gothic art and architecture
TRANSCRIPT
Gothic
Dates and Places: • Late 12th to 14th century• Western Europe
(begins in France)
People:• Growth of urban
centers• Sophisticated courts• Scholasticism• Cult of Virgin Mary
Map of Gothic Europe around 1200
GothicThemes:• Virgin Mary • Life of Christ and saints• Portraits • Secular life
Forms:• Immense churches
dominate Gothic architecture
• Increasingly optical approach to figures and space
• Lavish ornament and materials
Jamb statues from South transept portal including Saint Theodore (left-most), Chartres Cathedral, ca. 1215-1230.
GothicExample: • Birth of Gothic style • Abbot Suger
– Advisor to Louis VI and VII
– Strengthens ties b/w church and monarchy
• Royal church– Gothic style linked with
centralization and exercise of power and authority of French kings Exterior view from west end, abbey
church, Saint-Denis, 1137–1144.
GothicExample: • Site of 7th cent. Burial
place for French kings• Numerology of portal
– Trinity represented in 3s
– Celebration like the triumphal arches of Ancient Rome
Exterior view from west end, abbey church, Saint-Denis, 1137–1144.
Gothic
Example:
• Rib vaults and pointed arches
• Open space
• Suger design “Lux Nova” (stain glass)
Plan of the choir and ambulatory, abbey church, Saint-Denis, 1140–
1144.
GothicExample: • Abbey church
dedicated to S. Denis, 3rd century missionary who became bishop of Paris
• Martyred ca. 258 • Picked up head, walked
5 miles to current site of abbey church where he is buried Bishop window, abbey church, 16th
century stained glass, Church of St Aignan, Chartres, France
GothicExample: • Importance of Virgin
as intercessor• Gothic sees her
importance grow as she represents humanity of Christ, linked to divine love
• Suger able to cross boundary of Christ’s mandorla indicates his significance
Bishop window, abbey church, 16th century stained glass, Church of St
Aignan, Chartres, France
GothicExample: • Groin vault=intersection of
2 barrel vaults
– Pointed arch result• Use of groin vaults, begun
late Romanesque, allow for open interior
• benefits-=flexibility of design, walls thinner, lighter, allow for more windows
• Light, allowing nature inside very important
Ambulatory, abbey church, Saint-Denis, 1140–1144.
GothicExample:• Located 40 miles from Paris
• Founded by donations from wealthy, taxes, and bishops
• Right tower done first, left later in early 16th cent.
• Represents Early vs. Late Gothic
• Dedicated to Virgin Mary, relic of clothing worn during birth of Christ
• Head of her mother, Anne (1204)
South portal featuring rose window of Notre-Dame, Chartres, France,
begun 1163.
GothicExample: • Flying buttresses• Quadrant arches• Rose windows• Towers on heavily
ornamented Westwork
• Large clerestory of stained glass windows
• Skeletal support system
South portal featuring rose window of Notre-Dame, Chartres, France, begun
1163.
GothicExample:
•Decorated with scenes of Christ’s infancy, emphasis on Mary as bearer of Christ and throne of wisdom and queen of heaven
Royal portal (west portal), Cathedral od Notre-Dame, Chartres, France, ca. 1145-
1190.
Gothic
Jamb sculptures from the Royal portal (west portal), Cathedral
od Notre-Dame, Chartres, France, ca. 1145-1190.
Example: •Early statues look like the columns of which they are part
– Attenuated, made to fit space
•Figures Old Testament kings and queens
– Helps to solidify connection with French nobility
•Similarity of style to Saint Denis indicated sculptor may have worked on both
Gothic
Example:•Later jambs become more three dimensional in design, more use of naturalism
– Increasing trend of naturalism in Gothic period
– Relationship between column and sculpture dissolving
Jamb statues from South transept portal
including Saint Theodore (left-most), Chartres Cathedral, ca. 1215-1230.
GothicExample:• Nave severely damaged
by fire 1194
• Instead of compartmentalization of Romanesque, space is allowed to flow and interpenetrate, entire space is unified
• Emphasis on light Nave and choir, Cathedral of Notre-Dame, Chartres France, ca. 1194-
1220.
GothicExample:
• Stained glass window
• Lux nova
• Stories of the faith
• Virgin Mary
• Bar tracery
• Stained glass windows, symbolic light
• Method of stain glass limit size of pieces
Rose window and lancets, Cathedral of Notre-Dame,
Chartres, ca. 1220.
