fifteenth annual carolina conference on romance …ccrl.unc.edu/programs/2012 ccrl program.docx ·...
TRANSCRIPT
Eighteenth Annual Carolina Conference on Romance Literatures
Conference Coordinators
Adrianna Beaman, Brandon Essary, Maria Fellie
Special recognition is given to the following for their assistance and support:
Dr. Larry King and the Department of Romance Languages, The Graduate Romance Association, Claire Goldstein, Lori Saint-Martin, Roberto Dainotto, Christopher Maurer, Student Congress, the Graduate School, Graduate and Professional Student Federation, Institute for the Arts & Humanities, The Coccia Foundation, Latina/o Studies, Institute for the Study of the Americas, Medieval & Early Modern Studies, College of Arts and
Sciences, African Studies, Office of Undergraduate Research, & the Ackland Art Museum, and the Center for Faculty Excellence.
Thank you to the following individuals and organizations for their help:
Mary Jones, Tom Smither, Sheena Melton, Simona Peppers, Dr. Larry King, Dr. Frank Domínguez, Dr. Rosa Perelmuter, Dr. Emilio del Valle Escalante, Dr. Samuel Amago, Dr. Dino Cervigni, Dr. Richard Vernon, Mercédès Baillargeon, Tessa Gurney, Anca
Koczkas, Stella Kim, Lorenzo Salvagni, Anne Steinberg, Britton Newman, and Julián Díez.
We would also like to thank panel organizers and chairs, the participants, and the graduate students and faculty of the Department of Romance Languages and Literatures
who volunteered to help when it was needed.
2012 CCRL poster design by Tessa Gurney.
Thursday, March 22, 2012
Thursday, March 22, 2012
8:00 am - 10:00 am
Continental Breakfast
Student Union 2510
8:00 am - 3:45 pm
Registration
Student Union 2510
8:30 am - 9:00 am
Welcome and Introduction to the CCRL by Dr. Larry King, Chair of the Department of Romance Languages and Literatures
Student Union 2510
9:00 am - 10:30 am
1. Discursos coloniales y postcoloniales en PerúChair: Julián Díez Torres, The University of North Carolina at Chapel HillStudent Union 3203
Mario Cossío Olavide, University of Notre Dame“Poéticas del discurso criollo del XVII: la palabra de Juan del Valle y Caviedes”
Wanda O. Naranjo, University of Alabama“El poder de las imágenes: influencia del Imitatio Christi y las alegorías visuales en el imaginario colonial y el discurso criollo latinoamericano en los siglos XVII y XVIII”
Jhonn Guerra Banda, Universidad Nacional Mayor de San Marcos, Lima, Perú“Un nuevo espacio para lo profano y lo sagrado en la novela El zorro de arriba y el zorro de abajo de José María Arguedas”
Thursday, March 22, 2012
2. Espejos mexicanos entre pasado y presente: lenguaje, memoria, y ambigüedadChair: Anca Koczkas, The University of North Carolina at Chapel HillStudent Union 3205
Jeff Birdsong, St. Andrews University“Seeing Past, Seeing Present in Pacheco’s Desde entonces”
Kay Ziemer, Winthrop University“No hay cortinas en las ventanas de la tumba: ambigüedades y simbolismo en Pedro Páramo”
Bonnie Loder, Pennsylvania State University“Madness in Elena Garro’s Los recuerdos del porvenir”
10:45 am - 12:15 pm
3. Horrific Sites and Monsters in Hispanic Cinema and LiteratureChair: Abel Muñoz Hermoso, The University of North Carolina at Chapel HillStudent Union 3203
Sam Krieg, The University of North Carolina at Chapel Hill“El terror de lo real en [Rec]”
Timothy Reed, Ripon College“Confronting Monsters: Hauntology and Defiance in Guillermo del Toro’s El laberinto del fauno (2006)”
Jonathan Risner, The University of North Carolina at Chapel Hill“Foundational Horrors: Horror ‘Para-sites’ in Nineteenth-Century Argentine Literature”
4. Castilian Visual Inventories: Medieval Wars, Maidens, and MathematicsChair: Frank Domínguez, The University of North Carolina at Chapel HillStudent Union 3205
Sherry Venere, The University of North Carolina at Chapel Hill“Despair and Bereavement in Gómez Manrique’s El planto de las Virtudes e Poesýa (1459)”
Brian Wilbur, The University of North Carolina at Chapel Hill“Game Theory in Don Juan Manuel’s El Conde Lucanor: Visualizing Medieval Choice”
Michael Weinberg, University of California at Los Angeles“Sight and Sound: A Trilogy of Troubadour Songs to Move a King to War”
Thursday, March 22, 2012
5. Contemporary Urban Symbols: Modern and Postmodern Images in Spain and the Mexico-U.S. BorderChair: Stella Kim, The University of North Carolina at Chapel HillStudent Union 3206B
Britta Anderson, Washington University in St. Louis“La imagen hecha carne: la Virgen de Guadalupe resignificada a través de los tatuajes”
Olga Sendra Ferrer, Swarthmore College“Building the Barcelona of the Future”
6. Cervantes across the Centuries: Visuality, Perception, and the GazeChair: William Maisch, The University of North Carolina at Chapel HillStudent Union 3209
Scott Youngdahl, Virginia Military Institute“Perspective, Perception and Play: Integral Components of the Defeat of Determinism in ‘Rinconete y Cortadillo’”
Ricardo Castells, Florida International University“Cervantes, Film Noire, and ‘El amante liberal’”
Sharon E. Knight, Presbyterian College“Visualizing Cervantes and Heliodorus: Snapshots of the Spectacle”
Tatevik Gyulamiryan, Purdue University“La imagen de Don Quijote, su percepción y re-acentuación”
7. Reading Female Desire in the Age of French Modernity and BeyondChair: William Allen, Furman UniversityStudent Union 3209
Maury Bruhn, The University of North Carolina at Chapel Hill“Rewriting Motherhood in Thérèse Philosophe’”
William Allen, Furman University“Through the Eye to the Heart: A Visual Seduction in Némirovsky’s Les Chiens et les Loups”
Katherine Karcher, The University of North Carolina at Chapel Hill“Marguerite Duras and the Sea”
