forget to remember- book ii: method
TRANSCRIPT
-
7/23/2019 Forget to Remember- Book II: Method
1/27
-
7/23/2019 Forget to Remember- Book II: Method
2/27
2 |
CONTENTS
INTRODUCTION / 4
PROPOSAL / 6
GOALS / 8
RESEARCH / 13PRODUCTION / 24
POSTERING / 35
BRANDING / 43
CONCLUSION / 51
WORKS CONSULTED / 52
-
7/23/2019 Forget to Remember- Book II: Method
3/27
4 |
THE WALKUP TO THE
MOUNTAIN TOTHE RUINS ISALSO PART OF
THE RUIN-FLORENCE M. HETZLER
-
7/23/2019 Forget to Remember- Book II: Method
4/27
6 |
PROPOSAL
Abstract
T x
,
. I
x ,
.
Rationale
T
x
,
x
x . I x
.
I G D
,
x
.
Context
T
,
. H,
, ,
(
). O I ,
,
, ,
. A x
S S
T I H L. T
S
, .
T
L,
P C .
E . I
x ,
x
. T ,
. W
L,
-
q. T
, x
Audience Demographic
T I
q . A
-
. A ,
, ,
. F x-
WRITTEN IN SEPTEMBER, THIS PROPOSAL ILLUSTRATESTHE EARLY FOUNDATION OF THE PROJECT AS WELL AS THEPROGRESSION THE PROJECT UNDERWENT
-
7/23/2019 Forget to Remember- Book II: Method
5/27
8 |
PROJECT GOALS
M
Ex , ,
Jx - , ,
-
-
7/23/2019 Forget to Remember- Book II: Method
6/27
10 |
-
7/23/2019 Forget to Remember- Book II: Method
7/27
12 |
-
7/23/2019 Forget to Remember- Book II: Method
8/27
14 |
HOW DOES COLLECTIVE MEMORY AFFECT CITYSCAPE?
DOES THE EFFORT OF RECALL AFFECT THE WAY WE REMEMBER?
HOW MUCH OF HERITAGE LIES IN THE IMAGINATION VERSUS IN RECORDED HISTORY?
WHAT IS THE RELATION BETWEEN PLACE AND MEMORY?
QUESTIONS
WHAT IS INVOLVED IN THE PROCESS OF A SOCIETY OR COMMUNITITY COLLECTIVELYFORGETTING SOMETHING/SOMEPLACE/SOMEONE? WHAT ARE THE IMPLICATIONSOF THIS?
HOW DOES A CITYS CONNECTION TO ITS PAST INFORM ITS FUTURE?
KEYWOR
, , , , , ,
, , x , , , ,
, , , .
-
7/23/2019 Forget to Remember- Book II: Method
9/27
16 |
TOPIC 1: MEMORY
Memory was the theme . I , I I ,
. I
. I . T
, , . S, .
S I
. T I .F, I
.
HISTORY, MEMORY, FORGETTINGPAUL RICOEUR, 2004
T 642- . P R F , , . I
. R
. T . H , . R P , .
MEMORY & MIGRATIONEDITED BY JULIA CREE
T
.
LA JETEA FILM BY CHRIS MARK
L J 28 C
-
7/23/2019 Forget to Remember- Book II: Method
10/27
18 |
TOPIC 2: RUINS & EPHEMERA
his second topic . Jx & , . I
q . F x,
,,
,
. R , . T , . T
. I
S E, . T .
IRRESISTABLE DECAY: RUINS RECLAIMEDEDITED BY MICHAEL S. ROTH, 1998
Irresistable Decay q . S,
. R , , , , . I , q ,
THE RUINS OF MEMORYEUGENIO DONATO, 197
T , . D
. H W F H, x
CAUSALITY: RUIN TIMEFLORENCE M. HETZLER
F M. H . S
A
-
7/23/2019 Forget to Remember- Book II: Method
11/27
20 |
TOPIC 3: TORONTO & CITYSCAPE
his last major topic x . I x q
, . T
A . I
I
, I . I . T -
, ,
. T , I , I .I , x
.
A GLIMPSE OF TORONTOS HISTORY: OPPORTUNITIES FOR THECOMMEMORATION OF LOST HISTORIC SITESTORONTO HISTORICAL ASSOCIATION, 2001
T H A q
. D , , . B , I , , , . M A , & x
.
THE CITY OF TORONTO 255 SPADINA ROAD
T A
M q. H
M I
TORONTO STAR: PAGESPAGESOFTHEPAST.CA
P P
.
-
7/23/2019 Forget to Remember- Book II: Method
12/27
22 |
-
7/23/2019 Forget to Remember- Book II: Method
13/27
24 |
PRODUCTION
he production phase J. T I x , . A ,
. I , , . M , I
-. I
-
. M q, . O I
, . T , I .
-
7/23/2019 Forget to Remember- Book II: Method
14/27
26 |
PROTOTYPES
It was always the ones , . I
, , . T
.I
I HAD ALWAYS NOTICED THAT AFTER HEAVY RAIN FALL, CERTAIN FLYERS POSTED
IN MY NEIGHBORHOOD WOULD FADE FAR MORE QUICKLY THAN OTHERS.
