Gender Relations in Instrumental Folk Music in Slovenia

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Gender studies are an important part of ethnomusicological research, but in Slovenia, not many studies or discussions have been dedicated to this topic. The position of a woman in the second half of the 20th century in Slovenia is, on the one hand, strongly connected to the socialist social system and its policy of equality, but, on the other, the article also reveals control mechanisms that maintained hierarchical positions between genders. Several cases of women public instrumental practices are described, with a focus on a narrative of a woman bell chimer through which the complexity of gender relationships in bell chiming is discovered and explained.

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<ul><li><p>Gender Relations in Instrumental Folk Music in Slovenia,,</p><p>Review articleReceived: 13 January 2015 Accepted: 9 March 2015DOI: 10.15176/vol52no103UDK 785-055.2:39(497.12)</p></li><li><p>Gender Relations in Instrumental Folk Music in Slovenia. </p><p>60</p><p>WOMEN INSTRUMENTALISTS IN SLOVENIAN MUSICAL TRADITION</p><p> godkagodec</p><p> Ethnomusicological Forum </p><p>godevkagodec</p></li><li><p>Gender Relations in Instrumental Folk Music in Slovenia. </p><p>61</p><p> eee</p><p>tamburica </p><p>, e~It</p><p>Universal</p></li><li><p>Gender Relations in Instrumental Folk Music in Slovenia. </p><p>62</p><p>e </p><p>e e </p></li><li><p>Gender Relations in Instrumental Folk Music in Slovenia. </p><p>63</p><p>GENDER RELATIONS BETWEEN BELLS AND BELL CHIMERS</p><p> zvon </p></li><li><p>Gender Relations in Instrumental Folk Music in Slovenia. </p><p>64</p><p>BELL CHIMING, CHRISTIANITY AND GENDER</p><p>Pritrkavanje etnomuzikoloka fenomenologija pojava in njegova vkljuenost v slovenski in evropski prostor </p></li><li><p>Gender Relations in Instrumental Folk Music in Slovenia. </p><p>65</p><p>THE STORY OF A WOMAN BELL CHIMER</p></li><li><p>Gender Relations in Instrumental Folk Music in Slovenia. </p><p>66</p><p>eGer.</p><p>svoboda</p></li><li><p>Gender Relations in Instrumental Folk Music in Slovenia. </p><p>67</p></li><li><p>Gender Relations in Instrumental Folk Music in Slovenia. </p><p>68</p><p>CONCLUSION</p></li><li><p>Gender Relations in Instrumental Folk Music in Slovenia. </p><p>69</p><p>REFERENCES AND SOURCES</p><p> Journal of Research in Music Education</p><p>Woman Making Music. The Western Art Tradition, 11501950</p><p>Teave s spolom. Feminizem in subverzija identiteteeNarodna umjetnost</p><p>,Slovenski narod </p><p>Ethnomusicology Forum</p><p>Po sledeh tamburatva na Korokem.</p><p>Honor and Shame and the Unity of the Mediterranean</p><p> Dve domovini Two Homelands</p><p>Staging Socialist FemininityGender Politics and Folklore Performance in Serbia</p><p>Dolenjski list</p><p>Slovenke na prehodu v socializem. Vloga in poloaj ensk v Sloveniji 1945</p><p>1953</p><p>Slovenske noviceWomen and Music in Cross-Cultural Perspective. </p><p> Pritrkavanje. Etnomuzikoloka fenomenologija pojava in njegova vkljuenost v slovenski in evropski prostor</p><p>Ljudska glasbila in godci na SlovenskemDve domovini Two Home-lands</p><p> Journal of Musical Anthropology of the Mediterranean</p><p> Music and gender. Perspectives from the Mediterranean</p><p> Karl Marx. Cenzura in svo-boda tiska.</p><p>Music and Gender. </p><p>The Social Sciences and New Testament Interpreta-tion</p></li><li><p>Gender Relations in Instrumental Folk Music in Slovenia. </p><p>70</p><p>Honour and Shame. The Values of Mediterranean Societies</p><p>Sex Roles. A Journal of Research</p><p>Kmetijske in rokodelske novice </p><p>Women and Music in Cross-Cultural Perspective. </p><p>e emartno ob Pakiee</p><p>Slovenski narodStatistini urad republike Slovenije</p><p>Universal Declaration of Human Rights: 19482008</p><p>Etnolog~Slovenski narod</p><p>RODNI ODNOSI U INSTRUMENTALNOJ NARODNOJ GLAZBI U SLOVENIJI</p><p>Untitled</p></li></ul>

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