gordian butterflies
DESCRIPTION
Poetry ChapbookTRANSCRIPT
Cover
Gordian
Butterflies
Written By: Chris Crittenden
Review Editor: Shanna Wheelock
162 N. Lubec Rd.
Lubec, ME 04652
Originally printed by
Quality Copy & Digital Print, Inc.
Hallowell, Maine
Welcome!
With this fifth chapbook I continue my blundering attempts to provide a brief yet adequate
preface, one that renders my passion fresh. In previous tries, I’ve sounded ecstatic, nihilistic, or
doom-stung, naively trumpeting how dear this whole enterprise is. I suspect these florid
excursions brought chuckles and yawns, and most of all a forgetfulness worthy of the River
Lethe.
Still, I refuse to supply a bland boilerplate of an introduction. I suppose my ultimate goal, not
realized yet and perhaps destined to always be ahead, is for my poems to mimic those little
particles that prompt chain reactions. In other words, I want them to spark a kind of mental
fission throughout a community. This doesn’t mean I want my words to make people drop dead,
not unless it is that kind of minor death which leads to rebirth. I think I will leave at that and
take up the gauntlet again next time. However, one thing remains absolutely certain: I am very
indebted to my talented and magical wife Shanna Wheelock for the many ways she has
supported and improved me, poetically and otherwise.
And a very special thanks to Lissa Kiernan, Poetry Editor at Arsenic Lobster, for her technical
assistance and her generous time spent reviewing this chapbook. She is a brilliant poet and I’m
honored to gain a moment under the spotlight of her formidable perspicacity.
I will end with a thought I had the other day: I like to speak as if we lived in a world where the
heart could be free.
Best To Everyone,
Chris
Acknowledgements
Poems in this chapbook originally appeared in:
Thick With Conviction
Ballard Street Poetry Review
Offcourse
Bolts of Silk
Wilderness House Lit Review
Ilya’s Honey
Poetry Friends
Merge Poetry
Rougarou
Edge
Raving Dove
Cerulean Rain
Boston Literary Review
Barnwood Magazine
Pemmican Press
Juice Poetry Magazine
Drunken Boat
Blueline
Temenos
Poetic Diversity
Table of Contents
Ghost Song ...............................................................1
Nude In Wind ...........................................................2
Pharmaceutical .........................................................3
Ranch Trees .............................................................4
Ice Leaves Road .......................................................5
Wind Thought ..........................................................6
Winter Reflection .....................................................7
Collecting Yucca Brushes ........................................8
Proselytizers .............................................................9
Long Term Snow ...................................................10
Fugitives From The Urban .....................................11
Clown Spiel ............................................................12
Weapon Possessed .................................................13
Messages From God ..............................................14
Invisible Man .........................................................15
Gnats In Melee .......................................................16
Soldier Turns Atheist .............................................17
Summary ................................................................18
Pain ........................................................................19
Dark Touch ............................................................20
Boulders At Beach .................................................21
The Gods Reflect On Creation ...............................22
On The Toilet .........................................................23
1
Ghost Song
the dead fly past,
overarching.
to them we are roots
slow to grasp.
they sup our thoughts
like hummingbirds taking syrup,
resplendent of flit,
brief.
we glimpse a quark of flash,
a dash of blush,
maybe some lucent eyes—
love’s aftereffect.
they laugh at us
like wind chiding honey
as we inch full-bodied,
riled by ebbs—
the dead laugh.
they race to our end
and return,
outflanking lazy hops of sun.
they rush past our questions
and back many times,
amused—
the dead laugh,
coveting our worries,
springing off our breaths.
2
Nude In Wind
swirls of lockets
steal pictures from her skin,
tease a museum
across her face,
pasts
soft as membranes,
tangerine from the sun,
pedestal of dragonflies—
are they her muscles,
soaring as she walks?
is her heartbeat a waterfall
spread out into flickers?
she’s drenched and cleansed
by clear stairs that spiral up her body,
lift its song,
dissipating the sparks
of her reason. after a long
unruly game of toss,
earth catches her,
lets her blue look up
at sky so patient,
no hint of the mischief
meandering there—
as if someone else had turned her
into a leaf.
