fine american & european paintings

Fine American &European Paintings &Sculpture 12/02/12

Fine American & European Paintings & Sculpture 12/02/12

Fine American & EuropeanPaintings & SculptureSale 1448

Sunday, December 2nd, at 2pm

Inquiries:

alasdair nichol

direct tel: 267.414.1211

[email protected]

david weiss

direct tel: 267.414.1214

[email protected]

andrew huber

direct tel: 267.414.1210

[email protected]

Exhibitions:Thursday, November 29th to

Saturday, December 1st

10am-5pm

Catalogue $35

Inside Front Cover: Lot 114 (detail)Inside Back Cover: Lot 94 (detail)

Color images of every lot are available atwww.freemansauction.com

Bidding:bids department bridgette bonnertel: 267.414.1208fax: [email protected]

Printing by Brilliant Studio

Exton, Pennsylvania

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free≤an’sfine american & european paintings & sculpture

12/02/12

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Important Informationfor Buyers

Registration

Buyer’s Premium

Sales Tax

Catalogue Descriptions

Bidding

Payment

Removal of Purchases

Shipping and Packing

All potential buyers must register for the sale prior to placing a bid.Registration information may be submitted in person at our reception desk,by fax or through our website at www.freemansauction.com. We will requireproof of identification and residence and may require a credit card and/or abank reference. By registering for the sale, the buyer acknowledges that heor she has read, understood and accepted Freeman’s Terms and Conditionsof Sale.

A Buyer’s Premium will be added to the successful bid price and is payableby the buyer as part of the total purchase price. The Buyer’s Premium shallbe: 25% on the first $50,000 of the hammer price of each lot, 20% on theportion from $50,001 through $1,000,000, and 12% thereafter.

All items in the catalogue are subject to the 8% Pennsylvania andPhiladelphia sales tax. Dealers purchasing for resale must register their taxnumbers on current PA forms. Forms should be submitted to our ClientServices office on the second floor.

All item descriptions, dimensions and estimates are provided for guidanceonly. It is the buyer’s responsibility to inspect all lots prior to bidding toensure that the condition is to their satisfaction. If potential buyers areunable to inspect lots in person, our specialists will be happy to preparedetailed Condition Reports on individual lots as quickly as possible. Theseare for guidance only, and all lots will be sold “as is” as per our Terms andConditions of Sale.

At the sale Registered bidders will be assigned a bidder number and given apaddle for use at the sale. Once the first bid has been placed, theauctioneer asks for higher bids in increments determined by the auctioneer.To place your bid, simply raise your paddle until the auctioneeracknowledges you. The auctioneer will not mistake a random gesture for abid.By phone A limited number of telephone lines are available for bidding byphone through a Freeman’s representative. Phone lines must be reserved inadvance. Requests must be submitted no later than 24 hours prior to thescheduled start of the sale.In writing Bid forms are available in the sale room and at the back of thecatalogue. These should be submitted in person, by mail or by fax no laterthan one hour prior to the scheduled start of the sale. The auctioneer willbid on your behalf up to the limit indicated, but is not responsible for errorsor failure to execute bids.On the internet A fully-illustrated catalogue is available on-line atwww.freemansauction.com. Registered bidders may leave absentee bidsthrough the web site and will receive email confirmation of their bid.Freeman’s is not responsible for errors or failure to execute bids.

Lots purchased will not be released until we have received full payment.Payment may be made in cash, by check, money order, or debit card.Payments by check must clear the bank before goods will be released.

Deliveries will not be made during the time of the sale unless otherwiseindicated by the auctioneer. All items must be paid for and removed withinten (10) working days of the sale. Purchases not so removed may be turnedover to a licensed warehouse at the expense and risk of the purchaser.

Responsibility for packing, shipping and insurance shall be exclusively thatof the purchaser. Upon request, Freeman’s will provide the purchaser withnames of professional packers and shippers known to us.


European Paintings& Property from the

Estate of Marvin Lundy


1 126039/2CHARLES FRANÇOIS DAUBIGNY(french 1817-1878)LES LAVANDIERSSigned and dated ‘Daubigny 1863’bottom left, oil on panel14 5/8 x 26 1/2 in. (37.1 x 67.3cm)provenance:Property of a Lady, New York, NewYork.$6,000-10,000

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2 121776/1FERDINAND VICTOR LÉON ROYBET(french 1840-1920)CAVALIER IN INTERIORSigned ‘F. Roybet’ bottom left, oil on panel12 5/8 x 8 in. (32.1 x 20.3cm)provenance:Frederick W. Thom Gallery Ltd., Toronto, Canada.The Estate of James E. Cushing Jr.$2,000-3,000

3 122062/191FRANÇOIS-ÉTIENNE MUSIN(belgian 1820-1888)FISHERFOLK AT LOW TIDESigned ‘F. Musin’ bottom right, oil on canvas31 x 50 1/4 in. (78.7 x 127.6cm)provenance:Property from Ditchley, the Colonial house formerly the Virginia seat ofJessie Ball and Alfred I. DuPont.$4,000-6,000

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4 121746/8PAUL EMILE LÉON PERBOYRE(french 1851-1929)NAPOLEON LEADING HIS TROOPSSigned and dated ‘Perboyre / 1900’bottom right, oil on canvas15 x 18 in. (38.1 x 45.7cm)provenance:Private Collection, Ohio.$2,000-3,000


5 126038/2VICTOR CHARRETON(french 1864-1937)UNDER THE CHERRY BLOSSOMSigned ‘Victor Charreton’ bottomleft, oil on canvas24 x 29 in. (61 x 73.7cm)provenance:Private Collection, North Carolina.$4,000-6,000

6 126029/2JOSEPH VICTOR COMMUNAL(french 1876-1962)A VIEW DOWN THE VALLEYSigned and dated ‘J. Communal/1916’ bottom left, oil on canvas,unframed29 x 36 1/4 in. (73.6 x 92.1cm)provenance:Private Collection, Maryland.$1,000-1,500

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7 11-2246/7CONTINENTAL SCHOOL(19th century)MIXED FLOWERS IN AN URN;LANDSCAPE BEYONDOil on canvas63 1/2 x 48 in. (161.3 x 121.9cm)provenance:Philippe Farley Antiques, New York,New York.Acquired from the above.Private Collection, New York.$4,000-6,000

8 121581/12ADOLPHE JOSEPH THOMASMONTICELLI(french 1824-1886)THE BOATING PARTYSigned ‘A. Monticelli’ bottom right,oil on canvas15 3/4 x 24 in. (40 x 61cm)provenance:Cottier & Co., New York.Property of an English Gentleman.note:We kindly thank Aaron Sheon for hisauthentication of this painting byelectronically transmitted images.This lot will be accompanied by aletter of authenticity from ProfessorAaron Sheon.$3,000-5,000

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9 126037/1JOHANNES FRANCISCUSSPOHLER(dutch 1853-1894)A TOWN VIEW WITH FIGURES,BELIEVED TO BE MIDDLEBURG,ZEELAND, THE NETHERLANDSSigned and dated ‘J.F. Spohler ‘78’bottom left; also with printed framelabel verso, oil on canvas33 x 26 3/4 in. (83.8 x 67.9cm)provenance:Private Collection, New York, NewYork.$20,000-30,000

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10 126034/1JOSEF WISCHNIOWSKY(austrian 1856-1929)THE AMOROUS CAVALIERSigned, located and inscribed ‘J Wischniowsky Munchen’ bottom right, oil oncanvas14 1/2 x 12 1/4 in. (36.8 x 31.1cm)provenance:Private Collection, New York, New York.Private Collection, Pennsylvania.$1,200-1,800

11 126030/19JOHANN SPERL(german 1840-1914)A PAUSE IN THE DAYSigned ‘Sperl’ bottom center left; also inscribed indistinctly on verso, oil oncanvas, unframed17 x 12 in. (43.2 x 30.5cm)provenance:Private Collection, Pennsylvania.$2,000-3,000

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12 126030/17PHILIPP HELMER(german 1846-1912)TYROLEAN PEASANT AT A TAVERN TABLESigned ‘Ph. Helmer’ and inscribed bottom right, oil on panel10 5/8 x 8 in. (27 x 20.3cm)provenance:Private Collection, Pennsylvania.$1,200-1,800

13 126030/13pair oils on panelFRANZ VON DEFREGGER(austrian 1835-1921)“TYROLEAN GENTLEMAN”Signed ‘Defregger’ upper left, oil on panel, and a companion oil by the samehand, signed 'Defregger' upper left, both unframedEach 12 9/16 x 9 5/16 in. (31.9 x 26.7cm)(2)provenance:Private Collection, Pennsylvania.$4,000-6,000


14 126030/16THOMAS ALT(austrian 1846-1937)PORTRAIT OF A GENTLEMANSigned ‘Th. Alt’ bottom left, oil oncanvas, unframed8 1/2 x 6 7/8 in. (21.6 x 17.5cm)provenance:Private Collection, Pennsylvania.$1,000-1,500

15 126030/3HUGO WILHELM KAUFFMANN(german 1844-1919)SEATED MAIDENSigned and dated ‘Hugo Kauffmann78’ bottom center, oil on panel,unframed.5 1/2 x 5 1/8 in. (14 x 13cm)provenance:Private Collection, Pennsylvania.$2,500-4,000

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16 126029/1ALOIS HEINRICH PRIECHENFRIED(austrian 1867-1953)A FRIENDLY VISITSigned and dated ‘A. Priechenfried1944’ top right, oil on canvas29 1/2 x 37 1/2 in. (74.9 x 95.3cm)provenance:Private Collection, Maryland.$2,500-4,000


17 126030/20JOHANN SPERL(german 1840-1914)VILLAGERSSigned ‘J. Sperl’ bottom right, oil oncanvas laid on panel, unframed8 5/8 x 11 in. (21.9 x 27.9cm)provenance:Private Collection, Pennsylvania.$1,500-2,500

18 126030/2GREGOR VON BOCHMANN THEELDER(german 1850-1930)FARMYARD SCENE WITH OXCARTSigned and dated ‘Gr Bochmann 09’bottom left, oil on panel, unframed4 3/4 x 7 1/8 in. (12.1 x 18.1cm)provenance:Private Collection, Pennsylvania.$1,000-1,500

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19 126029/6THEODOR PETTER(austrian 1822-1872)HILLSIDE FLOWERSSigned and dated ‘Theodor Petter1869’ bottom left, watercolor11 3/4 x 9 3/8 in. (29.8 x 23.8cm)And a companion watercolor by thesame hand, signed and dated‘Theodor Petter 1869’ bottom left11 5/8 x 9 3/8 in. (29.5 x 23.8cm)(2)provenance:Private Collection, Maryland.$1,000-1,500

20 126030/21GUSTAV SCHÖNLEBER(german 1851 - 1917)BUSY HARBORSigned ‘G. Schönleber’ bottom left;also inscribed verso, oil on canvas,unframed23 1/8 x 17 1/2 in. (58.7 x 44.5cm)provenance:Private Collection, Pennsylvania.$1,000-1,500

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21 126030/1WILHELM VELTEN(russian 1847-1929)HORSEMAN ON A PATHWAYSigned ‘W Velten’ bottom left, oil onpanel, unframed5 1/8 x 8 in. (13 x 20.3cm)provenance:Private Collection, Pennsylvania.$1,000-1,500


