Fine Arts Center Theatre Company

PRODUCING AMERICAN THEATRE IN THE

21st CENTURY

Man of La Mancha Please read this entire form and list all schedule conflicts on the back of this form. Thank you for auditioning for the FAC Theatre Company! Please note the following:

Actors who are not called back or who are not cast will not be contacted. Please do not contact the production office to find out if you have been cast; we will contact you.

All FAC Theatre Company actors receive compensation. For AEA actors, the FACTC currently uses the Guest Artist Tier II agreement.

FACTC does not believe in discrimination based on color, race, religious affiliation, sexual orientation, disabilities, gender, or otherwise. All performers, including those of color, seniors, women, and performers with disabilities, are encouraged to audition and will be given full consideration.

Thank you.

Scott RC Levy

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The Colorado Springs Fine Arts Center Theatre Company MAN OF LA MANCHA Auditions

Audition Appointments—Monday February 27th, 2017 5 – 10pm

* Audition Number refers to the order they come into the room and will be assigned at the audition.

Time Name Audition Number

*

Phone: Home

Email/Notes Other/Cell

5:00 Drew Frady

Seth Dhonau

Hannah Harmon

Josh Owen

Ambrosia Feess - Armstrong

Randy Chronister

Andra Burch

Alex Wood

Kody Maynard

Max Ferguson

Sam Suksiri

Brittany Merritt

Michael Augenstein

rebecca.yukman

Darren Christopher

Erik Brevik

David Hastings

Elizabeth Snyder

Sammie Joe Kinnett

Carmen Shedd

Kyle Steffen

Director: Scott RC Levy Stage Manager: Kaetlyn Springer

Man of La Mancha Production Meeting

Date: 5 May 2017 Location: War Room Announcements: None

In Attendance: Emma Dean (left at 3:30pm), Mary Ripper Baker (arrived at 3:25pm), Holly Rawls, Chris Sheley, Sydney Gallas, Ben Heston, Scott RC Levy, Kaetlyn Springer, Stephanie Bradley

Not in attendance: Jonathan Eberhardt

General: 1. We believe that Josh will only play the guitar in “Little Bird.” This may mean that the guitar comes in with the trunk. (Perhaps on Sancho’s back.) 2. The shields for Knight of the Mirrors and the 4 Muleteers need to be recognizable as shields on their own, but then come together. The concentration of mirror/reflective pieces should be on the shields.

The shields should be more facet-like than mosaic in the placement of mirror pieces. 3. We’re going to teach Joy’s music solo in “Moorish Dance” to Carmen. Joy will remove her mic as the bellydancer. a. This means we will not need to hide her mic transmitter. 4. For the Cervantes/Quixote transformation, there should be an old-fashioned make-up box that comes out of the trunk. This box should hold his Quixote identity. 8. Sitzprobe will be Tuesday, May 16. We will need to know by the end of next week if the band will be able to load in onto their platform. a. We will need video monitors and audio monitors ready for this. b. Actor call is 5:30pm. Downbeat is 6:00pm.

Scenic:

1. To create the kitchen, we will use one of the planks from the table and put it on top of two barrels, rather than using the Catherine wheel experience. We’ll dress it with items so that it becomes a countertop.

2. We are cutting the ladder that comes out of the hatch. We will need something that stays within the pit for the actors to come in/out of the pit and for Quixote to stand on when he’s in the bed.

Lighting:

1. Focus and running cable to all of the braziers will take a significant amount of time with the Genie. 2. On Monday, we will need to get a Rev back into the torm. 3. Holly is going to put Colorblasts in the hearth, so that the fire and the braziers can match. We may also use a

silk/fan experience for the fire that is similar to what we did in Other Desert Cities.

Props: 1. We will need two swords for Quixote, one that he can ride the horse with toward the top of the show, and the

other is the bent sword that he carries through the rest of the show (after the “Fight of the Windmills”). a. The sword wants to have a guard and be flat. (A rapier rather than an epe.)

2. Quixote’s shield should be something that comes from the world of the prison.

Man of La Mancha Light Board Duties

Preshow -Turn on board, park channel 453(A/C) at full, 454 (fogger a/c) at full, 455 (orchestra light) at 85,

GOTO Q 0.5 and turn off Outlook -Turn on dimmers at the dimmer rack - Put ghost light up center and turn on -Turn on/ check run lights 1 UR crossover 1 C crossover 1 UL crossover

2 US of garage door 1 DR near green room door 1 DL under crows nest 1 in shop -Make sure grid lights, FOH catwalk works, house entry hall lights are off (recheck at house open)

-Perform dimmer check with just works and house slider up (GOTO Q 0 first!) Extra fixture lamps are in the trap room, extra practical bulbs are in the gel cart or trap room LOOK AT FOCUS OF LIGHTS, YOU MAY HAVE TO UNFOCUS THEM TO RELAMP! Make a note of any repairs done/ problems and give to Kat -Turn on green room monitor (NATE DOES THIS) -Check fogger and hazer levels every Thursday and Sunday -GOTO works Q .5 until house open, pull down sliders 1 & 2 -Remove table to up center house doors and stanchions to hallway -At house open get on headset- either you or Ben need to be at the booth at all times -GO to Q 1 with house open Postshow