3
Pharmaceutical
granular mixture,
once root, bud and agave teat,
now synthesized, brainwashed
and hoodwinked
into a clean cousin
of LSD, capsule
that settles the suicidal,
alka seltzer for the head,
bathing neurons in fizz
till they’re too numb to think.
such white pure beach sand,
dissolving in the boudoirs
of the intimate mind—
like Jamaica ingested,
complete with Mai Thai,
and a hammock so limp
and spineless you hardly know
the fabric is you.
4
Ranch Trees
frondy ashes
clasp squiggles of sun,
trickle the heat
across whispers
while breeze
tousles their manes,
airy green foams
above centurial brawn.
who touches these tomes,
learns from the roughs
of their grimalkin bark?
their midlife knotholes?
their sapling dreads?
who remembers them
when dreaming under plaster
as they sentinel midnight,
sighing?
5
Ice leaves Road
water neath white,
slow as a quilt
of seeping snakes,
long lungs of liquid
breathing earth
below fading ribs.
rivulets carve combs,
berths wilder
than the rhymes
of Deadalus,
agile
as the metamorphosis
of mist, sculpting
free,
arch and chrysalis,
florid tracery
that fades, swallowed
in gleams—
doomed columns,
pebbles for plinths,
so many brief exotic
parthenons.
6
Wind Thought
its broken career
makes goblins
out of trees,
whistles wounded
in their teething
fissures.
it steals hats,
pulls Medusa
from our heads,
writhing locks
like Marley’s chains,
all of us Scrooge
near this astral waif
who craves our gifts—
this first panhandler
who sups fall leaves
like hors d’oeuvres from mud,
catapulting its thirst,
restless for a bed
but finding only space,
emptier greedier space,
a vortex of racks
stretching all ways—
as if wind were
some protean Atlas,
trapped yet fleeing,
breaking out
in tantrums that lurch,
only to lick god’s
toe.
7
Winter Reflection
tattered elegies
have yielded to the pure—
no questions in snow, only surfeit,
bloat doubling as graves.
all is perfect,
from the cold white hearth
to nudes of willows.
rushes sequined with still drops.
glazed thistle roves.
no hooligans spar—
only owls and wolves
mating in the howling fetch.
ice watches, neither lewd nor chaste,
polished, not splendid
like the eyes of alphas—
the arcane yellow glare
of the rut.
this is god’s time,
when flowers are thoughts
and thorns gutter.
hopes abound
because hearts are mere seeds,
cloistered, prayerful,
slept.
8
Collecting Yucca Brushes
he has been climbing
in barbed straw,
shins parting
a scaffold of grasshoppers,
only coyote trails
as guide—
yet the yucca beckon,
their green staves
young and rawboned,
boasting clusters
of storm-fed pods.
he plucks one off
and zigzags it
like a rattle,
chanting
as he parts
the withered skirt below,
collecting only
last year’s husks.
only these—sharp
and crisp,
will dip into pigment
cupped by nacre,
gleam spirits into life
on the hide of a cave.
afterward, they will join
blue smoke dancing—
incense lifted
to Grandmother.
9
Proselytizers
these black-clad clones
are sexton beetles, my eyes
their mouse and they see
in the apertures
graves—they
want to bury my sight
inside itself, inter
my mind, their
sexton beetle eggs
in my vision,
eating it, rebirthing it
to swarm across
what i denied;
and now i
see the merit
of insect skin, numb
and gleaming little
knights—
their swords tongues
red with infidels, their
scuttles noble as they
seek more mice,
burying them
like slain plums, implanting
their spermy gluttony,
fruitful as their jesus
multiplies.
10
Long Term Snow
no fleeing this drifter
dogged as barnacles,
stark as lichen on bones,
callused and clumped.
we simply endure
the landscape-wide nevus,
a discoloration to Earth,
leprous for the rest of us—
who must flounder
in its tasteless cakes,
sinking through layers
to the hidden frost—
we eat our way out
and still freeze,
victims of plenteous ice,
champions of numbness.
it attacks goldenrods
as if they were vocal chords,
dismaying time, seizing
pendulums of pokeweed—
holding them in stasis
or cracking them off,
like skeleton keys
that unlock nothing
save their own descent.
we all suffer that wintry fate,
buried without wanting to know,
encased by the coffin outside.