22 121900/3OSKAR MULLEY(austrian 1891-1949)COTTAGE IN THE WOODSSigned ‘Mulley’ bottom right, mixedmedia on paper17 3/16 x 16 9/16 in.(43.6 x 42.1cm)provenance:Private Collection, New York.$5,000-8,000

23 126028/3GIOVANNI BARTOLENA(italian 1866-1942)STILL LIFE OF A FISHSigned ‘G. Bartolena’ bottom right;also signed in pencil and inscribed‘0173’ and stamped (twice) ‘581’verso, oil on panel4 3/8 x 8 3/4 in. (11.1 x 22.2cm)provenance:Christies, New York, October 1,2007, lot 835.Private Collection, Maryland.$1,500-2,500

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24 121077/2GIOVANNI COSTA(italian 1833-1893)REVERIESigned ‘G. Costa’ bottom right, oilon canvas44 1/2 x 27 in. (112.4 x 70.5cm)provenance:Private Collection, Newport, RhodeIsland.$6,000-8,000

25 121843/15POMPEO MASSANI(italian 1850-1920)A FAIR EXCHANGESigned ‘P. Massani’ top left, oil oncanvas15 3/4 x 11 1/2 in. (40 x 29.2cm)provenance:Private Collection, Pennsylvania.$1,500-2,500

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26 126031/1ENRIQUE ROLDAN(spanish 19th c.)THE ALCÁZAR, SEVILLESigned, dated and located ‘EnriqueRoldan = 1893/Sevilla’ bottom right,oil on canvas21 7/8 x 16 3/4 in. (55.6 x 42.5cm)provenance:Private Collection, Philadelphia,Pennsylvania.$2,000-4,000


27 121746/2RAIMUNDO DE MADRAZO YGARRETTA(spanish 1841-1920)“SANTA MARIA DELLA PACE,ROMA”Signed ‘R. Madrazo’ bottom left, oilon canvas23 1/4 x 39 3/8 in. (59.1 x 100cm)provenance:Alexander Brown, Philadelphia,Pennsylvania.Private Collection, Ohio.literature:William R. Johnston, “AContemporary Genre Painting ByRaimundo De Madrazo Y Garreta”Journal of the Walters Art Gallery, 33-34, 1970-1. pp 38, fig 4 (illus.)$30,000-50,000

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28 121341/23ITALO NUNES-VAIS(italian 1860-1932)THE MUSIC LESSONSigned ‘I Nunes-Vais’ bottom left, oilon canvas22 x 33 1/4 in. (55.9 84.5cm)provenance:Private Collection, New York, NewYork.$8,000-12,000

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29 121918/6KONSTANTINOS MALEAS(greek 1879-1928)LANDSCAPE WITH REFLECTINGPOOLSigned ‘K Maleas’ bottom right, oilon panel8 1/2 x 10 9/6 in. (21.6 x 26.8cm)provenance:Private Collection, New Jersey.$20,000-30,000

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30 121746/1WILLIAM SHAYER THE ELDER(british 1787-1879)THE TRAVELLERS’ RESTSigned ‘Wm Shayer’ and datedindistinctly bottom right, oil oncanvas25 1/4 x 29 7/8 in. (64.1 x 75.9cm)provenance:Private Collection, Ohio.$3,000-5,000

31 121921/1JAMES PATERSON(scottish 1854-1932)GIRL IN A RED DRESS ON THEBANK OF A RIVERSigned and dated ‘James PatersonA.R.S.A. 1905’ lower middle, oil oncanvas20 x 24 in. (50.8 x 61cm)provenance:Private Collection, Pennsylvania.$2,500-4,000

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32 121922/1WILLIAM MELLOR(british 1851-1931)“RYDAL WATER”Signed ‘William Mellor’ bottom left,oil on canvas20 x 30 in. (50.8 x 76.2cm)provenance:Private Collection, Philadelphia,Pennsylvania.$1,500-2,500


33 121830/10JOHN WATKINS CHAPMAN(british 1823-1903)“BEACH WITH FIGURES, CLIFFSALONG ENGLISH COAST”Signed ‘J W Chapman’ withconjoined initials and dated ‘1880’bottom left, oil on panel5 5/8 x 8 7/8 in. (14.3 x 22.5cm)provenance:Cass Canfield Collection, New York,New York.Schweitzer Gallery, New York, NewYork.Private Collection, New Jersey.$5,000-8,000

34 121995/2ALFRED FONTVILLE DEBREANSKI, JR(british 1877-1955)“THE GARDEN POND”Signed ‘A de Breanksi Jr’ bottomright; also signed, inscribed with titleand dated ‘XI’ verso, oil on canvas24 x 16 in. (61 x 40.6cm)and“THE ROSE PERGOLA”Signed ‘A de Breanski Jr’ bottom left;also signed and inscribed with titleverso24 x 16 in. (61 x 40.6cm)(2)provenance:Private Collection, Pennsylvania.$2,000-3,000

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35 126005/1ALFRED DE BREANSKI, SR(british 1852-1928)“THE FALLS AT THE LLUGWY,CAPEL CURIG”Signed ‘Alfred de Breanski’ bottomleft, oil on canvas32 x 48 in. (81.3 x 121.9cm)provenance:Private Collection, New Jersey.$10,000-15,000

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36 126018/1WILLIAM LEE HANKEY(british 1869-1952)“THE MARKET SQUARE”Signed ‘W LEE-HANKEY’ bottomright, oil on canvas20 x 24 in. (50.8 x 61cm)provenance:Wally Findlay Gallery, Chicago,Illinois.By descent in the family to presentowner.Private Collection, New Jersey.$3,000-5,000

37 126038/1WILLIAM LEE HANKEY(british 1869-1952)“SUMMER AFTERNOON ETAPLES”Signed ‘W LEE-HANKEY’ bottomright; also inscribed with title onlabel verso, oil on canvas24 x 29 in. (61 x 73.7cm)provenance:Private Collection, North Carolina.$3,000-5,000

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38 128073/1MONTAGUE DAWSON(british 1895-1973)“THE CHARLES B. LUNT (997TONS)”Signed ‘Montague Dawson’ bottomleft; also inscribed ‘M.D 20 FarHorizion (sic)’The Charles B. Lunt ofNewburyport / 997 Tons Built in1859’ in pencil on canvas overlapverso, oil on canvas 20 x 30 in. (50.8 x 76.2cm)provenance:A partial Frost & Reed label isattached verso.Private Collection, Virginia.$20,000-30,000

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39 122062/193JOHN CHARLES MAGGS(british 1819-1895)“THE LIVERPOOL LONDON ROYALMAIL”Signed, located and dated ‘J CMaggs/Bath 1878’ bottom left, oilon canvas25 1/4 x 30 in. (64.1 x 76.2cm)provenance:Property from Ditchley, the Colonialhouse formerly the Virginia seat ofJessie Ball and Alfred I. DuPont.$2,500-3,500

40 122062/192JOHN CHARLES MAGGS(british 1819-1895)THE BATH-LONDON MAILCOACH, WINTERSigned, located and dated ‘’J CMaggs / Bath 1882’ bottom right, oilon canvas24 1/4 x 36 in. (61.6 x 36cm)provenance:Property from Ditchley, the Colonialhouse formerly the Virginia seat ofJessie Ball and Alfred I. DuPont.$2,500-3,500

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41 121975/1HARRY HALL(british 1814-1882)“SYCEE”Signed and indistinctly dated ‘H Hall1877’ center right; also inscribed‘Sycee’ lower left, oil on canvas17 x 21 in. (43.2 x 53.3cm)provenance:Believed to have been in thecollection of Robert de Grey Vyner.Arader Gallery, Philadelphia,Pennsylvania.Acquired from the above.Private Collection, Delaware.$4,000-6,000


42 121975/3HARRY HALL(british 1814-1882)“FILLE DE L’AIR”Signed and dated ‘H Hall 1865’bottom right, oil on canvas17 x 21 1/4 in. (43.2 x 54cm)provenance:Believed to have been in thecollection of Robert de Grey Vyner.Arader Gallery, Philadelphia,Pennsylvania.Acquired from the above.Private Collection, Delaware.$4,000-6,000

43 121975/4HARRY HALL(british 1814-1882)“THE BARON”Signed, located and dated ‘HALLNewmkt 1848’ center left; alsoinscribed ‘The Baron’ bottom right,oil on canvas17 x 21 in. (43.2 x 53.3cm)provenance:Believed to have been in thecollection of Robert de Grey Vyner.Arader Gallery, Philadelphia,Pennsylvania.Acquired from the above.Private Collection, Delaware.$4,000-6,000

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44 121975/2HARRY HALL(british 1814-1882)“OXONIAN”Signed, dated and titled ‘H. Hall /1878 / Oxonian’ bottom right, oil oncanvas17 1/4 x 21 1/8 in. (43.8 x 53.7cm)provenance:Believed to have been in thecollection of Robert de Grey Vyner.Arader Gallery, Philadelphia,Pennsylvania.Acquired from the above.Private Collection, Delaware.$4,000-6,000


45 128025/5HENRY ALKEN(british 1785-1851)“THE FIND”Oil on canvas and a companion bythe same hand“THE DEATH”Signed ‘H. Alken’ bottom centerright, oil on canvasEach 14 x 18 in. (35.6 x 45.7cm)(2)provenance:Schillay & Rehs, Inc., New York, NewYork.Christie’s New York, sale ofDecember 1, 1999, lot 12.Private Collection.$7,000-10,000

46 126029/5HENRY ALKEN(british 1785-1851)FULL CRYSigned 'H. Alken' bottom right7 3/4 x 10 7/8 in. (19.7 x 26.7cm)DRAWING THE COVERT7 1/2 x 10 7/8 in. (19.1 x 27.6cm)GETTING AWAYSigned 'H. Alken' bottom right7 3/4 x 10 3/4 in. (19.7 x 27.3cm)

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FINDING A SCENT7 1/2 x 11 in. (19.1 x 27.9cm)A set of four watercolors with pencilon heavy paper(4)provenance:Private Collection, Maryland.$2,000-3,000


47 128025/7THOMAS WEAVER(british 1774-1843)“THE MASTER OF THE HOUNDS”Signed and dated ‘T. Weaver pinxt1811’ bottom center left, oil oncanvas28 x 35 7/8 in. (71.1 x 91.1cm)provenance:Christie’s New York, sale ofDecember 1, 1999, lot 4.Private Collection.$2,000-3,000

48 121746/11H. MURRAY(british 19th-20th century)“OFF TO THE MEET”Signed ‘H. Murray’ bottom right,watercolor on paper6 5/8 x 9 3/4 in. (17.1 x 25.1cm)provenance:Private Collection, Ohio.$600-1,000

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49 121975/7PETER SMITH(british b. 1949)“DOWN TO THE START”Signed ‘P.A. SMITH’ bottom right, oilon canvas18 x 22 in. (45.7 x 55.9cm)provenance:Frost & Reed, New York, New York.Private Collection, Delaware.$1,500-2,500