Thursday, March 22, 2012
8. Jorge Carrigan presenta su novela Muñequita linda (2011)*Book presentation & signing (books available for purchase)Chair: Jorge Carrigan, AuthorStudent Union 3515
Rita Martín, Radford University
Jorge Carrigan, Author
12:30 pm - 2:00 pm
Lunch Break
2:00 pm - 3:30 pm
9. Visualizing Immigration and Power in Contemporary ItalyChair: Ennio Rao, The University of North Carolina at Chapel HillStudent Union 3515
Lucy Emerson, The University of North Carolina at Chapel Hill“Representation versus Reality: Chinese Immigrants in Gomorra and in Italy Today”
Adriana Cerami, The University of North Carolina at Chapel Hill“Renditions of Power in the Montalbano Novels”
10. Identidad cubana decimonónicaChair: Rita Martín, Radford UniversityStudent Union 3203
Aida Medina, University of Alabama“María Luisa Milanés: Construcción del Nocturno en la obra de una poeta suicida”
Jason Osborne, The University of North Carolina at Charlotte“Raza, identidad y depresión: un análisis antropológico de la Autobiografía de Juan Manzano”
Thursday, March 22, 2012
11. Images of the Arab Woman in Medieval & Golden Age NarrativeChair: Alan Redick, The University of North Carolina at Chapel HillStudent Union 3205
Robert Noffsinger, The University of North Carolina at Chapel Hill“The Presentation of the Muslim Woman in Hadith Bayad wa Riyad”
Crystal Chemel, The University of North Carolina at Charlotte“Disguise as Freedom and Empowerment in María de Zayas’ A Slave to Her Own Lover”
12. Food, Feminism, and Politics in Contemporary Hispanic TextsChair: María Salgado, The University of North Carolina at Chapel HillStudent Union 3206A
Elizabeth Huard, Florida State University“Emotional Tastes: Affect, Politics and Food in Manuel Gutiérrez Aragón’s La mitad del cielo”
Julie Warner, The University of North Carolina at Chapel Hill“Cook Books: Re-appropriating Gender Norms in Women’s Literature through Culinary Metaphor”
13. Cernuda’s Poetry in Words & Images: Transatlantic & Transmedia ReadingsChair: Cecelia J. Cavanaugh, Chestnut Hill CollegeStudent Union 3206B
G. Sean McNeal, Eastern Illinois University“The Epiphanic Mode in Luis Cernuda’s ‘Lázaro,’ ‘Quetzalcoatl’ and ‘Luis de Baviera escucha Lohengrin’”
Nilofar Burke, George Mason University“En el laberinto de soledad, vivir entre la realidad y la ficción: un estudio comparativo de la poesía de Luis Cernuda y la película El laberinto del fauno”
Enrique Álvarez, Florida State University“The Affective Gaze: Cernuda’s Mexico”
Thursday, March 22, 2012
14. Transgressing Reality: The Changing Face of Modern Art and LiteratureChair: TBD, The University of North Carolina at Chapel HillStudent Union 3503
Geneviève Waite, City University of New York“Provocative, Perturbed, and Addictive: Surrealism as Vice and Image in Louis Aragon’s Paris Peasant”
Marta Nuñez, The University of North Carolina at Chapel Hill“The Prestige of Unoriginality: Marcel Duchamp’s Readymades and Andy Warhol’s Signature”
Aline Skrzeszewski, University of Cincinnati“Littérature française du XXIème siècle: Ecriture d’un mal-être?”
3:45 pm - 5:15 pm
15. Fortune and “Industria” in Early Modern Italian LiteratureChair: Michele Sguerri, The University of North Carolina at Chapel HillStudent Union 3203
Michele Sguerri, The University of North Carolina at Chapel Hill“The Second Day of the Decameron: the Role of Fortune Reconsidered”
Danila Cannamela, The University of North Carolina at Chapel Hill“La Terza Giornata del Decameron: l’Eden Terreno Dell’Industria”
Matteo Gilebbi, Duke University“De Simulacris Fortunae. Confluenze di aspetti e rappresentazioni della Fortuna in ‘Orbecche’ di Giraldi Cinzio”
16. Rethinking the Study Abroad ExperienceChair: Glynis Cowell, The University of North Carolina at Chapel HillStudent Union 3205
Leticia I. Romo, Towson University“Safety vs. Total Immersion: The Current Dilemma of Study Abroad Programs”
Britton W. Newman, The University of North Carolina at Chapel Hill“Little Minds – Big Worlds: Using Study Abroad and Internet Technology to Connect Elementary Classrooms at Home and Abroad”
Patricia Sagasti Suppes, Ferrum College“Ethical Issues in Service Learning Abroad”
Thursday, March 22, 2012
17. Binaries, Spaces, and Perspectives in Contemporary Latin American NovelsChair: Hosun Kim, The University of North Carolina at Chapel HillStudent Union 3206B
Jonathan Montalvo, Western Michigan University“La actitud binaria de Tacho respecto a un estereotipo gay en Rumbo al hermoso norte de Luis Alberto Urrea”
Patricia Reagan, Randolph-Macon College“Overturning the Image: A New Perspective of the Inferno in José Donoso’s El lugar sin límites”
Katherine Karr-Cornejo, Hampden-Sydney College“Architectural Perspective on El sueño de la historia: Joaquín Toesca and La Moneda”
18. Visualizing the Humanities: From Gnovis to Guru?*A Special PresentationChair: Lucia Binotti, The University of North Carolina at Chapel HillStudent Union 3206A
Whitney Winters, The University of North Carolina at Chapel Hill
Brian Wilbur, The University of North Carolina at Chapel Hill
Hélène de Fays, The University of North Carolina at Chapel Hill
Chris Smith, North Carolina State University
Armando Suárez, The University of North Carolina at Chapel Hill
Emily Clark, The University of North Carolina at Chapel Hill
Laurel Foote-Hudson, The University of North Carolina at Chapel Hill
19. Twenty-first-century Hispanic Cinema: Metropolis, Periphery, EconomicsChair: Cristina Carrasco, The University of North Carolina at Chapel HillStudent Union 3209
Erja Vettenranta, City University of New York“‘Algo huele a podrido en esta casa’: el espacio urbano en La comunidad de Álex de la Iglesia”