11
Fugitives From The Urban
hurt we are,
troublesome,
our guilt like dirty steak knives
that slew sacred cows.
unseen we are,
like a battle on Andromeda,
mischievous in nooks
of faint mausoleums.
no preacher freed us,
no Sappho or Sartre,
no Buddha like a gong
rippling our revival—
no crucifix,
no lysergic diethylamide,
no death or exodus
or creed—
we just saw.
exhumed ourselves,
swept off the roots
of skyscrapers
and cell phones,
washed off the dirt
of What-Must.
we looked at a world
beyond stress-chewed faces
and saw it was good.
12
Clown Spiel
pranks can do loop-de-loops
around a carnival heart,
slaphappy as they slide
through giddy veins,
every romp
trickily tuned,
like a gyroscope on
juggler’s pins.
every freewheeling
obscene toe
or gin-red nose;
every polka-dot-neon
suspender slip to
bawdry lace; every raucous
guffaw
that floors the grandstand,
jiggles the navels
of carneys
and roustabouts,
these
and these alone
spice the ringmaster’s
brew of risks,
so that sword-swallowers
and lion tamers,
high-wire walkers and elephant girls
don’t seem so sad.
13
Weapon Possessed
bitten by his rifle,
the trigger a sting
swelling into his finger,
he can’t retreat, only shoot,
wherever he goes they
tell him to shoot,
and his gun agrees,
poisons his kindness,
owns him like a scorpion
that whips across culture,
between the eyes.
he can’t accept
this werewolf life
of murder and being a scared father,
of serving peace but cradling
a metal demon-baby instead—
knowing it wants
to jump into fights,
to kick angry in his arms,
get hot, snarl, rage.
and when it’s done vomiting death
it goes back to its coffin
in a locker,
below the picture of his wife
and child.
14
Messages From God
they come like meth
in jiggers of holy water,
monstrous spices, dashes
of swords and tyrants,
like Dracula when you
first meet his grin,
or tarantulas without legs,
but somehow still there—
warning signs, forbidden
like the first impulse
to murder.
friends can’t see
and churches don’t forgive them.
think of visions
slipperier than lies,
nettles on a porcupine
whose barbs are debts—
like mildew on your masks,
or flies raining instead of tears,
prophecies that split into hooks,
using you as bait—
you want to defuse and reject them,
to salute and grin—
but they are hot as fangs
pushing through your lips,
making you shriek—
decrees no one will believe
or condone.
15
Invisible Man
the perpetual noneness
is what hurts,
like static eroding
stones by the sea—
except they are my
feelings, desperately
clutched, elbows crossed
like a pharaoh who became
a wasps’ nest.
who’s looking? who sleuths?
was i murdered even though
i still breathe? am i
the postage stamp on unsent hopes,
and why do i break apart
when i run for the cemetery,
my skin fluttering off, mothy,
before i get there?
if only god
would track me down,
aim for my vague
adam’s apple.
many times i’ve been
the mist in his breath.
i wish he would find out.
i wish he would care.
16
Gnats In Melee
rollicking prisms shrunk to dust,
breeze-hounded and sex-stung,
a nebula tethered to fire,
sprouted then dismantled,
vibrating with unseen eggs—
a bazaar of breath
fused to a hoopla of slivers—
crazed phantasmata,
rapt fountain of membranes,
airy nucleus of insectoid hydrogen.
this ganglion of swamps,
puzzles and societies,
jitterbugs with sunlight
in scrambling glints.
frogs fixate on the fast hypnosis,
scanning sparks like those
in their own meat—
the fraught marrow of nerves
where instincts lunge like long tongues
tangled in the brain’s gut.
these heralds, size of corpuscles,
flickering between dark and blaze,
they tattoo my cheek with boisterous death,
prophesying with milliseconds—
and a vigorous apathy that has no hands,
no uterus, no face—
they sculpt like erosion,
whittling stony miasma,
sprinkling the frantic quartz
over a gravestone of years.
17
Soldier Turns Atheist this embolism
blocking his will to pray,
it holds so much blood
that he can see villages of red,
mounds of coagulation.
did God lie to him
or the President who said
this was the will of God?
did Freedom really sanction
this?
all this pooling messy sticky pain,
disgusting shrieking—
not like children on halloween,
not like a movie.
no,
a real child
ripped apart, slaughtered
into chunks by a bomb,
pieces of little girl
raining down everywhere,
splatting and sticking,
a wild crucifixion.
one eyeball mashed,
the other ten feet away, looking
like a pollywog at the sky,
where peace should dwell,
and asking,
“is littered meat allowed in heaven”
18
Summary
he flails in a nurturant sphere,
kicking every vein.
