597 7 Debussy Suite Bergamasque 2 - Menuet

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OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments596 7 Debussy Suite Bergamasque 3 - Clair de lune604 7 Debussy Suite Bergamasque 4 - Passepied599 7 Debussy Valse Romantique223 6 Debussy Arabesque 1 224 6 Debussy Dr. Gradus ad Parnassum 896 2 Diabelli Andantino, Op 125/11

1059 5 Diabelli Sonatina in B flat, Op 168/4 1st mvt

947 3 Diabelli Sonatina in F, Op 168/1 , 2nd mvt, Andante

624 6 Donizetti La ricordanza625 7 Donizetti Larghetto in A minor A nocturne-like version for piano of the famous aria “Una furtiva lacrima”

1060 5 Dvorák Grandpa Dances with Grandma: no 2 from '2 Little Pearls'

1133 6 Dvorák Silhouette, Op 8/11

1289 8 Fauré Barcarolle no 4 in A flat, Op 44

1290 8 Fauré Fugue in E minor, Op 84/6

1291 8 Fauré Nocturne in A flat, Op 33/3

614 6 Fauré Nocturnes op. 33 no. 1615 6 Fauré Nocturnes op. 33 no. 2616 6 Fauré Nocturnes op. 33 no. 3617 6 Fauré Nocturnes op. 36618 6 Fauré Nocturnes op. 37619 6 Fauré Romances sans paroles Op. 17 not exactly nocturnes, but very beautiful and lyric

1061 5 Field Nocturne in B flat, no 5

1138 6 Field Nocturne no 13 in D minor, H 59

1205 7 Field Nocturne no 16 in F

1292 8 Field Nocturne No 4 in A

1062 5 Franck Little Piece (Poco Allegro) in C# minor, from 'L'Organiste'

997 4 Franck L'Organiste' vol 1 no 23 - Quasi Lento

649 7 Gershwin Three Preludes I. Allegro ben ritmato e preciso Gershwin called this prelude “Spanish”. This is a fast virtuoso piece, very good as an encore.665 7 Gershwin Three Preludes II. Andante con moto e poco rubato

666 7 Gershwin Three Preludes III. Allegro ben ritmato e preciso This is my favourite of the three (and the most difficult).645 U Ginastera Twelve American preludes

998 4 Granados Bocetos No 4 - The Evening Bell

1063 5 Granados Cuentos de la Juventud', Op 1 no 9 - The Orphan Girl

1208 7 Granados Danza de la Rosa, no 3 from 'Escenas Poéticas'

1293 8 Granados Danza Española No 6: Jota ‘Rondalla Aragonesa’

1207 7 Granados Danza Galante, from 'Danzas Españolas'

252 4 Granados Dedication “Dedication” is just one page long and very beautiful.1206 7 Granados Viniendo de la fuente, Op 1/5

1209 7 Grieg Album Leaf in A Flat, Op.28 No.1

1000 4 Grieg Arietta

1065 5 Grieg Folk Song, Op 12/5

1294 8 Grieg Gade, Op 57/2

1066 5 Grieg Grandmother's Minuet, Op 68/2

503 4 Grieg Lyric Pieces Op. 12/1 (Arietta)504 4 Grieg Lyric Pieces Op. 12/2 (Waltz)505 4 Grieg Lyric Pieces Op. 12/3 (Watchman's song)520 6 Grieg Lyric Pieces Op. 12/4 (Fairy dance)506 4 Grieg Lyric Pieces Op. 12/5 (Folksong)521 6 Grieg Lyric Pieces Op. 12/6 (norwegian dance)507 4 Grieg Lyric Pieces Op. 12/7 (Album leaf)

Gershwin called this prelude a “blues lullaby”. Slow and slightly lugubrious, it would make quite a good piece to play before an intermission.

Tonal music but with lots of chromaticism and strong rhythms. These are all short pieces, good as encores.

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OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments508 4 Grieg Lyric Pieces Op. 12/8 (National song)539 7 Grieg Lyric Pieces Op. 38/1 (Berceuse)509 4 Grieg Lyric Pieces Op. 38/2 (Folk song)522 6 Grieg Lyric Pieces Op. 38/3 (Melody)523 6 Grieg Lyric Pieces Op. 38/4 (Halling)540 7 Grieg Lyric Pieces Op. 38/5 (Springdans)524 6 Grieg Lyric Pieces Op. 38/6 (Elegy)510 4 Grieg Lyric Pieces Op. 38/7 (Waltz)541 7 Grieg Lyric Pieces Op. 38/8 (Canon)542 7 Grieg Lyric Pieces Op. 43/1 (Butterfly)511 4 Grieg Lyric Pieces Op. 43/2 (Solitary traveller)512 4 Grieg Lyric Pieces Op. 43/3 (In my native country)543 7 Grieg Lyric Pieces Op. 43/4 (Little bird)544 7 Grieg Lyric Pieces Op. 43/5 (Erotykon)557 8 Grieg Lyric Pieces Op. 43/6 (To Spring)525 6 Grieg Lyric Pieces Op. 47/1 (Valse-Impromptu)558 8 Grieg Lyric Pieces Op. 47/2 (Album leaf)513 4 Grieg Lyric Pieces Op. 47/3 (melody)526 6 Grieg Lyric Pieces Op. 47/4 (Halling)527 6 Grieg Lyric Pieces Op. 47/5 (Melancholy)559 8 Grieg Lyric Pieces Op. 47/6 (Springdans)514 4 Grieg Lyric Pieces Op. 47/7 (Elegy)545 7 Grieg Lyric Pieces Op. 54/1 (Shepherd's boy)560 8 Grieg Lyric Pieces Op. 54/2 (Gangar)567 8 Grieg Lyric Pieces Op. 54/3 (March of the dwarfs)546 7 Grieg Lyric Pieces Op. 54/4 (Notturno) “Notturno” is haunting and yet not the usual nocturne pattern (Lyric pieces, Op. 54/4).547 7 Grieg Lyric Pieces Op. 54/5 (Scherzo)515 4 Grieg Lyric Pieces Op. 54/6 (Bell ringing)561 8 Grieg Lyric Pieces Op. 57/1 (Vanished days)548 7 Grieg Lyric Pieces Op. 57/2 (Gade)528 6 Grieg Lyric Pieces Op. 57/3 (Illusion)529 6 Grieg Lyric Pieces Op. 57/4 (Secret)562 8 Grieg Lyric Pieces Op. 57/5 (She dances)549 7 Grieg Lyric Pieces Op. 57/6 (Home sickness)550 7 Grieg Lyric Pieces Op. 62/1 (Sylphe)530 6 Grieg Lyric Pieces Op. 62/2 (Gratitude)531 6 Grieg Lyric Pieces Op. 62/3 (French Serenade)563 8 Grieg Lyric Pieces Op. 62/4 (Brooklet)532 6 Grieg Lyric Pieces Op. 62/5 (Phantom)564 8 Grieg Lyric Pieces Op. 62/6 (Homeward)565 8 Grieg Lyric Pieces Op. 65/1 (From early years)533 6 Grieg Lyric Pieces Op. 65/2 (Peasant's song)551 7 Grieg Lyric Pieces Op. 65/3 (Melancholy)552 7 Grieg Lyric Pieces Op. 65/4 (Salon)516 4 Grieg Lyric Pieces Op. 65/5 (Ballad)566 8 Grieg Lyric Pieces Op. 65/6 (Wedding day at Troldhaugen)553 7 Grieg Lyric Pieces Op. 68/1 (Sailor's song)517 4 Grieg Lyric Pieces Op. 68/2 (Grandmother's menuet)534 6 Grieg Lyric Pieces Op. 68/3 (At your feet)535 6 Grieg Lyric Pieces Op. 68/4 (Evening in the mountain)536 6 Grieg Lyric Pieces Op. 68/5 (At the cradle)554 7 Grieg Lyric Pieces Op. 68/6 (Valse Melancholique)

Page 16: Graded Pieces All

OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments555 7 Grieg Lyric Pieces Op. 71/1 (Once upon a time)556 7 Grieg Lyric Pieces Op. 71/2 (Summer's eve)537 6 Grieg Lyric Pieces Op. 71/3 (Puck)538 6 Grieg Lyric Pieces Op. 71/4 (Peace of the Woods).568 8 Grieg Lyric Pieces Op. 71/5 (Halling)518 4 Grieg Lyric Pieces Op. 71/6 (gone)519 4 Grieg Lyric Pieces Op. 71/7 (remembrance)999 4 Grieg Lyric Pieces, Op 12/4 Elves' Dance

1139 6 Grieg Poetic Tone Picture, Op 3/1

1064 5 Grieg Poetic Tone Picture, Op 3/5

1140 6 Grieg Poetic Tone Picture, Op 3/6

1210 7 Grieg Prelude from Holberg Suite Op.40

1067 5 Grieg Rigaudon, No 5 of the 'Holberg Suite'

1211 7 Grieg Scherzo Impromptu in B Flat Op.5 No.3

1141 6 Grieg Vöglein (Little Bird) Op 43/4

225 6 Grieg Holberg suite 651 U Griffes Roman Sketches, Op. 7 Impressionistic, tonal music.650 U Griffes Three tone pictures, Op. 5 Impressionistic, tonal music.477 2 Gurlitt A song without words, op. 117 no. 34 Broken Chords A study in broken chords very effective in performance.949 3 Gurlitt Impromptu, Op 224/5

479 2 Gurlitt In the garden, op. 140 no. 4 LH melody voicing

1001 4 Gurlitt Kleine Blumen, Op 205/03 Allegretto

950 3 Gurlitt Little Flower

478 2 Gurlitt Lullaby Prep for 4-5 finger melody

473 2 Gurlitt Morning prayer, Op. 101 no. 2

1068 5 Gurlitt Serenade in A Op 172 No 5

900 2 Gurlitt Serenade in B flat No 18 from 'Album for the Young', Op 140

951 3 Gurlitt Sonatina in F Allegro Scherzando

952 2 Gurlitt Sonatina in G 1st and 3rd mvts

474 2 Gurlitt Sunday, Op. 101 no. 18 Four part chorale. Excellent to learn four part harmony and bring up the top voice in each chord.

948 3 Gurlitt The Deserted Child, Op 74/6

475 2 Gurlitt The Fair, op. 101 no. 8 Develop inflection of short melodic motifs

898 2 Gurlitt The Hurdy Gurdy Man, Op210/19

897 2 Gurlitt Undismayed, Op 197/7

476 2 Gurlitt Valse Noble op. 101 no. 14 Contrast grazioso w/ scherzo

899 2 Gurlitt Wild Mignonette

858 1 Gurlitt Allegretto grazioso in C, Op 117/6

857 1 Gurlitt Andantino in F, Op 187/48

855 1 Gurlitt Melodic Study

860 1 Gurlitt Moderato

859 1 Gurlitt Sonatina in C

856 1 Gurlitt Waltz in F, Op 179/21

954 3 Handel Air in B flat, HWV 471

955 3 Handel Air, B175/42

The melody is in the LH while the RH accompanies with syncopated chords. Excellent for teaching how to voice between the hands.

Beautiful piece with the accompaniment equally divided between both hands and the melody played with fingers 4-5 of the RH. Excellent preparation for similar figuration in the more advanced repertory (e.g. Mendelssohn’s Song without words op. 19 no.1). Although easy, it is for the late beginner.

Beautiful chorale in three voices, will prepare for four voice chorales. Very easy. From here, go to the one below.

Four-part HarmonyBring out upper voice

Very light, with a fast RH going through a circular semiquaver pattern. Very good to develop the inflection of short melodic motifs. For the budding virtuoso.

A very nice waltz with just 16 bars (two 8-bar phrases). Good for learning how to contrast the grazioso section with the scherzo section.