Thursday, March 22, 2012
Jason E. Klodt, University of Mississippi“Narcissism, Affluence, and the Economics of Young Adulthood in Recent Spanish Cinema”
Francisco Brignole, The University of North Carolina at Chapel Hill“Reclaiming the Cinematic: From Cinematic Excess to Cinematic Essence in Lisandro Alonso’s Liverpool”
20. From the Parisian Salon to the Islands: Blurring Subject/Object Dialectic in Representations of WomenChair: Lori Knox, Coastal Carolina UniversityStudent Union 3503
Lori Knox, Coastal Carolina University“In Black and White: The Battle for Subjectivity in Madame de Villedieu’s Anaxandre”
Andrew Gard, The University of North Carolina at Chapel Hill “Elle monte sur les planches: Women revealed in the images of l’Encyclopédie”
Jana Blach, West Virginia University“La femme tahitienne visualisée par Paul Gauguin et Pierre Loti”
5:30 pm - 6:00 pmToy Lounge, Dey Hall
Refreshments
6:00 pm - 7:00 pmToy Lounge, Dey Hall
21. Keynote Address:
“Visual Reading and Its Failures: The Comet of 1680”
Speaker: Claire Goldstein
Thursday, March 22, 2012
7:00 pm - 8:30 pmJohn Lindsey Morehead II Lounge, Graham Memorial Building
Welcome Soirée and Piano Performance by Lorenzo Salvagni
Lorenzo Salvagni is a graduate teaching fellow in the department of Italian Studies at UNC-Chapel Hill and a lecturing fellow in Italian at Duke University in Durham. When he is not teaching or working on his dissertation, he likes to make music. Lorenzo plays piano and organ; he holds a Master of Music degree in collaborative piano from the Cleveland Institute of Music. He enjoys creating innovative approaches to teach Italian language and literature through music. In the fall, Lorenzo taught a seminar titled “Italian through Opera” here at UNC; this spring he is teaching a literature class at Duke by the title of “Arie, Romanze, Canzoni: Music and Literature in Italy.” If you want to know more, drop him a line: [email protected]
Friday, March 23, 2012
Friday, March 23, 2012
8:00 am - 10:00 am
Continental Breakfast
Student Union 2510
8:00 am - 3:45 pm
Registration
Student Union 2510
9:00 am - 10:30 am
22. Desperate Housewives and the Ubiquitous “beffa” in Decameron Seven, Eight and NineChair: Barbara Zaczek, Clemson UniversityStudent Union 3203
Kate Greenburg, The University of North Carolina at Chapel Hill“‘Casalinghe disperate’: Decameron VII e le beffe delle donne”
April Weintritt, The University of North Carolina at Chapel Hill“L’Ottava Giornata del Decameron: L’universalizzazione della Beffa”
Anna Melillo & Kaitlin Johnson, The University of North Carolina at Chapel Hill“Decameron Day Nine: The ‘Beffa’ Continued”
23. Masculinity, Melodrama, and History in Mexican CinemaChair: Samuel Amago, The University of North Carolina at Chapel HillStudent Union 3205
Anne E. Hardcastle, Wake Forest University“Objects of Desire: Film Gaze, the Luises and the Politics of Looking in Los tres García”
Stephen R. Langford, Wake Forest University“Comunicando con el público: el desarrollo del melodrama desde Nosotros los pobres hasta Amores perros”
Friday, March 23, 2012
Brian Price, Wake Forest University“Bicentennial Blockbusters: Mexico’s Historical Imagination Goes to the Movies”
24. Indigenous Performance and Poetics in Movement in the Andes & MesoamericaChair: Emilio del Valle Escalante, The University of North Carolina at Chapel HillStudent Union 3206A
Andrea Echeverría, Georgetown University“Retratos y autorretratos migrantes en la poesía de Gloria Mendoza”
Daniel Castelblanco, Georgetown University“Leonel Lienlaf y el musgo sagrado de la poesía: aproximación etnobotánica a la poesía indígena contemporánea”
Matthew Tremé, Princeton University“The Resignification of Masked Performance in the New Popular Latin American Theater”
25. Perspectives of Self, Text and Image in Twentieth-century Peninsular LiteratureChair: Keith Schaefer, The University of North Carolina at Chapel HillStudent Union 3209
Linda Bartlett, Furman University“From Text to Image: Facebook, Miguel de Unamuno, and the Literature Classroom”
Lourdes Manyé, Furman University“Momentos de iluminación: de la pintura a la escritura en cuentos de Manuel Rivas”
Maria R. Rippon, Furman University“Perspectives of Faith and Nihilism in Carmen Laforet and Mercedes Salisachs”
26. El acto de mirar y sus implicaciones literarias: fotografía, mujer, dominaciónChair: Maria Pao, Illinois State UniversityStudent Union 3503
María Milán, City University of New York“Perspectivas múltiples en Los dos retratos de Nora Lange”
Javier Sampedro, University of Pennsylvania
Friday, March 23, 2012
“La irreverencia de la imagen en Virgilio Piñera: más allá del lenguaje del absurdo”
Elda J. Stanco, Roanoke College“De bares, enanos y Toulouse-Lautrec: Perspectivas clandestinas en Mi pequeño mundo de Stefania Mosca”
27. Visualizing Spaces: Landscape and Exoticism in Francophone Studies Chair: Martha Van der Drift, The University of North Carolina at Chapel HillStudent Union 2306B
Marianne Bessy, Furman University“Les cartes géographiques dans l’œuvre alexakienne : une appropriationvisuelle et textuelle de l’espace”
Luciano Picanço, Bluefield State College“Imprinted Behaviors: Landscape Writing in Patrick Chamoiseau’s Work”
Lucia Florido, University of Tennessee at Martin “Tahiti in literature: more than what meets the eyes”
10:45 am - 12:15 pm
28. Questions of Visuality in the Contemporary Spanish CinemaChair: Anne Hardcastle, Wake Forest UniversityStudent Union 3203
Paul Begin, Pepperdine University“Alejandro González Iñárritu’s Biutiful (2010): A Critique of Globalized Human Trafficking, or the Triumph of Style over Substance?”