he escapes and waddles,
brays and cockadoodles,
until a sloppy word
slings off his tongue
into an aural bull’s-eye.
he mutates as he speaks,
sobbing then elated,
serene yet monstrous,
injected by pituitaries.
he brags and postures,
guns a chevy, fidgets against
the crux of a girl.
then life’s two parts suburb,
five parts chain.
stress and boredom take turns
grinding him against chores.
worries rush through
his pancreas
until he’s frazzled and grizzled,
a mellowed stump of cocky banana
whose peel once hummed.
he placates his grandchildren,
chortles when they say he’s great—
when death and age are merely stains
on the stretching agenda
of his glory
19
Pain
are you tadpole or anaconda?
bugaboo or truth?
is your tongue pert
like a silver prick,
chic with cruelty?
or are you grubby,
slothful and broke—
glass crown licking
a gutter?
i run from your chase
till vigor laminates
my muscles
but when you catch my heart
i loathe
your horns, which gouge
peace, poise and trust—
like a minotaur
hid yet invincible,
trampling hope, and piety too—
as if to say to god
am i the monster
you intended?
20
Dark Touch
we move across each other
like snakes on a hunt,
silky then thickening
like cement, striking
our caduceus pose,
forked to forked,
gimlet-tight,
screwing each other
down, through lewd
striae, down
through buried memento
mori,
ignoring their fatal glee,
following the roosterfish plumes
of hornfels, erupting
into a ventricle hot
with the scent of lava,
that bright iron blood
hypnotized and magnetized,
binding us in an orbit of crave.
how many times have we circled,
splitting apart into ooze,
fusing again—how many times
this recurring pulse
over a dreadful core?
21
Boulders At Beach shattered crab bones
litter scoured slabs,
smashed by seagulls
that slurped their piths;
but life thrives
in slimy gouges
where larvae jerk,
shimmying S’s
near flies that walk water,
dogfighting in blinks—
then once again
strutting the miracle.
down where drunk ocean
hammers the cliffs,
you have to marvel
at bruised seaweed
parrying like tridents.
barnacles own
the plateau here,
glommed into scabrous mats.
their sharp hatches tear denim,
defend a glut
of small-minded doors—
hungers that sit on each other,
lean against fences of mussels,
blue-black pikemen
knotted into clumps
within cracks.
you have to marvel
at the strength
of the rock-life’s mediocrity—
its all-powerful urges,
its stoic cramming,
the hardbitten, paralyzed
rage.
22
The Gods Reflect On Creation we gibbered and gabbled
in the null onyx,
afraid that heat might seethe.
one of us quacked too loud
and light erupted, birthing awe
alongside violence and waste.
after eons of reptiles
prayer wafted up. it was far better
than mindless solar pageantry.
our new toadies prattled
more efficiently than we,
collapsing truth
into a few apt equations.
soon they had a stash
of nuclear kicks,
enough to freckle plains
with poisonous craters.
it wasn’t enough for them
to gnaw the crust. life itself
made them salivate, the urge
to splice it into freaks,
to distill tints and recombine piths—
like evolution but more wanton,
even slutty; an orgy to harvest ambrosia,
so they could be immortal like us,
sit on pinnacles and shout in release—
to be as great
as the thrill that started it all,
that seminal yoctosecond
among the timeless idiocy
of our babbling.
23
On The Toilet
in my hands National Geographic
decreeing that Neanderthal practiced cannibalism,
based on marks on femurs—
or perhaps, the article twists,
our ancestors enjoyed a few rib eyes
before pushing N.’s dregs
off Iberia.
in the corner, amaryllis
(says tape on pea-green pot)
leers like a gaggle
of embarrassed victrolas,
flirty fuchsia
not too sauced to blush
at spread knees and dropped denim,
my impudent nonchalance.
next page, Utah,
boastful of Mormon and petroglyph.
it turns out, the author bleeds,
that the white man
knows very little about what
he extinguished—
as i flush.
24
Chris Crittenden lives in a remote area of Maine where there are more moose than streetlights.
He has published over three hundred poems, including work in Chelsea, Atlanta Review,
Drunken Boat and DMQ Review. With his Ph.D. in philosophy, he fearlessly teaches applied
ethics and environmental ethics for the University of Maine, and rides the mysterium fascinas of
a calling that combines ecofeminism, shadow medicine, and shamanic journey.