february 23 & 24, 2013 winter estates auction

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Neal AuctionWinter Estates Auction

February 23 & 24, 2013

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Neal Auction Company

ADMINISTRATIONDirector of Administration & Finance Michelle LeBlanc Leckert, CAIDatabase Manager/Assistant to Director Jackie HernandezClient Services Johanna DarilekDatabase/Administrative Assistant Lisa Weisdorffer

GENERAL MANAGER Jason Leckert

GRAPHICSArt Director Emory Nolan

Catalogue Design Carolyn Finnell

Photography Jason Leckert Tom Simpson Reneé Gautreaux

OPERATIONSDirector of Operations Charles Lee

Operations Staff Sol Carter Charlie Clay Kelvin Gibson Thomas Johnson Jerry Majors

EXHIBITION STAFF

Sybil Lawson Carolyn Wogan Cammie Mayer Clare Stewart Ann Mahorner Cecile Ballard Mimi Abbott

AUCTIONEERS Neal Alford #797

Michelle LeBlanc Leckert #1514

John R. NealChairman

CONSIGNMENTSDirector of Furniture & Decorative Arts Neal Alford; Rachel WeathersDirector of Research Douglas Lewis, Ph.D., F.A.A.R.Director of Consignments, Books & Manuscripts Marc FaganDirector of Paintings, Prints & Photography Rachel WeathersAssociate Director of Consignments Leslee GarfieldSilver & Decorative Arts Katherine HovasInventory Coordinator Steven G. RutledgeFine Arts Amie StricklandAsian Arts Bettine Field Carroll

AUCTION SERVICESDirector of Business Development Bettine Field CarrollTrust & Estates Advisor Henry G. McCallSenior Appraiser Fine Arts Amanda Mantle WinsteadAppraisals Rachel Weathers Marc FaganMuseum Services Douglas Lewis, Ph.D., F.A.A.R.

CATALOGUE CONSULTANTSPaintings and Fine Arts Claudia KheelFurniture & Decorative Arts Doris MollenkopfNewcomb Pottery & Decorative Arts Sally MainSilver Carey Mackie-AlsobrookDecorative Arts & Victoriana Ann M. MassonFine & Decorative Arts Linda StubbsAsian Arts Richerson Rhodes

Neal AlfordPresident

Katherine HovasSenior Vice President

Michelle LeBlanc Leckert, CAIVice President

Front Cover (detail):

Chinese School, “Swans beneath Winter Willow,” ink and color on silk, two seals, mounted with a calligraphy panel, together 76 3/4 x 38 1/2 in., scroll, Prov.: Parke-Bernet Galleries, Dec. 1967,

attr. Ma Lin (1180-1256); G. W. Headley; Headley-Whitney Museum.

Back Cover (detail):

Suite of Four Rococo Monochrome Overdoors, “Putto Personification of Comedy and Tragedy, with Lyric and Melodic Music,” mid-18th c., o/c, each 28 x 43 ½ in.

This Page:

Ida Rittenberg Kohlmeyer (American/New Orleans, 1912-1997), “Transverse #3,” 1974, oil and graphite/c, sd., 56 ½ x 60 ½ in.

Neal Auction CompanyAuctioneers & Appraisers of Antiques & Fine Art

4038 Magazine Street, New Orleans, Louisiana 70115 • 504-899-53291-800-467-5329 • Fax: 504-897-3808 • www.nealauction.com

LOUISIANA PURCHASE AUCTIONOctober 6 & 7, 2007

LA Auc. Lic., Neal Auction Co. #AB-107, Alford #797, LeBlanc #1514

WINTER ESTATES AUCTIONFebruary 23 & 24, 2013

On Our Premises4038 Magazine Street & 3923 Carondelet Street

• FEATURING: Property Deaccessioned by the Headley-Whitney Museum, Lexington, KY

• Property from the Estate of Willis F. Harrington (1882-1960), Noted Chemist and Vice President and Director of the Dupont Company

• Property from the Estate of Yolande Bayhi Jones, Walnut Street, New Orleans

• Property from the Estate of Janice Trum Barton, New Orleans

• Property from the Estate of JoAnn Kuebel Williams, New Orleans

• Property from the Collection of Antiquaire Felix Herwig Kuntz (1890-1971), New Orleans

• Paintings and Pottery Descended in the Family of William Woodward

• Property from the Estate of Mr. and Mrs. Art Hartman, Los Angeles, CA

• Additional Property from the Estate of Molly F. Reily, New Orleans

• Part II, the Imagination Collection of the Hotel InterContinental, New Orleans

• An Important Portrait Descended in the Family of Statesman Patrick Henry

• Property from the Estate of a Texas Lady

• Additional Property from the Barrow/Brandon/Bedgood House at Greenwood Plantation, Pinckneyville, MS

EXHIBITION both galleries beginning Wednesday, February 13, 10 a.m. to 5 p.m.

Special Saturday Preview, February 16, 10 a.m. to 5 p.m.

Evening Preview Reception, Thursday, February 21, 5 to 7 p.m.

AUCTION SCHEDULE Saturday, February 23, 10 a.m., 4038 Magazine StreetSunday, February 24, 11 a.m., 3923 Carondelet Street

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The Headley-Whitney Museum was founded by George W. Headley III,

on his family estate, La Belle Farm, near Lexington, KY. Mr. Headley’s

wife, the former Barbara Whitney, had grown politely weary of her

husband inviting people into their residence to see his collections and

bibelot creations and suggested

that he build a place to display

them. The Headley Museum

opened in 1968 with the building

of the Jewel Room and Library.

These were soon followed by the

Shell Grotto and main building,

used for changing exhibitions.

The name Whitney was added in

the 1970s when Mrs. Headley’s

brother, Cornelius Vanderbilt

Whitney, and his wife, Marylou,

became patrons of the

foundation.

Mr. Headley (1908-1985) studied

art in New York and at L’École

des Beaux Arts in Paris. He

apprenticed with famous jeweler Paul Flato in New York in the 1930s

before moving to the West Coast to set up his own boutique at the

Hotel Bel-Air in Hollywood where his many famous clients included

Joan Crawford and Fanny Brice. In 1950 Headley returned to Lexington,

and in 1960 he married Barbara. In addition to designing jewelry,

Headley also created bibelots, small decorative objects made from

precious materials which may incorporate rare objects found in nature

or antique carvings.

Headley-Whitney Museum

W denotes the lot is illustrated at www.nealauction.com 3

Mr. Headley’s love of other cultures, particularly Asian cultures, inspired

his creations and acquisitions. The Headley-Whitney Museum is widely

recognized for its displays of Headley’s jewelry, drawings, and bibelots,

which make up the core of the Museum’s collection. Following Mr.

Headley’s own practice of deaccessioning pieces from the collections

to balance and refine the exhibits, the Headley-Whitney Museum is

currently working to concentrate its holdings, in order to preserve the

Museum and its treasures for the benefit of future generations, as Mr.

and Mrs. Headley intended. The mission of the Headley-Whitney

Museum is to enrich the life of the community by fostering knowledge

and appreciation of the decorative and fine arts.

Neal Auction Company is pleased to present select objects from this

intriguing collection.

Lots being offered from the Headley-Whitney Museum are denoted

by HWM

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We Invite You to Visit Us Online atwww.nealauction.com

Full Lot Descriptions by Category and Lot Number Order

Request and View Condition Reports

View Large Full Color Images

Submit Absentee and Telephone Bids

W denotes the lot is illustrated at www.nealauction.com

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All Rights Reserved Worldwide.

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Session OneSaturday, February 23, 10 am

4038 Magazine Street

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1. Follower of Jacob de Wit (Dutch, 1695-1754), “Two Music-Making Putti with the Doves of Venus,” 18th c., oil on canvas, unsigned, 30 in. x 32 1/2 in., framed.

$2000/3000

Note: This composition in gray-brown grisaille (possibly for an overdoor) is a highly accomplished rendering of the type of trompe-l’oeil relief design that De Wit made extraordinarily popular during his lifetime. During apprenticeships in his native city of Amsterdam (c. 1704-8) and especially at Antwerp (1708-13), De Wit was strongly influenced by Van Dyck and above all by Rubens, whose great cycle of 36 ceiling pictures in the Jesuit Church where De Wit studied and drew repeatedly. Returning to Amsterdam, he produced after 1714 a prolific series of decorative paintings for both institutional as well as for private clients. The more solid-looking forms of this picture refer to the earlier period of his work, since after about 1720 his compositions became more colorful, airy, and informal, probably under the influence of Giovanni Antonio Pellegrini (1675-1741) of Venice, whom De Wit must have encountered in 1716-18 at Antwerp, Amsterdam, or The Hague. The stockier bodies of these putti bespeak his earlier fascination with Rubens, and display some of the

characteristic foibles of anatomy and foreshortening which remained typical of his work. This type of monochrome grisaille imitating stucco relief became De Wit’s most enduring legacy (such paintings were called ‘witjes,’ or ‘whites,’ as a play on his name), and were very widely repeated by his followers even into the 19th century.Reference: J.E.P. Leistra, “Wit, Jacob de,” Grove Dictionary of Art, ed. by Jane Turner, 34 vols., London, 1996, vol. 33, pp. 261-262, with enumeration of five 18th/19th-c. followers by name.

W 2. A Hand-Colored Photograph of Basilica Cattedrale Patriarcale di San Marco (Patriarchal Cathedral Basilica of Saint Mark), Venice, Italy, watercolor enhanced photograph, 17 in. x 22 3/4 in., period frame.

$200/400

3. Pablo Picasso (Spanish, 1881-1973), “Serment des Femmes, (from the Suite Lysistrata),” (Bloch 267, Baer 387), 1934, etching and aquatint, unsigned, edition of 1500, pub. by The Limited Editions Club, New York, printed by Atelier Lacouriere, Paris, sight 9 in. x 6 1/2 in., plate 8 1/2 in. x 6 in., framed.

$1200/1800

Provenance: Purchased from Martin Lawrence Gallery, New Orleans, 2003.

W 4. William Curtis/Publisher (British, 1746-1799), “Yellow Iris,” “Crowfoot Cranesbill,” “Rosebay Willow-herb,” “Marsh-Marigold,” “Smooth-round-headed Poppy” and “Large white Convolvulus or Great Bindweed,” six large format hand-colored engravings from Flora Londinensis, 1777-1798, sight 18 in. x 10 1/2 in., attractively matted and framed.

$700/900

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5. Circle of Piat-Joseph Sauvage (French, 1744-1818), “Recumbent Bacchus with Bacchant, Bacchante, an Infant Satyr, and a Goat,” c. 1780s, oil on canvas in ‘overdoor’ format, unsigned, 29 in. x 39 in., period frame.

$2500/3500

Note: This truly superb scene is richly and beautifully painted in trompe-l’oeil to simulate a white marble or stucco figural relief, overlaid on a fictive marble ground representing a deep mulberry-red slab of the characteristic stone that comes from Monte Gargano in Apulia. The technique of an illusionistic monochrome scene set against a colored ground (as opposed to a gray background, called grisaille) is highly typical of the so-called camaïeux pioneered by Sauvage, who—though he lived in France—was a native of Flanders, the region in which the artifice of illusionistic trompe-l’oeil originated, under Dutch influence. The term refers to the ‘cameo-like’ effect of gemstones (usually ancient ones) of large size and complex iconography, in which whitish layers of stone are selectively cut away from a sardonyx ground, to form actual relief compositions. The Antique prototypes are of course considerably smaller than the spectacular example represented here, though this design is strikingly similar to the compositions of actual Imperial Roman and Renaissance examples.

The ‘relief’ style here is very strikingly reminiscent of the sculptural compositions of Claude Michel, called Clodion (1738-1814), whose plaster, terracotta, and marble bas-reliefs Sauvage very frequently copied in his trompe-l’oeil pictures; in Sauvage’s Paris sale of 21 December 1808, indeed, the painter is recorded as owning a large number of original reliefs by Clodion. The present painting has perhaps a more concentrated composition and finer detail than any known relief by Clodion, although the group at the left is very closely similar to a lost work by that sculptor—a Sleeping Satyress with her right arm on an urn, and a child satyr behind, holding a bunch of grapes (a relief recorded in two sales of 1779, respectively of the Prince de Conti and the Abbé de Gévigney, and sketched by Saint-Aubin in the margin of the Prince’s sale catalogue).

The confident, fluid handling of the ‘loaded brush,’ the incisive details, and masterly treatment of light and shade—on which, after all, the effective illusion of depth and spatial projection completely depend—combine to make this masterpiece of trompe-l’oeil one of the most important additions to that rare pictorial type to have been found in recent years.References: Françoise Maison and Susan B. Taylor, “Compiègne,” Grove Dictionary of Art, ed. Jane Turner, 34 vols., London, 1996, vol 7, p. 677 (for Sauvage’s overdoors of 1782-86 with colored grounds, in the Salon des Jeux of that royal château); Ian Dunlop, “Fontainebleau,” ibid., vol. 11, p. 261 (for Sauvage’s overdoors of 1785-86 in the royal residence); Joseph Baillo, et al., The Arts of France, New York, 2005, pp. 294-296, no. 125, and 407-408 (for Sauvage’s illusionistic mural decorations of 1781-89 at Versailles, for the Château de Belleville, and in a pavilion of Marie-Antoinette’s Laiterie at the Château de Rambouillet); Guilhem Scherf, “Autour de Clodion: variations, imitations, repetitions,” in Revue de l’Art, no. 91 (1991), pp. 47-59 (for the association with Sauvage); Anne L. Poulet and Guilhem Scherf, Clodion, 1738-1814, Paris, 1992, esp. p. 441, for the Saint-Aubin sketch of the cognate composition to this design.

6. Continental School, early 19th c., “Miniature Portrait of a Gentleman in the Neo-Classical Style,” oil on wood panel (reverse covered with canvas), unsigned, 11 1/2 in. x 9 in.

$700/900

Provenance: Descended in an Amite, LA family.

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7. A Wool and Silk Tabriz Carpet, mauve and brown wide foliate border with floral garlands and red roses on celadon ground, 9 ft. 11 in. x 9 ft. 10 in.

$1800/2500

8. A Palace Size Savonnerie-Style Carpet, c. 1920, salmon colored central field and deep brown borders with elaborate rinceaux of turquoise and coral, oak wreath with spray of laurel crowned with ducal coronet at either end of central field, 16 ft. 9 in. x 19 ft.

$3000/5000

9. A Persian Tabriz Carpet, overall crisp floral motifs on cream ground with bright ruby border, 10 ft. 1 in. x 12 ft. 8 in.

$3500/4500

10. A Fine Persian Kashan Carpet, overall floral and foliate designs in shades of blue on celadon ground, 14 ft. 10 in. x 9 ft. 10 in.

$5000/7000

W 11. A Group of Six Embossed Gold/Gold-Filled Cane/Umbrella Handles, c. 1900, two with mother-of-pearl shafts, one with a carved elephant head, four with engraved initials, (6 pcs.).

$500/750

W 12. A Decorative Wallpaper Panel, mounted on a stretched canvas, depicting a chinoiserie scene with children at play, 55 1/2 in. x 78 1/2 in., in a gilt frame.

$600/800

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13. A Pair of Fine Antique Baroque-Style Carved Beechwood Five-Light Mirrored Appliqués, punched decorative surfaces, height 31 1/2 in., width 22 1/2 in.

$2500/3500

14. A Fine English Patinated Bronze Two-Light Argand Lamp, mid-19th c., centered with a foliate-decorated urn, baluster standard, and tripod feet, dark patina, retaining both burner mechanisms, with a fine pair of etched and cut crystal vasiform shades, height 21 1/4 in., width 18 in., depth 8 3/4 in.

$3000/5000

HWM 15. A Continental Brass-Mounted Turtle-Form Caviar Centerpiece, 19th c., body fitted with a brass bowl, the lid with a goldfish finial, brass ball feet, height 6 1/2 in., width 19 in., depth 12 1/4 in.

$800/1200

Provenance: De Velasco Antiquités Décoration, Tangier, Morocco; George W. Headley III, Lexington, KY, 1971.

Note: This lot is accompanied by a copy of the November 1, 1971, invoice from De Velasco, Tangier.

W 16. A Grand Tour Sienna Marble “Sarcophagus of

Cornelius Lucius Scipio”, c. 1900, the original conserved at the Vatican Museums, height 2 3/4 in., width 5 1/2 in, depth 1 3/4 in.

$600/900

HWM 17. A Brass Mounted Coco De Mer Box, hinged lid with pointed finial incorporating a rose quartz sphere, ball feet, height 8 1/4 in., width 9 1/2 in., depth 9 3/4 in.

$600/900

Provenance: De Velasco Antiquities Decoration, Tangier, Morocco; George W. Headley III, Lexington, KY, 1971.

18. A Continental Giltwood Shield of Arms, 19th c., the full

“achievement” of shield with large Greek cross, lion supporters bearing banners on spears, crest of a crowned knight’s helmet and fictive decorations (of which a golden collar has links inscribed “FERT”), all subsumed within a canopied tabernacle surmounted by a five-pointed star, height 25 in., width 18 1/2 in., depth 5 1/2 in.

$1000/1500

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19. A George III Tortoiseshell Tea Caddy, c. 1800, sarcophagus form, divided interior with lidded compartments, ivory ball feet, height 6 in., width 7 7/8 in., depth 4 7/8 in.

$1000/1500

W 20. A Three Piece Sterling Silver-Mounted Antler Carving Set, with vintage motif ferrules and handle terminals, length 15 1/4 in.

$300/500

W 21. A French First Standard Silver “Kings” Pattern Flatware Service, Paris, marks in use from 1819-1838, comprising 8 dinner forks, 8 spoons, 7 coffee/tea spoons, and a soup ladle, engraved monogram on upper face, engraved on reverse, fork length 8 1/4 in., spoon length 8 3/4 in., coffee spoons length 5 5/8 in., ladle length 13 3/4 in., combined weight 66 troy ozs. (24 pcs.).

$700/1000

W 22. A Group of French First Standard Silver Tablespoons, Paris, marks in use after 1838, maker’s mark untraced, engraved monogram on reverse, 7 spoons; together with 1 fork, spoon length 8 3/4 in., fork length 7 1/4 in., combined weight 19.50 troy ozs.

$200/400

23. A French Silver Tea Kettle and Stand, Pierre Francois Augustin Turquet, Paris, 32 Rue du Bourg l’Abbe, reg. 1844-1855, heavy ornate shaped circular body on applied conforming foot, insulated hollowcast foliate scroll swing handle, body and cover with applied cast floral sprays; the associated openwork stand of cast scrolls, shells and strapwork, foliate paw foot supports, retains heating element, fully marked, height 17 1/4 in., width 12 1/2 in., weight 128.20 troy ozs.

$1000/2000

24. An Antique French Silver Tastevin, Paris, c. 1760, hallmarked, the well engraved with vignette of Saint Laurent, width 4 3/8 in., weight 2.45 troy ozs.

$300/500

Provenance: Robert Ensko, New York.

25. An Antique French Silver Tastevin, c. 1785, rim engraved “M FOURNIER DE SAVAT”, width 4 1/4 in., weight 3.60 troy ozs.

$300/500

Provenance: Robert Ensko, Inc., New York.

26. An Antique French Silver Tastevin, Dijon, c. 1775, hallmarked, width 4 in., weight 2.95 troy ozs.

$300/500

Provenance: Robert Ensko Inc., New York.

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27. A Large Sheffield Plate Tray, c. 1825, rectangular with ornate foliate scroll rim, similar flat surface surrounding armorial, and raised on leaf and shell scroll feet, 30 5/8 in. x 19 in.

$1200/1800

28. An Antique Sheffield Plate Soup Tureen and Cover, in the 1830s taste, two-handled bulbous body raised on cast foliate supports, cast scrollwork and flowerhead rim, height 10 in., length 15 3/4 in.

$1500/2500

29. A Georgian Sheffield Plate Meat Platter, Matthew Boulton, oval with gadroon border and engraved armorial crest, length 16 1/4 in.

$300/500

30. A George III Sterling Silver Cake Basket, maker RM, probably Robert Makepeace I, London, 1767; oval footed form with swing handle, swirling reticulated and repoussé panels bordered by beaded flutes, height 9 1/4 in., width 13 in., depth 10 3/4 in., weight 23.10 troy ozs.

$500/750Reference: A related example is illustrated in The Price Guide to Antique Silver, p. 114, fig. 344.

31. A Set of Four Sheffield Plate Candlesticks, circular bases, tapered stems, urn candlecups and detachable bobêches with reeded borders and decoration, height 11 3/4 in.

$500/750

32. A George III Sterling Silver Salver, Richard Rugg, London, 1764, shell and scroll border, engraved cartouche, hoof feet, diameter 15 in., weight 51.80 troy ozs.

$1200/1800

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33. A Henri II Tapestry Fragment, 16th c., four square panels embroidered with trees and petit point birds with red velvet border couched with scrolling patterns, height 14 in., width 43 in.; together with two verdure fragments woven in Aubusson style, the first with dense foliage, height 12 in., width 31 in., the second trimmed to conform with spring flowers and foliage, height 27 in., width 8 in.

$700/1000

W 34. Two Flemish Verdure Silk and Wool Tapestry Fragments, the first, a 17th c. tapestry with a bird in an oak tree, framed height 17 1/2 in., width 26 in., the second, 18th c., Brussels, showing a path through the woods, framed height 21 3/4 in., width 18 in.

$500/700

HWM W 35. Paul Cézanne (French, 1839-1906), “Tête de Femme,” 1873, etching and aquatint, signed in plate lower right, La Galerie D’Art, Georgetown, Washington D.C. and title labels en verso, sight 5 in. x 4 in., gilt frame.

$300/500

36. Edouard Vuillard (French, 1868-1940), “La Naissance d’Annette,” (Roger-Marx 44), c. 1899, lithograph, unsigned, second state of three, printed by Vollard, Paris, 16 7/8 in. x 22 3/8 in., framed.

$2000/3000

Provenance: Beacon Hill Fine Art, NY, 1998.

37. Continental School, 18th c., “Landscape with Mountains and Figures by a Stream,” in the style of Salvatore Rosa (1615-1673), oil on canvas, unsigned, “W & F. Brown & Co./ Warehouse, Chester” en verso of stretcher, 31 1/4 in. x 46 in., period frame.

$1000/1500


38. A Pair of American Chippendale Carved Walnut Side Chairs, 18th c., Delaware Valley, each with shaped crest, scrolled “ears,” stop-fluted stiles, interlaced splat, cabriole legs ending in pad feet, chestnut secondary wood.

$2500/3500

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39. A Pair of American Chippendale Carved Walnut Side Chairs, late 18th c., Delaware Valley, each shaped crest terminating in scrolled “ears,” pierced splat, trapezoidal slip seat, square molded legs, stretchers.

$1000/2000

40. An American Inlaid Walnut Chest of Drawers, late 18th/early 19th c., probably Southern, later top above four graduated drawers flanked by chamfered inlaid stiles, shaped base with stringing, restrained bracket feet; yellow pine secondary wood, height 40 in., width 36 1/2 in., depth 19 in.

$1200/1800

41. An Antique Chippendale-Style Carved Mahogany Tea Table, pie crust tilt top above a birdcage support, vasiform acanthus stem, arched acanthus legs ending in acanthine feet, height 27 in., diameter 28 in.

$1200/1800

42. An American Chippendale Carved Walnut Side Chair, 18th c., Philadelphia, shell crest flanked by “ears,” interlaced splat, molded trapezoidal seat rail, cabriole legs ending in claw and ball feet.

$1500/2500

43. An American or English Mahogany Stool, late 18th/early 19th c., rectangular slip seat, square legs, stretchers, height 16 1/2 in., width 20 in., depth 15 1/2 in.

$400/600

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44. An English Sterling Silver Flatware Service, Cooper Brothers & Sons, Sheffield, 1952, maker’s mark reg. 1900, including 12 each: dinner forks, luncheon forks, cocktail forks, salad forks, soup spoons, dessert spoons, teaspoons, iced tea spoons, demitasse spoons, dinner knives, luncheon knives and butter knives, total weight (weighable) 146 troy ozs., in a fitted storage case. (144 pcs.).

$3500/4500

45. A Georgian Sterling Silver Candlestick, Sheffield, 1799, John Green & Co., with a later associated three-light silverplate fixture, classical fluted circular base, baluster stem, scrolling branches supporting urn form candlecups, reeded borders, height 17 1/2 in., width 16 1/2 in.

$300/500

46. A George III Sterling Silver Sugar Basket, Thomas Chawner, London, 1785; navette form with swing handle, beading and neo-classical engraved decoration, gold wash interior, height 6 1/4 in., length 5 1/2 in., weight 5.05 troy ozs.

$400/600

47. A Handsome Silverplate Four Bottle Wine Cooler, with central covered ice well, loop handles, stepped circular base, height 9 1/2 in., width 12 1/2 in., depth 12 in.

$600/900

48. A Patinated Bronze and Cobalt Cut-To-Clear Glass Hanging Lantern, cobalt smoke bell, molded corona suspended by chains, overall height 29 in., diameter 14 in., electrified.

$1000/1500

Note: An almost identical hanging lantern is conserved in Hampton Mansion, Baltimore County, MD, completed in 1790.

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49. Set of Four Polychrome Wood and Tôle Sconces, 20th c., in an exuberantly decorative style suggesting the Italian “Carnevale”, heights 40 in., widths 16 in., depths 13 in.

$2000/3000

50. An Antique Gustavian Carved and Gilded Pier Mirror, 19th c., beaded cornice, frieze with laurel leaf scrolls centered with a roundel of a centaur, guilloche and bead frame, divided mirror plate, height 68 in., width 28 1/2 in.

$2500/3500

51. A Steinway Model “L” Grand Piano, 1925, Steinway & Sons, New York, serial number 231804, ebonized case, height 39 in., length 5 ft. 10 in., width 58 in.

$10000/15000

52. A Monumental Silverplate Figural Centerpiece, cut and etched glass center bowl, on arbor support mounted with putti, segmented oval base, elaborate scroll feet, height 23 in., length 25 in., depth 20 1/2 in.

$2500/3500

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53. A Pair of Silverplate Melon-Form Champagne Buckets, each lobed body with foliate decoration, loop handles, gadrooned base, and removable liner, height 10 1/4 in., width 12 1/2 in.

$1000/1500

54. A Pair of American Classical Carved Mahogany Side Chairs, early 19th c., New York, each with figured crest rail, paired swan slat, slip seat, saber legs.

$700/1000

55. An American Classical Carved Rosewood Armchair, early 19th c., Boston, arched crest, padded arms, S-scrolled uprights, saber legs.

$2000/3000

56. An American Classical Carved Mahogany Mixing Table, early 19th c., New York, gallery with tubular rail, variegated grey marble top, frieze drawer, scrolled supports, pilasters to the rear, incurvate stretcher shelf, turned feet, height 38 1/2 in., width 41 in., depth 20 1/2 in.

$1500/2500

57. A George II Parcel Gilt, Inlaid and Carved Walnut Side Chair, mid-18th c., arched crest, vasiform splat, shaped seat rail centered by a shell, shell cabriole legs, hairy paw feet.

$1000/1500

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58. A Fine West Indies Carved Tropical Hardwood Tester Bed, 19th c., probably Jamaica, molded tester on carved spiral and ring-turned posts now slightly reduced, tapered feet, casters, distinctive headboard with palmette crest and central inlay, straight rails, height 89 3/4 in., interior length 76 in., interior width 53 in.

$3000/5000

Note: The distinctive stylized palmette headboard and posts with tapering twists and reeded urns on this bed are very similar to those on an important Jamaican mahogany bed illustrated in Connors. Caribbean Elegance, p. 115, fig 98. Reference: Conners, Michael. Caribbean Elegance, 2002, pp. 114-115, figs. 97 and 98.

59. A Regency Mahogany Writing Table, early 19th c., inset green leather adjustable top, frieze with two hinged fitted drawers, reeded columnar supports, molded plinth, arched legs ending in brass cuffs, casters, height 29 in., width 24 1/4 in., depth 23 3/4 in.

$1000/1500

60. A French Restauration Carved Mahogany Center Table, early 19th c., dished fossilized marble top, plain frieze, reeded support, square plinth, bracketed paw feet, casters, height 29 in., diameter 41 in.

$2000/3000

61. An Italian Carved, Painted and Gilt Mirror and Console, late 18th/early 19th c., mirror with stepped cornice, frieze with floral foliate trophée, Classically draped maidens atop pilasters; en suite console with Breccia marble top, rosette blocked frieze, turned tapered fluted legs; mirror height 61 1/4 in.; console height 40 1/2 in., width 47 in., depth 16 in.

$4000/6000

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HWM 62. A Bronze Statuette of “The Sower”, after Jules-Aime Dalou, signed on base, “Girei Perdue/A.A. Hebrard, Dalou” foundry mark, height 6 3/8 in.

$1000/1500

HWM 63. A Fine Bronze Group of “Hercules and Lichas”, after Antonio Canova, 19th c., bears “Canova” inscription on base, on a rosso antico marble plinth, overall height 17 1/4 in., width 10 3/4 in., depth 5 3/4 in.

$1000/1500

Provenance: Fortune Green Gallery, London; George W. Headley III, Lexington, KY, 1970.

Note: This lot is accompanied by a copy of a January 2, 1970 Western Union Telegram from Fortune Green Gallery to George Headley.

64. A Fine Continental Gilt Bronze Figure of Victory, 19th c., stepped marble plinth, height 28 in.

$1000/1500

65. A Very Fine Pair of Venetian Gilt and Crème Peinte Fauteuils, late 18th/early 19th c., arched volute crest, padded back and arms, anthemion seat rail, acanthus cabriole legs.

$3000/5000

62

63

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65


66. A Suite of Four Rococo Monochrome Overdoors, “Putto Personifications of Comedy and Tragedy, with Lyric and Melodic Music”, mid-18th c., oils on canvas, each 28 in. x 43 1/2 in., later frames.

$5000/7000

Provenance: Formerly in the Ledeur Collection, Paris (Parisian ownership label of February 19, 1970 en verso of stretcher).

67. An Italian Renaissance-Style Carved Walnut Credenza, probably early 19th c., carved frieze drawers flanked by acanthine brackets, over paneled doors centered by sunbursts, stop-fluted figural stiles, gadrooned plinth, canted paw feet, height 45 in., width 72 1/2 in., depth 19 in.

$2500/3500

68. A French Provincial Carved and Inlaid Fruitwood Bombé Commode, 18th c., serpentine top, case with three graduated drawers, paneled sides, whorl feet, height 32 1/2 in., width 52 in., depth 25 1/4 in.

$5000/7500

67 68

66

20

69. A Rare Pair of Italian Walnut, Ebonized, Ivory and Exotic Woods Inlaid Bombé Encoignures, 18th c., each upper case with arched crest, base with shaped plinth and feet, overall inlay of hunt scenes, cupboard interiors with traces of original marbled paper, iron strap hinges and hardware, height 79 1/2 in., width 36 in., depth 24 in.

$8000/12000

Note: The remarkable inlay on these cabinets relates closely to the 18th c. German cabinet shop of Johann Georg Wahl (1702-1773), who popularized hunting scenes such as those seen here. The distinctive tapering tops and bombé lower cases were designed to have dramatic impact when placed in opposing corners of a room. A similar example is illustrated in Payne. 19th c. European Furniture. p. 429, fig. 1272.

70. An Empire Gilt Bronze and Marble Guéridon, early 19th c., inset circular marble top, rope-turned supports surmounted by “le coq gaulois,” medial shelf, incurvate stretchers, claw and ball feet, casters, height 28 in., diameter 21 in.

$2500/3500

Note: Perhaps because of the Latin homonyms gallus (rooster) and Gaullus (Gauls), the coq gaulois has been a symbol of France since the Middle Ages. The Gallic Rooster resurged as a national emblem in the Revolution of 1789, and continues to appear on French coins, military monuments and crests even today. The cockerel-heads on this table are open mouthed Chanteclair or crowing roosters, the most closely associated pose with the French Republic.

71. An Antique French Provincial Carved Fruitwood Rafraîchissoir, top fitted with two bottle compartments and marble slab, shaped frieze with drawer, slender cabriole legs, height 27 in., width 15 1/2 in., depth 22 1/2 in.

$800/1200

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70 71


73. A Good Continental Verde Antico Marble Pedestal, late 19th c., acanthine and fluted stem, height 43 in., diameter 11 in.

$1000/1500

74. A Good Chinese Export Black Lacquer Bureau-on-Stand, early 19th c., well-painted gilt decoration; paneled doors enclosing fitted interior of drawers and compartments, hinged top nécessaire with carrying handles; original stand with bold cabriole legs ending in paw feet, height 61 1/2 in., width 26 1/2 in., depth 27 in.

$2000/3000

HWM 75. A Chinese Export Scarlet Lacquer Tea Caddy, 19th c., canted rectangular form on paw feet, decorated in gold and red lacquer on a black ground with scenes of Chinese life, the interior with three storage compartments with fitted paktong and ivory covers, height 8 in., width 14 3/8 in., depth 8 1/2 in.

$1000/1500

72. A Diminutive French Provincial Carved Fruitwood Slant-Front Desk, 18th c., shaped lid with book rest, fitted desk interior with inset leather writing surface, two short drawers over paneled long drawer, cabriole legs, sabots, height 32 in., width 35 in., depth 16 in.

$2000/3000

HWM 76. A Chinese Export Blue and White Porcelain Charger, 18th c., the well with a garden scene medallion enclosing a flower basket, weathered rocks and bamboo, the rim encircled by a pendant ruyi band and floral sprays, height 1 1/2 in., diameter 12 1/2 in.

$800/1200

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75

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73

22

77. A 14 kt. Yellow Gold, Ivory, and Rhinoceros Horn-Mounted Macassar Wood Cane, late 19th/early 20th c., composed of a Japanese ivory handle carved with monkeys chasing rats, gold banded Macassar shaft turned to imitate bamboo and a rhinoceros horn tip, height 35 3/4 in.

$600/900

Provenance: Acquired New York City Armory, mid 1990s.

HWM 78. A Pair of Continental Silverplate and Ivory-Mounted Ostrich Egg Candlesticks, 19th c., turned ivory candlecup, the egg with silverplate collars, on molded ivory and rosewood base, height 12 1/4 in., diameter 4 1/2 in.

$800/1200

Provenance: J. Antony Redmile, London; George W. Headley III, Lexington, KY, c. late 1960s.

HWM W 79. Two Oval Carnelian Intaglios, 19th c., one representing a standing figure of Neptune with his trident, the other a bust of Callimachus atop his famous Corinthian capital, inscribed “KALLIMAKOΣ/ KOPINΘ”, both in gold ring mounts, the latter a hinged mount, length 1 1/2 in., and 1 5/16 in.

$400/600

HWM W 79A. Two Greek Silver Coins of the Classical Period, mounted in gold (or silver-gilt) circular bands, with eyelets for suspension: one, a silver stater or drachma from the island of Aegina, possibly as early as the fifth century BCE, with the obverse image of a tortoise or sea-turtle, and the reverse device of an incuse square, approx. diameter 3/4 in.; the second, a very fine silver tetradrachm of King Philip II of Macedon (c. 382-359-336 BCE),

father of Alexander the Great, with laureate head of Zeus, obverse, and reverse figure of a nude jockey on horseback carrying a palm branch, with a thunderbolt below, and the mint mark probably of Pella, inscribed ΦΙΛΙΠ-ΠΟϒ [“Philip”], approx. diameter 1 in.

$200/400

80. Two Grand Tour Marble Models of Roman Forum Ruins of the Temple of Heavenly Twins (Castor and Pollux) and the Temple of Vespasian, sienna marble, repairs, heights 13 3/4 in.

$1500/2500

81. A Carved and Tinted Alabaster Bust of a “Woman in a Straw Hat”, late 19th/early 20th c., on a green marble pedestal, ormolu capital and base, bust height 26 in., pedestal height 42 3/4 in., overall height 68 3/4 in.

$1800/2500

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HWM 82. A Fine French Patinated Bronze Figure of a Male River God (perhaps the River Illisos) from the West Pediment of the Temple of Athena at Athens (the Parthenon), after Pheidias, mid-19th c., a version of a plaster copy at the original size, with the reduction seal of Achille Collas and an early founder’s mark “F. Barbedienne” both contemporaneous with this cast; and with “A. Rodin” spuriously inscribed at a later date, height 14 1/4 in., width 30 1/2 in., depth 10 in.

$4000/6000

Provenance: Brodney Art Gallery, Boston; George W. Headley III, Lexington, KY.

HWM 83. Barbara Henry (American, 20th c.), “Nude at Her Toilette”, mid-20th c., bronze, signed, “Roman Bronze Works, N.Y.” foundry mark, height 14 in., width 4 3/4 in., depth 4 1/2 in.

$1000/1500

HWM 84. A Seychelles Coco de Mer Silverplate Mounted Flamingo, 20th c., polished nut on molded Lucite base, height 54 in., width 12 in., depth 17 in.

$1000/1500

HWM 85. An Antique African Carved Ivory Tusk, carved with a large face at the base beneath geometric and plain bands above, length 40 in.

$1200/1800

Provenance: Sotheby’s, London; George W. Headley III, Lexington, KY, 1965.

Note: This lot is accompanied by a copy of a letter from Samuel Shapiro & Co., Custom Brokers and Freight Forwarders, dated May 25, 1965, a copy of their paid invoice, and a copy of the “Consumption Entry” form from the Bureau of Customs, dated May 17, 1965.

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HWM 86. Sidney Hutter (American, b. 1954), “Vase #13”, c. 1988, from the Plate Glass Vase series, engraved signature and with edition number “2/80”, green, cut, ground and polished plate glass, height 12 in., diameter 6 in.

$4000/6000

HWM 87. Marvin Lipofsky (American, b. 1938), a blown glass sculpture, from the Venini Series, signed and dated “77”, height 7 1/2 in., width 9 1/4 in., depth 9 1/2 in.

$2000/3000

HWM 88. Alex Taller (American, 1899-1975), “Sphere”, resin coated and polished abalone shell mounted with tropical hardwood sphere, mounted to a granite base, incised signature on base, overall height 8 1/4 in., width 8 1/4 in., depth 5 in.

$800/1200

W 89. Indian School, probably 19th c., “Hunt Scene with Pavilion and Pastoral Landscape”, ink and color on vellum, 10 7/8 in. x 7 7/8 in., framed.

$1200/1800

HWM 90. Two Thai Fragmentary Bronze Heads of Bodhisattva, each with a serene countenance, downcast gaze and open crown, height 13 1/2 in. and 13 1/4 in., wood stands, overall height 20 1/2 in. and 20 1/4 in.

$1200/1800

91. An Indian Bronze Figure of Ganesha, standing figure cast holding a goad and a noose in his two back hands and his broken tusk and a delicacy, which he samples with his extended trunk, in his primary hands, height 7 1/8 in.

$400/600

Provenance: New Orleans Collector.

HWM W 92. An Indian Embroidered Silk Textile, probably 20th c., rectangular form composed of four joined reversible panels, each with overall leaf and vine design with bands of cavorting animals on a reversible crimson or gold ground, height 113 in., width 56 in.

$700/900

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90 91


HWM 93. A Fine Illuminated Quran, 1780, with pages of tissue-thin vellum and paper, richly illuminated with narrow borders of black and red, and a wide border of gilt, thirteen lines of finely-wrought Arabic script to each page, the verses each headed by a large gilt rosette, the diacritical marks in blue, red and black, the section headings of wide gilt bands between red borders decorated with turquoise, yellow and white foliate decorations, with gilt and tooled leather cover, leaves 8 in. x 4 1/2 in.

$6000/8000

Note: The colophon translates to “Written by Abdul Allah Al Karmani, with additions from the scholars of Haj Hafeth Omar Fendi who is famous for writing in the year of ninety four and 100 and 1000” [lunar year 1194].

93

26

HWM 94. A Turkish Ottoman Embroidered Red Silk Textile, probably 18th c., worked in couched metallic threads with overall floral devices, red taffeta lining, height 129 in., width 33 in.

$10000/15000

94


HWM 95. A Fine and Rare Indian Highly Carved and Reticulated Ivory Tusk, 18th/19th c., finely carved overall with an intricate reticulated network of birds and branches, height 41 in., custom brass mounted base, overall 44 in., presented on a wood stand with Plexiglas R cover, height 88 3/4 in.

$8000/12000

Provenance: Graham Pontet, Ltd., London; George W. Headley III, Lexington, KY, 1968.

Note: This lot is accompanied by a copy of the October 1, 1968 invoice from Graham Pontet, Ltd., London, as well as a copy of the Special Customs Invoice, shipment dated November 10, 1968.

96. A Tibetan Gilt Copper Repoussé Panel, 18th/19th c., shaped panel with fierce demon head repoussé above confronting dragons, painted highlights, height 15 in., width 16 in.

$5000/7000

97. A Sino Tibetan Gilt Bronze Figure of Tara, Qing Dynasty (1644-1911), modeled seated in dhyanasana on a lotus base with hands in abhaya and varada mudra, wearing a five point diadem and celestial scarves, height 5 3/8 in., width 4 1/4 in.