Matthew J. Marr, Pennsylvania State University“Digital Encounters in Pedro Almodóvar’s Los abrazos rotos (2009)”
Samuel Amago, The University of North Carolina at Chapel Hill“Charting Spain in the Global Cinemascape”
29. Medieval & Golden Age Texts from Inside the Prison, the Convent, & the Law
Friday, March 23, 2012
Chair: Josefa Lindquist, The University of North Carolina at Chapel HillStudent Union 3205
María Dolores Bollo-Panadero, Colby College“La visualización alegórica del embate ‘razón – pasión’ en Cárcel de amor”
Joaquín Rodríguez-Barberá, Sam Houston State University“El aspecto crítico de Quevedo”
Anne-Shirley Abell, The University of North Carolina at Chapel Hill“Mysticism, Mariology and the Mouth: An Analysis of Santa Juana de la Cruz’s El Conhorte”
Whitney Winters, The University of North Carolina at Chapel Hill“Choosing Damnation: Suicides and Heretics in Alfonso X’s Las siete partidas”
30. Visualizing Colonial Mexico in the Twenty-first CenturyChairs: Oswaldo Estrada, The University of North Carolina at Chapel Hill
Anna Nogar, University of New MexicoStudent Union 3206A
Irma Cantú, Texas A&M International University“Marketing Malinche: Global Strategies by Laura Esquivel”
Cristina Carrasco, The University of North Carolina at Chapel Hill“Reverse Colonial Otherness in Inma Chacón’s La princesa india”
Tamara Williams, Pacific Lutheran University“Imaging Absence: The Poetics of Silence in Luis Felipe Fabre’s La sodomía de la Nueva España”
Ilana Luna, Hampden-Sydney College“También la lluvia: Decolonial Praxis and the Question of National Cinema”
31. Coming of Age: Illustrations, Symbols, and Language across Hispanic TextsChair: Elda Stanco, Roanoke CollegeStudent Union 3206B
Maria T. Pao, Illinois State University“The St. George Legend in Primera memoria”
Mari Pino del Rosario, Greensboro College“Textos e imágenes en la literatura española para el público juvenil de entre siglos:
Friday, March 23, 2012
XIX - XX”
Viridiana García Hernández, Western Michigan University“El inglés como lengua dominante vs. el español como lengua dominada en Cómo las chicas García perdieron el acento de Julia Álvarez”
32. Reconfiguring Urban Spaces in Modern and Postmodern French Media and Print CultureChair: Sarah Peterson, The University of North Carolina at Chapel HillStudent Union 3209
Patrick Gamsby, Laurentian University“Opening the Pages of Modernity: Henri Lefebvre, Spatial Dialectics, and the Social Text”
Stephen Steele, Simon Fraser University“Choses vues dans les boutiques parisiennes de 1925, avec Pierre Mac Orlan”
Alexandra Natoli, University of Virginia“A Tale of Two Cities: Reading Rome and Romeo in A bout de souffle’s Paris”
John Littlejohn, Coastal Carolina University“Creating Space: Tom Tykwer’s Run Lola Run and the Legacy of Jean-Luc Godard and Krzysztof Kieślowski”
33. El cuento hispanoamericano: tiempo, realidad y lenguajeChair: Martín Sueldo, The University of North Carolina at Chapel HillStudent Union 3503
Eunice Rojas, Lynchburg College“Visiones y revisiones del tiempo imaginario: intentando ‘Volver’ a ‘El milagro secreto’”
Kern Lunsford, Lynchburg College“Ostranenie: La ‘desfamiliarización’ de la realidad en ‘Las babas del diablo’ y en ‘El otro Narciso’ de Julio Cortázar”
Gabriela Powers, Brigham Young University“El lenguaje de la mujer latinoamericana en los cuentos ‘Emma Zunz’ de Jorge Luis Borges, ‘La mujer’ de Juan Bosch y ‘El árbol’ de María Luisa Bombal”
12:30 pm - 2:00 pm
Friday, March 23, 2012
Lunch Break
2:00 pm - 3:30 pm
34. Dreams, Lingering, and Allegory: Images from Dante Chair: Dino Cervigni, The University of North Carolina at Chapel HillStudent Union 3206B
Matthew Liberti, Indiana University“‘Oh frate, andar in su che porta?’: Belacqua’s Authority and the Necessity of Lingering in Purgatorio IV”
Joseph Perna, New York University“Dream, Rubric, Icon, Screen: Sight and Spectatorship in the Vita nuova”
Emiliano Guaraldo, University of Virginia“L’inferno della Milano Films: Tra adattamento visivo e rivoluzione narrativa”
35. El arte y la sociedad en Cuba*With Invited Panelist Rafael RojasChair: Britton W. Newman, The University of North Carolina at Chapel HillStudent Union 3206A
Rafael Rojas, Centro de Investigación y Docencia Económicas (CIDE), México D.F.“Revolución, guerra civil y literatura en Cuba (1957-1967)”
Linda Howe, Wake Forest University“Contemporary Cuban Cultural Production and Virgilio Piñera’s Los Siervos”
Clementina Adams, Clemson University“Crítica sociopolítica y conciencia cultural en la obra Histórico-Romántica ‘El Harén de Oviedo’ de la cubana, Marta Rojas”
36. Visual Elements in Twentieth-century Spanish Texts: Modernism in the Eye of the CreatorChair: Matthew J. Marr, Pennsylvania State UniversityStudent Union 3209
María Victoria Sánchez Samblás, Columbia College, SC“Entre el quijotismo y el pragmatismo: Los argonautas de Vicente Blasco Ibáñez y la reinvención de la imagen peninsular post-1898”
Diego Batista, Weber State University
Friday, March 23, 2012
“El mar como instrumento de lucha en La esperanza me mantiene (1959) de Pedro García Cabrera”
Andrew A. Anderson, University of Virginia“Calligrammes + Expressive Typography: Ultra Intersections in Grecia (1919)”
37. Hacia una lectura transatlántica del poema largo hispanoamericanoChair: Alan Redick, The University of North Carolina at Chapel HillStudent Union 3203
Adán Aragón, The University of North Carolina at Greensboro“Noción del concepto de ‘lenguaje’ en Primero sueño, Muerte sin fin y Canto a un dios mineral”
Gabriela Nall, The University of North Carolina at Greensboro“El legado de Los contemporáneos”
Verónica Grossi, The University of North Carolina at Greensboro“Desde la oscura orilla del sueño: transcurso y revelación en el poema largo hispanoamericano”
38. ¿Qué vemos cuando leemos?: la literatura como un espejo distorsionante de la realidadChair: Michelle Gravatt, The University of North Carolina at Chapel HillStudent Union 3503
Juan Carlos Martín Galván, Stonehill College“Discursos marginales: ciencia ficción en la narrativa española desde el siglo XIX”
Laura Arribas, University at Buffalo“Ideal Pilgrims in the Camino: Visual and Literary Conflicting Representations”
Francisco Laguna Correa, The University of North Carolina at Chapel Hill“Discurso, revelación y ‘pathos’ en Amado monstruo de Javier Tomeo”