50 128025/12JOHN NOST SARTORIUS(british 1759-1828)“THE CHARGER OF AN OFFICER OFYEOMANRY HELD BY A GROOM INSTABLE DRESS WITH MEMBERS OFTHE TROOP IN THE BACKGROUND”Signed and dated ‘JN Sartorius pinxit1804’ bottom left, oil on canvas laid toboard25 x 30 in. (63.5 x 76.2cm)provenance:The Los Angeles Turf Club, Inc., LosAngeles, California.Christie’s New York, sale of ImportantOld Master Paintings, April 15, 2008,lot no. 212.Private Collection.exhibited:‘English Sporting Art,’ The Pasadena ArtMuseum, Pasadena, California,November 11 - December 11, 1955.$7,000-10,000

51 128025/14JOHN NOST SARTORIUS(british 1759-1828)“A SADDLED HORSE WITH GROOMOUTSIDE A COUNTRY HOUSE”Signed and dated ‘1802 Sartorius’bottom right, oil on canvas laid to board25 x 30 in. (63.5 x 76.2cm)provenance:The Los Angeles Turf Club, Inc., LosAngeles, California.Christie’s New York, sale of ImportantOld Master Paintings, April 15, 2008,lot no. 213.Private Collection.exhibited:‘English Sporting Art,’ The Pasadena ArtMuseum, Pasadena, California,November 11 - December 11, 1955.$4,000-6,000

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52 128025/10BENJAMIN MARSHALL(british 1767-1835)“‘PASTIME’ A BAY FILLY, LED BY ONE OF HERTRAINERS, WITH A GROOM IN ATTENDANCE”Signed and inscribed ‘PASTIME / B Marshall Pt’ lowerright, oil on canvas28 x 36 in. (71.1 x 91.4cm)Painted circa 1822provenance:Sir Walter Gilbey.Christie’s London, sale of June 11, 1915, lot 336.The Property of a Lady title.Sotheby’s London, sale of July 27, 1949, lot 102.With Ellis & Smith, London, United Kingdom.With Frost & Reed, London, United Kingdom.

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The Los Angeles Turf Club, Inc., Los Angeles,California.Christie’s New York, sale of Important Old MasterPaintings, April 15, 2008, lot 209.Private Collection.exhibited:‘English Sporting Art,’ The Pasadena Art Museum,Pasadena, California, November 11 - December 11,1955.‘The Equestrian in Art,’ The Muckenthaler CulturalCenter, Fullerton, California, September 7-30, 1984.literature:Aubrey Noakes, Ben Marshall, Leigh-on-Sea, 1978, p.56, 64, and 74, no. 227.$80,000-120,000


53 128025/4JOHN NOST SARTORIUS(british 1759-1828)“CATCHING THE SCENT”Signed and dated, ‘J. N. Sartorius1812’ bottom right, oil on canvas,and a companion by the same hand“THE KILL”Signed and dated ‘J. N. Sartoriuspin* 1812’ bottom left, pair of oils oncanvasEach 25 x 30 in. (63.5 x 76.2cm)(2)provenance:Private Collection.$20,000-30,000

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54 128057/1JOHN EMMS(british 1843-1912)IN FULL PURSUITSigned ‘JNO Emms’ bottom right, oilon canvas36 x 60 in. (91.4 x 152.4cm)provenance:Private Collection, Virginia.$80,000-100,000

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55 12-1006/14EDWARD SEAGO(british 1910-1974)“THE HARBOR, HONFLEUR”Signed ‘Edward Seago’ bottom left,inscribed with title in pencil verso,oil on masonite10 x 16 in. (25.4 x 40.6cm)provenance:P&D Colnaghi & Co Ltd.From the Estate of Marvin Lundy.$8,000-12,000

Property from the Collection of Marvin LundyLots 55-69

Marvin Lundy was a native Philadelphian who was founder and chairman of his highly successfulpersonal injury firm, Lundy Law. However, he was also known as a benefactor and fundraiser fornumerous charitable, cultural, and educational institutions. Over the years, Mr. Lundy served oncommittees and was a board member for more than 35 institutions devoted to law, arts, history,medicine, science, and religion. Mr. Lundy was proud to serve on the museum board of thePhiladelphia Museum of Art and most recently became an emeritus board member. The worksoffered here are a selection from a substantial art collection built over many years of travel andthoughtful collecting.


56 12-1006/10AFTER MELANIE DE COMOLERA(french active 1816-1854)MIXED FLOWERS WITH A GLASSCOMPOTE OF FRUIT, A BIRD’SNEST AND BUTTERFLYInscribed ‘Melanie deComolera/Peintre de S.M.B13th.../Eleve de C vanSpaendonck/1830’ bottom left, oilon canvas21 1/4 x 26 in. (54 x 66cm)provenance:From the Estate of Marvin Lundy.$3,000-5,000

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57 12-1006/15MARIO CORNILLEAU RAOULCARL-ROSA(french 1855-1913)“BORDS DU MOUZON, LORRAINE”Signed ‘M. CARL-ROSA’ bottom left,oil on panel12 1/4 x 21 7/8 in. (31.1 x 55.6cm)provenance:From the Estate of Marvin Lundy.$2,500-4,000

58 12-1006/17PAUL EMILE LECOMTE(french 1877-1950)LANDSCAPESigned ‘Paul Lecomte’ bottom right,oil on canvas12 5/8 x 18 in. (32.1 x 45.7cm)provenance:From the Estate of Marvin Lundy.$1,500-2,500

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59 12-1006/26CHARLES ALEXANDRE MALFRAY(french 1887-1940)A FISHING VILLAGESigned ‘Malfray’ bottom right, oil oncanvas21 1/4 x 32 in. (54 x 81.3cm)provenance:From the Estate of Marvin Lundy.$1,500-2,500


60 12-1006/12FERDINAND-JEAN LUIGINI(french 1870-1943)“LA SEINE PRES DE NOTRE DAME”Signed ‘Luigini’ bottom right,gouache on paperSight size: 19 x 23 1/4 in.(48.3 x 59.1cm)provenance:From the Estate of Marvin Lundy.$1,000-1,500

61 12-1006/13LOUIS ETIENNE TIMMERMANS(belgian 1846-1910)“L’AVANT PORT DE DIEPPE”Signed ‘L. TIMMERMANS’ bottomleft; also inscribed with title on labelverso, oil on panel14 7/8 x 18 1/4 in. (37.8 x 46.3cm)provenance:From the Estate of Marvin Lundy.$1,500-2,500

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62 12-1006/16GEORGES JAN(french died 1907)“PROMENADE AU BORD D’UNERIVIERE”Signed ‘G. Jan’ bottom left; also withprinted stretcher label, oil on canvas15 3/4 x 21 3/4 in. (40 x 55.2cm)provenance:From the Estate of Marvin Lundy.$1,500-2,500


63 12-1006/11JOHAN HENDRIK VANMASTENBROEK(dutch 1875-1945)A BUSY HARBORSigned and dated ‘JH vanMastenbroek 1928’ bottom right, oilon panel10 1/4 x 14 1/4 in. (26 x 36.2cm)provenance:From the Estate of Marvin Lundy.$5,000-8,000

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64 12-1006/4ELISÉE MACLET(french 1881-1962)WINTER STREET SCENESigned ‘E Maclet’ bottom left, oil oncanvas19 1/2 x 29 in. (49.5 x 73.8cm)provenance:From the Estate of Marvin Lundy.$2,500-4,000

65 12-1006/5HANS OLAF HEYERDAHL(swedish 1857-1913)“PORTRAIT OF THE ARTIST’SDAUGHTER SIGRID”Signed ‘Heyerdahl’ top left, signedand inscribed on label verso, oil onpanel14 x 12 in. (35.6 x 30.5cm)provenance:From the Estate of Marvin Lundy.$3,000-5,000

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66 12-1006/18LUIGI SETTANNI(american 1909-1984)FIGURES AND BOAT ON THESHORESigned ‘Luigi Settanni’ bottom right,oil on canvas13 x 16 in. (33 x 40.6cm)provenance:From the Estate of Marvin Lundy.$2,000-3,000

67 12-1006/124PHILIP EVERGOOD(american 1901-1973)“NUDE”Pencil signed ‘Philip Evergood’bottom left, ink on paperSheet size: 23 1/2 x 18 in.(59.7 x 45.7cm)provenance:Terry Dintenfass Inc., New York,New York.From The Estate of Marvin Lundy.$800-1,200

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68 12-1006/1EDMUND WILLIAM GREACEN(american 1877-1949)MOTHER AND CHILDIndistincly signed bottom left, oil oncanvas24 x 16 1/2 in. (61 x 41.9cm)provenance:From the Estate of Marvin Lundy.$5,000-8,000

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69 12-1006/2EDMUND WILLIAM GREACEN(american 1877-1949)“THE TEA TABLE”Signed ‘Edmund Greacen’ bottomright, oil on canvas32 x 39 3/8 in. (81.3 x 100cm)provenance:From the Estate of Marvin Lundy.$20,000-30,000

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American Art &Pennsylvania

Impressionism


70 126036/1FRANK MILTON ARMINGTON(canadian 1876-1941)‘JARDIN DES TUILERIES, PARIS’Signed and dated ‘Frank M.Armington 1916’ bottom left; alsoinscribed ‘Jardin des Tuileries, Parispar Frank Armington’ verso, oil oncanvas20 x 24 in. (50.8 x 61cm)provenance:J.J. Gillespie Gallery, Pittsburgh,Pennsylvania.Private Collection, Florida.$10,000-15,000

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71 121581/5CORNELIUS DAVID KRIEGHOFF(canadian 1815-1872)NATIVE WOMAN CROSSING THESNOW WITH TRADE GOODSSigned and dated ‘C. Krieghoff 1861’bottom right, oil on canvas, paintedin the oval12 x 9 in. ( 30.5 x 22.9cm)provenance:Private Collection, United Kingdom. note:Dennis Reid has kindly confirmedthe authenticity of this painting onthe basis of an electronicallytransmitted image.$5,000-8,000

72 126000/5ROBERT TAIT MCKENZIE(canadian 1867-1938)SPRINTERInscribed ‘R. Tait McKenzie’ and‘R.B.W.’ Bronze, brown patinaHeight 9 3/4 in. (24.8cm)provenance:Private Collection, Pennsylvania.$1,500-2,500

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73 121341/48EDWIN LORD WEEKS(american 1849-1903)“BENARES”Signed with inititals, inscribed anddated ‘ELW / Benares / 16/3/83’bottom right, oil on canvasboard20 x 30 in. (50.8 x 76.2cm)provenance:Private Collection, New York, NewYork.note:This lot will be accompanied by aletter of authenticity from Dr. EllenK. Morris and will be included in herforthcoming catalogue raisonné.$20,000-30,000

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74 122273/1JAMES HAMILTON(american 1819-1878)SUNSET ON THE HARBORSigned and dated ‘JW. Hamilton1876’ bottom left, oil on canvas20 1/2 x 37 in. (52.1 x 94cm)provenance:Collection of Ms. Frances Wolf,Chestnut Hill, Pennsylvania.Acquired from the above.Private Collection, Pennsylvania.$3,000-5,000

75 121928/1ALEXANDER HELWIG WYANT(american 1836-1892)WOODLAND RIVER AT DUSKSigned ‘A.H. Wyant’ bottom left, oilon canvas20 x 30 in. (50.8 x 76.2cm)$5,000-8,000