Page 17: Graded Pieces All

OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments1214 7 Handel Allegro in D minor

901 2 Handel Chanson 'Sans y penser'

1003 4 Handel Courante in F, B60/24

1004 4 Handel Courante in F, HWV 488

1216 7 Handel Fantasia in C, B.60/21

902 2 Handel Fuga in G, B175/31

1295 8 Handel Fugue no 3 in B flat, HWV 607

1296 8 Handel Fugue no 6 in C minor, HWV 610

956 3 Handel Gavotte in G, HWV 491

1215 7 Handel Gigue from Suite No.1

1002 4 Handel Gigue, from Suite in G minor, B60/19

1069 5 Handel Minuet and Variations, from Suite no 10

957 3 Handel Minuet in F

1070 5 Handel Minuet in G minor, from Suite no 1 in B flat

1077 5 Handel Partita in G HWV 450 5th Movt Gigue

1006 4 Handel Sonata in C, B60/29 3rd mvt

953 3 Handel Sonatina in B flat

1005 4 Handel Sonatina in B flat, HWV 585 Baroque Keyboard Pieces, book 2, pub. Assoc. Board)

1071 5 Handel Suite in B flat, B60/15 Corrant

1142 6 Handel Suite in D minor, B 60/18 Allemande

1072 5 Handel Suite in G B60/16 2nd Movt Allegro

1074 5 Handel Suite in G minor, HWV 452 1st mvt, Allemande

1143 6 Handel Suite in G minor, HWV 453 2nd mvt, Entrée

1144 6 Handel Suite in G, HWV 441 Courante

1076 5 Handel Suite No 10 Minuet and Variations

1075 5 Handel Suite no 13 Courante

1297 8 Handel Suite no 3 in D minor, 1720 Collection, HWV 428

1212 7 Handel Suite no 4 in E minor, 1720 Collection, HWV 429 2nd mvt, Allemande

1298 8 Handel Suite no 6 in F# minor, 1720 Collection, HWV 431, B60/6 3rd mvt Allegro

1073 5 Handel Suite no 7, HWV 432 Passacaglia

1213 7 Handel Suite no 8 in F minor, 1720 Collection, HWV 433 Gigue, 3rd mvt Allemande

861 1 Handel Menuet in F

862 1 Handel Passepied in C, HWV 559

226 6 Handel Suite no 5 in E major 1145 6 Haydn Adagio in F, Hob XVII/9

958 3 Haydn Arietta con Variazione

1146 6 Haydn Divertimento in E 2nd mvt

787 5 Haydn Sonata XVI/01 in C major Allegro (5) Adagio (4) Menuet and Trio (2/3)788 6 Haydn Sonata XVI/02 in Bb major 789 5 Haydn Sonata XVI/03 in C major Allegretto (5) Andante (5) Finale: Presto (4)790 5 Haydn Sonata XVI/04 in D major Moderato (5) Menuet and Trio (4)791 4 Haydn Sonata XVI/05 in A major Allegro (7) Menuet and trio (2/3) Finale: Presto (6)792 6 Haydn Sonata XVI/05 in D major Moderato (incomplete) Menuet and trio (6)793 4 Haydn Sonata XVI/06 in G major Allegro (7) Menuet and Trio (6) Adagio (5) Finale (6)794 5 Haydn Sonata XVI/07 in C major Allegro moderato (4) Menuet and trio (4) Finale: Allegro (5)795 5 Haydn Sonata XVI/08 in G major

Moderato (6) Largo (6) Menuet and trio (5)      

Unexpected skips (3rd Mvmt)Forearm rotation (4th mvmt)Bass Melody (4th mvmt)Hand Swaps (4th mvmt)

Allegro (5) Menuet (2/3) Andante (2/3)- A wonderful slow and lyrical movement. Omit the ornaments for the early beginners. Very easy, but due to the unexpected skips it teaches one to think ahead. Finalle: Allegro (2/3 or less) This is a fast exhilarating movement, very short, very repetitive in its broken chord figurations. Excellent for forearm rotation and bringing the bass melody over the mist of sound created by the very fast RH. Hands swap figurations occasionally, so both hands get a workout. If you hear this piece, you will not believe how easy it is (around grade 1/2).

Page 18: Graded Pieces All

OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments796 5 Haydn Sonata XVI/09 in F major

797 5 Haydn Sonata XVI/10 in C major Moderato (5) Menuet and Trio (4) Finale: Presto (5)798 5 Haydn Sonata XVI/11 in G major Presto (5) Andante (4) Menuet and trio (5)799 6 Haydn Sonata XVI/12 in A major Andante (6) Menuet and Trio (5) Finale: Allegro molto (5)800 5 Haydn Sonata XVI/13 in E major Moderato (5) Menuet and trio (4) Finale: Presto (5)801 7 Haydn Sonata XVI/14 in D major Allegro moderato (7) Menuet and Trio (5) Finale: Allegro (6)802 8 Haydn Sonata XVI/18 in Bb major 803 8 Haydn Sonata XVI/19 in D major Moderato (8 ) Andante (6) Allegro Assai (7)804 8 Haydn Sonata XVI/20 in C minor Moderato (8 ) Andante com moto (7) Allegro (8 )805 7 Haydn Sonata XVI/21 in C major Allegro (7) Adagio (6) Presto (6)806 7 Haydn Sonata XVI/22 in E major 807 7 Haydn Sonata XVI/23 in F major Moderato (7) Adagio (5) Finale: Presto (6)808 7 Haydn Sonata XVI/24 in D major Allegro (7) Adagio (6) Finale: presto (7)809 8 Haydn Sonata XVI/25 in Eb major Moderato (8 ) Tempo di menuet (6)810 8 Haydn Sonata XVI/26 in A major Allegro moderato (8 ) Menuet and trio (al rovescio) (4) Finale: Presto (5)811 6 Haydn Sonata XVI/27 no. 42 in G major Allegro con Brio (6) Menuet (5) Finale: Presto (5)812 8 Haydn Sonata XVI/28 in Eb major Allegro moderato (8 ) Menuet and trio (5) Finale: Presto (6)813 8 Haydn Sonata XVI/29 in F major Moderato (8 ) Adagio (6) Tempo di menuet (6)814 7 Haydn Sonata XVI/30 in A major 815 7 Haydn Sonata XVI/31 in E major Moderato (7) Allegretto (6) Finale: Presto (6)816 8 Haydn Sonata XVI/32 in B minor 817 7 Haydn Sonata XVI/33 in D major Allegro (7) Adagio (6) Tempo di menuet (5)818 7 Haydn Sonata XVI/34 in E minor Presto (7) Adagio (6) Finale: Vivace molto (6)819 7 Haydn Sonata XVI/35 in C major 820 8 Haydn Sonata XVI/36 in C# minor Moderato (8 ) Scherzando: allegro con brio (6) Menuet and trio: moderato (6)821 8 Haydn Sonata XVI/37 in D major 822 8 Haydn Sonata XVI/38 no. 51 in Eb major Allegro moderato (8 ) Adagio (6) Finale: Allegro (5)823 8 Haydn Sonata XVI/39 in G major Allegro con brio (7) Adagio (6) Prestissimo (8 )824 7 Haydn Sonata XVI/40 in G major Allegretto innocente (7) Presto (7)825 8 Haydn Sonata XVI/41 in Bb major Allegro (8 ) Allegro di molto (7)826 8 Haydn Sonata XVI/42 in D major 827 7 Haydn Sonata XVI/43 in Ab major Moderato (7) Menuetto (2/3) Rondo: Presto (7)828 8 Haydn Sonata XVI/44 in G minor 829 7 Haydn Sonata XVI/45 in Ebmajor 830 8 Haydn Sonata XVI/46 in Ab major Allegro moderato (8 ) Adagio(8 ) Finale: Presto (7)831 6 Haydn Sonata XVI/47 bis in E minor 832 8 Haydn Sonata XVI/47 in F major Moderato (8 ) Larghetto (6) Finale: allegro (6)833 8 Haydn Sonata XVI/48 in C major Andante con espressione (8 ) – Rondo: presto (8 )834 8 Haydn Sonata XVI/49 in Eb major Allegro (8 ) Adagio e cantabile (8 ) Finale: Tempo di menuet (6)835 8 Haydn Sonata XVI/50 in C major Allegro (8+) Adagio (7) Finale: Allegro molto (7)836 7 Haydn Sonata XVI/51 in D major Andante (7) Presto (7)837 8 Haydn Sonata XVI/52 in Eb major Allegro (8+) Adagio (8+) Finale: Presto (8 )838 5 Haydn Sonata XVI/D1 in D major Moderato (5) Menuet (3 or less) Finale: Allegro (5)839 5 Haydn Sonata XVI/G1 in G major Allegro (5) Menueto (2/3) Finale: Presto (5)

1014 4 Heller A Strange Story

1147 6 Heller Etude in D, Op 46/8

1085 5 Heller Gipsy Dance, Op 136/19

496 6 Heller Melodius Etudes

Speed (3rd mvmt)Accuracy (3rd mvmdt)

Allegro (5) Menuet and Trio (4) Scherzo (2) For the budding virtuoso. Beginners can easily master this movement at slow speed. More advanced beginners can start working on speed. Lots of learning/practicing tricks can be learned as one studies this piece. (How to work for speed, how to get accuracy, etc.)

Allegro moderato (8 ) Moderato (7)      

Allegro moderato (7) Andante (6) Finale: Tempo di menuet (6)      

Allegro (7) Tempo di menuet (7)      

Allegro moderato (7) Menuet (5) Finale: Presto (8 )      

Allegro con brio (7) Adagio (5) Allegro (6)      

Allegro con brio (8 ) Largo e sostenuto (5) Finale: Presto ma non troppo (6)      

Andante con espressione (8 ) Vivace assai (7)      

Moderato (8 ) Allegretto (6)      Moderato (7) Andante (7) Finale: Allegro di Molto (8 )      

Adagio (6) Allegro (6) Finale: Tempo di Minuetto (6)      

I'll just list my favourites (but they are all pretty good)....op 47 3, 10, 15, 21, 23: op 46 4, 7, 11. There are plenty of goodies from op 125 and 45

Page 19: Graded Pieces All

OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments1013 4 Heller Melody in G

1217 7 Heller Nuits blanches (Sleepless Nights), Op 82/7

1083 5 Heller Prelude in C# minor, Op 81/10

1084 5 Heller Prelude in F, Op 119/16

959 3 Heller Prelude, Op 119/17

1011 4 Heller Prelude, Op 119/6

1081 5 Heller Reverie in A flat, Op 122/9 - Waltz

1086 5 Heller Sleepless Nights Op 87 No 3

1010 4 Heller Study in A flat, Op 47/23

1078 5 Heller Study in B flat, Op 45/16

1148 6 Heller Study in B minor, Op 46/11

1009 4 Heller Study in B minor, Op 47/12

1149 6 Heller Study in C minor, Op 46/26

1087 5 Heller Study in C Op 46 No 1

960 3 Heller Study in D, Op 125/7

1007 4 Heller Study in D, Op 46/8

1008 4 Heller Study in D, Op 47/12

1012 4 Heller Study in E, Op 125/18

1218 7 Heller Study in E, Op.45 No.9

1219 7 Heller Study in E, Op.47 No.16

1079 5 Heller Study in F, Op 45/19

1082 5 Heller Waltz in A minor, Op 145/3

1080 5 Heller Waltz in A minor, Op 97/6

863 1 Henkel Piano Piece for the Young, no 13

494 1 Hovhaness Sketchbook of Mr. Purple Poverty op. 309 Sleeping Cat is a hauntingly beautiful piece – extremely easy with great scope for musicality.864 1 Hovhaness Sleeping Cat, from 'Sketchbook of Mr Purple'

1015 4 Hummel Allegretto in F

962 3 Hummel Allegro in F No 56 from 'Klavierschule'

1016 4 Hummel Gigue

961 3 Hummel Menuetto, Op 42/3

1017 4 Kabalevsky 30 Pieces for Children, Op 30/6 - Sad Story

905 2 Kabalevsky A Little Song, from Op 27

964 3 Kabalevsky Clowning, Op 27/10

963 3 Kabalevsky Clowns, Op 39/20

904 2 Kabalevsky Galop, Op 39/18

906 2 Kabalevsky Nights on the River From 'Children's Pieces', Op 27/4

1088 5 Kabalevsky Novelette, Op 27/25

1220 7 Kabalevsky Prelude, Op 38/2

1018 4 Kabalevsky Rondo in D, Op 60/2

1090 5 Kabalevsky Scherzo in B minor Op 27 No 14

965 3 Kabalevsky Soldiers' March

1305 8 Kabalevsky Sonatina Op 13, no 2 (revised edition)