39. Deceiving Appearances: Visual Duplicity in French Art and Literature from the Early-Modern Period to RomanticismChair: Helen Matthews, The University of North Carolina at Chapel Hill
Friday, March 23, 2012
Student Union 3205
Brian Johnson, The University of North Carolina at Chapel Hill“The Double-edged Sword of Vision in the Poetry of Tristan L’Hermite”
Biliana Kassabova, Stanford University“Reading the ruins: Hubert Robert’s La Grande galérie en ruines”
Alexandra Slave, University of Oregon“La fusion ou la confusion des arts dans L’Ouverture Ancienne de Mallarmé”
Wendy Wei, Case Western Reserve University“Aestheticism as Religion in Charles Baudelaire’s Les Fleurs du Mal”
3:45 pm - 5:15 pm
40. Languages Across the Curriculum at UNC*Roundtable discussionChair: Tanya Kinsella, The University of North Carolina at Chapel HillGlobal Education Center 1005
Allison Bigelow, The University of North Carolina at Chapel Hill
Julián Díez Torres, The University of North Carolina at Chapel Hill
Inma Gómez Soler, The University of North Carolina at Chapel Hill
Michael Rulon, The University of North Carolina at Chapel Hill
Lorenzo Salvagni, The University of North Carolina at Chapel Hill
41. Images, Words, and Space in the Italian Ottocento and NovecentoChair: Angelo Castagnino, The University of North Carolina at Chapel HillStudent Union 3503
Roberto Risso, University of Wisconsin at Madison“‘Al cadere d’una bella giornata d’aprile…’ Immagini e parole in Massimo D’Azeglio narratore fra romanzi, quadri e memorie.”
Maria Giulia Carone, University of Wisconsin at Madison“La sintassi degli spazi e dell’immagine in Blow-up: Antonioni nella prospettiva di Foucault”
42. Painting Poems: Twentieth-century Spanish Poetry, Ekphrasis, & Visual Art
Friday, March 23, 2012
Chair: Irene Gómez Castellano, The University of North Carolina at Chapel HillStudent Union 3206B
Natalia Vara Ferrero, University of Chicago / Ikerbasque“Poetas que cincelan la palabra: La indetenible quietud de Clara Janés”
Daphne Browning, Florida State University“The Weeping Brook: The Ophelia Complex in Lorca’s Poetry”
Christopher Oechler, Pennsylvania State University“Paintings in Movement in Manuel Machado’s Apolo”
43. The Language Classroom: Threshold to the WorldChair: Anastacia Kohl, The University of North Carolina at Chapel HillStudent Union 3206A
Glynis Cowell, The University of North Carolina at Chapel Hill“Redesigning Introductory Spanish: Transforming the Learning Experience”
Hélène de Fays, The University of North Carolina at Chapel Hill“Bridging Continents and Students: Making the Most of the Study Abroad Experience”
Elizabeth Gunn, Morgan State University“Quantitative and Qualitative Assessment: Minority Students and Study Abroad”
44. Plagues throughout the Centuries in Hispanic TextsChair: Juan Carlos González Espitia, The University of North Carolina at Chapel HillStudent Union 3203
Randal Garza, University of Tennessee at Martin“Of Death and Decay: Fear as Source and Subject of Intellectual Discourse”
Philip Hollingsworth, The University of North Carolina at Chapel Hill“Opiate Experiences and Modernity in José Asunción Silva’s De sobremesa and José María Vargas Vila’s Lirio negro”
Jodie Parys, University of Wisconsin at Whitewater“Identity (Re)construction in the Face of HIV/AIDS: Self-Imposed Exile as a Journey of Self Discovery in Nelson Mallach’s ‘Elefante’”
45. Twenty-first-century Spanish Novel: Analyses of Society, Perspective, & Ways of Storytelling
Friday, March 23, 2012
Chair: Ana Corbalán, The University of AlabamaStudent Union 3205
Neil D. Anderson, The University of North Carolina at Chapel Hill“Riptide: Agency and Resistance in Denso recendo a salgado by Manuel Portas and Todo é silencio by Manuel Rivas”
Alain-Richard Sappi, Auburn University“Mauricio o las elecciones primarias (2006) de Eduardo Mendoza: una mirada sobre la transición y la postransición democrática en España”
Nathan Richardson, Bowling Green State University“Progression through Digression in the Contemporary Spanish-Language Novel and the Curious Case of Xuan Bello’s Paniceiros”
46. Visualizing Modernity: Shifting Perspectives in 18th and 19th Century French LiteratureChair: Anne Steinberg, The University of North Carolina at Chapel HillStudent Union 3209
Diana García, The University of North Carolina at Chapel Hill“Miroir, voyeurisme et expérimentation littéraire dans La Mouche du Chevalier de Mouhy”
Allan Life, The University of North Carolina at Chapel Hill“Le temps est aveugle, l’homme est stupide: Aimé de Lemud’s ‘Réduit de C. Frollo dans la tour’”
Dany Jacob, The University at Buffalo“Proust et la poétique du regard”
Darci Gardner, Stanford University“Changing Reading Practices: The Visual Features of Mallarmé’s Poetry”
5:45 pm - 6:30 pmToy Lounge, Dey Hall
Refreshments
6:30 pm - 7:30 pmToy Lounge, Dey Hall
Friday, March 23, 2012
47. Keynote Address:
“Snapshots, Proofs, and Lithographs: Some Spanish Poets in New York”
Speaker: Christopher Maurer
(books available for purchase)
8:00 pm
Party at Professor Domínguez’s House (Directions in Participants’ Folders)
Saturday, March 24, 2012
9:15 am - 11:15 am
Continental Breakfast
Student Union 2510
9:00 am - 3:45 pm
Registration
Student Union 2510
9:30 am - 11:00 am
Friday, March 23, 2012
48. Visual Aesthetics in the Novecento: from Futurist Photography to FelliniChair: Federico Luisetti, The University of North Carolina Student Union 3503
Nicole Gounalis, Stanford University“The Dynamics of Representation: Italian Futurist Photography and the Montage Aesthetic”
David Cane, High Point University“Prophetic Fellini: Harems, Priests and the Power of Showbiz”
49. Literary Translation as Re-Visualization: un camino hacia la obraChair: Grace Aaron, The University of North Carolina at Chapel HillStudent Union 3209
Michael S. Doyle, The University of North Carolina at Charlotte“Eye, Ear, Feel, and the Translated Page: Re-Visualizing and Intuiting Voice in Cormac McCarthy’s The Sunset Limited in Spanish”
Ruy Burgos-Lovèce, The University of North Carolina at Chapel Hill“Science Fiction Text to Film Translation: Planet of the Apes”
Grace Aaron, The University of North Carolina at Chapel Hill“‘Working Image by Image’: Katherine Silver’s Translation of La casa de cartón”
50. South Meets North: The Cold-War Encounter of Latin America and the Soviet UnionChair & Respondent: Rafael Rojas, Centro de Investigación y Docencia Económicas (CIDE)Student Union 3206B