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76 122233/1JOSEPH H. GREENWOOD(american 1857-1927)UNTITLED (A PRINCETONPASTURE)Signed and dated ‘J. H. Greenwood96’ bottom right, oil on canvas laiddown to boardIn a frame by Paul Carter Goodnow26 x 40 in. (66 x 101.6cm)provenance:Private Collection, Massachusetts.exhibited:‘An American Impressionist: JosephH. Greenwood’ Worcester ArtMuseum, Worcester,Massachusetts, March 6 - June 82004.$2,000-3,000


77 126017/12CARL BERNHARD SCHLÖSSER(german 1832-1914)HIS BABY SISTERSigned ‘Carl Schlosser’ bottom left,oil on canvas38 x 28 1/4 in. (96.5 x 71.8cm)provenance:Private Collection, Pennsylvania.$4,000-6,000

78 121918/4ELIHU VEDDER(american 1836-1923)AT THE WELLSigned with monogram and dated‘1867’ bottom right, oil on canvaslaid on board22 x 9 5/8 in. (55.9 x 24.4cm)provenance:Private Collection, New Jersey.note:A nearly identical painting byVedder, smaller in size, was offeredat Bonhams, New York, sale ofNovember 29, 2005, lot 28.$5,000-8,000

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79 122242/1FRANK PENFOLD(american 1849-1927)THE INQUISITIVE MONKEYSigned, inscribed and dated ‘F.C.Penfold/Algiers/1887’ bottom left,oil on canvas35 x 42 1/2 in. (88.9 x 108cm)provenance:Private Collection, Florida.$1,500-2,500


80 126017/21WORTHINGTON WHITTREDGE(american 1820-1910)“ON THE WAWAYANDA RIVER,NJ”Inscribed with title, signed anddated ‘W Whittredge 1891’ bottomleft, watercolorSight size: 7 1/2 x 13 3/4 in.(19.1 x 34.9cm)provenance:Private Collection, Pennsylvania.$2,500-4,000

81 122338/2WILLIAM LOUIS SONNTAG JR.(american 1869-1898)ON THE JETTYSigned ‘Sonntag Jr’ bottom left,watercolor heightened with gouacheSight size: 13 1/2 x 20 1/4 in.(34.3 x 51.4cm)provenance:Private Collection, Boston,Massachusetts.$2,500-4,000

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82 121972/61FRANK DUVENECK(american 1848-1919)WAVES BREAKING ON ROCKSInscribed in ink verso‘(indecipherable) Nov 5, 1920 / Thisis to certify / that the painting /subject: Marine / size: 10 x 15 / waspainted by my brother / Charles FDuveneck’ oil on canvasboard10 1/4 x 15 in. (26 x 38cm)provenance:The Estate of Donald Brenwasser,New Jersey.$2,500-4,000


83 122338/1ALFRED THOMPSON BRICHER(american 1837-1908)ON THE COAST, SAILBOATS ONTHE HORIZONSigned ‘ATBRICHER’ bottom rightwith conjoined initials, oil on canvas17 x 36 in. (43.2 x 66cm)provenance:Private Collection, Boston,Massachusetts.note:The authenticity of this painting haskindly been confirmed by Jeffrey R.Brown on the basis of electronicallytransmitted images.$40,000-60,000

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84 128025/9DAVID JOHNSON(american 1827-1908)“SCENERY AT SHELBURN (SIC),VERMONT”Signed with artist’s monogrammedsignature and dated ‘DG 1865’bottom left, oil on canvas30 x 25 in. (76.2 x 63.5cm)provenance:Private Collection.$25,000-40,000

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85 126041/1WILLIAM MERRITT CHASE(american 1849-1916)PORTRAIT OF A LADY, SAID TO BEMARY HUSSEY (1798-1886)Signed ‘WMM Chase’ bottom left,oil on canvas30 x 24 in. (76.2 x 61cm)provenance:Private Collection, Pennsylvania. By descent in the family.note:Mary Hussey was the wife ofThomas Earle (1796-1849), anattorney, journalist and vice-presidential candidate who settledin Philadelphia in 1817.We kindly thank D. Frederick Bakerfor confirming the authenticity ofthis painting. This portrait will beassigned a catalogue number andplaced in the files of the WilliamMerritt Chase catalogue raisonné.$15,000-25,000

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86 126039/1ASHER BROWN DURAND(american 1796-1886)LANDSCAPESigned and dated ‘A B Durand 1855’ bottom right, oil on canvas25 x 36 in. (63.5 x 91.4cm)provenance:Vose Galleries, Boston, Massachusetts.Knoedler Galleries, New York, New York.Property of a Lady, New York, New York.exhibited:Museum of Art, Rhode Island School of Design, Providence, Rhode Island.‘Loan Exhibition’ Lyman Allyn Art Museum, New London, Connecticut.$50,000-80,000

87 126017/2DANIEL RIDGWAY KNIGHT(american 1839-1924)“WOMAN WITH GOLD COINS” (DIVIDING THE PROFITS)Signed and dated ‘D.R. Knight 1871’ bottom right, oil on canvas26 1/8 x 20 in. (66.4 x 50.8cm)provenance:Richard A. Bourne and Company, Inc., Hyannis, Massachusetts, sale ofAugust, 1977.Estate of Daniel Kurland, Philadelphia, Pennsylvania.Private Collection, Pennsylvania.note:This painting may possibly be the work exhibited at the National Academy ofDesign, 1873 (Waters and Hutton) Artists of the 19th Century, vol II, pp 25.A certificate of authenticity from Howard L. Rehs dated June 7,2011 willaccompany this lot.$4,000-6,000

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88 122062/190LOUIS ASTON KNIGHT(american 1873-1948)RIVERBANK FLOWERSSigned and located ‘Aston Knight / Paris’ bottom left, oil on canvas22 x 18 1/4 in. (55.9 x 46.4cm)provenance:Property from Ditchley, the Colonial house formerly the Virginia seat ofJessie Ball and Alfred I. DuPont.$5,000-7,000


89 126019/1ALFRED CORNELIUS HOWLAND(american 1838-1909)“A DICKER FOR THE CALF”Signed ‘A.C. Howland’ bottom right, oil on canvas15 1/2 x 21 1/2 in. (39.4 x 54.6cm)provenance:Private Collection, New Jersey.$2,000-3,000

90 126017/1WILLIAM HENRY LIPPINCOTT(american 1849-1920)PLAYING WITH HER DOLLSigned and dated ‘WM. H. Lippincott 1882’ bottom left, oil on canvas 9 1/2 x 11 3/4 in. (24.1 x 29.8cm)provenance:Private Collection, Pennsylvania.$1,500-2,500

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91 12-8001/32*CHARLES G. DYER(american 1851-1912)“IN ST. MARKS”Signed and dated, ‘CHARLES GIFFORD DYER/MDCCCLXXXI’ bottom left, oil on canvas59 5/8 x 47 1/8 in. (151.4 x 119.7cm)provenance:Private Collection, Charlottesville, Virginia.$5,000-8,000


92 126017/6FREDERICK ARTHUR BRIDGMAN(american 1847-1928)TEA TIMESigned, inscribed and dated ‘F.A.Bridgman/a l’Exposition 1900/Paris’bottom right; also with an ‘A l’Arc-enCiel, H. Canville, Paris’ labelattached verso, pastel on paper laidto boardSight size: 18 1/8 x 11 3/4 in.(46 x 29.8cm)provenance:Samuel T. Freeman and Companysale of December 1975.Private Collection, Pennsylvania.$3,000-5,000

93 122025/1LUIS GRANER Y ARRUFI(spanish 1863-1929)THE SPANISH DANCERSigned ‘L. Graner’ bottom left, oil oncanvas30 x 25 in. (76.2 x 63.5cm)provenance:Private Collection, New York.$4,000-6,000

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94 11-2246/1JAMES EDWARD BUTTERSWORTH(american/british 1817-1894)“THE ROYAL YACHT SQUADRON CUP RACE, 1851”Signed ‘JE Buttersworth’ lower right, oil on canvas14 3/4 x 27 in. (37.5 x 68.6cm)provenance:The Collection of Rudolph J. Schaefer, New York.To his son, William M. Schaefer, New York.literature:Schaefer, Rudolph, J. E. Buttersworth, 19th-Century Marine Painter, MysticSeaport, Inc., Connecticut, 1975, p. 96, no. 71 (illus.)note:“This scene shows part of the fleet that competed in that historic racearound the Isle of Wight on August 22, 1851. America, the only Americanentry against 14 British boats, won the trophy which was to become thefamous America’s Cup. In the painting above, America appears in the rightmiddleground leading the pack. The Royal Yacht Victoria and Albert standsoff in the distant right background with Queen Victoria aboard together withher Prince Consort, Albert, and the Royal party watching the event. Severalof the British cutters which participated looked very much alike and, lackingany special identification marks, it is impossible to tell which of the groupthese are.”[Schaefer 96].Typical of Buttersworth’s ouevre, “The Royal Yacht Squadron Cup Race, 1851”documents an event on the sea in stunning detail. As the son of a marinepainter, J.E. Buttersworth more than carried on the family legacy of thesubject - he became synonymous with it. Few nineteenth century marineartists were as prolific as Buttersworth, and none excelled like he atcapturing a racing scene with such deftness that he transcended meredocumentation.$50,000-80,000

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95 122062/198WILLIAM AIKEN WALKER(american 1838-1921)COTTON PICKERSA pair of oils on board containedwithin one frame, each signed ‘WAWalker’ bottom leftEach 8 x 3 3/4 in. (20.3 x 9.5cm)provenance:Bland Gallery Inc, New York, NewYork.Property from Ditchley, the Colonialhouse formerly the Virginia seat ofJessie Ball and Alfred I. DuPont.note:We kindly thank John Fowler for hisauthentication of the pair byelectronically transmitted images.These two paintings will be includedin the forthcoming catalogue raisonnébeing prepared by Mr. Fowler.$8,000-12,000

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97 128025/16EDMUND HENRY OSTHAUS(american 1858-1928)AN ENGLISH SETTERSigned ‘Edm. H. Osthaus’ bottomright, watercolor on paper laid tocard12 x 18 in. (30.5 x 45.7cm)provenance:With partial label ‘The SportingGallery, New York’ verso.Christie’s New York, sale ofDecember 1, 1999, lot 89.Private Collection.$3,000-5,000

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96 121825/1CHARLES PORTER(american 1850-1923)STILL LIFE WITH FLOWERSIndistinctly signed ‘C.E. Port..’bottom right, oil on canvas20 x 16 in. (50.8 x 40.6cm)provenance:Maxwell Galleries, San Francisco,California.Private Collection, Massachusetts.$6,000-8,000


98 126017/18GEORGE GARDNER SYMONS(american 1863-1930)“THE FURTHER HILLS SEEN THROUGH A VEIL OF EVENINGLIGHT”Signed ‘Gardner Symons’ bottom left, oil on canvas25 x 30 in. (63.5 x 76.2cm)provenance:Edwin C. Shaw, Akron, Ohio.The Estates of James A. & Dorothy C. Vaughn, Sea Island,Georgia.Freeman’s sale of Fine American & European Paintings &Sculpture, December 7, 2008 lots 112.Private Collection, Pennsylvania.

