from the avant garde to the digital vernacular (dada redux)

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From the Avant-Garde to the Digital Vernacular Contemporary Digital Poetry and Poetics Keynote talk for Oslo Poetry Film Festival November 18, 2012 Scott Rettberg University of Bergen Electronic Literature Research Group Digital Culture Program Linguistic, Literary, and

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A talk intended to introduce electronic literature by presenting it in relationship to the Dada. Derived from essay "Dada Redux" with some updates. Presented as keynote at the Oslo Poetry Film Festival, November 17, 2012.

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Page 1: From the Avant Garde to the Digital Vernacular (Dada Redux)

From the Avant-Gardeto the Digital Vernacular

Contemporary Digital Poetry and Poetics

Keynote talk for Oslo Poetry Film Festival

November 18, 2012

Scott RettbergUniversity of Bergen

Electronic Literature Research Group

Digital Culture ProgramLinguistic, Literary, and Aesthetic

Studies

Page 2: From the Avant Garde to the Digital Vernacular (Dada Redux)

Dad

a Red

ux

Page 3: From the Avant Garde to the Digital Vernacular (Dada Redux)

Raoul Housman, “Tête mécanique : l'esprit de notre temps” (1919)

Page 4: From the Avant Garde to the Digital Vernacular (Dada Redux)

Decentered Movements

Page 5: From the Avant Garde to the Digital Vernacular (Dada Redux)

In documenting art on the basis of the supreme simplicity: novelty, we are human and true for the sake of amusement, impulsive, vibrant to crucify boredom.…I write a manifesto and I want nothing, yet I say certain things, and in principle I am against manifestos, as I am also against principles.…I write this manifesto to show that people can perform contrary actions together while taking one gulp of fresh air; I am against action, for continuous contradiction, and for affirmation too, I am neither for or against because I hate common sense.

--Tristan Tzara

Page 6: From the Avant Garde to the Digital Vernacular (Dada Redux)
Page 7: From the Avant Garde to the Digital Vernacular (Dada Redux)

Redefining Audience, Recasting Reception

Page 8: From the Avant Garde to the Digital Vernacular (Dada Redux)

R. Mutt (Marcel Duchamp), “Fountain” (1919)

Page 9: From the Avant Garde to the Digital Vernacular (Dada Redux)
Page 10: From the Avant Garde to the Digital Vernacular (Dada Redux)

Reuse, Reinterpret, Remix

Page 11: From the Avant Garde to the Digital Vernacular (Dada Redux)

“L.H.H.O.O.Q” by Marcel Duchamp (1919)

Page 12: From the Avant Garde to the Digital Vernacular (Dada Redux)

Megan Sapnar et. al. “Pushkin Translation.” (2000)http://www.poemsthatgo.com/gallery/fall2000/pushkin/

Page 13: From the Avant Garde to the Digital Vernacular (Dada Redux)

Olia Lialina “My Boyfriend Came Back from the War” (1996)http://myboyfriendcamebackfromth.ewar.ru/

Page 14: From the Avant Garde to the Digital Vernacular (Dada Redux)
Page 15: From the Avant Garde to the Digital Vernacular (Dada Redux)

Mystery House Taken Over (2004)http://www.turbulence.org/Works/mystery/

Page 16: From the Avant Garde to the Digital Vernacular (Dada Redux)

Nick Monfort “Taroko Gorge” (2010)http://nickm.com/poems/taroko_gorge.html

Page 17: From the Avant Garde to the Digital Vernacular (Dada Redux)

Using Language as Raw Material for Abstract Art

Page 18: From the Avant Garde to the Digital Vernacular (Dada Redux)

Hugo Ball, “Karawane” (1917)

Page 19: From the Avant Garde to the Digital Vernacular (Dada Redux)

“The Hugo Ball” by Talan Memmott in Drunken Boat #8 (2006)http://www.drunkenboat.com/db8/panlitjudges/memmott/hugo_db/index.html

Page 20: From the Avant Garde to the Digital Vernacular (Dada Redux)

“Nio” by Jim Andrews (2001)http://collection.eliterature.org/1/works/andrews__nio.html

Page 21: From the Avant Garde to the Digital Vernacular (Dada Redux)

“Birds Singing Other Birds’ Songs” by Maria Mencia (2001)http://collection.eliterature.org/1/works/mencia__birds_singing_other_birds_songs.html

Page 22: From the Avant Garde to the Digital Vernacular (Dada Redux)

Random Acts of Creativity

Page 23: From the Avant Garde to the Digital Vernacular (Dada Redux)

Tristan Tzara

Page 24: From the Avant Garde to the Digital Vernacular (Dada Redux)

To Make a Dadaist PoemTake a newspaper.Take a pair of scissors.Choose an article in the newspaper of the length you wish to give your poem.Cut out the article.Then cut out carefully all the words that make up the article and put them in a bag.Shake gently.Then remove each cutting one after the other in the order in which they emerge from the bag.Copy conscientiously.The poem will be like you.

