filming the past in the present: heritage and documentary practice · 2019-04-05 · presented by...

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This is a collaborative event supported by the Research Centre for Film, the Digital Cultures Research Group and the Cultural Significance of Place Research Group. Filming the Past in the Present: Heritage and Documentary Practice 15 May 2019, 14.00-18.10 Culture Lab Ballroom What does documentary film offer as a mode of creative and critical research for heritage? Vice versa, what does it mean to make films about the past in the present? In this event, we will screen a number of documentaries made as part of different heritage research projects at Newcastle University, bringing together filmmaking, heritage and memory studies, archaeology and design research. The screenings will be followed by comments and discussions about the experiences of making the films, their aesthetics, politics, ethics and purposes, and the nature of the scholarship they represent. These questions bear upon the status of documentary films about heritage, no longer as supplementary ‘show-and-tells’ concerned with ‘communicating the research’ to audiences, but as a different form of creative, critical and political research practice with unique potentials. The event is free but registration is essential: contact [email protected] with subject line ‘filming the past’

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Page 1: Filming the Past in the Present: Heritage and Documentary Practice · 2019-04-05 · presented by Stelios Lekakis, who was also responsible for the research and wrote the script

ThisisacollaborativeeventsupportedbytheResearchCentreforFilm,theDigitalCulturesResearchGroupandtheCulturalSignificanceofPlaceResearchGroup.

Filming the Past in the Present:

Heritage and Documentary Practice15 May 2019, 14.00-18.10

Culture Lab

Ballroom

Whatdoesdocumentaryfilmofferasamodeofcreativeandcriticalresearchforheritage?Viceversa,whatdoesitmeantomakefilmsaboutthepastinthepresent?

Inthisevent,wewillscreenanumberofdocumentariesmadeaspartofdifferentheritageresearchprojectsatNewcastleUniversity,bringingtogetherfilmmaking,heritageandmemorystudies,archaeologyanddesignresearch.Thescreeningswillbefollowedbycommentsanddiscussionsabouttheexperiencesofmakingthefilms,theiraesthetics,politics,ethicsandpurposes,andthenatureofthescholarshiptheyrepresent.Thesequestionsbearuponthestatusofdocumentaryfilmsaboutheritage,nolongerassupplementary‘show-and-tells’concernedwith‘communicatingtheresearch’toaudiences,butasadifferentformofcreative,criticalandpoliticalresearchpracticewithuniquepotentials.

Theeventisfreebutregistrationisessential:[email protected]‘filmingthepast’

Page 2: Filming the Past in the Present: Heritage and Documentary Practice · 2019-04-05 · presented by Stelios Lekakis, who was also responsible for the research and wrote the script

ThisisacollaborativeeventsupportedbytheResearchCentreforFilm,theDigitalCulturesResearchGroupandtheCulturalSignificanceofPlaceResearchGroup.

Programme

14.00:Introductorycomments:GönülBozoğlu

14.10:PluralHeritagesofIstanbul:filmsbyCemHakverdi

14.45:CommentbyTomSchofield,CemHakverdi

15.10:HiddenLandscapesofNaxos

15.45:CommentbySteliosLekakisandSamTurner

16.10:Break

16.40:WhoisEurope?

17.40:CommentbyIanMcDonald

18.05:ChrisWhitehead:afterword:whatcandocumentaryfilmandheritagestudiesdotogether?

18.10:Drinksreception

Films include:

PluralHeritagesofIstanbul(fundedunderKatip-CelebiNewtonFund),co-producedbylocalresidentsalongthehistoricLandWallsofIstanbulandagroupoffilmmakers,oneofwhomisCemHakverdi.Thefilmsshowcommunitymembers’deep–andyetsometimesplayful–engagementwiththeplacehistoriesthatbearstronglyonthesocialrelationsandwaysoflife.

HiddenLandscapeofNaxosexploressomeofthelesser-knownlandscapesofGreekIslandofNaxosthrougharchives,monumentsandthestoriesoflocalpeople.ThefilmwasdirectedbyVasiaHatziyiannakisandispresentedbySteliosLekakis,whowasalsoresponsiblefortheresearchandwrotethescript.ThedocumentaryiscollaborationbetweentheMcCordCentre,NewcastleUniversityandGreekTVchannelERT.

WhoisEurope?byfilmmakerIanMcDonald,isaone-hourfilminsixactstorespondtodifferentaspectsofCoHEREproject(CriticalHeritages:performingandrepresentingidentitiesinEurope,fundedbyEuropeanCommission).TheactsofthefilmcovermultiplelocationsandmeaningsofthepastinthepresenttoquestionwhatEuropeis,who‘belongs’,andwhatthesignificanceofthepastisforcontemporarysocialandpoliticalrealities.Itusesasplit-screentechniquetoexplorecontrastsanddissonancesthroughapoeticsofjuxtapositionthathighlightsthetensionsbetweenandcontestsoverthedifferentcultures,experiencesandunderstandingsofEuropetoday.

People: DrGönülBozoğlu,LeverhulmeFellow,NewcastleUniversityDrCemHakverdi,LecturerinMedia,IstanbulBilgiUniversityDrSteliosLekakis,AHRCCreativeEconomyEngagementFellowinArchaeology,NewcastleUniversityDrIanMcDonald,DirectorofNewcastleUniversityResearchCentreforFilmandFilm@CultureLabDrTomSchofield,SeniorLecturerinDigitalCulturesatCultureLab,NewcastleUniversityProfessorSamTurner,Archaeology,NewcastleUniversityProfessorChrisWhitehead,Media,Culture,Heritage,NewcastleUniversity