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note:A photocopy of a letter from the artist will accompany this lot. Itreads:“119 East 19th StNew YorkMy Dear Ms. Dunbar-I was spending a week with my friend and fellow partner Ben Foster athis home in West Cornwall, Conn.He had been urging me for some time to see his place in winter andsaid “I want to take you to a spot about ten minutes walk from thehouse where you can get a view of the further hills” and so “Thefurther Hills Seen Through a veil of evening light” was painted.It is one of my best things and I believe the people who now own itwill grow very fond of the painting for the motive has a real appeal-With kindest regards,Sincerely yoursGardner SymonsOct 26th 1917”$20,000-30,000


99 126032/1CHARLES DEMUTH(american 1883-1935)A SHIP AT ANCHORSigned ‘CH Demuth’ bottom right and lower right;also inscribed ‘Charles painted this picture for hisGrand parents (Demuth’s) for their Golden Wedding.Augusta W. Demuth’ on label verso, oil on board.5 3/8 x 9 in. (13.7 x 22.9cm)provenance:Henry Cornelius and Elizabeth Demuth.By descent in the family.Private Collection, Pennsylvania.note:Included with this lot is an unframed pencil andwatercolor on stationary paper of an elderly ladyseated by a dresser attributed to a young CharlesDemuth, 10 x 7 3/4 in. (25.4 x 19.7cm) and twophotographs of the artist as a young man,4 3/4 x 2 3/4 in. & 5 3/4 x 4 in.$3,000-5,000

100 126001/3EMMA FORDYCE MACRAE(american 1887-1974)STILL LIFE OF DAFFODILS ANDROSESInscribed ‘EMMA FORDYCEMACRAE’ verso, oil on board16 x 19 7/8 in. (40.6 x 50.5cm)provenance:Jim’s Antiques Fine Art Gallery,Lambertville, New Jersey.Private Collection, Connecticut.$800-1,200

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101 126029/4FRANCIS HOPKINSON SMITH(american 1838-1915)VENICESigned ‘F. Hopkinson Smith’ bottomleft, watercolor and charcoal onpaper laid to card14 3/4 x 24 1/2 in. (37.5 x 62.2cm)provenance:Private Collection, Maryland.$2,000-3,000

102 126017/14EVERETT SHINN(american 1876-1953)PROCESSION BEFORE DANTESigned and dated ‘EVERETT SHINN1940’ bottom center left, watercolorand pencil on paper11 5/8 x 15 1/8 in. (28.6 x 37.5cm)provenance:Sotheby’s Parke-Bernet, New York,New York, March 8, 1976, lot 456.Mr. and Mrs. Samuel Nowak.Private Collection, Pennsylvania.note:Small pencil sketch on the reverse.This is one of six illustrationsprepared for an edition of Dante’sInferno.$3,000-5,000

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103 126033/3T. LUX FEININGER(american b. 1910)“GREAT AMERICAN SAIL”Signed ‘LUX’ bottom right, oil oncanvas21 1/4 x 25 1/2 in. (54 x 64.8cm)provenance:Julien Levy Gallery, New York, NewYork.Private Collection, Delaware.exhibited:Julien Levy Gallery, New York, NewYork, 1937.$3,000-5,000


104 126017/8RICHARD HAYLEY LEVER(american 1876-1958)“CONCARNEAU FRANCE, 1901”Signed and dated ‘Hayley Lever1901’ bottom left, oil on panel12 x 16 in. (30.5 x 40.6cm)provenance:Clayton Liberatore Art Gallery,Bridgehampton, New York.Private Collection, Pennsylvania.$2,500-4,000

105 121776/9WILLIAM SAMUEL HORTON(american 1865-1936)“NORWAY 1935”Signed ‘Horton’ bottom left; alsoinscribed with title on stretcherverso, oil on canvas25 1/4 x 30 3/8 in. (64.1 x 77.2cm)provenance:Steven Straw Company,Newburyport, Massachusetts.The Estate of James E. Cushing Jr.$3,000-5,000

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106 121972/60JOHN EDWARD COSTIGAN(american 1888-1972)THE WOODCUTTERSigned ‘J E COSTIGAN N.A.’ bottomleft, oil on panel12 x 14 in. (30.5 x 35.6cm)provenance:The Estate of Donald Brenwasser,New Jersey.$2,500-4,000


107 126017/15ERIC SLOANE(american 1905-1985)“MT. WASHINGTON”Signed “SLOANE” bottom right,inscribed with title bottom left,signed and inscribed verso, oil onboard19 7/8 x 23 3/4 in. (50.5 x 60.3cm)provenance:Freeman’s sale of Fine American &European Paintings, December 3,2006, lot 54.Private Collection, Pennsylvania.$6,000-10,000

108 126017/16ERIC SLOANE(american 1905-1985)“FIRST SNOW”Signed ‘SLOANE’ bottom right,inscribed ‘FIRST SNOW’ bottom left,signed and inscribed verso, oil onboard17 3/4 x 23 3/4 in. (45.1 x 60.3cm)provenance:Freeman’s sale of Fine American &European Paintings, December 3,2006, lot 55.Private Collection, Pennsylvania.$6,000-10,000

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109 122246/1ALDRO THOMPSON HIBBARD(american 1886-1972)“HIGH BRIDGE ATJEFFERSONVILLE, VERMONT”Signed ‘A.T. Hibbard’ bottom right;also signed and inscribed with titleverso, oil on canvas22 x 30 in. (55.9 x 76.2cm)provenance:Newman Galleries, Philadelphia,Pennsylvania.Private Collection, Haverford,Pennsylvania.$6,000-10,000

110 126020/1ERNEST FIENE(american 1894-1965)A MINING TOWNSigned ‘E Fiene’ bottom right, oil oncanvas22 x 18 in. (55.9 x 45.7cm)provenance:Private Collection, Connecticut.$2,000-3,000

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111 126017/10DALE NICHOLS(american 1904-1995)“HARVESTING”Signed ‘DALE NICHOLS’ bottom left, oil on canvas14 x 22 in. (35.6 x 55.9cm)provenance:Maxwell Galleries, San Francisco, California.Private Collection, South Carolina.Freeman’s sale of Fine American & European Paintings,June 21, 2009, lot 91.Private Collection, Pennsylvania.$8,000-12,000

112 126035/1ELIZABETH KIRK(american born after 1866)“THE HURRICANE”Signed ‘E Kirk’ bottom right, oil on board18 x 24 in. (45.7 x 61cm)provenance:Private Collection, Massachusetts.exhibited:New Haven Paint and Clay Club Inc. Annual Exhibition.$1,000-1,500

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113 128071/1JONAS LIE(american/norwegian 1880-1940)“MAINE HEADLAND”Signed ‘JONAS LIE’ bottom right, oil on canvas 25 x 36 in. (63.5 x 91.4cm)provenance:William Macbeth, New York, New York.Private Collection, West Virginia.$12,000-18,000


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114 128044/1CARL CLEMENS MORITZ RUNGIUS(american 1869-1959)GRIZZLY BEARSigned ‘C. Rungius’ bottom right, oil oncanvas, unframed30 x 40 in. (76.2 x 101.6cm)provenance:Private Collection, Virginia.$200,000-300,000

Considered the first wildlife painterin America, Carl Rungius (1869-1959) was both a sportsman and anartist who depicted animals in theirnatural environs. A native of Rixdorf,Germany – now present-day Berlin –he had a keen interest in nature andart from an early age, particularlythat of the American West. Its vast,uncharted territory would presentRungius with greater opportunitiesto both hunt and paint, and afortuitous invitation from his uncleto travel to America was pivotal inshaping his career. Eventuallybecoming a prolific and celebratedartist, much in the tradition of theHudson River painters whopreceded him, he glorified theAmerican landscape. Rungius alsobecame a champion of theconservation movement, and waspitted against the forces of late19th-century Westernexpansionism.

After immigrating to the UnitesStates in 1896, Rungius maintaineda New York studio while he travelledextensively throughout Yellowstone,Wyoming, Montana, Alaska and theYukon, eventually establishing asummer studio in Banff, Alberta in1922, known as ‘The Paintbox’.Following in the tradition of theplein-air painters of the 19th and20th-centuries, Rungius dutifullystudied and recorded his subjects,

revealing not only a great love andrespect for nature and itsinhabitants, but a concern fordepicting animals and landscapeswith fidelity. As such, it is notsurprising that he enjoyed asuccessful career as an illustrator ofbooks, magazines and othermaterial promoting conservationand the support of endangeredanimals.

Rungius was not alone in hisportrayal of animals; a centuryearlier, sporting artists of Britainachieved notoriety in paintingequine-themed subjects, includingthoroughbreds and racehorses.However, in such pictures, while theanimals are portrayed realisticallyand in a dignified manner, they arerarely depicted in their naturalenvironments. Instead, whether witha jockey up or with a groom, toname but two common themes ofthe period, the horses’ identities andimportance are both inseparablefrom, and justified by, the existenceof sportsmen in full racing/huntingregalia. In 19th-century Britain, andto a lesser extent parts of theContinent, the worth of an animal isdirectly tied to its owner, with thelatter viewing the former almoststrictly as an instrument providingcommerce and social standing.Rungius, along with many wildlifepainters he would later influence,

very rarely included humans in hispaintings, for to do so would bewholly antithetical to his idyllicdepictions, unspoiled by humansand their encroachment on nature.

We are pleased to offer this Rungiuspainting depicting a stately grizzlybear. Immortalized on canvas, thisimpressive creature joins his manyother works of moose, big hornsheep, caribou, mountain goats,pack horses, and antelope, allcapturing the spirit and beauty ofmagnificent animals in the preciousnatural and threatened world theyinhabit.