$3000/5000 HWM 98. A Group of Six Asian Fragmentary Bronze Heads of Buddha, each cast as a various incarnation of the Buddha, all with trace gilding, mounted to wood plinths, overall heights 4 in. to 6 in.

$1500/2500

Provenance: Trosby Auction Galleries, Palm Beach, FL; George W. Headley III, Lexington, KY, 1961.

95

98 (2 of 6)

97

96

28

HWM 99. Chinese School, “Court Gathering,” ink, color and gilt on silk, bearing signature of Qiu Ying lower right, 53 in. x 110 1/4 in., framed, overall 60 in. x 117 1/4 in.

$6000/8000

Provenance: George W. Headley III, Lexington, KY.

HWM 100. Chinese School, “Swans beneath Winter Willow,” ink and color on silk, sealed upper middle and lower right, 60 in. x 38 1/2 in., mounted with a calligraphy panel above, ink on gold flecked paper, bearing signature of Ma Lin, together 76 3/4 in. x 38 1/2 in., mounted as a hanging scroll with cloisonné handles and partial silk kesi backing, Parke-Bernet lot tag.

$3000/5000

Provenance: Parke-Bernet Galleries, Inc., New York, Oriental Art, sale no. 2636, December 1967, lot 291; George W. Headley III, Lexington, KY.

Note: This lot is accompanied by copies of the Parke-Bernet catalogue pages, in which the work is attributed to Ma Lin (active c. 1180 - after 1256), and invoice dated December 14, 1967.

HWM 101. Chinese School, “Eagle and Autumn Leaves,” ink and color on silk, bearing signature of Emperor Song Huizong, inscription and two seals upper middle, three seals upper left, and Qianlong collector’s seal upper right, 53 in. x 28 1/2 in., mounted as a hanging scroll.

$2000/3000

Provenance: Parke-Bernet Galleries, Inc., New York, Oriental Art, sale no. 2636, December

1967, lot 277; George W. Headley III, Lexington, KY.

Note: This lot is accompanied by copies of the Parke-Bernet catalogue pages, in which the work is attributed to Emperor Song Huizong (reigned 1011-1125), and invoice dated December 14, 1967.

99

100 101


102. Chinese School, “Spring Garden,” ink and color on silk, sight 57 1/2 in. x 28 1/4 in., matted and framed.

$800/1200

103. Chinese School, “Mountainous Landscape with Figures in a Boat,” ink and color on silk, inscribed and sealed upper left, sealed lower right, 55 3/8 in. x 26 1/2 in., mounted as a hanging scroll.

$600/800

Provenance: Southern Collector.

HWM 104. A Fine and Large Chinese Carved Rhinoceros Horn Libation Cup, 18th c., carved as a large open flower borne on openwork branches issuing lychee and peach fruit and magnolia and prunus blossoms, height 4 1/8 in., width 7 1/8 in., depth 4 1/4 in.

$8000/12000

Provenance: George W. Headley III, Lexington, KY, c. 1970.

102 103

104

104 (back)

30

HWM 105. A Small Chinese Carved Rhinoceros Horn Libation Cup, 18th c., carved with two kui dragons clambering over the lip on either side of the flat loop handle, the sides with taotie masks on a squared spiral ground, height 2 1/2 in., width 3 in., depth 2 1/4 in.

$4000/6000


HWM 106. A Rare Chinese “Eccentric” Carved Hardwood Libation Cup, 17th/18th c., carved as an inverted mountain peak enveloped in the leafy branches and tendrils of a fruiting grapevine above a small squirrel near the base, height 4 1/4 in., width 4 3/4 in., depth 3 7/8 in.

$2500/3500

Provenance: Collection of George de Menasce (1890-1967), (No. 107), London; Spink & Son, London; George W. Headley III, Lexington, KY, 1971.

Exhibited: The George de Menasce Collection, Spink & Son, London, May 10 to 26, 1971.

Note: This lot is accompanied by a copy of a May 20, 1971 letter from Richard Barker at Spink & Son regarding the Menasce acquisition.

105

106

105 (side)


HWM 107. A Chinese Carved Horn Libation Cup, 19th c., probably buffalo horn, carved as a lobed prunus blossom with birds amid flowering plum in relief, height 1 1/2 in., width 4 in., depth 3 1/4 in.

$800/1200


108. A Chinese Carved Wood Figural Group, 19th c., possibly huang yang wood, carved as a smiling male figure holding castanets standing beside a seated male figure playing a flute, raised on an openwork rockwork base, height 8 in., length 6 1/2.

$5000/7000

109. A Chinese White and Russet Jade Mountain Range, probably Ming Dynasty (1368-1644), mottled stone carved as a long mountain range with a horse and pine tree in the foreground, height 1 5/8 in., length 8 3/8 in.

$10000/15000


107

108

109

109 (back)

32

110. A Chinese Carved Stone Head of Buddha, probably Tang Dynasty (618-907), carved in the round as a meditative portrait head of Buddha with a downcast serene expression, height 7 7/8 in.

$2500/3500

111. A Chinese Carved Stone Head of Buddha, possibly Tang Dynasty (618-907), pitted white crystalline stone carved in the round as the head of Buddha with a downcast serene expression, pierced base, height 3 in.

$1500/2500

112. A Chinese Miniature Carved Horn “Seal” Libation Cup, 19th c., probably buffalo horn, tall body with shallow bowl and elongated rim carved with qilong dragons above a wide band of stylized masks, base incised with shuo character as a seal, height 2 1/4 in., width 3 3/8 in.

$1000/2000

113. A Chinese Bronze Incense Burner, probably 19th c., bombé form body elaborately cast with dragon mask handles and relief decoration of the Eight Immortals, pierced wood finialed cover, base with Qianlong mark, height 4 1/2 in., width 10 1/4 in., wood stand, overall height 10 in.

$2000/3000

114. A Chinese Carved White Coral Figural Group, primary branch carved with the figure of Shoulao surrounded by peach-carrying children climbing the secondary forking branches around him, height 9 in., width 13 1/2 in., wood stand, overall height 10 in.

$1200/1800

110 111

112 113

114


115. A Chinese Carved Ivory Figure of a Sage, 19th c., carved in the round as the figure of a bearded, sleeping aesthetic wrapped in his robes, height 5 7/8 in.

$1000/1500

HWM 116. A Pair of Chinese Carved Ivory Covered Vases, each of flattened baluster form with elephant head ring handles and domed cover surmounted by a Buddhist lion, carved around the body with musicians and festival goers, height 10 in., wood stands, overall height 11 1/4 in.

$400/600

HWM 117. A Chinese Carved Red Coral Figure of Shoulao, standing Immortal carved clad in loose robes carrying a branch of three large peaches on his back, height 3 7/8 in.

$500/750

HWM 118. A Chinese Embroidered Blue Silk Nine Dragon Robe, Jifu, Qing Dynasty (1644-1911), worked in satin and knot stitch and couched metallic threads with dragons in flight amid Buddhist emblems above a terrestrial diagram and wide lishui hem with similar decoration repeated on border, collar and horsehoof cuffs, length 55 in.

$1500/2500

119. A Chinese Embroidered Red Silk Dragon Coat, 20th c., worked in couched polychrome and metallic threads with dragons amid Buddhist emblems above a lishui hem strewn with butterflies, length 48 1/2 in.

$800/1200

115 116

118

119

117

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HWM 120. Alex Taller (American, 1899-1975), “Horns”, 1971, resin filled, coated, polished and chiseled rhinoceros horn with a matching solid aluminum casting, each with incised signature, height 22 5/8 in., width 6 3/4 in., depth 5 1/4 in., walnut base, overall height 24 in., width 15 in., depth 7 3/4 in.

$2500/5000

Provenance: The horn, presumably acquired Christie, Mason & Woods, London, 1970; the sculpture commissioned from the artist shortly thereafter by George W. Headley III, Lexington, KY.

Exhibited: Seaman’s Church Institute, Battery Park, NY, October 15-31, 1971.

Note: This lot is accompanied by a copy of a May 21, 1971 letter from the artist to George W. Headley describing the reasons for the aluminum casting (versus bronze or bronze and gold plate) as well as the grinding and polishing. This lot is also accompanied by a copy of the December 31, 1970 Vulcan Freight Services, Ltd. bill of lading from Christie, Manson & Woods, London to Lexington, KY. In a copy of an article titled “Retired College Dean Sculpts: Alex Taller Has Whale of a Hobby”, by Melinda Robinson, from an unknown publication, Taller is quoted “I like to take materials from nature that already have a sense of beauty about them. This is why I particularly like working with deteriorated conch shells, old ship timbers, and bones. These are forms that are already related to life.” Time Magazine said that the materials for his sculptures were “found in nature’s wastebasket.”

HWM 121. Alex Taller (American, 1899-1975), “Horns”, 1971, resin filled, coated, polished and chiseled rhinoceros horn with a matching solid aluminum casting, each with incised signature, height 15 5/8 in., width 12 1/2 in., depth 5 7/8 in., walnut base, overall height 17 1/2 in., width 25 in., depth 7 3/4 in.

$2500/5000

Provenance: The horn, presumably acquired Christie, Manson & Woods, London, 1970; the sculpture commissioned from the artist shortly thereafter by George W. Headley III, Lexington, KY.

Exhibited: Seaman’s Church Institute, Battery Park, NY, October 15-31, 1971.

HWM 122. Alex Taller (American, 1899-1975), “Horn”, 1971, resin filled, coated, polished and chiseled rhinoceros horn, signed and dated, mounted to mahogany base, overall height 9 1/8 in., width 11 1/2 in., depth 5 7/8 in.

$1500/2500

HWM 123. Alex Taller (American, 1899-1975), “Vertebrae”, resin coated and polished whale vertebrae mounted to a wooden base, signed, overall height 15 1/4 in, width 16 1/2 in., depth 6 in.

$800/1200

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121

122

123


HWM 124. A Mounted Narwhal Tusk, c. 1800, monodon monoceras, with helical spiral, fitted into a metal and marble base, height 87 in., small loss to tip.

$2500/3500


Note: This lot accompanied by a copy of the November 5, 1968 invoice from Graham Pontet, Ltd., London, as well as a copy of the November 6, 1968 advice to Vulcan Freight Services, Ltd.

HWM 125. A Mounted Narwhal Tusk, c. 1800, monodon monoceras, with helical spiral, fitted into a metal and marble base, height 86 in., small loss to tip.

$2500/3500


Note: This lot accompanied by a copy of the November 5, 1968 invoice from Graham Pontet, Ltd., London, as well as a copy of the November 6, 1968 advice to Vulcan Freight Services, Ltd.

126. A Pair of Antique Chinese Carved Hardwood Reclining “Moon Gazing” Chairs, paneled back, seat and retractable foot rest within faux bamboo carved framework, scrolled arms, splayed legs, height 34 in.

$4000/6000

HWM 127. An Antique Chinese Carved Hardwood Long Table, rectangular top with everted flanges, recessed legs with pierced cloud scroll spandrels, height 38 1/2 in., width 104 1/2 in., depth 15 in.

$1000/1500

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127

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36

128. A Monumental Antique Chinese Highly Carved Hardwood Luohan Bed, carved in openwork design with prunus, bamboo, peony, cloud scrolls and bats, later cane inset seat, height 47 in., length 83 in., width 59 in.

$4000/6000

HWM 129. A Chinese Cream Glazed Stoneware Lidded Storage Jar, possibly Tang Dynasty (618-907), ovoid body with slightly domed finialed cover, covered overall in an even slightly matte glaze, height 9 7/8 in.

$600/800

HWM 130. A Chinese Cream Glazed Stoneware Lidded Storage Jar, possibly Tang Dynasty (618-907), ovoid body with slightly domed finialed cover, covered overall in an even slightly matte glaze, height 9 1/2 in.

$600/800

HWM W 131. A Pair of Chinese Tang-Style Painted Pottery Figures of Court Dancers, each with long sleeves, elaborate headdress and upturned shoes showing beneath a long skirt, heights 11 5/8 in. and 11 1/4 in.

$200/300

HWM 132. A Chinese Celadon Vase, Ming Dynasty (1368-1644) or earlier, baluster body with tall straight neck and everted garlic rim, incised around the shoulder with overlapping pendant petals above a band of upright leaves at the base, crackled olive green glaze, height 9 1/2 in., diameter 5 1/2 in.

$1000/1500

HWM 133. A Chinese Junyao Stoneware Bowl, Yuan Dynasty (1271-1368), flared sides rounding at the rim, covered overall in a crackled milky blue glaze turning to olive at the rim, the interior with two purple splashes, raised on a low splayed foot burnt orange in the firing, base with Mottahedeh Collection label, item number 483, height 3 1/8 in., diameter 7 1/2 in.

$2000/4000

Provenance: William Clayton, Ltd., London; Mildred R. and Rafi Y. Mottahedeh, 1962; Sotheby’s, New York, Fine Chinese Works of Art, September 20, 2000, lot 100.

Note: In his forward to China for the West, an authoritative publication on the Mottahedeh collection, Nelson A. Rockefeller, a friend and fellow collector of Chinese porcelain, described the

Mottahedeh’s collection as “an artistic and cultural treasure without comparison in its field”. Beginning with their marriage in 1929, the Mottahedehs began acquiring Chinese porcelains, ivories, jades and bronzes, amassing one of the world’s finest private collections with some 2,000 pieces.Reference: The New York Times, Arts Section, “Mildred Root Mottahedeh, 91, Collector of Chinese Porcelain”, February 23, 2000.

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134. A Chinese Celadon Charger, Ming Dynasty (1368-1644), the well with incised crane roundel encircled by foliate bands, height 3 1/2 in., diameter 16 1/8 in. Note: Condition.

$1000/1500

135. A Chinese Song-Style Black Glazed Stoneware Bottle Vase, probably 18th c., globular body and tall funnel neck molded with raised concentric bands, overall black glaze thinning to brown around raised edges, height 7 1/2 in.

$600/800

136. A Chinese ‘Blanc de Chine’ Porcelain Figure of Shoulao, Qing Dynasty (1644-1911), modeled holding a staff standing atop an intricate rockwork base, height 7 1/2 in., Note: break to left arm.

$1000/1500

HWM 137. A Pair of Chinese Qingbai Glazed Porcelain Funerary Urns and Covers, Song Dynasty (960-1279) or later, baluster bodies with elaborate applied decoration of mourners below a magnificent figure of a dragon amid clouds, tall conical covers with crane finials, heights 24 1/2 in and 24 in.

$600/800

138. A Chinese Celadon and “Biscuit” Glazed Figural Group of Guanyin and Acolytes, seated figure raised on a lotus embellished platform with two attendants flanking the base, height 8 1/4 in.

$800/1200

139. An Antique Queen Anne-Style Mahogany Silver Table, dished top opening to storage compartment, two frieze drawers to each end, pad feet, with C. Pratt, London label, height 32 in., width 32 in., depth 18 in.

$800/1200

134

135

136

138

137

139

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140. A Fine Edwardian Inlaid Mahogany Partners Desk, early 20th c., banded top with oval medallion, two frieze drawers on each side, urn and bellflower inlaid square tapered legs, brass ferrules, casters, height 43 in., width 31 1/4 in., depth 17 in.

$1000/1500

141. An English Carved Mahogany Bookcase, early 19th c., shaped cornice above graduated shelves, paneled fall front below, turned feet, height 61 in., width 48 in., depth 11 1/2 in.

$800/1200

142. A Pair of Royal Aubusson Tapestry Medallions, 18th c., each depicting a maiden in pastoral setting encircled by red floral border, one maiden holding a basket, the other attended by a pair of doves, framed height 16 1/2 in., width 13 3/4 in.

$2000/3000

143. A Group of French Aubusson Wool Tapestry Covers, 19th c., for parlour suite with red ground reserved with floral bouquets, including the seat for a settee, overall length 39 in., width 82 in.; three armchair seats, length 26 in., width 33 in.; an armchair back, length 25 in., width 21 in.; three chair seats, length 21 in., width 25 in.; three chair backs, length 14 1/2 in., width 13 in.; 12 arm covers length 12 in., width 7 in.; two pairs of plain red wing covers; two pairs floral wings; and other fragments.

$1000/2000

144. A Ghandara-Style Carved Stone Altar Table, probably 18th c. or earlier, the scrolled top over a paneled front with floral reliefs and foliate corner brackets, on stylized feet, height 35 in., width 60 in., depth 21 in.

$5000/7000

140 144

141

142

143


W 145. A Pair of Chinese Oxblood Glazed Porcelain Amphora Vases, slightly mottled oxblood glaze with white interior, recessed base with underglaze blue double circle, height 8 1/2 in.

$600/800

146. A Chinese Blue and White Porcelain Octagonal Barbed Rim Wine Cup, probably 17th c., the exterior decorated with eight floral panels, the interior with a stylized chrysanthemum and three peonies, base marked, height 1 3/8 in., diameter 2 3/4 in., storage box.

$1200/1800

147. A Chinese Famille Rose Porcelain Wine Cup, 18th c., the exterior finely enameled with three boys in a garden setting, the interior with a single peony beneath a crosshatch band, Marchant London label, height 1 1/4 in., diameter 2 7/8 in., storage box.

$1200/1800

148. A Set of Eight Chinese Famille Verte Porcelain Figures of Immortals, 20th c., each figure modeled standing on a draped plinth holding an attribute, bases with impressed marks, height 13 1/4 in.

$2500/3500

149. A Chinese Famille Rose Porcelain Rouleau Vase, late 19th/early 20th c., decorated with a continuous scene of the Eight Immortals in a garden setting, beneath a wide floral band at the neck, base with Guangxu mark, height 16 in., storage box.

$800/1200

HWM W 150. An Antique Middle Eastern Glazed Stoneware Amphora Vase, turquoise, iron and yellow glaze pooling toward the unglazed foot, height 7 3/4 in.

$150/250

151. A Chinese Famille Noire and “Biscuit” Glazed Porcelain Figure of Iron Crutch Li, probably 19th c., the standing Immortal with open robes, leaning on a crutch and holding a gourd, height 12 1/2 in.

$1000/1500

HWM 152. A Chinese Silver-Lidded Blue and White Porcelain Jar, 19th c., cylindrical body with molded lotus petals decorated with alternating Long Elizas and floral sprays, silver rim and cover, base with yu mark, height 4 3/4 in.

$800/1200

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147

151

152

149

148

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HWM W 153. A Pair of Chinese Oxblood Glazed Porcelain Dishes, 19th c., the exteriors with oxblood red glaze, bases with tofu marks within double circles, height 1 1/4 in., diameter 6 1/4 in. Note: One with restoration.

$500/750

HWM 154. A Chinese Blue and White Porcelain Miniature Lidded Ewer, baluster form with spout, handle, and finialed cover, decorated with female figures admiring potted plants amid scattered clouds, flowers and Buddhist books, height 4 1/2 in.

$400/600

HWM 155. A Chinese Blue and White Porcelain Shallow Bowl, 18th c., central pine tree, bamboo and grotesque rock medallion within a crosshatch and floral border encircled by groups of peony sprays around the sides, brown rim, height 1 3/4 in., diameter 9 1/2 in.

$600/800

HWM 156. A Chinese Famille Rose and Gilt Decorated Blue and White Porcelain Basin, 19th c., bowl form with flattened lip rim, decorated with flowers and insects and gilt over-decoration of peonies, foliage

and Buddhist emblems, height 4 5/8 in., diameter 16 in.

$800/1200

157. A Pair of Chinese Famille Rose Porcelain Square Vases, 20th c., each with figural reserves on a souffle blue ground with gilt details, bases with Yongzheng marks, height 19 3/4 in.

$2000/3000

158. A Pair of Chinese Famille Verte Porcelain Gu Form Baluster Vases, probably 19th c.,

each drum form mid-section raised on a tall splayed foot issuing a tall flared neck with stylized dragon handles, decorated around the midsection with figures of the eight Immortals, base with double circle mark, height 13 5/8 in., wood stands, overall height 15 1/4 in.

$1500/2500

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156

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159. Two Pairs of Antique Chinese Carved Huanghuali Cabinet Doors, each of rectangular form with an openwork top register over a dragon carved middle register over a third register carved with birds perched on prunus branches above rocks and lingzhi, each height 49 1/2 in., width 13 1/8 in.; together with huanghuali cabinet parts, including two top or bottom panels, length 31 1/2 in., width 15 3/4 in., as well as various aprons and other pieces.

$4000/6000

Provenance: Southern Collection.

HWM 160. A Fine Pair of Chinese Blue and White Porcelain Octagonal Barrel Stools, the tops with pierced cash symbols, the bodies decorated with lotus blossoms and scrolling foliage, height 19 in.

$5000/7500

Provenance: Trosby Auction Galleries, Palm Beach, FL; George W. Headley III, Lexington, KY, c. 1975.

HWM 161. Attributed to Alex Taller (American, 1899-1975), “Bill”, carved and polished swordfish bill engraved with a swordfish figure, mounted to granite base, overall height 34 7/8 in.

$800/1200

Provenance: Gift of the artist.

Note: This lot is accompanied by a copy of a letter from Alex Taller to George Headley dated April 18, 1975.

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160

161

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HWM 162. Alex Taller (American, 1899-1975), “Flame”, resin filled, polished, and painted clam shell, mounted to granite base, incised signature on base, overall height 10 3/4 in., width 7 1/2 in., depth 5 1/2 in.

$800/1200

HWM 163. Alex Taller (American, 1899-1975), “Bill”, resin coated and polished swordfish bill, mounted to a granite base, incised signature on base, overall height 40 1/8 in.

$800/1200

HWM W 164. Alex Taller (American, 1899-1975), “Bill”, resin coated and polished swordfish bill, mounted to a granite base, incised signature on base, overall height 30 7/8 in.

$800/1200

W 165. A German Antler Horn Dagger, horn handle and leather scabbard mounted with brass acorns, deer leg form guard, decoratively etched blade marked “R. Tandler”, length 22 in.

$500/750

W 166. A German Antler Horn Dagger, leather and brass dagger marked “R. Tandler”, deer leg form guard, length 21 3/4 in.

$500/750

167. A Pair Chinese Turquoise and Aubergine Glazed Buddhist Lions, probably 19th c., male and female lions modeled seated on plinth bases, height 10 3/4 in., wood stands, overall height 11 3/4 in.

$700/900

W 168. A Large Chinese Famille Verte Porcelain Bowl, decorated on the interior with HeHe twins beneath a cracked ice border, the exterior with a landscape scene with mythical animals and figures, base with apocryphal Kangxi mark, height 6 1/2 in., diameter 15 1/2 in.

$600/800

169. A Pair of Chinese Famille Rose Porcelain Baluster Vases, probably Republican Period (1911-1949), tapering globular bodies with flared necks and feet, finely decorated with figural and butterfly-and-flower panels on a yellow and orange basket weave ground strewn with Buddhist emblems, bases with Qianlong marks, height 6 7/8 in., storage box.

$2500/3500

170. A Chinese Famille Rose Porcelain Dish, probably Republican Period (1911-1949), finely decorated in court style with a central scene of a scholar astride a donkey surrounded by vibrant elaborate borders, base with Qianlong mark, height 1 1/2 in., diameter 7 5/8 in.

$800/1200

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171. A Pair of Chinese Green Enameled Blue and White Porcelain Dishes, 20th c., each well decorated with a fierce dragon among clouds and flames beneath further dragons along the rim, bases with Yongzheng marks, diameter 8 3/8 in.

$800/1200

172. A Chinese Carved Hardwood Cabinet, 20th c., flared incurvate cornice above staggered cupboards and shelves with pierced foliate carved friezes and galleries, fretwork carved molded base on scrolled feet, height 65 1/4 in., width 37 in., depth 18 3/4 in.

$800/1200

173. An Important Pair of Antique Georgian-Style Carved and Argenté Consoles, late 19th c., labeled “Wm. Baumgarten & Co., 5th Ave., New York”, each with molded rouge royale marble top, shell and foliate frieze drawer, acanthus carved cabriole legs, stretcher shelf, padded acanthus scroll feet, height 34 1/4 in., width 50 1/2 in., depth 21 in.

$8000/12000

Note: Working with Christian Herter, William Baumgarten (1848-1908) designed interiors for the Fifth Avenue mansions of William Vanderbilt and Archer Huntington and William Welsh Harrison’s Grey Towers Castle in Philadelphia. Baumgarten and Co. was formed in 1891, and became well known as the purveyor of Gobelins tapestries. Commissions included rooms at the Plaza Hotel, 1907.Reference: Grove Dictionary of Decorative Arts, p. 83; Webster. “Fables of Abundance,” Magazine Antiques. p. 116.

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174. An American Classical Carved Mahog-any Candlestand, early 19th c., New York, shaped tilt-top, acanthine and baluster reeded stem, arched legs ending in paw feet, height 28 1/2 in., width 18 3/4 in., depth 26 1/2 in.

$1000/1500

175. An American Classical Gilt-Stenciled Mahogany Pier Table, early 19th c., New York, white variegated marble top, frieze with anthemia, columnar supports with bronze collars, mirrored back, shaped stretcher shelf, acanthine verde antico feet, height 38 in., width 42 in., depth 18 in.

$3000/5000

176. A Pair of Regency Gilt Bronze-Mounted and Ebonized Side Chairs, early 19th c., each with turned crest rail, medial slat with shell over roundel, trapezoidal slip seat, saber legs.

$1000/1500

Provenance: Ex-Collection of David Stockwell.

177. An Antique English Tôle Peinte Gallery Tray, oval with reserve depicting Jacques-Louis David’s “Oath of the Horatii”, floral banding, ochre and black paint, on a conforming later bamboo-turned stand, “X” stretcher, height 19 1/2 in., width 29 1/2 in., depth 22 1/2 in.

$700/1000

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178. An American Classical Bronze-Mounted Mahogany Box Sofa, early 19th c., New York, tubular crest rail and arms, mounted columnar uprights, paneled seat rail, tapered cylindrical feet, casters, height 34 in., width 80 in., depth 29 in.

$5000/7500

Note: Many elements of this sofa relate to those on notable New York sofas. The crest rail is identical to that on a mahogany sofa in the Brooklyn Museum of Art (acc. 41.1181); on lot 283 sold Neal Auction Company on February 7, 2009; and on lot 284 sold September 15, 2012.

The columnar arm supports, flat seat rail with drum terminals and tapered legs on this sofa are very similar to those on a sofa in the Newark Museum’s seminal Classical America exhibition of 1963.Reference: Voorsanger and Howat. Art and the Empire City, New York 1825-1861, p. 516, pl. 224 and Tracy. Classical America 1815-1845. pl. 57.

179. A Fine Regency Carved Mahogany Guéridon, early 19th c., in the manner of Thomas Hope, circular top, bracketed frieze, turned tapered columnar supports, incurvate triangular beaded plinth, outswept scrolled brass feet, height 29 in., diameter 19 1/4 in.

$2000/3000

Note: This sophisticated guéridon incorporates elements from Thomas Hope’s opus Household Furniture of 1807. The three twist supports are similar to the standards of a candle stand (pl. L, no. 2) and the out swept plinth incorporates one of the most noted of Hope’s table designs, pl. XXXIX.Reference: Watkin and Hewat-Jaboor. Thomas Hope, Regency Designer pp. 414-415 and 420-421.

178

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180. An Edwardian Satinwood and Exotic Woods Inlaid and Paint-Decorated Cellarette, late 19th c., in the Adam taste, octagonal top with central shell, case with Commedia dell’Arte paint decoration, carrying handles, bracketed square tapered legs, cup casters, height 29 1/2 in., width 25 in., depth 19 1/2 in.

$1500/2500

181. A Pair of Italian Neoclassical-Style Ebonized and Parcel Gilt Torchères, c. 1800, incurvate triangular top with circular medial shelf, ram’s head mounted S scroll supports ending in hoof feet, incurvate triangular plinth base, height 53 in., width 22 in., depth 19 in.

$4000/6000

182. A Louis Philippe Mahogany Bibliothèque, 19th c., upper case with molded cornice over glazed doors, three drawers below; lower case with long frieze drawer over paneled doors, bracket feet, height 98 in., width 55 1/4 in., depth 20 in.

$1200/1800

183. A French Empire Bronze-Mounted Mahogany Commode, early 19th c., variegated grey marble top, outset frieze drawer, three graduated drawers flanked by columns, plinth base, turned feet, height 41 1/2 in., width 50 1/4 in., depth 25 1/4 in.

$1500/2500

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184. A Regency Inlaid Rosewood Games Table, c. 1810, rectangular sliding reversible top, backgammon interior, chamfered stem, incurvate plinth on paw feet, casters, height 30 in., width 24 in., depth 22 in.

$800/1200

185. A Pair of French Gilt Bronze Two-Light Candelabra, early 19th c., fluted vasiform standard with perpendicular arms terminating in urnform candle cups, central acorn finial, height 8 3/4 in., width 7 in., depth 3 1/2 in.

$600/800

186. A Louis XVI Ptolemaic Armillary Sphere, c. 1790, possibly by Delamarche, pasteboard with engraved paper rings, on turned, ebonized stand, 1 inch globe, showing signs of the zodiac, months and planetary information in French, height 10 1/4 in., diameter 5 1/2 in.

$1500/2500

187. A French Neoclassical Carved Giltwood Mirror, early 19th c., rosette and anthemion molded surround, height 30 1/2 in., width 24 3/4 in.

$500/700

188. A Georg Jensen Sterling Silver After-Dinner Coffee Service, “Blossom” pattern, comprised of a coffee pot, open sugar bowl, creamer and tray; coffee pot height 6 1/4 in., tray length 14 1/4 in., combined weight 40.45 troy ozs.

$4000/6000

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184 186

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192. An Antique French Silver Tastevin, Paris, c. 1787, hallmarked, rim engraved “JEAN PIERRE BESSAC de BEAUMONT - 1787”, width 4 1/2 in., weight 4.25 troy ozs.

$300/500

Provenance: Robert Ensko, Inc., New York.

W 193. An Antique French Silver Tastevin, early 19th c., maker GB untraced, inset with a 1730 Louis XV coin, rim engraved “JEAN POUX D C”, width 4 1/4 in., weight 4.30 troy ozs.

$250/350

W 189. An Antique Continental .800 Silver Tea Caddy, Czechoslovakia, 1929-1942, maker AP; serpentine with hinged cover, scroll finial and scroll border, height 4 1/4 in., width 5 in., weight 11 troy ozs.

$200/300

W 190. A Pair of George Jensen Sterling Silver Bonbon Baskets, design no. 235B, introduced c. 1917, designer Georg Jensen; height 3 3/4 in., length 5 in., depth 3 3/4 in., weight 12.85 troy ozs.

$500/750Reference: Taylor, David A. & Laskey, Jason W. Georg Jensen Holloware: The Silver Fund Collection, p. 380, illustrated pp. 112-113. Drucker, Janet. Georg Jensen: A Tradition of Splendid Silver, illustrated p. 207.

W 191. A Georg Jensen Sterling Silver Serving Fork and Spoon, each with molded foliate handle, length 8 1/2 in.; together with a Mexican sterling silver serving spoon, F. Ramirez, after Georg Jensen’s “Blossom” pattern, combined weight 9.20 troy ozs.

$300/500

W 194. An Antique French Silver Tastevin, 19th c., hallmarked, thumb print handle with old script monogram, width 4 1/8 in.; together with an antique Continental example, hallmarked, width 4 in., combined weight 4.30 troy ozs.

$300/500

W 195. An Antique French Silver Tastevin, 18th c., heavy raised shallow circular bowl with a slightly domed bottom, slanted gadroon sides with pellet borders and applied serpent ring handle, diameter 3 1/2 in., width 4 5/8 in., weight 4.15 troy ozs.

$200/300

196. A Continental Silver Nef, Netherlands, 20th c., marked “264”, “SEF”, “SILVER” and “HOLLAND”; with articulated masts, sails and rigging, mounted on oak plinth; overall height 15 in., width 13 in., depth 9 in., glass case.

$1500/2500

197. An Antique English Sterling Silver Claret Jug, George Nathan & Ridley Hayes, Chester, 1897, mark reg. 1897; height 15 1/2 in., weight 42.95 troy ozs.

$3000/5000

198. A George III Sterling Silver Salver, Hester Bateman, London, 1782; circular with beaded and brightcut border, central armorial, ball and claw feet, diameter 13 in., weight 27.25 troy ozs.

$2500/3500

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200. A George II Sterling Silver Gravy Boat, Humphrey Payne, London, 1743, mark ent. 1739; scroll handle, cabriole legs with hoof feet, height 5 1/8 in., length 7 1/4 in., weight 12.40 troy ozs.

$500/750

W 201. A Pair of George III Sterling Silver Sauce Ladles, Richard Crossley, London, 1803, downturned “Old English” with gadroon edge, molded drop, length 7 in.; together with a Hester Bateman tablespoon, London, 1779, downturned “Old English” with elongated drop, marked on lower part of handle, elliptical bowl, length 8 1/2 in., and a Georgian mote spoon, combined weight 5.30 troy ozs. (4 pcs.)

$300/500

W 202. A Pair of Old Sheffield Plate Three-Light Candelabra, each in two sections on shaped base with a tapered stem and scrolled arms, cast scrollwork, foliate and floral decorative bands throughout, height 19 1/4 in.

$600/900

Provenance: Longwood Plantation, built c. 1785, East Baton Rouge Parish, LA.

W 199. A Victorian Sterling Silver and Mother-of-Pearl Handled Dessert Service for Twelve, Sheffield, 1852, maker JB untraced; fluted mother-of-pearl handles, engraved blades; in original fitted oak case, retailed by the Alexander Clark Company, Ltd., London.

$700/1000

W 203. A Pair of Sheffield Plate Wine Coasters, 19th c., lobed sides with foliate scroll border, turned hardwood bases with central bosses, diameter 7 3/4 in.

$250/350

204. A Regency Sheffield Plate Footed Tray, elliptical with reeded border, winged paw feet and original tinned back, length 15 3/8 in., width 11 1/2 in.

$300/500

W 205. A George IV Sterling Silver Stuffing Spoon, William Bateman, London, 1824, mark reg. 1815, Grimwade 3037; length 12 1/4 in., weight 4.75 troy oz.

$200/300

206. An English Aesthetic Movement Silverplate Cruet Stand, with cut crystal bottles and jars, the Victorian sterling silver mounts and spoons by various makers; stand height 10 5/8 in., length 9 3/8 in.

$1000/2000

207. A Good Pair of English Silverplate Three-Light Candelabra, Ellis-Barker, Birmingham, 20th c., each with reeded twisting candlearms with urn form candlecups, tapering shaft with stepped base, removable flame finial, original gadrooned bobeches and drip pans, height 20 5/8 in.

$800/1200

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208. A Monumental Silverplate Candelabrum Epergne, cut and frosted glass center bowl supported by trumpet form foliate shaft with foliate scroll candlearms, foliate base with figural lion feet, height 22 in., diameter 21 in.

$1500/2500

209. An American Federal Mahogany Inlaid Three-Part Dining Table, c.1800, comprised of two D ends and central section with drop leaves, central frieze fitted with a drawer with brass bail stamped “HJ” for Thomas Hand & William Jenkins, Birmingham, England; square tapered legs, height 28 1/2 in., extended length 150 in., width 47 in. Note: Accompanied by two later leaves

$2000/3000

Note: Between 1791 and 1797 to 1805 Thomas Hand and

William Jenkins formed a partnership in the manufacture of “commode handles”. Reference: Metalwork in Early America, 1996, Fennimore, Donald L., p. 441.

210. An American Chippendale Carved Mahogany Chest of Drawers, 18th c., probably Mid-Atlantic, molded top, four graduated drawers, ogee bracket feet, pine and poplar secondary wood, height 37 in., width 40 1/2 in., depth 20 1/2 in. Note: Bears old ink inscription “Mrs. Sallie Duguid Newbern, N.C.” en verso.

$1200/1800

211. Two American Chippendale Carved Walnut Ladder or Slat-Back Side Chairs, 18th c., Delaware Valley, each back comprised of four entwined pierced slats, shaped molded stiles, molded trapezoidal seat rails, square molded legs, stretchers. Note: With old label “W F H Jr Xmas 1972”.

$1500/2500

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212. Two American Chippendale Carved Walnut Ladder or Slat-Back Side Chairs, 18th c., Delaware Valley, shaped molded stiles, molded trapezoidal seat rails, square molded legs, stretchers.

$1500/2500

Note: With old paper label “C J Harrington 1973”. Charles J. Harrington (b.1911/12) was the older brother of W.F. Harrington, Jr.

W 213. Two American Chippendale-Style Carved Walnut Ladder or Slat-Back Side Chairs, in the Philadelphia style, molded tapered stiles, molded seat rails, fluted square legs, stretchers. Note: Name inscribed on rail.

$700/1000

214. An American Chippendale Carved Walnut Corner Cupboard, late 18th c., Pennsylvania; upper case with cove molded cornice over arched glazed doors, H hinges, scalloped shelf interior; base with central candleslide above a pair of paneled doors, bold ogee bracket feet, height 96 in., width 47 1/2 in., depth 23 3/4 in.

$3000/5000

Note: With two old labels for restorer “Joseph P. Gaffney, South 20th St., Philadelphia”.

215. An American Federal Carved Mahogany Bowfront Chest of Drawers, early 19th c., Salem, MA, top with turreted corners, conforming case with four graduated drawers flanked by reeded columns, turned legs ending in ball feet, height 42 1/2 in., width 45 in., depth 20 in.

$4000/6000

Note: The carving on this chest relates to chests which were most likely carved by Samuel McIntire (1757-1811) or his son Samuel Field McIntire (1780-1819). Samuel McIntire, who worked closely with his son, is also known to have worked on special commissions for other furniture makers.Reference: Montgomery, Charles F. American Furniture The Federal Period (1788-1825) 1966. Pp. 72, 316.

212

215

214

52

216. Henry Pember Smith (American, 1854-1907), “A Lily Pond, New England,” oil on canvas, signed lower left, title label en verso, 20 in. x 28 in., period frame.

$2000/3000

217. Alfred Thompson Bricher (American, 1837-1908), “Trees by the River,” watercolor, signed lower right, Bernard Danenberg Galleries, Inc, New York label en verso, sight 20 1/8 in. x 13 7/8 in., framed.

$1000/2000

218. English School, early 20th c., “Horse in Stall,” oil on canvas, Winsor and Newton, London, canvas stamp en verso, 28 in. x 32 in., framed.

$1500/2000

219. A Chinese Blue and White Porcelain Tureen and Cover, c. 1770, lobed body with upturned handles, domed cover surmounted by a fruiting peach branch, decorated with floral motifs throughout, height 8 in., length 13 in., width 8 1/2 in.

$1500/2500 HWM 220. A Chinese Export Blue and White Armorial Porcelain Charger, c. 1700, central avian scene encircled by lotus and cloud scrolls with the arms of Jacob Pelgrans, director of the Dutch East India Company, base with conch mark, diameter 13 7/8 in.

$2000/4000

Provenance: Northeast Auctions, Portsmouth, March 4, 2001, lot 1151.

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221. An Antique Chinese Export Highly Carved Hardwood Mirror, faux bamboo frame carved with a network of bamboo foliage with figures, birds and animals, the top surmounted by a spread-wing owl above the monogram “HM” flanked by confronting dragons, beveled mirror plate, height 30 in., width 22 in.

$700/900

W 222. An American or English Brass Trivet, 19th c., tripodal base, with reticulated figure of a squirrel, height 8 1/2 in., diameter 8 in.

$300/500

223. A Pair of American Classical Brass Lighthouse Andirons, c. 1830, signed, Edward Smylie maker’s stamp, seamed construction with original billet bars, faceted ball finials with brass capped octagonal finials, height 22 3/4 in., width 7 3/4 in., depth 22 1/3 in.

$800/1200

224. A Sèvres Polychrome Porcelain Figure of an Eagle, 19th c., marked in red, “M. Imp-de Sevres,” height 10 1/2 in., width 8 1/2 in., depth 6 in.

$800/1200

Note: In 1804, Napoleon incorporated the eagle into the French coat of arms.

225. An Antique English Ship Diorama, mid-19th c., “The Old 256,” constructed of painted wood, wire and parchment elements, original shadowbox frame with later molding, overall 22 1/2 in. x 30 in.

$400/600

Provenance: Collection of Felix H. Kuntz, New Orleans.

226. A Pair of American Cast Iron Figures of Griffins, 19th c., with original variable patination, each with a ringed mouth, height 18 1/4 in., base width 9 3/4 in., depth 8 1/2 in.

$1000/1500

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HWM 229. A Chinese Export Blue and White Porcelain Barbed Rim Dish, 17th/18th c., the well and cavetto with a central peony medallion encircled by a ruyi border and a wide band of shaped floral panels reserved on a diaper ground, the rim further banded by floral panels, base with canopy mark within a double circle, diameter 8 3/4 in.

$800/1200

227. An American or English Inlaid Mahogany Cutlery Urn, 19th c., void interior, plinth base, height 18 1/2 in., diameter 10 in.