1089 5 Kabalevsky Song of the Cavalry, Op 27/29

903 2 Kabalevsky Waltz in D minor, Op 39/13

866 1 Kabalevsky Game

865 1 Kabalevsky Theme and Variation 1 From 5 Happy Variations on a Russian Folksong, Op 51/11221 7 Kalkbrenner Etude in C Sharp minor, Op.143 Bk2 No.16

867 1 Khachaturian Scherzino

1091 5 Kuhlau Sonatina in C, Op 55/03 2nd mvt, Allegro grazioso

907 2 Kuhlau Sonatina in F, Op 55/04 Andantino con espressione

1092 5 Kuhlau Sonatina in F, Op 88/04 Allegra Molto, Andante con moto

1150 6 Kuhlau Sonatina in G, Op 88/02

Page 20: Graded Pieces All

OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments966 3 Kuhlau Sonatina, Op 55/01

912 2 L Mozart Allegro in G From 'Nannerl Notebook

1096 5 L Mozart Allegro Moderato in F From 'Nannerl Notebook

967 3 L Mozart Menuet in A

871 1 L Mozart Menuet in C

908 2 Le Couppey Study in A minor, Op 21

910 2 Le Couppey Study in B flat, Op 24/8

909 2 Le Couppey Study in C, Op. 24/06

911 2 Le Couppey Study in C, Op. 24/10

869 1 Le Couppey Melody in C, no 14 from 'ABC du Piano'

870 1 Le Couppey Melody in C, no 21 from 'ABC du Piano'

868 1 Le Couppey Study in C, Op. 17/01

250 6 Liszt Abschied S. 251249 8 Liszt Bagatelle without Tonality S. 216a238 5 Liszt Consolations, S. 172 no. 1239 6 Liszt Consolations, S. 172 no. 2240 6 Liszt Consolations, S. 172 no. 3241 6 Liszt Consolations, S. 172 no. 4242 7 Liszt Consolations, S. 172 no. 5243 7 Liszt Consolations, S. 172 no. 6

1306 8 Liszt Eglogue: no 7 from ‘Années de Pèlerinage: 1ère Année, Suisse’, S 160

231 5 Liszt Etude Op. 1 No. 4235 5 Liszt Five Hungarian Folk Songs S. 245246 5 Liszt Five piano pieces S. 192

1151 6 Liszt No 1 of ‘Four Short Piano Pieces’, S 192

1222 7 Liszt No 2 of 'Five Hungarian Folksongs', S 245

247 5 Liszt237 5 Liszt Sancta Dorothea S. 187245 5 Liszt The Christmas Tree S. 186236 5 Liszt The Shephards at the Manger s. 186

1307 8 Liszt Valse oubliée (no 1 in A minor, S 215/1)

248 8 Liszt Valses Oubliees S. 215244 5 Liszt Wiegenlied 174232 7 Liszt Years of Pilgrimage: 1yr Switzerland No. 2233 7 Liszt Years of Pilgrimage: 2yr Italy No. 2234 7 Liszt Years of Pilgrimage: 2yr Italy No. 3

1093 5 MacDowell Hunting Song, no 1 of 'Twelve Studies'

1094 5 MacDowell Romanze Op 39 No 3

1223 7 Macdowell Starlight, Op 55/4

480 2 MacDowell To a Wild Rose Expressive Playing

1224 7 Macdowell Waldfahrt (In the Forest), Op 35/5

1308 8 Mendelssohn Andante with Variations in E flat, Op 82

1019 4 Mendelssohn Christmas Piece, Op 72/2

1309 8 Mendelssohn Etude in F minor

1310 8 Mendelssohn Prelude and Fugue in B flat, Op 35/6

1311 8 Mendelssohn Prelude and Fugue in D, Op 35/2

1225 7 Mendelssohn Presto agitato, No 2 of 'Two Musical Sketches'

710 8 Mendelssohn Songs Without Words Op. 102 no. 1 711 6 Mendelssohn Songs Without Words Op. 102 no. 2 712 7 Mendelssohn Songs Without Words Op. 102 no. 3

Nuages gris  S. 199

Lovely piece very easy technically, but demanding the greatest expressivity in playing. Probably better suited to older students. Good for awakening the skills for expression in one’s playing.

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OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments713 6 Mendelssohn Songs Without Words Op. 102 no. 4 714 6 Mendelssohn Songs Without Words Op. 102 no. 5 715 5 Mendelssohn Songs Without Words Op. 102 no. 6 668 8 Mendelssohn Songs Without Words Op. 19 no. 1 669 6 Mendelssohn Songs Without Words Op. 19 no. 2 670 7 Mendelssohn Songs Without Words Op. 19 no. 3 671 6 Mendelssohn Songs Without Words Op. 19 no. 4 672 8 Mendelssohn Songs Without Words Op. 19 no. 5 673 6 Mendelssohn Songs Without Words Op. 19 no. 6 674 7 Mendelssohn Songs Without Words Op. 30 no. 1 675 7 Mendelssohn Songs Without Words Op. 30 no. 2 676 5 Mendelssohn Songs Without Words Op. 30 no. 3 677 8 Mendelssohn Songs Without Words Op. 30 no. 4 678 8 Mendelssohn Songs Without Words Op. 30 no. 5 Fast LH runs throughout the whole piece.679 6 Mendelssohn Songs Without Words Op. 30 no. 6680 8 Mendelssohn Songs Without Words Op. 38 no. 1 681 8 Mendelssohn Songs Without Words Op. 38 no. 2 682 8 Mendelssohn Songs Without Words Op. 38 no. 3 683 6 Mendelssohn Songs Without Words Op. 38 no. 4 684 8 Mendelssohn Songs Without Words Op. 38 no. 5 685 8 Mendelssohn Songs Without Words Op. 38 no. 6 686 7 Mendelssohn Songs Without Words Op. 53 no. 1 687 6 Mendelssohn Songs Without Words Op. 53 no. 2 688 7 Mendelssohn Songs Without Words Op. 53 no. 3

689 6 Mendelssohn Songs Without Words Op. 53 no. 4 690 6 Mendelssohn Songs Without Words Op. 53 no. 5 691 8 Mendelssohn Songs Without Words Op. 53 no. 6 692 6 Mendelssohn Songs Without Words Op. 62 no. 1 693 6 Mendelssohn Songs Without Words Op. 62 no. 2 694 6 Mendelssohn Songs Without Words Op. 62 no. 3 695 6 Mendelssohn Songs Without Words Op. 62 no. 4 696 7 Mendelssohn Songs Without Words Op. 62 no. 5 697 7 Mendelssohn Songs Without Words Op. 62 no. 6 698 7 Mendelssohn Songs Without Words Op. 67 no. 1 699 7 Mendelssohn Songs Without Words Op. 67 no. 2 700 6 Mendelssohn Songs Without Words Op. 67 no. 3 701 8 Mendelssohn Songs Without Words Op. 67 no. 4 702 6 Mendelssohn Songs Without Words Op. 67 no. 5 703 7 Mendelssohn Songs Without Words Op. 67 no. 6 704 6 Mendelssohn Songs Without Words Op. 85 no. 1 705 6 Mendelssohn Songs Without Words Op. 85 no. 2 706 7 Mendelssohn Songs Without Words Op. 85 no. 3 707 7 Mendelssohn Songs Without Words Op. 85 no. 4 708 6 Mendelssohn Songs Without Words Op. 85 no. 5 709 7 Mendelssohn Songs Without Words Op. 85 no. 6

1152 6 Mendelssohn Vivace in F, Op 72/6

228 6 Mendelssohn Cappriccio in A minor, op. 33 no. 1 1312 8 Messiaen Prélude no 1 ‘La columbe’ from ‘8 Preludes’

1313 8 Messiaen Prélude no 7 ‘Plainte calme’ from ‘8 Preludes’

653 8 Messiaen Vingt regards sur L’enfant Jesus You cannot get much more complex (or modern) than this.1226 7 Moscheles Prelude, op 70/24

Very fast arpeggio figurations on LH with a powerful melody in chords on the RH. Good preparation for Chopin Op. 10 no. 12 (Revolutionary), which it reminds one of.

Page 22: Graded Pieces All

OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments1227 7 Moszkowski Calme du Soir, Op 94/2

1228 7 Moszkowski Melodie Op.77 No.9

1314 8 Mozart 10 Variations on ‘Les Hommes pieusement’ (Unser dummer Pöbel meint) K455

1315 8 Mozart 9 Variations on a Menuett by Duport, K573

1095 5 Mozart Adagio in C, K 356

169 6 Mozart Alla Turca from Sonata K.331 1153 6 Mozart Allegro in G minor, K 312

915 2 Mozart Andante in Eb, K15mm From 'The London Notebook'

968 3 Mozart Andantino in E flat K236

667 6 Mozart Fantasia in C minor K475 arguably the darkest and moodiest of all Mozart’s compositions.170 6 Mozart Fantasy in D minor K.397

1231 7 Mozart Gigue in G, K.574

913 2 Mozart Minuet and Trio K585

914 2 Mozart Minuet in B flat, K15pp

1229 7 Mozart Minuet in D, K 355

1020 4 Mozart Minuetto From Divertimento II

171 7 Mozart Rondo in D K 485 582 8 Mozart Sonata (Fantasia) in C minor, K 475168 5 Mozart Sonata C major, K 545 576 7 Mozart Sonata in A major, K 331584 8 Mozart Sonata in A minor, K 310577 8 Mozart Sonata in Bb major, K 281581 8 Mozart Sonata in Bb major, K 333572 6 Mozart Sonata in Bb major, K 570573 7 Mozart Sonata in C major, K 279579 8 Mozart Sonata in C major, K 309580 8 Mozart Sonata in C major, K 330569 5 Mozart Sonata in C major, K 545583 8 Mozart Sonata in C minor, K 457578 8 Mozart Sonata in D major, K 284575 7 Mozart Sonata in D major, K 311587 8 Mozart Sonata in D major, K 576571 6 Mozart Sonata in Eb major, K 282570 6 Mozart Sonata in F major, K 280585 8 Mozart Sonata in F major, K 332586 8 Mozart Sonata in F major, K 533/K 494

1230 7 Mozart Sonata in F, K Anh 135

574 7 Mozart Sonata in G major, K 283842 5 Mozart Variations on Ah vous dirai je maman Variations 2, 4, 6 and 12 are excellent for the LH.875 1 Mozart Allegretto from 'The London Sketchbook', KV 15pp872 1 Mozart Allegro in B flat, K3

873 1 Mozart Menuett in F, K2

874 1 Mozart Menuetto I, from Sonata in C, K6

1232 7 Mussorgsky Gopak

481 2 Oesten Mayflowers op. 61 Chords

659 U Oswald Berceuse Op. 14 no. 1

25 easy pieces very romantic, most less than a page long. I like no. 10 “Spanish dance”, melody on the RH, LH rhythmic repeated chords. As you know beginners have difficulty with chords, so this is a good one.

Although Brazilian by birth, Oswald spent most of his life in Europe, so his music is completely European, with much French influence. All of his work is highly poetic and romantic.