115 121776/10BILL OWEN(american b. 1942)‘JUST ONE MORE MILE’Signed ‘BILL OWEN S / V’ lowerright; also signed, inscribed anddated “Just One More Mile / By BillOWEN / s / v 1973/ Artist ReservesReproduction Rights / A tribute tomy good friend Eston Jones / AREAL COWBOY” verso, oil oncanvas40 x 30 in. (101.6 x 76.2cm)provenance:The Estate of James E. Cushing Jr.$12,000-18,000

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116 122309/1WALTER BIGGS(american 1886-1968)“‘TOO YOUNG TO MARRY’ (MYAUNT ELSIE)”Signed and dated ‘W. BIGGS/56’bottom right; also signed andinscribed verso, oil on canvas.35 x 27 in. (88.9 x 65.6cm)provenance:The Curtis Building, Philadelphia,Pennsylvania.By descent in the family.Private Collection, New Jersey.$4,000-6,000

117 126017/7FRED GARDNER(american 1880-1952)“THE CALLER”Signed and dated “GARDNER 1923”bottom left, inscribed “The CallerFred Gardner 110 Columbia HeightsBrooklyn, NY” verso20 x 16 in. (50.8 x 40.6 cm)provenance:Freeman’s sale of Fine American &European Paintings, December 4,2005, lot 111.Private Collection, Pennsylvania.exhibited:Everson Museum of Art - Syracuse,NY “Fred Gardner (1880-1952),June 21 - September 8, 1985 Cat.No. 17.$5,000-8,000

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118 121972/62JOHN MCCLUSKY(american b. 1914)RURAL SCENESigned and dated ‘JOHNMcCLUSKY/63’, oil on masonite18 3/4 x 42 in. (47.6 x 106.7cm)provenance:The Estate of Donald Brenwasser,New Jersey.$2,500-4,000

119 121972/63JOHN MCCLUSKY(american b. 1914)IN THE FORESTSigned and dated ‘JOHN McCLUSKY/59’, bottom, oil on masonite28 x 20 in. (71.1 x 50.8cm)provenance:The Estate of Donald Brenwasser, New Jersey.$3,000-5,000

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120 122246/2ANDRÉ GISSON(american 1921-2003)“IN THE MEADOW”Signed ‘A Gisson’ bottom right, oil on canvas24 x 12 in. (61 x 30.5cm)provenance:Newman Galleries, Philadelphia, Pennsylvania.Private Collection, Haverford, Pennsylvania.$1,500-2,500


121 121752/3MARGUERITE THOMPSONZORACH(american 1887-1968)“WINTER STILL LIFE”Signed ‘MARGUERITE ZORACH’bottom left, oil on canvas20 x 24 in. (50.8 x 61cm)provenance:Kraushaar Galleries, New York, NewYorkPrivate Collection, Pennsylvania.$20,000-30,000

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123 121931/1DAVID DAVIDOVICH BURLIUK(american/ukrainian 1882-1967)“SOUTHERN STREET SCENE”Signed ‘D. BURLIUK’ bottom left, oilon canvas13 1/4 x 18 in. (33.7 x 45.7cm)provenance:Christie’s New York, sale ofSeptember 21st, 1984.Drew Peter’s Fine Art, Philadelphia,Pennsylvania.Private Collection, Pennsylvania.$6,000-10,000

122 121918/2DAVID DAVIDOVICH BURLIUK(american/ukrainian 1882-1967)FLOWERSSigned ‘BURLIUK’ bottom left, oil oncanvas22 x 18 in. (55.9 x 45.7cm)provenance:ACA Galleries, New York City, NewYork, circa 1955.Private Collection, Brooklyn, NewYork.Acquired from the above by thepresent owner.Private Collection, New Jersey.$12,000-18,000

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124 121776/11DONALD TEAGUE(american 1897-1991)“IN THE TYPHOON SHELTER,HONG KONG”Signed ‘DONALD TEAGUE NA’bottom right; also signed andinscribed with title on label verso,watercolor, gouache and graphite onpaperSight size: 6 x 8 3/4 in.(15.2 x 22.2cm)provenance:The Estate of James E. Cushing Jr.$1,500-2,500

125 126028/2RAPHAEL SOYER(american 1899-1987)STANDING FEMALE NUDESigned ‘RAPHAEL SOYER’ bottomright, oil on canvas20 x 12 in. (50.8 x 30.5cm)provenance:Private Collection, Maryland.note:This lot is accompanied by a photoof the artist holding the painting.$4,000-6,000

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126 121996/4AUSEKLIS OZOLS(latvian/american b. 1941)ALONG THE SHORESigned ‘OZOLS’ bottom left, oil oncanvas28 1/4 x 42 in. (71.7 x 106.7cm)provenance:Private Collection, Minnesota.$2,500-4,000

127 121980/9KARL KNATHS(american 1891-1971)TABLETOP STILL LIFESigned ‘Karl Knaths’ bottom right, oilon canvas16 x 20 in. (40.6 x 50.8cm)provenance:Trinity Auction House, Trinity, Texas.Private Collection, Wisconsin.$2,500-4,000

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128 121996/1FRANCIS SPEIGHT(american 1896-1989)“HIGHLAND AVENUE WITHCLOUDS”Signed and indistinctly dated‘FRANCIS SPEIGHT 1971’ bottomright; also titled on printed labelverso, oil on canvas16 x 18 in. (40.6 x 45.7cm)provenance:Acquired directly from the artist.Private Collection, Minnesota.$4,000-6,000


129 121996/2FRANCIS SPEIGHT(american 1896-1989)SCHUYLKILL RIVERSigned and dated ‘Francis Speight1957’ bottom right; also titled onprinted label verso, oil on canvas34 x 47 in. (86.4 x 119.4cm)provenance:Acquired directly from the artist.Private Collection, Minnesota.note:A plaque affixed recto statesBenjamin Ritman Prize(Landscape)/133rd AnnualExhibition-1958/NATIONALACADEMY OF DESIGN.$15,000-25,000

130 121996/3FRANCIS SPEIGHT(american 1896-1989)“WEIRTON”Signed and dated ‘F Speight 1936’bottom left; also signed, dated andinscribed with title in pencil verso,watercolor9 3/4 x 12 5/8 in. (24.8 x 32.1cm)provenance:Acquired directly from the artist.Private Collection, Minnesota.$2,000-3,000

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131 126017/17WALTER STUEMPFIG(american 1914-1970)“THE CANAL”Signed ‘Stuempfig’ bottom right, oilon canvas36 x 42 in. (91.4 x 106.7cm)provenance:Freeman’s sale of Fine American &European Paintings, June 24, 2007,lot 146.Private Collection, Pennsylvania.$15,000-25,000

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132 126017/5JULIUS BLOCH(american 1888-1966)IMMIGRANTSSigned ‘Julius Bloch’ bottom right, oilon canvas9 x 19 in. (22.9 x 48.3cm)provenance:Kendall Chew & John Formicola,Philadelphia, Pennsylvania.Private Collection, Pennsylvania.$3,000-5,000

133 126017/4THERESA FERBER BERNSTEIN(american 1890-2002)“GLOUCESTER HARBOR”Signed ‘T BERNSTEIN’ bottom left,oil on canvas25 x 30 in. (63.5 x 76.2cm)provenance:Revsin Gallery, Philadelphia,Pennsylvania.Private Collection, Pennsylvania.$4,000-6,000

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134 126033/2HARRY LEITH-ROSS(american 1886-1973)“WHEELER’S POINT, GLOUCESTER,MASSACHUSETTS”Signed ‘Leith-Ross’ bottom right, oilon canvasboard12 x 16 in. (30.5 x 40.6cm)provenance:By descent in the artist’s family.Acquired from the above.Private Collection, Delaware.$4,000-6,000

135 122361/1ARTHUR MELTZER(american 1893-1989)“EGGS; BROWN AND WHITE”Signed ‘Arthur Meltzer’ bottom left;also signed and inscribed by Meltzeron card affixed to stretcher, oil oncanvas16 x 20 in. (40.6 x 50.8cm)provenance:Private Collection, Illinois.$4,000-6,000

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136 121940/1FERN ISABEL COPPEDGE(american 1888-1951)“OCTOBER WOODS”Signed ‘Fern I Coppedge’ bottomleft, signed and inscribed in inkverso, oil on board8 1/4 x 10 3/8 in. (21 x 26.4cm)provenance:Private Collection, Boston,Massachusetts.$5,000-8,000


137 122183/1WALTER ELMER SCHOFIELD(american 1867-1944)COASTAL LANDSCAPESigned ‘Schofield’ bottom left; alsosigned verso, oil on canvas 35 1/4 x 39 1/4 in. (89.5 x 100cm)provenance:Private Collection, Michigan.$15,000-25,000

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138 126042/3MARY ELIZABETH PRICE(american 1877-1965)“THE DOROTHY BRADFORD (FROM PROVINCETOWN TOBOSTON)”Signed ‘M ELIZABETH PRICE’ inscribed and titled verso, oil oncanvasboard10 x 14 in. (25.4 x 35.6cm)provenance:Private Collection, New Jersey.$10,000-15,000

139 126017/9ARTHUR MELTZER(american 1893-1989)“OUR BACKYARD”Signed “Arthur Meltzer” bottom right, oil on board7 5/8 x 9 1/2 in. (19.4 x 24.1cm)provenance:Freeman’s Sale of Fine American & European Paintings, December 4,2005, lot 169. Private Collection, Pennsylvania.$3,000-5,000

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140 126017/20PAULETTE VICTORINE J. VANROEKENS(american 1896-1988)“THE SWAN BALLET”Signed ‘P. VAN ROEKENS’ bottomleft, signed and inscribed with titleverso, oil on board8 x 10 in. (20.3 x 25.4cm)provenance:Alderfer auction, Hatfield,Pennsylvania, March 13, 2009, lot3149.Private Collection, Pennsylvania.$5,000-8,000

141 126017/19PAULETTE VICTORINE J. VANROEKENS(american 1896-1988)THE HOOPSigned ‘P. VAN ROEKENS’ bottomleft, inscribed with signature, titleand date ‘1960’ on stretcher verso,oil on canvas14 x 12 1/4 in. (35.6 x 31.1cm)provenance:Estate of Alan S. Kushner,Wyndmoor, Pennsylvania.Freeman’s sale of Fine Paintings &Sculpture, June 22, 2008, lot 118.Private Collection, Pennsylvania.$8,000-12,000

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142 126040/4DANIEL GARBER(american 1880-1958)PORTRAIT OF FELIX DERBYSHIRESCHELLINGInscribed, dated and signed ‘To MRSchelling/Daniel Garber/1918’bottom left, charcoal on paper, in asigned LAUGHLIN frameSight size 15 3/8 x 10 5/8 in.(39.1 x 27cm)provenance:The artist.Felix Derbyshire Schelling,Lumberville, Pennsylvania, 1918.Mr. and Mrs. Richard T. Salter,Lumberville, Pennsylvania, 1945.Richard T. Salter, Lumberville,Pennsylvania, 1987.Mr. and Mrs. William Kohn III (hisdaughter and son-in-law),Chalfonte, Pennsylvania,1988.Private Collection, Pennsylvania.

143 126040/1DANIEL GARBER(american 1880-1958)“SPRING VALLEY WILLOWS”1942. Edition of 50. Signed, titled and inscribed ‘D.G. Imp’ in the margin, inpencil, soft-ground etching and drypoint8 3/16 x 11 7/8 in. (20.8 x 30.2cm)[Humphries, E 43]provenance:Private Collection, Pennsylvania.$1,000-1,500

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144 126040/3DANIEL GARBER(american 1880-1958)“FISHERMAN’S HUT”1940. Edition of 34. Signed, titled and inscribed ‘D.G. Imp’ in the margin, inpencil, etching and drypoint7 7/8 x 9 7/8 in. (20 x 25.1cm)[Humphries, E 40]provenance:Plymouth Meeting Gallery, Plymouth Meeting, Pennsylvania.Private Collection, Pennsylvania.$1,000-1,500

note:At about the time the artist createdthis drawing, the father of the sitter,Felix E. Schelling, a professor ofShakespearean Literature at theUniversity of Pennsylvania,purchased the house across theroad from the Garbers at Cuttalossa.The dwelling, formerly owned byMary Maxwell, was owned by theSchellings until 1945 when it waspurchased by the Salter family. FelixDerbyshire Schelling, the subject ofthis drawing, was, among otherthings, an artist, and would laterteach art at the Penn Charter Schoolfor Boys in Philadelphia. For anotherportrait drawing of Schelling, seecat. D 214.[Humphries, D 186]$4,000-6,000


145 126040/6DANIEL GARBER(american 1880-1958)“STRAW BARRACKS”1931. Edition of 50. Signed, titledand inscribed ‘D.G. Imp’ in themargin, in pencil, etching7 7/8 x 9 11/16 in. (20 x 22.9cm)[Humphries, E 25]provenance:Private Collection, Pennsylvania.$1,000-1,500