$500/700

HWM 228. A Chinese Export Blue and White Porcelain Fruit Basket, 19th c., oval body with reticulated sides and shaped handles decorated with a “Willow Pattern” scene beneath a stylized floral and geometric band at the rim, height 4 1/4 in., width 9 7/8 in., depth 8 1/4 in.

$800/1200

Provenance: Alma Headley de Waal, Lexington, KY, c. 1931.

HWM 230. A Chinese Export Blue and White Porcelain Plate, 18th c., the well with a central medallion enclosing cockerels in garden setting, the wide rim with a foliate band, height 1 1/2 in., diameter 10 3/4 in.

$600/800

HWM 231. A Chinese Export Blue and White Porcelain Charger, 18th c., finely decorated with a central medallion of antiques, bamboo and flowers, encircled by geometric and floral bands, diameter 13 5/8 in.

$800/1200

232. A Pair of Chinese Export Blue and White Porcelain Narcissus Pots, late 19th/early 20th c., each of footed rectangular form with cash-pierced exterior sides, decorated to the interiors with “Willow Pattern” landscapes, height 3 1/4 in., width 15 7/8 in., depth 11 1/8 in.

$800/1200

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229

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239. A Set of Four Chinese Export Blue and White Porcelain Dishes, 18th c., each well with a “lotus pond” medallion encircled by shaped floral panels reserved on a diaper ground, diameter 8 1/8 in.

$1500/2500


HWM 233. A Set of Four Chinese Export Imari Porcelain Dishes, 18th c., each well with a central floral group, the rim encircled with floral sprays, diameter 11 1/4 in.

$1500/2500

HWM 234. A Pair of Chinese Export Blue and White Porcelain Helmet Jugs, 18th c., inverted helmet form with arched tubular handles, decorated with “Willow Pattern” scenes above lotus petals, height 5 in., width 6 1/8 in., depth 3 5/8 in.

$600/800

HWM W 235. Two Chinese Export Blue and White Porcelain Salt Trenchers, 19th c., the first of canted rectangular form with stylized “Willow” decoration, height 1 1/4 in., width 2 5/8 in., depth 3 1/4 in.; the second of mushroom form with floral decoration, height 2 1/8 in., width 3 1/2 in., depth 2 3/4 in.

$400/600


HWM W 236. Two Chinese Export Blue and White Porcelain Plates, 18th c., each well with a lone scholar seated beside a rock in a garden setting, banded along the outer rim with shaped peach panels on a diaper ground, diameter 7 3/4 in. and 9 in.

$300/500

HWM 237. A Set of Five Chinese Export Blue and White Porcelain Dishes, 18th c., each well with elegant ladies seated in a garden with children at play, wide rim banded with panels of tradesmen on a diaper ground, diameter 8 3/4 in.

$1500/2500


HWM W 238. A Near Set of Four Chinese Export Blue and White Porcelain Tea Cups, each decorated with terrace scenes with a pavilion, flowers and birds, height 2 3/4 in., diameter 3 in.; together with three similarly decorated saucer dishes, diameter 4 7/8 in., (7 pcs.)

$1000/1500

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W 243. A Chinese Export Carved Ivory and Painted Paper Fan, eighteen flat ivory stays joined by painted paper strips with birds and flower motifs and Chinese and Western figural landscapes, open length 15 1/2 in.

$500/700

244. A Chinese Export Gilt Decorated Lacquer Tea Caddy, 19th c., rectangular form with hinged lid decorated with a central monogram flanked by sword-wielding figures beneath flowering bamboo executed in two-color gold lacquer, pewter liner, ivory pull, height 5 1/8 in., width 10 1/8 in., depth 7 1/8 in.

$400/600

W 245. Chinese Export School, 19th c., “Elegantly Attired Noble Men and Women,” four paintings, each ink and color on paper mounted to cardboard, sight 10 1/2 in. x 7 in., matted and framed alike.

$300/500

W 246. A Pair of Chinese “Canton” Enamel Baluster Vases, decorated with bird-and-

flower panels on a black ground with lotus blossoms and scrolling foliage, height 12 7/8 in.

$300/500

HWM 247. A Fine Chinese Export Famille Rose Armorial Porcelain Dish, 18th c., the well with the heraldic device of Pierson encircled around the cavetto with a fleur-de-lis band, the rim with four panels enclosing scenes of merchant ships, diameter 9 in.

$1000/2000

Provenance: Northeast Auctions, Portsmouth, March 4, 2001, lot 1101.

HWM 240. A Chinese Export Blue and White Porcelain Dish, 17th/18th c., the well with a phoenix amid asters and rocks encircled by a wide band of flowers, rocks and foliage, base with incense burner mark, diameter 9 3/4 in.

$800/1200


241. Three Chinese Export Imari Porcelain Platters, each of canted rectangular form, including a pair with landscape decoration and a single in the clobbered style with peacocks in a garden, length 12 7/8 in., width 9 7/8 in., and length 14 in., width 10 3/4 in.

$500/700

W 242. A Chinese Export Famille Rose Armorial Porcelain Tureen and Underplate, bombe shaped tureen with loop handles and fitted cover and an oval underplate, each decorated with an armorial device, tureen height 10 1/2 in., width 15 in., underplate length 13 1/2 in.

$500/700240

241

244

247


248. An American Chippendale Carved Cherrywood Chest of Drawers, 18th c., Delaware Valley, molded top, four graduated drawers, ogee bracket feet, height 27 1/4 in., width 36 1/2 in., depth 21 1/2 in.

$1500/2000

Note: With old script label: “This is the property of Harold Warwick from his mother Mary L. Warwick”.

249. A Pair of American Federal Carved Mahogany Side Chairs, c. 1790, Delaware Valley, each with shaped crest, volute “ears,” pierced splat, trapezoidal slip seat, molded rail, square chamfered molded legs, stretchers.

$1000/2000

250. An American Chippendale Carved Walnut Highboy, 18th c., Pennsylvania, upper case with cove molded cornice, three over five graduated drawers flanked by fluted quarter columns; lower case with one long over three short drawers, scalloped skirt, cabriole legs ending in claw and ball feet; pine and poplar secondary woods, height 78 3/4 in., width 42 in., depth 23 in. Note: With old cloth tape label: “W F H Jr 1929”.

$5000/7500

251. An American Federal Mahogany Pembroke Table, late 18th c., drop leaf top, frieze drawer, square tapered legs, height 27 in., width 19 3/4 in., depth 34 1/2 in.

$700/1000


248 249

251

250

58

253. An American Classical Coin Silver Coffee and Tea Service, John McMullin, Philadelphia, 1765-1843, act. 1795-1843; comprised of a coffee pot, teapot, sugar, creamer and waste bowl; each rectangular vase form with stiff leaf body and borders of vining grapes and grapeleaves alternating with acorns and oakleaves; teapot height 11 1/2 in., bowl height 5 1/4 in., combined weight 100.55 troy ozs. (5 pcs.)

$3000/5000

W 254. A Group of American Sterling Silver Tableware, 20th c., including a Revere bowl, Bailey, Banks and Biddle, Philadelphia, 1878 to present, height 5 in., diameter 9 1/8 in.; a brandy warmer and underplate, Graff, Washbourne & Dunn, New York, 1899-1961, successor to Wood & Hughes, height 2 1/4 in., length 6 1/4 in.; and an ashtray, mark rubbed, width 4 in., combined weight 23.70 troy ozs.

$500/700

W 255. An American Coin Silver Ladle, early 19th c., J. Warner, Baltimore or Philadelphia, marked “J. WARNER” in rectangle, double struck, downturned Old English with slight mid-rib, no shoulders, double molded drop, shallow circular bowl with gilt interior, engraved script monogram on upper face “BMS,” length 14 1/2 in., weight 5.50 troy ozs.

$300/500

256. A Tiffany & Co. Sterling Silver Tea and Coffee Service, pattern 18389 known as “Hampton,” monogrammed

“D-G B” and engraved “April 18, 1943” on base, comprising a kettle-on-stand, coffee pot, chocolate pot, lidded sugar, creamer and open waste bowl, on a Reed & Barton sterling silver tray, length 24 1/2 in. x 17 in., kettle-on-stand height 12 in., total weight 267.10 troy ozs.

$8000/12000

W 257. A George III Sterling Silver Creamer, London, 1795; helmet form with beading and neo-classical engraved decoration, height 5 in., weight 2.65 troy ozs.

$150/250

W 258. A Georgian Sterling Silver Fish Slice, London, 1817, William Kingdon (probably), downturned fiddle typt handle with a scimitar shaped blade, length 12 in., weight 5.65 troy ozs.

$200/300

W 259. An Antique Georgian Long Handled Serving Fork, handle with a threaded border and engraved crest, length 12 1/2 in.; together with a Georgian sterling silver meat skewer, London, 1806, maker TB untraced, length 12 1/4 in., weight 3.05 troy ozs.

$300/500

252. An American Federal Inlaid Mahogany Bow-front Chest of Drawers, c. 1800, string inlaid top above four graduated drawers, shaped skirt, “French” feet, poplar secondary wood, height 37 in., width 45 in., depth 23 in.

$1200/1800

252

253

256


HWM 260. An American Sterling Silver Yachting Trophy, Black, Starr, and Frost, New York, wc. 1874 to present; monumental cup and cover in the Georgian taste, engraved “SECOND SERIES CUP / 1915 / N.Y.Y.C. 50 FOOT CLASS / FIRST PRIZE / WON BY / BARBARA,” height 19 1/2 in.

$3000/5000

Note: The fifty footer Barbara was commissioned by noted sportsman Harry Payne Whitney in 1912 and named for his youngest daughter, Barbara, later Mrs. George Headley. The Barbara won numerous races in New York and Newport, including this 1915 race of the New York Yacht Club.

This trophy is closely related in design to the New York Yacht Club’s historic Resolute Cup, originally awarded to the Resolute for winning the Long Island Series in 1915.

W 261. A Cased English Silverplate and Ivorine Handled Fish Service for Six, including fish serving fork and knife, six fish forks and six fish knives; together with six associated fish forks and fish knives of similar design.

$300/500

W 262. A Silverplate Figural Wine Trolley, spurious hallmarks, the carriage fitted with two wine coasters, each with scroll and shell border and putto mount, turned hardwood base with silver button, elaborate ropework handle, length 19 in.

$500/750

W 263. A Georgian Sheffield Plate Entree Dish, shaped oblong form with foliate and shell border, removable foliate scroll handle, engraved armorial, length 13 5/8 in.

$200/400

W 264. A Georgian Sheffield Plate Entree Dish, shaped oblong form with foliate and shell borders, removable foliate scroll handle, length 12 1/2 in.

$200/400

HWM 265. A Good English Carved Bone and Silverplate Fish Service, Walker & Hall, Sheffield, founded 1882, comprised of 12 forks and 12 knives, in finely fitted inlaid mahogany case, (24 pcs.)

$500/750

W 266. A Pair of Old Sheffield Plate Candlesticks, double sunburst marks of Matthew Boulton on side of circular base, tapering reeded shaft with bold acanthus decoration, gadroon and shell bordered circular bases, removable bobêches, height 11 5/8 in.

$500/750

267. A Pair of Dutch Marquetry and Carved Fruitwood Side Chairs, 19th c., shell and leaf crest, vase and floral inlaid vasiform splat, shaped stiles, serpentine slip seat rail, shell cabriole legs, slipper feet.

$800/1200

260

265

267

60

268. An English Carved Mahogany Armchair, seat rail marked with Monarch’s stamp, crown over “GR/V,” tablet crest rail, scrolled arms, turned legs, casters.

$800/1200

269. A William IV Carved Mahogany Writing Desk, mid-19th c., G. Simpson, London, labeled, superstructure with two rows of side locking

graduated short drawers, galleried medial shelf; inset leather surfaces with hinged writing board, fitted satinwood interior, each side with three graduated drawers, plinth base, height 48 1/4 in., width 29 1/2 in., depth 31 in.

$1200/1800

Note: Simpson appears in the Official Catalogue of the Great Exhibition of the Works of Industry of All Nations 1851 at the No. 12 Eldon Street address as a manufacturer of improved ornamental library tables.

270. A Fine Pair of George III-Style Carved Mahogany Armchairs, each oval back with radial splat centering a patera, padded arm terminals and supports, fluted seat rail, turned tapered fluted legs, brass casters.

$1500/2500

271. An American Chippendale Carved Mahogany Chest of Drawers, late 18th c., Pennsylvania, molded top above four graduated drawers flanked by fluted quarter columns, molded base, ogee bracket feet, height 34 in., width

42 1/2 in., depth 22 1/2 in.

$1000/1500

272. An American Federal Carved Mahogany Library Armchair, c. 1800, rectangular back, padded arms, curved supports, straight rail, square legs, stretchers.

$1000/1500

268 270

269

271 272


273. A Fine American Chippendale Carved Mahogany Drop-Leaf Dining Table, 18th c., probably Philadelphia, top with molded edge and notched corners, gated cabriole legs with scrolled spurs, claw and ball feet, height 28 in., open width 47 in., depth 48 in.

$2500/3500

Note: “David Stockwell, Wilmington, DE” paper label.

274. A Pair of American Chippendale Carved Walnut Side Chairs, 18th c., Pennsylvania, each shaped crest rail with volute “ears,” Gothic pierced splat, trapezoidal molded seat rail, cabriole legs ending in claw and ball feet, Note: Each with old cloth tape label: “W F H Jr Xmas 1940”.

$2000/3000

275. A Very Fine American Classical Rosewood Faux Bois, Ebonized and Gilt Stenciled Work Table, early 19th c., top with a reserve of fruit within feather banding, two drawers decorated with scrolling vines, rounded corners, bulbous acanthine stenciled stem, arched legs, paw feet, casters, height 29 1/2 in., width 22 1/4 in., depth 16 1/4 in.

$2000/3000

276. An American Federal Carved and Inlaid Walnut Sideboard, early 19th c., Southern, lightwood inlay, central long drawer flanked by paired drawers, square tapered legs, yellow pine secondary wood, height 39 1/2 in., width 65 1/2 in., depth 20 1/2 in.

$3000/5000

273 274

276275

62

277. An American Chippendale Mahogany and Parcel-Gilt Looking Glass, late 18th c., probably New York, broken arch crest terminating in rosettes, centering an urn of wheat and flowers, frame with carved and gilded moldings, flanking floral and leaf tendrils, scrolled base, shaped ears, height 52 in., width 22 in.

$4000/6000

HWM 278. An American Carved Cherrywood Tallcase Clock, c. 1845, by Thomas R. J. Ayers, Danville, Kentucky, the painted dial signed “T Ayers/ Danville,” and decorated with a vignette of a Greek Revival home overlooking a river, a man fishing in a boat, case with fluted quarter columns, base with shaped apron, on splayed feed, height 93 in., width 24 in., depth 13 in.

$15000/25000

Note: Thomas Robinson Jamison Ayers was the son of noted Kentucky silversmith Samuel Ayers (who moved to Danville in 1810). He took over the business after the death of his father in 1824 and continued there until 1857. Records indicate Thomas trained many apprentices in silversmithing and other machine arts, including horology.Reference: James W. Gibbs, Dixie Clockmakers, Pelican Publishing, 1979, pg. 153-154.

HWM 279. A Kentucky Coin Silver Pitcher, Asa Blanchard, Lexington, wc. 1808-1838, marked A·BLANCHARD in rectangle; bombe body below tall collar with reeded rim, squared handle with ribbing, old script monogram “WM,” height 7 1/2 in.

$7000/10000Reference: Boultinghouse, Marquis Silversmiths of Kentucky, 1785-1900, pp. 69-74.

277

279 278


HWM 280. A Kentucky Coin Silver Teapot, Asa Blanchard, Lexington, KY, wc. 1808-1838, marked “A·BLANCHARD” in rectangle, paneled rectangular body with molded collar and ball feet, squared wood handle, domed cover with square mushroom finial, period script monogram, height 6 3/4 in.

$12000/18000Reference: Boultinghouse, Marquis, Silversmiths of Kentucky, 1785-1900, pp. 69-74; a closely related example is illustrated pl. 44, p. 75.

HWM 281. A Kentucky Coin Silver Sugar Bowl, Asa Blanchard, Lexington, wc. 1808-1838, marked “A·BLANCHARD” and with spreadwing eagle; paneled rectangular body with molded collar, ball feet and squared handle, domed cover with square mushroom finial, period script monogram, height 5 3/4 in.

$5000/7500Reference: Boultinghouse, Marquis, Silversmiths of Kentucky, 1785-1900, pp. 69-74; a closely related example is illustrated pl. 44, p. 75; mark illustrated #29D, p. 299.

HWM 282. A Kentucky Coin Silver Beaker, Asa Blanchard, Lexington, wc. 1808-1838, marked “BLANCHARD”; tapered form with reeded rims, old script monogram “LES,” height 3 3/8 in.

$1200/1800Reference: Boultinghouse, Marquis Silversmiths of Kentucky 1785-1900, pp. 69-74; related Blanchard beakers are illustrated pl. 45, p. 75, and pl. 47, p. 77.

HWM 283. A Kentucky Coin Silver Punch Ladle, Asa Blanchard, Lexington, wc. 1808-1838, marked “A·BLANCHARD” and with spreadwing eagle; fiddle handle with old script monogram, length 12 in.

$2500/3500Reference: Boultinghouse, Marquis, Silversmiths of Kentucky, 1785-1900, pp. 69-74; a related punch ladle is illustrated pl. 43, p. 73; mark illustrated #29D, p. 299.

HWM 284. A Kentucky Coin Silver Creamer, Asa Blanchard, Lexington, KY, wc. 1808-1838, marked “A·BLANCHARD” in rectangle and with triple struck spreadwing eagles; paneled rectangular body with reeded collar and ball feet, squared handle, script monogram “C,” height 4 7/8 in.

$3000/5000Reference: Boultinghouse, Marquis, Silversmiths of Kentucky, 1785-1900, pp. 69-74; a closely related example is illustrated pl. 44, p. 75; mark illustrated #29D, p. 299.

280

281

283

284

282

64

HWM 285. A Kentucky Coin Silver Spectacles Frames, Asa Blanchard, Lexington, KY, wc. 1808-1838; marked “BLANCHARD” on right temple piece; with sliding temple pieces, extending from 4 1/2 in. to 6 in., in a red leather case.

$1500/2500Reference: Boultinghouse, Marquis, Silversmiths of Kentucky, 1785-1900, pp. 69-74, similar frames illustrated pl. 48, p. 79.

HWM 286. A Kentucky Coin Silver Butter Knife, Asa Blanchard, Lexington, wc. 1808-1838, marked “BLANCHARD”; old script monogram, length 7 7/8 in.

$500/700Reference: Boultinghouse, Marquis, Silversmiths of Kentucky, 1785-1900, pp. 69-74; a related Blanchard butter knife is illustrated pl. 43, p. 73, and pl. 48, p.79

HWM 287. A Kentucky Coin Silver Cream Ladle, Asa Blanchard, Lexington, wc. 1808-1838, marked “A•BLANCHARD” in rectangle; fiddle handle with period script monogram, length 5 3/4 in.

$300/500Reference: Boultinghouse, Marquis, Silversmiths of Kentucky, 1785-1900, pp.69-74.

HWM 288. A Kentucky Coin Silver Salt Shovel, Asa Blanchard, Lexington, wc. 1808-1838, marked “BLANCHARD”; fiddle handle, length 4 1/2 in.

$200/300Reference: Boultinghouse, Marquis, Silversmiths of Kentucky, 1785-1900, pp. 69-74.

HWM W 289. A Kentucky Coin Silver Tablespoon, Asa Blanchard, Lexington, wc. 1808-1838, marked “Blanchard” in rectangle; fiddle handle with script monogram “T,” length 8 7/8 in.


HWM W 290. A Kentucky Coin Silver Tablespoon, Asa Blanchard, Lexington, wc. 1808-1838, marked “BLANCHARD” in rectangle; fiddle handle with script monogram “T,” length 8 7/8 in.


291. An Important New Orleans Coin Silver Presentation Pitcher, Adolphe Himmel, wc. 1852-1877, for Hyde & Goodrich, wc. 1828-1861, c. 1855, marked “HYDE & GOODRICH” incuse in arc (rubbed) “H” incuse, above “NEW ORLEANS” incuse in complementary arc, pyriform body with rococo chased flowers and scrolling foliage, scalloped neck and rim, applied foot band, double “C” scroll hollowcast handle, engraved script monogram on one side and “To Sue/ From/ Auntie” on the other, height 9 1/6 in., weight 30.50 troy ozs.

$5000/7000

Provenance: Descended in a New Orleans family.

285

286 287

288

291


W 292. A Group of American Coin Silver Flatware, primarily Virginia and Maryland; including a spoon, Josiah B. Greene, Leesburg, VA, wc. 1847-1852, length 5 7/8 in.; 2 spoons, J.T. Young, Petersburg, VA, wc. 1854-1890, length 5 3/8 in.; a spoon, Charles Gennet, Richmond, wc. 1837-1866, length 7 1/2 in.; a fork, F.W. Burwell, Norfolk, c. 1846-1855, length 7 in.; 3 spoons, Seraphim Masi, Washington, D.C., c. 1832, length 8 7/8 in.; a spoon, marked “GEO.DCTY,” length 6 1/2 in.; 5 spoons, S. Kirk, Baltimore, c. 1828-1846, marked 10.15, lengths 6 in., 6 3/4 in., and 7 in.; spoon, A. Stowell, Baltimore, c. 1855, length 5 7/8 in.; a spoon, P.B. Sadtler & Sons, Baltimore, c. 1860, length 5 7/8 in.; a spoon marked “A. WRIGHT,” possibly Alexander Wright, MD, 18th c., length 8 1/4 in.; a spoon, Bancroft Woodcock, Wilmington, DE, wc. 1754-1790, length 9 1/8 in.; a medallion spoon, H. Mahler, length 6 in.; a spoon, marked “TT,” length 6 3/8 in.; a salt spoon with pseudo hallmarks, length 3 3/4 in.; 20 pcs., weight 20.90 troy ozs.

$400/600

Provenance: Collection of Steven Cabot Barnes Harvey.

W 293. A Group of American Silver Flatware, including a spoon, Eli C. Garner, Lexington, KY, wc. 1838-1864, length 7 3/8 in.; a spoon, McGrew & Beggs, Louisville, KY, c. 1850, length 7 1/4 in.; an “Oriental” pattern spoon, patent date rubbed, ret. Wilson McGrew, Cincinnati, wc. 1855-1859, length 8 7/16 in.; a spoon, M.S. Smith, Detroit, length 7 in.; a spoon, Paul Negrin, Nashville, wc. 1829-1844, length 5 1/2 in.; 2 spoons, Frederick Marquand, NY, wc. 1834-1839, length 8 1/2 in.; a spoon, Peter Perdriaux, Philadelphia, wc. 1856-1865, length 9 in.; a spoon, James Murdock & Co., Utica, NY, wc. 1826-1838, length 5 5/8 in.; a spoon, Pebbles & Wilson, Philadelphia, c. 1840, length 8 1/4 in.; 2 spoons, marked “P.B. PRICE JACKSONVILLE,” length 8 1/2 in.; a sterling fork, ret. Frantz Bros. & Co., New Orleans, 1903-1919, length 7 in.; a spoon, mark “...TT & BROTHER” partially obscured, length 6 in.; a mustard ladle, S.C. Woodbury, c. 1845, length 5 1/2 in.; a spoon, with pseudo hallmarks, ret. Jas I. Lemon & Co., length 5 1/2 in.; a spoon, marked “GG,” length 5 5/8 in.; and a spoon, marked “AB” with birdhead, length 5 1/2 in.; together with a Wallace silverplate spoon with American-Hawaiian Steamship Company logo, length 7 in.; 19 pcs., total weight (weighable) 17.75 troy ozs.

$400/600


294. A Large New Orleans Coin Silver Goblet, Christoph Christian Kuchler, New Orleans, wc. 1852-1870, c. 1855; marked “C. KUCHLER” in rectangle above “NEW ORLEANS” in rectangle on bottom of bowl; upper portion of seamed bowl with repoussé chased grapevine and forming a reserve with wrigglework engraved “A. WAX”; chased band of leaves form a calyx encircling lower portion of bowl, carved oak leaf band applied at juncture of bowl and pedestal base, repoussé grapevine on base above applied oak leaf banded foot, height 7 in., diameter 4 1/2 in., weight 10.45 troy ozs.

$500/750Reference: Crescent City Silver, p. 35.

295. An Antique Acadian Homespun Woven Cotton Blanket, c.1900, striped design, constructed in two panels, 72 in. x 55 1/2 in. Note: Homespun hand-woven patch; together with a woven wool blanket, twill weave, 60 in. x 60 1/2 in., (2 pcs.)

$600/900

296. William Woodward (American/Louisiana, 1859-1939), French Quarter Etchings of Old New Orleans, 1938, The Magnolia Press, New Orleans, first edition, with dust jacket.

$400/600

294

295

296

66

297. Attributed to Joseph Henry Bush (American/Kentucky/Natchez, 1794-1865), “Portrait of Rev. Miles D. Harper (1784-1843),” c. 1839, oil on canvas, unsigned, 24 3/4 in. x 20 in., period frame.

$1500/2500

Provenance: Descended in the family of the sitter.

Note: Miles Harper was a celebrated Methodist minister, on the circuit in the Cumberland (1804-9) and especially the Mississippi Conferences (1809-29), and in his eventual residency (from 1814, near Natchez). His portraitist depicts him as an older man in a serious and studious pose, his spectacles pushed up on his forehead, and holding apparently a Bible in his right hand. (A nearly identical pose and ‘prop,’ incidentally, as well as the same costume and coiffure appear in George Cooke’s 1839 portrait of Benjamin Gwinn Harris, at the Maryland Historical Society in Baltimore.) About Miles Harper we have the rare advantage of an eyewitness description (Jones 1873): he was “of medium size, compactly built, well-proportioned, of attractive physical appearance…[as well as] a natural orator…his voice was round, full, clear, and distinct. His unusual eloquence, power, and success in preaching soon placed him among the most conspicuous and promising young ministers of the Western Conference.”

The marriage of Miles Harper and Samantha Ford, in fact, provides for the first time a firm solution to one of the outstanding questions in Mississippi history, namely the exact date of her father’s plantation, The John Ford House, a preeminent pioneer structure still standing on Andrew Jackson’s “Military Road” near Sandy Hook in Marion County, on the west bank of the Pearl River. Rev. John Ford, a senior Methodist minister, moved from South Carolina to Jefferson Co., MS in 1808, and from there to Sandy Hook in 1809; his new house was built 1811-12, in time for the wedding of his daughter Samantha to Miles Harper on 10 March 1813 (the annual Methodist Conference was held in the house in 1814). The Harpers moved briefly back to Nashville in that year, but established their residency at Washington, MS in 1818. After a lapse from the Methodist clergy in 1829-33 Miles Harper was reinstated in 1834; he moved to a larger farm in Tensas Parish LA, where he died, and where his wife’s portrait is still held.

Joseph Henry Bush, after precocious beginnings at Frankfort, was introduced by Henry Clay to no less a luminary than Thomas Sully (1783-1872) at Philadelphia, whose pupil Bush became from c. 1814 to 1817. After settling in Louisville in

1819, Bush spent many of his winters painting the planters of MS and LA: he was in New Orleans in 1831, 1841, and 1845, Baton Rouge in 1848, and Vicksburg in the 1830s, 40s, and 50s; from c. 1820 he was essentially based at Natchez. Our best evidence for the date of this portrait is an assessment of Harper’s apparent age (he seems to be shown in his middle 50s; he died at 59), and through stylistic comparison with comparable canvases. Bush’s very fine portrait from about 1835 of Uriah Flowers—a prominent planter from just north of Vicksburg—depicts exactly the same collar and stock, as well as exhibiting the same idiosyncrasy of an unusually thin silhouette, almost obscuring the far shoulder (such a design indeed had been already adumbrated in Bush’s captivating, though only attributed, Master Marschalk from the early 1820s in Natchez; it also figures strongly in the nearly identical Robert Young Wood of c. 1835 in Natchez—again an attributed painting). A trio of firm ascriptions are Bush’s fine Kentucky portraits of Thomas Bell Monroe and his Wife (who also wears spectacles), together with their son-in-law Richard Pindell. The latter is dated c. 1840, and it seems plausible that the artist might have portrayed all three at the same time: their poses, costumes, coiffures, and physiognomies are all intimately close to the Harper offered here. One other point in favor of a dating in the later 1830s is that the ‘conspicuous consumption’ of a fine portrait implies a certain affluence; we therefore should allow time for this formerly itinerant Methodist preacher to become an established planter, as we know Harper to have done from his land purchases in Tensas Parish, just upriver from Natchez, in 1834-39. Whatever its exact date, this splendid picture can certainly be ranked among the most appealing and most satisfying of all the Mississippi portraits by Joseph Henry Bush.References: John G. Jones, A Complete History of Methodism, 2 vols., ed. T. L. Mellen, text 1873, final ed. Nashville and Dallas, 1908: pp. 1:208-9 (Harper description), 1:352-6 and 2:17 (Samantha Ford Harper’s family); 2:232-238 (Harper’s retirement); Donald D. Keyes, George Cooke, Athens, GA, 1991, pp. 64-65 (Harris); Mary Wallace Crocker, Historic Architecture in MS, Jackson, 1973, pp. 85-86; Estill Curtis Pennington, Kentucky: the Master Painters, Paris, KY, 2008, pp. 43-44; Colonial Dames, Louisiana Portraits, New Orleans, 1975, pp. 188 (Monroe and his Wife), 205 (Pindell), 283 (Samantha Ford Harper); idem, Mississippi Portraiture, Laurel, MS, 1987, pp. 105 (Flowers), 171 (Marschalk), 283 (Wood).

298. Attributed to John Wesley Jarvis (American, 1780-1840), “Self Portrait,” oil on canvas, unsigned, 10 in. x 8 in., framed.

$1500/2500

Provenance: Argosy Gallery, New York, 1957, Collection of Felix H. Kuntz, New Orleans.

297 298


299. William Henry Buck (American/Louisiana, 1840-1888), “Moss Trees Along the Mississippi River,” oil on canvas, signed lower right, 18 in. x 30 in., framed with artist and title plaque.

$75000/125000

Note: In his Louisiana landscapes, William Henry Buck often includes an African-American figure involved in a pursuit on the water: boating, fishing, working a net. The painting offered here shows a man poling on a wooden raft, an activity very much identified with travel along the Mississippi River. For many who lived along the river and its tributaries in the 19th century, it was the primary means of heading downriver. This unique landscape by Buck has his traditional live oak tree prominent in the composition. Interestingly, a golden rain tree in full bloom is positioned as prominently. On the ground are recently sawn logs which will end up in the neat wood pile behind the shed by the river’s edge. The opposite bank is depicted on the horizon, while on the left side is a large expanse of water probably showing a characteristic turn in the Mississippi River.

This work was painted contemporaneously with Mark Twain’s successful publication of The Adventures of Tom Sawyer (1876) and The Adventures of Huckleberry Finn (1885). This powerful scene is a romantic view of the great Mississippi and clearly relates to the way of life along its banks as portrayed in these two greatest of American novels.

299

68

300. Alexander John Drysdale (American/New Orleans, 1870-1934), “Five Cypress Trees, Hazy Morning,” 1912, oil on academy board, signed and dated lower right, F. Weber & Co.’s Academy Board label and handwritten inscription “Edith Gremillion, Marksville, LA” en verso, 18 in. x 24 in.; accompanied by an autographed book, H.A. Buechner, Drysdale: Artist of Myth and Legend.

$3000/5000

Provenance: Descended in the Faust Family, New Orleans, LA.

301. Arthur Vidal Diehl (American, 1870-1929), “The Oldest House in St. Augustine, Fla.,” 1923, oil on board, signed lower right, pencil-signed, titled, dated and inscribed en verso, 11 3/4 in. x 17 3/4 in., framed.

$3000/5000

302. French School, mid-19th c., “Portrait of Isabelle Medevielle,” oil on canvas, unsigned, 25 1/2 in. x 21 1/4 in., framed.

$3000/5000

Provenance: Descended in the family of the sitter. Discovered in Longwood Plantation, built c. 1785, East Baton Rouge Parish, LA.

Note: François (Frank) Medevielle (1863-1932) immigrated from Arudy, France to New Orleans in 1899 with his wife and children. A tailor, he worked in New Orleans and Pascagoula, MS before settling in Baton Rouge around 1920. The current lot, which was discovered at Longwood Plantation in Baton Rouge, is a French portrait dating from the mid-19th century, possibly by an artist in the school of Ingres. The sitter is identified as Isabelle Medevielle and could be a likeness of the mother of François Medevielle.

303. William Aiken Walker (American/South Carolina, 1838-1921), “Wash Day at the Cabin,” oil on academy board, signed lower left, Presbytere Exhibition label en verso, 9 in. x 12 in., framed.

$10000/15000

Exhibited: “The World of William Aiken Walker,” Presbytere, Louisiana State Museum, December 1972-January 1973.

Note: To be included in the forthcoming catalogue raisonné by John Fowler.

300

301

302303


304. An American Rococo Carved and Laminated Mahogany Library Chair, mid-19th c., attributed to John Henry Belter, New York, shaped padded and pierced back, arms terminating in lion’s masques, serpentine cabochon seat rail, cabriole legs, paw feet.

$3000/5000

Provenance: Collection of Gloria and Richard Manney.

Exhibited: Winterthur, 1986.

Note: A related chair appears in the frontispiece drawing of Edward Strahan’s Mr. Vanderbilt’s House and Collection. Boston: George Barrie. A photograph of William Vanderbilt sitting in the chair is illustrated in Howe, et. al. Herter Bros., Furniture and Interiors for a Gilded Age, p. 201.

Though this lot is clearly an example from the Belter firm, library armchairs of this form were made by other high-style American makers. The overall design for this library chair is also documented from two noted Philadelphia sources: the firm of George Henkels at 172 Chestnut Street and Charles White’s workshop nearby at 250 Chestnut Street.

A dining chair attributed to Belter with a back of similar form to this lot is illustrated in Dubrow, American Furniture of the 19th Century, p. 206. A nearly identical library chair was sold by Neal Auction Company as lot 449, October 11, 2008.Reference: The Henkels chair cited above was installed in the library of the c. 1860 Asa Packer Mansion in Jim Thorpe, Pennsylvania illustrated in Kenneth Ames, Magazine Antiques, “George Henkels, Philadelphia Cabinet Maker” Oct. 1973, p. 645, fig. 9.

305. An American Rococo Carved Mahogany Work Table, mid-19th c., attributed to John Henry Belter, New York, sarcophagus top, satinwood fitted interior, long drawer, medial shelf, S-scrolled legs, height 30 in., width 20 1/2 in., depth 14 in.

$1200/1800


Exhibited: Winterthur, 1986.

306. An American Rococo Carved and Laminated Rosewood Méridienne, mid-19th c., attributed to John Henry Belter, New York, in the pattern referred to as “Rosalie,” height 38 in., width 40 in., depth 26 in.

$5000/8000


Illustrated: Schwartz, Stanek and True. The Furniture of John Henry Belter and the Rococo Revival. p. 64 fig. 40.

Exhibited: National Heritage Museum, Lexington, Massachusetts, 1980; Cooper Hewitt Museum, 1980-1981; Louisiana State Museum, 1981-1982; Winterthur Museum 1986.

Note: The Winterthur Exhibit featured this méridienne and its “mate” which is part of the permanent collection at Winterthur.

304 306

305

70

307. An American Classical Carved Mahogany Secretary Bookcase, early 19th c., in two parts, upper case with molded cornice over glazed paneled doors flanked by tapering pilasters; lower case with escritoire drawer, fitted interior, two paneled doors below, plinth base, interestingly upper and lower backboards with chalk inscription “Gibbs,” height 94 in., width 56 in., depth 20 in.

$4000/6000

308. An American Classical Carved and Burled Maple Side Table, c. 1830, probably Philadelphia, rectangular marble top, frieze with acorn pendants, scrolled trestle support with medial shelf and turned stretcher, casters, height 28 in., width 30 in., depth 17 in.

$1000/1500

309. An American Federal Inlaid and Carved Walnut Chest of Drawers, late 18th c., Mid-Atlantic, four graduated drawers, “French” bracket feet, yellow pine secondary wood, height 37 in., width 39 in., depth 20 in.

$1000/1500

310. An American Federal Carved Mahogany Pembroke Table, early 19th c., shaped drop leaves, frieze drawer, tapered reeded legs, casters, height 28 in., width 39 in., depth 34 in.

$1200/1800

307

308

310

309


311. A Fine American Classical Carved Mahogany Extension Dining Table, early 19th c., attributed to Duncan Phyfe and Son, New York, rectilinear pivoting top above a frieze concealing a pair of fold-down turned legs and extension rails opening to receive six leaves, trestle support, disc feet, casters, height 29 1/2 in., extended length 134 1/4 in., width 53 3/8 in.

$2000/3000

Note: The innovative “draw” table, with well-matched veneers of choice mahogany and finely rendered molded convex bosses on the leg terminals, is typical of the work of Phyfe and Son and their close competitors in the 1830s. An important group of furniture by Phyfe at Millford Plantation in South Carolina may offer an appropriate linkage to this dining table, as well as a related trestle base table made in 1834 by Phyfe for George and Maria Clark Fox’s country home, Fanewood.Reference: Smith, Thomas Gordon. “Millford Plantation in South Carolina, Magazine Antiques (May 1997), pp. 732-741; Kenny, Brown, Bretter and Thurlow. Duncan Phyfe: Master Cabinetmaker in New York. 2011. pp135-136, fig. 172.

312. An Associated Set of Six Carved Mahogany or Tropical Hardwood Windsor Chairs, early-to-mid 19th c., probably Jamaica, one with partial label “William W. Ball, Montego Bay, Cabinet Maker and Turner,” each with turned spindled back, shaped seat, splayed turned legs, stretchers.

$1500/2000

Note: The light, strong and versatile form of the English Windsor chair made it ideal for 18th and early 19th-century British sea vessels where they were easily hoisted in the rigging when the decks were cleared. The Windsor chair was transmitted to and adapted by furniture makers throughout the Empire, including the Montego Bay examples shown here. An 1802 satirical print by Abraham James titled Smoking Society in Jamaica illustrates examples of the form.Reference: Antiquarian Jack Plane’s blog Pegs and Tails December 1, 2012. (http://pegsandtails.wordpress.com) and Michael Harding-Hill Windsor Chairs: An Illustrated Celebration, p. 21.

W 313. [Coats of Arms Print], “Tableau des Armoires et des Decorations Honorifiques des Familles Royales et Nobiliaires de la Plupart des Nations,” early 20th c., hand-colored engraving, published by Edizione Ponte Vecchio, after the 1751 Diderot original, 20 in. x 30 1/2 in.

$200/400

W 314. Frederick de Wit (Dutch, 1630-1706), “Circulus Franconus...,” c. 1690, hand-colored engraved map, centered on the towns of Nuremberg, Wurzburg and Bamberg, sheet 19 1/2 in. x 22 3/4 in.

$200/300

315. [JUDAICA], George Henry Maynard, The Whole Genuine and Complete Works of Flavius Josephus the Learned and Authentic Jewish Historian, and Celebrated Warrior; To which is Added Various Useful Indexes; Also a Continuation of the History of the Jews, From Josephus Down to the Present Time, with marginal references and notes by the Rev. Edward Kimpton, published by William Durell, NY, 1792-94, folio, first edition, illustrated with sixty engravings (including two maps and a fold-out plan of Jerusalem) by various American artists including Alexander Andersen (generally acknowledged as America’s first book illustrator), J. Allen, Amos Doolittle, William

Rollinson, Benjamin Tanner and Cornelius Thiebout, 726 pages including subscribers list, full-leather binding (distressed), boards present but detached.

$300/500

Provenance: The Original Subscriber, James Martin, Baltimore, Maryland (his signature and date, 1792 on the title page); Bluford H. J. Balter, New Orleans (his stamp and signature in various locations throughout the volume).

Note: Issued by subscription in sixty parts which concluded in 1794. Each part was accompanied with an engraving. Reference: Rosenbach 87.

311

312

315

72

316. [The First Published Bible in New York], Bible, King James Version: The Self-Interpreting Bible: Containing the Sacred Text of the Old and New Testaments; to which are Annexed, Marginal References and Illustrations; An Exact Summary of the Several Books; A Paraphrase on the Most Obscure or Important Parts; An Analysis of the Contents of Each Chapter, Explanatory Notes, and Evangelical Reflections. By the Late Rev. John Brown, Minister of the Gospel at Haddington, published by Hodge & Campbell, NY, 1792, the first American printing of John Brown’s Bible which first appeared in Scotland in 1778, folio, first edition, illustrated with map of the Holy Land and numerous engravings, complete with the ‘Apocpryha’ and list of subscribers, pages not numbered (approximately 520), issued by subscription in forty parts, full-leather binding (distressed), boards present but detached.