SIGN VINYL LETTERS / INKJET / UNCOATED PAPER
Uncoatedpaperwastooporous,trappedtoomuchink
Vinylhadgoodadhesion,verylittlebleedingwhensprayedwithwater
ADHESIVE DURALAR LETTERS / INKJET / PHOTO PAPER
Anaccidentalprintonthereversesideofphotopaperyieldedbest
Strengthofadhesiveintheduralardidnotmeetthatofthesignvinyl
, q x . T q ,
x . I
. T . I
- . T
- .
SPRAY VARNISH & STENCIL
Mylarasasubstrateworked
,
-
7/23/2019 Forget to Remember- Book II: Method
15/27
28 |
FEBRUARY 12 FEBRUARY 14 FEBRUARY 15
he second prototype , - . I . T
. I x
I
. H, I . T x
x I .
-
7/23/2019 Forget to Remember- Book II: Method
16/27
30 |
THE FINAL DESIGN OF THE POSTER WAS A PRODUCTOF EVERYTHING I HAD LEARNED THROUGH PREVIOUSEXPERIMENTATION
he final posters . M
. A
,
. J
, I
,
. T I
. R
q I . T
,
. A
,
. T
,
. F,
, -
URL
. T
.
-
7/23/2019 Forget to Remember- Book II: Method
17/27
32 |
-
7/23/2019 Forget to Remember- Book II: Method
18/27
34 |
-
7/23/2019 Forget to Remember- Book II: Method
19/27
36 |
BY-LAWS BUSINES
Recognizing and - . I I
. I -
. T
x. T
, .T, - I . T , . B
I . S
, , x. I , I .
Business Improvement Ar BIA, I B I
A. T R T C
-
7/23/2019 Forget to Remember- Book II: Method
20/27
38 |
SECONDA
Especially after xBO., I I , I
P x . W , , . E
q,
AFTER THE POSTEGETTING A SIGNI
-
7/23/2019 Forget to Remember- Book II: Method
21/27
40 |
-
7/23/2019 Forget to Remember- Book II: Method
22/27
42 |
-
7/23/2019 Forget to Remember- Book II: Method
23/27
44 |
LOGOI WANTED TO ENSURE THE LOGO WOULD VISUALLY JUXTAPOSE THE IDEAS OF PASTAND PRESENT, OLD AND NEW.
I chose a Miso . I . I ,I Fairax Station
. I . I
M, I . , I , , .T
PRIMARY MARK
. T , .
THE DRIPPING CIRCLE WASCREATED BY HAND USINGINK AND A BOTTLE CAP. THEDRIPPING TIES THE LOGO WITHTHE RUNNING INK OF THEPOSTERS.
-
7/23/2019 Forget to Remember- Book II: Method
24/27
46 |
TYPOGRAPHY
MISOABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz 1234567890 !@#$%^&*()
ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz 1234567890 !@#$%^&*()
MINION PROABCDEFGHIJKLMNOPQRSTUVWXYZqx 1234567890 !@#$%^&*()
MISO WAS RESERVED FOR HEADLINES. BOTH WEIGHTS, LIGHT & REGULAR, WERE USED.
MINION PRO WAS USED FOR BODY COPY WITHIN THE PUBLICATION.
COLOUR
he visual identity . H ,
. M . I I
-
7/23/2019 Forget to Remember- Book II: Method
25/27
48 |
WEBSITE
he purpose of
. E
I -
URL
, .T
. T
I
. T
. T
.
BETWEEN FEBRUARY AND MID-APRIL...
THERE WERE 367 UNIQUE VISITORS
THERE WERE 2660 TOTAL PAGE VIEWS
60% OF USERS ARRIVED VIA DIRECT URL(THE MAJORITY OF THESE WERE MOST LIKELY VIA THE POSTERS)
THE LOCATION THAT TRACKED THE MOST HITS WAS THE ODETTE HOUSE
WWW.FORGETTOREMEMBER.CA
http://www.forgettoremember.ca/http://www.forgettoremember.ca/ -
7/23/2019 Forget to Remember- Book II: Method
26/27
50 |
WORKS CONSULTED
-
7/23/2019 Forget to Remember- Book II: Method
27/27
52 |
B, H, A M. C E,.N Y: M L, 1944. P.
B, J. T M D M. C-: C UP, 2008. P.
C, J, A K. M M-: M A M S.: U , 2011. P.
D, E. T R M: A
F x A. MLN 93.4 (1978): 575-96. JSOR. W. .
D, M. H M A. N Y:G, 1961. P.
F, M. R M : I A /. O,1992. P.
F, S. F H M: A R M D H M A. E- M A J 3 (2008). W. .
G, A. C R I- F: A C D C. PL Sq J. D A G, 2011. W. .
G, F, R H. T I Witness:Trauma,MemoryandVisualCulture.London:W, 2007. P.
H, J, C M. C M, L J.L: A, 2009. P.
H, F M. C: R R.L 21.1 (1988): 51-55. W.
H, M A. D. A R. B M-
riteDuras,SachaVierny,TakahashiMichio,HenriColpi,J C, G D, G F, P. ,. C. P. S H E. P. E- R, E O, S D, P B,andBernardFresson.[ZenithInternationalFilmCorp.Presents],1959.DVD.
LaJetee;SansSoleil.NouveauxPictures,2003.DVD.
L, B. W C M R.S E L 1500-1900 42.4 (2002): 675-92. JSOR. W. .
L, A. A K/P C: M,M M. L: T & H,2007. P.
L, C. M A: C M, L
J S S. 2007. P.
WORKS CONSULTED
M, J. H H233.13 (2011). W.