Page 23: Graded Pieces All

OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments657 U Oswald Feuilles d'Album Op. 20

658 U Oswald Il neige

660 U Oswald Several of the Nocturnes (op. 6)

843 4 P. D. Q. Bach Prelude and fugue no. 1 in C

229 6 Paderewsky 1233 7 Poulenc Coda no 6 from 'Villageois'

1316 8 Poulenc Improvisation no 13 in A minor

1317 8 Poulenc Le coeur sur la main no 2 from ‘Les Soirées de Nazelles’

1154 6 Poulenc Mouvements Perpetuels no 1

1234 7 Poulenc Novelette in C major, no 1

1318 8 Poulenc Presto

1235 7 Poulenc Staccato No.2 from 'Villageoises'

1319 8 Poulenc Toccata in C from ‘Trois Pièces’

654 U Preisner “Ten easy pieces for piano” they are not that easy… but not that difficult either. Poetic and romantic.212 7 Prokofiev 10 Pieces Op. 12 No. 02 No. 2 – Gavotte – requires a large hand span.213 8 Prokofiev 10 Pieces Op. 12 No. 06 No. 6 – Legende – Slow, lyrical piece, slightly reminiscent of Scriabin214 8 Prokofiev 10 Pieces Op. 12 No. 07

215 8 Prokofiev 10 Pieces Op. 12 No. 10

1097 5 Prokofiev Atrappe qui peut, Op 65/9 from 'Musiques d'Enfants'

1155 6 Prokofiev Cortège de Sauterelles, Op 65/7

1236 7 Prokofiev Gavotta, Op 32/3

208 6 Prokofiev Grandmother Tales Op. 31 No. 1 Moderato – Lots of crossing hands. Main difficulty is pedal use.209 5 Prokofiev Grandmother Tales Op. 31 No. 2 Andantino210 5 Prokofiev Grandmother Tales Op. 31 No. 3 Andante Assai211 6 Prokofiev Grandmother Tales Op. 31 No. 4

203 4 Prokofiev Music for Children Op. 65 No. 02 Promenade – Joyful and bouncy1098 5 Prokofiev Music for Children Op. 65 No. 03 Historiette

204 3 Prokofiev Music for Children Op. 65 No. 04

205 5 Prokofiev Music for Children Op. 65 No. 06

206 6 Prokofiev Music for Children Op. 65 No. 09 Playing tag – a fast moto perpetuo requiring good finger agility.207 5 Prokofiev Music for Children Op. 65 No. 12

1320 8 Prokofiev Prelude in C, Op 12/7

1237 7 Prokofiev Vision Fugitive in B Flat minor, Op.22 No.10

198 5 Prokofiev Visions Fugitives Op. 22 No. 01 Lentamente - Slow and melancholic199 7 Prokofiev Visions Fugitives Op. 22 No. 09 Allegretto tranquilo – this is my favourite of the set200 7 Prokofiev Visions Fugitives Op. 22 No. 11 Con vivacita201 8 Prokofiev Visions Fugitives Op. 22 No. 17 Poetico202 8 Prokofiev Visions Fugitives Op. 22 No. 18 Con una dolze lentezza

Although Brazilian by birth, Oswald spent most of his life in Europe, so his music is completely European, with much French influence. All of his work is highly poetic and romantic.

Although Brazilian by birth, Oswald spent most of his life in Europe, so his music is completely European, with much French influence. All of his work is highly poetic and romantic.

Although Brazilian by birth, Oswald spent most of his life in Europe, so his music is completely European, with much French influence. All of his work is highly poetic and romantic.

from the “Short-tempered clavier”. A hilarious fugue with chopsticks on the RH and very fast scales over two octaves on the LH. An excellent encore.

Minuet  op. 14 no. 1

No. 7 – Prelude – My favourite. A beautiful, magical piece with a fast broken chord accompaniment creating a mist of sound around the right hand melody. Very impressive (watch out for the glissandi!). This piece was originally written for harp.

No. 10 – Scherzo – A wonderful show-off piece (probably too difficult, but what the heck, I love it!) full of tension and nervous energy jumping all over the keyboard.

Sostenuto – the most difficult of the lot. The melody is in the left hand while the right hand plays a repeated (but complex) dotted rhythm pattern.

Tarantella – Fast and rhythmical with a melodic middle section. Sounds much more difficult than it actually is.

Waltz - A nice little waltz with unexpected turns of the harmony. Wonderfully tonal and yet very modern.

The moon strolls in the Meadows – This is my top favourite – A beautiful, melodic piece of great delicacy with the melody played alternatively in the right and left hand.

Page 24: Graded Pieces All

OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments1022 4 Purcell Air, Z641

969 3 Purcell Hornpipe in B flat

918 2 Purcell Hornpipe in E minor

916 2 Purcell Minuet

917 2 Purcell Minuet in G

1021 4 Purcell Moffat Two Bourrées

919 2 Purcell Rigadoon in D minor Z D227

1156 6 Purcell Two Bourrées (pub. Augener)

877 1 Purcell Air in D minor, Z T676

876 1 Purcell Riggadoon

116 8 Rachmaninoff Elegie in Ebm , Op. 03 No. 011321 8 Rachmaninoff Mélodie in E, Op 3/3

1322 8 Rachmaninoff Prelude in F, Op 32/7

1323 8 Rachmaninoff Prelude in G# minor, Op 32/12

1324 8 Rachmaninoff Prelude in G, Op 32/5

1238 7 Rachmaninoff Romance

878 1 Rameau Minuet in C

1325 8 Ravel Fugue (2nd mvt) from ‘Le Tombeau de Couperin’

1326 8 Ravel Menuet from ‘Le Tombeau de Couperin’

1240 7 Ravel Menuet sur le nom d'Haydn

1239 7 Ravel Prelude

1327 8 Ravel Sonatine in F# minor

1328 8 Ravel Valse Noble et Sentimental No. 03

1241 7 Ravel Valse Noble et Sentimental No. 05

495 7 Respighi Notturno

173 6 Satie Gymnopedies1099 5 Scarlatti Capriccio in G, Kp 63

1132 6 Scarlatti Pastorale, Kp 446, L 433

188 6 Scarlatti Sonata K 001

749 8 Scarlatti Sonata K 003

767 7 Scarlatti Sonata K 008

725 6 Scarlatti Sonata K 013

750 7 Scarlatti Sonata K 014

751 6 Scarlatti Sonata K 020

726 8 Scarlatti Sonata K 024 (A major - Allegro) – Virtuoso piece alternating relatively calm sections with dazzling scale runs.

737 5 Scarlatti

Sonata K 025

738 8 Scarlatti

Sonata K 027

Wonderful, lyrical piece, much closer to Grieg’s “Notturno” in form and feeling than to Chopin’s or Field’s.

(D minor - Allegro) This is actually a two voice invention. Fast and delicate with lots of thirds and scale runs on the right hand, but no difficulty at all in the left hand. Difficult to play at full speed but easy if played slowly (and still effective) Recorded by Ivo Pogorelich for DG. (2:30).

(A minor - Presto) – Electrical piece with ultra fast scale rushes. Looks easy on the page, but wait until you try to play it up to tempo

(G minor – Allegro) In spite of the tempo indication this is a slow, lyrical sonata. Melancholic and intense.

(G major – Presto) Fast and brilliant with a catchy, rhythmical theme on repeated notes. One of my favourites.

(G major – Presto) Looking for fast (very fast) scale runs interspersed with a beautiful staccato melody? Look no further than this sparkling gigue.

(E major – Presto) Virtuosistic sonata that is the sort of “expected” Scarlatti: guitar imitation, Spanish rhythms, fast scales in thirds, repeated notes and lots of ornaments. Great show off piece. If you want to develop a certain kind of technique, burn the Czerny and play this sonata instead.

(F# minor – Allegro) – A not too fast, beautiful two voice invention that moves in a relentless way with one of the most beautiful motifs of all sonatas. Crossing hands. Broken chords figuration in both hands. Harmonically adventurous and mood setting. A masterpiece.

(B minor – Allegro) This is my all time favourite Scarlatti sonata. A masterpiece. Surprisingly romantic, could very well have been composed by someone like Schubert. Very untypical Scarlatti. Achingly beautiful melody. Arpeggio figurations and lots of crossing hands.

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OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments768 8 Scarlatti Sonata K 030 (G minor - Moderato) – A beautiful and complex fugue.174 3 Scarlatti Sonata K 032 Interpretation/Expression

175 4 Scarlatti Sonata K 034 A slow thoughtful piece, only 28 bars long197 7 Scarlatti Sonata K 039

176 3 Scarlatti Sonata K 040 A nice minuet only a page long (24 bars) – amongst the easiest of Scarlatti pieces752 7 Scarlatti Sonata K 043 (G minor – Allegrissimo) Ferocious and virtuosistic sonata. 194 8 Scarlatti Sonata K 046

739 7 ScarlattiSonata K 052

189 6 Scarlatti Sonata K 054

727 5 Scarlatti Sonata K 063

753 6 Scarlatti Sonata k 064

728 5 Scarlatti Sonata K 067

190 7 Scarlatti Sonata K 069

178 5 Scarlatti Sonata K 070

769 7 Scarlatti Sonata K 077

740 7 ScarlattiSonata K 087

754 8 Scarlatti Sonata K 096

729 7 Scarlatti Sonata K 098

770 6 Scarlatti Sonata K 099 (C minor - ) – A beautiful , tranquil and lyrical sonata that grows in emotional intensity as it develops.

771 6 Scarlatti Sonata K 109

772 5 Scarlatti Sonata K 112 (Bb major - Allegro) – A beautiful, lyrical sonata. Crossing hands.730 6 Scarlatti Sonata K 119

755 8 Scarlatti Sonata K 120

(D minor – Aria) Lyrical sonata much easier than it sounds. Slow and melancholic. Although just one page long it requires some musical maturity to be truly effective. This is an ideal piece to open a recital, since it is slow and introspective it will calm you down. This is a real gem. Only 24 bars long, technically unchallenging (grade 3), and yet one of the most beautiful sonatas. Slow paced and exuding tranquillity, this reflective piece is the best of the four.

(A major – Allegro) – Fast and furious, full of nervous energy. Excellent for waking up the audience! Figurations are shared equally by both hands. Excellent Czerny replacement and superior warm up piece. Equally effective at a slower tempo.

(E major – Presto) This one of my favourite fast sonatas. As the Cheyene Indians found of saying “ it makes my heart soar like a hawk”. One of the most catchy motifs amongst all sonatas it makes one wish to dance and jump for joy. This is amazing music.

(D minor – Andante moderato) – Wonderful sonata, lyrical and devotional, uplifting and tranquil. Written (mostly) in 3-voice counterpoint. Another masterpiece.

(A minor – Allegro) After a typical plaintive start in A minor, it suddenly displays a most romantic theme. Very unusual sonata. The main difficulty is to be found in the several bars where the hands cross. There are some thirds and sixths but they are easily negotiable.

(G major – Allegro) – Also known as Capriccio, this is celebratory, joyful and uplifting music that is much easier to play than it sounds. An all time favourite. Wide skips, echo effects, but fits the hand surprisingly well.

(D minor – Allegro) – A determined and energetic gavotte, one of Scarlatti’s most played and well known pieces.

(F# minor – Allegro) Toccatta like, this is a fast, dazzling sonata ideal for an encore. One of my favourites.

(F minor) My favourite amongst the slow, lyrical sonatas, this is a hauntingly beautiful piece with a complex polyphonic texture – difficult to read but easy to play. Spend sometime analysing its structure before tackilng it at the piano. A masterpiece.

(Bb major - Allegro ) A two voice invention (with a third voice intruding on the last two bars of the first part), this is excellent for finger and hand independence.

(D minor – Moderato e cantabile – minuet) Painfully nostalgic and evocative lyrical sonata followed by a lively minuet. A masterpiece.

(B minor - Andante ) Intensely lyrical work of great musical depth. Couterpoint in three and four parts. Said to be Horowitz favourite Scarlatti sonata.

(D major – Allegro) Another “typical” Scarlatti sonata (similar to the overplayed K 380). Richly textured. It has everything in it: Horn calls, fast repeated notes, trills, suspensions, cross relations, parallel fifths, big leaps, scale runs and guitar imitations.

(E minor – Alegrissimo) Wonderful study in rhythm with unexpected developments, suspensions and syncopations.

(A minor – Adagio) – Beautiful lyrical writing in three and four part couterpoint. Excellent as a study in voicing. Recital material for the intermediate player.

(D major – Allegro) – Another sonata ideally suited to replace some of the common technical studies. Fast repeated notes, broken chords, arpeggios, leaps, crossing hands, scale runs. This unusual, percussive – watch out for the castanet sounds! -  sonata has a very catchy, dancing  motif. One of my favourites.

(D minor – Allegro) A fast sonata full of nervous energy, this is the cross hand piece to end all cross hand pieces! Leaping bass figures, double notes in both hands. Unusual and difficult.