$300/500

Provenance: The Original Subscriber, James Martin, Baltimore, Maryland (his signature and date, 1792 on the title page); Bluford H. J. Balter, New Orleans (his stamp and signature in various locations throughout the volume).

Note: The Reverend John Brown (1722-1787) was a self-educated, Scottish weaver who became a Presbyterian minister. Self-interpreting the Bible became a huge success on both sides of the Atlantic. President George Washington was one of the original subscribers to the first American printing.Reference: Hills 37.

317. A Set of Six American Classical Carved Mahogany Side Chairs, early 19th c., Boston, each with tablet crest, foliate scrolled medial rail centered by a shell, saber legs.

$1200/1800

318. An American Classical Carved Rosewood Piano Stool, c. 1820, Boston, columnar support, incurvate plinth, scroll feet, height 19 in.

$500/700

319. An American Classical Bronze-Mounted Mahogany Library Table, early 19th c., probably New York, Egyptian marble top, molded frieze fitted with two drawers, lyre supports, pierced medial stretcher, scroll feet, rosettes, casters, height 30 in., width 43 1/2 in., depth 26 1/2 in.

$1200/1800316

317

318 319


320. A Fine Pair of American Classical Carved and Gilded Pier Mirrors, early 19th c., New York, each stepped molded cornice above foliate frieze, old mirror plate, torus-molded frame with scroll embellishments, height 49 1/2 in., width 34 in.

$5000/7000

321. A Very Fine American Rococo Carved and Laminated Rosewood Bedstead, c. 1850-1860, bearing the patent stamps of John Henry Belter, New York, arched floral and volute crest, serpentine frame, rounded bracket feet, height 65 in., interior length 81 1/2 in., interior width 63 in.

$30000/50000

Note: The bed offered here is a rare and superb document of John Henry Belter’s 1856 patent for a four-section bedstead. Demonstrating beautifully restrained carving similar to that on the well-known bed from the Manney collection, the ornament on this bedstead enhances rather than overwhelms its distinctive sculptural aspect.

The massive serpentine form of the bed, constructed of more than sixteen laminated layers, not only is a technical marvel, but also boasts three practical virtues cited by Belter in his patent application of 1856: ease of installation, as the four panels can be assembled without tools; hygiene; and economy of space, by avoiding the use of posts which Belter declared “intrude on what would otherwise be valuable space.”

A nearly identical bed to the lot offered here was sold by Neal Auction Company as lot 379 on October 11, 2008.Reference: Schwartz, Stanek and True, The Furniture of John Henry Belter and the Rococo Revival, pp. 82 and 22.

320

321

74

322. An American Classical Rosewood and Rosewood Grained Work Table, early 19th c., New York, case fitted with a single drawer over a work bas-ket, scrolled legs, incurvate stretcher shelf, disc feet, cast-ers, height 29 1/4 in., width 24 1/2 in., depth 18 1/2 in.

$2500/3500

Note: A well-known collection of rosewood veneered furniture with Grecian scrolled legs appears on a bill of lading from Duncan Phyfe and Son to James L. Manning for Millford Plantation, SC. The legs and base of this work table are almost identical to those of the “scroll basin stand” for Manning. Interestingly several other key elements also point to the cabinetry of Duncan Phyfe: the tight dovetail construction of the upper drawer and the use of mahogany as a secondary wood, as well as the marbleized paper,

which is still largely present, on the interior of the work basket.Reference: Kenny, Brown, Bretter and Thurlow. Duncan Phyfe: Master Cabinetmaker in New York. 2011. pp. 254-255, pl. 58.

323. A Fine Regency Carved Mahogany Library Drum Table, early 19th c., inset tooled leather top, frieze fitted with four drawers and four faux drawers, turned columnar support, acanthus and reeded sabre legs ending in foliate cuff casters, height 28 in., diameter 47 1/2 in.

$5000/7000

324. A Near Pair of Chinese Famille Rose and Black Lacquered Porcelain Bottle Vases, bird-and-flower panels reserved on gilt decorated black lacquered grounds, integral lacquered wood bases, height 18 1/2 in., width 9 1/2 in., depth 9 1/4 in.

$1500/2500

322

323

324


325. A Pair of Grand Tour Marble and Bronze Classical “Tempietti,” 19th c., each topped by marble dome with flame finials, Classical figural friezes supported by Corinthian capitals on stepped marble plinth, above red variegated marble base, each with a Bacchante dancing within, height 14 1/2 in., base diameter 7 1/4 in.

$1000/2000

326. A Fine Pair of Charles X Gilt Bronze Urns, 19th c., pierced covers with acanthine finials, of Classical campagna form with pairs of cherubs and female masque handles, raised on cylindrical pedestal and plinth base, height 14 1/4 in., diameter 4 in.

$2500/3500

327. A Vintage Louis Vuitton Steamer Trunk, c. 1920, serial #162538, brass hardware and rivets all marked, the interior with removable tray and basket, with squat wheels, height 21 1/2 in., width 23 3/4 in., depth 19 in.

$2500/3500

328. A Pair of Antique Regency-Style Gilt Brass and Burl Walnut Jardinieres, square with inset burl panels and round wreath-form handles, on ball feet, h. 6 3/4 in., w. 7 1/8 in., d. 7 1/8 in.

$800/1200

HWM 329. A Fine Antique Needlepoint Panel, 19th c., probably English, rectangular with a central shaped panel enclosing a huntsman with his dogs, reserved on a blue ground strewn with an extensive array of wild beasts and flowers in petit point and other needlepoint stitches, height 26 in., width 62 1/2 in.

$1200/1800

W 330. A Flemish Wool Tapestry Fragment, 18th c., depicting the stoning of St. Stephen, Bishop of Jerusalem, the first Christian martyr and patron of stone masons, height 18 1/2 in., width 17 1/2 in., framed.

$500/750

325

326

327

328

329

76

W 331. A Pair of French Aubusson Wool Tapestry Seat Covers, 18th c., olive ground with floral garlands reserved with floral bouquets, professionally backed, overall length 20 in., width 16 in.

$400/600

W 332. An Pair of French Aubusson Wool Chair Seat Covers, 18th c., tapestry with floral garlands and fringed swag reserved with depictions of Aesop’s Fables of The Fox and The Stork and The Two Goats, professionally backed, overall length 22 in., width 25 in.

$500/700

333. A Suite of Four Empire-Style Gilt and Patinated Bronze Four-Light Sconces, winged term backplate, issuing scrolled supports, with stiff leaf and bellflower decoration, height 29 in., width 21 in., depth 7 1/2 in.

$4000/6000

W 334. A Pair of Brass Bouillote Lamps, 20th c., black tôle shade, decorative candle nozzles, on a dish base, height 28 in., diameter 14 in.

$600/800

335. A Pair of Napoleon III Gilt and Patinated Bronze and White Marble Figural Two-Light Candelabra, 19th c., one with satyr youth, the other a putto, each holding foliate supports, on fluted marble base, with beaded and wreath border, height 18 1/2 in., width 8 in., depth 6 1/2 in.

$1500/2500

336. A Good Neapolitan Patinated Bronze Figure of Narcissus, a version cast in Naples of the same size as the Roman antiquity found at Pompeii in 1862, now in the National Museum, height 25 1/2 in.

$700/900

337. A Pair of Neoclassical-Style Terracotta Sphinxes, each in couchant pose with Nemes headdress, integral rectangular base, heights 17 in., lengths 24 1/4 in., depths 10 1/2 in.

$1500/2500

338. An Antique French Carved Alabaster Figure of Venus de Milo, 19th c., typical pose, finely carved, socle base, height 24 in., width 7 1/2 in., depth 7 1/2 in.

$800/1200

333 (2 of 4)

335

336

338

337


339. An Italian Painted and Parcel Gilt Pier Mirror, late 18th/early 19th c., dentil molded cornice, frieze with an oval portrait medallion and beribboned swagged garlands, leaf and bead frame, height 72 3/4 in., width 32 3/8 in.

$1500/2500

340. A French Gilt Bronze Portico Clock, 19th c., Corinthian column supports with floral reserve, frieze with rosettes and dentil molding, acanthus dial signed “Fignardet a Paris,” height 20 in., width 10 1/4 in., depth 5 1/4 in.

$1200/2000

341. A Fine Neoclassical Gilt Bronze, Pink Lez Breccia and Blue Enamel Occasional Table, late 19th c., possibly Paris or St. Petersburg, pierced frieze of entwined oak and laurel leaves interspersed with masque blocks, serpentine stretcher joined by circular wreath mount, acanthine cloven hoof feet, height 29 in., width 20 1/2 in., depth 12 1/2 in.

$5000/7000

Note: The striking blue enamel and bronze doré supports on this table, in conjunction with the rare brêche rose de lez stone top, are perhaps influenced by Beaux Arts jewelers, particularly Carl Fabergé. A rectangular table à cafe with identical supports to those seen here was sold by Neal Auction Company as lot 314, November 19, 2011.

342. A Continental Baroque-Style Gilt and Carved Walnut Center Table, 18th c. and later, Spain or Portugal, labeled “Bob Jones University Collection,” octagonal top, dentil molded frieze, incurvate triangular base with cabochon cartouches, acanthus volutes, paw feet, height 30 1/2 in., width 51 in., depth 50 in.

$4000/6000

Note: The Bob Jones University Collection was started after World War II by its second president, Bob Jones Jr. First focusing on Italian Baroque, the collection expanded over the next fifty years to encompass hundreds of European paintings from the 14th to 19th centuries, period furniture and a collection of Russian Icons.

339

341

340

342

78

343. A Monumental Italian Baroque Carved and Painted Fauteuil à la Reine, 17th c., possibly Tuscany, scrolled acanthine crest, conforming arms and legs, foliate H-stretcher with turned finial.

$3000/5000

344. A Pair of Neoclassical-Style Bronze Doré Guéridons, circular top with antique-style micromosaic reserve of doves on a water-filled bowl set on black ground with malachite-banded surround, square X-form base, paw feet, each height 26 1/2 in., diameter 24 in.

$10000/15000

343

344


345. A Monumental Italian Neoclassical Argenté and Giltwood Table, 19th c., “a quatre faces” Trets marble inlaid top, paneled frieze centered by a spreadwinged phoenix atop a shell, masque blocks, turned tapered reeded legs, height 33 1/2 in., length 80 in., width 38 in.

$10000/15000

346. Charles Francois Daubigny (France, 1817-1878), “Le Ru à Valmondois,” oil on canvas, signed lower right, period label with artist’s name and inscribed “Bord du riviere” on stretcher en verso, “Havard Frères” label on frame, Salander-O’Reilly, NY and Questroyal, NY gallery labels en verso, 14 3/4 in. x 23 in., period frame.

$12000/18000

345

345 (detail top)

346

80

347. Pierre Joseph Redouté (French, 1759-1840), “Globba Erecta (Indian Ginger),” pencil and watercolor on vellum, signed lower left, the original painting for plate 174 of Les Liliacées (Paris: 1802-1816), 18 1/2 in. x 13 1/2 in., attractively matted and framed; accompanied by contemporaneous descriptive folio pages en verso.

$30000/50000

Provenance: Acquired from the artist by Empress Joséphine; thence by descent to Prince Eugène de Beauharnais, Duke of Leuchtenberg, Bavaria; thence by descent until sold from “Sale of the Library of Eugène de Beauharnais,” Zurich, Braus-Riggenbach and Ulrico Hoepli, 23 May 1935, lot 82; Erhard Weyhe, New York; sale of “The Property of a Private Trust,” New York, Sotheby’s, 20 November 1985, lot 12; to W. Graham Arader, New York; with The Garden Ltd.; to a New Orleans collector, 1985.

348. Pierre Joseph Redouté (French, 1759-1840), “Pancretium Fragrans (Spider Lily),” pencil and watercolor on vellum, signed lower right, the original painting for plate 413 of Les Liliacées (Paris: 1802-1816), 18 3/4 in. x 13 1/2 in., attractively matted and framed; accompanied by contemporaneous descriptive folio pages en verso.

$30000/50000

Provenance: Acquired from the artist by Empress Joséphine; thence by descent to Prince Eugène de Beauharnais, Duke of Leuchtenberg, Bavaria; thence by descent until sold from the Library of Eugène de Beauharnais, Zurich, Braus-Riggenbach and Ulrico Hoepli, 23 May 1935, lot 82; Erhard Weyhe, New York; sale of “The Property of a Private Trust,” New York, Sotheby’s, 20 November 1985, lot 12; to W. Graham Arader, New York; with The Garden Ltd.; to a New Orleans collector, 1985.

349. Pierre Joseph Redouté (French, 1759-1840), “Gladiolus Angustus (Narrow-Leaved Corn Flag),” pencil and watercolor on vellum, signed lower left, the original painting for plate 344 of Les Liliacées (Paris: 1802-1816), 19 in. x 13 3/4 in., attractively matted and framed; accompanied by contemporaneous descriptive folio pages en verso.

$12000/18000

Provenance: Acquired from the artist by Empress Joséphine; thence by descent to Prince Eugène de

Beauharnais, Duke of Leuchtenberg, Bavaria; thence by descent until sold from “Sale of the Library of Eugène de Beauharnais,” Zurich, Braus-Riggenbach and Ulrico Hoepli, 23 May 1935, lot 82; Erhard Weyhe, New York; sale of “The Property of a Private Trust,” New York, Sotheby’s, 20 November 1985, lot 12; to W. Graham Arader, New York; with The Garden Ltd.; to a New Orleans collector, 1985.

347 348

349


351. Mary Cassatt (American, 1844-1926), “Baby Embracing Her Mother,” c. 1898-99, pastel counterproof on Japan paper, signed lower left, Adelson Galleries label en verso, sight 30 in. x 25 1/4 in., in a Lowy frame.

$15000/25000

Provenance: Ambroise Vollard, Paris; Henri M. Petiet, Paris; Adelson Galleries, New York; acquired from the above March 2005.

Exhibited: Adelson Galleries, New York, “Art in a Mirror: The Counterproofs of Mary Cassatt,” Nov. 1, 2004-Jan. 20, 2005, no. 34.

Literature: Adelson Galleries, New York, “Art in a Mirror: The Counterproofs of Mary Cassatt,” exhibition catalogue, 2004, p. 102-103, illustrated.

Note: Mary Cassatt (1844-1926) was one of only two women — and the only American — to have been included among the group of painters known as the “Impressionists.” An artist who was talented at a wide variety of mediums, Cassatt took up pastels in earnest about the same time she began printmaking. Baby Embracing Her Mother is a lovely example of the artist’s experimentation with pastel counterproofs, created at the encouragement of her renowned dealer Ambroise Vollard. Counterproofs are created by placing a dampened sheet of paper on top of a pastel drawing and applying pressure to transfer some of the pastel to the new sheet. The technique creates a mirror image that has a softer look than the original. The technique appealed to Cassatt because it allowed her to keep a record of cherished pastels that would be sold and, since the process reversed the design, allowed her to experiment and play with composition. Several of Cassatt’s peers, including Degas, Renoir, Cézanne and Whistler, made counterproofs in conjunction with Vollard, an important art publisher and dealer.

350. Pierre Joseph Redouté (French, 1759-1840), “Asphodelus Fistulosus (Onionweed),” pencil and watercolor on vellum, signed lower left, the original painting for plate 178 of Les Liliacées (Paris: 1802-1816), 18 1/2 in. x 13 1/4 in., attractively matted and framed; accompanied by contemporaneous descriptive folio pages en verso.

$12000/18000

Provenance: Acquired from the artist by Empress Joséphine; thence by descent to Prince Eugène de Beauharnais, Duke of Leuchtenberg, Bavaria; thence by descent until sold from “Sale of the Library of Eugène de Beauharnais,” Zurich, Braus-Riggenbach and Ulrico Hoepli, 23 May 1935, lot 82; Erhard Weyhe, New York; sale of “The Property of a Private Trust,” New York, Sotheby’s, 20 November, 1985, lot 12, to W. Graham Arader, New York; with the Garden Ltd., to New Orleans collector, 1985.

352. Mary Cassatt (American, 1844-1926), “En Deshabille” (Breeskin 95.a), c. 1889, drypoint etching, Adelson Galleries label en verso, plate 7 1/8 in. x 5 1/2 in., sheet 10 1/4 in. x 7 7/8 in., attractively framed.

$3000/5000

Provenance: Acquired from Adelson Galleries, New York, Nov. 2000, from the exhibition “From the Artist’s Studio: Unknown Prints and Drawings by Mary Cassatt,” Nov. 10-Dec. 29, 2000

350

351

352

82

356. A Portuguese Carved Mahogany Writing Table in the Rococo Taste, 19th c., serpentine molded top, shaped frieze with raised panel drawer, cabriole legs, ball and claw feet, height 30 in., width 42 in., depth 27 1/2 in.

$2000/3000

353. A Pair of Continental Rock Crystal Obelisks, each of typical form, the obelisk on ball feet, raised on tall plinth base, height 23 1/2 in., width 4 1/8 in., depth 4 1/8 in.

$2500/3500

354. A Polychrome Paint-Decorated Credenza, molded top above doors flanking four drawers, molded base, colorful reserves of clustered fruit, height 39 3/4 in., width 87 in., depth 21 1/2 in.

$1500/2500

355. A French Provincial Carved Fruitwood Commode, 18th c., serpentine top, conforming case with two short over two long drawers, paneled sides, whorl feet, height 37 1/2 in., width 50 1/2 in., depth 24 1/2 in.

$3000/5000

353

355

356

354


357. A French Empire First Standard Silver Wine Ewer, Paris, c. 1820, Gabriel Jacques André Bompart, reg. 1803/4, mark 01834; vase shape with classical borders, flat chased calyx leaves lower body, tall swan’s neck hollowcast handle with foliate thumbpiece and cast Bacchus masque terminal, engraved script monogram, height 12 15/16 in., weight 25.85 troy ozs.

$2000/3000

358. A Good American Sterling Silver Tea Tray, Tiffany & Co. Makers, 1947; oval with molded rim and loop handles, length 28 1/2 in., width 18 in., weight 128.50 troy ozs.

$3000/5000

359. A Gorham Aesthetic Movement Sterling Silver and Mixed Metal Bowl, 1881, hand-hammered surface, applied with branch of cherries, vignette of birds and cattails, and swallow and butterfly in flight, height 3 in., diameter 8 in., weight 18.20 troy ozs.

$1000/1500

360. A Fine American Sterling Silver Soup Tureen, Moore for Tiffany & Co., 1860-1864; oval with cabbage leaf chasing and egg-and-dart banding, steer’s head handles, the cover with loop handle surmounted by a Neo-Grec masque, Gothic monogram “McC”, removable liner, height 13 1/2 in., length 16 in., depth 9 1/2 in., weight 129.35 troy ozs.

$10000/15000

358

359357

360

84

361. A High-Style Gorham Sterling Silver Figural Centerpiece, 1872, the pylon shaped support surmounted by a putto, two bowls retaining gilt wash and with floral and foliate terminals, height 13 1/2 in., length 19 1/2 in., weight 53.60 troy ozs.

$6000/8000

362. Bruce Nelson (American/California, 1888-1971), “A January Afternoon”, oil on canvas, signed lower right, signed and titled en verso, 20 in. x 25 in., period frame.

$5000/8000

363. Alfred Heber Hutty (American/Charleston, 1877-1954), “Middleton Oak”, etching, pencil-signed and with artist’s device, sight 10 in. x 11 1/4 in., plate 8 7/8 in. x 10 1/8 in., framed; accompanied by “Alfred Hutty and The Charleston Renaissance” exhibition brochure, Columbia Museum of Art and Gibbes Museum of Art, 1990.

$1000/1500

364. Pablo Picasso (Spanish, 1881-1973), “Paloma”, 1952, lithograph, pencil-signed, reverse date in plate upper right, numbered 2/50, Warwick Gallery Ltd., Vancouver and Marion Scott Ltd., Gallery of the Arts, Vancouver labels en verso, plate 17 in. x 14 in., matted and framed.

$2000/3000Reference: Felix Reube Pablo Picasso Lithographs no. 230

361 364

362

363


365. After William Merritt Chase (American, 1849-1916), “Portrait of Catherine Hansell French Earle”, 1902, wood engraving, engraved by Henry Wolfe (American, 1852-1916), pencil-signed by artist and engraver, signed and dated in plate, sight 8 1/2 in. x 6 in., matted and framed; together with a National Academy of Design Annual Academicians dinner menu, May 9th, 1900, autographed en verso by dinner companions including William Merritt Chase, Julian Alden Weir, Francis Coates Jones, Robert Swain Gifford, Hugh Bolton Jones, John Ferguson Weir, James Carroll Beckwith and Robert Blum, 6 in. x 4 in., framed.

$800/1200

366. Fred Grayson Sayre (American/California, 1879-1939), “Homestead in the Sierra Nevada Foothills, California”, oil on canvas, signed lower left, signed and numbered 15345 in artist’s hand en verso of frame, 28 1/4 in. x 36 in., original frame.

$8000/12000

Provenance: Acquired from the artist by a Fayetteville, Arkansas couple; gift to present owner.

367. Walter Tandy Murch (Canadian/New York City, 1907-1967), “Drawing #2”, gouache, pencil and mixed media on paper, pencil-signed lower right, Kraushaar Galleries, New York City; Linda Hyman Fine Arts, New York City; and McNay Art Institute, San Antonio, 1983 Collectors’ Gallery XVII Exhibition labels en verso, 17 5/8 in. x 23 5/8 in., framed.

$1500/2500 368. Robert H. Cumming (American, b. 1943), “Cone and Grid”, 1981, charcoal on paper, signed and dated upper left, Castelli Graphics, New York City and Janie C. Lee Gallery, Houston, Texas labels en verso 25 1/2 in. x 40 1/4 in., framed.

$1000/1500

366

365

367

368

86

369. Frank Duveneck (American, 1848-1919), “Self Portrait”, oil on canvas, initialed lower right, 14 in. x 12 in., framed.

$1500/2500


370. A Newcomb College Art Pottery Vase, 1902, decorated by Desiree Roman with a repeating pattern of tall pine trees, high glaze with blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. P43, and U for buff clay body, height 9 1/2 in.

$5000/10000

Note: The American artist Arthur Wesley Dow (1857-1922) developed a philosophy of teaching design in the late 19th century that greatly influenced the early Newcomb College pottery decorators. His book Composition, published in 1899 and used at Newcomb, introduced the concepts of line, notan (abstract analysis of the patterns of dark and light), and color, along with a series of exercises. In the summer, Dow ran a school in Ipswich, MA. Harriet Joor and Amelie Roman were the first Newcomb College students to be awarded scholarships in 1900. Several decorators attended Dow’s school in subsequent summers. Desiree Roman, who decorated the landscape vase offered here, attended the school in 1904. The design of this vase clearly demonstrates Dow’s principle of “arrangement in Opposition and Repetition” (vertical lines cut by horizontal lines) that he taught in the depiction of landscape. A review of the pottery decorated by Desiree Roman during her years at Newcomb shows that she embraced Dow’s design philosophy and was very talented in translating it to designs on Newcomb Pottery.

Reference: Poesch, Jessie and Sally Main, Newcomb Pottery & Crafts: An Educational Enterprise for Women 1895-1940, Schiffer Publishing, 2003.

371. A Newcomb College Art Pottery Vase, 1929, decorated by Anna Frances Simpson in the Moon and Moss pattern, semi-matte glaze with blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Jonathan Hunt’s potter’s mark, reg. no. RY27 and shape no. 161, height 8 1/2 in.

$5000/7000

369

370 371


372. A Rare and Important “Rastus on Parade” Newcomb College Art Pottery High Glaze Vase, 1902, decorated by Mary Wolcott Richardson (1873-1968) with panels of dancing African-American figures bearing batons and inscribed “Rastus on Parade” on collar, base marked with Newcomb cipher, Joseph Meyer’s potter’s mark, reg. no. W60, and Q for buff clay body, height 6 3/4 in.

$15000/20000

Note: This rare and unique Newcomb vase takes its design inspiration from a cakewalk song, “Rastus on Parade”. The cakewalk describes the dance, musical form and social event popular in the late 19th century. It was the first ragtime music, using a syncopated style and possessing a characteristic rhythm. Originally a plantation dance accompanied by banjo, the cakewalk took place on Sundays when slaves would dress up and dance to the music, its name derived from the custom of a cake awarded to the couple that had the best moves. The cakewalk later appeared in minstrel shows and passed into the variety acts of early Vaudeville.

“Rastus on Parade” was written by F. A. Mills in 1893 and is one of the earliest cakewalks published. The song is about one Mandy who loves and is proud of her Rastus, an African-American soldier on the day of his release from the army. Mills was said to have adopted the cakewalk as a refined musical protest to the vulgar racial stereotypical songs that were becoming common around that time.

Mary Wolcott Richardson decorated the vase with the pattern of an African-American man holding aloft a baton and dancing. Richardson was a student at Newcomb College from 1897 to 1902. She married in 1903 and left New Orleans for Blacksburg, VA where she spent the rest of her life.

373. A Newcomb College Art Pottery Mug, c. 1900, decorated by Gertrude Roberts Smith with pitcher plants, high glaze with blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, and Q for buff clay body, height 4 1/4 in.

$4000/6000

374. A Newcomb College Art Pottery Mug, 1902, decorated by Desiree Roman with jester masks framed within ribbons hung with bells, high glaze with blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. J35, Q for buff clay body, and X indicating that piece was not for sale, height 4 1/2 in.

$3000/5000

372

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88

377. A Newcomb College Art Pottery High Glaze Jardinière, 1908, decorated by Leona Nicholson with a band of budding flowers, dark blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. CG56 and “W” for white clay body, height 4 1/4 in., diameter 7 1/4 in.

$2500/3500

Provenance: Succession of Harry T. Howard III (1931-2011), New Orleans, LA.

375. A Newcomb College Art Pottery Vase, 1933, decorated by Sadie Irvine with a relief-carved Moon and Moss design, matte glaze with blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Kenneth Smith’s potter’s mark, and reg. no. UM30, height 7 in.

$3000/5000

376. A Newcomb College Art Pottery Candlestick, 1918, decorated by Sadie Irvine in relief-carved jasmine, matte glaze, blue, green, pink and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. JM35, original Newcomb pottery label, and shape no. 232, retains partial original Newcomb pottery label, height 7 in.

$1000/1500

W 378. An Early Newcomb College Art Pottery Vase, c. 1895-1907, by Joseph Meyer, oxblood drip glaze, tapering form, base marked with Newcomb cipher, potter’s mark and “FR” for dark red clay body with red glaze, height 7 1/2 in.

$800/1200

Provenance: Descended in the family of Louise Amelia Giesen Woodward, wife of William Woodward.

W 379. A New Orleans Art Pottery Jardinière, c. 1886, designed by Gertrude Giesen, red clay body with speckled ochre glaze, apparently unmarked, height 11 1/4 in., diameter 13 1/2 in., note: old breaks and repairs; accompanied by a letter from William Woodward’s niece, Gertrude Giesen, discussing the jardinière and New Orleans Art Pottery and Newcomb Pottery.

$500/700


380. Angela Gregory (American/New Orleans, 1903-1990), “Still Life of Pottery Candlestick and Mug”, oil on board, signed upper left, 20 in. x 16 in., framed.

$2500/3500

375 376

377

380


W 381. A New Orleans Art Pottery Vase, c. 1886, white glaze with blue lilies, base marked “N.A.P.” and “C”, height 4 1/4 in.; together with a miniature art pottery vase, marked “EH” in sgraffito, possibly for Emily Hamilton Huger, height 1 3/4 in.

$300/500


W 381A. A Shearwater Pottery Cast “Sissy” Bust, c. 1985, designed by Walter Anderson, in creek glaze by Jim Anderson, marked, height 8 1/2 in.

$500/700

382. A Shearwater Art Pottery Vase, c. 1946, thrown by Peter Anderson, decorated by James McConnell “Mac” Anderson with a carved lotus blossom design, antique green with alkaline blue double glaze, quarter-size impressed mark, signed and dated, height 5 1/4 in., diameter 7 1/2 in.

$1200/1800

Illustrated: Stewart, Dod, Shearwater Pottery, p. 108.

W 383. A Shearwater Pottery “Blue Rain” Glazed Pitcher, c. 1950, probably by Peter Anderson, impressed mark, height 5 in.

$200/300

384. William Woodward (American/New Orleans 1859-1939), “Gulf Shore”, 1921, oil on canvas, signed and dated lower right, titled and inscribed en verso, 22 in. x 28 in., period frame.

$20000/30000


Note: William Woodward produced a very accomplished group of paintings depicting the Mississippi Gulf Coast. The brightly colored work offered here depicts two moss-laden oak trees, which frame a boat at full sail on the white capped Gulf waters. The artist depicts a windy day with Spanish moss swaying in the air. Pink and white oleander bushes stand next to the trees which flank a sandy beach. This painting is closely related to a work illustrated on p. 167 of Robert Hinckley, editor, William Woodward: American Impressionist, which depicts a view down the beach at Biloxi. This work depicts the same scene looking straight out to the Gulf.

384

382

90

385. Bror Anders Wikstrom (Swedish, 1854-1909, active New Orleans, 1883-1909), “Spanish Colonial Garden”, 1904, oil on canvas, signed and dated lower right, 20 in. x 31 in., period frame.

$7000/9000

Provenance: Descended in an Amite, Louisiana family.

386. Bror Anders Wikstrom (Swedish, 1854-1909, active New Orleans, 1883-1909), “Wooded Landscape”, oil on canvas, signed lower right, W.E. Seebold Gallery, New Orleans label en verso, 10 in. x 15 in., original frame.

$4000/6000

Provenance: Descended in an Amite, Louisiana family.

387. Alexander John Drysdale (American/New Orleans, 1870-1934), “Louisiana Twilight”, oil on canvas, signed lower right, signed and inscribed en verso, 20 in. x 30 in., framed.

$5000/8000

388. Louis Oscar Griffith (American, 1875-1956, active New Orleans 1916-17), “Home in Summer with Flowers in Bloom”, oil on board, signed lower left, 22 in. x 20 in., framed.

$4000/6000

385

386

387

388


389. William Woodward (American/New Orleans 1859-1939), “Biloxi Lighthouse, Hazy Morning”, oil on canvas board, unsigned, title label en verso, 6 3/4 in. x 4 1/8 in., framed; together with a photograph of William and Louise Giesen Woodward in front of their house in Biloxi, MS.

$1500/2500


Note: This painting relates to a series of tonalist works William Woodward painted of the water around Biloxi. Often showing the sky and water in the same subtly striated hues, the work offered here uses shades of lavender to this effect. The horizon is punctuated by the Biloxi lighthouse and the treeline with a passing boat. The lighthouse is quietly reflected in the water.

390. Marie Atkinson Hull (American/Mississippi, 1890-1980), “View of the Back Bay, Biloxi”, oil on masonite, signed lower right, 15 1/2 in. x 20 in., framed.

$4000/6000

Provenance: Gift of the artist.

Note: A similarly composed painting titled “Biloxi Boats” is illustrated on p. 38 of The Art of Marie Hull. As in the work offered here, moss-laden trees frame the waterway beyond. Here two figures are shown in a rowboat; one man is standing and may be hauling a net or tonging for oysters. A sailboat is in the background before the treeline of Biloxi Bay. This colorful landscape is a very fine example of Hull’s fully developed impressionist style.Reference: Norwood, Malcom, et. al., The Art of Marie Hull, Jackson: University Press of Mississippi, 1975.

391. William Woodward (American/New Orleans 1859-1939), “French Market, New Orleans”, watercolor, unsigned, sight 8 3/4 in. x 13 1/2 in., framed; together with a photograph of William and Louise Giesen Woodward with their family.

$4000/6000


Note: A 1904 Rafaelli oil crayon by William Woodward depicting a nearly identical view is in the collection of the New Orleans Museum of Art. Each of these paintings of the French Market with the Red Store at the end shows the same porter loading a vendor’s wagon.Reference: Hinckley, Robert, editor, William Woodward: American Impressionist, New Orleans, 2009, p. 129.

389

390

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92

392. Knute Heldner (Swedish/New Orleans, 1877-1952), “French Quarter Courtyard”, oil on canvas board, signed lower right, 12 in. x 9 in., framed.

$3000/5000

393. Wayman Elbridge Adams (American/New Orleans, 1883-1959), “Affinities”, oil on canvas, signed lower left, title label en verso, 52 in. x 40 in., original frame.

$3000/5000

Provenance: Acquired at the Wayman Adams Estate Auction, Waco, Texas, 1993, lot no. 33.

Note: A native of Indiana, Wayman Adams studied under Robert Henri and William Merritt Chase. Adams was a most accomplished portrait painter whose works are executed in a distinctive painterly manner characterized by a remarkable handling of rich impasto.

394. Helen Maria Turner (American/Louisiana, 1858-1958), “Along the Path”, oil on canvas affixed to board, signed lower right, 10 1/4 in. x 14 in., period gilt frame.

$7000/10000

Provenance: Descended in the family of the artist: to her cousin Margaret Texada Todd; Estate of Dr. James M. Todd, Jr., 17 Richmond Place, New Orleans.

Note: To be included in Kaycee Benton’s forthcoming catalogue raisonné on Helen Maria Turner.

395. George Henry Clements (American/Louisiana, 1854-1935), “Sail Boats on Lake Pontchartrain”, oil on board, signed lower left, W.E. Seebold, Art Dealer, New Orleans label en verso, 8 in. x 11 3/4 in., period frame.

$1500/2500

392

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395


396. Will Henry Stevens (American/New Orleans, 1881-1949), “Mountainous Landscape near San Angelo, Texas”, pastel on paper, pencil-signed lower right, sight 12 in. x 15 1/2 in., matted and framed.

$2000/4000

Provenance: Acquired Blue Spiral Gallery 1, Asheville, North Carolina.

Note: In 1921, the modernist artist Will Henry Stevens was invited to join the faculty at Sophie Newcomb College where he remained for nearly three decades. In the late 1920s, Stevens spent his summers teaching at the Texas Artist’s Camp in San Angelo, Texas.

397. Alexander John Drysdale (American/New Orleans, 1870-1934), “Louisiana Live Oaks with Billowing Clouds”, 1917, oil wash on board, signed and dated lower left, sight 19 1/2 in. x 29 1/4 in., period frame.

$3000/5000

Provenance: Descended in the Faust Family, New Orleans, LA.

398. George Henry Clements (American/Louisiana, 1854-1935), “A Farm Yard with Geese, Chickens and a Goat”, watercolor, signed lower right, sight 8 1/4 in. x 11 1/8 in., framed.

$1800/2500

399. Charles L. Boisset (American/New Orleans, 20th c.), “Barracks Street Ferry on the Mississippi River”, oil on canvas board, signed lower left, signed and titled and with title label en verso, 12 in. x 16 in., period frame.

$1500/2500

396

397

398 399

94

403. Alexander John Drysdale (American/New Orleans, 1870-1934), “Bayou Landscape with Live Oak and Cypress Trees”, 1914, oil wash on academy board, signed and dated lower right, 18 in. and 24 in., period oak frame with gilt liner.

$3000/5000

400. Ellsworth Woodward (American/New Orleans, 1861-1939), “Isle of Capri”, 1907, watercolor, signed, titled and dated lower left, sight 20 1/4 in. x 14 1/4 in., framed.

$1500/2500

401. Ellsworth Woodward (American/New Orleans, 1861-1939), “Jocund Day Stands on the Misty Mountain Tops”, watercolor, signed lower left, 19 1/2 in. x 14 1/2 in., framed.

$1500/2500

Note: The title refers to a scene in William Shakespeare’s play Romeo and Juliet. In Act 3, Scene 5, Romeo responds to Juliet with: “It was the lark, the herald of the morn,/ no nightingale. Look, love, what envious streaks/ do lace the severing clouds in yonder east./ Night’s candles are burnt out, and jocund day/ stands tiptoe on the misty mountain tops./ I must be gone and live, or stay and die”.

402. Will Henry Stevens (American/New Orleans, 1881-1949), “Sugar Mill on the Mississippi River”, pastel on paper, signed lower right, sight 21 1/2 in. x 17 1/4 in., framed.

$2500/3500

400

401

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404. Emil Eugen Holzhauer (American/Georgia, 1887-1986), “Boat Houses, Boggy Bayou”, 1965, oil on masonite, signed and dated lower right, titled and inscribed en verso, 24 in. x 36 in., unframed.

$2000/3000

405. George Henry Clements (American/Louisiana, 1854-1935), “Resting, Mule and Wagon”, watercolor, signed lower left, sight 8 1/2 in. x 11 in., framed.

$1500/2500

406. Colette Pope Heldner (American/Louisiana, 1902-1990), “Swamp Idyl, Louisiana Bayou Country”, oil on canvas, signed lower left, signed and titled en verso, 30 in. x 36 in., framed.

$3000/5000

407. George Rodrigue (American/Louisiana, b. 1944), “Cabin in the Louisiana Bayou”, 1971, oil on canvas, signed lower left, signed, dated and with several artist’s stamps en verso, 10 in. x 8 in., framed.

$7000/9000

Provenance: Acquired from the artist, Lafayette, Louisiana.

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405

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96

408. John James Audubon (American, 1785-1851), The Birds of America, From Drawings Made in the United States and Their Territories, New York & Phil., J.J. Audubon and J.B. Chevalier, 1840-1844, 7 volumes, octavo, first edition, with 500 hand-colored lithograph plates, after the original watercolors and aquatint engravings by Audubon, printed by J.T. Bowen, Phil. and George Endicott, New York (plates 136-150), in original three-quarter leather bindings.

$30000/50000

408

408


409. George Wilkins Kendall (1809-1867) and Carl Nebel (1805-1855), The War between the United States and Mexico illustrated, embracing pictorial drawings of all principal conflicts..., 1851, Appleton & Co., New York and Phil., folio (22 in. x 16 1/2 in.), printed paper wraps, with complete text, with 12 hand-colored lithographs, heightened with gum arabic, by Bayot after Nebel, one map titled “Map of the Operations of the American Army in the Valley of Mexico in August and September 1847”, folio loose, prints now extracted from folio.

$5000/7000

W 410. Samuel Seymour (American, 19th c.), “Battle of New Orleans and Defeat of the British under the Command of Sir Edward Packenham, by General Andrew Jackson 8th. Jany. 1815”, hand-colored engraving, c. 1815, published by Wm. H. Morgan, Phil., engraved by J.W. Steel, sight 13 1/2 in. x 17 1/4 in., attractively matted and framed.

$800/1200

W 411. John James Audubon (American, 1785-1851), “Shore Lark”, Plate 200, hand-colored aquatint engraving from Birds of America, the elephant folio paper watermarked “J.Whatman/Turkey Mill/ 1834”, sheet 24 3/4 in. x 38 1/4 in.

$800/1200

W 412. John James Audubon (American, 1785-1851), “Manks Shearwater”, Plate 295, hand-colored aquatint engraving, from Birds of America, the elephant folio paper watermarked “J.Whatman/1836”, sheet 26 in. x 39 1/2 in.

$800/1200

W 413. John James Audubon (American, 1785-1851), “Ruddy Plover”, Plate 230, hand-colored aquatint engraving from Birds of America, the elephant folio paper watermarked “J.Whatman/Turkey Mill/1834”, sheet 26 in. x 38 1/8 in.

$800/1200

414. A Civil War Presentation Rosewood and Burlwood Inlaid Cave à Liqueur, c. 1864, the silver cartouche engraved “Presented to/Capt. R.R. Corson/by Major R.J. Falls/1st. Pa. Res. Cav./April 5, 1864”, lift-out tray with gilt-bronze handle, fitted with four vintage-pattern cut-glass decanters and 14 glasses (2 missing), height 10 1/2 in., width 13 in., depth 10 in.

$700/1000

Note: The First Cavalry saw numerous battles in the war, among them Hartwood Church, Woodstock, Harrisonburg, Port Republic, Front Royal, Cross-Keys, Grovton, Robertson’s River, Strasburg, Cedar Mountain, Chantilly, Second Bull Run, Falmouth and the great battle of Fredericksburg.

409 (4 of 12)

414

98

417. A Johnson Model 1817 Flintlock Common Rifle, 54 cal, 36 in. barrel, marked on breech “US/P/JN/Vt”, the lockplate marked “R & JD Johnson, 1834/Middn. Conn”, the buttplate marked “US’, full walnut stock.

$1400/1800

418. A Photographic Archive of Prominent Virginia Families, including Robert E. Lee, a collection of 44 photographs, the majority CDVs dating from the Civil War and post war periods, descending in the Powell and Hepburn families, with references to the Hopkins and Lloyd families, all loose, in sleeves, some of the highlights are as follows: • A CDV, signed and inscribed by Lee, in uniform, signed on the front, signed and inscribed, verso, “For Miss Hattie Powell, RE Lee”, backstamp of

Vannerson & Jones, Richmond, VA, cut at top approx. 7/16 in., but with no loss to inscription• A CDV, signed and inscribed by Lee’s wife (and George Washington’s great granddaughter) Mary Custis Lee, signed on the front, signed and inscribed verso: “For Miss Hattie Powell from her affectionate cousin, M. C. Lee, Lexington, June 16th, 1866,” hand-colored (most likely by Mrs. Lee), backstamp of Vannerson & Jones, Richmond, VA• A CDV, of Miss. Hattie Powell, the aforementioned cousin of the Lees, backstamp of Seeley & Beal, Alexandria, VA• A CDV, identified verso, as “Lloyd Powell, killed July 21, 1861 at Battle of Manasses”• A CDV, of a Confederate officer, two stars on collar, backstamp of Agustus Hall, Alexandria, VA

$6000/9000

W 415. [Louisiana Map], “Cours du Mississipi et la Louisiane”, hand-colored engraved map, by Robert de Vaugondy, 1749, sheet 9 1/2 in. x 7 in.