-After Tim has closed house doors and all audience members are gone GOTO Q .5 and unpark channels 453, 454, 455 and take these channels to zero -Clean board area of refuse, help with post show

-Assist crew as needed -Turn off run lights as necessary (some go out with 453), put ghost light on the apron and turn on -Turn off green room monitor (NATE DOES THIS) -Turn off dimmers -Turn on Outlook -Put back stanchions and table -Turn off light board and cover (after crew is done with postshow)

Saturday, 29 April 2017 Time: 10:00am-1:00pm; 3:00-7:00pm Location: Rehearsal Space Working: 10:00am-1:00pm Muleteers Music: (Muleteers, adding Quixote and Aldonza at 12:00pm) (missing Randy; Alex to leave early) “It’s All the Same” “Dulcinea” “Little Bird, Little Bird” “Golden Helmet of Mambrino” “The Abduction” “Finale” 3:00-5:00pm “Moorish Dance” (Moorish Dancer) 5:00-7:00pm “Moorish Dance” (Horse, Donkey, Moorish Dancer, Quixote, Sancho, Moors) (missing Alex) Called: 10:00am-12:00pm Alex, Drew, Josh, Mike L, Kyle 12:00-1:00pm Alex, Drew, Gina, Josh, Mike L, Stephen, Kyle 3:00-5:00pm Joy 5:00-7:00pm Carmen, Drew, Joy, Kyle, Mike L, Sammie Joe, Stephen Sunday, 30 April 2017 Time: 10:00am-7:30pm Location: Rehearsal Space Working: 10:00am-1:00pm Read/Sing Thru (Full company) 1:00-3:00pm Staging/Choreography: “It’s All the Same” (Aldonza, Muleteers) 3:00-4:30pm Dinner Break 4:30-7:30pm Staging: Scene 1, pages 5-9 (Full company) and Scene 5, pages 22-24 (as called) Called: 10:00am-1:00pm Full Company (Elizabeth at 12:30pm) 1:00-3:00pm Alex, Drew, Gina, Josh, Mike L, Randy 4:30-7:30pm Full Company (missing Alex) Monday, 1 May 2017 Time: 5:00-9:00pm Location: Rehearsal Space Working: 5:00-6:30pm Scene 2, pages 9-14 – “Man of La Mancha” (“I, Don Quixote”) (Quixote, Sancho, Horse, Donkey) 6:30-7:30pm “Dulcinea” (Quixote, Aldonza) 7:30-9:00pm “What Does He Want Of Me?” (Aldonza, Horse, Donkey) Called: 5:00-6:30pm Alex, Carmen, Sammie Joe, Stephen 6:30-7:30pm Gina, Stephen 7:30-9:00pm Alex, Carmen, Gina

Man of La Mancha Date: 10 June 2017 Show Number: 11 Today’s Schedule: 7:30pm Top of Show Next Performance: 11 June at 2:00pm

House Count 398

Pre-Show Speech Record: 1 min

Act One 7:34-9:31pm

1:56:01 Performance Evaluation: Tonight’s audience was terrific! From the very beginning of the show, they were with us, cheering the first time Stephen said “Don Quixote de la Mancha.” We had issues with dead batteries twice tonight. Carmen’s mic was out for “I’m Only Thinking Of Him.” We were able to replace her battery after both iterations of the song were finished. Stephen’s battery died during the gypsy dance. Our only opportunity to change it was while his lower half was in the pit during the final bedroom scene. We passed a message on to him to expect it, and Morgan, Lisa, and Emma put a new battery in during “A Little Gossip.” Truly a spectacular feat by all four involved. Stephen held the blanket with extra care and never twitched a muscle as it happened. Mic issues aside, Stephen continues to halt the show with his applause for “Impossible Dream.”

Actor Notes: 1. David – You didn’t wait for Stephen’s reaction to

“This inn” before moving on to “I mean this castle” (page 17)

2. Muleteers – Your ripple was messy in “Little Bird.” 3. Stephen and Mike L – During “The Combat,”

getting the whip off the lance looked like a throw and catch this evening.

Sound: 1. The band was too hot at the top of “What

Does He Want of Me?” I couldn’t hear Aldonza’s “…but who can figure him out?”

2.

Lights: 1. I dropped cue 202.

Costumes: 1. The make-up box fell and the make-up

inside broke up. We will need a replacement.

Props: 1. The clanking of the cup has gotten worse it seems.

Sammie Joe never uses that cup. Could we attach it to his belt with something that is not metal so that it doesn’t clink anymore?

2. Sancho’s trumpet has been crushed again and will need attention before tomorrow.

Scenic: 1. Jeff, can you help Emma move the

mouthpiece from the current trumpet to our replacement trumpet sometime next week?

Administrative Notes: 1. We had people exit through the down house left

door this evening. Tim had an usher assigned to it, but he/she apparently did not actually watch it.

Music: 1. The band was too hot at the top of “What

Does He Want of Me?” I couldn’t hear Aldonza’s “…but who can figure him out?”

Other Notes:

By Aurand HarrisMarch 2-April 1

By Lisa Kron & Jeanine TesoriBased on the Graphic Novel by Alison Bechdel

March 29 – April 22

By Becky Mode

April 27 – May 20

By David Yazbek & Jeffrey LaneMay 24 – June 17

By Greg AllenMay 24 – June 17

Questions?