146 126040/5DANIEL GARBER(american 1880-1958)“THE HERON”1923. Edition of 61. Signed, titled andinscribed in the margin, in pencil,etching with drypoint6 x 8 in. (15.2 x 20.3cm)[Humphries, E 8]provenance:Private Collection, Pennsylvania.$1,000-1,500

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147 126040/2DANIEL GARBER(american 1880-1958)“BIRMINGHAM MEETING HOUSE”1935. Edition of 50. Signed, titledand inscribed ‘D.G. Imp’ in themargin, in pencil, etching6 x 11 in. (15.2 x 27.9cm)[Humphries, E 31]provenance:The Coryell Gallery, Lambertville,New Jersey.Private Collection, Pennsylvania.$1,000-1,500


148 121925/1GEORGE WILLIAM SOTTER(american 1879-1953)“THE NEIGHBORS”Signed ‘G.W. Sotter’ bottom right;also with ‘George W. Sotter Studios’stretcher label, oil on canvas26 x 32 in. (66 x 81.3cm)provenance:Northern New Jersey Estate.Acquired from the above.Private Collection, Maryland.$50,000-80,000

86


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149 126001/2FERN ISABEL COPPEDGE(american 1888-1951)“NEAR PINEVILLE IN OCTOBER”Signed ‘Fern I Coppedge’ bottomcenter, inscribed with title in pencilon stretcher verso, oil on canvas16 x 16 in. (40.6 x 40.6cm)provenance:Private Collection, Connecticut.$10,000-15,000

87


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150 11-2245/1KENNETH R. NUNAMAKER(american 1890-1957)“BACKYARD”Signed ‘K. NUNAMAKER’ bottomleft, oil on canvas14 x 14 in. (35.6 x 35.6cm)provenance:Salmagundi Club Auction, New YorkCity, New York.Private Collection, New Jersey.$12,000-18,000

88


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151 126042/5KENNETH R. NUNAMAKER(american 1890-1957)THE QUARRYSigned ‘K NUNAMAKER’ bottomright, oil on canvas20 x 22 1/8 in. (50.8 x 56.2cm)provenance:Jim’s Antiques Ltd. Lambertville,New Jersey.Private Collection, New Jersey.$10,000-15,000

89


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152 126042/4HENRY BAYLEY SNELL(american 1858-1943)CHILDREN AT THE BOATYARDSigned ‘Snell’ bottom left, oil oncanvas16 x 20 in. (40.6 x 50.8cm)provenance:Private Collection, New Jersey.$5,000-8,000

153 126001/1FERN ISABEL COPPEDGE(american 1888-1961)“PIGEON COVE”Signed ‘Fern Coppedge’ bottomright, indistinctly inscribed anddated ‘1936’ verso, oil oncanvasboard9 3/4 x 12 in. (24.8 x 30.5cm)provenance:Bianco Gallery, Buckingham,Pennsylvania.Private Collection, Connecticut.$8,000-12,000

90


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154 126020/3ARTHUR MELTZER(american, 1893-1989)“THE CABBAGE PATCH”Signed and dated ‘Arthur Meltzer30’ bottom left, inscribed with titleon upper stretcher in pencil verso;also signed and inscribed with titleon two labels attached verso, oil oncanvas25 x 30 in. (63.5 x 76.2cm)provenance:Private Collection, Connecticut.$15,000-25,000

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155 121923/1ARTHUR MELTZER(american 1893-1989)STILL LIFE WITH FLOWERSSigned ‘Arthur Meltzer’ bottom left;also dated ‘Feb 15, 1961’ in pencilverso, oil on masonite24 x 20 in. (61 x 50.8cm)provenance:Private Collection, Philadelphia,Pennsylvania.$4,000-6,000


156 126036/2JOHN FULTON FOLINSBEE(american 1892-1972)NEW HOPE FROM ACROSS THE DELAWARESigned ‘John F. Folinsbee’ bottom left, oil oncanvas laid down on board8 1/4 x 10 3/8 in. (21 x 26.4cm)In a frame stamped ‘R MOORE PRICE /FRAMES / NEW HOPE PA’ versoprovenance:Private Collection, Florida.note:This piece will be included in the artist’scatalogue raisonné.$8,000-12,000

92


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157 121933/1GEORGE WILLIAM SOTTER(american 1879-1953)“BROOK IN WINTER”Signed ‘G.W. Sotter’ bottom right, oil on canvas32 x 36 in. (81.3 x 91.4cm)provenance:Dennis O’Brian, Passaic, New Jersey.By descent to Rosemary O’Brian-Donohue, Indiana.Gifted to the present owner.Private Collection, Michigan.$50,000-80,000

93


12/02/12


158 126017/11SAMUEL GEORGE PHILLIPS(american 1890-1965)“BUCKS COUNTY TAPESTRY”Signed “Phillips” bottom right, oil oncanvas18 x 16 in. (45.7 x 40.6 cm)provenance:Newman Galleries, Philadelphia,Pennsylvania.Private Collection, Florida.Freeman’s sale of Fine American &European Paintings, December 4,2005, lot 163.Private Collection, Pennsylvania.$10,000-15,000

159 126042/2CHARLES ROSEN(american, 1878-1950)‘WHITE CASTLE’Signed ‘C ROSEN’ bottom left,inscribed with title verso, oil oncanvasboard11 5/8 x 15 3/4 in. (29.5 x 40cm)provenance:Private Collection, New Jersey.$6,000-10,000

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160 126009/1RICHARD GIBSONWEDDERSPOON(american 1889-1976)“BOWMAN’S HILL”Signed and dated‘R.G.WEDDERSPOON ‘58’ bottomright, oil on canvasIn a Badura frame30 x 25 in. (76.2 x 63.5cm)provenance:Private Collection, New Jersey.note:The present painting depicts theDelaware River, looking north fromBowman’s Hill.$12,000-18,000

95


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161 126017/3WALTER EMERSON BAUM(american 1884-1956)“EMMAUS AVENUE ALLENTOWN,PA”Signed ‘W E BAUM” bottomright;also signed and dated ‘January4, 1950’ and inscribed with title inink on page attached verso, oil onboard12 x 16 in. (30.5 x 40.6cm)provenance:Private Collection, Pennsylvania.$7,000-10,000

162 126042/1RAE SLOAN BREDIN(american 1881-1933)“MISS ELFRIDA LANDIS”Signed ‘RS Bredin’ bottom left,inscribed ‘For Elfrida Landis’ on labelverso, oil on canvas30 x 25 in. (76.2 x 63.5cm)provenance:Private Collection, New Jersey.exhibited:Annual Exhibition, PennsylvaniaAcademy of the Fine Arts, 1993,catalogue no. 450.$8,000-12,000

96


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163 126017/13WALTER ELMER SCHOFIELD(american 1867-1944)A BUSY CORNISH HARBORSigned and dated ‘Schofield 14’ bottomright, oil on canvas30 x 36 in. (76.2 x 91.4cm)provenance:Estate of a Lady, Philadelphia,Pennsylvannia.Freeman’s sale of Fine American &European Paintings, June 21, 2009, lot 109.Private Collection, Pennsylvania.exhibited:James A. Michener Museum, Doylestown,Pennsylvania, June 2 - July 11, 2011.$25,000-40,000

97


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164 122220/1RICHARD GIBSONWEDDERSPOON(american 1889-1976)READING IN THE SHADESigned ‘R G Wedderspoon’ bottomright, oil on canvas18 x 18 in. (45.7 x 45.7cm)provenance:Private Collection, Florida.$4,000-6,000

165 126028/1STUART SHILS(american b. 1954)“TREES ON THE WEST RIVER”Signed and dated ‘SHILS 86” bottomright; also signed, titled andinscribed verso, oil on paper8 3/4 x 10 1/2 in. (22.2 x 26.7cm)provenance:Private Collection, Maryland.$1,000-1,500

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166 121925/2HENRY ASBURY RAND(american 1886-1961)‘WINTER SUNLIGHT (BENJAMINWILLIAMS HOMESTEAD)’Signed and dated ‘Henry A Rand1921’ bottom right, oil on canvas25 x 30 in. (63.5 x 76.2cm).provenance:Northern New Jersey Estate.Acquired from the above.Private Collection, Maryland.$15,000-25,000

END OF SALE

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Alken, H., 45, 46Alt, T. 14Armington, F.M., 70

Bartolena, G., 23Baum, W.E., 161Bernstein, T.F., 133Biggs, W., 116Bloch, J., 132Bredin, R.S., 162Bricher, A.T., 83Bridgman, F.A., 92Burliuk, D.D., 122, 123Buttersworth, J.E., 94

Carl-Rosa, M.C.R., 57Chapman, J.W., 33Charreton, V., 5Chase, W.M., 85Communal, J.V., 6Coppedge, F.I.,136, 149, 153Costa, G., 24Costigan, J.E., 106

Daubigny, C.F., 1 Dawson, M., 38De Breanski, Sr., A., 35De Breanski, Jr., A.F., 34De Comolera, M., 56De Madrazo y Garreta, R., 27Demuth, C., 99Durand, A.B., 86Duveneck, F., 82Dyer, C.G., 91

Emms, J., 54Evergood, P., 67

Feininger, T.L., 103Fiene, E., 110

Malfray, C.A., 59Marshall, B., 52Massani, P., 25McCluskey, J., 118, 119McKenzie, R.T., 72Mellor, W., 32Meltzer, A., 135, 139, 154, 155Monticelli, A.J.T., 8Mully, O., 23Murray, H., 48Musin, F.E., 3

Nichols, D., 111Nunamaker, K.R., 150, 151Nunes-Vais, I., 28

Osthaus, E.H., 97Owen, B., 115Ozols, A., 126

Paterson, J., 31Penfold, F. 79Perboyre, P.E.L.,4Petter, T. 20Phillips, S.G., 158Porter, C., 96Price, M.E., 138Priechenfried, A.H., 16

Rand, H.A., 166Roldan, E., 26Rosen, C., 159Roybet, F.V.L., 2Rungius, C.C.M., 114

Sartorius, J.N., 50, 51, 53Schofield, W.E., 137, 163Schönleber, G., 21Schlösser, C.B., 77Seago, E., 55

Folinsbee, J.F., 156

Garber, D., 142, 143, 144, 145, 146,147Gardner, F., 117Gisson, A., 120Graner y Arrufi, L., 93Greacen, E.W., 68, 69Greenwood, J.H., 76

Hall, H., 41, 42, 43, 44Hamilton, J., 74Hankey, W.L., 36, 37Helmer, P., 12Heyerdahl, H.O., 65Hibbard, A.T., 109Horton, W.S., 105Howland, A.C., 89

Jan, G. 62Johnson, D., 84

Kauffmann, H.W. 15Kirk, E., 112Knaths, K., 127Knight, D.R., 87Knight, L.A., 88Krieghoff, C.D., 71

Lecomte, P.E., 58Leith-Ross, H., 134Lever, R.H., 104Lie, J., 113Lippincott, W.H., 90Luigini, F.J., 60

Maclet, E., 63Macrae, E.F., 100Maggs, J., 39, 40Maleas, K., 29

Settani, L., 66Shayer the Elder, W., 30Shils, S., 165Shinn, E., 102Sloane, E., 107, 108Smith, F.H., 101Smith, P., 49Snell, H.B., 152Sonntag, Jr. W.L., 81Sotter, G.W., 148, 157Soyer, R., 125Speight, F., 128, 129, 130Sperl, J., 11, 17Spohler, J.F., 9Stuempfig, W., 131Symons, G.G., 98

Teague, D., 124Timmermans, L.E., 61

Van Roekens, P.V.J., 140, 141Vedder, E., 78Velten, W., 22Von Bochmann the Elder, G. 19Von Defregger, F., 13

Walker, W.A., 95Weaver, T., 47Wedderspoon, R.G., 160, 164Weeks, E.L., 73Whittridge, W., 80Wischniowsky, J., 10Wyant, A.H., 75

Zorach, M., 121

CONTINENTAL SCHOOL, 7

any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement or representation of fact. freeman’s reserves the right,in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

names

attributed to

studio of

circle of

follower of

manner of

school of

after an artist

signatures & dates

measurements

Forename(s) and surname of painter is in ouropinion a work by that artist; e.g. Charles WillsonPeale. When an artist’s forename(s) is not known, aseries of asterisks followed by the surname of theartist, wether preceded by an initial or not, indicatesthat in our opinion the work is by the artist named.