$300/500

416. A Fine Cased Pair of English Percussion Dueling Pistols, c. 1820, marked on the flat “JM Manton & Sons, London”, checkered walnut stocks, foliate engraving, trigger guard with pineapple finial, dolphin-form cock, swing ramrods, void silver cartouche, case with flush handle, the interior with flask, bullet mold, turned wood percussion box and screw, the lids with ivory pulls, octagonal barrel 6 1/4 in., case height 2 3/4 in., width 17 1/2 in., depth 9 in.

$5000/7000 416

417

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419. Constitution of the Confederate States of America, Adopted Unanimously by the Congress of the Confederate States of America, March 11, 1861, printed by John M. Cooper & Company, Savannah, 1861, 22 pages, octavo (8 6/8 in. x 5 6/8 in.), sewn with original thread, signed in pencil at upper margin of the front wrap “P.W. Alexander” and inscribed underneath “Captured from the house of Kenan, a queen bee of the convention which perceived this constitution at Milledgeville, Ga, A.H Cren...y”, one of only two known copies from this publisher, one at the University of Georgia, Athens, the other at the Boston Athenaeum, see Parrish & Willingham, # 10.

$30000/50000

Note: Peter Wellington Alexander, born in Elbert County Georgia in 1835, attended the Georgia secession convention in Milledgeville (representing Upson County, GA) and voted against secession but signed his name with the majority of secessionists as a show of solidarity. Alexander was the most popular Confederate war correspondent and personally witnessed and wrote about the battles of Shiloh, Antietam, Gettysburg and many other marches, events and travels with the two primary Confederate armies. His articles appeared regularly in several CS papers (Savannah Republican, Mobile Register, Mobile Advertiser and others). Southern newspapers repeatedly printed his heart-moving pleas for Southerners to help supply the Confederate armies with shoes, clothing and food after he

witnessed the retreat from Antietam. Loyal Southerners reacted to his articles with overwhelming nationwide support. Alexander died c. 1910. His papers and manuscripts are located at the Rare Book & Manuscript Library of Columbia University in New York City. The collection consists of more than four hundred letters to Alexander, as well as miscellaneous letters and telegrams, business and military documents, copybooks and letter books, and complete and partial newspapers and clippings from the various Southern newspapers listed above that carried Alexander’s dispatches. At least one recent very well written book on Alexander was published several years ago.

Augustus H. Kenan was a Confederate Congressman from Milledgeville, GA. He attended the Georgia Secession Convention where he was among the forty percent who argued heavily against secession but after the vote to secede showed their support for the States of America Provisional Congress (February 4, 1861 to February 17, 1862) that convened to draft the CS Constitution. He was one of nine Georgia delegates to the Montgomery convention. His home (and Alexander’s) would not escape complete destruction as Sherman’s army moved through Milledgeville in late 1864. Sherman’s men routinely sought out the homes of devoted CS supporters to set an example of their “treasonous” behavior.

After the war, despite protest from ardent re-constructionists, President Johnson restored Kenan’s citizenship on May 23, 1865. Kenan died three weeks later.

A.H. Crenning is presumably one of General Sherman’s soldiers who ravaged Milledgeville.

419

100

420. A Confederate Gettysburg Soldier Belt, Frame and Cartridge Box, c. 1861, stenciled “W. Estes” on inside of pouch flap, faintly signed “W.E.” on inside of belt, cartridge probably made by Gaylord, with brass finial and tin containers, standard issue brass frame.

$12000/18000

Note: W.T. Estes was in Co. A of the 11th Miss. Regt., known as the “University Greys,” all members of which were students from the University of Mississippi, or locals from the surrounding area. According to records, W.T. Estes was killed at or near Gettysburg. The rig was found in Fayetteville, along the westward route of Lee’s retreat.

Interestingly, the folded corner of the front flap is probably not a condition issue, but rather something soldiers intentionally did to gain easier access to their cartridges.

421. A Confederate Cartridge Box, c. 1862, with pewter finial, initials “CHC” lightly carved on inside of front flap, tins lacking, height 6 1/2 in., width 7 in., depth 2 in.

$1800/2500

Note: Several issues on this cartridge box point to Confederate manufacture. The remnants of cow hair and pungent smell point to hastily made, poorly tanned leather. The initials “CHC” suggest Confederate origin, as Union soldiers were not generally allowed to mark their items. The pewter finial affirms the severe shortage of brass in the Confederacy.

422. A Confederate Cedarwood Drum Canteen, c. 1862, wood and iron construction, with original strap, carved on one side “WWN/Co. A. 4 Miss” and the other side “WWN’ and “RCH”, diameter 7 1/2 in., depth 2 1/2 in.

$3000/5000

Note: Confederate General Sears listed Private William W. Nations as one of several men who made it to the Union wall at the Battle of Franklin (Tennessee). Sears was impressed with the achievement

to the point of proudly listing their names after the battle. He labeled these Confederates “foremost among the forlorn hope” at Franklin.

423. A Salt Print Photograph of Confederate General John Bell Hood, image of Hood (3 5/8 in. x 2 1/2 in.) mounted to Confederate pink “blockade” paper.

$600/900

W 424. [Civil War Photography], The Photographic History of the Civil War in Ten Volumes, Thousands of Scenes Photographed 1861-65, with Text by many Special Authorities, 1912, The Review of Reviews Co., New York, 10 vols., blue cloth, 11 in. x 8 1/4 in.

$400/600

W 425. A Monumental Andersonville Civil War Prison Lithograph, “Andersonville Prison Camp Sumter, Ga. As It Appeared August 1st, 1864 When It Contained 35 000 Prisoners of War, Drawn From Memory by Thomas O’Dea. Late Private Co. E. 16th Reg. Maine Inf. Vols”, published by Henry Seibert & Bro., 12 & 14 Warren St., N.Y., on stone by T.J.S. Landis, with central bird’s-eye view, surrounded by 20 vignettes, with key index, sight 40 in. x 60 in., antique frame.

$600/900

420

421

422

423


W 426. A CDV of Confederate General James Longstreet, with backstamp “Published by E. & H.T. Anthony, New York, from photographic negative in Brady’s National Portrait Gallery”.

$300/500

W 426A. James Nathan Muir (American, b. 1945), “Through Shot and Shell”, 1987, patinated bronze, edition 41/50, highly detailed Confederate Soldier charging through the line, on rotating wood base, height 19 in., width 20 in., depth 12 1/2 in.

$600/900

427. Robert M. Rucker (American/Louisiana, 1932-2000), “Spring on the River—Steamer Edgar Cherry”, oil on canvas, signed lower right, titled en verso, 8 in. x 10 in., period frame.

$1000/1500

428. American School, mid-19th c., “Portrait of a Young Girl Holding a Basket and Seated in Library Chair”, oil on wood panel, unsigned, 13 in. x 10 3/4 in.

$700/900

Provenance: Mas. D.W.L. Hawkins, Ipswich, MA, ownership label en verso of frame.

429. Theodore “Fonville” Winans (American/Louisiana, 1911-1992), “Rex Mardi Gras Parade on Canal Street, New Orleans”, 1954, vintage silver gelatin print mounted on board, unsigned, 16 in. x 20 in., unframed.

$2500/4500

430. Theodore “Fonville” Winans (American/Louisiana, 1911-1992), “Costumed Mardi Gras Couple, New Orleans”, 1940, vintage silver gelatin print mounted on board, signed and dated lower left, inscribed en verso, 16 in. x 20 in., unframed.

$1800/2400

427

429 430

428

102

431. [Mardi Gras], Jeweled Parure of 1884 Queen of Carnival, Annie Howard, comprised of a crown, scepter, and necklace of gilt metal with paste jewels and faux pearls, in original Paris fitted presentation case with gilt metal “Pro Bono Publico” crest, and marked “Renaud - Paris”, lid with “Mayflower” storage label, underside with label of “Miss Parrott” (Annie Howard Parrott).

$7000/10000

Provenance: The Howard Family.

Note: Annie Turner Howard (1864-1904) was the first second-generation monarch in New Orleans Mardi Gras: her father, Charles Turner Howard (1832-1885) had reigned as Rex in 1877. The Howard family tradition would be carried on by her brothers Harry, Rex of 1888, and Frank, Rex of 1895, and by niece Flores, Queen of Carnival in 1914.

The 1884 Rex Ball theme was “The Semitic Races”; John Chaffe reigned as Rex. The red, green and blue stones seen in this parure reflect the colorful taste of the 1880s. See also the 1884 Rex Ducal Badge illustrated in Henri Schindler’s Mardi Gras Treasures: Jewelry of the Golden Age, p. 61, and the 1884 Comus Cup, ibid. pp. 16 and 17, which sold in these rooms October 11, 2008, lot 255.

One of Miss Howard’s notable civic contributions is still very much a part of the city: the Howard Memorial Library which she gave in memory of her father in 1887. The collection is now part of the Howard-Tilton Memorial Library of Tulane University. The handsome Richardson Romanesque building is now part of the Ogden Museum of Southern Art.

Miss Howard married Walter Parrott in London in 1896 and lived in England the rest of her life. They had one child, Annie Howard Parrott.Reference: Schindler, Henri. Mardi Gras Treasures: Jewelry of the Golden Age; Hardy, Arthur. Mardi Gras in New Orleans.

431

Portrait of Annie Howard Parrott, after Benjamin Constant (French, 1845-1902), c.

1901. Tulane University Art Collection, Courtesy of the Newcomb Art Gallery.


432. Clarence John Laughlin (American/Louisiana, 1905-1985), “Poem of New Orleans Skies: 1940”, silver gelatin print, signed and titled on mat board, signed, titled, photographer’s stamp and notations including “Print No. 3, print made by C.J.L on 1/30/79” en verso, image 13 1/2 in. x 10 1/4 in., and mat board 17 in. x 14 in., unframed.

$1200/1800

W 433. Philip Leslie Hale (American, 1865-1931), “Lady with Parasol”, pencil drawing, unsigned, sight 10 in. x 6 1/2 in., framed.

$600/800

Provenance: Jensen Fine Arts, MA, 2001.

W 434. William Meyerowitz (American, 1887-1981), “Horseback Riders in Central Park, New York”, watercolor, signed lower right, 8 3/4 in. x 11 1/2 in., framed.

$400/600

Provenance: Jensen Fine Arts, MA, 2001.

435. Charles Partridge Adams (American, 1858-1942), “Sunset”, c. 1910-1920, watercolor on paper, 5 1/2 in. x 8 1/2 in., framed.

$800/1200

Provenance: Private Collection, Cranberry, NJ; Spanierman Gallery, New York, NY; to Private Collection, TX, 1994.

436. Patricia Whitty (American/Louisiana, b. 1943), “Still Life of Pears and Lilies”, 1999, oil on linen, signed, dated and inscribed en verso, 15 3/4 in. x 21 3/4 in., framed.

$1500/2500

437. Will Henry Stevens (American/New Orleans, 1881-1949), “In the Wooded Forest”, 1927, pastel, signed and dated lower right, sight 12 1/4 in. x 9 1/4 in., framed.

$2000/3000

438. George Valentine Dureau (American/New Orleans, b. 1930), “Male Nude Study with Arm Raised”, graphite on paper, signed lower center, sight 26 in. x 19 in., accompanied by “Mardi Gras, New Orleans”, 1979, silk screen, signed and dated lower center, numbered 161/500, sight 35 in. x 23 in., and “Five Figures”, silk screen, pencil-signed and numbered 84/500, sight 18 1/4 in. x 24 3/4 in., all framed. (3 pcs.)

$1000/1500

432

435

436

438 (1 of 3)

437

104

439. James Michalopoulos (American/Louisiana, b. 1951), “Equilibratia”, 2004, oil on canvas, signed lower left, signed, dated, and titled en verso, 36 in. x 48 in., framed.

$7000/9000

440. Joseph Stella (American, 1877-1946), “Red Canna Among Green Leaves”, c. 1925, silverpoint and crayon on paper, unsigned, 12 3/4 in. x 9 3/4 in., gilded frame.

$2000/3000

Provenance: Richard York Gallery, New York; Debra Force Fine Art, New York, 2006 (both dealer labels en verso).

Exhibited: Arkansas Arts Center, 43rd Collector’s Show & Sale, 2011.

441. William Glackens (American, 1870-1938), “Landscape with Pond, L’Isle Adam, Seine et Oise, France”, c. 1926-28, pastel, unsigned, Mary Lublin Fine Arts, New York, and Kraushaar Galleries, New York labels en verso, authentication letter dated May 1977 from the artist’s son Ira Glackens affixed en verso, sight 8 3/4 in. x 11 1/8 in., framed.

$1500/2500

Provenance: Mary Lublin Fine Arts, New York.

W 442. Hughie Lee Smith (American, 1915-1999), “Landscape with Brush and Trees”, graphite on paper, pencil-signed lower center, sight 11 1/2 in. x 15 1/2 in., framed.

$400/600

443. Elizabeth Catlett (American/Washington D.C., 1915-2012), “Celie”, 1986, lithograph, pencil-signed, titled and dated, numbered 30/80, plate 23 1/2 in. x 16 in., sight 27 1/2 in. x 20 in., framed.

$1500/2500

439

441

440

443


W 444. Pierre-Auguste Renoir (French, 1841-1919), “Le chapeau epingle (La fille de Berthe Morisot et sa cousine)”, c. 1894, etching, signed in plate lower right, second state from third plate, posthumous edition, label with print information and 1982 Hamrell Galleries appraisal en verso, plate 4 3/8 in. x 3 in., matted and framed.

$500/700

445. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912-1997), “Transverse #3”, 1974, oil on canvas, signed and dated lower right, signed and titled on label en verso, 56 1/2 in. x 60 1/2 in., period frame.

$15000/25000

446. George Bauer Dunbar (American/New Orleans, born 1927), “Abstract Composition”, mixed media and clay on panel, signed en verso, 15 in. x 17 in., framed.

$2000/3000

447. George Valentine Dureau (American/New Orleans, b. 1930), “Male Nude Study with Arm Raised”, graphite on paper, signed lower center, 23 in. x 14 1/2 in., framed.

$800/1200

W 448. An Antique Guilloche Enamel and Gilt Bronze Clock, movement marked Edin Watch Co., serial no. 13862, diameter 3 1/2 in.

$700/1000

W 449. A Chinese Cloisonné Enamel Mantel Clock, 20th c., porcelain dial with “Canton” enamel portrait pendulum, glass case set in a columned three-part cloisonné footed stand, top surmounted by a gilt bronze urn, height 18 in., width 13 1/2 in., depth 6 in.

$400/600

Provenance: Estate of James P. Raymond, New Orleans, LA.

445

446

447

106

450. A Fine French Marbre Verte and Gilt Bronze-Mounted Crystal Regulator Mantel Clock, c. 1890, engine turned and porcelain dial signed by retailer Black, Starr and Frost, New York, movement by L. Marti & Cie., Paris, with mercury pendulum, the architectonic case with carved pediment and base and fully-formed fluted columns, height 13 1/2 in., width 8 3/4 in., depth 5 in.

$1500/2500

451. Jean Mich (Luxembourg, 1871-1919), “Chin-Fan”, terracotta bust with bronze glaze, signed, inscribed and titled on right, marked with seal at left, height 17 in.

$800/1200

452. A Directoire Carved Cherrywood Clothes Press, 19th c., in two parts; upper case with a pair of doors, adjustable shelf interior; conforming base, fluted tapered feet, iron carrying handles on sides, height 64 1/2 in., width 36 in., depth 21 in.

$1000/1500

453. Franco-American School, early 19th c., “Portrait of a Gentleman”, oil on paper laid on panel, unsigned, sight 5 1/2 in. x 4 1/4 in., period gilt frame.

$800/1200

Provenance: Felix H. Kuntz Collection, New Orleans.

450

452

453

451


454. Attributed to Washington Bogart Cooper (American/Tennessee/New Orleans, 1802-1889), probably with assistance from his brother William Brown Cooper (American/Tennessee/New Orleans, 1811-1900), “Matilda Eleanor Bowie Moore (1816-1892) and Her Son Joseph Regis Bowie Moore (b. 1835)”, c. 1838-1839, oil on canvas, unsigned, 30 in. x 25 in., framed.

$2500/3500

Provenance: Elve Anna Bowie Moore (daughter of the sitter, b. 1842) and her husband Eugene Soniat-DuFossat (1836-1901); their son Dr. Joseph Moore Soniat-DuFossat (1867-1926) and his wife Caroline [Olyn] Nelms (1870-1911); their daughter Olyn Eugene Soniat-DuFossat (1901-1990) and her husband William Huck Saufley, Sr.; the William H. Saufley Trust.

Note: Matilda Eleanor Bowie was the niece of Col. James Bowie (1796-1836) and the daughter of Rezin Pleasant Bowie (1793-1841) and his wife Margaret Frances Neville (1790-1875); she married c. 1834 Joseph Hickman Moore of Pennsylvania (1807-1873), and lived at their plantation in Pointe Coupée Parish. Judging from the particularized image of this Late Empire sofa, it was presumably there in Pointe Coupée (although it might possibly have been in New Orleans) that she had herself portrayed with her eldest son Joseph (b. 1835), who died in childhood—sometime after his third or fourth year—as shown in this moving and beautiful picture. Matilda had also been portrayed in this same period by herself (in a very similar format) by C. R. Parker, c. 1838. This painting, however, is quite clearly by the same hand(s) as a substantial group of Polk family portraits surviving as an ensemble in New Orleans, that were almost certainly executed by one or both of the Cooper brothers (both of whose initials were “W. B. Cooper,” and who advertised together in New Orleans on both 6 December 1838 and 22 August 1839): their individual works—if indeed they painted any portraits separately—are predictably difficult to distinguish. Matilda’s face in this picture bears very striking similarities, all the same, to the probable Cooper portrait of Jane Maria Polk Walker (1798-1876), eldest sister of President James K. Polk, that is preserved in that group of Polk family pictures in a private collection in New Orleans.

Washington Cooper, the elder brother of this painterly pair, worked in Chattanooga, Memphis, Knoxville, Natchez, and New Orleans, as well as in Selma, AL in the 1840s. His younger brother William followed a similar trajectory, but is known to have begun with at least a year at the National Academy of Design in New York (1832), and to have traveled also in Europe. The brothers died respectively in Nashville in 1889 and Chattanooga in 1900.

Acknowledgements: We are grateful to Dr. Estill Curtis Pennington for his help with this picture’s attribution, as well as the genealogical research into its sitters by Amie H. Strickland.References: Chevalier Guy Soniat-DuFossat, History of Louisiana, translated and edited by Charles T. Soniat, New Orleans, 1976; Colonial Dames of America, Louisiana Portraits, New Orleans, 1975, pp. 189 (Matilda Moore’s portrait by C.R. Parker), 208-209 and 262 (Polk family portraits, attributed to the Copper brothers); John A. Mahé and Rosanne McCaffrey, Encyclopaedia of New Orleans Artists, 1718-1918, New Orleans, 1987, pp. 85-86.

455. George Louis Viavant (American/New Orleans, 1872-1924), “Nature Morte: Snipe”, 1921, watercolor, signed and dated lower left, 20 in. x 16 in., framed.

$5000/7000

Note: A similarly composed painting of a snipe by Viavant is illustrated on p. 87 of George E. Jordan, George L. Viavant: Artist of the Hunt, The Historic New Orleans Collection, 2003.

456. Alexander John Drysdale (American/New Orleans, 1870-1934), “River Scene”, 1906, oil on canvas board, signed and dated lower left, 331 Gallery, New Orleans label en verso, sight 9 1/2 in. x 7 in., framed.

$1500/2500

Provenance: Luba Glade’s St. Charles Avenue Gallery, early 1960s.

454 455

456

108

457. Frederick William Sievers (American/Virginia, 1872-1966), “Hauling Cotton to the River Boat”, bronze, signed in base, height 14 in., length 26 1/2 in., depth 11 1/2 in.

$8000/12000

458. An American Carved Pine Figure of John Adams, late 19th c., depicted standing with one arm outstretched, the other holding a book, on a stepped plinth base, retaining an old, dark surface, height 19 1/4 in.

$1200/1800

459. William Aiken Walker (American/South Carolina, 1838-1921), “Cotton Pickers in the Fields”, oil on academy board, signed lower left, pencil inscribed and titled “Fields” and partial F.W. Devoe label en verso, 6 1/4 in. x 12 1/4 in., period tobacco leaf and berry motif gilt frame.

$10000/15000

Note: To be included in John Fowler’s forthcoming catalogue raisonné on William Aiken Walker.

460. Louis C. Girault (American/Louisiana, active New Orleans, 1870-1892), After Richard Clague (French/New Orleans, 1821-1873), “Cabin and Boat on the Bayou”, oil on canvas, signed and inscribed “after Clague” lower left, 10 in. x 15 3/4 in., period frame.

$1800/2500

Note: Louis Girault worked in New Orleans as a cooper and cigar and tobacco merchant while pursuing a career as an artist. As attested by the inscription, Girault based this charming bayou painting on the work of Richard Clague, the premier Louisiana landscape painter.

457 458

459

460


461. George Esten Cooke, A.N.A. (American/Maryland, 1793-1849), “Maria Rosalie Henry, 1818-1897, Granddaughter of Virginia Statesman Patrick Henry”, 1837, oil on canvas, signed upper left, dated upper right, 52 in. x 39 1/2 in., original giltwood inner frame.

$60000/80000

Provenance: Daughter of the sitter and her husband Dr. William Bernard Lewis (1817-c.1865), Louise Maria Henry Lewis (1845-1910) of Halifax Co. VA, and her husband Thomas Wiley Branch (1835-1923) of Petersburg, VA; their son Patrick Henry Branch (1873- ) and his wife Florence of Asheville, NC; their daughter Rosalie Henry Branch (1924- ) and her husband Julius Eugene Davison of VT (1918-2002); their son Scott Davison (inherited 2002).

Note: In this captivating painting the granddaughter of Patrick Henry (1736-1799) fully manifests her status as the affluent descendant of one of Virginia’s preeminent statesmen, as she rests on a horsehair-upholstered Late Classical sofa before a marble-tiled loggia supported by large Tuscan columns, with a distant view of the Blue Ridge opening behind her shoulder. The architectural frame is an idealized image of Red Hill, her grandfather’s house in Charlotte Co., which her father Edward Winston Henry (1794-1872) had inherited. As she sat for this portrait in 1837 (probably in Washington City), Maria Rosalie was nineteen years old; the decorated guitar she holds so prominently was to become a standard symbol of feminine refinement and culture, as it repeatedly appears, for example, in more workaday versions (that are actually being played) in portraits painted at Vicksburg and Port Gibson during the 1850s by Thomas Cantwell Healy (1820-1873).

George Cooke was the second son in his generation of a family that had been established in St. Mary’s Co., MD, since the 17th c.; after a classical education and early mercantile experience there and in Washington City, he married in 1816 and for the next two years experimented as a land speculator in the Missouri Territory. Having been attracted to painting since childhood, he began seriously to pursue that career as an itinerant portraitist about 1819 (spending, for example, several seasons in Richmond, and that of 1822 in Montgomery, AL). In 1824, with his distant cousin John Gadsby Chapman (1808-1889), he studied in Washington with Charles Bird King (1785-1862). Following another intensive eighteen months in Richmond, he and his wife traveled for five years (1826-31) in Paris, Florence, Rome, and Naples, where Cooke assiduously copied the Old Masters and produced major pictures of his own. Upon his return he painted mainly in New York and the Catskills; he became a member (1832) and then Director (1834) of the American Academy of Fine Arts, and was named an Associate of the National Academy of Design (1833). In 1834 he proposed a Battle of Cowpens for the U.S. Capitol rotunda, but was not selected. He and his wife spent 1835 and 1836 in Charlottesville, Raleigh, Charleston, and the hot springs of western Virginia, before Cooke established a

more permanent studio in Washington, where this picture was painted.

This unusually fine portrait of Maria Henry is grandly conceived, and its expansive features are a kind of summation of Cooke’s best work to 1837, the year of its execution. Even from as early as c. 1825, in the group portrait of Elizabeth Valentine and her Children (Valentine Museum, Richmond), we find the same device of the stylish sofa, in the same position (and the large size of the present painting is very closely approximated). Cooke’s painting of Judith Walker Rives (1830: still in the family collection in Albemarle Co., VA) displays a dress, pose, and background very similar to the painting offered here. One of the artist’s most successful and most celebrated paintings, his Susan Jane Donaldson of 1832 (Brooklyn Museum), is nearly identical in size, as in most of its other features, including the distant view behind a billowing red curtain. That last feature is

repeated in The Gilchrist Children of 1836 (Gibbes Museum, Charleston), where for the first time we encounter Cooke’s device of the children looking through a fictive window with a top arch identical to that in the present canvas. Even closer in date and style is Cooke’s portrait of Mary Anne McKenney (1837, Corcoran Gallery): though the vista is shifted to the right background, it is framed by the familiar curtain, now bearing a tassellated fringe identical to Miss Henry’s.

The present portrait also clearly served as a pattern for immediately succeeding ones in Cooke’s oeuvre. His fine painting of Martha Elizabeth Harris (1839, Maryland Historical Society) shows the same curtain, dress, and especially the same fashionable coiffure; moreover, that sitter’s left arm and hand are posed identically as they are here, on the arm of a sofa. Cooke’s large painting of Leonora Harper Clayton and her Children (1842, Private Collection) is once more the same size, and has an arched top that is rendered exactly as it is in the present picture. The very large painting of Eliza Smith Collins and her Daughter (1842, Private Collection) exhibits again virtually every feature of this seminal portrait of Maria Henry being offered: the dress,

physiognomy and coiffure are once again the same, as is the curtained, colonnaded loggia looking onto a distant view; even the motif of a vine wrapped around one of the columns is repeated from the present picture (and was to become a favorite device of Cooke’s, as in his beautiful painting of Sallie Baxter of 1845, also in a Private Collection).

This very impressive portrait of Maria Rosalie Henry, granddaughter of Patrick Henry, wonderfully captures the informal grace of her nineteenth year (she was to marry Dr. Lewis three years later, in 1840) with a broadness of conception and precision of handling that epitomize George Cooke at his best. It is at once a kind of summation of his work to that date, and the harbinger of many beautiful canvases to come.Reference: Donald D. Keyes et al., George Cooke, 1793-1849, Georgia Museum of Art, Athens, 1991, esp. cat. nos. 2, 5, 6, 7, 8, 10, 11, 12, and 14.

461

110

462. An American Carved Mahogany Plantation Secretary Bookcase, mid-19th c.; upper case with three drawers over fall front writing surface, fitted interior, brass handles; lower case with single long drawer, arched skirt flanked by two short drawers, turned tapering legs ending in ball feet, height 64 in., width 39 7/8 in., depth 23 in.

$1500/2500

463. A Fine Antique American Cast Iron Horsehead Hitching Post, 19th c., fluted post, square base, old paint surface, height 45 in.

$1500/2000

464. A Set of Four American Cast Iron Garden Armchairs, 19th c., each with floral crest, pierced foliate scroll back and arms, geometric openwork seat, cabriole legs, “X” stretcher, found in later yellow cream paint.

$2500/3500

Note: These armchairs are examples of the only cast iron chairs illustrated in Horner’s Blue Book of Philadelphia Furniture.

465. An Antique Carved Walnut Panetière in the Louis XV Taste, finialed arched crest, spindled uprights, shaped door with iron fiche hinge and cutwork escutcheon, shaped base, cabriole legs, scrolled toes, height 43 in., width 31 1/4 in., depth 19 in.

$1000/1500

466. An American Federal Carved Walnut Bowfront Chest of Drawers, early 19th c., probably Southern, four graduated drawers, shaped base, “French” feet, height 37 1/2 in., width 42 in., depth 22 1/2 in.

$1200/1800

462

466

463

464

465


467. An American Federal Carved Mahogany Pembroke Table, early 19th c., New York, having shaped drop leaves, frieze drawer, turned and reeded legs ending in brass paw feet, height 28 1/4 in., width 25 1/4 in., depth 35 1/2 in.

$1200/1800

468. An American Federal Inlaid Walnut Tall Chest, late 18th/early 19th c., probably Pennsylvania, molded cornice, frieze with barber pole inlay and stringing, five drawers over four graduated drawers, shaped base centered by a fan, “French” feet, height 69 1/4 in., width 45 3/4 in., depth 23 in.

$1500/2500

469. An American Classical Carved Mahogany Games Table, early 19th c., Boston, foldover top, lyre support with basket appliqué, incurvate plinth, scrolled legs, hairy paw feet, casters, height 30 in., width 36 in., depth 18 in.

$2000/3000

470. A Fine American Classical Carved Rosewood Sofa Table, c. 1835, New York, marble top, scrolled lyre and acanthus trestle base, conforming stretcher, casters, height 30 1/4 in., width 36 1/2 in., depth 18 in.

$1200/1800

468

470

469

467

112

471. William Henry Buck (American/Louisiana, 1840-1888), “Louisiana Bayou: Live Oaks and Water Lilies at Dusk”, oil on canvas, signed lower right, 13 in. x 17 3/4 in., period frame.

$25000/35000

Provenance: Estate of a St. Louis, Missouri collector.

Note: William Henry Buck’s romantic and atmospheric depictions of the Louisiana landscape are noted for his moss-laden live oak trees and views of bayous. He achieved a recognizable compositional style which makes his work discernible from that of his contemporaries. As shown in the work offered here, Buck often paints a large live oak tree placed prominently within the picture, creating an anchor for the scene. This landscape is depicted just after the sun has set with dark trees silhouetted against a fiery sky ablaze with hues of yellow and orange. Lily pads in bloom float in the foreground of the bayou illuminated with the reflection of the sunset.

472. Harry Herman Roseland (American, c. 1868-1950), “Mammy’s Predictions”, 1942, oil on canvas, signed and dated lower left, 18 in. x 24 1/4 in., period frame with artist and title plaque.

$8000/12000

Provenance: A New York City Gallery, c. 1945; descended in a Kentucky family.

471

472


473. Thomas Waterman Wood, N.A. (American, 1823-1903), “Young Woman and her Terrier”, 1899, oil on canvas, signed and dated mid right, 24 in. x 20 in., period giltwood frame.

$5000/7000

474. Andrew W. Melrose (American, 1836-1901), “Figure on a Path, the Netherlands”, 1896, oil on canvas, signed and dated lower left, 10 in. x 14 in., period gilt frame.

$800/1200

Provenance: Descended in a New Orleans family.

475. Elliot Daingerfield (American, 1859-1932), “Portrait of a Woman in a Kimono”, 1888, watercolor, signed and dated lower right, 12 1/2 in. x 9 1/2 in., framed.

$800/1200

476. Elliot Daingerfield (American, 1859-1932), “Portrait of Helen McCarthy”, c. 1900-1910, charcoal, unsigned, The North Carolina Museum of Art exhibition label from “Elliot Dangerfield”, Coggins Collection and The Mint Museum of Art, Charlotte, North Carolina labels en verso, sight 20 1/4 in. x 15 in., framed.

$800/1200

Provenance: Robert P. Coggins Collection, South Carolina.

W 477. Elliott Daingerfield (American, 1859-1932), “Study of Standing Man”, 1884, signed mid right, inscribed and dated lower left, sight 8 in. x 4 1/2 in., matted and framed with brass artist’s plaque.

$400/600

473

475 476

474

114

478. Probably Spanish Colonial, 18th c., “The Virgin as Queen of Heaven, with the Christ Child, Crowned by Two Angels”, oil on tin, unsigned, sight 8 1/4 in. x 6 in., giltwood and mahogany shadowbox frame.

$1000/1500479. James Carroll Beckwith (American, 1852-1917), “The Challenge: Two Cats and a Dog”, oil on canvas, monogrammed lower right, Campanella Gallery, Chicago label en verso, 17 in. x 21 in., period gilt frame.

$2000/3000

Provenance: Formerly in the Robert P. Coggins Collection, Marietta, Georgia.

480. An American Classical Carved Mahogany Secretary Bookcase, early 19th c., upper case with outset cornice, astral glazed doors flanked by columns, two drawers below; lower case with foldover writing surface above two paneled doors, scalloped shelf interior, tapered, turned and reeded legs ending in ball feet, height 85 1/4 in., width 51 1/2 in., depth 23 1/4 in.

$2500/3500

481. An English Carved Mahogany Reading Stand, mid-19th c., adjustable top, vasiform shaft, four scrolled foliate legs, casters, height 29 in., width 24 in., depth 18 in.

$500/750

478

481

479

480


482. A West Indies Carved Mahogany Sideboard, 19th c., shaped top, conforming case with central drawer over paired serpentine doors, flanked by bottle drawers, ring and vase turned tapered legs, height 41 1/2 in., width 59 1/2 in., depth 23 in.

$2500/3500

483. An American Federal Figured Maple and Carved Mahogany Chest of Drawers, early 19th c., possibly Portsmouth, NH, rectangular top with ovolo corners, conforming case with four drawers flanked by reeded columns, turned vasiform legs, casters, height 89 1/4 in., width 41 1/2 in., depth 19 1/2 in. Note: Bearing early ink inscription “F. Bryant, Marysville, Ohio” en verso.

$1200/2000

484. A Rare American Classical Carved Mahogany Armchair, early 19th c., New York, of generous size, architectonic crest rail, columnar stiles, padded arms with rosette terminals, tapered paneled uprights and legs, casters.

$2500/3500

Note: The architectonic aspect, finely chosen veneers and ornamental details on this chair relate closely to examples produced by well-known New York makers. The refined molding on the seat rail and legs and the outsized arm pads seen here are similar to those on an armchair for the North Carolina State House by John and Thomas Constantine and an armchair by Duncan Phyfe and Sons in the collection of Glorianna H. Gibbon.Reference: Cooper. Classical Taste in America 1800-1840. fig. 186, p. 230; Kenny, Brown, et. al. Duncan Phyfe, Master Cabinet Maker in New York. fig. 125, p. 103.

485. A William IV Carved and Inlaid Rosewood Library Table, c. 1830, inset leather top, frieze fitted with a drawer and opposing fall front escritoire drawer, columnar stem, molded legs ending in scrolled toes, casters, height 33 1/4 in., width 42 in., depth 41 in.

$3000/5000

482

485

483

484

116

488. A Very Rare Monumental American Classical Carved and Gilded Pier Mirror, early 19th c., labeled John S. Bird, Charleston, South Carolina, split column frame with blocked floral corners, height 65 7/8 in., width 38 in.

$10000/15000

Note: John S. Bird appears in the 1849 Directory for the city of Charleston as a “Military & Fancy Shop” at 225 King Street. Bird was deeded the land on the west side of King Street on September 6th, 1824, by the Sheriff of Charleston.Reference: Acts of the General Assembly of the State of South Carolina. 1847.

W 489. Basil Besler (German, 1561-1629), a pair of hand-colored botanical engravings from Hortus Eystettensis, 17th c., sight 19 1/2 in. x 16 in., attractively matted and framed.

$600/900

490. A Pair of Antique Inlaid Mahogany Knife Boxes, urn form with herringbone inlay, fitted interiors, silverplate escutcheons with armorials, on socle pedestal and plinth bases, h. 27 1/2 in., w. 12 in., d. 12 in.

$2500/3500

486. Giovanni Battista Ferrari (Italian, 1584-1655), eight hand-colored engravings of citrus from Hesperides Sive de Malorum..., 17th c., sight 12 1/2 in. x 8 1/2 in., attractively matted and framed.

$3000/5000

Provenance: Acquired from Patrick Dunne, Lucullus, New Orleans.

487. A French Empire Bronze-Mounted Guéridon, circular specimen marble top centered by a roundel of the Colosseum, paired columnar supports, incurvate triangular stretcher shelf, hoof feet, height 28 in., diameter 24 in.

$4000/6000

486 (2 of 8)

487

490

488


493. An American Classical Carved Mahogany Center Table, c. 1825, Boston, attributed to Isaac Vose and Son, circular top, chamfered triangular stem, incurvate triangular plinth, volute scroll feet, casters, height 30 in., diameter 40 1/4 in.

$3000/5000

Note: Isaac Vose and Son (Isaac Vose, Jr.) appear in the Boston Directory of 1820 as cabinet makers on Washington Street.

494. An American Rococo Carved and Laminated Rosewood Settee, c. 1850-60, attributed to John Henry Belter,

New York, in the pattern known as “Tuthill King”, height 44 in., width 68 in., depth 21 in.

$18000/25000

Note: This lot features an exceptional finely carved and pierced crest continuous with the laminated back.

“Tuthill King”, one of the Belter firm’s more complex and high style patterns, takesn its name from the parlor suite in the Tuthill King family home on South Michigan Avenue, which according to family lore, was saved from the Great Chicago Fire. It is now conserved by the Chicago Historical Society.

Other Belter seat furniture in the “Tuthill King” pattern includes chairs illustrated in Dubrow, American Furniture of the 19th century, p. 123; a sofa sold by Neal Auction Company as lot 384, Septem-ber 21, 2008; and a sofa sold by Neal Auction Company as lot 941, October 6, 2007.

491. “The Four Quarters of the Globe”: a Set of Chelsea Porcelain Figures Emblematic of the Four Continents, gold anchor mark, each modeled in colorful dress on scroll base, small losses throughout, some repairs, each height approximately 10 1/2 in.

$1200/1800

492. A French Tôle Peinte Hanging Bouillotte Lamp, adjustable tôle shade, urn form standard issuing four lights, glass chimneys and drip pans, fixture height 26 1/4 in., electrified.

$800/1200

494

493

492

491

118

495. An American Rococo Carved Rosewood Work Table, mid-19th c., attributed to Mitchell and Rammelsberg, Cincinnati, OH, hinged sarcophagus top opening to fitted satinwood interior, fitted drawer and work basket below, cabochon cabriole legs.

$1200/1800

Note: This example closely relates to known work tables by Mitchell and Rammelsberg with stenciled labels.

496. An Italian Carved and Gilded Pier Mirror, 19th c., crest surmounted by the Eye of Providence, the Ten Commandments and the Holy Chalice below, the divided mirror plate in blocked and molded frame, height 57 5/8 in., width 25 1/2 in.

$2000/3000

497. An American Mahogany and Birdseye Maple Grand Harmonicon, c. 1830, attributed to Francis Hopkinson Smith, Baltimore, deep rectangular case with lift top, inlaid Gothic arch corner panels above pendant drops, interior lift out sounding board fitted with 25 flint glass vessels (3 broken), probably blown by Amelung Glassworks, Urbana, MD, turned pedestal base with reeded saber legs and brass paw feet and casters, height 38 1/2 in., width 39 in., depth 28 in.

$4000/6000

Provenance: Made for historic Auburn Farm, Thurmont, MD. Exhibited in “Early Glass in Maryland”, Homewood House, Johns Hopkins University, January through April, 2000.

Note: “Grand Harmonicon” is the name that Francis Hopkinson Smith (1797- 1872) gave to his version of “musical glasses” which he patented April 27, 1825. The glasses were blown to pitch and are played by rubbing their rims with moistened fingers.

Examples of the Grand Harmonicon are found in museum collections including the Metropolitan Museum of Art, the Museum of Fine Arts, Boston and the Chrysler Museum of Art, Norfolk, VA.

W 498. A Charles X Gilt Bronze Portico Clock, early 19th c., engine-turned dial marked “Armingaud à Paris”, Doric columns, plinth base, on pad feet, height 14 in., width 7 in., depth 4 in.

$800/1200

497

495

496

497 (detail interior)


499. A Louis Philippe Ormolu-Mounted Ebonized Lyre-Form Mantel Clock, early 19th c., silk-thread movement, engine-turned dial with acanthine border, carved case mounted with masks and floral decoration, height 21 in., width 8 in., depth 5 1/2 in.

$700/900

500. An American Aesthetic Carved Rosewood Library Table, late 19th c., New York, molded rectangular top, paneled frieze fitted with a drawer, ring-turned vasiform legs, H-stretcher with galleried shelf, ball feet, casters, height 30 1/8 in., width 60 in., depth 39 in.

$1200/1800

501. An American Aesthetic Carved, Burled and Ebonized Étagère, late 19th c., shaped crest, molded shelves on vasiform supports, mirrored back flanked by pilasters, height 43 in., width 36 in., depth 17 in.

$700/1000

502. An American Renaissance Burled, Inlaid and Ebonized Center Table, mid-19th c.,

banded top with central exotic woods medallion, narrow frieze, bracketed stem, cruciform plinth, disc feet, height 29 1/2 in., diameter 34 in.

