from painting to film
TRANSCRIPT
Understanding Design:The study of imagery-influence & content
Directed by: M.K. Asyraf M. Zaki 2012303219Produced by: Dr Harrinni Md Noor
Issues: Film as medium in teaching VAE
Amelie ; Cinematic Impressionism
• The chromatic pattern of Amelie are directly inspired by painting from Impressionism to contemporary artist.
• The Luncheon at the Boating Party (1881), play a key role in the film.
• This particular painting was chosen because it had a number of character.
• Impressionist painting more generally has inspired the brightly-it set and warm color of Amelie, especially in outdoor scene.
The Luncheon at the Boating Party (1881) by Pierre-Auguste Renoir
-Oil on Canvas-129.9 cm × 172.7 cm (51 in × 68 in)-The Phillips Collection, Washington, DC.
The Influence of Painting in FilmCinematogra
phy
Color
Scene/Shot
Lighting
Artist Character
Wardrobe
Cinematography; Scene/Shot
House by the Rail Road (1925) -by Edward Hooper- 61cm x 73.7 cm (24 inch x 29 inch)-Oil on Canvas
Psycho (1960)Directed by Alfred Hitchcock’s
Cinematography; Lighting
Self-portrait (1629) -by Rembrandt The Godfather (1972)
Directed by Francis Ford Cappola
Artist Character
Amelie (2001)-Directed by Jean-Pierre Jeunet - Amelie character play by Audrey Tautou
Wardrobe
The Girl With The Pearl Earring (1665)-by Johannes Vermeer -Oil on Canvas-44.5 cm × 39 cm (17.5 in × 15 in)-Mauritshuis, The Hague.
The Girl With The Pearl Earring (2002)-Directed by Peter Webber-Wear by Scarlet Johnson as Griet