film fest design boards

5
My Idea is to re-brand the British Independant Film Festival. This ‘Mod’ look is a little but old a cliche and a fresh approach with a more solid concept and more unique identity may be just what they need. I have emailed the founded of the festival who is interested in my ideas. They are working on a smal budget so thinking about low-budget unique products and ideas is vital. I also looked into some of the most iconic British Independant Films. Films such as Lock, Stock and Two Smoking Barrels, This Is England and Trainspotting. I thought about how these can be used to promote an event, oth inside and outside of our country. I researchied into British Independant Film and how it is portrayed in the UK and also to other conountries. Most Independant Films are failrly low budget with most of the funding coming from The BFI (British Film Institute) of the UK Film Council, both of which are funded by the government, but work on very tight budgets. 01 / 05 I also looked at working Film Festivals across the world to get some inspiraation but to also see what they are doing right and wrong, and what hasn’t been done before. This will help push my concept to it’s boundaries. The British Independant Festival Exsisting Film Festivals Classic British Films British Independant Film Sam Lane OUGD505 Design Practice 2 What Is Good? Concept & Research

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Film Fest Design Boards

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Page 1: Film Fest Design Boards

My

Idea

is t

o r

e-b

rand

the

Bri

tish

In

dep

end

ant

Film

Fes

tiva

l. Th

is

‘Mo

d’ l

oo

k is

a li

ttle

but

old

a

clic

he a

nd a

fre

sh a

pp

roac

h w

ith

a m

ore

so

lid c

onc

ept

and

mo

re

uniq

ue id

enti

ty m

ay b

e ju

st w

hat

they

nee

d. I

hav

e em

aile

d t

he

foun

ded

of

the

fest

ival

who

is

inte

rest

ed in

my

idea

s. T

hey

are

wo

rkin

g o

n a

smal

bud

get

so

th

inki

ng a

bo

ut lo

w-b

udg

et u

niq

ue

pro

duc

ts a

nd id

eas

is v

ital

.

I als

o lo

oke

d in

to s

om

e o

f th

e m

ost

ico

nic

Bri

tish

Ind

epen

dan

t Fi

lms.

Film

s su

ch a

s Lo

ck, S

tock

an

d T

wo

Sm

oki

ng B

arre

ls, T

his

Is E

ngla

nd a

nd T

rain

spo

ttin

g. I

th

oug

ht a

bo

ut h

ow

the

se c

an b

e us

ed t

o p

rom

ote

an

even

t, o

th

insi

de

and

out

sid

e o

f o

ur c

oun

try.

I res

earc

hied

into

Bri

tish

In

dep

end

ant

Film

and

ho

w it

is

po

rtra

yed

in t

he U

K a

nd a

lso

to

oth

er c

ono

untr

ies.

Mo

st

Ind

epen

dan

t Fi

lms

are

failr

ly lo

w

bud

get

wit

h m

ost

of

the

fund

ing

co

min

g f

rom

The

BFI

(B

riti

sh F

ilm

Inst

itut

e) o

f th

e U

K F

ilm C

oun

cil,

bo

th o

f w

hich

are

fun

ded

by

the

go

vern

men

t, b

ut w

ork

on

very

ti

ght

bud

get

s.

01 /

05

I als

o lo

oke

d a

t w

ork

ing

Film

Fe

stiv

als

acro

ss t

he w

orl

d t

o g

et

som

e in

spir

aati

on

but

to

als

o s

ee

wha

t th

ey a

re d

oin

g r

ight

and

w

rong

, and

wha

t ha

sn’t

bee

n d

one

bef

ore

. Thi

s w

ill h

elp

pus

h m

y co

ncep

t to

it’s

bo

und

arie

s.

The

Bri

tish

Ind

epen

dan

t Fe

stiv

alE

xsis

ting

Film

Fes

tiva

lsC

lass

ic B

riti

sh F

ilms

Bri

tish

Ind

epen

dan

t Fi

lmSa

m L

ane

OU

GD

505

Des

ign

Pra

ctic

e 2

Wha

t Is

Go

od

?

Co

ncep

t&

Res

earc

h

Page 2: Film Fest Design Boards

Co

ncep

t.