Daria Sinitsyna, Universidad Estatal de San Petersburgo, Federación Rusa“‘Sediento de más patria’: la visión de Cuba/URSS en la poesía comprometida soviética y cubana”
Damaris Puñales-Alpízar, Case Western Reserve University“Para una interpretación fenomenológica de lo soviético en Cuba: apuntes para un primer acercamiento”
Adel Faitaninho, Boston University“La realidad irreal que vincula los continentes: el realismo mágico en la literatura rusa y latinoamericana”
51. Exploring Visuality in Early to Mid-twentieth-century Spain: Space, Art, & Corruption
Friday, March 23, 2012
Chair: Martha Alexander, The University of North Carolina at Chapel HillStudent Union 3206A
Adam L. Winkel, High Point University“The Scene of the Crime: Center and Periphery in Surcos and Los golfos”
David F. Fernández Díaz, University of Virginia“La configuración de lo visual en Utopía (I), Teatro en soledad y Los medios seres de Ramón Gómez de la Serna”
Ximena Keogh, University of Colorado at Boulder“Entre espejos y espejismos: una mirada al escenario teatral de El comedor de la pensión Venecia de Joaquín Arderíus”
52. The Drama of Gender: Latin American Performance & a Discussion of the Literary CanonChair: María Salgado, The University of North Carolina at Chapel HillStudent Union 3205
Paul Fallon, East Carolina University“Looking for Humanity?: Staging Technology in the Work of Three Border Playwrights”
May Farnsworth, Hobart and William Smith Colleges“Scene Stealers: Alfonsina Storni’s El amo del mundo and Her Critics”
Paula Oliva-Fiori, Wayne State University“Lecturas y relecturas: consideraciones críticas acerca del canon latinoamericano”
53. Globalizing France: Memory, Violence, and Identity in Expanding Cultural BordersChair: Mercédès Baillargeon, The University of North Carolina at Chapel HillStudent Union 3203
Jocelyn Frelier, University of Michigan“Marriage as a Metaphor for Death: Bouraoui’s La voyeuse interdite”
Isabella Archer, The University of North Carolina at Chapel Hill“‘La France, C’est Nous:’ Film, Identity and Ownership of Memory in Rachid Bouchareb’s Indigènes”
Angela Peters, The University of North Carolina at Chapel Hill“Culpable lectors: voyeurism and genocidal violence in Gil Courtemanche’s Un Dimanche à la piscine à Kigali”
11:15 am - 12:45 pm
Friday, March 23, 2012
54. French guest author: Lori Saint-Martin
“Construction du corps, constructions du genre dans la presse masculine québécoise”
Toy Lounge, Dey Hall
55. Representations of Islam in the Early Modern Period*With Invited Panelist Roberta MorosiniChair: Brandon Essary, The University of North Carolina at Chapel HillStudent Union 3203
Teresa Moore and Jesús Hidalgo, Duke University“Visual and Literary Representations of the Islamic Other in European Costume Books and Spanish Allegorical Drama”
Roberta Morosini, Wake Forest University“Whispers of the Dove: Visual and Textual Legends of Muhammad in XIV-XV Century Italy”
56. Cavanaugh’s New Lenses for Lorca: Presentation & Book Signing*With Invited Panelist Cecelia Cavanaugh (books available for purchase)Chair: José M. Polo de Bernabé, The University of North Carolina at Chapel HillStudent Union 3206A
Christopher Maurer, Boston University
Andrew A. Anderson, University of Virginia
Cecelia Cavanaugh, Chestnut Hill College
57. Visuality in Lusophone Cultural MediaChair: Richard Vernon, The University of North Carolina at Chapel HillStudent Union 3503
Patricia Fuentes Lima, The University of North Carolina at Chapel Hill“Narrative Mode and Anthropology: The Language of Brazilian Domestic Life in ‘Bendito Fruto’”
Frederico L. Castellões, The University of North Carolina at Chapel Hill“Images that Unfold the History and the Stories of Capoeira”
Friday, March 23, 2012
Regina Santos, University of Pennsylvania“Fotografia muda: a estética do olhar em ‘A hora da estrela’ de Clarice Lispector”
58. Dinámicas de género en el cine español y latinoamericanoChair: Ana Corbalán, University of AlabamaStudent Union 3205
Mónica Flórez, University of Alabama“Mujeres y mucamas: lugares comunes de los cuerpos femeninos en el cine contemporáneo latinoamericano en Cama adentro y La nana” Shelly Hines-Brooks, University of Alabama“Te doy mis ojos: Cuestionando la culpabilidad de la mujer en la violencia doméstica”
Betsy A. Brooks, University of Alabama“Una ruptura con el pasado: la deconstrucción del patriarcado y la reconstrucción de la masculinidad en Todo sobre mi madre y Solas”
59. Narrative Ekphrasis, Painters, & Pictures in Twentieth-century Hispanic TextsChair: Beatriz Lomás Lozano, The University of North Carolina at Chapel HillStudent Union 3209
Jeremy J. Kasten, Florida State University“Traumatic Ekphrasis: Picasso’s Guernica in Manuel Lueiro Rey’s ‘El niño que tenía un oso de trapo’”
Katie Vater, Pennsylvania State University“Getting the Whole Picture: Ekphrasis in Carmen Martín Gaite’s El cuarto de atrás”
Ingrid Robyn, University of Texas at Austin“Retrato de un escritor cubano como un pintor de vanguardia inocente: Rousseau, Picasso y la plástica cubana en Oppiano Licario, de José Lezama Lima”
12:45 pm - 2:00 pm
Lunch Break
2:00 pm - 3:30 pm
60. The Dark Side of Love and the Power of Words in Boccaccio’s Decameron
Friday, March 23, 2012
Chair: Roberta Morosini, Wake Forest UniversityStudent Union 3203
Katie-Nicole Bagarella, The University of North Carolina at Chapel Hill “La quarta giornata del Decameron: il lato oscuro dell’amore”
Daria Bozzato, The University of North Carolina at Chapel Hill “Ingenium et lingua nel Decameron: la sesta giornata come Hortus Verborum”
61. Visuality in Lusophone LiteratureChair: Monica Rector, The University of North Carolina at Chapel HillStudent Union 3503
Anita DeMelo, The University of North Carolina at Chapel Hill“‘I Compose Landscapes out of What I Feel’”
Joana Pimentel, Carleton University, Ottawa, Canada“In-between Perspective on Colonial Representations”
Kristine Taylor, The University of North Carolina at Chapel Hill“National Identity in Post-Colonial Mozambique: A Discussion of Culture in the Novel Niketche by Paulina Chiziane”
62. Translation as Art and Profession: Contemporary Issues*A Special Roundtable DiscussionChair: Grace Aaron, The University of North Carolina at Chapel HillStudent Union 3206
Michael S. Doyle, The University of North Carolina at Charlotte
Grace Aaron, The University of North Carolina at Chapel Hill
Lori Saint-Martin, L’Université du Québec à Montréal
