glissando concert harp - v 1.5 - squarespaceconcert+harp+-+v+1.… · glissando concert harp manual...

Glissando Concert Harp Manual v 1.5

rev 1.5.0 - Nov. 28th, 2016

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Welcome Thank you very much for purchasing Glissando Concert Harp for Kontakt!

We hope you’ll make the best out of this carefully crafted Virtual Instrument.

Requirements This Instrument requires that you have installed the Full Version of Kontakt 5.5.2 or newer.It will not work with the free Kontakt Player.

Each instance needs about 500 MB of RAM. Make sure that your computer has enough RAM to cope with your host DAW needs and this and other libraries’ needs.

When using more instruments at the same time, a fast hard disk drive or an SSD is warmly suggested. In this instrument, though, the problem might reside more on the CPU side (especially in Live Mode in Logic) since the polyphony count is never above 8.

Unpacking Once you have downloaded the Install files following the instructions from the purchase email, please follow these steps:

1. The RAR compressed files (.rar, .r01, .r02 or part1.rar, part2.rar ...) need a specific application in order to be opened.

1.1. PC users might use 7-zip, an open source tool for compressed files: http://www.7-zip.org.

1.2. MAC users might use UnRarX: http://www.unrarx.com.

1.3. These are freeware open-source option but there many other free and commercial alternatives available on both platforms to open RAR files.

©2016 Chocolate Audio Page of 1 16

http://www.7-zip.org

http://www.unrarx.com

1.4.

Installing Once all of the RAR files are unpacked, you can move the Instrument folder to your favorite location, then move the Samples folder inside the Instrument Folder.

Please keep and eventually make back-up copies of the installers since they might be useful in case of data-loss, without requiring a full re-download of the whole package.

Loading Kontakt Instruments not based on the protected NI scheme, can be loaded in one of the following ways:


1. Drag & Drop the .nki file onto the main Kontakt interface.

2. Use the Kontakt Browser to find the .nki file and either Double-Click or Drag & Drop to the main interface.

Quick Load

You can use Kontakt’s Quick Load feature to easily access the Instrument.

1. Click on the “Quick” button on top of Kontakt’s interface.


2. Either from the PC’s Explorer / Mac’s Finder or from Kontakt’s Browser, Drag and Drop the folder containing the Instrument or the .nki file itself to the Quick Load window.


3. Eventually, you can organize instruments in collection by creating folders inside the Quick Load window (right-Click on PC or ctrl-Click on Mac).

4. The Instrument is readily available, either from the Quick Load window itself or through the Quick Load button.


Main Panel (1 - Modes) • Manage Presets, Store, Rename and Delete them - these

save the whole status of the instrument

• Monitor the currently active Articulation

• Playing Modes:

• Piano Mode: play the Harp (maximum range C1-G7, based on the loaded articulation) chromatically like you would play a piano. To sustain notes, use the Sustain Pedal

• Harp Mode: play the Harp (maximum pitch range B1-G#7, keyboard range C1-G7) diatonically like an Harp player. Play only the white keys and use C0-B0 to raise or lower the pitch of each note on every octave just like an Harp (and/or use Tonal Centers + Modes / Chords). To sustain notes, use the Sustain Pedal

• Pedals: to raise a pedal (sharpening the pitch of all relative notes on every octave), play the corresponding note between C0 and B0 above the velocity limit set in the Preferences. To lower a pedal play below the said velocity limit.

• Tonal Centers: when in Glissando is Active or Harp mode is selected you can either manage the pedals Man(ually) (C0-B0) or set the tonal center from here (works together with Modes / Chords) - Control via MIDI CC #74

• Modes / Chords: if Tonal Centers is in any position but Man(ual), set the mode-scale or chord the Harp will be tuned to. The selection covers the most used positions and chords in literature - Control via MIDI CC #71


Ctrl-Click (PC) and Cmd-Click (Mac) sets each Pot to its default value

💡 HINT: every Pot and Button in Kontakt is assignable to a MIDI CC (right click on it and find out), so you can control Tonal Centers and Modes / Chords in realtime

Main Panel (2 - Glissando) • Turn On pressing C0 (Piano Mode) or C#0 (Harp Mode)

• Turn Off pressing C#0 • Stop it (while keeping Glissando mode active) via D#0

• Select the type of Glissando via Menu or MIDI black keys F#0 to G#1. Set direction via GUI or using A#1.