I cho

se n

eon

pin

k an

d b

lack

b

ecau

se t

his

real

tes

to B

riti

sh

Her

itag

e w

ithi

n th

e P

unk

and

M

od

his

tory

whi

ch is

a m

assi

ve

par

t o

f th

e B

riti

sh In

dep

end

ant

Film

Ind

ustr

y. It

is a

lso

a c

olo

ur

that

is u

niq

ue, m

akin

g t

he f

etiv

al

stan

d o

ut a

nd le

ave

a la

stin

g

imp

ress

ion

on

peo

ple

.

I fee

l tha

t co

lour

is im

po

rtan

t to

co

nsid

er. I

t ha

s to

has

so

me

mea

ning

to

the

idea

olo

gie

s o

f th

e fe

stiv

al b

ut a

lso

be

uniq

ue e

noug

h to

be

inst

antl

y re

cog

nisa

ble

and

cre

ate

a so

lid

iden

tity

tha

t g

oes

bey

ond

a lo

go

.

Ther

e in

gen

eral

ly a

lot

of

mea

ning

beh

ind

the

bra

ndin

g

and

log

o’s

beh

ind

Film

Fes

tiva

ls.

This

co

uld

be

cult

ural

or

dir

ectl

y re

late

d t

o fi

lm s

uch

as t

he fi

lms

bar

s in

the

sec

ond

imag

e an

d t

he

RG

B c

olo

ur s

chem

e in

the

thi

rd

imag

e.

02 /

05

Co

lour

Log

oE

xsis

ting

Film

Fes

tiva

ls

I res

earc

hed

into

exs

isti

ng F

ilm

Fest

ival

in t

he U

K a

nd w

orl

dw

ide

to s

ee w

hat

wo

rked

wel

l and

w

hat

did

n’t.

Thi

s al

so g

ive

me

a cl

ear

idea

of

po

ssib

le p

rod

uct

rang

e, a

nd la

rger

sca

le c

one

cpts

an

d p

rod

ucts

tha

t ha

ven’

t p

revi

ous

ly b

een

achi

eved

.

Sam

Lan

e

OU

GD

505

Des

ign

Pra

ctic

e 2

Wha

t Is

Go

od

?

Res

earc

h&

Bra

ndin

g

Page 3: Film Fest Design Boards

I will

als

o in

clud

e ti

cket

s,

sche

dul

es a

nd w

ayfi

ndin

g m

aps

into

the

ran

ge.

I w

ill e

xper

iem

ent

wit

h th

is t

hro

ugh

the

use

of

pap

erd

raft

and

per

fora

tio

n/b

ind

ing

tec

hniq

ues.

The

edit

ori

al a

spec

t o

f th

e p

rod

uct

rang

e w

ill b

e in

tro

duc

es

thro

ugh

pro

mti

ona

l bo

okl

ets,

fe

atur

es, s

ched

ules

and

rev

iew

s.

The

pro

duc

t ra

nge

will

be

exte

nded

fur

ther

tho

ugh

the

use

of

po

pul

ar p

rod

ucts

fo

und

at

a fe

stiv

al. T

his

will

hel

p b

uild

up

an

iden

ity

thro

ugh

th u

se o

f co

lour

an

d b

rand

ing

.

I wis

h to

cre

ate

a ra

nge

of

po

ster

s an

d o

ther

pro

mo

tio

nal

mat

eria

l. Th

is c

oul

d b

e in

the

fo

rm o

f st

icke

rs, b

ags,

t-s

hirt

s et

c. T

he p

ost

er w

ill b

e p

aper

cra

ft

to h

elp

the

m s

tand

out

and

kee

p

cost

s d

ow

n.

03 /

05

Tick

ets,

Sch

edul

es &

Map

sE

dit

ori

alID

Tag

s, W

rist

ban

ds,

Gif

t Sh

op

Po

ster

& P

rom

oti

on

Sam

Lan

e

OU

GD

505

Des

ign

Pra

ctic

e 2

Wha

t Is

Go

od

?

Ran

ge

Page 4: Film Fest Design Boards

I wan

t to

sta

rt t

hink

ing

ab

out

cr

eati

ng a

muc

h st

rong

er

conc

ept.