$1500/2000

503. An Edwardian Inlaid Mahogany Carlton House Desk, late 19th/early 20th c., in the Hepplewhite taste, galleried superstructure with small drawers and compartments, inset leather writing surface, three frieze drawers, square tapered legs, casters, height 39 1/2 in., width 48 in., depth 24 1/2 in.

$2000/3000

499

500

501502

503

120

504. A Fine Edwardian Paint-Decorated Satinwood Parlour Cabinet in the Adam Taste, c. 1905, upper case with arched crest above a pair of glazed doors; lower case with drawer and a pair of incurvate doors, tapered feet, the whole with fine floral paint decoration, height 61 in., width 42 1/4 in., depth 20 1/2 in.

$2000/3000

505. A Fine Pair of French West Indies Leather Club Chairs, early 20th c., each with arched crest, scrolled arms, scalloped seat rail, turned spherule feet, casters, the whole with brass nailhead trim.

$6000/8000

506. An Italian Gilt Bronze and Crystal Eight Light Chandelier, 19th c., foliate canopy with acorn finial suspending a corona with scrolling acanthine candle arms and basket form crystal swags with tassel finial, height 54 in., diameter 49.

$4000/6000

507. A West Indies Carved Mahogany or Tropical Hardwood Server or Huntboard, 19th c., probably Jamaica, molded top over reeded frieze, a single drawer to one end, ring-turned legs, height 42 7/8 in., width 59 in., depth 24 1/4 in.

$4000/6000

Note: The versatility of small serving tables in the tradition of George III huntboards made them popular in the West Indies for indoor and outdoor use. The reeded frieze and tall turned legs on this lot are found on other Caribbean examples illustrated in Conners. Caribbean Elegance, pp 34, 112 and 113.

504

505

507

506


508. A Louis XVI Carved and Painted Buffet, 18th c., molded top, paneled doors, interior with two small drawers and shelf, molded base, height 37 1/2 in., width 54 in., depth 22 in.

$2000/3000

509. A Louis XVI-Style Bronze-Mounted Mahogany Games Table, c. 1890, Camille Balny, Paris, marked, tripartite foldover top with baize gaming surface, frieze with drawers at each end, fluted legs, incurvate stretcher, toupie feet, height 31 in., width 25 1/2 in., depth 16 1/2 in.

$1000/1500

510. A Renaissance Revival Carved and Ebonized Games Table, mid-19th c., fine circular specimen marble top with central gameboard, turned and fluted stem, scrolled legs, height 29 1/4 in., diameter 21 1/2 in.

$5000/7500

W 511. A Continental Patinated Bronze Cup and Stand, late 19th c., with raised leaf and berry decoration, the branch-form stand with figure of a Bacchante, overall height 11 1/4 in., width 5 1/2 in., depth 5 3/4 in.

$300/500

W 512. A Grand Tour Gilt Bronze Figure of a Heron, holding a patinated bronze serpent and standing on a tortoise, variegated rouge marble pedestal, height 10 1/2 in.

$300/500

513. An Italian Polychromed Carved Wood Figure of a Roman Soldier, 18th/19th c., wearing helmet and cloak, height 40 in., width 17 in., depth 13 in.

$3000/5000

508 509

513

510

122

514. An Italian Neoclassical Parcel Gilt and Carved Fruitwood Writing Table, 19th c., rectangular top sliding to reveal pull out writing surface and fitted desk interior, on lyre supports with eagle and lion heads, shaped stretcher shelf, paw feet, height 29 3/4 in., width 34 3/8 in., depth 19 in. Note: One drawer with pencil inscription “G...scente”.

$2500/3500

515. A Set of Three Antique Hepplewhite Mahogany Side Chairs, stamped “Gillow”, shield backs with “Prince of Wales Feather” splats, shaped seats, molded square tapered legs, spade feet.

$500/700

516. An English Regency Carved Rosewood Center Table, early 19th c., circular top with beading, incurvate columnar support with gadrooned collar, on incurvate plinth, paw feet, casters, height 27 1/2 in., diameter 47 in.

$2000/3000

517. A George III Inlaid Walnut Chest-on-Chest, 18th c., upper case with molded cornice, three over three graduated drawers flanked by fluted chamfered stiles; lower case with dressing slide over three drawers, the lower with compass inlay, ogee bracket feet, height 74 1/2 in., width 48 in., depth 24 in.

$4000/6000

514 516

515

517


518. A Georgian Carved Mahogany Corner Chair, c. 1770, shaped crest rail with adjustable book rest and candle arm, vasiform splats, turned uprights, square legs, turned stretchers.

$2500/3500

519. A George III Carved Mahogany Linen Press, c. 1800, upper case with arched cornice, paneled doors, linen shelf interior; lower case with two over three graduated drawers, bracket feet, height 93 1/2 in., width 48 in., depth 22 in.

$3000/5000

520. A Regency Style Brass Inlaid and Carved Mahogany Pedestal Sideboard, 19th c., triangular pediment above a frieze fitted with drawers, each pedestal with deep drawer over tapered cupboard, turned ball feet, height 43 1/4 in., width 79 1/2 in., depth 28 in.

$1500/2500

521. A Fine Anglo-Indian Highly Carved Rosewood Center Table, 19th c., molded tilt top with reticulated frieze, columnar stem with clusters of berries, incurvate triangular plinth, scrolled feet, height 29 3/4 in., diameter 50 1/2 in.

$5000/7500

518

519

520

521

124

522. An American Federal Carved Mahogany Drop-Leaf Dining Table, early 19th c., rectangular top with single board drop leaves, ring-turned and reeded legs, turned feet, height 28 1/2 in., width 23 in., depth 48 in.

$1200/1800

523. S. Fonceca (active India 1849-1856), “A Gentleman, Probably of the East India Company” and “His Wife and Son, Probably at Madras”, a pair of watercolors (with graphite and touches of gouache) on paper, the first signed and dated “March 1849” lower left, the second signed (with date of “1853” partially obscured by frame) lower right, each sight 20 in. x 13 3/4 in, approximate sheet 20 1/2 in. x 14 1/2 in., in original period frames.

$2000/3000

Provenance: Alderfer Auction Gallery, December 16, 1993, lot 59.

Note: This highly accomplished but almost unstudied artist seems to be known, at present, only through three commissions: this beautiful pair of sheets from 1849 (and 1853); an undated watercolor of “A River Landscape in India”, 10 1/2 in. x 16 1/2 in. (sold at Sotheby’s, London, 15 November 2002, lot 40); and a final watercolor portrait of “General William Atkinson with His Wife and Family in the Grounds at Kamptee, Madras”, inscribed “December 1856” and measuring 10 5/8 in. x 17 in. (Sotheby’s, Summers Place, May 21, 1998, lot 175). The gentleman’s highly correct “morning clothes”—including a very British-looking cutaway jacket and top hat—that are carefully reflected by his son (in a charming visual rapport, with the portrait of the father reintroduced as a framed reprise into the second image), as well as the subtle hint of a shield of arms perhaps embroidered on the stool, and the view apparently of an “East Indiaman” under way in the distance, all confirm that these affecting images are most likely to reveal an affluent Anglo-Indian family “at home” in Madras.

524. Manner of David Teniers the Younger (Flemish, 1610-1690), probably 18th/19th c., “Village Festival (Kermess)”, oil on canvas, bears signature lower center right, 17 3/4 in. x 26 in., in an antique frame.

$3000/5000

Provenance: Estate of Felix G.W. de Weldon (American sculptor, 1907-2003), Newport, RI.

525. Manner of Guercino (Italian, 1591-1666), late 17th/18th c., “Penitent Magdalene with the Crown of Thorns”, oil on canvas, 18 1/2 in. x 15 in., period frame.

$1800/2500

522 525

524

523


526. Sir David Young Cameron, ARA (English, 1865-1945), “Seil Island of Oban”, watercolor, signed lower left, titled en verso, sight 6 3/4 in. x 14 1/2 in., framed.

$1000/1500

527. Arnold Marc Gorter (Dutch, 1866-1933), “Haystacks”, oil on panel, signed lower right, stamped en verso “J.H. van Beek, Amsterdam”, 10 ¼ in. x 14 3/8 in., period frame.

$1200/1800

528. Spanish Colonial School (possibly Cuzco), 18th or 19th c., “St. Ursula with the Ten Thousand Virgins”, oil on canvas, unsigned, 44 1/2 in. x 27 3/4 in., framed.

$1000/1500

Provenance: Estate of Dr. Robert Trimble, Houston, TX.

529. French School, early 19th c., “Three Figures in Carnival Costume Seated on Fictive Balcony, One with Sword and Staff, Two with Drum and Horn”, blue monochrome oil on canvas, collector’s label en verso, 40 in. x 32 1/4 in., framed.

$1500/2500

Provenance: Levai Antiquarian, Biarritz, c. 1965.

530. A Continental White Marble “Bust of a Lady”, 19th c., with elaborate coiffure, in a toga bordered with anthemia, height of bust 27 in., on a fluted, figured wood pedestal, height of pedestal 43 in., overall height 70 in.

$2000/3000

526

527

529

528

530

126

531. A Carrara Marble Bust of “Flora”, marble pedestal with bronze foliate mounts, bust height 29 in.; pedestal height 39 1/2 in., width 16 in., depth 16 in.

$2000/3000

532. A French Empire-Style Carved Mahogany and Bronze-Mounted Clock, carved giltwood spherical finial, obelisk fitted with bronze dial, mounted with Napoleonic shield and wreath, base with quiver form pilasters, centered by a bisque plaque of a cherub, height 98 in., width 19 1/4 in., depth 17 3/4 in.

$6000/8000

533. A French Empire Carved Giltwood Mirror, early 19th c., molded frame with octagonal mirror plate surmounted by a Napoleonic eagle within acorn and oak leaf wreath, height 39 in., width 24 1/4 in.

$4000/6000534. A Louis XVI Gris Peinte and Gilt Pier Mirror, late 18th/early 19th c., of architectural form, divided mirror plate with molded surround surmounted by floral garland and basket, height 78 3/4 in., width 35 3/8 in.

$4000/6000

531

532

533

534


536. An Antique George III-Style Carved Mahogany Armchair, beaded and foliate crest rail with continuous stiles, Gothicized splat, scroll arms, serpentine seat, molded Marlborough legs, stretchers.

$300/500

535. A Faux Tortoiseshell, Bone and Lightwood Inlaid Cassone, in the Moorish taste, shaped top opening to void interior with small lidded compartment, bracket feet, height 23 in., width 45 in., depth 23 in.

$2500/3500

537. An Irish Georgian-Style Carved Mahogany Triple Chairback Settee, 19th c., acanthine crest, pierced tree of life splats, shaped arms with bird terminals, pierced foliate seat rail centered by a mask, cabriole legs with anthemion knees, paw feet, height 37 1/2 in., width 76 in., depth 25 in.

$2000/3000

538. An Irish Chippendale-Style Carved Mahogany Console Table, mid-19th c., serpentine top, pierced foliate frieze centered by a mask, cabriole legs ending in hairy paw and ball feet, height 31 in., width 55 1/2 in., depth 31 in.

$5000/7500

539. A William IV Carved Mahogany Mechanical Library Armchair, c. 1835, scrolled crest on reclining back, padded arms ending in swan terminals, molded seat rail opening to reveal an adjustable foot rest.

$3000/5000

535

537

538

539

536

128

540. An Italian Rococo Carved Walnut Settee, 18th c., arched back, flared scrolled arms, molded serpentine seat rail, molded cabriole legs, height 43 in., width 80 1/2 in., depth 27 1/2 in.

$2000/3000

541. An Italian Neoclassical Inlaid Walnut Bureau, early 19th c., slant front lid enclosing fitted desk interior, two drawers below, square tapered feet, height 41 in., width 36 1/2 in., depth 18 1/2 in.

$1200/1800

542. A Venetian Rococo Polychromed and Caned Armchair, 18th c., shaped crest and

stiles, interlaced splat, scroll arms, serpentine seat rail, cabriole legs ending in trifid feet.

$1000/1500

543. An Italian Neoclassical Faux Bois and Gilt-Decorated Armoire, early 19th c., molded cornice over paneled doors, shelf interior retaining old stenciled paper lining, paneled sides, square tapered feet, height 80 1/2 in., width 49 1/2 in., depth 25 1/2 in.

$2000/3000

544. Continental School, 18th c., “A Frieze with Dancers Bearing Staffs and Musical Instruments”, oil on canvas, unsigned, 16 in. x 66 3/4 in., original frame.

$2000/3000

540

544

541

543

542


545. A Patinated Bronze Figure of a Warrior, after Emile Louis Picault (French, 1833-1915), self base, inscribed “Honar Patria”, height 69 in., width 24 1/2 in., depth 36 in.

$2000/3000

546. A Carved White Marble Figure of David, after the colossal statue of 1501-1504 by Michelangelo (Italian, 1475-1564), height 24 in.

$1000/1500

W 547. A Persian Sohrab Center Hall Runner, repeating central pattern in cream with blue ground border with terracotta flowers, 10 ft. 2 in. x 4 ft. 11 in.

$1400/1800

W 548. A Tabriz/Mashad Carpet, c. 1960, red and blue foliate designs on warm grey ground and wide border, 8 ft. x 11 ft. 8 in.

$1800/2500

549. A Persian Serapi Carpet, pale blue, pink and yellow stylized patterns on terracotta ground with deep blue border, 11 ft. 3 in. x 14 ft. 1 in.

$8000/12000

550. A Persian Serapi Carpet, maroon and blue ground with geometric foliate patterns with deep blue border, 14 ft. 5 in. x 9 ft. 4 in.

$8000/12000

545 546

549

550

130

W 551. A Persian Meshad Carpet, cream and black central floral medallion and border on bright ruby ground, 8 ft. 1 in. x 11 ft. 6 in.

$2500/3500

552. A Pair of Renaissance Revival Patinated Bronze and Champlevé Five-Light Sconces, beribboned backplate, standard with cherub busts and fruit garland, height 42 in., width 24 in., depth 12 in.

$2000/3000

553. A Pair of Empire-Style Bronze Doré Four-Light Sconces, 19th c., spread-wing swan issuing scrolling candlearms, bowknot backplate, height 13 1/2 in., width 8 1/2 in., depth 10 in.

$700/900

554. A 14 kt. White Gold, Ruby and Diamond Ring, set with an oval faceted ruby, approx. 2 cts., and 24 full cut diamonds totalling approx. 2.80 cts.

$6000/8000

555. A Pair of 14 kt. Yellow Gold and Pavé Diamond Hoop Earrings, set with approx. 7 cts. diamonds.

$8000/12000

556. A 14 kt. Yellow Gold, Red Enamel and Diamond Bangle Bracelet, set with 9 bezel set European cut diamonds totalling approx. 1.75 cts.

$6000/8000

557. A 14 kt. Yellow Gold and Diamond Tennis Bracelet, set with 49 diamonds totalling approx. 2 cts.

$2000/3000

552 553

554 555

556

557


558. A Pair of 18 kt. Yel-low Gold, Amethyst and Diamond Earrings, each set with a cabochon heart-shaped amethyst, 8 pavé set diamonds and 2 cabochon citrines. Note one earring missing citrines.

$2500/3500

559. A Necklace of Cream Colored South Sea Pearls, graduated from 12 1/2 mm. to 15 1/4 mm., with 14 kt. yellow gold and single cut diamond clasp.

$6000/8000

560. A 19 kt. Yellow Gold Necklace in the Etruscan Taste, rope twist with bead work raised decoration and rectangular box clasp, weight 39 dwt.

$3000/4000

561. A Contemporary Grey and Black Shagreen Bangle Bracelet, with silver topped, gold backed ornaments set with rose diamonds, total diamond weight approx. 4 cts.

$3000/5000

562. An Italian 18 kt. Yellow Gold and Pavé Diamond Acorn Brooch, set with approx. .75 ct. single cut diamonds.

$2500/3500

558

559

560

561

562

132

W 563. A Necklace of Continental 19.20 kt. Yellow Gold 10 mm. Beads, hallmarked, weight 21 dwts., length 35 in.

$1200/1800

W 564. A Continental Silver Topped, Gold Backed Citrine, Rose Diamond and Pearl Pin.

$1000/1500

565. A 14 kt. Yellow Gold, Black Enamel and Diamond Cartouche-Shaped Pendant/Brooch, set with approx. 1.50 cts. diamonds.

$2000/2500

W 566. An Art Moderne 18 kt. Yellow Gold, White Gold and Diamond Brooch, weight 12.5 dwts.

$800/1200

W 567. A Retro 14 kt. Rose Gold Circular Brooch, c. 1940-1950, weight 12.5 dwts.

$700/1000

568. An 18 kt. Yellow Gold Squirrel Ring, marked “KN 1969” and “KN 18K”, the eyes inset with rubies, 21.5 dwt.

$500/700

W 569. A Group of Art Deco Black and Clear Glass Tableware, including 10 plates, 2 glasses and 3 candlestands, plate diameter 9 1/2 in. (15 pcs).

$500/700

570. A Fine Spode Porcelain Tea Service in the Imari Pattern, early 19th c., marked in iron red, comprising a teapot, lidded sugar bowl, creamer, waste bowl, low open bowl, rectangular bonbon tray, six footed teacups, four rounded teacups, five small teacups and eight assorted saucers, (25 pcs.).

$400/600

W 571. Eight English Ironstone Imari Pattern Plates, late 19th c., marked “Mason’s/ Patent Ironstone/ China”, diameter 10 1/4 in.

$300/500

572. An Antique English Carved and Inlaid Mahogany Grandmother Clock, 19th c., arched bonnet top with finials, brass dial face with cherub spandrels, arch with swinging eagle, case with lamb’s tongue chamfered stiles, door inlaid with ivory tassel and musical trophée, molded base, bracket feet,

height 64 in., width 13 1/2 in., depth 9 in.

$1200/1800

565

568 572

570


573. A Steuben Glass Sculpture “Trout and Fly”, designed by James Houston, introduced 1966, figure modeled leaping to catch a gold Royal Coachman fly, its skin glistening with waterdrops represented by bubbles of trapped air, inscribed Steuben, height 8 1/4 in.

$500/700

W 574. A French Bronze Doré Two-Light Bouillotte Lamp, 19th c., oval tôle peinte shade, adjustable light support with rams head mounts, height 26 in., width 17 in., depth 10 1/2 in.

$400/600

W 575. An Antique 14 kt. Yellow Gold and Diamond Leaf Pin, weight 5 dwts.

$400/600

W 576. An 18 kt. Yellow Gold Ram’s Head Ring in the Etruscan Taste, with rose diamond collar and ruby eyes.

$400/600

577. A Pair of Continental Giltwood and Wrought Iron Urns, 19th c., with floral sprays issuing prickets, height 33 in., width 13 1/2 in., depth 8 in.

$1000/1500

578. A Napoleon III Gilt Bronze and Porcelain Twelve-Light Chandelier, late 19th c., standard and supports with applied porcelain flowers, height 28 in., diameter 29 in.

$1500/2500

W 579. Peter Sheppard (Canada, 1882-1965), “Sorrento Drive, Italy”, 1955, oil on masonite, signed and dated lower right, titled upper right, 46 in. x 60 in., framed.

$500/750

580. A Polychromed Bronze Figure of a Reclining Courtesan, signed “L. Hottot,” with removable draperies (headdress and covering), height 16 in., length 27 in., width 10 in.

$2000/3000

W 581. An Antique Louis XVI-Style Verte Peinte Trumeau Mirror, early 19th c., egg and dart molded frame surrounding an oil on canvas of a courting couple in a garden, mirror plate below, height 57 in., width 32 in.

$600/800

W 582. A Pair of Continental Patinated Bronze Figures, 19th c., of “Jupiter” and “Juno” based on 16th c. Venetian models, height 14 in.

$700/900

W 583. A Patinated Bronze Figure of the “Seated Mercury”, after the Roman original from the Villa dei Papiri, Herculaneum, now in the Museo Nazionale, Naples, height 7 5/8 in., presented on a verte marble plinth.

$300/500Reference: Taste and the Antique, Penny & Haskell, 1981, pp.267-69, fig. 139.

573

578 580

577

134

584. A Pair of White Marble Sandaled Feet, after the Colossus of Rome, height 8 in., width 6 in., depth 15 in.

$1200/1800

W 585. A Fine Antique Plaster Anatomy Figure, for the study of musculature, the male figure with one arm forward, height 29 in., width 8 1/2 in., depth 18 in.

$600/800

586. A Stone Marten Full Length Fur Coat, labeled.

$1000/1500

587. A Chinese Polychrome and Gilt Decorated Black Lacquer Candle Stand, hexagonal top on cloud-pierced spandrels, turned column on conforming tripartite supports, height 57 1/2 in., diameter 18 1/2 in.

$1200/1800

588. A Charles X Bronze Doré Box, 19th c., the hinged lid covered in ornate relief, central medallion with profile of a gentleman, sphinx feet, height 4 1/2 in., width 12 in., depth 9 3/4 in.

$4000/6000

589. A Pair of Louis XVI-Style Malachite Veneered and Bronze Doré Jardinières, of cylindrical form, lion masque ring handles over a lobed plinth on adjustable compressed bun feet, height 10 1/2 in., diameter 15 in.

$3000/5000

584

587

586

588

589


W 590. A Chinese Pale Celadon Jade Bangle Bracelet, even celadon stone carved with a continuous twisted rope design, exterior diameter 3 in.

$500/700

W 591. A Chinese Jadeite Bangle Bracelet, variegated green, yellow and lavender stone, exterior diameter 2 3/4 in.

$800/1200

W 592. A Chinese Amber Necklace and Matching Earrings, necklace comprised of a continuous string of large and small amber beads, each separated by a freshwater pearl, length 28 in.; pair of earrings en suite, length 1 3/4 in.

$500/700

W 593. A Collection of Chinese Coins, composed of 108 Chinese and Straights settlement white metal coins in a presentation book, book height 6 in., width 4 1/8 in.

$1000/1500

W 594. A Group of Three Chinese Glass Snuff Bottles, comprising an opaque white glass bottle imitating jade, height 3 1/2 in.; a translucent brown glass bottle imitating amber, height 2 3/4 in.; and a red overlay snowflake glass bottle carved with a carp in a basket, height 3 1/8 in.

$300/500

595. A Chinese Gold Foil Flecked Brown Glass Snuff Bottle, 19th c., carved with the figure of a caparisoned elephant, height with stopper 2 3/8 in.

$1800/2500

Provenance: Southeastern Collector.

596. A Chinese Red Overlay Green Glass Snuff Bottle, 19th c., pale green glass overlaid in a casing of red, height with stopper 2 3/4 in.

$1200/1800


597. A Chinese Ruby Red Glass Double Gourd Snuff Bottle, carved throughout with faceted planes, height with stopper 2 1/2 in.

$2000/3000


598. A Chinese Famille Rose Enameled Milk Glass Snuff Bottle, possibly 18th c., finely enameled with scenes of figures in gardens, base with Guyue Xuan mark, height with stopper 2 5/8 in.

$5000/7000


599. A Chinese Yellow Glass Snuff Bottle, probably 19th c., carved overall with a tight basket weave pattern, height with stopper 2 7/8 in.

$3000/5000


595

597

599

596

598

136

600. A Chinese Double Overlay Pink, White and Translucent Red Glass Snuff Bottle, carved with delicate lotus petals arising from a furled lotus leaf, height with stopper 2 3/4 in.

$5000/7000


601. A Chinese Pink Glass Snuff Bottle, flattened form with mask ring handles, with engraved design of ancient bronzes on one side and archaic calligraphy on the other, height with stopper 2 3/8 in.

$2500/3500


W 602. A Chinese Embroidered Blue Silk Nine Dragon Robe, Jifu, Qing Dynasty (1644-1911), worked in satin and knot stitch and couched metallic threads with dragons amid Buddhist emblems above

a lishui hem, length 55 1/2 in.

$600/800

HWM W 603. A Chinese Embroidered Blue Silk Jacket, early 20th c., worked in satin stitch with confronting butterfly roundels and scattered floral sprays, length 42 1/2 in.

$500/700

HWM 604. A Chinese Yellow Silk Kesi “Orchid” Robe, Qing Dynasty (1644-1911), woven in slit-weave technique with multiple orchids en grisaille with similar decoration repeated on border, collar and cuffs, length 54 in.

$3000/5000


W 605. A Pair of Chinese Grisaille Decorated Yellow Ground Porcelain Dishes, probably late 19th c., each painted en grisaille with flowering branches, an iron-red Dayazhai mark and a tian di yi jia chun oval seal, base with iron red Yong qing chang chun mark, diameter 5 5/8 in.

$500/700

606. A Pair of Chinese Famille Rose Porcelain Yellow Ground “Longevity” Bowls, 19th/20th c., exteriors decorated with bats, peaches and shou characters, bases with Guangxu marks, height 2 1/2 in., diameter 5 1/2 in., wood stands, overall height 3 3/4 in.

$1200/1800

W 607. A Chinese Famille Rose Porcelain Brush Pot, Bitong, 19th c. cylindrical body decorated with a continuous scene of a rooster, hen and chicks in a garden setting, base with Qianlong mark, height 5 5/8 in., diameter 4 3/4 in.

$600/800

600 601

604

606


608. A Chinese Famille Rose and Gilt Decorated Porcelain Ruyi Scepter, probably early 20th c., curving body molded with vining fruit, inset with three finely enameled famille rose panels with figural and floral landscapes, impressed Qianlong mark, length 18 3/4 in., storage box.

$800/1200

609. A Chinese Famille Rose Porcelain Bottle Vase, 19th/20th c., decorated with nine multi-colored bats flying amid peach sprays and auspicious symbols, base with Guangxu mark, height 11 1/2 in.

$600/800

W 610. A Chinese Famille Verte Porcelain Saucer Dish, 19th c., the interior decorated with plants and insects, base with Kangxi mark, height 1 1/2 in., diameter 6 1/2 in.

$600/800

W 611. A Pair of Chinese Famille Rose Porcelain Saucer Dishes, 19th c., the interiors decorated in mirror image with scholars and scribes before a rural pavilion, bases with Tongzhi marks, height 1 1/8 in., diameter 5 3/4 in.

$500/700

W 612. A Pair of Chinese Iron Red and Famille Rose Porcelain Saucer Dishes, 19th c., each decorated with a central floral spray encircled by reserve decorated floral borders, bases with Guangxu marks, diameter 5 1/4 in.

$500/700

W 613. A Pair of Chinese Famille Rose Porcelain Teacups, early 20th c., the exteriors decorated with continuous scenes of ducks swimming amid lotus in a “Lotus Pond”, bases with Xuantong marks, height 2 5/8 in., diameter 2 3/4 in.

$600/800

614. A Pair of Chinese Gilt Bronze Models of Pagodas, early-to-mid 20th c., each modeled as a two story hexagonal pagoda with “tiled” roofs hung with pendant wind bells, raised on a waisted lotus base, height 19 3/4 in, wood stands, overall height 20 3/4 in.

$800/1200

615. A Chinese Cloisonné Enamel Figure of a Songbird, the standing figure with split tail and removable wings, height 4 in., length 5 1/4 in.

$2000/3000

616. A Chinese Carved Ivory Figure of Guanyin, graceful standing figure carved wearing long robes open at the chest carrying a wine cup in the left hand while the other is raised in kartari mudra, height 11 1/2 in., wood stand, overall height 13 in.

$1000/1500

Provenance: Acquired c. 1940 by a US naval physician stationed in Shanghai; thence by descent in the New Orleans family.

608

609 614

615

616

138

W 617. A Chinese Carved Ivory Bird, Rock and Branch Group, tall rock outcropping carved with two birds perched on rocks beneath an old gnarled pine tree, inscribed and sealed, height 8 1/4 in., wood stand, overall height 9 3/4 in.

$500/700

Provenance: Estate of antiquarian Mary Louis Durham, Slidell, LA.

618. A Chinese Carved Ivory Figural Group of the Immortal Lu Dongbin and an Acolyte, male Immortal carved with a sword slung over his backside, carrying a fly whisk in his right hand and grasping his long beard in his left, standing beside a small child holding a wine cup, height 10 1/4 in., wood stand, overall height 11 1/2 in.

$1000/1500

Provenance: Acquired c. 1940 by US naval physician stationed in Shanghai; thence by descent in the New Orleans family.

W 619. A Chinese Carved Ivory Figure of a Beauty, elegant standing figure carved holding a flower laden shawl in one hand and a scroll behind her back in the other, height 10 1/4 in.

$800/1200


620. A Chinese White and Russet Jade Figure of Buddhist Lion, white stone with russet inclusions carved as a fierce lion seated on its haunches, height 2 7/8 in.

$2500/3500

Provenance: Texas Collector.

621. A Chinese White and Russet Jade Eagle and Serpent Group, probably 19th c., white stone with russet inclusions carved in the round as an eagle holding a serpent in its talons, length 2 1/4 in.

$1200/1800


622. A Chinese Celadon and Russet Jade Figure of a Water Buffalo, celadon green stone with russet inclusions, carved as a recumbent buffalo with its head turned to the side, height 2 5/8 in., length 7 1/2 in.

$10000/15000


618

620

621

622


HWM 623. A Near Pair of Chinese Carved Bamboo Libation Cups, probably 17th/18th c., each carved as an old gnarled pine trunk with openwork leafy branches, the interiors with silvered sheet metal lining, height 3 5/8 in., width 5 in., depth 4 1/8 in. and depth 4 1/4 in.

$2500/3500


HWM 624. A Fine Chinese Carved Rhinoceros Horn Libation Cup, 17th/18th c., carved as a curling veined lotus leaf with two dragons scaling the sides amid orchids and clover, the base with swirling and cresting waves, height 2 1/2 in., width 4 1/8 in., depth 3 5/8 in.

$7000/9000


HWM 625. A Chinese Carved Rhinoceros Horn Libation Cup, 17th/18th c., carved as a partly rotten tree stump with new-growth chrysanthemum, peony and grasses relief carved along the sides, height 2 1/4 in., width 5 1/8 in.

$6000/8000


HWM 626. A Chinese Carved Rhinoceros Horn Libation Cup, 18th c., carved as an open hibiscus blossom borne on openwork flowering prunus and tree peony branches forming the handle and base, height 3 in., width 4 3/4 in., depth 3 1/2 in.

$6000/8000


623

624

625 626

140

HWM 627. A Chinese Carved Rhinoceros Horn Libation Cup, 18th c., deep body carved with two kui dragons forming the openwork handle, one extending over the everted lip, the sides relief carved with archaistic masks above the separately carved flared foot, height 3 3/4 in., width 5 5/8 in., depth 3 5/8 in.

$4000/6000


HWM 628. A Pair of Chinese ‘Blanc de Chine’ Porcelain Libation Cups, Qing Dynasty (1644-1911), each modeled in the traditional form with molded relief decoration of a deer and a bear in a landscape and a dragon and crane in the sky, creamy white glaze, height 2 in., width 4 in.

$1000/1500


629. A Chinese Carved Bamboo Brush Pot, Bitong,

carved from a section of bamboo, engraved with flowering peony plants, height 5 in.

$3000/5000


630. A Large Chinese Carved Hardwood Brush Pot, Bitong, 20th c., probably zitan, tree trunk form carved with the Seven Sages of the Bamboo Grove, inscribed “made in early 1915 (or 1975)” and sealed, height 9 1/4 in., width 8 1/8 in.

$1500/2500

W 631. A Chinese `Ink’ Decorated Porcelain Brush Pot, Bitong, 19th c., cylindrical body painted with a seated Luohan in brown and black ink tones, inscribed, base with Daoguang mark, height 4 3/4 in., diameter 3 in.

$300/500

632. A Chinese Enameled Porcelain Brush Pot, Bitong, 20th c., double lobed body finely decorated with a snowy winter scene, bearing signature of He Xuren and dated “Bing Wu” year, height 3 1/8 in.

$500/700

W 633. A Chinese ‘Ink’ Decorated Porcelain Brush Pot, Bitong, 19th/20th c., the exterior decorated in ink tones with a sage and an attendant beneath a tree beside a calligraphic inscription, height 5 3/4 in., diameter 4 1/2 in.

$400/600

W 634. A Chinese Famille Rose Porcelain Brushpot, Bitong, 19th/20th c., cylindrical body decorated with flowers and rockwork beneath sparrows in flight, base with Guangxu mark, height 6 1/8 in., diameter 4 3/4 in.

$400/600

627 629

628

630 632


635. A Set of Ten Chinese Porcelain Panels Painted in the Manner of Castiglione (Lang Shi’ning), each rectangular panel painted with an image of a dog on a gold-yellow ground, each with inscriptions and seals, sight 28 in. x 16 in., framed, overall height 31 in., width 19 in.

$5000/7000

W 636. A Set of Four Chinese Famille Rose Painted Porcelain Plaques, probably 20th c., each rectangular panel finely painted with a bird and flower of the four seasons, each inscribed and bearing signature of Liu Yucen, sight 14 3/8 in. x 7 3/8 in., framed.

$1500/2500

HWM 637. A Chinese Blue and White Porcelain Shallow Bowl, probably early Qing Dynasty (1644-1911), boldly decorated with a Qilin seated amid pine, rocks and plantain, brown rim, double foot ring, height 3 in., diameter 13 1/4 in.

$1500/2500

638. A Rare Chinese Blue and White Porcelain Dish, Jiaqing mark and period (1796-1820), the interior well decorated with two confronting phoenix birds in flight amid stylized cloud scrolls, exterior with further phoenix and cloud decoration, base with Jiaqing seal mark, height 1 1/8 in., diameter 6 1/4 in.

$7000/9000

HWM 639. A Chinese Blue and White Porcelain Shallow Bowl, 17th c., the well decorated with flowering peonies and a weathered rock encircled by a wide band of aquatic plants, lotus and iris, height 2 3/4 in., diameter 12 3/4 in.

$1000/1500

635 (2 of 10)

638

639

637

142

W 640. A Chinese Blue and White Porcelain `Dragon’ Bowl, late 19th/early 20th c., decorated to the exterior with a pair of confronting five-clawed dragons contesting a flaming pearl, base with Guangxu mark, height 2 3/8 in., diameter 4 3/8 in.

$300/500

HWM 641. A Pair of Chinese Blue and White Porcelain Rose Water Bottles, 18th c., each of triple gourd form with elongated necks, the bulbous bodies decorated with shaped floral panels, height 7 1/2 in. Note: One with restoration.

$1000/1500


HWM W 642. A Chinese Blue and White Porcelain Bowl, 17th/18th c., the interior decorated with two boys at play, the exterior with a

continuous scene of ladies in a garden, base with Chenghua mark, height 3 1/8 in., diameter 6 1/4 in.

$400/600


HWM W 643. A Chinese Blue and White Porcelain Bowl, 18th c., the interior decorated with a central female figure beneath a band of Eight Buddhist Treasures, the exterior with figures and garden vignettes, base with four character commendation mark within a double circle, height 2 7/8 in., diameter 2 7/8 in.

$400/600


HWM 644. A Pair of Chinese Anhua Decorated White Glazed “Egg Shell” Porcelain Bowls, Qing Dynasty (1644-1911) or earlier, the interiors decorated in anhua with two five-clawed dragons in pursuit of a flaming pearl, wells with incised two character Yongle marks, height 1 5/8 in. and 1 11/16 in., diameter 4 3/4 in., wood stands, overall height 3 5/16 in. and 3 3/8 in.

$2000/3000

HWM 645. A Rare Antique Chinese or Japanese “Ko-Sometsuke” Porcelain Fish-Form Dish, pierced well, straight sides, four lion-mask feet, the interior painted with a perch, height 2 1/8 in., width 8 1/2 in.

$600/800

HWM 646. A Rare Chinese Blue and White Porcelain Drum Form Jar and Cover, Jiajing mark but 17th c., rounded sides with wide figural scenes between boss bands at the top and bottom and gilded biscuit dragon-head loop handles at the side, the cover surmounted by a Buddhist lion finial in biscuit with trace gilt, green and red, height 9 1/8 in., width 9 in.

$5000/7000

Provenance: Chait Galleries, New York; Christie’s, New York, Fine Chinese Ceramics, Paintings and Works of Art, September 21, 2000, lot 338.

641

645

644

646


647. A Pair of Chinese Peachbloom Glazed Porcelain Vases, probably 19th c., each of apple-form with tapering bulbous body, wide concave shoulder and short flared neck, overall green speckled mottled red glaze, bases with Kangxi marks, height 3 1/2 in.

$600/800

648. A Chinese Famille Verte Porcelain Bowl, 18th c., the well decorated with a stylized floral medallion, the flat rim with Buddhist emblems reserved on a floral band, height 2 1/2 in., diameter 11 in.

$800/1200

HWM 649. A Pair of Antique Chinese Gilt Decorated Black Lacquer Armchairs, undulating splat, scroll back and arms, decorated overall with landscape scenes and scrolling foliage, height 42 in., width 24 3/4 in., depth 20 in.

$5000/7000

Provenance: George W. Headley III, Hotel Bel-Air, Los Angeles, CA.

Note: For a nearly identical pair of armchairs, see Christie’s, London, May 15, 2012, lot 352.

HWM 650. A Pair of Antique Chinese Gilt-Decorated Brown Lacquer Barrel Stools, Zuodun, lobed seats above ruyi pierced aprons supported on five incurvate legs with scrolled toes, lobed stretcher on ruyi feet, overall scrolling foliage design, height 17 3/4 in. Note: Condition of one.

$2500/3500

W 651. A Chinese Embroidered Red Silk Scenic Panel, worked in satin stitch with a garden scene with bats, grape trellis, pagoda, rocks, grasses and butterflies, inscription, sight 46 in. x 25 3/4 in., matted and framed.

$400/600

Provenance: Estate of Judith Gic Shelton, New Orleans, LA.

HWM 652. A Large Chinese Embroidered Red Silk Hall Hanging, 19th c., worked in couched gold threads and padded satin stitch with a central Shoulao figure flanked by the Eight Immortals, hung with silk strips reading “Live like the Southern Mountain” and “May your happiness be as immense as the East Sea”, height 128 in., width 58 in.

$2500/3500

647

649

650 652

648

144

653. A Chinese Carved Greenish White Glass Figure of a Beauty, 19th c., pale green glass carved in imitation of jade as an elegant standing female wearing long robes and her hair tied high in a chignon, height 10 1/2 in.

$2500/3500

654. A Chinese Carved Green Glass Brush Pot, Bitong, probably 19th c., mottled green glass carved in imitation of jade with a sage in a grotto beside a calligraphic poem, base with Daoguang mark, height 5 5/8 in.

$6000/8000

W 655. A Chinese Carved Yellow Glass Circular Box and Cover, 19th/20th c., carved with a Shou character surrounded by bats and Buddhist emblems, height 2 1/2 in., diameter 4 1/8 in.

$1000/1500

W 656. A Chinese Coral Red Glass Baluster Vase and Two Red Overlay Yellow Glass Brush Washers, 19th/20th c., vase height 11 1/4 in.; brush washer height 2 1/4 in., diameter 4 in (3 pcs.)

$800/1200

W 657. A Chinese Yellow Overlay Blue Glass Bottle Vase, deeply carved with playful Buddhist lions above flowering

branches, height 7 1/2 in.

$300/500

W 658. A Pair of Chinese Carved White Glass Bowls, carved with overlapping lotus petals, height 2 1/2 in., diameter 6 3/8 in.

$600/800

659. A Chinese Carved Yellow Glass Bottle Vase, late 19th/early 20th c., globular body carved with confronting archaistic dragons, base with Qianlong mark, height 5 1/2 in.

$3000/5000

660. A Chinese Celadon Jade Horse and Monkey Group, 17th/18th c., celadon stone with russet inclusions carved as a recumbent horse with a monkey climbing its back, height 2 in., length 3 1/2 in.

$3500/4500


661. A Chinese Celadon Jade Horse, probably 19th c., even celadon stone carved as a recumbent horse with its head turned over its back, height 2 1/8 in., length 3 3/8 in.

$1000/1500


653

659

654

660

661


662. A Chinese Pale Celadon Jade Figure of a Buddhist Lion and Pup, 18th/19th c., pale icy celadon stone intricately carved as a recumbent lion clutching a brocade ball with a playful pup on its back, height 2 3/8 in., length 6 7/8 in.

$9000/12000


663. A Chinese Celadon Jade Dragon and Rock Group, Qing Dynasty (1644-1911), even greyish celadon stone finely carved as a long openwork rocky range with a vapor emitting fierce dragon emerging from the center, height 2 3/8 in., length 12 1/2 in., carved wood stand, overall height 4 1/4 in., length 14 in.

$7000/9000

Provenance: Southern Collector

664. A Chinese Celadon Jade Belt Hook, probably 19th c., pale celadon stone carved in the traditional form with a bearded qilong dragon atop the bowed shank with a horned dragon terminal, length 3 7/8 in.

$1000/1500


W 665. A Chinese Han-Style Jade Inset Bronze Door Knocker, “calcified” white jade carved as an archaistic taotie mask set in a gilded and patinated bronze frame suspending a circular bronze loop, overall height 5 1/4 in., width 4 1/4 in.