Gothic
Example:
• “Our Lady of the Beautiful Window
• Site retains almost all of original 180 windows– Only part to survive 1194
fire
• Transport viewer much like Byzantine mosaics
Notre Dame de la Belle Verrière (detail), Cathedral of Notre-Dame, Chartres, ca. 1210. Stained-glass window, north portal, height approx. 14’
Gothic
Example:
• Portal jamb sculpture
• Compare to Royal Portal at Chartres
• Increasing naturalism
• Figures released from vertical support
• Influence of classical sculpture
• Cult of Mary: VisitationAnnunciation and Visitation, West portal, Cathedral of Notre-Dame, Reims, France, ca. 1230–1265.
GothicDates and Places: • 12th to 14th century• Western Europe
(begins in France)
People:• Growth of urban
centers• Sophisticated courts• Scholasticism• Cult of Virgin Mary
West portal, Cathedral of Notre-Dame, Reims, France, ca. 1230–1265.
GothicDates and Styles: • Early Gothic (S. Denis)
approximately 1140-1190• High Gothic (Chartres)
approximately 1195-1300• Late Gothic (St. Chapelle)
approximately 1300 and beyond
Developments:• Towns become cities• Organization of guilds• Centralization of power (feudalism)
helps to develop monarchy• Dominance Catholic church
Virgin of Paris, Early 14th cent. Stone, Notre-Dame,
Paris.
GothicExample: • Premiere example Late
Gothic style• Triple portal (numerology and
used as royal entrance)• Decorative aspects dominate• Tympanum sculpture
replaced by windows• “Encrusted” surface
– Finials, gables, tracery• Gallery of kings emphasizes
royal link• 1230s revolt, canons exiled!
West portal, Cathedral of Notre-Dame, Reims, France, ca. 1230–
1265.
Gothic
Similarities:• Triple portal• Two towers• Used of Rose
window
Differences:• Notre-Dame,
plainer surface, less detail, more wall
• Reims busier, more surface decoration, open walls, tracery
West portal, Cathedral of Notre-Dame, Reims, France,
ca. 1230–1265.
Notre-Dame, west façade, Paris, France, begun 1163; nave and flying buttresses ca. 1180-1200; remodeled
after 1225.
GothicExample: • Portal jamb sculpture • Dominant subject Marian
imagery• Increasing naturalism• Elegant sway and drapery,
refined gestures and movement– Influence of French court
• Figures released from vertical support
• Influence of classical sculptureAnnunciation and Visitation, West portal, Cathedral of Notre-Dame, Reims, France, ca. 1230–1265.
Gothic
Jamb statues from South transept portal including Saint Theodore (left-most), Chartres Cathedral, ca. 1215-1230.
Annunciation and Visitation, West portal, Cathedral of Notre-Dame, Reims, France, ca.
1230–1265.
Gothic
Annunciation and Visitation, West portal, Cathedral of Notre-Dame, Reims, France,
ca. 1230–1265. Statue of Roman matron depicted as Cybele, mid-first century AD.
• Influence of antiquity also noticeable in hair, robes, solidity of body
• Reims once under control of Romans
GothicExample: • Late Gothic, Rayonnant style
• Palace chapel for Louis IX’s relics– Crown of thorns, metal tip from
lance, sponge, nails, splinter of cross
• Administrative center (like Aachen)• Decoration unified with function
and purpose of building– Skeletal support – Walls replaced by stained glass
• Presence of light
– Rib vaults, mullions Interior view of Sainte-Chapelle, Paris, 1241–1248.
GothicExample:
• Illuminated manuscript– Common survivors
• Produced in urban workshops
• Luxury books for private patrons, very expensive
• Contemporary architectural style
• Courtly elegance
Jean Pucelle, The Betrayal of Jesus and Annunciation, from the Hours of Jeanne d’ Évreux, 1325-28. Tempera and gold on parchment., each
page 3 1/2” x 2 7/16.” Metropolitan Museum of Art, NYC.
GothicExample:
• Given by French king Charles IV to his queen, Jeanne d’ Évreux after wedding n 1325
• Book of Hours– Canonical prayers for
reciting 8 times a day– Owner is laity, not
clergy, illustrator also laity
Jean Pucelle, The Betrayal of Jesus and Annunciation, from the Hours of Jeanne d’ Évreux, 1325-28. Tempera and gold on parchment., each
page 3 1/2” x 2 7/16.” Metropolitan Museum of Art, NYC.
GothicExample:• Grisaille technique
– Monochromatic painting done in grays similar to sculpture
• Part of book parallels Christ’s childhood
• Bas-de-page– Figures on bottom
of page provide commentary on subject mattery
Jean Pucelle, The Betrayal of Jesus and Annunciation, from the Hours of Jeanne d’ Évreux, 1325-28. Tempera and gold on parchment., each
page 3 1/2” x 2 7/16.” Metropolitan Museum of Art, NYC.