Dino Cervigni, The University of North Carolina at Chapel Hill
63. Oposiciones binarias, ¿quién coloniza a quién?: choques de cultura, género y valores en el cine hispano recienteChair: Paul Begin, Pepperdine UniversityStudent Union 3205
Friday, March 23, 2012
Sara Moreno de Nicolás, Wake Forest University“La redención del hombre blanco en También la lluvia de Icíar Bollaín”
Franca Roibal Fernández, Boston University“El bien contra el mal: cambio de perspectiva en Celda 211”
Stella Kim, The University of North Carolina at Chapel Hill“The Dissenting Gaze in Lucía Puenzo’s XXY”
64. Imagen de mujer: voces femeninas decimonónicas en la mass mediaChair: Alicia Rivero, The University of North Carolina at Chapel HillStudent Union 3209
Laura Herrera Liendo, Universidad Nacional Mayor de San Marcos, Lima, Perú“Construyéndose a sí mismas: visiones de la mujer limeña en Revista de Lima de Carolina Freyre de Jaimes”
María Esther Angulo Blanco, Michigan State University“El arquetipo femenino como modelo de feminidad burguesa en El ángel del hogar”
Carolina Latorre, Schreiner University“Dinámica visual del viaje en los diarios de Flora Tristán, María Graham y Olga Torres”
65. Performative Adaptations of Hispanic LiteratureChair: Raúl Brown, The University of North Carolina at Chapel HillStudent Union 3515
Lucía Galleno, Queens University of Charlotte“The Denture of My Beloved”
Sarah Apffel, The University of North Carolina at Chapel Hill“La función de Don Quijote y Sancho en Don Quijote de la Mancha de Guillén de Castro”
Valeriya Fedonkina, Indiana University“Entre Otavio y Otavia: la (re)producción de la maternidad en La dama boba de Lope de Vega y su interpretación en el cine contemporáneo”
3:45 pm - 4:15 pm Toy Lounge, Dey Hall
Refreshments
Friday, March 23, 2012
4:15 pm - 5:15 pm
66. Keynote Address:
“Literature at the Movies”
Speaker: Roberto Dainotto
7:00 pm Hors d’oeuvres
7:45 pm Dinner
Banquet at the Weathervane
Hwy 15-501 @ Estes DriveUniversity Mall (A Southern Season)Chapel Hill, NC 27514
INDEX
Name Panel Number Name Panel Number
Aaron, Grace......................................62 Abell, Anne-Shirley.............................29
Friday, March 23, 2012
Adams, Clementina.............................35Allen, William.....................................7Álvarez, Enrique.................................13Amago, Samuel...................................23, 28Anderson, Andrew A...........................36, 56Anderson, Britta..................................5Anderson, Neil D................................45Angulo Blanco, María Esther............64Apffel, Sarah......................................65Aragón, Adán.....................................37Archer, Isabella.................................53Arribas, Laura...................................38Bagarella, Katie-Nicole.....................60Bartlett, Linda....................................25Batista, Diego....................................36Begin, Paul........................................28, 63Bessy, Marianne................................27Bigelow, Allison.................................40Binotti, Lucia.....................................18Birdsong, Jeff.....................................2Blach, Jana........................................20Bollo-Panadero, María Dolores.......29Bozzato, Daria...................................60Brignole, Francisco...........................19Brooks, Betsy A..................................58Browning, Daphne.............................42Bruhn, Maury.....................................7Burgos-Lovèce, Ruy...........................49Burke, Nilofar.....................................13Cane, David........................................48Cannamela,Danila .............................15Cantú, Irma.........................................30Carone, Maria Giulia.........................41Carrasco, Cristina..............................19, 30Carrigan, Jorge...................................8Castelblanco, Daniel..........................24Castellões, Frederico L......................57Castells, Ricardo.................................6Cavanaugh, Cecelia...........................13, 56Cerami, Adriana.................................9Cervigni, Dino...................................34, 62Chemel, Crystal.................................11Clark, Emily.......................................18Cossío Olavide, Mario.......................1Cowell, Glynis...................................16, 43Dainotto, Roberto..............................66
De Fays, Hélène................................18, 43Del Rosario, Mari Pino.....................31DeMelo, Anita....................................61Díez Torres, Julián............................1, 40Doyle, Michael S................................49, 62Emerson, Lucy....................................9Echeverría, Andrea............................24Faitaninho, Adel................................50Fallon, Paul.......................................52Farnsworth, May...............................52Fedonkina, Valeriya...........................65Fernández Díaz, David F..................51Flórez, Mónica..................................58Florido, Lucia...................................27Foote-Hudson, Laurel.......................18Frelier, Jocelyn.................................53Fuentes Lima, Patricia......................57Galleno, Lucía...................................65Gamsby, Patrick................................32García, Diana....................................46García Hernández, Viridiana............31Gard, Andrew....................................20Gardner, Darci..................................46Garza, Randal....................................44Gilebbi, Matteo..................................15Gómez Soler, Inma.............................40Gounalis, Nicole.................................48Greenburg, Kate ................................22Grossi, Verónica.................................37Guaraldo, Emiliano............................34Guerra Banda, Jhonn..........................1Gunn, Elizabeth...................................43Gyulamiryan, Tatevik..........................6Hardcastle, Anne E.............................23, 28Herrera Liendo, Laura.......................64Hidalgo, Jesús....................................55Hines-Brooks, Shelly........................58Hollingsworth, Philip.......................44Howe, Linda.....................................35Huard, Elizabeth..............................12Jacob, Dany......................................46Johnson, Brian..................................39Johnson, Kaitlin................................22Karcher, Katherine...........................7Karr-Cornejo, Katherine..................17Kassabova, Biliana...........................39