Page 26: Graded Pieces All

OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments731 7 Scarlatti Sonata K 123 (Eb major – Allegro) – Joyful and uplifting.756 7 Scarlatti Sonata K 124

732 6 Scarlatti Sonata K 125

191 6 Scarlatti Sonata K 132

733 7 Scarlatti Sonata K 135

185 8 Scarlatti Sonata K 141

179 6 Scarlatti Sonata K 146

773 6 Scarlatti Sonata K 147 (E minor – Lento) A beautiful lyrical and reflective sonata.757 8 Scarlatti Sonata K 162

758 5 Scarlatti Sonata K 175

774 6 Scarlatti Sonata K 193 (E flat major - Allegretto) – A beautiful, lyrical sonata not too slow.741 7 Scarlatti

Sonata K 197

180 6 Scarlatti Sonata K 198

196 7 Scarlatti Sonata K 201 K201 is also excellent to replace technical exercises dealing with arpeggions and thirds

742 5 Scarlatti

Sonata K 203

181 5 Scarlatti Sonata K 208

775 6 Scarlatti Sonata K 209 (A major – Allegro) Uplifiting sonata, not too fast.192 5 Scarlatti Sonata K 213

776 7 Scarlatti Sonata K 215 (E major – Andante) – Sudden shifts of key abound in this sonata.182 6 Scarlatti Sonata K 239 (F minor - Allegro ) An excellent “dance” piece full of Spanish rhythms.743 6 Scarlatti

Sonata K 247

(G major – Allegro) Tired of practising arpeggios? Try this sonata instead. A breezy arpeggio study with very fast triplet semiquavers. Uplifting and extroverted. Go and jump on a lake, Hanon!.

(G major – Vivo) – This non-stop sonata will not allow you to catch your breath! Great fun to play and an excellent virtuosistic piece to end a recital on a high note.  If you are looking for a Czerny alternative look no further: it is a study for the left hand plus repeated notes, broken thirds, sixths and octaves. Also good practice for quick adjustments.

(C major – Cantabile – ¾)A slow (well, sort of) A lyrical sonata with beautiful lush harmonies, haunting dissonances and arpeggios that are suddenly interrupted by a heart wrenching delicate melody based on repeated notes. One of my all time favourites.

(E major – Allegro) Dazzling finger work alternating with slow episodes in 4-voice counterpoint. Catchy and uplifiting.

(D minor – Allegro) – A masterpiece. A fast toccata with lots of repeated notes over long stretches. Broken chords and skips. Virtuosic with dissonant guitar strumming in the left hand and lots of cross hands. Excellent as a study replacement.

(G major – Allegretto) – 3/8 – A nice little menuet full of humour and light. Although it sounds dazzling and virtuosic it is much easier than it sounds. Main difficulty are the fast alternating hands.

(E major - Andante) After a slow, lyrical beginning all hell breaks loose, and a fast, dazzling sonata ensues with occasional returns to the slow theme.

(A minor – Allegro) – A vigorous impulsive sonata with most of the finger work on the right hand. The left hand (which demands a hand span covering at least an octave) plays sonorous chords and tone clusters – with up to ten notes! – imitating the strumming of a guitar. This Sonata was composed in 1752. Here Scarlatti succeeds in making conventional harmonies with slight changes sound quite extraordinary for the period. The Sonata has real Spanish character with vitality and bravura. Musically, the guitar-like sounds of the left hand chords are particularly fascinating.

(B minor - Andante) – Sonata in a lyric, cantabile style, moderately flowing. Expansive, sonorous qualities.

(E minor – Allegro) – A masterpiece. Dramatic and powerful, this 2 voice invention (with a third voice intruding on 4 bars near the start of the second part) is still effective at a slower tempo. One of my favourites.

ArpeggiosThirds

(E minor – 3/8) – Beautiful sonata with most of the figurations on one hand at a time. An insistent and catchy motif keeps bringing the sonata together. Unusual syncopations. Requires a sizeable hand span and accurate skips in some of the figurations.

(A major – Andante e cantabile) – Lyrical sonata, with a hauntingly beautiful melody and compelling harmonic progressions. Tranquil and luminous, this is a masterpiece.

(D minor - Andante ) – Another of my favourites amongst the lyrical sonatas. A slow, full-of-longing melody increases gradually in intensity up to an unusual harmonic climax. Great to play and to listen to.

(C# minor – Allegro) – Beautiful lyrical sonata (slightly reminiscent of K 69) with a weaving three voice counterpoint. Enharmonic modulations and movement into remote keys. A masterpiece.

Page 27: Graded Pieces All

OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments777 7 Scarlatti Sonata K 259

778 7 Scarlatti Sonata K 318

779 6 Scarlatti Sonata K 322 (Amajor - Allegro ) A delicate, joyful sonata with a Mozartian flavour.734 5 Scarlatti Sonata K 342

759 5 Scarlatti Sonata K 373

780 5 Scarlatti Sonata K 381

735 6 Scarlatti Sonata K 386 (F minor - ) Another sonata full of brilliance, with fast scales and compelling harmonic progressions.

193 5 Scarlatti Sonata K 402

744 4 Scarlatti Sonata K 404 (A major) – Beautiful lyrical sonata and technically undemanding.736 5 Scarlatti Sonata K 405 (A major – Allegro) Based on a Spanish Buleria (a kind of Tarantella). Technically undemanding.

760 6 Scarlatti Sonata K 406

761 6 Scarlatti Sonata K 421

781 8 Scarlatti Sonata K 426

195 8 Scarlatti Sonata K 427

782 6 Scarlatti Sonata K 429 (A major - Allegro) – Lyrical and gently lilting sonata. Counterpoint in three and four parts.177 3 Scarlatti Sonata K 431

745 7 ScarlattiSonata K 443

784 6 Scarlatti Sonata K 446

762 5 Scarlatti Sonata K 454

746 5 ScarlattiSonata K 461

186 8 Scarlatti Sonata K 466

(G major – Andante) – A two and three voice invention. Lyrical and tranquil. Slightly reminiscent of K 208.

(F# major – Andante) An unusual key that suggests that Scarlatti was familiar with equal temperament tuning. A lyrical and calm sonata.

(A major – Allegro) – Dazzling and fast, this “baroque prelude” style sonata has most of its impressive finger work in the right hand. Excellent for finger control and co-ordination, it is actually much easier than it sounds. Great fun to play.

(G minor – Presto a fugato) Wonderful sonata with scales (some chromatic) alternating hands over the whole extent of the keyboard.

(E major – Allegro) – This beautiful two-voice invention is excellent for finger and hand co-ordination and independence. A most beautiful melody on the second part.

(E minor – Andante) One of my favourites slow sonatas. Harmonically advanced and elaborate – at seven pages is one of the longest sonatas - this is a masterful sonata with a superb central melody. Reflective and spiritual.

(C major – Allegro). This is joyful music that makes you want to skip and jump and dance! This is the kind of music that makes you smile for hours after listening to it. This cures depression, serious! Great for your trills and glissando-like scales.

(C major – Allegro) One of my favourites, this is a brilliant and dazzling sonata with plenty of repeated notes. It is said to represent children running through the streets of Madrid.

(G minor – Andante) Another beautiful lyrical sonata, deeply reflective and tranquil, and not at all melancholic. Rich textures and highly musical. Very good as a study in long phrases. Sudden dramatic silences.

(G major – Prestissimo) Wonderfully exhilarating sonata, both to play and to listen to. The tempo direction (“as fast as possible”) gives you an idea of what to expect. A really electric and uplifting work requiring pianism of the utmost degree. Has a recurring motif that is incredibly joyful and catchy. My favourite fast sonata. (But only if you play it at top speed. It is still effective at lower speeds).

A delightful “baroque prelude” style piece with a fast right hand in arpeggio triplet figurations while the left hand provides a melody in minims and crochets. Although this should be played fast, it is still effective if use a slower tempo. Just 16 bars.

(D major - Allegro ) – One of my all time favourites, After a rhythmic introduction characteristic of Spanish dances,  a most gentle and evocative melody develops. Repeated notes.

(F major - Pastorale: Allegrissimo) In spite of the tempo direction this is a relatively slow sonata, lyrical and reflexive.

(G major – Andante spirituoso) After a calm opening and nice little folk-like tune this sonata goes onto a breathless sequence of scurrying scales and broken chords over the entire length of the keyboard on both hands. Unexpected changes. Good Czerny replacement and warm-up piece.

(C major – Allegro) A beautiful sonata full of guitar sounds and Spanish nostalgia. A fast introduction is followed by a most evocative second part.

(F minor – Andante moderato) - A masterpiece. Beautiful, slow lyrical sonata. As it is often the case with the lyrical sonatas, this one elicits tranquillity and peacefulness rather than melancholy and grief. Excellent for developing rhythm awareness of triplets versus quavers. It also has 3 against 2.

Page 28: Graded Pieces All

OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments763 6 Scarlatti Sonata K 470

747 8 ScarlattiSonata K 478

183 6 Scarlatti Sonata K 481

764 7 Scarlatti Sonata K 487

783 6 Scarlatti Sonata K 491

765 6 Scarlatti Sonata K 502

184 6 Scarlatti Sonata K 511

766 8 Scarlatti Sonata K 513

187 8 Scarlatti Sonata K 517

748 5 ScarlattiSonata K 544

785 7 Scarlatti Sonata K 546

786 5 Scarlatti Sonata K 547

879 1 Scarlatti Minuetto in C From Sonata in C minor, K73 L217646 U Schoenberg Six Little Piano Pieces, Op. 19

1157 6 Schubert Adagio in G, D178

1158 6 Schubert Andante in C, D29

1024 4 Schubert Ecossaise in Bm

1242 7 Schubert Fünf Klavierstücke, No. 3

1330 8 Schubert Impromptu, Op. posth. 142 No. 02, D935

1331 8 Schubert Impromptu in Cm, Op 90 No. 01, D899/1

920 2 Schubert Ländler in Eb, D679/2

1159 6 Schubert Menuett in A, D334

1245 7 Schubert Moment Musical in Ab, Op 94 No. 06

1249 7 Schubert Moment Musical in C#m, Op.94 No.4, D780/4

1023 4 Schubert Scherzo in Bb, D 593/1

1243 7 Schubert Scherzo in Db, D593/2

1247 7 Schubert Sonata in Ab, D.557 1st mvt, Allegro moderato

1246 7 Schubert Sonata in Am, D.845 3rd mvt

(G major – Allegretto) – Starts with determined, percussive chords, which are followed by a fast figuration of great delicacy equally shared between the hands. Good Czerny replacement and warm up. Fast and dazzling this sonata exudes confidence.

(D major – Andante cantabile) – Beautiful lyrical sonata (and one of the longest). Uses the whole keyboard.

(F minor – Andante e cantabile) Introspective, delicate and lyrical this could be an ideal choice for opening a recital. And if you need a study in phrasing and legato this sonata is for you!

(C major – Allegro) A percussive sonata, full of zest and unresolved dissonances that make it sound brittle and sharp. Difficult octave leaps on the left hand.

(D major – Allegro) – Rhythmical percussive beginning followed by a romantic arpeggiated section (not unlike a Schubert impromptu) with a most pleasing melody. A masterpiece.

(C major – Allegro) – Inventive sonata with many original musical ideas. Starts lively in 3/8 and modulates to G minor to end the first half in G major. On the second part changes meter to 2/4 and returns to 3/8 at the end. Dotted figuration, including dotted rests.

(D major – Allegro) – A masterpiece. This is a 2 voice invention with the figurations equally distributed between the hands. Urgent and dramatic it will still be effective at a slower tempo. Technical problems are minimal.

(C major – Pastorale: Moderato – Molto allegro – Presto) One of the few sonatas written in different movements (tempos). Shepherd pipes and bagpipes drones are imitated. The final movement (presto) is exhilarating and virtuosic. This Pastorale was composed in 1756 during Scarlatti's late period. It recalls the piping of the shepherds who came down into Rome from the surrounding hills at Christmas time. They begin in a moderate tempo, the drone of their bagpipes is heard in a quicker section, and finally they celebrate in a joyful Presto.