GothicExample: • Free-standing sculpture
revisited in the Late Gothic• As individual importance
increases, so does the amount of sculpture-in-the-round
• Sculptor’s guilds well established
• Traces of classicism disappear Virgin of Paris, Early 14th
cent. Stone, Notre-Dame, Paris.
GothicExample: • Elegance of courtly style
dominates • Gothic sway little
resemblance to contrapposto of classicism, no longer supports figure
• Christ no longer mini-emperor, now child playing with mother’s veil
• Virgin symbol and model for French queen Virgin of Paris, Early 14th cent.
Stone, Notre-Dame, Paris.
Gothic• Seed of
naturalism planted at Reims, bodies more solid
• Attention to detail and particulars also model
Virgin of Paris, Early 14th cent. Stone, Notre-Dame, Paris.
Annunciation and Visitation, West portal, Cathedral of Notre-Dame, Reims, France, ca. 1230–1265.
Gothic
Example: • English regional variation• Not in city, in park near
Stonehenge• Includes cathedral and
chapter house• Horizontal emphasis• Stumpy towers• Walls solid, no ornate
decoration like Reims• Lots of blind arcades like
Romanesque Salisbury Cathedral, England, (view from southwest) 1320–1330.
GothicExample: • Double transept very un-
French• Rectilinear forms, squared off
apse• Short façade and vaults• Single aisles• Color contrasts• Unified space vs.
compartmentalization of Romanesque
• Combination of French elements and other variations Salisbury Cathedral, England, (floor plan)
1320–1330.
Gothic
Example: •Good example of Late English Perpendicular Gothic style
– Dominant vertical accent
•Increased decorativeness of English variation on Gothic•East wall replaced by glass•Nave walls extremely vertical
Interior view Gloucester Cathedral, choir, England, 1332-1357.
Gothic
Example:
•Decorative aspects dominate
•Vault ribs are not structural but decorative overlay providing no structural support on top of barrel vault
Cloisters with fan vaulted roof, Gloucester Cathedral, choir, England, 1332-1357.
Gothic
Example:
• Decorative style culminates in Chapel of Henry VII, Westminster Abbey
• Fan vaults
• Dissolves appearance of structural solidity
• Increasing power of nobility Robert and William Vertue, fan vaults of he
Chapel of Henry VII, Westminster Abbey, London, England, 1503–1519.
Gothic
Example:•Germany not as quick as England to adopt Gothic style•Architecture remains particularly Romanesque until 13th cent.
Naumburg cathedral from the southeast, Naumburg, Germany, ca. 1249–1255
Gothic
Example: • German sculpture evolves more
quickly
• Donor portraits = secular theme in church, 12 statues of ancestors/benefactors from local aristocracy
• Statues attached to columns with canopies over each (helps preserve)
• Individualized faces and personality– Contrasting personalities shown
• Drapery reveals body beneath
• Period costumes
Ekkehard and Uta, statues in the west choir, Naumburg Cathedral,
Naumburg, Germany, ca. 1249–1255. Painted limestone, Ekkehard 6’2.”
GothicExample: •Gothic naturalism also embraces observation of different races•St. Maurice Egyptian Christian warrior martyred 3rd cent.•Relics housed Magdeburg along with Otto I•Role model for Christian crusaders and knights because he was a virtuous warrior•Represented as African•Gothic strives for worldliness and cosmopolitan nature of patrons
Saint Maurice, from the Cathedral of Saints Catherine and Maurice, Magdeburg, Germany, ca.1250.
Gothic
Example: •Andachtsbild or vesperbild-image meant to be contemplated during evening prayers or vespers
– Private devotional pieces
– Title reflects collector’s name
•Not all Gothic sculpture displays courtly elegance
•Desire also for greater emotional appeal in tradition of Christian art
•Emphasis on empathy, provoking response through details, exaggeration and distortion of forms, gesture, and pose
Röttgen Pietà, ca. 1300-1325. Wood with paint, 34 ½” high. Rheinissches Landesmusem,
Bonn, Germany.
GothicExample: •Works like this response to worries of world (plague, famine, war, social strife)•People sought comfort in reflection of Mary and Christ’s humanity
•Pietà- Italian for pity or compassion
– Design possibly originates in Germany and becomes basis for Renaissance and other works
– No reference in scripture
•Meant to be placed on altarRöttgen Pietà, ca. 1300-1325. Wood with paint, 34 ½” high. Rheinissches Landesmusem,
Bonn, Germany.