Cra

ting

an

even

t an

d

an e

xper

ienc

e as

ap

ose

to

jsut

d

esig

n. T

he ‘P

aint

Par

ty’ i

dea

is

just

one

po

ssib

ilty

that

is f

airl

y in

exp

ensi

ve a

nd h

elp

s p

rom

ote

th

e b

rand

thr

oug

h co

lour

in a

un

ique

eve

nt t

hat

leav

es a

last

ing

im

pre

ssio

n.

Fitt

ing

wit

h th

e co

lour

sch

eme,

w

ork

ing

out

ho

w t

his

can

wo

rk in

fa

vour

of

way

find

ing

sys

tem

s o

n a

muc

h la

rger

sca

le.

As

this

is a

n ex

hib

itio

n/fe

stiv

al,

It is

imp

ort

ant

to p

ort

ray

a cl

ear

idea

of

how

the

bra

nd

and

iden

tity

can

be

app

lied

to

a

wid

er r

ang

e o

f p

rod

ucts

. I’v

e b

een

loo

king

into

inte

rio

rs a

nd

set

des

igns

to

see

ho

w t

his

can

mak

e th

e d

esig

n in

to a

uni

que

ex

per

ienc

e.

Her

e ar

e so

me

exam

ple

s at

ho

w

pin

k b

lack

and

whi

te c

an b

e tt

rans

fere

d a

cro

ss w

eb b

ased

d

eliv

erb

ales

. Bo

th w

ebsi

tes

and

Ip

hone

Ap

plic

atio

ns.

04 /

05

Sam

Lan

e

OU

GD

505

Des

ign

Pra

ctic

e 2

Wha

t Is

Go

od

?

Ran

ge

Web

Des

ign

Set

Des

ign

/ In

teri

ors

Pai

nt P

arty

/ P

rom

oti

on

Way

find

ing

Page 5: Film Fest Design Boards

Pro

ject

ion

is a

big

par

t o

f ci

nem

a an

d a

nam

orp

hic

des

ign

fits

in

wit

h th

is id

ea p

erfe

ctly

, whi

lst

also

cre

atin

g a

low

-bud

get

, las

t-in

g im

pre

ssio

n fo

r p

rom

oti

ona

l p

urp

ose

s.

Bla

ck in

k o

n ne

on

pin

k st

ock

is

a ch

eap

and

eff

ecti

ve w

ay o

f p

ort

rayi

ng t

he id

ea o

f th

e b

rand

ac

ross

a r

ang

e o

f p

rod

ucts

whi

lst

dea

ling

wit

h a

low

bud

get

. The

re

are

also

inte

rest

ing

tec

hniq

uees

th

at a

re f

ailr

y ch

eap

to

ach

ieve

su

ch a

s ho

le -p

unch

ing

or

lase

r cu

ttin

g t

o c

reat

e ty

pe

and

p

erfe

rati

on.

UV

Glo

w in

the

dar

k p

aint

is

som

ethi

ng t

hat

I hav

e b

een

rese

arch

ing

into

. Thi

s fi

ts

seam

less

ly w

ith

my

conc

ept

that

fi

lms

are

sho

wn

in t

he d

ark.

Thi

s is

fai

ly e

xpen

sive

to

ap

ply

in

scre

en p

rint

ing

inks

, but

the

re

are

chea

per

alt

erna

tive

s su

ch a

s sp

ray

pai

nt.

I’ve

bee

n lo

oki

ng in

to s

om

e p

aper

cr

aft

and

fo

rmat

s th

at m

ay b

e su

itab

le f

or

my

conc

ept.

Thi

ngs

that

are

ab

le t

o a

chie

ve o

n a

low

b

udg

et b

ut t

hat

leav

es a

last

ing

im

pre

ssio

n. 3

D t

pye

, pap

er

craf

t p

ost

ers

or

inte

rest

ing

and

in

nova

tive

fo

ldin

g t

echn

ique

s.

05 /

05

Sam

Lan

e

OU

GD

505

Des

ign

Pra

ctic

e 2

Wha

t Is

Go

od

?

Pro

cess

es

Ana

mo

rphi

c /

Pro

ject

ion

Neo

n St

ock

& P

erfe

rati

ngU

V P

aint

& S

cree

n P

rint

Pap

er C

raft