(D minor – Prestissimo – 2/2) Another fast and furious sonata that can easily replace any technical study. With a typical baroque figuration shared by both hands, this one is ideal for scales, broken chords and close position passage work, and excellent for finger independence and dexterity. Intense, urgent and relentless.

(Bb major – Cantabile) – A beautiful aria, this lyrical sonata is a real gem. With occasional 4-voice couterpoint it has dignified, overlapping phrases.

(G minor) – Written in 2 and 3 parts, this is another lyrical, melancholic sonata with a beautiful, flowing melody. Recorded by Benjamin Frith for Naxos.

(G major – Allegro) – Lively and imposing sonata with a beautiful recurring motif. Two voice invention (with an occasional third voice) equally shared between hands. Effective at a slower tempo. Great warm up.

Completely atonal music, and yet highly atmospheric and impressionistic, nos. 2, 3 and 6 are more reflective.

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OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments1332 8 Schubert Sonata in B, Op 147, D 575 1st mvt, Allegro ma non troppo

1333 8 Schubert Sonata in Db, D 567

1248 7 Schubert Sonata in Eb, Op.122, D.568

1244 7 Schubert Sonata in E, D 459 3rd mvt

1329 8 Schubert Piano Pieces, D946: No 1 in Ebm

1160 6 Schumann (Untitled piece) Op 68/30

1100 5 Schumann A Strange Story

1105 5 Schumann Abendlied, Op 118, no 2/3

1027 4 Schumann About Strange Lands and People

1334 8 Schumann Abschied no 9 from ‘Waldscenen’, Op 82

662 U Schumann Album Blatter Op. 124 (I particularly like nos. 3, 4, 5, 6, 8, 16, 17)251 4 Schumann Album for the young op. 68

498 6 Schumann Arabesque Op. 18

661 U Schumann Bunte Blatter Op. 99

1253 7 Schumann Canon, from Sonata, Op 118 No. 02

1161 6 Schumann Catch Me if You Can, Kinderscenen, Op 15 No. 03

1252 7 Schumann Charming Landscape, Op 82 No. 05

1254 7 Schumann Davidsbundlertänz, Op 6, no 2

923 2 Schumann Doll's Cradle Song, Op 68/??

1162 6 Schumann Dreaming

1163 6 Schumann Einsame Blumen (Lonely Flowers), from ‘Waldscenen’, Op 82

1335 8 Schumann Eintritt no 1 from ‘Waldscenen’, Op 82

1101 5 Schumann Glückes genug, Op 15 No. 05

1256 7 Schumann Impromptu, Op 124 No. 01

1102 5 Schumann Kind im Einschlummern, from 'Kinderscenen', Op 15

1104 5 Schumann Lento, from 'Album for the Young' Op 68/??

1255 7 Schumann Novelette in B minor, Op 99 No. 09

1026 4 Schumann Reaper's Song, Op 68 No. 18

1103 5 Schumann Reiterstück, from 'Album for the Young' Op 68 No. 23

1251 7 Schumann Romance in F#, Op 28 No. 02

1106 5 Schumann Slumber Song, Op 124 No. 16

1257 7 Schumann Sonata in D, Op.118 No.2 2nd mvt, Canon

1025 4 Schumann Sonata in G, Op 118 No. 01 Allegro, 2nd mvt

921 2 Schumann Stückchen, Op 68 No. 05

1164 6 Schumann The Entreating Child, Kinderscenen, Op 15 No. 04

922 2 Schumann The Poor Orphan, Op 68 No.06

970 3 Schumann The Wild Horseman, (Wilder Reiter), Op 68 No.08

1336 8 Schumann Vogel als Prophet no 7 from ‘Waldscenen’, Op 82

1166 6 Schumann Waltz, Op 124 No. 15

1258 7 Schumann Albumblätter III, Op 99 No. 06

880 1 Schumann Melody, Op 68 No. 01

1259 7 Schumann Novelette in D, Op 21 No. 04

There are over 40 exceptional pieces in this set, but only the first ten or so are really for beginners. “The cycle is a totally shattering profile of spiritual development, beginning with the innocently naïve and childish nos. 1 – 5, where no shadows are yet to be found. With no. 6 comes the first small cloud (The poor orphan)[…] with nos 12 and 13 the cycle leaves behind […] the child’s world. […] in the second section, the tone changes, with a contrast between the friendly A major of nos. 20, 22, 24, and 28 and the intervening pieces like the sad no. 19, the magnificently inspired nos. 21 and 26 the sinister no. 23 the excited no. 25. […] [the last] ten numbers are wonderful examples of the uniquely introverted worlds of late Schumann."

Beautiful haunting melody with 16th note acompanying figure split between the hands, somewhat like some of Mendelsohnn's SWWs.

(I particularly like nos. 1, 2, 4, 5, 6, 9, and 10) No. 9 - After a chordal introduction, the second part has a mist of sound created by a fast chromatic figuration on the LH

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OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments1165 6 Schumann The Wayside Inn, Waldscenen, Op 82 No. 06

1337 8 Scriabin Nocturne in F# minor, Op 5 No. 01

719 6 Scriabin Prelude Op. 02 no. 02721 7 Scriabin Prelude Op. 11 no. 04722 7 Scriabin Prelude Op. 11 no. 05724 8 Scriabin Prelude Op. 11 no. 08723 7 Scriabin Prelude Op. 11 no. 09716 5 Scriabin Prelude Op. 11 no. 15718 6 Scriabin Prelude Op. 11 no. 22717 6 Scriabin Prelude Op. 16 no. 03720 7 Scriabin Prelude Op. 27 no. 02

1260 7 Scriabin Study in C# minor, Op 2 No. 01

1338 8 Shostakovich 3 Fantastic Dances, Op 5: nos 2 and 3

1029 4 Shostakovich Clockwork Doll

1167 6 Shostakovich Dance, no 7 from ‘Dances of the Dolls’

1107 5 Shostakovich Gavotte No 2 from 'Dance of the Dolls'

1339 8 Shostakovich Prelude and Fugue in B, Op. 87 No. 11

1340 8 Shostakovich Prelude and Fugue in E, Op. 87 No. 09

1341 8 Shostakovich Prelude and Fugue in F minor, Op. 87 No. 18 ‘24 Preludes and Fugues, Op 87 vol 2’

626 U Shostakovich Prelude Op. 34 No. 03

627 U Shostakovich Prelude Op. 34 No. 05

628 U Shostakovich Prelude Op. 34 No. 06

629 U Shostakovich Prelude Op. 34 No. 09 A fast tarantella-like piece.630 U Shostakovich Prelude Op. 34 No. 10 Another beautiful lyrical piece with a nice melody and not so dissonant as the others.631 U Shostakovich Prelude Op. 34 No. 12

632 U Shostakovich Prelude Op. 34 No. 14

633 U Shostakovich Prelude Op. 34 No. 15

634 U Shostakovich Prelude Op. 34 No. 16 Another humorous piece, march-like, with lots of “wrong-note” writing.635 U Shostakovich Prelude Op. 34 No. 17 A lyrical slow piece.

1261 7 Shostakovich Prelude Op. 34 No. 18

636 U Shostakovich Prelude Op. 34 No. 19 Another lyrical piece vaguely reminiscent of Mendelssohn’s Venetian Boat Songs.1262 7 Shostakovich Prelude Op. 34 No. 21

637 U Shostakovich Prelude Op. 34 No. 24 Nice end piece, gavotte style, quite funny.1108 5 Sibelius The Harpist, Op 34 No. 08

1264 7 Smetana Idyll, Op. 4 No. 2

1109 5 Smetana Pisen Op. 2 No. 2

1168 6 Smetana Souvenir (Vzpominka), Op. 4 No. 03

1263 7 Smetana Souvenir de Bohème, Op 13 No. 01

1342 8 Soler Sonata in D minor, R25

924 2 Stravinsky Les Cinq Doights

656 9 Szimanowski Metopes Op. 24

Beautiful lyrical writing, in an impressionist style. Starts like nocturne, and near the end has a noisy passage.

Allegro vivace. Very fast, reminds me of a Czerny exercise for the right hand (maybe Shostakovitch was making a parody here, similar to Debussy’s Dr. Gradus)

Very funny polka style with all you could expect from modern music: dissonances, big jumps, sudden changes of key, bitonality, wrong-note writing.

Allegro non troppo - If no. 5 was Czerny for the right hand, this is for the left hand. The right hand crosses over frequently. Not as dissonant as the others. Fast LH figurations (not dissimilar to Czerny) in a “moto perpetuo” setting. Modern harmonies and “wrong note” writing.

Arguably the best of the set, very lugubrious, making full use of the piano’s orchestral sounds. Actually I read somewhere that Stokowski made an orchestral version of this prelude (I haven’t heard it though).

A very nice waltz, with the typical waltz accompaniment first on the right hand, then on the left. Very jolly.

If you like Scarlatti you will like Soler. A disciple of Scarlatti, Soler composed 300 sonatas similar in style.

If you are after virtuoso, complex music, look no further. Romantic and impressionistic at the same time. three very difficult tone poems.

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OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments655 9 Szimanowski Preludes Op. 1

482 2 Tchaikovsky Album for the Young Op. 39

1169 6 Tchaikovsky Avril: Perce-neige, Op. 37a No. 04

1170 6 Tchaikovsky Baba-Yaga, Op. 39 No. 20 From 'Album for the Young'

1111 5 Tchaikovsky Chanson Triste, Op. 40 No. 02

1110 5 Tchaikovsky Chant de l'Alouette, Op. 39 No. 22 From 'Album for the Young'

1030 4 Tchaikovsky Daydream, Op. 39 No. 21 From 'Album for the Young'

1266 7 Tchaikovsky Humoresque

1265 7 Tchaikovsky June (Barcarolle), Op 37a No. 06

971 3 Tchaikovsky March of the Wooden Soldiers, Op 39 No. 05 From 'Album for the Young'

925 2 Tchaikovsky Mazurka, Op. 39 No. 10 From 'Album for the Young'

1267 7 Tchaikovsky Nocturne

973 3 Tchaikovsky Old French Song From 'Album for the Young'

972 3 Tchaikovsky Polka, Op 39 No 14 From 'Album for the Young'

926 2 Tchaikovsky Sweet Dreams

497 8 Tchaikovsky The Seasons Op. 371031 4 Tchaikovsky The Toy Soldiers' March

974 3 Tchaikovsky The Witch

1171 6 Tchaikovsky Valse in A flat

881 1 Tchaikovsky Italian Song, Op 39 No. 15 From 'Album for the Young'

883 1 Tchaikovsky Russian Song From 'Album for the Young'

882 1 Tchaikovsky The Doll's Funeral From 'Album for the Young'

1172 6 Tcherepnin Bagatelle in G flat, Op. 5 No. 06

648 U Tcherepnin Bagatelles, Op. 5

647 U Tcherepnin Expressions, Op. 81976 3 Telemann Allegro in E minor No 4 from 'Fugues legères et petits jeux', TWV 30:25

1113 5 Telemann Fantaisie No 06 in B flat, 2nd Dozen, TWV 33:18 1st mvt, Tendrement

1112 5 Telemann Fantaisie No 10 in A minor, 1st Dozen, TWV 33:10 1st mvt, Allegro

1032 4 Telemann Fantaisie No 12 in B flat 2nd mvt

1268 7 Telemann Fantasia in G minor

1114 5 Telemann Fantasia No 06 in C minor 1st Movt Gratioso

1173 6 Telemann Fantasia No 09 in A, 1st Dozen, TWV 33:9 1st mvt, Allegro

975 3 Telemann Fantasia No 09 in E minor 2nd Dozen, TWV 33:21, 3rd mvt, Très vite

927 2 Telemann Fantasia No 10 in D 3rd Dozen, 2nd mvt, Dolce

1033 4 Telemann Partita in G From 'Der getreu Musikmeister', Aria

1174 6 Telemann Suite in A

884 1 Telemann Gavotte in C

885 1 Telemann Menuetto in G

1343 8 Villa-Lobos I Polichinello (no 7 from ‘A Próle do Bébé no 1’)

1269 7 Villa-Lobos Mintika from As tres Marias

230 6 Villa-Lobos Cirandas No. 41175 6 Webern Kinderstück (Child’s Piece)

If you are after virtuoso, complex music, look no further. Romantic and impressionistic at the same time. Some highly lyric, some dramatic.