Refers to probably a work by the artist; e.g.Attributed to Charles Willson Peale.

Refers to a work from the studio of the artist whichmay or may not have been executed under hisdirection; e.g. Studio of Charles Willson Peale.

Circle of..... refers to a work of the period of theartist executed under his immediate influence; e.g.Circle of Charles Willson Peale.

Follower of..... refers to a work by a painter workingin the artist’s style, contemporary or nearlycontemporary, but not necessarily his pupil; e.g.Follower of Charles Willson Peale.

Manner of..... refers to a work in a style related tothat of the artist, but of a later date; e.g. Manner ofCharles Willson Peale.

School accompanied by the name of a place orcountry and a date means that we believe thepicture was executed at that time and in thatlocation; e.g. Italian School, 18th Century.

After an artist is in our opinion a copy of any dateafter a work by that artist; e.g. After Charles WillsonPeale.

Signed and/or dated and/or inscribed means thatwe believe the signature and/or date and/orinscription are from the hand of the artist.Bears a signature and/or a date and/or aninscription means that we believe the artist’s nameand/or date and/or inscription have been added byanother hand.

All references to signature, inscriptions and datesrefer to the present state of the work.

Dimensions are given height before width.

Glossary

Index


Fine Paintings Thursday, 29th November, 201233 Broughton Place, Edinburgh EH1 3RR

www.lyonandturnbull .com

ARPITA SINGH (INDIAN b. 1937ROAD SIGN:DONT CROSS CENTRAL PARK AT NIGHTSigned and dated 1995, inscribed, oil on canvas

91.5cm x 106.5cm (36in x 42in)

Provenance:Chemould Gallery, Bombay

Exhibited:CIMA Gallery, Calcutta, Arpita Singh, 1996, referred to in the textand illustrated in the plates

£40,000-60,000 ($64,000-96,000)

EnquiriesNick CurnowTel: +44 (0)131 557 8844 [email protected]

Charlotte RiordanTel: +44 (0)131 557 8844 [email protected]


1Unless otherwise indicated, allProperty will be offered byFreeman’s as agent for theConsignor.

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7If the auctioneer determines thatany opening or later bid or anyadvance bid is not commensuratewith the value of the Propertyoffered, he may reject the same andwithdraw the Property from sale.

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9No lot may be removed fromFreeman’s premises until the buyerhas paid in full the purchase pricetherefor including Buyer’s Premiumor has satisfied such terms thatFreeman’s, in its sole discretion,shall require. Subject to theforegoing, all Property shall be paidfor and removed by the buyer athis/her expense within ten (10)days of sale and, if not so removed,may be sold by Freeman’s, or sentby Freeman’s to a public warehouse,at the sole risk and charge of thebuyer(s), and Freeman’s mayprohibit the buyer fromparticipating, directly or indirectly,as a bidder or buyer in any futuresale or sales. In addition to otherremedies available to Freeman’s bylaw, Freeman’s reserves the right toimpose a late charge of 1.5% permonth of the total purchase price onany balance remaining ten (10) daysafter the day of sale. If Property isnot removed by the buyer within ten(10) days, a handling charge of 1%of the total purchase price permonth from the tenth day after thesale until removal by the buyer shallbe payable to Freeman’s by thebuyer; Freeman’s shall charge 1.5%of the total purchase price permonth for any property not soremoved within 60 days after thesale. Freeman’s will not beresponsible for any loss, damage,theft, or otherwise responsible forany goods left in Freeman’spossession after ten (10) days. If theforegoing conditions or anyapplicable provisions of law are notcomplied with, in addition to otherremedies available to Freeman’s andthe Consignor (including withoutlimitation the right to hold thebuyer(s) liable for the bid price)Freeman’s, at its option, may eithercancel the sale, retaining asliquidated damages all paymentsmade by the buyer(s), or resell theproperty. In such event, the buyer(s)shall remain liable for any deficiencyin the original purchase price and

will also be responsible for all costs,including warehousing, the expenseof the ultimate sale, and Freeman’scommission at its regular ratestogether with all related andincidental charges, including legalfees. Payment is a precondition toremoval. Payment shall be by cash,certified check or similar bank draft,or any other method approved byFreeman’s. Checks will not bedeemed to constitute payment untilcleared. Any exceptions must bemade upon Freeman’s writtenapproval of credit prior to sale. Inaddition, a defaulting buyer will bedeemed to have granted andassigned to Freeman’s, a continuingsecurity interest of first priority inany property or money of, or owingto such buyer in Freeman’spossession, and Freeman’s mayretain and apply such property ormoney as collateral security for theobligations due to due to Freeman’s.Freeman’s shall have all of the rightsaccorded a secured party under thePennsylvania Uniform CommercialCode.

10Unless the sale is advertised andannounced as “without reserve”,each lot is offered subject to areserve and Freeman’s mayimplement such reserves by biddingthrough its representatives on behalfof the Consignors. In certaininstances, the Consignor may payless than the standard commissionrate where Freeman’s or itsrepresentative is a successful bidderon behalf of the Consignor. Wherethe Consignor is indebted toFreeman’s, Freeman’s may have aninterest in the offered lots and theproceeds therefrom, other than thebroker’s Commissions, and all salesare subject to any such interest.

11No “buy” bids shall be accepted atany time for any purpose.

12Any pre-sale bids must besubmitted in writing to Freeman’sprior to commencement of the offerof the first lot of any sale. Freeman’scopy of any such bid shallconclusively be deemed to be thesole evidence of same, and whileFreeman’s accepts these bids for theconvenience of bidders not presentat the auction, Freeman’s shall notbe responsible for the failure toexecute, or, to execute properly, anypre-sale bid.

13A Buyer’s Premium will be added tothe successful bid price and ispayable by the buyer as part of thetotal purchase price. The Buyer’s

Premium shall be: 25% on the first$50,000 of the hammer price ofeach lot, 20% on the portion from$50,001 through $1,000,000, and12% thereafter.

14Unless exempted by law from thepayment thereof, the buyer will berequired to pay any and all federalexcise tax and any state and/or localsales taxes, including wheredeliveries are to be made outsidethe state where a sale is conducted,which may be subject to acorresponding or compensating taxin another state.

15Freeman’s may, as a service to buyerarrange to have purchased propertyposted and shipped at the buyer’sexpense. Freeman’s is notresponsible for any acts oromissions in packing or shipping ofpurchased lots whether or not suchcarrier recommended by Freeman’s.Packing and handling of purchasedlots is at the responsibility of thebuyer and is at the entire risk of thebuyer.

16In no event shall any liability ofFreeman’s to the buyer exceed thepurchase price actually paid.

17 No claimed modification oramendment of this Agreement onthe part of any party shall bedeemed extant, enforceable orprovable unless it is in writing thathas been signed by the parties tothis Agreement. No course ofdealing and no delay or omission onthe part of Freeman’s in exercisingany right under this Agreement shalloperate as a waiver of such right orany other right and waiver on anyone or more occasions shall not beconstrued as a bar to or waiver ofany right or remedy of Freeman’s onany future occasion.

18These Conditions of Sale and thebuyer’s, the Consignor’s andFreeman’s rights under theseConditions of Sale shall be governedby, construed and enforced inaccordance with the laws of theCommonwealth of Pennsylvania andConsignor and Buyer agree to theexclusive jurisdiction of thePhiladelphia, Pennsylvania Court ofCommon Pleas and the UnitedStates District Court for the EasternDistrict of Pennsylvania.

Terms & Conditionsall property offered and sold (“property”) through samuel t. freeman & co,(“freeman’s”) shall be offered and sold on the terms and conditions set forthbelow which constitutes the complete statement of the terms and conditions onwhich all property is offered for sale. by bidding at the auction, whether presentin person or by agent, by written bid, telephone, internet or other means, the buyeragrees to be bound by these terms and conditions.


SALE NO BIDDER NO CLIENT NO

NAME BUSINESS NAME

ADDRESS

CITY STATE COUNTRY

ZIP CODE E-MAIL

FAX

RESALE / TAX IDENTIFICATION STATE

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $50,000 of the hammer price of eachlot, 20% on the portion from $50,001 through $1,000,000, and 12% on that portion of the hammer price exceeding $1,000,000. All lots must be paid for and removed within 10 days.

LOT NO DESCRIPTION MAXIMUM BID

bank reference

BANK NAME ACCOUNT NO

CONTACT NAME TELEPHONE

I hereby confirm thet I have read and am bound by the “Terms of Sale” presented by the auction house and which govern all auction purchases made by me. Although every attempt is made to execute yourbid(s), the auctioneer is not responsible for errors and omissions.

SIGNED

(signature required to execute your bids)

q PLEASE SEND ME INFORMATION TO SUBSCRIBE TO FREEMAN’S CATALOGS

bidding & registration form

Freeman’s 1808 Chestnut Street Philadelphia PA 19103 Tel-215.563.9275 Fax-215.599.2240 e-mail: [email protected] www.freemansauction.com

please adhereto the bidding increments

$10UNTIL $200 IS REACHED

$25UNTIL $500 IS REACHED

$50UNTIL $1,000 IS REACHED




$1,000UNTIL $30,000 IS REACHED



OVER $100,000AUCTIONEER’S DISCRETION

(Primary) (Secondary)PHONE PHONE

q ID CONFIRMED


This fall brings a consistent roster of our expertise to the MainLine, Freeman’s new office in Eagle Village Shops! Experience,explore and enjoy these services within the comfort andconvenience of suburban Philadelphia:

• Daily exhibitions of upcoming auction highlights

• Monthly Gallery Talks

• Walk-in consignment inquiries and ‘fair market value’ appraisals

• Auction registration for bidding in person, over the phone or absentee

• Bill payment and pick- up of small items

Katherine [email protected]

to preview, bid or consign visit us at

www.freemansauction.com1808 Chestnut Street Philadelphia PA 19103 Tel: 215.563.9275 Follow us @


www.freemansauction.com Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia Pennsylvania 19103Tel-215.563.9275 Fax-215.563.8236

fine american & european paintings

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