Friday, March 23, 2012
Keogh, Ximena..................................51Kasten, Jeremy J...............................59Kim, Stella.........................................5, 63Klodt, Jason E...................................19Knight, Sharon E...............................6Knox, Lori.........................................20Krieg, Sam.........................................3Laguna Correa, Francisco................38Langford, Stephen R..........................23Latorre, Carolina..............................64Liberti, Matthew................................34Life, Allan..........................................46Littlejohn, John.................................32Loder, Bonnie....................................2Luna, Ilana........................................30Lunsford, Kern..................................33Manyé, Lourdes................................25, 31Marr, Matthew J...............................28, 36Martín, Rita.......................................8, 10Martín Galván, Juan Carlos.............38Maurer, Christopher.........................47, 56McNeal, G. Sean...............................13Medina, Aida.....................................10Melillo, Anna.....................................22Milán, María.....................................26Montalvo, Jonathan..........................17Moore, Teresa...................................55Moreno de Nicolás, Sara..................63Morosini, Roberta.............................55Nall, Gabriela...................................37Naranjo, Wanda O............................1Natoli, Alexandra..............................32Newman, Britton...............................16, 35Noffsinger, Robert.............................11Nuñez, Marta.....................................14Oechler, Christopher.........................42Oliva-Fiori, Paula.......................52Osborne, Jason............................10Pao, Maria T...............................26, 31Parys, Jodie.................................44Perna, Joseph..............................34Peters, Angela.............................53Picanço, Luciano.........................27Pimentel, Joana...........................61Powers, Gabriela.........................33Price, Brian..................................23
Puñales-Alpízar, Damaris............50Reagan, Patricia...........................17Reed, Timothy...............................3Richardson, Nathan......................45Rippon, Maria R...........................25Risner, Jonathan...........................3Risso, Roberto...............................41Robyn, Ingrid................................59Rodríguez-Barberá, Joaquín........29Roibal Fernández, Franca............63Rojas, Eunice................................33Rojas, Rafael................................35, 50Romo, Leticia I.............................16Rulon, Michael.............................40Sagasti Suppes, Patricia..............16Salvagni, Lorenzo........................40Sampedro, Javier.........................26Sánchez Samblás, Mª Victoria.....36Santos, Regina.............................57Sappi, Alain-Richard...................45Sendra Ferrer, Olga....................5Sguerri, Michele..........................15Sinitsyna, Daria..........................50Skrzeszewski, Aline.....................14Slave, Alexandra.........................39Smith, Chris................................18Stanco, Elda J.............................26, 31Steele, Stephen............................32Suárez, Armando........................18Taylor, Kristine...........................61Tremé, Matthew..........................24Vara Ferrero, Natalia.................42Vater, Katie.................................59Venere, Sherry..............................4Vettenranta, Erja.........................19Waite, Geneviève........................14Warner, Julie..............................12Wei, Wendy.................................39Weintritt, April............................22Weinberg, Michael......................4Wilbur, Brian...............................4, 18Williams, Tamara........................30Winkel, Adam L...........................51Winters, Whitney.........................18, 29Youngdahl, Scott..........................6Ziemer, Kay.................................2
Friday, March 23, 2012
Chairs (only):
Alexander, Martha.......................51Allen, William..............................7Baillargeon, Mercédès................53Castagnino, Angelo.....................15Chambless, Amy..........................41Corbalán, Ana.............................45, 58Del Valle Escalante, Emilio........24Domínguez, Frank.......................4Essary, Brandon..........................55Estrada, Oswaldo........................30Gómez-Castellano, Irene.............42González-Espitia, Juan Carlos....44Gravatt, Michelle...........................38Kim, Hosun....................................17Kinsella, Tanya..............................40Koczkas, Anca................................2Kohl, Anastacia..............................43
Lindquist, Josefa............................29Lomás Lozano, Beatriz...................59Luisetti, Federico...........................48Maisch, William..............................6Matthews, Helen.............................39Muñoz Hermoso, Abel.....................3Nogar, Anna...................................30Perelmuter, Rosa............................37Peterson, Sarah..............................32Polo de Bernabé, José M................56Rao, Ennio.......................................9Redick, Alan...................................11, 37Rector, Monica...............................61Rivero, Alicia..................................64Salgado, María...............................12, 52Schaefer, Keith................................25Steinberg, Anne...............................46Van der Drift, Martha.....................27Vernon, Richard..............................57Zaczek, Barbara..............................22
PUBLICATIONS OF THE UNC-CHAPEL HILL DEPARTMENT OF ROMANCE LANGUAGES
AND LITERATURES
Friday, March 23, 2012