gender relations in instrumental folk music in slovenia
DESCRIPTION
Gender studies are an important part of ethnomusicological research, but in Slovenia, not many studies or discussions have been dedicated to this topic. The position of a woman in the second half of the 20th century in Slovenia is, on the one hand, strongly connected to the socialist social system and its policy of equality, but, on the other, the article also reveals control mechanisms that maintained hierarchical positions between genders. Several cases of women public instrumental practices are described, with a focus on a narrative of a woman bell chimer through which the complexity of gender relationships in bell chiming is discovered and explained.TRANSCRIPT
Gender Relations in Instrumental Folk Music in Slovenia
Review articleReceived: 13 January 2015 Accepted: 9 March 2015DOI: 10.15176/vol52no103UDK 785-055.2:39(497.12)
Gender Relations in Instrumental Folk Music in Slovenia.
60
WOMEN INSTRUMENTALISTS IN SLOVENIAN MUSICAL TRADITION
godka godec
Ethnomusicological Forum
god evka godec
Gender Relations in Instrumental Folk Music in Slovenia.
61
tamburica
�“
It
Universal
Gender Relations in Instrumental Folk Music in Slovenia.
62
Gender Relations in Instrumental Folk Music in Slovenia.
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GENDER RELATIONS BETWEEN BELLS AND BELL CHIMERS
zvon
Gender Relations in Instrumental Folk Music in Slovenia.
64
BELL CHIMING, CHRISTIANITY AND GENDER
Pritrkavanje �– etnomuzikolo�ška fenomenologija pojava in njegova vklju enost v slovenski in evropski prostor
Gender Relations in Instrumental Folk Music in Slovenia.
65
THE STORY OF A WOMAN BELL CHIMER
Gender Relations in Instrumental Folk Music in Slovenia.
66
Ger.
svoboda
Gender Relations in Instrumental Folk Music in Slovenia.
67
Gender Relations in Instrumental Folk Music in Slovenia.
68
CONCLUSION
Gender Relations in Instrumental Folk Music in Slovenia.
69
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Gender Relations in Instrumental Folk Music in Slovenia.
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RODNI ODNOSI U INSTRUMENTALNOJ NARODNOJ GLAZBI U SLOVENIJI