G.B.Shamilli

Two paradigms of the relation between the “part” and the “whole”:

from Boethius to Safi al-Din al-Urmawi

Two concepts – the musical language and the musical speech are

not metaphorical, because the music is an information system

Musical language is a system of units ranged from the sound to the scale as a basic structure

Musical speech is a succession of sound events which carry a definite sense

2

Sound scale :from do1 to do5

Units of musical language : octave scale

Units of musical language : pentachord

Units of musical language : tetrachord

Units of musical language : interval

Units of musical language : sound

Hierarchical paradigm of "part-to-whole" relation : the image of the basic structure in Boethius treatise

on music

Hierarchical paradigm of "part-to-whole" relation : the parts are less than the whole, self-dependent and

complementary

Hierarchical organization of "part-to-whole" relation : conjunct and disjunct tetrachord relations

Hierarchical paradigm of "part-to-whole" relation : the parts are contrary , leaving a gap in between

Hierarchical paradigm of "part-to-whole" relation : the whole in case of its augmentation or reduction remains the “sum of its parts”

Hierarchical paradigm of "part-to-whole" relation : basic structure in al-Farabi`s theory of music

Hierarchical paradigm of "part-to-whole" relation : parde-i Rāst as a generic structure in Neyšabūrī`s theory

of music

Rāstd-e-f#-g-a-h-c1

Nawā

d-e-f#-g ʻUššāq

e-f#-g-aMuxālif-i Rāst

g-a-h-c1

Hierarchical paradigm of "part-to-whole" relation : generic structure parde-i Rāst in musical theory of Neyšabūrī (1), Mu ammad La iqī (2), asan Kawkabī (3), Abd al-Ra mān aznawī h d H h G�(4)

N 1 2 3 4

1 Rāst Rāst Rāst Rāst

2 Muxālif-i Rāst ˊIrāq Isfahān Isfahān

3 ˊIrāq Isfahān ˊIrāq ʻUššāq

4 Muxālifak Zīrafkand Kūčak Kūčak

5 Hūsaynī Buzurg Buzurg Neyrīz-i ˊIrāq

6 Rahāwī Zangulah Hijāz Hijāz

7 Isfahān Rahāwī Būsalik Būsalik

8 Māddah Hūsaynī ʻUššāq Hūsaynī

9 Būsalik Hijāzī Nawā Rahāwī

10 Nawā Abū Salik 6 Zangulah

11 Nahāwand Nawā 6 Nawā

12 ʻUššāq ʻUššāq Hūsaynī Nayrīz

Hierarchical paradigm of "part-to-whole" relation : basic set in Milton Bebbit`s theory of music

Non-hierarchical paradigm of "part-to-whole" relation : basic structure in Safī al-Dīn al-Urmawī`s theory of music

Non-hierarchical paradigm of "part-to-whole" relation : indissoluble connection between Rāst-`a ls and ˊIrāq (Būsalik,

Hijāzī)-farʼ

Non-hierarchical organization of "part-to-whole" relation :оne-level and interconvertible relation

Non-hierarchical paradigm of “part-whole” connection:al-Urmawī, al-Širāzī, al-Marāġī (1); Anonim XV (2); Amīr ān (3); al-Jūrjānī (4) h

N 1 2 3 4

1 Uššāq Uššāq Uššāq Uššāq

2 Nawā Nawā Hūsaynī Hūsaynī

3 Būsalik Būsalik Rāst Rāst

4 Rāst Rāst Būsalik Būsalik

5 ˊIrāq Hūsaynī Rahāwī Rahāwī

6 Isfahān Rahāb Nawā Nawā

7 Rahāwī Hijāzī Buzurg Buzurg

8 Nawā Zangulah Sefahān Sefahān

9 Hijāzī ˊIrāq ˊIrāq ˊIrāq

10 Hūsaynī Isfahān Zangulah Zangulah

11 Zangulah Zīrafkand Hijāz Hijāz

12 Zīrafkand Buzurg Kūčak Kūčak

Non-hierarchical paradigm of “part-whole” connection:the scale of Iranian classical music (dastgāh-i Šūr)

Substantial and prosses-dependent architectonics of consciousness:

Сlassical Islamic musical genres display different

types of sound domain organization on the basis of

two implementations of the relation between the

part and the whole according to substantive and

processual architectonics of consciousness, which

is universal and can be found beyond the music of

the Islamic world.