god in pain - zizek

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    God in Pain: Inversions of

    Apocalypse is interesting for95 reasons.

    1) iek says God is in pain.

    2) Gn!evi" arges t#at $t.

    Agstine can #elp s elde

    capitalis%.

    &) iek sggests t#at adopting

    an apocalyptic stance is 't#e

    only (ay to keep a cool #ead.*) Gn!evi" tells s #o(

    t#eology is necessary for t#e

    revoltion

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    95)iek adds+ 't#e fiasco of

    God is still t#e fiasco of God.

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    God in Pain

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    God in PainInversions of Apocalypse

    $,A-/ I0 and3I$ G4/0-I6

    Boris Gunjevi's chapters translated from the

    Croatian by Ellen Elias-Bursa

    $even $tories PressNew Yor

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    7opyrig#t 8 21 y $lavo! iek and oris Gn!evi"

    A $even $tories Press ;irst 0dition

    atts $treet

    e( ?ork+ ? 11&

    (((.sevenstories.co%

    7ollege professors %ay order e@a%ination copies of $even $tories Press titles for a free si@

    %ont# trial period.

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    I

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    if t#e placard #ad een sidelined and relegated to a corner t#ere (as still+ so ,enin felt+ a

    clear lack of nderstanding %anifested in t#e sloganVs in (idespread se.

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    (#ic# #ar% t#e proletariat+ #e sets t#e cine%a apart fro% t#e ot#er t(o. 7o%pared to going

    to a tavern and drinking oneself into a stpor+ or attending c#rc# (#ere t#e sa%e dra%a is

    perpetally perfor%ed ot of #ait and %onotonos rital+

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    ;ocalt calls t#e 'tec#nologies of t#e self. 3evoltion (it#ot virte is necessarily cag#t

    et(een a violent orgiastic lnacy and reacratiEed statist atis%.

    e are t#erefore

    left (it# only a fe( options: t#e tavern+ t#e c#rc#+ t#e cine%a . . . r '

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    #en political opponents roke into #is #o%e Cfro%

    (#ic# #e #ad fled in #aste+ leaving everyt#ing e#ind)+ t#ey fond portions of #is %anscript

    in a travelling trnk.

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    Introdction

    ;or a

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    SI a% eginning to see and #ear strange t#ings+ not voices e@actly+ t as t#og# so%eone

    eside %e (ere %ttering+ Sook+ ook+ ookY T

    >#atKs t#e %eaning of t#is ookU I %st divert %y %ind.

    I (ent ot in searc# of diversion+ I #it pon a fneral.

    $o #e attends t#e fneral of distant relative+ re%aining in t#e ce%etery+ #e ne@pectedly

    over#ears t#e cynical frivolos conversation of t#e dead:

    And #o( it #appened I donKt kno(+ t I egan to #ear t#ins of all sorts eing said. At first I

    did not pay attention to it+ t treated it (it# conte%pt. t t#e conversation (ent on. I

    #eard %ffled sonds as t#og# t#e speakersK %ot#s (ere covered (it# a pillo(+ and at

    t#e sa%e ti%e t#ey (ere distinct and very near. I ca%e to %yself+ sat p and egan listening

    attentively.

    e discovers fro% t#ese e@c#anges t#at #%an consciosness goes on for so%e ti%e after

    t#e deat# of t#e p#ysical ody+ lasting ntil total deco%position+ (#ic# t#e deceased

    c#aracters associate (it# t#e a(fl grgling ono%atopoeia+ Sook. T ne of t#e%

    co%%ents:

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