• While in Glissando Mode the keyboard control mode is the Harp mode, with only white keys working and alterations controlled by C0-B0, Pedals Keys and/or Tonal Centers + Modes / Chords

• How to play it: play a Start and an End Note. The time difference between the two played notes sets the speed of the Glissando.

• The Glissando engine will interpolate between the Start and End Note velocities, playing crescendo and decrescendos accordingly

• Optionally use the ModWheel to set playing velocity instantly (resets after stopping the Glissando)

• Optionally use PitchBend to slow and raise speed instantly, release it to return to the original speed

• Soften smooths the attacks of the Glissando for special or more realistic effects

• Accel sets the acceleration (positive or negative) of the Glissando

• Time and Velocity can be randomized and you can set the Accent value when in any of the Glissando Accent modes



💡 HINT: every Pot and Button in Kontakt is assignable to a MIDI CC (right click on it and find out)

Main Panel (3 - Glissando Modes) • Direction Buttons: Glissandos can play either unidirectionally or bidirectionally, press the

according button next to the menu (or MIDI key A#1)

• Off (C#0) turns Glissando Mode Off

• Glissando (F#0) will play Glissandos from the Start Note to the End Note and again (up-down, down-up, down-down, up-up based on Start and End Note and on the Direction Setting) until you turn it off manually (D#0 or Off via Menu)

• Single Glissando (G#0) will play a single Glissando from the Start Note to the End Note

• Glass Accent Start (A#0) is the same as Glissando but accents the starting note based on the Accent Value on GUI

• Single Gliss Accent Start (C#1) is the same as Single Glissando but accents the starting note based on the Accent Value on GUI

• Glass Accent End (D#1) is the same as Glissando but accents the ending note based on the Accent Value on GUI

• Single Gliss Accent End (F#1) is the same as Single Glissando but accents the ending note based on the Accent Value on GUI

• Double Glissando (G#1) plays two Glissandos at the same time, one from Start to End Note, the other from End Note to Start Note, effectively emulating two-handed Glissandos. This will play indefinitely until you stop it manually (via D#0 or Menu)

• You can extend the Glissando Range at any time during a Glissando just by pressing any other note on the Keyboard


HARP/GLISSANDO MODE: C#0 turns Glissando on/off, D#0 stops Glissando. Keyswitches are

mapped on Black Keys from F#0 to D#2

PIANO MODE: C0 turns Glissando on, C#0 is unassigned. Keyswitches are mapped

chromatically from D0 to B0

Main Panel (4 - Glissando Settings) • Stop Mode

• End Of Round will finish the glissando in the current direction after you instruct Glissando to stop or quit glissando mode

• Immediate will stop playing at the last note being played when you instructed Glissando to stop or quit glissando mode

• On Key Release • Do Nothing: this allows to play consecutive glissandos, extending the reach and length of multiple glissando at once

• Stop Glissando: this stops and exits glissando mode right after you release the last MIDI key of the two (start or end note)

• Turn Gliss On/Off on MIDI CC: you can assign any MIDI CC to turning on and off glissando mode. • Please be aware that CC#1, Pitch Bend, CC#71 and CC#74 are pre-wired and used by Glissando!

• Volume Offset: change the overall volume of glissandos compared to pizzicatos (hint: Midi CC assignable!)