$1000/1500


W 666. A Chinese White Jade Rectangular Plaque Pendant, slightly greenish white jade stone carved with a bearded male figure in military aspect, height 2 1/4 in., width 1 1/2 in.

$500/700


W 667. A Pair of Chinese Spinach Jade Figures of Water Buffalo, mottled dark green stone carved as recumbent figures with slightly uplifted heads, height 2 1/2 in., length 4 1/2 in., wood stands, overall height 3 1/2 in.

$500/700


W 668. A Group of Three Chinese Snuff Bottles, composed of a clear glass bottle inside-painted with Immortals, signed, height 3 1/4 in.; an ivory inlaid horn bottle with landscape decoration, height 2 3/8 in.; and a cinnabar lacquer bottle carved with floral decoration, height 2 1/4 in.

$300/500

662

663

664

146

669. A Monumental Chinese Jadeite “Grotto”, 20th c., mottled green, white and lavender stone deeply and elaborately carved with the elegant figure of Guanyin standing on a lotus pedestal holding prayer beads in one hand and the vase of Immortality in the other, surrounded by figures of children variously holding peaches and strings of cash, mottled dark green skin, height 27 1/8 in., width 13 3/4 in.

$10000/15000

Provenance: Acquired c. 1990, Maurice Adams Antiques, Miami, FL.

670. A Chinese Hornbill Snuff Bottle, carved with domestic figural scenes, height with stopper 2 1/4 in.

$1200/1800


671. A Chinese Shadow Agate Snuff Bottle, mushroom colored stone with brown inclusions carved with an aquatic scene with fish, snails and lotus, height with stopper 2 7/8 in.

$3500/4500


W 672. A Chinese Quartz Crystal Snuff Bottle, 19th c., translucent stone carved as a pumpkin borne on leafy vines bearing three smaller pumpkins, height with stopper 2 1/4 in.

$1200/1800


673. A Chinese Carved Wood Snuff Bottle, carved in the round as a Buddha’s hand citron borne on a leafy branch, height 2 3/4 in.

$800/1200


W 674. A Chinese Silver Mounted Quartz Crystal Snuff Bottle, carved to one side with flowering tree peonies, mounted as a scent bottle with silver dragon and jade set stopper, height with stopper 3 5/8 in.

$2500/3500


669

670

671

673


675. A Chinese Moss Agate Snuff Bottle, 19th c., translucent stone with red and ochre jasper veins and green dendritic inclusions, height with stopper 2 5/8 in.

$1500/2500


676. An Antique Chinese Carved Hardwood Table, waisted top with gadrooned edge, pierced dragon carved frieze, mask and vine carved tapered legs, ball and claw feet, height 33 1/2 in., width 45 1/2 in., depth 28 in.

$1500/2000

677. A Chinese Famille Rose Porcelain Model of a Stupa, probably Republican Period (1909-1949), tapering bulbous body with cylindrical tower and gourd and umbrella finial raised on a waisted plinth base, base with Qianlong mark, height 18 3/4 in., (5 pcs.)

$2000/3000

W 678. A Pair of Chinese Famille Rose Decorated Pink Ground Porcelain Bowls, 19th/20th c., the exteriors decorated with landscape medallions on a rose ground, bases with Guangxu marks, height 2 1/4 in., diameter 4 1/2 in.

$500/700

679. A Chinese Famille Rose and Gilt Decorated Porcelain Bottle Vase, 19th/20th c., bulbous body with molded neck decorated with figural vignettes, height 10 1/8 in.

$800/1200

680. A Large Chinese Iron Red and Gilt Decorated Blue and White Porcelain Bottle Vase, 20th c., decorated with dragons and chrysanthemum heads amid scrolling foliage, base with Guangxu mark, height 16 1/2 in.

$800/1200

W 681. A Chinese Famille Rose Porcelain Dish, 20th c., enameled to the exterior side and continuing over the rim and through the well with a large blossoming peony branch, base with Yongzheng mark, height 1 14 in., diameter 8 1/2 in.

$300/500

675

677

679

676

680

148

683. A Pair Chinese Gilt Decorated Pale Blue Glazed Porcelain Vases, 20th c., each of lozenge form with flared neck and slightly splayed foot ring, finely enameled around the body with a pair of five clawed dragons in pursuit of the flaming pearl amid scrolling clouds above a band of cresting turbulent waves, height 12 3/4 in., wood stands, overall height 14 1/2 in.

$1500/2500

682. A Pair of Small Chinese Gilt Decorated Porcelain Garden Seats, 20th c., each of hexagonal form with pierced sides and tops, finely decorated throughout with gilt tracery on an orange ground, height 10 in.

$3000/5000

W 684. A Chinese Famille Rose Porcelain Bowl, 20th c., interior glazed turquoise, exterior decorated with sages, immortals and servants in an idealized landscape, base with Yongzheng mark, height 5 in., diameter 10 1/2 in., wood stand, overall height 7 in.

$800/1200

W 685. A Chinese Polychrome Porcelain Bowl, 19th/early 20th c., decorated around the exterior with various figural groups, height 2 3/8 in., diameter 7 7/8 in.

$500/700

W 686. A Chinese Famille Rose Porcelain Bottle Vase, early 20th c., pear form body with flared neck decorated with peonies, prunus, birds and calligraphy, base with Shen De Tang Zhi hall mark, height 8 3/4 in.

$600/800

687. A Chinese Carved Ivory Figural Group, central bearded male figure carved holding a wine cup and fly whisk in one hand and a flower basket in the other, standing beside two small children, one with peaches, the other with a wine flask, all rendered beneath a towering pine tree and palm leaves, base with apocryphal Qianlong mark, height 8 1/4 in., wood stand, overall height 9 1/4 in.

$1000/1500


W 688. A Pair of Chinese Carved Ivory Figures of an Emperor and Empress, the Emperor carved holding court beads and carrying a sword, inscribed “Qianlong”, the Empress carrying a ruyi scepter and wearing a phoenix bird headpiece, height 8 1/2 in. and 8 1/8 in., wood stands, overall height 10 in. and 9 1/2 in.

$800/1200


689. A Chinese Bronze Figure of the Lokapala Vaisravana, 19th/20th c., helmeted guardian king holding a conch shell and a mongoose, seated atop a Buddhist lion on a double lotus base, height 11 1/2 in.

$1500/2500


682

683

689

687


694. A Chinese Carved and Stained Ivory Covered Box, carved in the form of two Buddha’s hand finger citrons with insects and foliage, the interior of each side carved with figures of Guanyin, length 4 1/4 in.

$1500/2500

W 691. A Chinese Carved Hongmu Scroll Box, 20th c., the slightly domed rectangular box and cover finely carved with a dragon, flowers and musical instruments, Christie’s, February 2006 label, height 3 1/8 in., length 29 1/2 in.

$800/1200

692. Two Chinese Carved Ivory Cultural Revolution Figures, mid-20th c., each standing young female carved carrying a sickle and sheath of wheat, height 5 1/4 in., wood stands, overall height 6 1/4 in.

$2000/3000

Provenance: Acquired from an Ashville, NC estate collection.

690. A Fine Chinese Jade, Jadeite and Hardstone Embellished Carved and Stained Ivory Covered Vase, baluster vase and fitted domed cover deeply relief carved with multiple dragons in flight amid clouds pursuing flaming pearls above a sea of turbulent waves, inset with jade, jadeite, malachite, soldalite and other hardstone “gems” throughout, base with apocryphal Qianlong mark, height 14 1/2 in., wood stand, overall height 16 5/8 in.

$4000/6000

693. A Set of Eight Chinese Carved Ivory Figures, seated male and female figures clad in assorted regional attire carved holding various objects in their hands, bases with apocryphal Qianlong marks, height 6 in., wood stands, overall height 7 1/8 in.

$5000/7000

692

690

694

693

150

695. A Chinese Blue and White Porcelain Lantern Vase, 19th/20th c., decorated with two bird, rock and floral panels on a blue ground strewn with clouds and bats, height 12 in.

$800/1200

696. A Chinese Blue and White Porcelain Foliate Rim Dish, decorated with shaped reserve panels of figures of entertainers and musicians against a stylized net background, diameter 12 1/2 in.

$1000/1500

W 697. A Pair of Chinese Famille Rose and Faux Bois Decorated Porcelain Vases, probably 18th c., square tapering bodies applied with grapes and squirrels around the shoulders, the sides enameled with citron shaped floral panels, raised on intrinsic faux bois porcelain plinth bases, height 4 1/4 in.

$700/900

HWM 698. A Large Chinese Blue and White “Kraak” Porcelain Barbed Rimmed Bowl, 17th c., the well decorated with a deer in a landscape, the cavetto banded by birds and plants, the wide rim with floral panels on a fish scale ground, height 3 1/4 in., diameter 16 in.

$800/1200

HWM W 699. A Near Pair of Chinese Blue and White Porcelain Lidded Teapots, probably 19th c., each of squat hexagonal form with straight spout, loop handle and conforming finialed cover, decorated with scenes of ladies in fenced gardens, height 4 1/4 in., width 5 1/4 in.

$800/1200


HWM 700. A Chinese Blue and White Porcelain Teapot, 18th c., globular body with shaped panels of warriors and scholars, domed finialed cover with pendant ruyi heads, height 4 3/4 in., width 6 5/8 in.

$600/800


HWM 701. A Chinese Blue and White Porcelain Vase, 18th c., bulbous body with flared trumpet neck raised on a stepped splayed foot, decorated overall with floral panels and geometric bands, recessed base with artemisia leaf mark, height 6 1/8 in.

$1500/2500

695

696

698

700

701


HWM 702. A Collection of Six Chinese Blue and White Porcelain Barbed Rim Small Dishes, 18th c., each with a central flowering plant medallion encircled by molded shaped floral panels beneath a floral band at the rim, bases with yu marks, diameter 5 1/4 in. to 5 3/8 in.

$2500/3500

HWM W 703. A Pair of Chinese Blue and White Porcelain Wine Cups, 19th c., interiors with floral sprays beneath a linear border, exteriors with alternating landscape and floral panels, height 1 5/8 in., diameter 2 1/2 in.

$300/500

HWM W 704. A Chinese Blue and White Porcelain Shallow Bowl, 18th c., boldly decorated with peony sprays and berries, brown rim, height 2 1/4 in., diameter 13 7/8 in.

$200/400

HWM W 705. A Chinese Famille Rose and Gilt Decorated Blue and White Porcelain Lidded Bottle Vase, 19th c., decorated throughout with floral sprays and gilt over-decoration, height 15 1/4 in.

$800/1200

706. A Pair of Chinese `Blanc de Chine’ Porcelain Yenyen Vases, 19th/20th c., the tall flared necks and bulbous bodies molded with leafy scrolling vines between ruyi, key-fret, and petal bands at the mouths, waists and splayed feet, height 17 in.

$1200/1800

707. A Chinese Qingbai and “Biscuit” Glazed Figure of Bodhidharma, probably Qing Dynasty (1644-1911), well modeled figure holding a staff and gourd standing on a rockwork base, height 7 3/4 in.

$400/600

HWM 708. A Chinese Incised White Glazed Stoneware Bowl, possibly Song Dynasty (960-1279), the interior with combed decoration of a central stylized lotus encircled by a ribbon-like band, height 2 3/4 in., diameter 8 in.

$300/500

W 709. A Chinese Pale Celadon Dish, probably Ming Dynasty (1368-1644), wide conical body freely incised to the interior with stylized foliage, height 2 3/4 in., diameter 12 1/2 in.

$200/400

W 710. A Chinese Faux Tortoiseshell Glazed Stoneware Bowl, conical body with even brown glaze and “tortoiseshell” overglaze, height 2 5/8 in., diameter 4 7/8 in.

$800/1200


711. A Chinese Celadon Vase, probably Ming Dynasty (1368-1644) or earlier, ribbed bottle form body with splayed foot and flared mouth, height 7 1/2 in.

$400/600

702

706

708

711

707

152

W 712. A Chinese Celadon Tripod Bowl, 19th/20th c., squat body with flat rim, the interior incised with scrolling foliate design, height 4 3/4 in., diameter 10 3/4 in.

$300/500

713. A Chinese Carved Stone Inkstone, probably Qing Dynasty (1644-1911), rectangular body carved to the top with a Buddhist lion straddling the outer channel-like well and inner rectangular well, height 4 in., length 8 1/8 in., width 5 1/4 in.

$900/1200

W 714. An Antique Chinese Carved Stone Inkstone, altar table form carved with two platforms separated by spindles at the four corners and fish-and-wave design between, raised on four stylized mask feet, the top carved with a cloud-like concavity, inscribed “the Autumn of the 16th year of the Yongle reign in the Ming Dynasty”, height 3 1/4 in., length 10 3/4 in., width 5 3/4 in.

$900/1200

W 715. A Chinese Blue and White Porcelain Moon Flask Vase, 19th c., flattened flask form with scrolling strap handles, decorated with peacocks in trees, height 7 3/4 in.

$600/800

W 716. A Chinese Silver Wire Inlaid Hardwood Figural Group of a Boy on a Buffalo, late 19th/early 20th c., crouching buffalo carved with a boy straddling its back, naturalistic rounded base, height 8 in., width 7 1/2 in.

$500/700

717. A Pair of Antique Chinese Carved Wood Recessed-Leg Benches, rectangular tops over scrolled bracketed aprons, recessed beaded legs, square stretchers, bearing Sotheby’s, New York, lot tag, height 19 in., width 46 1/2 in., depth 13 in.

$800/1200

W 718. An Antique Chinese Carved Hardwood Bench, waisted paneled top, spindled prunus carved frieze, square molded legs, height 19 3/4 in., width 38 1/4 in., depth 13 in.

$400/600

719. Chinese School, 19th/20th c., “Calligraphy Couplet”, two works, each ink on paper, one bearing signature and seal of Weng Tonghe, each 57 in. x 13 1/2 in., mounted as hanging scrolls.

$800/1200

W 720. A Chinese Blue and White Porcelain Flute, cylindrical body decorated with dragons and phoenix birds, apocryphal Jiajing mark, length 18 1/2 in.

$600/800

HWM W 721. Two Chinese Blue and White Porcelain Miniature Vases including a baluster vase with shaped figural reserves, height 3 3/4 in.; and a gu vase with a figural scene above petal bands, height 3 5/8 in.

$500/700


HWM W 722. A Collection of Twenty Chinese Blue and White Porcelain Miniature Vases, of baluster and bottle forms representing styles of the Ming and Qing Dynasties, height 1 1/2 in. to 2 3/4 in.

$600/800

713

717

719


HWM W 723. Two Chinese Blue and White Porcelain Miniature Baluster Vases, each with double gourd necks, one decorated with floral panels, the other with alternating floral and Long Eliza reserves, height 4 in. and 4 1/2 in.

$400/600


HWM 724. A Set of Four Chinese Blue and White Porcelain Tea Cups, each with a continuous pond scene with tall birds wading amid aquatic plants, each base with six character mark, height 2 3/4 in., diameter 3 in.; together with a similarly decorated saucer dish, base with six character mark, diameter 4 3/4 in., (5 pcs.)

$1000/1500


HWM W 725. A Pair of Chinese Blue and White Porcelain Bird Feeders, early 20th c., each of D-form with integral slip at back and conforming insert cover, decorated with lotus and scrolling foliage, height 1 3/4 in., width 4 1/2 in., depth 3 1/8 in.

$600/800


726. A Chinese Blue and White Porcelain Incense Stick Holder, probably 20th c., tall cylindrical body decorated with a continuous scene of Immortals among clouds, base with Kangxi mark, height 10 in., diameter 2 3/8 in.

$600/800

W 727. A Chinese Blue and White Porcelain Square Form Box and Cover, probably 19th c., decorated with a dragon on the cover and leaping carp on the sides, base with Qianlong mark, height 2 1/4 in., width 4 1/8 in., depth 4 1/8 in.

$500/700

728. A Chinese Blue and White Porcelain Bombé Form Alm’s Bowl, Qing Dynasty (1644-1911), decorated with a continuous landscape scene with figures, pavilions and a lake, height 6 in., diameter 9 1/2 in.

$800/1200

729. A Large Pair of Chinese Carved and Polychrome-Decorated Ivory Covered Vases, baluster bodies with loose ring handles and finialed domed covers, carved with domestic figural panels beneath phoenix birds, height 20 1/8 in.

$4000/6000

724

728

729

726

154

730. A Chinese Carved Pink Coral Figural Group, the forking branches carved as two beauties, one modeled as a dancer, the other as a musician, each wearing flowing robes and elaborate headdresses accented with song birds, height 10 1/4 in., wood stand, overall height 12 in.

$1000/1500

W 731. A Pair of Chinese Carved Ivory Figures of an Emperor and Empress, the Emperor carved holding court beads and carrying a sword, the Empress carrying a ruyi scepter and tassel, height 10 in., wood stands, overall height 11 in.

$1000/1500

W 732. A Chinese Cinnabar Lacquer Over Enamel Box and Cover, 20th c., cylindrical body and domed cover carved with figures in garden settings, height 3 3/4 in., diameter 3 1/4 in.

$300/500

W 733. A Chinese Cinnabar Lacquer Box, probably 19th c., rectangular body with a slightly domed cover, carved with figural decoration, base with Qianlong mark, length 5 5/8 in., depth 3 3/4 in.

$800/1200

W 734. A Chinese Cinnabar Lacquer Box, probably 19th c., rectangular body with slightly domed cover, carved with a five-clawed dragon amid clouds, length 5 5/8 in., depth 4 in.

$1000/1500

W 735. A Chinese Ivory Embellished Cloisonné Enamel Figure of Guanyin, elegant reclining figure modeled wearing cloisonné robes and pendant necklace, carved ivory face, hands and feet, height 10 in., width 14 3/4 in., wood stand, overall width 12 in.

$700/900

W 736. A Chinese Glass Mounted Bamboo Opium Pipe, late 19th/early 20th c., the cylindrical body with white brass mounts, glass mouthpiece and plug, length 21

1/8 in., white brass repoussé stand, overall height 4 in.

$600/800

737. Two Chinese Famille Rose Porcelain Pierced Hexagonal Hat Stands, 19th c., the first decorated with two boys in a garden setting and a calligraphic inscription, the second with alternating figural, landscape and auspicious emblem panels, height 11 1/4 in.

$700/900

738. A French Gilt Bronze Mounted Chinese Famille Rose Porcelain Bowl, 19th c., oval porcelain body with wide horizontal lobes, enameled to the exterior with numerous characters on a yellow ground between bands of ruyi clouds and floral sprays, base with Daoguang mark, porcelain height 3 1/2 in., width 8 3/8 in., overall height 6 1/8 in., width 12 1/2 in.

$2000/3000

739. A Pair of Chinese Famille Jaune Porcelain Moon Flask Vases, 20th c., circular bodies with floral panels reserved on a yellow ground strewn with vining flowers, bases with Guangxu marks, height 17 1/4 in.

$1500/2500

730

737

738

739


740. A Pair of Chinese Famille Rose and Gilt Decorated Turquoise Ground Porcelain Covered Vases, 20th c., tapering square form bodies with molded legs and feet, decorated with alternating calligraphy and floral panels, conforming covers with lingzhi finials, bases with Qianlong marks, height 11 7/8 in.

$1200/1800

741. A Chinese Famille Rose Porcelain Bowl, 19th c., the exterior decorated with four groups of flowering plants, height 2 5/8 in., diameter 5 3/4 in., storage box.

$500/700

742. A Chinese Famille Rose Porcelain Hexagonal Brushpot, Bitong, late 19th c., decorated with alternating panels of historic characters and calligraphy, height 3 in., diameter 3 1/2 in.

$800/1200

W 743. A Chinese Famille Rose Porcelain Square Baluster Vase, probably 19th c., decorated with figures and calligraphy, base with Tongzhi marks, height 7 1/2 in.

$600/800

W 744. A Chinese Famille Rose and Gilt Porcelain Baluster Vase, 19th c., square form body with mask ring handles, finely enameled with alternating figural and calligraphy panels, base with Tongzhi mark, height 9 3/8 in.

$500/700

W 745. A Chinese Famille Rose Porcelain Moon Flask Vase, probably early 20th c., decorated with circular floral panels reserved on a lime green ground, base with Qianlong mark, height 18 in.

$500/700

746. A Chinese Famille Rose Porcelain Nine Peach Dish, 19th/20th c., the interior decorated with fruiting peach branches, the exterior with flowering plants and bats, base with Qianlong mark, diameter 8 1/8 in.

$500/700

747. A Large Chinese Famille Rose Porcelain Bottle Vase, 20th c., decorated with a garden of spring flowers and bamboo under a floral border with stylized plantain leaves, base with Xuantong mark, height 17 in.

$800/1200

W 748. A Chinese Iron Red and Famille Rose Decorated Hu Vase, pear shaped body with elephant handles decorated with antiques, flowers and fruit, height 8 7/8 in.

$500/700

740

741

746

747

742

156

749. A Chinese Oxblood Glazed Porcelain Zhadou Vase, probably 20th c., bulbous body with wide neck and flared lip, exterior with an even oxblood glaze, base with Guangxu mark, height 8 in., diameter 8 1/2 in.

$500/700

W 750. A Chinese Green Enameled Bottle Vase, 19th/20th c., body and flared neck decorated in green enamel with five dragons amid clouds and flames, base with Jiaqing mark, height 10 1/4 in.

$600/800

W 751. A Chinese Famille Verte Porcelain Cache Pot, probably 19th c., decorated with a continuous scene of the Eight Immortals and their attendants in a garden landscape, height 7 1/4 in., diameter 9 1/4 in.

$600/800

W 752. Chinese School, 20th c., an album of eight genre paintings, each ink and color on paper, each bearing signature and seal of Li Keran, each image 14 3/4 in. x 10 3/4 in., album 16 3/4 in. x 12 1/4 in.

$600/800

753. A Chinese Flambé Glazed Porcelain “Arrow” Vase, probably 19th c., squared pear form body with tubular handles under a rich flambé glaze, base with impressed Qianlong mark, height 11 3/4 in.

$1000/1500

W 754. A Chinese Iron Red and Gilt Decorated Porcelain Tureen, U-form body with elephant handles surmounted by a domed finialed lid, overall dragon and phoenix decoration, base with Guangxu mark, height 6 1/4 in., diameter 11 1/8 in.

$500/700

W 755. A Chinese Blue and White Porcelain Square Brush Washer, late 19th c., square body with canted corners decorated with scrolling floral vines, the circular aperture applied with a confronting qilong and bat, base with Jiaqing mark, height 2 3/8 in., width 3 1/4 in., depth 3 1/4 in. Note: Small losses.

$300/500

749

753

Session TwoSunday, February 24, 11 am

3923 Carondelet Street

158

W 758. Chinese School, 20th c., “Canton Landscapes”, three paintings, each ink and color on paper, each inscribed and sealed, each 13 1/4 in. x 13 1/4 in., framed alike.

$400/600

W 756. A Chinese Canton Famille Rose Porcelain Punchbowl, decorated in the “Rose Medallion” pattern with alternating figural and landscape panels on a foliate ground with butterflies, height 6 1/2 in., diameter 16 in.

$700/900

757. A Pair of Chinese Porcelain Dog Form Candlesticks, probably 19th c., each modeled as a seated pug with a trumpet shaped candle holder on its back, height 4 7/8 in., length 5 7/8 in.

$1000/1500

759. A Chinese Carved Ivory Puzzle Ball on Figural Stand, intricate multi-layered ball raised on a turned pedestal with a smaller ball above a standing figure on a foliate base, height 11 in.

$1200/1800

W 760. Two Chinese Carved and Stained Ivory Figures of Buddhist Lions, each lion carved seated on a plinth base, height 5 1/4 in., wood stand, overall height 6 1/4 in.

$1200/1800

W 761. A Chinese Embellished Lacquer Cabinet, 20th c., glazed upper section over two doors opening to fitted interior, height 39 in., width 25 1/2 in., depth 12 in.

$500/700

762. A Chinese Export Gilt Decorated Black Lacquer Games Table, early-19th c., foldover top with floral border enclosing figures, baize gaming surface within, shape frieze with a drawer, turned support, incurvate plinth, paw feet, height 32 in., width 30 1/2 in., depth 15 in.

$700/1000

W 763. A Collection of Seven Chinese Polychrome-Decorated Porcelain Teapots, four of globular form, two of cylindrical form and one of square form, each decorated in overglaze enamels with

figural and naturalistic scenes, height 4 3/4 in. to 6 1/2 in.

$500/700

764. Two Chinese Embroidered Cream Silk Panels, probably early 20th c., the first worked in a satin stitch, padded satin stitch and knot stitch with birds, flowers, squirrels and calligraphy; the second in satin stitch with ducks and birds, each sight 22 3/4 in. x 57 in.; together with a book titled Braxton Bragg Comer: His Family Tree from Virginia’s Colonial Days, by Anne Kendrick Walker, 1947.

$600/800

Provenance: Estate of Isabel Comer, descendant of Gov. Braxton Bragg Comer.

757

759

762

764


775. An Antique Chinese Carved Hardwood Armchair, arched back, marble inset lotus carved splat, scroll arms, pedestal base with bracketed flared legs, hoof feet, height 37 in.

$1000/1500

W 776. A Chinese Song-Style Qingbai Glazed Vase, ovoid body with faux rope handles, tall neck and everted lip rim, overall cream colored glaze, height 11 1/4 in.

$300/500

W 777. A Chinese Cizhou-Style Black and Cream Glazed Meiping Vase, decorated throughout with floral sprays and scrolling foliage in “sgraffito” style, height 11 in.

$300/500

W 778. A Chinese ‘Blanc de Chine’ Porcelain Figure of Guanyin, 17th/18th c., thick walled figure modeled standing upon a ruyi cloud mound, wearing long draping robes exposing a bare chest with a lotus flower and bead necklace, height 17 in. Note: Lacking detachable hands.

$600/800

W 779. A Pair of Chinese Blue and White Porcelain Jars, ovoid bodies with tall necks and rolled rims, decorated with nobles and warriors in landscapes, height 17 3/4 in.

$700/1000

W 780. A Chinese Soapstone Three Piece Garniture, mottled earth tone stone, carved as a pierced ball-form covered vase surrounded by multiple Buddhist lions, and flanked by a pair of flattened baluster vases relief carved with flowers, vase heights 14 1/2 in.

$500/700


781. A Pair of Antique Chinese Mother-of-Pearl Inlaid and “Dreamstone” Marble Inset Hardwood Armchairs, arched bat carved crest, ruyi and prunus carved and marble inset splat, shaped arms, rectangular marble inset seat, inlaid and carved rail, square legs, stretchers, height 39 in., width 24 1/2 in., depth 19 in.

$1000/2000

W 765. A Pair of Chinese Slip Decorated Celadon Glazed Porcelain Narcissus Pots, each of footed rectangular form, covered overall in a pale celadon glaze with white slip flowers and leafy branch decoration, height 1 3/4 in., length 6 1/4 in., depth 4 in.

$300/500

W 766. A Pair of Chinese “Canton” Enamel Hexagonal Baluster Vases, 20th c., faceted bodies with flared necks and splayed feet, overall molded ‘Hundred Antiques’ decoration on a pale blue ground, bases drilled, height 21 3/4 in.

$800/1200

W 767. A Chinese Rose Quartz Covered Baluster Vase, carved in high relief with peony blossoms and foliage, the fitted cover with two birds and peonies, height 12 in., wood stand, overall height 13 3/4 in.

$700/900

HWM W 768. A Chinese Western-Style Embroidered Pale Green Silk Robe, 20th c., worked in satin stitch with roses and shamrocks, length 52 in.

$150/250

W 769. A Chinese Cloisonné Enamel Footed Bowl and Cover, 20th c., decorated with two large panels enclosing scholarly accoutrements on a pale yellow ground strewn with vining flower heads, height 7 3/4 in., diameter 12 1/8 in.

$400/600

Provenance: Estate of Margaret Winling Gulotta, New Orleans, LA.

W 770. A Pair of Chinese Cloisonné Enamel Baluster Vases, 20th c., decorated with shaped panels enclosing flowers of the four seasons, 9 1/2 in., wood stands, overall height 10 3/4 in.

$150/250

Provenance: Estate of Margaret Winling Gulotta, New Orleans, LA.

W 771. A Large Chinese Soapstone Landscape, 20th c., mottled green stone on a black stone base carved as an idealized mountainous landscape, height 12 1/2 in., length 17 in., depth 6 1/2 in.

$300/500

W 772. A Pair of Chinese Soapstone Buddhist Lions, mottled green stone carved as a male and female lion seated on rectangular plinth bases, height 7 1/2 in.

$500/700

W 773. A Chinese Soapstone Bixi and Dragon Form Wine Pot, globular body with finialed covered, carved as a dragon tortoise with a dragon head spout and handle, raised on four dragon feet, height 4 3/4 in., width 7 7/8 in.

$500/700

W 774. A Chinese Bronze Model of a Horse and Rider, standing horse with one raised leg mounted with a rider holding a sword, height 18 1/2 in., length 20 in., wood stand, overall height 20 3/4 in.

$400/600

775

781

160

HWM W 785. A Chinese Embroidered Pale Celadon Silk Robe, probably 19th c., worked in satin stitch with orchids and butterflies scattered overall, dragon cuffs, length 56 in.

$500/700

Provenance: Lady Mary Rothermore.

HWM 786. A Chinese Blue Silk Dragon Robe, Jifu, 20th c., woven in multicolored and metallic threads with dragons amid auspicious emblems above a lishui hem, length 53 1/2 in.

$800/1200

HWM W 787. A Chinese Famille Rose Porcelain Serving Bowl and Cover, 19th c., decorated with a continuous landscape with domestic and mythical beasts, height 5 5/8 in., diameter 8 7/8 in., wood stand, overall height 7 in.

$800/1200

W 788. A Group of Three Chinese Porcelain Vases, comprising a gilt decorated blue and white baluster vase with dragon handles, height 8 7/8 in.; a red decorated yellow ground bottle vase with ruyi scepter handles, base with apocryphal Qianlong mark, height 8 3/4 in.; and a molded hexagonal vase with scroll handles, base marked “CHINA”, height 9 1/4 in.

$500/700

W 789. Two Chinese Underglaze Blue Porcelain Vases, 20th c., the first a double gourd form handled vase with lotus decoration, height 9 3/4 in.; the other a barrel-form vase with flowering vine decoration on a yellow ground, height 7 3/4 in., diameter 6 3/4 in.

$500/700

790. A Pair Chinese Iron-Mounted Blue and White Porcelain Covered

Jars, probably 19th c., each of tapering baluster form with domed covers and lion finials, boldly decorated with qilin amid banana trees, fitted iron hasps, height 26 3/4 in.

$3000/5000

W 791. A Group of Three Chinese Hardstone Items, comprising a silver-mounted jade inkwell, height 1 1/4 in.; a jade bird brooch, width 1 5/8 in.; and a reticulated oval serpentine plaque carved with a bird amid flowering branches, width 4 3/4 in. (3 pcs.)

$400/600

HWM W 792. A Chinese Crackle Glazed Baluster Vase, 20th c., flared neck with stylized branch handles, relief decorated with confronting four clawed dragons in brown, height 11 5/8 in.

$150/250

782. A Pair of Antique Chinese Carved Hardwood Side Chairs, phoenix carved arched crests, pierced bat, shou and tassel carved backs, inset trapezoidal marble seat, elaborately carved seat rail, dragon mask carved cabriole legs, height 40 3/4 in., width 21 3/4 in., depth 17 3/4 in.

$4000/6000

HWM W 783. A Chinese Embroidered Blue Silk Jacket, 19th c., worked in satin and knot stitch with bats, flowers and fruit, length 47 in.

$500/700

HWM W 784. A Chinese Embroidered Deep Purple Silk Jacket, 20th c., worked in satin and knot stitch with flowers and butterflies scattered overall, length 32 in.

$500/700

782

786

790


793. A Large Chinese Blue and White Porcelain Bottle Vase, probably 20th c., decorated with stylized lotus, chrysanthemums and vining foliage beneath a band of cresting waves at the neck, base with Qianlong mark, height 19 3/4 in.

$3000/5000

794. A Chinese Blue and White Porcelain Bottle Vase, probably 20th c., decorated with peonies and scrolling foliage beneath a ruyi and plantain leaf border, height 13 1/4 in.

$1500/2500

795. Chinese School, 20th c., “Calligraphy”, two works, each ink on paper, one bearing signature of Huang Binhong, each 52 1/2 in. x 12 in., mounted as hanging scrolls.

$1500/2500


W 796. A Pair of Chinese Blue and White Porcelain Square Vases, 20th c., squared bulbous bodies and tall necks decorated with scrolling lotus blossoms beneath a band of plantain leaves at the necks, bases with Qianlong marks, height 17 3/4 in.

$600/800

797. An Antique Chinese Carved Hardwood Table, rectangular top above sliding paneled cupboards, square molded legs joined by stretchers, height 30 1/2 in., width 61 1/2 in., depth 20 3/4 in.

$700/1000

W 798. A Large Chinese Flambé Glazed Porcelain Bottle Vase, 19th/20th c., pear form body with lightly streaked oxblood glaze thinning to cream at the neck, height 20 1/2 in.

$600/800

799. An Assembled Collection of Eight Chinese Famille Rose Porcelain Figures, probably 19th and 20th c., each figure variously modeled standing or seated on a plinth base, many with objects in their hands, height 7 in. to 9 1/8 in.

$3000/5000

HWM W 800. A Chinese Embroidered Saffron Silk “Piano” Shawl, early 20th c., worked in satin stitch with peonies, height 64 in., width 64 in., long knotted fringe.

$800/1200

W 801. Chinese School, 20th c., “Beauties beneath a Banana Palm”, ink and color on silk, inscribed and sealed upper right, 45 in. x 7 1/2 in., mounted as a hanging scroll.

$500/700


795

793 794

797

799

162

804. Chinese School, 20th c., “Scholar Meetings”, a set of four paintings, each ink and color on paper, each inscribed and bearing signature of Zhang Daqian, 57 in. x 17 3/8 in., mounted as hanging scrolls.

$600/800

805. A Pair of Chinese Famille Rose Decorated Lavender Glazed Porcelain Bowls, 20th c., the interiors decorated with floral baskets, the exteriors with an even lavender glaze, bases with Tongzhi marks, height 3 in., diameter 8 1/2 in.

$1000/1500

802. A Chinese Blue and White Porcelain Vase, probably 20th c., pear-form body decorated with plantain, bamboo and rocks set in a fenced garden, the neck banded with stiff upright leaves, base with Tongzhi mark, height 11 1/2 in.

$2000/3000

W 803. A Pair of Monumental Chinese Famille Rose Porcelain Baluster Vases, 19th/20th c., decorated with shaped figural and landscape panels on a dense diaper ground, height 24 in.

$3000/5000

W 806. A Pair of Chinese Doucai Porcelain ‘Lotus Pond’ Wine Cups, 20th c., delicately enameled along the exteriors with ducks swimming amid lotus and other aquatic plants, bases with Chenghua marks, height 1 1/2 in., diameter 3 1/4 in.

$150/250

W 807. A Nest of Four Chinese Hardwood Tables, early 20th c., each with solid inset top, pierced foliate apron, faux bamboo legs and stretchers, tallest height 29 1/2 in., width 16 1/2 in., depth 14 in.

$800/1200

W 808. A Chinese Mother-of Pearl Embellished Black Lacquer Four Panel Floor Screen, 20th c., the front applied with figures of beauties in a garden setting, the reverse gilt decorated with bird-and-branch motifs, height 72 in., width 65 in.

$800/1200

W 809. An Antique Chinese Mother-of-Pearl Inlaid Hardwood Table, waisted inset marble top, pierced bracketed frieze, medial shelf, molded legs, height 32 in., width 18 in., depth 18 in.

$700/900

W 810. A Chinese Carved Hongmu Figural Brushpot and a Carved Bamboo Model of a Boat, the brush pot carved as the sleeping figure of a Luohan with his robe wrapped around his body, height 5 in.; the boat carved partially covered with five fisherman, length 10 3/4 in.

$300/500

811. A Large Chinese Red Glass Foliate Bowl, lobed sides and petal barbed rim modeled in imitation of a lotus blossom, height 4 1/2 in., diameter 12 3/4 in., wood stand, overall height 9 in.

$500/750

802

804 (2 of 4)

805

811


W 812. A Group of Three Chinese Boxwood Boy on Buffalo Groups, composed of two figures of recumbent buffalos each bearing two boys on their backs, height 4 3/4 in., length 10 1/4 in., wood stands, overall height 5 1/2 in.; together with a figure of a standing buffalo with a boy on its back, height 5 1/2 in., length 5 3/4 in.

$400/600

W 813. A Chinese Famille Rose Porcelain Figure of Budai, 20th c., corpulent seated figure modeled wearing open robes and surrounded by five figures of boys, base marked “CHINA”, height 7 3/4 in.

$400/600

W 814. A Chinese Polychrome Decorated Blue and White Porcelain “Rice Grain” Soup Service, comprising a covered tureen with wire handles and five covered soup bowls, tureen diameter 9 7/8 in., bowl diameter 5 3/8 in.

$400/600

815. A Chinese Lacquered Hardwood Round Table, marble inset top, shaped apron, flange legs on footed round base, height 31 in., diameter 80 in.

$2500/3500

W 816. Two Antique Chinese Highly Carved Camphorwood Blanket Chests, 20th c., each carved with figures in landscapes, height 22 1/2 in., width 41 in., depth 20 1/2 in.; and height 23 in., width 39 1/4 in., depth 19 1/2 in.

$400/600

W 817. A Group of Four Chinese Carved Ivory Figures, comprising a beauty, a sage, a “cultural revolution” peasant, and a pair of joined beauties, peasant height 5 1/2 in., wood stand, overall height 6 1/4 in.

$400/600

818. A Chinese or Japanese Carved Ivory Cylindrical Box and Cover, oval body with fitted flat cover, carved around the sides with a continuous scene of figures in boats before a fortress, inscription cartouche, height 5 in., width 4 3/4 in.

$1200/1800

819. Asian School, “Calligraphy in ‘Running Script’”, four fragments or album leaves, two ink on paper, two ink on gold flecked paper, mounted as a two sided table screen, overall height 32 in., width 26 7/8 in.

$600/800

HWM 820. A Japanese Silk Buddhist Monk’s Robe, Kesa, Edo Period, (1603-1868), rectangular “rice paddy” patchwork form with woven geometric designs, stylized flowers and dragons on copper-colored ground, length 85 1/2 in., width 46 1/4 in.

$800/1200

815

818

819

820

164

828. A Pair of French Patinated Bronze Mounted Japanese Imari Porcelain Vases, 19th c., tankard form porcelain bodies decorated with floral sprays and vining flower heads, mounted with bronze lion heads, scrolling foliate handles, rims and elaborate scroll feet, height 11 3/4 in.

$2500/3500

821. A Fine Japanese Carved Bone Hand Seal, 18th c., carved in the form of a rock outcropping scaled by a mythical shishi, the base mounted with a metal carnelian inset seal inscribed in Persian script, height 5 1/8 in.; accompanied by a letter from Thomas Lawton, Curator of Chinese Art at the Freer Gallery of Art, dated May 12, 1971, storage box.

$1200/1800

822. A Japanese Ivory Okimono of a Dancer, elegantly attired female figure carved in dancing motion with one foot raised off the ground, holding one arm in the air while the other hides a fan beneath one long outswept sleeve, base signed, height 9 in. Note: Small loss to fingers of one hand and raised foot.

$500/700


W 823. Japanese School, “Tethered Falcon”, ink and color on silk, inscribed and sealed, 28 1/4 in. x 17 1/2 in., framed.

$500/700

Provenance: New Orleans Collector.

824. A Japanese Satsuma Type Stoneware Double Gourd Vase, late 19th/early 20th c., the mottled earth tone body decorated with white dogwood flowering branches with gilt and silver leaf details, height 9 1/2 in.

$300/500

HWM W 825. A Japanese Blue and White Porcelain Cup, 19th c., the exterior decorated with coiled vines above a geometric border, the interior with the “Three Friends of Winter”, height 2 5/8 in.

$100/200


W 826. Japanese School, “Buddhist Figure”, ink and color on silk, inscribed and sealed lower right, sight 32 1/2 in. x 16 in., framed.

$400/600


HWM 827. A Pair of Japanese Kutani Porcelain Octagonal Lidded Jars, Meiji Period (1868-1912), each facet with alternating bird-and-flower and figural panels, domed lids with figural finials, bases with kaga-kuni marks, height 12 1/4 in.

$1000/2000

821

822

824 827

828


HWM W 829. Three Japanese Imari Porcelain Wine Cups, Meiji Period (1868-1912), two with rounded walls and one with tapering walls, each with floral decoration, height 1 1/4 in.

$200/300

W 830. A Japanese Imari Porcelain Charger, probably Meiji Period (1868-1912), decorated with a central kirin roundel surrounded by shaped floral panels on a red ground with foliate sprays, diameter 13 1/8 in.