Not all pieces are for beginners. The easier are no. 1 “Morning prayer” a four voice chorale, no.7 “The sick doll” which is very easy, but the melody is on the second beat of the bar, so it requires attention to voicing, no. 8 “The doll’s burial” very slow and heavy; no. 21 “Daydream”, very good to learn how to do offbeat chord accompaniment and no. 24 “In Church”, again a 4/5 voice chorale, but easier because of repeated chords. Excellent to learn syncopated pedaling.

No. 6 Very fast, repetitive arpeggio figurations on the LH. Modern yet tonal and with a minimalist idiom.

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K L P KEY MOVEMENTS K LK001 L366 P 57 Dm Allegro k441 LS39K002 L388 P 58 G Major PrestoK003 L378 P 59 Am PrestoK004 L390 P 60 Gm AllegroK005 L367 P 61 Dm AllegroK006 L479 P 62 F Major AllegroK007 L379 P 63 Am PrestoK008 L488 P 64 Gm AllegroK009 L413 P 65 Dm AllegroK010 L370 P 66 Dm PrestoK011 L352 P 67 Cm AllegroK012 L489 P 68 Gm PrestoK013 L486 P 69 G Major PrestoK014 L387 P 70 G Major PrestoK015 L374 P 71 Em AllegroK016 L397 P 72 Bb Major PrestoK017 L384 P 73 F Major PrestoK018 L416 P 74 Dm PrestoK019 L383 P 75 F Major AllegroK020 L375 P 76 E Major PrestoK021 L363 P 77 D Major AllegroK022 L360 P 78 Cm AllegroK023 L411 P 79 D Major AllegroK024 L495 P 80 A Major PrestoK025 L481 P 81 F#m AllegroK026 L368 P 82 A Major PrestoK027 L449 P 83 Bm AllegroK028 L373 P 84 E Major PrestoK029 L461 P 85 D Major PrestoK030 L499 P 86 Gm ModeratoK031 L231 P 19 Gm AllegroK032 L423 P 14 Dm AriaK033 L424 P130 D MajorK034 LS 7 P 15 Dm LarghettoK035 L386 P 20 Gm AllegroK036 L245 P 91 Am AllegroK037 L406 P 2 Cm AllegroK038 L478 P 97 F Major AllegroK039 L391 P 53 A Major AllegroK040 L357 P119 Cm MinuettoK041 P037 Dm Andante moderatoK042 LS36 P120 Bb Major MinuettoK043 L040 P133 Gm Allegro assaiK044 L432 P116 F Major AllegroK045 L265 P230 D Major AllegroK046 L025 P179 E Major PrestoK047 L046 P115 Bb Major PrestoK048 L157 P 87 Cm PrestoK049 L301 P178 C Major PrestoK050 L144 P440 Fm Allegro

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K051 L020 P151 Eb Major AllegroK052 L267 P 41 Dm Andante moderatoK053 L261 P161 D Major PrestoK054 L241 P147 D Major AllegroK055 L335 P117 D Major AllegroK056 L356 P 50 D Major Con spiritoK057 LS38 P108 Bb Major AllegroK058 L158 P 39 D MajorK059 L071 P 22 D Major AllegroK060 L013 P 29 D MajorK061 L136 P 16 D MajorK062 L045 P 49 A Major AllegroK063 L084 P 32 G Major AllegroK064 L058 P 33 Dm AllegroK065 L195 P142 A Major AllegroK066 L496 P134 Bb Major AllegroK067 L032 P125 F#m AllegroK068 L114 P 7 Eb MajorK069 L382 P 42 FmK070 L050 P 21 Bb MajorK071 L081 P 17 G Major AllegroK072 L401 P 1 C Major AllegroK073 L217 P 80 Cm Allegro - Minuetto - MinuettoK074 L094 P 35 A Major AllegroK075 L053 P 23 G Major AllegroK076 L185 P 23 Gm PrestoK077 L168 P 10 Dm Moderato e cantabile - MinuetK078 L075 P 26 F Major Allegro - MinuetK079 L080 P204 G Major AllegrissimoK080 P028 G Major MinuetK081 L271 P 13 Em Grave - Allegro - Grave - AllegroK082 L030 P 25 F MajorK083 LS31 P 31 A MajorK084 L010 P 45 CmK085 L166 P 24 F MajorK086 L403 P122 C Major Andante moderatoK087 L033 P 43 BmK088 L036 P 8 Gm Grave - Andante moderato - Allegro - MinuetK089 L211 P 12 Dm Allegro - Grave - AllegroK090 L106 P 9 Dm Grave - Allegro - - - AllegroK091 L176 P 11 G Major Grave - Allegro - Grave - AllegroK092 L362 P 44 DmK093 L336 P 38 GmK094 P027 F Major MinuetK095 L358 C MajorK096 L465 P210 D Major AllegrissimoK097 P005 Gm AllegroK098 L325 P219 Em AllegrissimoK099 L317 P135 Cm AllegroK100 L355 P232 C Major AllegrissimoK101 L494 P156 A Major Allegro

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K102 L089 P 88 Gm AllegroK103 L233 P233 G Major AllegrissimoK104 L442 P109 G Major AllegroK105 L204 P 90 G Major AllegroK106 L437 P197 F Major AllegroK107 L474 P 98 F Major AllegroK108 L249 P 92 Gm AllegroK109 L138 P290 Am AdagioK110 L469 P129 Am AllegroK111 L130 P 99 Gm AllegroK112 L298 P 94 Bb Major AllegroK113 L345 P160 A Major AllegroK114 L344 P141 A Major Spirito e prestoK115 L407 P100 Cm AllegroK116 L452 P111 Cm AllegroK117 L244 P181 C Major AllegroK118 L122 P266 D Major Non prestoK119 L415 P217 D Major AllegroK120 L215 P146 Dm AllegrissimoK121 L181 P 93 Gm AllegrissimoK122 L334 P118 D Major AllegroK123 L111 P180 Eb Major AllegroK124 L232 P110 G Major AllegroK125 L487 P152 G Major VivoK126 L402 P128 CmK127 L186 P198 Ab Major AllegroK128 L296 P199 Bbm AllegroK129 L460 P148 Cm AllegroK130 L190 P272 Ab Major AllegroK131 L300 P154 Bbm AllegroK132 L457 P295 C Major CantabileK133 L282 P218 C Major AllegroK134 L221 P143 E Major AllegroK135 L224 P234 E Major AllegroK136 L377 P113 E Major AllegroK137 L315 P231 D Major AllegroK138 L464 P 95 Dm AllegroK139 L006 P126 Cm PrestoK140 L107 P127 D Major AllegroK141 L422 P271 Dm AllegroK142 P240 F#m AllegroK143 P267 C Major AllegroK144 P316 G Major CantabileK145 L369 P105 D MajorK146 L349 P106 G MajorK147 L376 P 48 EmK148 L064 P291 Am AndanteK149 L093 P241 Am AllegroK150 L117 P205 F Major AllegroK151 L330 P238 F Major Andamte allegroK152 L179 P114 G Major Allegro

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K153 L445 P235 G Major VivoK154 L096 P183 Bb Major AllegroK155 L197 P208 Bb Major AllegroK156 L101 P248 C Major AllegroK157 L405 P391 C Major AllegroK158 L004 P123 Cm AndanteK159 L104 P418 C Major AllegroK160 L015 P131 D Major AllegroK161 L417 P216 D Major AllegroK162 L021 P162 E Major Andante - AllegroK163 L063 P206 E Major AllegroK164 L059 P274 D Major Andante moderatoK165 L052 P292 C Major AndanteK166 L051 P190 C Major Allegro ma non moltoK167 L329 P200 F Major AllegroK168 L280 P182 F Major VivoK169 L331 P247 G Major AllegroK170 L303 P164 C Major Andante - AllegroK171 L077 P153 G Major AllegroK172 LS40 P313 Bb Major AllegroK173 L447 P 51 Bm AllegroK174 L410 P149 Cm AllegroK175 L429 P136 Am AllegroK176 L163 P163 Dm Cantabile Andante - AllegrissimoK177 L364 P184 D Major AndanteK178 L162 P392 D Major VivoK179 L177 P 89 Gm AllegroK180 L272 P192 G Major Allegro VivoK181 L194 P253 A Major AllegroK182 L139 P207 A Major AllegroK183 L473 P150 Fm AllegroK184 L189 P102 Fm AllegroK185 L173 P121 F Major AndanteK186 L072 P 46 F Major AllegroK187 L285 P145 Fm AllegroK188 L239 P213 Am AllegroK189 L143 P257 Bb Major AllegroK190 L250 P256 Bb Major AllegroK191 L207 P 18 Dm AllegroK192 L216 P322 Eb Major AllegroK193 L142 P254 Eb Major AllegroK194 L028 P479 F Major AndanteK195 LS18 P185 F Major VivoK196 L038 P244 Gm AllegroK197 L147 P124 Bm AndanteK198 L022 P132 Em AllegroK199 L253 P276 C Major Andante moderatoK200 L054 P242 C Major AllegroK201 L129 P252 G Major VivoK202 L498 P173 Bb Major AllegroK203 L380 P 96 Em Vivo non molto

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K204a P170 Fm AllegroK204b P255 Fm Allegro-Allegro-AllegrissimoK205 LS23 P171 F Major VivoK206 L257 P307 E Major AndanteK207 L371 P140 E Major AllegroK208 L238 P315 A Major Adagio e cantabileK209 L428 P209 A Major AllegroK210 L123 P293 G Major AndanteK211 L133 P277 A Major AndantinoK212 L135 P155 A Major Allegro moltoK213 L108 P288 Dm AndanteK214 L165 P430 D Major Allegro vivoK215 L323 P281 E Major AndanteK216 L273 P320 E Major AllegroK217 L042 P287 Am AndanteK218 L392 P237 Am VivoK219 L393 P278 A Major AndanteK220 L342 P309 A Major AllegroK221 L259 P215 A Major AllegroK222 L309 P236 A Major VivoK223 L214 P188 D Major AllegroK224 L268 P225 D Major VivoK225 L351 P202 C Major AllegroK226 L112 P101 Cm AllegroK227 L347 P 52 Bm AllegroK228 L399 P224 Bb Major AllegroK229 L199 P139 Bb Major Allegro vivoK230 L354 P 47 Cm AllegroK231 L409 P393 C Major AllegroK232 L062 P317 Em AndanteK233 L467 P497 Em AllegroK234 L049 P286 Gm AndanteK235 L154 P172 G Major AllegroK236 L161 P201 D Major AllegroK237 L308 P446 D Major AllegroK238 L027 P 55 Fm AndanteK239 L281 P 56 Fm AllegroK240 LS29 P368 G Major AllegroK241 L180 P431 G Major AllegroK242 L202 P243 C Major VivoK243 L353 P394 C Major AllegroK244 L348 P298 B Major AllegroK245 L450 P299 B Major AllegroK246 L260 P296 C#m AllegroK247 L256 P297 C#m AllegroK248 LS35 P187 Bb Major AllegroK249 L039 P424 Bb Major AllegroK250 L174 P461 C Major AllegroK251 L305 P314 C Major AllegroK252 L159 P203 Eb Major AllegroK253 L320 P239 Eb Major Allegro