Articulations Panel (1) • Freely Load any of the available Articulations on any of

the available keys

• Available Key Switch Keys are:

• D0 to B0 in Piano Mode

• Black Keys from F#0 to D#2 in Harp Mode • Type controls the kind of action the Key Switch will carry:

• Switch: like a traditional Key Switch, press the key and the Articulation is activated until another Key Switch is pressed

• Temp: the Articulation is active only while the Key Switch is pressed

• Articulation 2 and Velo: a second articulation may be optionally activated when playing above the Velocity set in the field on the left of it

• Note Repeat: if activated, when releasing a note, another Note On with the same note and velocity is triggered, helping playing very fast repetitions in realtime (Tremolo)

• Art Lvl controls the overall level of the Articulation

• Release: select the type of Release Trails and their level. Available types are: Tips, Nails and Etouffé. When releasing the Sustain Pedal a special Release Trail is played: Hand Stop

• Pedals: enable and set pedal noises here

• Resonances: when playing the harp, each note triggers resonances in the body and other strings. Enable and set their level here




Articulations Panel (2) List of available Articulations and their playing range (with all pedals in their neutral position):

• Pizzicato: this is the most common playing technique. Range is C1 to G7

• Sons Harmonique: harmonics. Range is A2 to C6

• Sons Sifflés: sound produced by rubbing the fingers along the length of the strings. Mostly on bass strings. Here they are mapped on C1-D1. Not a tuned sound

• Sons De TamTam - Rubber: sound produced by hitting the strings with a rubber stick. Range is C1 to C7

• Sons De TamTam - Wood: sound produced by hitting the strings with a light wooden stick. Range is C1 to C7

• Sons Guitariques: also called Prés De La Table - is the sound produced by playing the string right next to the lower part of the body. Sound is guitar-like and more brilliant. Range is A2 to F5

• Mechanics Efx: sound produced by playing the strings between their mechanics. Range is C1 to E6. A randomly tuned sound

• Pizzicato Nails: sound produced by playing the strings with the nails rather than with the finger tips. Range is A2 to G7

• Sons Xylharmonique: sound produced by playing the harmonics muffled right after the attack. Range is A2 to C5

• Sons Xylophonique: sound produced by muting the string at its end and plucking it with the other hand. Sound is of course muffled and warmer. Range is A2 to G7

• Hits On Strings: sound produced by hitting and releasing the strings immediately with both hands. Range is A1 to G2. Not a tuned sound

• Sons Ésoteriques: a special technique involving the use of pedals as an effect. Range is A1 to G2. Not a tuned sound

• Paper Sordino: sound produced by interweaving the strings with paper ribbons. Range is C1 to C5

• Velvet Sordino: sound produce by interweaving the strings with velvet ribbons. Range is C1 to C4


• Tinfoil Sordino: sound produced by interweaving the strings with tinfoil ribbons: Range is C1 to E5.

• Sons Alcoholique: sound produced by rubbing the strings with a piece of cotton imbued with alcohol. Range is C1 to G6. A randomly tuned sound

• Hits On Body: sound produced by hitting the body of the Harp in different positions with fingers, open and closed hand. The other arm stops all strings from resonating. Range is C1 to B2

• Hits On Body - Reso: sound produced by hitting the body of the Harp in different positions with fingers, open and closed hand. The strings are left free to resonate. Range is C1 to B2

• Rattling: sound produced by playing pizzicato with the harpist wearing a noisy jewel at her wrists. Range is C1 to G7

• Appoggiato: sound produced by playing pizzicato and resting the finger on the next string rather than floating it. Range is C1 to G7


Mixer Panel (1) • Set the Master output level, stereo Width and eventually

Swap L/R channels

• Rev Send: Set the amount of signal sent to the IR Reverb engine and Mute it

• Set the level of each set of available recorded perspectives:

• A set of stereo Schoeps CMC64 recorded in AB (wide stereo), also set the stereo Width

• A Neumann M-149 mono acting also as the Mid channel of the Mid/Side (MS) configuration

• A Royer R121 mono acting as the Side of the Mid/Side configuration

• The level set with the Royer R121 in Mid/Side will set the stereo width of this set of mics. Raising it quite a bit will make the sound very wide. The Mid/Side config is mono compatible (you will only hear the M-149)

• Reverb: select one of the custom IRs and assign them a pre-delay, set their size and overall level

