music composed & produced byDon Walker

Music Consultants Cherry Pie Records

Music Mix Paradise Studios

The music by Don Walker (using Michael Hutchence, Ian Moss and Walker's Cold Chisel mates) is more than competent, and retains a cult following.

It's possible to see the song that runs over the head credits on YouTube, with a number of copies derived from the ABC's music clip program Rage, either here or here, at time of writing.

Walker was one of the key creative forces behind the domestically very successful band Cold Chisel.

Walker has a wiki here.

Don Walker later published in 2010 a book of memoirs of growing up and his life in music:

(Below: Don Walker as he appears in the film clip)

The theme that ran over the head credits, featuring Michael Hutchence, was released as Hutchence first solo single by WEA in early 1982, but it didn't chart well

Hutchence, well known for his performances with INXS, his love life and his unfortunate demise, has a wiki here.

(Below: Michael Hutchence as he appears in the film clip)

When the film's score was released as an album, Mike Daly gave it a warm welcome in The Age on 8th April 1982:

Don Walker's film soundtrack album, Freedom (WEA 600119) contains the best rock music written for an Australian movie. Walker, Cold Chisel's keyboard player and major composer, gets help from group members Ian Moss (guitar), bassist Phil Small and drummer Steve Prestwich … but not vocalist Jim Barnes.

The acoustic guitar of Peter Walker (who produced Cold Chisel's debut album) plays a prominent role: he is on five of the nine tracks. His slow bluesy playing pervades the opening tune, Port Adelaide, and its refrain, Port Adelaide II, with some nice solo lines. He is also on the tough rocker Speed Kills, which stars the vocals of Mark Hutchence (sic) (from INXS) and stylish electric guitar by Ian Moss.

Sedan Hoot is a Peter Walker duel with Mark Collins's banjo, while David blight on harmonica provides the country hoots. On the final Forest Theme (which echoes the earlier instrumental, Freedom Theme) lyrical acoustic guitars are set against Don Walker's harmonium, spoken lines and a unison vocal chorus.

Ian Moss provides some exciting electric lead guitar in the hypnotic rocker, Eleuptheria, and atmospheric solo work on the dream-like Last Stretch.

It was Walker's first work outside the Cold Chisel band (in the same review, Daly reported favourably on Cold Chisel's album Circus Animals, for which Walker wrote five of the ten songs).

The lyrics for the song Speed Kills which runs over the head titles run as follows.

(The song is preceded by an electronic voice doing a countdown from nine to one, followed by several electronic cries, and it then runs over credits and images of the hero Jon Blake and Chris Haywood playing various video games, before fading away under footage of Blake at work in a factory)

The lyrics are obscured by electronic distortion, guitar and are mixed well down and also obscured by sound effects, and accordingly a number of variations have been discerned by various listeners. This version seems reasonably close:

Speed kills(Female voice: You beat eighty-five and ninety-fiveRunning each day on fuel injected things)Sunday, Monday, Tuesday, WednesdayThursday, Friday, Saturday most of allAnd I'm goin' it my way (alternative transcription: knowin' it my way)(Female voice: If you can catch the cab, crawl up north

Touch your sunstroke clouds, I'll be comin' too)

One step forward, two steps backTwo dollars on the video trackI love you, but can't you seeThis speed is killing me, killing me (alternative transcription: the big beat)

(indistinct background talking)

One shift down, two shifts lateYou need your man who's at the factory gateI love you, but can't you seeThis speed is killing me, killing me (alternative transcription: the big beat)

(Male voice: All my friends blow me off)

Album details:

LP (stereo) WEA 600119 (CA M5 600119) 1982Music Composed by Don WalkerAll Music Australian Compositions - Published by Burdikan Pty. Ltd. Produced by Don Walker for Burdikan and The South Australian Film Corporation. Fairlight CMI programmed by Duncan McGuireMichael Hutchence appears courtesy of INXS and Deluxe RecordsJason Currie appears courtesy of St. Maryʼs Cathedral Choir, SydneySoundtrack recorded in Paradise Studios, Sydney, March and April 1981 Co-ordinated by Phil Matthews, Graeme Rule and Jenny Hunter-BrownEngineered by Peter Walker and David Walsh, Mixed by Mark Optiz

SIDE 1:

1. Port Adelaide (1'56") (Don Walker) Vocals: Don WalkerDon Walker - Harmonica, Peter Walker - GuitarPhil Small - Bass, Backing Vocals - Don Walker,Peter Walker, Ian Moss, Steven Prestwich, Quito Ray2. Speed Kills (3'43") (Don Walker) Vocals: Michael HutchenceQuito Ray - Vocals, Ian Moss - Electric guitarsPeter Walker - Acoustic Guitars. Billy Rogers -

Saxophone. Phil Small - Bass. Steven Prestwich - Drums.3. Port Adelaide II (2'40") (Don Walker) Peter Walker - GuitarsDon Walker - Piano, Phil Small - Bass.4. Freedom Theme (3'35") (Don Walker), Billy Rogers - SaxophoneIan Moss - Guitars, Don Walker - Piano SynthesiserPhil Small - Bass, Steven Prestwich - Drums5. Sedan Hoot (5'26") (D. Walker - D. Blight), David Blight - HarmonicaPeter Walker - Guitar, Mark Collins - BanjoPhil Small - Bass, Steven Prestwich - Drums

SIDE 2:

1. Eleuptheria (7'04") (Don Walker, Latin by Cicero)Vocals: Jason CurrieIan Moss - Guitars, Don Walker - Piano, SynthesiserDavid Blight - Harmonica, Phil Small - Bass, Steven Prestwich - DrumsBacking Vocals - Quito Ray, Miranda Brown, Don Walker2. Fascist Sounds (2'03") (Don Walker) Vocals: Liz Watters, Ian MossIan Moss - Vocals, Guitar, Don Walker - PianoPhil Small - Bass, Steven Prestwich - Drums3. Last Stretch (2'34") (Don Walker - Ian Moss), Played by Ian Moss4. Forest Theme (3'48") (Don Walker) Vocals: Michael HutchenceKayellen Hutchence - Backing Vocals, Peter Walker - Guitars.Don Walker - Harmonium, Phil Small - Bass

A 45 was also released but didn't chart well:

45 (stereo) WEA 100201 1982

Side A: “Speed Kills”

Side B: “Fascist Sounds”

The score was also released on CD:

CD (stereo) Orion Recordings OR026 1996 (Remastered June 1996)