You will now become ‘an infinitely original writer with a charming sensitivity, although still misunderstood by the common people’.

Page 25: From the Avant Garde to the Digital Vernacular (Dada Redux)

“Regime Change” by Noah Wardrip-Fruin, David Durand, Brion Moss, and Elaine Froehlich (2003)http://collection.eliterature.org/1/works/wardrip-fruin_durand_moss_froehlich__regime_change.html

Page 26: From the Avant Garde to the Digital Vernacular (Dada Redux)

Nanette Wylde, “Storyland” (2002)http://collection.eliterature.org/1/works/wylde__storyland.html

Page 27: From the Avant Garde to the Digital Vernacular (Dada Redux)

Scott Rettberg “Frequency” (2009)http://retts.net/frequency_poetry

Page 28: From the Avant Garde to the Digital Vernacular (Dada Redux)

“This is How You Will Die” by Jason Nelson (2006) in Drunken Boat #8http://www.secrettechnology.com/death/deathspin.htm

Page 29: From the Avant Garde to the Digital Vernacular (Dada Redux)

Kurt Schwitters’s Merzbau Sculpture (1923-1927)

Page 30: From the Avant Garde to the Digital Vernacular (Dada Redux)

Use of Found Materials and Collage

Page 31: From the Avant Garde to the Digital Vernacular (Dada Redux)

Hannah Hoch “Cut with the Kitchen Knife Dada Through the Last Weimar Beer-Belly Cultural Epoch in Germany” (1919-1920)

Page 32: From the Avant Garde to the Digital Vernacular (Dada Redux)

Hannah Hoch, “Heads of State” (1918-1919)

Page 33: From the Avant Garde to the Digital Vernacular (Dada Redux)

3by3by3 (2006-Present)http://3by3by3.blogspot.com

Page 34: From the Avant Garde to the Digital Vernacular (Dada Redux)

You And We, A Collective Experiment (2009)http://www.Bornmagazine.Org/Youandwe/

Page 35: From the Avant Garde to the Digital Vernacular (Dada Redux)

Talan Memmott “Self Portrait(s) [as Other(s)] (2003)http://collection.eliterature.org/1/works/memmott__self_portraits_as_others.html

Page 36: From the Avant Garde to the Digital Vernacular (Dada Redux)

Signposts: Pointers toThe Digital Vernacular

Net S

tyle

s, Fe

eder

s, an

d The

Google

ians

Page 37: From the Avant Garde to the Digital Vernacular (Dada Redux)

Rob Wittig “The Fall of the Site of Marsha” (1999)http://robwit.net/MARSHA/

Page 38: From the Avant Garde to the Digital Vernacular (Dada Redux)

Mark Marino “LA Flood Project” (2010-11)http://laflood.citychaos.com/

Page 39: From the Avant Garde to the Digital Vernacular (Dada Redux)

Rob Wittig “Grace, Wit, and Charm” (2011)http://robwit.net/?project=grace-wit-charm

Page 40: From the Avant Garde to the Digital Vernacular (Dada Redux)

“Hot Air” by Chris Ault (2009)http://www.hyperrhiz.net/issue05/ault/project.html

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Clement Valls “Seed Drawings” (2011)http://clementvalla.com/work/seed-drawing-52/

Page 42: From the Avant Garde to the Digital Vernacular (Dada Redux)

John Cayley and Clement Valla “Hapax Phenomena” (2011)http://clementvalla.com/work/hapax-phaenomena/

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Mimi Cabell / Jason Huff ”American Psycho, 2010”http://www.mimicabell.com/gmail.html

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John Cayley “The Readers Project / Common Tongues” (2012)http://www.elmcip.net/creative-work/common-tongues

Page 45: From the Avant Garde to the Digital Vernacular (Dada Redux)

Check out more E-LIT

Ther

e’s a

Whol

e lo

t of c

ool s

tuff o

ut ther

e

Page 46: From the Avant Garde to the Digital Vernacular (Dada Redux)

The Electronic Literature Organizationhttp://eliterature.org

Page 47: From the Avant Garde to the Digital Vernacular (Dada Redux)

The Electronic Literature Collection, Volume 1 and 2http://collection.eliterature.org

Page 48: From the Avant Garde to the Digital Vernacular (Dada Redux)

ELMCIP Electronic Literature Knowledge Basehttp://elmcip.net/knowledgebase