• Delay: set Level, Time, Repeats and Damping

• EQ: an effective 3-band EQ with Low, Mid, High frequency centers

• Comp: a preset compressor with mix capabilities

• Dist: a distortion pedal for sound design ventures

• Amp & Cab: guitar amp and cabinet for sound design ventures


Ctrl-Click (PC) and Cmd-Click (Mac) set each Pot to its default value


Mixer Panel (2) • Set the main Envelope for the Harp:

• Attack • Attack Curve

• Hold

• Decay • Sustain • Release

• Set and activate the Filter: • Type of Filter (low pass, high pass, band pass)

• Cutoff frequency

• Resonance • Amount of Envelope Modulation

• Set the Filter Envelope:

• Attack • Hold • Decay


Ctrl-Click (PC) and Cmd-Click (Mac) set each Pot to its default value


Preferences Panel

• Pedals KS Mode • Programming - Absolute:

• Velocities 81-127 move pedal to “b”

• Velocities 41-80 move pedal to “Nat.”

• Velocities 0-40 move pedal to “#”

• Performing - Relative: pedals are moved relatively and velocity is used to tell Glissando if to make the pedal “sharper” or “flatter” (this is the original v. 1.0 behavior)

• Relative Pdls SW Velo: below this set value the action on Pedals (C0-B0 in Harp Mode) will lower the pitch by a semitone. Above this value the pitch will raise by a semitone.

• Velocity Splits: sets the edge values for Articulations with 2 and 3 sampled playing dynamics.


End User License Agreement (EULA) Please read the terms of the following Soundware license agreement before using this Instrument. By installing and using these sounds, you agree to become bound by the licensing agreement. If you do not agree to these terms, do not install and use the product.

With this library, you are obtaining a license for your use only. The sounds, images, presets, samples and programming are the property of Chocolate Audio and are licensed (not sold) to you for use in music production, public performance, and reasonable musical purposes within musical compositions.

This license expressly forbids distribution of these sounds, either as they exist in this form or any modification thereof. Any duplicating, copying, distributing, transferring, uploading or downloading, trading of these libraries or any of the contents therein is strictly prohibited. You cannot sell, loan, share, rent, lease, trade, reissue nor assign any or all of the enclosed sounds to anyone. You cannot redistribute them through an archive, nor a collection, nor through the Internet, nor binaries groups, nor newsgroup, nor any type of removable media nor through a network. The sounds and samples contained herein cannot be edited, digitally altered, re- synthesized or manipulated without direct written consent of Chocolate Audio. The enclosed sounds cannot be re-used in any other commercial sample library or any competitive product.

A right to use any of the samples and sounds in this collection is granted to the original end-user only, and this license is not transferable unless there is written consent of Chocolate Audio or its representative and payment of an eventual additional fee. Resale is allowed, granted that the original Licensee communicates to the Licensor (Chocolate Audio) the terms of the transfer, including the full name and email address of the new Licensee. This process always requires authorization from Chocolate Audio and it's not granted per se. Transfer of License fees are detailed in the F.A.Q. page and are free, unless differently specified and/or unless the license transfer has to happen via an external agent who might require license transfer fee (for example Fxpansion with BFD libraries). Licensor will not be responsible if the content of this product does not fit the particular purpose of the Licensee. The sounds are licensed "as is" without warranties of any kind. Neither Chocolate Audio nor any agent or distributor can be held responsible for any direct or indirect or consequential loss arising from the use of this product in whatever form.

This product may not be returned for any reason other than manufacturing defects. Please make sure before ordering this item that it meets your needs. Information contained herein is subject to change without notice and does not represent a commitment on the part of Chocolate Audio.

The terms of this license shall be construed in accordance with the substantive laws of Italy and EU. In any written materials or credits accompanying your music recording that utilizes material from Chocolate Audio (website, CD booklet, film credits, etc), you are invited to include a courtesy credit and inform Chocolate Audio about it.

By installing and using this product, you acknowledge that you have read this license agreement, understand the agreement and agree to its terms and conditions. This is the complete agreement between you and Chocolate Audio that supersedes any other representations or prior agreements, whether oral or in writing.

Last revised on April 7th, 2016


glissando concert harp - v 1.5 - squarespaceconcert+harp+-+v+1.… · glissando concert harp manual...

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