framing and naming the shots

14
Shots, framing and meaning Camera basics 16:9 16 9 aspect ratio

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These are the basic camera shots and names.

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Page 1: Framing and naming the shots

Shots, framing and meaningCamera basics 16:9

16

9

aspect ratio

Page 2: Framing and naming the shots

Extreme long shot (XLS/WA)subject very small in frame. Male or female?

used to open a sequence - where are we?

neutralcameraheight

subjective

Page 3: Framing and naming the shots

Very long shot (VLS)subject is about 3rd screen space

used to introduce a person but not identify them

neutralcameraheight

subjective

Page 4: Framing and naming the shots

long shot (LS)subject fills the frame

used to introduce a someone often in motion

neutralcameraheight

subjective

Page 5: Framing and naming the shots

medium long shot (MLS)subject is cut by the frame above/below knees

we recognise but lack detail esp. eyes

neutralcameraheight

subjective

Page 6: Framing and naming the shots

medium shot (MS)frame cuts subject below waist & elbow

Direction of gaze draws attention

neutralcameraheight

subjective

Page 7: Framing and naming the shots

medium close up (MCU)

neutralcameraheight

subjective

frame cuts subject below arm joint

facial expressions emphasised - not intrusive

Page 8: Framing and naming the shots

close up (CU)frame cuts subject above arm joint - not neck!

emphasises intimacy, secrecy etc

neutralcameraheight

subjective

Page 9: Framing and naming the shots

big close up (BCU)frame cuts subject above brow, above chin

extreme emotion

neutralcameraheight

subjective

Page 10: Framing and naming the shots

intrusive and powerful

extreme close up (ECU)

neutralcameraheight

subjective

frame features just eyes or eyes and nose

Page 11: Framing and naming the shots

interviews MCU - headroom

subject rotated slightly and not looking to camera

neutralcameraheight

objective

cameraright

3/4 profile

cameraleft

Page 12: Framing and naming the shots

interviews - looking roomdefinite ‘eyeline’, framed camera left or right

neutralcameraheight

objective

3/4 profile

cameraright

cameraleft

Page 13: Framing and naming the shots

these shots need to balance each other

interviews - matching MCUs

neutralcameraheight

objective

eyeline eyeline

Page 14: Framing and naming the shots

More reading

‘The Grammar of the shot’. RoyThompson