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K254 L219 P254 Cm AllegroK255 L439 P226 C Major AllegroK256 L228 P480 F Major AndanteK257 L169 P138 F Major AllegroK258 L178 P494 D Major AndanteK259 L103 P469 G Major AndanteK260 L124 P304 G Major AllegroK261 L148 P300 B Major AllegroK262 L446 P301 B Major VivoK263 L321 P283 Em AndanteK264 L466 P308 E Major VivoK265 LS32 P168 Am AllegroK266 L048 P251 Bb Major AndanteK267 L434 P363 Bb Major AllegroK268 L041 P369 A Major AllegroK269 L307 P432 A Major AllegroK270 L459 P481 C MajorK271 L155 P447 C Major VivoK272 L145 P518 Bb Major AllegroK273 L398 P174 Bb Major Vivo - ModeratoK274 L297 P491 F Major AndanteK275 L328 P430 F Major AllegroK276 LS20 P433 F Major AllegroK277 L183 P275 D Major Cantabile andantinoK278 LS15 P434 D Major Con velocitaK279 L468 P306 A Major AndanteK280 L237 P395 A Major AllegroK281 L056 P289 D Major AndanteK282 L484 P166 D Major AllegroK283 L318 P482 G Major Andante AllegroK284 L090 P169 G Major AllegroK285 L091 P321 A Major AllegroK286 L394 P410 A Major AllegroK287 LS 9 P310 D Major Andante AllegroK288 L057 P311 D Major AllegroK289 L078 P249 G Major AllegroK290 L085 P396 G Major AllegroK291 L061 P282 Em AndanteK292 L024 P223 Em AllegroK293 LS44 P157 Bm AllegroK294 L067 P470 Dm AndanteK295 L270 P211 Dm AllegroK296 L198 P305 F Major AndanteK297 LS19 P448 F Major AllegroK298 LS 6 P194 D Major AllegroK299 L210 P268 D Major AllegroK300 L092 P312 A Major AndanteK301 L493 P361 A Major AllegroK302 L007 P279 Cm AndanteK303 L009 P212 Cm AllegroK304 L088 P492 G Major Andante

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K305 L322 P397 G Major AllegroK306 L016 P456 Eb Major AllegroK307 L115 P449 Eb Major AllegroK308 L359 P318 C Major CantabileK309 L454 P333 C Major AllegroK310 L248 P284 Bb Major AndanteK311 L144 P227 Bb Major AllegroK312 L264 P334 D Major AllegroK313 L192 P398 D Major AllegroK314 L441 P505 G Major AllegroK315 L235 P 54 Gm AllegroK316 L299 P193 F Major AllegroK317 L066 P258 F Major AllegroK318 L031 P302 F# Major AndanteK319 L035 P303 F# Major AllegroK320 L341 P335 A Major AllegroK321 L258 P450 A Major AllegroK322 L483 P360 A Major AllegroK323 L095 P411 A Major AllegroK324 L332 P285 G Major AndanteK325 L037 P451 G Major AllegroK326 L201 P336 C Major AllegroK327 L152 P399 C Major AllegroK328 LS27 P485 G Major Andante comodoK329 LS 5 P337 C Major AllegroK330 L055 P222 C Major AllegroK331 L018 P471 Bb Major AndanteK332 L141 P519 Bb Major AllegroK333 L269 P338 D Major Allegro - AllegrissimoK334 L100 P412 Bb Major AllegroK335 LS10 P339 D Major AllegroK336 L337 P262 D Major AllegroK337 LS26 P340 G Major AllegroK338 L087 P400 G Major AllegroK339 L251 P189 C Major AllegroK340 L105 P420 C Major AllegroK341 L140 P103 Am AllegroK342 L191 P341 A Major AllegroK343 L291 P495 A Major Allegro andanteK344 L295 P221 A Major AllegroK345 L306 P342 D Major AllegroK346 L060 P250 D Major AllegroK347 L126 P294 Gm Moderato cantabileK348 L127 P462 G Major PrestissimoK349 L170 P452 F Major AllegroK350 L230 P413 F Major AllegroK351 LS34 P165 Bb Major Andante - AllegrissimoK352 LS13 P343 D Major AllegroK353 L313 P401 D Major AllegroK354 L068 P486 F Major AndanteK355 LS22 P344 F Major Allegro

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K356 L443 P488 C Major Con spirito AndanteK357 LS45 P270 C Major AllegroK358 L412 P457 D Major AllegroK359 L448 P425 D Major AllegrissimoK360 L400 P520 Bb Major AllegroK361 L247 P214 Bb Major AllegrissimoK362 L156 P159 Cm AllegroK363 L160 P104 Cm PrestoK364 L436 P345 Fm AllegroK365 L480 P112 Fm AllegroK366 L119 P263 F Major AllegroK367 L172 P453 F Major PrestoK368 LS30 P506 A Major AllegroK369 L240 P259 A Major AllegroK370 L316 P346 Eb Major AllegroK371 L017 P264 Eb Major AllegroK372 L302 P402 G Major AllegroK373 L098 P158 Gm Presto e fugatoK374 L076 P472 G Major AndanteK375 L389 P414 G Major AllegroK376 L034 P246 Bm AllegroK377 L263 P245 Bm AllegrissimoK378 L276 P347 F Major AllegroK379 L073 P107 F MajorK380 L023 P483 E Major Andante comodoK381 L225 P323 E Major AllegroK382 LS33 P508 Am AllegroK383 L134 P269 Am AllegroK384 L002 P487 C Major Cantabile andanteK385 L284 P220 C Major AllegroK386 L171 P137 Fm PrestoK387 L175 P415 Fm Veloce e fugatoK388 L414 P370 D Major PrestoK389 L482 P331 D Major AllegroK390 L234 P348 G Major AllegroK391 L079 P364 G Major AllegroK392 L246 P371 Bb Major AllegroK393 L074 P326 Bb MajorK394 L275 P349 Em AllegroK395 L065 P273 E Major AllegroK396 L110 P435 Dm AndanteK397 L208 P325 D MajorK398 L218 P493 C Major AndanteK399 L274 P458 C Major AllegroK400 L213 P228 D Major AllegroK401 L265 P436 D Major AllegroK402 L427 P436 Em AndanteK403 L470 P436 E Major AllegroK404 L222 P436 A Major AndanteK405 L043 P436 A Major AllegroK406 L005 P436 C Major Allegro

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K407 LS 4 P436 C Major AllegroK408 L346 P436 Bm AndanteK409 L150 P436 Bm AllegroK410 LS43 P372 Bb Major AllegroK411 L069 P351 Bb Major AllegroK412 L182 P463 G Major AllegroK413 L125 P416 G Major AllegroK414 L310 P373 D Major AllegroK415 LS11 P175 D Major AllegroK416 L149 P454 D Major PrestoK417 L462 P40 Dm Allegro moderatoK418 L026 P510 F Major AllegroK419 L279 P524 F Major PrestoK420 LS 2 P352 C Major AllegroK421 L252 P459 C Major AllegroK422 L451 P511 C Major AllegroK423 L102 P455 C Major PrestoK424 L289 P374 G Major AllegroK425 L333 P426 G Major Allegro moltoK426 L128 P128 Gm AndanteK427 L286 P286 G Major Presto quanto sia possibleK428 L131 P131 A Major AllegroK429 L132 P132 A Major AllegroK430 L463 P463 D Major Non prestoK431 L083 P365 G Major AllegroK432 L288 P288 G Major AllegroK433 L453 P453 G Major VivoK434 L343 P498 Dm AndanteK435 L361 P466 D Major AllegroK436 L109 P404 D Major AllegroK437 L278 P499 F Major Andante comodoK438 L381 P467 F Major AllegroK439 L047 P473 Bb Major ModeratoK440 L097 P328 Bb MajorK441 LS39 P375 Bb Major AllegroK442 L319 P229 Bb Major AllegroK443 L418 P376 D Major AllegroK444 L420 P441 Dm AllegrissimoK445 L385 P468 F Major Allegro o prestoK446 L433 P177 F Major AllegrissimoK447 L294 P191 F#m AllegroK448 L485 P261 F#m AllegroK449 L444 P405 G Major AllegroK450 L338 P422 Gm AllegrissimoK451 L243 P366 Am AllegroK452 A Major Andante AllegroK453 P280 A Major AndanteK454 L184 P423 G Major Andante spirituosoK455 L209 P354 G Major AllegroK456 L491 P377 A Major AllegroK457 L292 P442 A Major Allegro

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K458 L212 P260 D Major AllegroK459 LS14 P167 Dm AllegroK460 L324 P378 C Major AllegroK461 L008 P324 C Major AllegroK462 L438 P474 Fm AndanteK463 L471 P512 Fm Molto allegroK464 L151 P460 C Major AllegroK465 L242 P406 C Major AllegroK466 L118 P501 Fm AndanteK467 L476 P513 Fm AllegrissimoK468 L226 P507 F Major AllegroK469 L431 P514 F Major Allegro moltoK470 L304 P379 G Major AllegroK471 L082 P327 G MajorK472 L099 P475 Bb Major AndanteK473 L229 P355 Bb Major AllegroK474 L203 P502 Eb Major Andante cantabileK475 L220 P319 Eb Major AllegrissimoK476 L340 P427 Gm AllegroK477 L290 P419 G Major AllegrissimoK478 L012 P503 D Major Andante cantabileK479 LS16 P380 D Major AllegrissimoK480 LS 8 P381 D Major PrestoK481 L187 P504 Fm Andante cantabileK482 L435 P356 F Major AllegrissimoK483 L472 P407 F Major PrestoK484 L419 P428 D Major AllegroK485 L153 P490 C Major Andante cantabileK486 L455 P515 C Major AllegroK487 L205 P421 C Major AllegroK488 LS37 P382 Bb Major AllegroK489 LS41 P522 Bb Major AllegroK490 L206 P476 D Major CantabileK491 L164 P484 D Major AllegroK492 L014 P443 D Major PrestoK493 LS24 P383 G Major AllegroK494 L287 P444 G Major AllegroK495 L426 P384 E Major AllegroK496 L372 P332 E Major AllegroK497 L146 P357 Bm AllegroK498 L350 P367 Bm AllegroK499 L193 P477 A Major AndanteK500 L492 P358 A Major AllegroK501 L137 P385 C Major AllegrettoK502 L003 P408 C Major AllegroK503 L196 P196 Bb Major AllegrettoK504 L029 P265 Bb Major AllegroK505 L326 P386 F Major Allegro non prestoK506 L070 P409 F Major AllegroK507 L113 P478 Eb Major Andantino cantabileK508 L019 P516 Eb Major Allegro

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K509 L311 P387 D Major AllegroK510 L277 P525 Dm AllegroK511 L314 P388 D Major AllegroK512 L339 P359 D Major AllegroK513 LS 3 P176 C Major Moderato e Molto allegro - PrestoK514 L001 P389 C Major AllegroK515 L255 P417 C Major AllegroK516 LS12 P523 Dm AllegrettoK517 L266 P517 Dm PrestissimoK518 L116 P390 F Major AllegroK519 L475 P445 Fm Allegro assaiK520 L086 P362 G Major AllegrettoK521 L408 P492 G Major AllegroK522 LS25 P526 G Major AllegroK523 L490 P527 G Major AllegroK524 L283 P528 F Major AllegroK525 L188 P529 F Major AllegroK526 L456 P530 Cm Allegro comodoK527 L458 P531 C Major Allegro assaiK528 L200 P532 Bb Major AllegroK529 L327 P533 Bb Major AllegroK530 L044 P534 E Major AllegroK531 L430 P535 E Major AllegroK532 L223 P536 Am AllegroK533 L395 P537 A Major Allegro assaiK534 L011 P538 D Major CantabileK535 L262 P531 D Major AllegroK536 L236 P540 A Major CantabileK537 L293 P541 A Major PrestissimoK538 L254 P542 G Major AllegrettoK539 L121 P543 G Major AllegroK540 LS17 P544 F Major AllegrettoK541 L120 P545 F Major AllegrettoK542 L167 P546 F Major AllegrettoK543 L227 P547 F Major AllegroK544 L497 P548 Bb Major CantabileK545 L500 P549 Bb Major PrestissimoK546 L312 P550 Gm CantabileK547 LS28 P551 G Major AllegroK548 L404 P552 C Major AllegrettoK549 LS 1 P553 C Major AllegroK550 LS42 P554 Bb Major AllegrettoK551 L396 P555 Bb Major AllegroK552 L421 P556 Dm AllegrettoK553 L425 P557 Dm AllegroK554 LS21 P558 F Major AllegrettoK555 L477 P559 Fm Allegro