$300/500

W 831. A Pair of Japanese Imari Porcelain Square Platters, 20th c., each decorated with a central floral arrangement bordered by naturalistic panels, length 17 3/8 in., width 17 3/8 in.

$800/1200

W 832. A Group of Five Japanese Woodblock Prints, 19th and 20th c., including Toyokuni III ((Kunisada) 1785-1865), “Woman with Umbrella in Rain”, 14 1/4 in. x 9 3/4 in.; after Toyokuni III, “Woman Smoking in Front of a Mirror”, sight 14 3/8 in. x 9 5/8 in.; “Sadahide (1807-1873), “Woman and Child with Bamboo”, sight 13 1/8 in. x 8 1/8 in.; Sadahiro (Osaka, 1827-1875), “Woman on Bridge”, sight 14 1/4 in. x 9 7/8 in.; and after Katsukawa Shunko, “Nobleman with Headdress”, sight 23 1/2 in. x 12 3/4 in., each framed.

$400/600

W 833. A Group of Eight Japanese Carved Ivory Netsuke, comprising figures of a tiger, snake, elephant, horse, pig, dragon, pair of dogs, and a frog on a skull, largest height 2 1/2 in.

$400/600

W 834. A Group of Eleven Japanese Carved Ivory Netsuke, comprising 8 painted figures of peasants and sages, and 3 figures with revolving faces, largest height 2 in.

$400/600

W 835. A Group of Ten Japanese Carved Ivory Netsuke, comprising stained and colored figures of immortals, demons and boys, largest height 2 in.

$400/600

836. A Group of Five Japanese Carved Ivory Netsuke, including a monkey embracing a small human skull; a mother rabbit crouching over her baby, signed; a recumbent dragon, signed; a curled sleeping dragon, signed; a Daruma doll rendered with mechanical telescoping eyes; Daruma height 1 1/2 in.

$200/400

W 837. A Collection of Five Japanese Bone Inro, each rectangular body incised on one side with an erotic scene, the other with bird-and-branch or flowering fruit design, height 2 3/4 in. to 3 5/8 in.

$800/1200

W 838. A Japanese Carved Horn Lobster Group, carved as two confronting crustaceans atop cresting waves, height 5 3/4 in., oval base, overall height 6 1/2 in.

$250/350

W 839. Reika Iwami (Japanese, b. 1927), “Song of Water”, 1971, woodblock print, image 16 in. x 11 in., sheet 20 1/2 in. x 14 in., unframed.

$400/600

W 840. A Japanese “Ginbari” Enamel Circular Box and Cover, Meiji Period (1868-1912), domed box decorated with dragon and cloud designs, diameter 2 3/4 in.

$800/1200


W 841. A Japanese Patinated Bronze Floor Lamp, 20th c., decorated with cast designs of dragons, phoenix, shishi and bats, height 59 1/4 in.

$500/700

W 842. A Thai Mirror “Gem” Inset Giltwood Figure of a Buddha, 20th c., standing figure carved holding his robes open, on a hemispherical base, height 40 1/2 in., wood plinth, overall height 42 1/2 in.

$300/500

HWM W 843. A Set of Ten Indian Marble Small Cups, each carved as a petaled flower resting on a foliate base with a double looped handle, height 1 3/8 in. Note: Condition of two.

$400/600

844. [Mardi Gras], Mistick Krewe of Comus, sterling silver and enamel krewe favor, “Mahabarata”, 1903.

$400/600

845. [Mardi Gras], Mistick Krewe of Comus, gold krewe favor pin, “Gods and Goddesses”, 1908, illustrated in Henri Schindler’s Mardi Gras Treasures: Jewelry of the Golden Age, Pelican Publishing Company, Gretna, 2006, p. 38.

$400/600

836

844

845

166

846. [Mardi Gras], a ball invitation and dance card, The Atlanteans “Destruction of Atlantis”, February 3rd, 1891, (2 pcs.)

$500/700

Note: The invitation and dance card are from the first ball of The Atlanteans. The invitation is illustrated in Schindler, Henri. Mardi Gras Treasures: Invitations of the Golden Age. Pelican Publishing Company, Gretna, 2000, p. 84.

W 847. [Mardi Gras], a ball invitation and dance card, The Atlanteans, “The Bird Wife (Lafcadio Hearn)”, February 7th, 1893, (2 pcs.)

$400/600

W 848. [Mardi Gras], a ball invitation and dance card, The Atlanteans, “The Realm of Precious Gems”, February 17th, 1903, (2 pcs.)

$300/500

W 849. [Mardi Gras], a ball invitation and dance card, The Atlanteans, “The Robe of Feathers (a Japanese Story by Fitzgerald”, February 4th, 1902, (2 pcs.)

$300/500

W W 850. [Mardi Gras], a ball invitation and dance card with pencil, The Atlanteans, “Glimpses of Fairyland”, February 12th, 1901, (2 pcs).

$300/500

851. [Mardi Gras], a ball invitation and dance card, The Atlanteans, “The Starry Host”, February 1st, 1910, (2 pcs.)

$400/600

W 852. [Mardi Gras], ball invitations, The Atlanteans, “The Country Circus”, January 28, 1913; and “Undine”, February 21st, 1911, designed by Jennie Wilde, (2 pcs.)

$500/700

Note: Both of The Atlanteans invitations are illustrated in Schindler, Henri. Mardi Gras Treasures: Invitations of the Golden Age. Pelican Publishing Company, Gretna, 2000, p. 87.

W 853. [Mardi Gras], ball invitation, The Atlanteans, “Poseidon’s Quest of Atlantis (undersea)”, February 16th, 1909; and “The Country Circus”, January 28th, 1913, (2 pcs.)

$500/700

Note: The Atlanteans invitation “The Country Circus”, 1913, is illustrated in Schindler, Henri. Mardi Gras Treasures: Invitations of the Golden Age. Pelican Publishing Company, Gretna, 2000, p. 87.

854. [Mardi Gras], ball invitations, The Atlanteans, “The Realm of Hyperion”, February 25th, 1908; and “Poseidon Visits Mars”, February 13th, 1912, both designed by Jennie Wilde, (2 pcs.)

$500/700

Note: Both of The Atlanteans invitations are illustrated in Schindler, Henri. Mardi Gras Treasures: Invitations of the Golden Age. Pelican Publishing Company, Gretna, 2000, p. 87.

W 855. [Mardi Gras], ball invitations, The Atlanteans, “Undine”, February 21st, 1911, designed by Jennie Wilde; “Poseidon Visits Mars”, February 13th, 1912, designed by Jennie Wild; and “The Country Circus”, January 28th, 1913, (3 pcs.)

$500/700

W 856. [Mardi Gras], ball invitations, programs and admit cards, The

Atlanteans, ranging from 1892 to 1999; together with two of the “The Queen and Maids of Honor through the Years”, (approx. 60 pcs.)

$600/900

Note: The Atlanteans 1907 invitation “Court of the Great Mogul” is illustrated in Schindler, Henri. Mardi Gras Treasures: Invitations of the Golden Age. Pelican Publishing Company, Gretna, 2000, p. 85.

857. [Mardi Gras], dance card, Consus, “The Meeting of King Henry VIII of England and King Francis I of France on the Field of the Cloth of Gold”, January 28th, 1898; together with two ball invitations, Consus, February 14th, 1900 and February 16th, 1903, (3 pcs.)

$300/500

Note: The 1898 Consus dance card is illustrated in Schindler, Henri. Mardi Gras Treasures: Invitations of the Golden Age. Pelican Publishing Company, Gretna, 2000, p. 156.

846

854 857

851


W 858. [Mardi Gras], a ball invitation and dance card, Consus, “Salle des Glaces de Versailles”, February 3rd, 1899, (2 pcs.)

$400/600

859. [Mardi Gras], ball invitations, Consus, “Robin Hood and His Merry Men”, February 12th, 1897, with wax seal and ribbon; “The House Boat on the Styx”, February 14th, 1900; and “The Silver Race of Men”, February 16th, 1903, (3 pcs.)

$400/600

W 860. [Mardi Gras], ball invitations, Consus, “Salle des Glaces de Versailles” February 3rd, 1899; and “El Cid”, January 10th, 1902; together with five ball invitations, Consus, two of “The House of Styx”, February 14th, 1900; “Shakespeare and His Creations”, January 25th, 1901; “The Silver Race of Men”, February 16th, 1903; and “The Birth of Color”, February 8th, 1904, (7 pcs.)

$400/600

W 861. [Mardi Gras], ball invitations, The Falstaffians, “Falstaff’s Dream in Windsor Forest”, February 23rd, 1900; “The Birth of the Butterfly”, January 29th, 1904; “The Wooing of Endymion by the Moon Goddess (from William Morris)”, February 17th, 1905; “Fridthjof the Valiant”, February 9th, 1906; “The Dream of the Rose”, February 14th, 1908; and “The Merry Wives of Windsor”, February 6th, 1914, (6 pcs.)

$400/600

862. [Mardi Gras], ball invitations, The Falstaffians, two of “Falstaff’s Dream in Windsor Forest”, February 23rd, 1900; “The Birth of the Butterfly”, January 29th, 1904; “The Wooing of Endymion by the Moon Goddess (from William Morris)”, February 17th, 1905; and “The Dream of the Rose”, February 14th, 1908, (5 pcs.).

$300/500

863. [Mardi Gras], 10 vintage photographs by John Teunisson (Mississippi/New Orleans, 1869-1959), c. 1939-41, including three of Twelfth Night Revelers ball; King of Proteus; 1939 hand-colored Mistick Krewe of Comus ball with Veva Miller as Queen; 1941 Mistick Krewe of Comus ball with Gladys Gay as Queen; 1939 Mistick Krewe of Comus ball; undated Mistick Krewe of Comus ball and two unidentified balls, silver gelatin prints, ranging from 10 in. x 8 1/2 in. to 16 in. x 20 in., unframed.

$500/700

864. [Mardi Gras], 11 vintage photographs by John Teunisson (Mississippi/New Orleans, 1869-1859), c. 1937-41, including 1941 Hermes ball with Audrey Anastine Reinhard as Queen; three of 1939 Krewe of Eros ball with theme of “Russian Court During Reign of Peter III”; 1938 Atlanteans ball with Queen Malcolm McCullough Tullis; 1937 Krewe of Mystery ball with Queen Alice Marie Kelleher; 1939 Olympians ball with theme “Reminiscences of Old New Orleans”; 1937 Mithras Court; undated Krewe of Hermes ball; Gladys Huey as a Maid; and unidentified court, silver gelatin prints, ranging from 9 1/2 in. x 7 1/2 in to 16 in. x 20 in., unframed.

$500/700

859

862

864 (3 of 11)

863 (2 of 10)

168

W 865. [Mardi Gras], 9 vintage photographs by John Teunisson (Mississippi/New Orleans, 1869-1859), c. 1937-39, including four of 1939 Mystic Club ball with theme “The Empress of the French at Suez”; three of unidentified Mystic Club maids; Mystic Club ball; and 1937 Mystic Club ball with Queen Mrs. William Boatner Reily and theme of “The Kingdom of Carmen Sylva”, silver gelatin prints, ranging from 5 in. x 6 1/4 in. to 11 1/4 in. x 15 3/4 in., unframed.

$500/700

W 866. [Mardi Gras], 9 vintage photographs by John Teunisson (Mississippi/New Orleans, 1869-1959), c. 1937, including 1937 Mistick Krewe of Comus court with Queen Susan Buck; 1937 Krewe of Eros ball with theme of “The Romance of Pocahontas”; four of 1937 Mistick Krewe of Comus Ball; 1937 Hermes ball; unidentified duke; and 1937 Krewe of Athenians Queen Katherine Nolan, silver gelatin prints, ranging from 9 3/4 in. x 7 1/2 to 9 1/2 in. x 15 1/2 in., unframed.

$500/700

W 867. [Mardi Gras], 9 vintage photographs by John Teunisson (Mississippi/New Orleans, 1869-1959), c. 1937, two Bards of Bohemia ball with theme of “Burning of Rome”, two of identified Queen of Bards of Bohemia; Queen of Athenians, Miss Williams; undated Atlanteans ball; unidentified queen at Ladies Ball, Dinner Dance at Hotel Roosevelt; unidentified Queen and Maids; and unidentified King and Queen of Bards of Bohemia, silver gelatin prints, from 13 3/4 in. x 9 1/2 in. to 11 in. x 14 in., unframed.

$500/700

W 868. [Mardi Gras], hand-written notes for 1953 Rex Charles C. Crawford’s Ceremonial Toast to New Orleans Mayor Delesseps Morrison at Gallier Hall on Mardi Gras Day, written on two “Syntax Parade Throws” order cards, reading in part “I Rex descended from my Palace in Arabia... Hon. Mayor Morrison may your Rule Be Blessed with Continuous Peace & Prosperity...”

$300/500

Provenance: Estate of Charles C. Crawford, 1315 First Street, New Orleans, 1978.

Note: The Syntax card indicates “Parade throws are available to be boxed and delivered on floats. All beads $3.50 per gross. Assorted $2.50 per gross.”

W 869. [Mardi Gras], a typewritten letter with handwritten notes, regarding a King’s Dinner, probably Mistick Krewe of Comus, reading in part, “This is to remind you/ of the Dinner to the/ Captain/ Boston Club, Friday, May 19th/ at 7:00 o’clock, P.M.”; together with a photograph of the 1961 Rex King’s Dinner.

$200/300

Provenance: Estate of Charles C. Crawford, 1315 First Street, New Orleans, 1978.

W 870. [Mardi Gras], ball Invitations, dance cards, admit card, programs, Krewe of Athenians, dating from 1912 to 1997, (approx. 40 pcs).

$400/600

W 871. [Mardi Gras], ball Invitations, programs, admit cards, The Harlequins, dating from 1939 to 1994; Krewe of Freret, dating from 1963 to 1974; Bards of Bohemia, dating from 1965 to 1975; The Achaeans, dating from 1965 to 1974; Hera, dating from 1968 to 1969, (approx. 70 pcs.)

$200/400

W 872. [Mardi Gras], ball invitations, various krewes including Dorians, dating from 1950 to 1989; Krewe of Alpheus, dating from 1968 to 1974; Krewe of Janus, dating from 1955 to 1976; The Knights of Jason, 1969; Juno dating from 1969 to 1976; Krewe of Jupiter, 1972; Krewe of Grela, dating from 1969 to 1976; Krewe of Carrollton, 1973; Krewe of Eros, 1968; Helios, dating from 1969 to 1976; and Krewe of Alhambra, dating from 1952 to 1975, (approx. 30 pcs).

$200/400

W 873. [Mardi Gras], ball invitations, admit cards, programs and parade tickets, including Hermes, dating from 1948 to 2001; The Krewe of Babylon, dating from 1941 to 1981; Alla, dating from 1968 to 1976; The Krewe of Anubis, 1959; The Ancient Scribes, 1969; The Krewe of Endymion, dating from 1971 to 1972; Krewe of Amor, 1971; and Krewe of Iris, dating from 1976 to 2001, (approx. 60 pcs.)

$200/400

W 874. [Mardi Gras], ball invitations, etc., including a dance card with pencil, Alexis, “A Winter Palace Ball”, 1924; two ball invitations, Empyreans, December 13th, 1904; ball invitation, The Argonauts, February 2nd, 1893; ball invitation, The Cavaliers, December 27th, 1930; ball program, Caliphs of Cairo, January 18, 1940; ball program, Krewe of Hypatians, “My Old Kentucky Home”, January 10, 1940; and three ball programs, Krewe of Cynthius, January 12th, 1938 and February 14th, 1950, (9 pcs.)

$300/500

Note: The 1924 Alexis dance card is illustrated in Schindler, Henri. Mardi Gras Treasures: Invitations of the Golden Age. Pelican Publishing Company, Gretna, 2000, p. 99.

W 875. [Mardi Gras], ball invitations, The Argonauts, February 2, 1893; invitation, Empyreans, December 30th, 1904; dance card, Alexis, “A Winter Place Ball”, 1924; invitation, Alexis, 1928; three programs from Children’s Carnival Club of New Orleans, 1950 and 1961; and two programs, Iridis, 1940 and 1941, (9 pcs.)

$300/500

Note: The 1924 Alexis dance card is illustrated in Schindler, Henri. Mardi Gras Treasures: Invitations of the Golden Age. Pelican Publishing Company, Gretna, 2000, p. 99.

W 876. [Mardi Gras], 20th c., ball dance cards, framed; together with an Elves of Oberon Mardi Gras ball invitation, February 12th, 1914, (6 pcs.).

$300/500

W 877. [Mardi Gras], ball favors, including a 1903 Rex cup and a 1906 Rex pin cushion; together with a New Orleans Mardi Gras Annual Festival of Fun, February 8th and 9th, 1937 parade and train schedule, The Texas Pacific Railway Company, (3pcs.)

$400/600

W 878. [Mardi Gras], Rex ball favors, including a 1908 pen tray, 1911 inkwell with glass insert, a 1910 letter opener and 1913 dresser tray, (4 pcs.).

$500/800


W 879. H. Alvin Sharpe (American/New Orleans, 1910-1982), a collection of silver and bronze medals, comprised of a silver octagonal medallion encased in Lucite, nine studio proofs, and two pattern proofs, including: “Studio Cob Original from Pattern Dies”, “Voodoo Queen”, “Saturn” and others, all stamped and inscribed by the artist, ranging in size from 2 5/8 in. x 2 5/8 in. to 2 1/8 in. x 2 1/8 in., (12 pcs.)

$150/250

Note: H. Alvin Sharpe first came up with the idea of Mardi Gras doubloons as parade throws. In December of 1959, he approached Rex Captain, Darwin Fenner, with his idea which led to the birth of a new Mardi Gras tradition. Sharpe’s interest in the intaglio process of etching into metal, which led to creation of this wonderful collection of handcrafted metal pieces, often incorporated historical Louisiana themes.

W 880. H. Alvin Sharpe (American/New Orleans, 1910-1982), a collection of gold, silver, and copper medals comprised of three round medallions encased in Lucite, and eleven square pattern pieces including: “Kentucky Historical Series”, “Navaho”, “Reign of Zulu Barnes” and others, all stamped and inscribed by the artist, ranging in diameter from 2 1/4 in. to 2 1/8 in., (14 pcs.)

$150/250

W 881. H. Alvin Sharpe (American/New Orleans, 1910-1982), a collection of silver, copper, and colored alloy jewelry and medals comprised of two pendants, one belt buckle, and seven square pattern proofs including “Old New Orleans”, “Tree of Life”, “Spinning”, and others all stamped and inscribed by the artist, ranging in size 2 1/4 in. x 2 in. to 2 1/4 in. x 3 5/8 in., (10 pcs.)

$100/200

W 882. H. Alvin Sharpe (American/New Orleans, 1910-1982), a collection of silver, bronze, colored alloy, and lead jewelry and medals comprised of three pendants, a pair of earrings, three medallions, and three square studio proofs, including “Shoshoni”, “Zulu Princess”, Gasparilla” and others, all stamped and inscribed by the artist, ranging in size from 2 in. x 7/8 in. to 3 1/4 in. x 3 in., (10 pcs.)

$100/200

W 883. H. Alvin Sharpe (American/New Orleans, 1910-1982), a collection of silver and bronze “Silent Pardners” medals, comprised of four medallions encased in Lucite, and eight medallions, all stamped and inscribed by the artist, all 2 in. in diameter (12 pcs.)

$100/200

W 884. H. Alvin Sharp (American/New Orleans, 1910-1982), three silver and enameled doubloons, comprising “Ethiop: King of Zulu, 1966”, “Zuni: The Nutcrackers, Squirrelest Krewe Ever, 1968” and “Art is Mans Clumsy Effort to Build a Rose”.

$100/200

W 885. A Chinese Cloisonné Embellished Gilt Metal Figure of a Bodhisattva, 20th c., four faced, eight arm figure modeled standing on a waisted lotus base, height 30 1/2 in.

$300/500

HWM W 886. A Pre-Columbian Nazca Textile, eight joined panels with overall resist dyed diamond patterns on loosely woven vegetable fiber, height 76 in., width 40 in., modern backing, overall height 80 in., width 60 in.

$200/400

887. An Antique Indo-African Brass-Mounted Hardwood

“Treasure” Chest, Zanzibar, rectangular trunk form over three frieze drawers, hinged lid opening to fitted interior, exterior embellished with pierced brass panels and brass studs, height 19 1/2 in., width 47 in., depth 20 1/2 in., later wood stand, overall height 31 in.

$1000/1500

Provenance: With Commander David Enderby Blunt, explorer, author, and elephant control officer in Tanganyika; to Russell B. Aitken (1910-2002); to Christie’s, New York, The Russell B. Aitken Collection of African and Oceanic Art, April 3, 2003, lot 128; to present collector.

888. Austrian School, c. 1835, “Portrait of Archduke Maximilian Joseph von Österreich-Este (1782-1863)”, oil on canvas, unsigned, with Austrian or German stencil en verso of canvas, titled on contemporaneous typewritten label en verso of stretchers, 37 1/2 in. x 31 1/4 in.

$1000/1500

W 889. Marc Chagall (Russian/France, 1887-1985), “Thou shalt also anoint Aaron (The Story of the Exodus portfolio)”, 1966, color lithograph on Arches paper, signed by artist and numbered 142 on portfolio page and International Galleries, Chicago label en verso, published by Leon Amiel, sight 18 3/4 in. x 13 3/4 in., matted and framed.

$500/800

W 890. After Pierre Joseph Redoute (French, 1759-1840), “Oranger à Fruits Déprimés” and “Abricot-Péche”, 19th c., hand-colored stipple engravings, sheet 14 in. x 10 1/2 in., unframed.

$200/400

887

888

170

W 896. An Antique Silverplate Wirework Wine Basket, height 6 1/2 in., length 13 in.

$200/300


897. A Good English Silverplate Gallery Tray, Ellis Barker Silver Co., Birmingham, from 1906, oval with serpentine reticulated gallery, chased well and suppressed ball feet, 24 in. x 16 3/4 in.

$200/300

898. A Pair of Antique English Silverplate Three-Light Candelabra, 19th c., foliate scroll decoration, height 19 1/4 in., width 16 in.

$500/750

899. An Ensko “Queen Anne” Pattern Silverplate Salver, made in England for Ensko Inc., New York, wc. 1878-1970; square with notched corners and bracket feet.

$300/500

900. An Antique English Sterling Coffee and Tea Service, Roberts & Slater, Sheffield, 1853, comprising a coffee pot, teapot, sugar and creamer, rococo repoussé chased forms raised on scrolled supports, vacant cartouches and with cast pineapple finials, coffee pot height 10 1/4 in., combined weight 79.05 troy ozs., (4 pcs.)

$1800/2500

891. Manner of Adriaen Jansz Van Ostade (Dutch, 1610-1685), probably 19th c., “Two Peasants Smoking”, oil on oak panel, 6 1/3 in. x 5 1/3 in., framed.

$1000/1500

W 892. A Pair Empire-Style Gilt Decorated Chinoiserie Porcelain Vases, céleste bleu ground with gilt and black floral and figural decoration, swan and acanthine handles, height 17 3/4 in.

$800/1200

W 893. A Decorative Wrought Iron Wine Rack, with fleur-de-lis crest, one glass shelf, bottle storage below, height 81 in., width 31 in., depth 19 in.

$600/900

W 894. A Mexican Sterling Silver Platter in the Colonial Taste, Emma Melendez, Taxco, wc. from 1953; together with 15 matching butter pats; platter length 18 1/2 in., width 12 1/8 in.; butter pat diameter 3 1/2 in., combined weight 64.45 troy ozs.

$800/1200Reference: Morrill, Penny C. and Berk Carole A., Mexican Silver, pp. 230-231.

W 895. A Pair of Sterling Silver Three-Light Candelabra, Hamilton, plain circular weighted bases with tapered stems, reeded arms and urn candlecups, detachable bobêches, “as is”, height 13 1/8 in., width 11 1/4 in.

$400/600

891

897

900

898

899


901. A Pair of Silverplate Trumpet Vases, faux marks, each with wirework body mounted with foliate swags, cobalt glass liners, height 16 3/8 in.

$600/900

W 902. A Pair of Old Sheffield Plate Candlesticks, shaped square bases, tapered stems, cast acanthus, gadroon and shell borders, height 13 1/4 in.

$300/500

W 903. A Large Glass Figure of a Rearing Horse, 20th c., possibly Baccarat, height 10 in., length 11 in., width 4 3/4 in.

$150/250

W 904. Seven Steuben “Teardrop” Martini Glasses, height 3 7/8 in.; together with a Steuben glass squirrel, height 4 in.

$200/300

W 905. A Steuben Rosaline Glass Compote, rose bowl on white twist stem, unmarked, height 6 7/8 in., diameter 8 in.

$300/500

W 906. A Large Group of Cut Crystal Stemware, comprising 10 water glasses, 10 wine glasses, 10 cordials, 3 decanters, and 2 water jugs, all with floral and foliate design, faceted footed bases.

$400/600

907. An Antique English Carved Mahogany Breakfront, mid-19th c., upper case with molded cornice, glazed doors, shelf interior; lower case with paneled doors, plinth base, height 88 in., width 71 1/2 in., depth 19 in.

$1800/2500

W 908. A George III-Style Inlaid Burled Walnut Dining Table, 20th c., Tomlinson Furniture, banded top with two leaves, turned pedestals on sabre legs ending in casters, height 29 1/2 in.

$800/1200

W 909. A Regency-Style Mahogany Library Step, turned tapered stem supporting four spiral steps, turned feet, height 71 in.

$300/500

W 910. An Inlaid Fruitwood Revolving Bookmill, 20th c., probably English, molded top, divided shelves, conforming base, height 29 in., width 19 in., depth 19 in.

$300/500

911. A William IV Carved Mahogany and Gilded Chiffonier, early 19th c., brass galleried superstructure of two shelves, fitted escritoire drawer over paneled doors flanked by reeded columns, turned feet, height 56 in., width 31 in., depth 14 3/4 in.

$600/900

901

907

911

172

912. A Georgian-Style Inlaid Mahogany Bookcase, 19th c., upper case with molded cornice, glazed doors, shelf interior; lower case with paneled doors opening to shelves, blocked base, height 79 1/2 in., width 43 1/2 in., depth 16 in.

$700/1000

913. An American or English Silk-on-Linen Cross-Stitch Sampler, dated 1831, with alphabet, religious verse and bulcolic landscape, floral border, height 21 1/4 in., width 17 1/2 in., matted and framed.

$800/1200

914. A Verdure Tapestry, woodland scene with path along a brook leading to a cottage, floral border, 65 in. x 61 in.

$1000/1500

W 915. An Aubusson Tapestry, 19th c., based on the French School painting, “Feeding the Dog”, domestic scene with boy and scullery maid, rope border, height 46 in., width 59 in.

$700/900

W 916. [Decorative Leather Bindings], a fine group of 38 bindings, including 29 volumes of the works of Charles Dickens, published by Osgood & Co., 1871, in 3/4 leather (7 1/2 in. x 5 in.); Walter Thornbury and Edward Walford, Old and New London: A Narrative of Its History..., c.1887, 6 volumes, 3/4 leather (10 1/2 in. x 8 in.) and 4 full leather books from the series Secret Court Memoirs, c. 1904, by Grolier, 9 1/4 in. x 7 in., total 38 volumes.

$600/900

W 917. [Decorative Leather Bindings], 17 3/4 leather bindings

of literature from Washington Irving, 1860, height 7 3/4 in., width 5 3/4 in.

$100/200

W 918. A Whimsical Continental Clock Picture, 19th c., enhanced chromolithograph depicting a Northern European cityscape, the clock tower fitted with an enamel

dial, clock movement and winding hole, in a period painted gesso frame, height 22 3/4 in., width 27 1/4 in., depth 3 in.

$800/1200

W 919. A Group of Four Continental Porcelain Figures, late 19th c., including a seated lady, marked “Germany”, impressed “1829”, height 5 1/2 in.; a lady wearing a yellow dress, Sitzenforf Manufactory mark, Thuringia, German, c. 1902-1972, height 6 1/2 in.; a lady with a dog, height 7 1/4 in.; and a boy, marked “The Trumpeter”, height 6 1/4 in.

$500/700

920. A Group of Three Paris Porcelain Lidded Apothecary Jars, 19th c., each with putto and floral swag panel variously reserved with “OL: ROSARUS”, “EX DEPINUS”, and “PILL: DE ME CLIN”, height 10 3/8 in., diameter 4 7/8 in.

$500/700

912

913

920

914


W 921. A Set of Six Limoges Porcelain Oyster Plates, with five wells for oysters and one central well for condiments, gilt laurel wreath decoration, diameter 9 in.; together with 12 Wedgwood creamware “Leaf” dessert plates, with leaf edges and veins picked out in light green, diameter 8 in.

$300/500

922. A Continental “Grisaille” Porcelain Partial Coffee Service, early 19th c., possibly Belgium, comprised of a lidded coffee pot, impressed mark “Vaudrevange”, 9 cups and 8 saucers, each decorated en grisaille with pastoral landscapes, coffee pot height 10 1/2 in.

$400/600

W 923. A KPM Gilt Porcelain Tazza, c. 1847, marked, molded rim, vasiform standard, flared base, height 6 3/8 in., diameter 10 in.

$300/500

W 924. A French Porcelain Dinner Service, ret. E. Offner, New Orleans, comprising 8 soup bowls, 8 dinner plates, 8 salad plates, 8 bread and butter plates, 10 wine glasses and 8 juice glasses.

$500/700

W 925. A Pair of Meissen Porcelain Figural Bonbon Dishes, late 19th/early 20th c., each seated on baskets, blue crossed swords marks, height 5 1/4 in., width 5 1/2 in., depth 3 1/2 in.

$800/1200

W 926. A Continental Faience Pottery Platter, 19th c., reserved with a cherub on a cream ground, height 2 1/2 in., diameter 13 1/2 in.

$200/400

927. A Paris Porcelain Apothecary Jar, 19th c., marked “H. Vignier Fabr....Paris”, gilt laurel leaf shield around “Est: De Opio”, h. 11 in.

$400/600

W 928. A Pair of English Polychrome Porcelain Chamber Sticks, 19th c., scalloped dish, flower thumbpiece, height 3 in., diameter 5 in.

$200/400

929. An English or Continental Carved Ivory Nécessaire, 19th c., case with floral and foliate scrolled decoration, hinged top with tortoiseshell reserve, velvet lined interior fitted with various grooming items, height 3 1/4 in., width 11 1/4 in., depth 8 3/4 in.

$500/700

930. A Louis XVI-Style Gilt Bronze and Gris Peinte Encrier, 19th c., fitted with a pair of faceted crystal bottles, the well with an associated carved soapstone lid, fruit and flower decoration, plinth drawer, paw feet, height 8 1/2 in., width 19 in., depth 11 1/2 in.

$500/750

931. A Pair of French Empire-Style Gilt and Patinated Bronze Candlesticks, acanthine standard on tripartite bases with lion and shell masks, on paw feet, h. 14 in.

$700/900

922

929

930

931

927

174

932. Two English Green Tortoiseshell and Abalone Tea Caddies, early 19th c., each of sarcophagus form with hinged lids opening to two lidded compartments; the smaller caddy with ivory mounts, compressed spherule feel and round escutcheon, height 5 in., width 7 3/4 in., depth 4 1/2 in.; the larger with dark iridescent abalone and brass oval escutcheon, height 4 3/4 in., 8 1/4 in., depth 5 in.

$1000/1500

933. A Small English Tortoiseshell Tea Caddy, 19th c., interior with divided lidded compartments, shield form escutcheon, with key, on bun bone feet, height 4 1/4 in., width 5 7/8 in., depth 4 in.

$500/700

W 934. An English Papier-Mâché and Mother-of-Pearl Inlaid Tea Caddy, mid-19th c., sarcophagus form with floral and gilt decoration, finely decorated interior with two lidded compartments, on scroll feet, height 5 3/4 in., width 10 in., depth 7 in.

$300/500

W 935. An English Burl Walnut Stationery Box, mid-19th c., slant lid opening to a fitted interior, lid with oval brass plaque, lacking escutcheon, height 9 1/4 in.,

width 11 3/8 in., depth 6 in.

$150/250

W 936. An English Brass-Inlaid Mahogany Lap Desk, c. 1850, opening to reveal a gilt-tooled leather writing surface and compartments, height 5 1/8 in., width 11 3/4 in., depth 8 3/4 in.

$250/350

W 937. An English Regency Carved Rosewood Tea Caddy, 19th c., sarcophagus form, divided interior with lidded compartments, on gilt brass paw and floral feet, height 6 in., width 7 3/4 in., depth 4 7/8 in.

$300/500

938. A Pair of Renaissance-Style Patinated Bronze Lamp Standards, the tiered standard mounted with cherubs and mythical figures, on tripartite base, fitted with three-socket fixture, height 45 in.

$1000/1500

939. A Pair of Antique Empire-Style Figural Two-Light Candelabra, 19th c., swan candle cup supports, centered by a lyre, raised by a winged figure, on sphere, plinth base with floral and mask mounts, heights 17 1/4 in., width 6 in., diameter 4 in.

$1000/1500

932

933

938

939


940. An American Federal Mahogany Library Armchair, c. 1800, arched back, shaped arms, trapezoidal seat, square legs, stretchers.

$500/750

941. An Antique American Mahogany Camel-Back Sofa, scrolled arms, straight rail, square legs joined by stretchers, height 37 1/2 in., width 83 1/2 in., depth 30 in.

$1000/1500

942. An American Federal Inlaid Walnut Chest of Drawers, late 18th/early 19th c., Mid-Atlantic, four graduated drawers, “French” feet, poplar secondary wood, height 37 in., width 41 in., depth 21 in.

$500/800

943. A Pair of West Indies Carved Mahogany and Caned Rocking Chairs, 19th c., each with arched acanthine crest, scrolled arms, saber legs, rockers.

$1000/1500Reference: Connors, Michael. Caribbean Elegance. 2002. p. 46, fig. 34.

944. A William IV Mahogany Sideboard, c. 1830, pedimented backsplash with scrolled ears, frieze fitted with drawers, outset bracketed pedestals fitted with bottle drawer and various compartments, blocked base, height 50 in., width 80 1/2 in., depth 28 in.

$800/1200

940 941

942 944

943

176

945. A Pair of Gothic Carved Oak Miniature Folding Chairs, 19th c., arched crest, gothicized splat, X-form base.

$300/500

946. An English Inlaid Mahogany Bowfront Cabinet, c. 1800, case fitted with two drawers over a cupboard door and deep drawer, doors below, “French” feet, height 39 1/4 in., width 48 in., depth 22 1/2 in.

$1200/1800

947. A Pair of French Restauration-Style Carved Mahogany Fauteuils, arched crest, scrolled arms, bow front seat rail, saber legs.

$1200/1800

948. A Pair of Empire-Style Ebonized and Gilt-Decorated Armchairs, early 20th c., arched crest rail with griffin, shaped arms with spherule finials, caned seats, arched legs, stretchers.

$1200/1800

949. A Louis XV Carved Giltwood Console, late 18th c., inset serpentine marble top, conforming base with openwork foliate frieze, C and S-scrolled acanthine legs, conforming stretcher, height 39 1/4 in., width 50 1/2 in., depth 22 1/2 in.

$5000/7000

945

946

948

949

947


950. Madeleine Rachel Holmes Wells, R.A. (Indian/British, d. 1959, known active 1909-1940), “Midsummer: An Inland Sea”, c. 1920s/1930s, oil on canvas, signed lower right, labeled with artist and title en verso, 48 in. x 72 1/4 in., original frame.

$1200/1800

Note: Born in India, Madeleine Rachel Holmes Wells studied at the Westminster and London Schools of Art and was accepted to the Royal Academy in 1915. Wells maintained a studio in Kensington, and created a series of large scale allegorical paintings, including “Midsummer: An Inland Sea” (which may possibly be based on an idealized rendering of the Dalmatian Coast).

951. John Gould (English, 1804-1881), “Euplocomus Swinhoii”, “Buphus Comatus”, “Oidemia Perspicillata” and “Casarca Rutlia”, four hand-colored lithographs from Birds of Great Britain, Birds of Asia, and Birds of Europe, 1831-88, 20 in. x 14 in., matted.

$1000/1500

W 952. John Gould (English, 1804-1881), “Heliomaster Mesoleucus”, “Lophornis Helenae”, “Pinarolaema Buckleyi” and “Eugenes Fulgens”, four hand-colored lithographs from A Monograph of the Trochilidae, or Family of Humming-birds, 1849-61, 20 in. x 14 in., matted.

$1000/1500

W 953. John Gould (English, 1804-1881), “Ionolaema Whitelyana” and “Rhamphomicron Dorsale”, two hand-colored lithographs from a Monograph of the Trochilidae, or Family of Hummingbirds, 1849-61, sight 20 1/2 in. x 13 1/2 in., attractively matted and framed.

$800/1200

W 954. French School, 19th c., “Siege de la Citadelle D’Anvers”, hand-colored woodcut on paper, sight 14 1/4 in. x 21 1/4 in., framed.

$150/250

W 955. After Pierre Jean Smet (American, 1801-1873), “Indian Rhinoceros”, chromolithograph, signed in plate lower right, sight 8 in. x 11 in., framed.

$200/400

W 956. Herbert Dicksee (British, 1862-1942), “Lioness with Cub by a Lake”, etching and drypoint on paper, pencil-signed and initialed in the plate, sight 17 in. x 27 1/8 in., framed.

$200/400

957. William Woodward (American/New Orleans 1859-1939), “Still Life of Pears”, 1888, oil on canvas affixed to wood panel, initialed and dated lower right, inscribed en verso with provenance, 6 in. x 8 in., unframed.

$1000/1500

Provenance: Descended in the family of Louise Amelia Giesen Woodward, wife of William Woodward

958. Charleston School, early 20th c., “A Charleston Doorway”, watercolor on paper, illegibly signed “H...M...and” lower left, 17 1/2 in. x 14 in., period frame.

$800/1200

950

951 (2 of 4)

958

957

178

959. William Woodward (American/New Orleans, 1859-1939), “Old French Market – Inside”, 1884, drypoint etching, pencil-signed, signed and dated in plate lower left, image 9 3/4 in. x 6 1/4 in., sheet 11 in. x 7 1/4 in., framed.

$800/1200Reference: Included in French Quarter Etchings of Old New Orleans by William Woodward, foreword by Nathaniel Curtis, The Magnolia Press: New Orleans, 1938, plate 21.

960. William Woodward (American/New Orleans 1859-1939), “Balloon Jib Finish—Biloxi”, 1932, etching, pencil-signed and titled, signed and dated in plate lower left, image 4 in. x 5 7/8 in., sheet 8 1/2 in. x 9 3/4 in., unframed.

$500/700


W 961. A Collection of Photographs, Letters, Exhibition Catalogues, and Newspaper Clippings Relating to the Family of William Woodward and Louise Giesen Woodward, including photographs of William and Louise Giesen Woodward with various family members, and at their house in Biloxi, Mississippi; a first edition of French Quarter Etchings used as a family scrapbook, a catalogue from the Louisiana State University 1968 exhibition of Louisiana Artists from the collection of Dr. and Mrs. James W. Nelson, letters from various Giesen family members, and genealogical information on the Giesen family; together with two paper candlestick shades created and decorated by Ellen “Dixie” Woodward (Mrs. Bainbridge Logan) and Eleanor Woodward (Mrs. Clarence Blosser), the daughters of William Woodward and Louise Giesen Woodward.

$300/500


962. George Elbert Burr (American, 1859-1939), a manuscript and print archive, consisting of two autograph letters signed, on Burr’s Denver studio letterhead, dated April and May, 1921, asking his relative G. Brown Burr, if he would like to purchase his new set of etchings, and discussing various topics; together with 7 etchings, all signed and titled in pencil, two also dedicated to G. Brown Burr, the titles with plate sizes as follows; “Cloud Burst, Arizona”, 9 7/8 in. x 11 6/8 in.; “Painted Cliffs, Apache Trails, Arizona”, 9 6/8 in. x 7 7/8 in.; “Paradise Valley, Arizona”, 5 in. x 8 in.; “Tyrannian Mountain, N.Mex”, 2 5/8 in. x 4 5/8 in.; “Fish Creek, Apache Trail, Arizona”, 6 1/2 in. x 4 in.; “Fishing Huts, Mouth of the Arno”, 6 in. x 9 in.; and “Windsor Castle, Evening”, 6 7/8 in. x 9 7/8 in., seven etchings and two letters total.

$3000/5000

W 963. Louis Oscar Griffith (American, 1875-1956, active New Orleans 1916-17), “General Beauregard’s House, Chartres Street, French Quarter”, color aquatint, pencil-signed, plate 9 3/4 in. x 7 3/4 in., framed.

$700/900

959

960

962 (2 of 7)


W 964. Robert Matthew Sully (American, 1803-1855), “Siren”, watercolor on paper, titled, initialed and extensively inscribed lower right, image 5 5/8 in. x 4 1/2 in., with an excerpt from a contemporaneous print “Fruits of Idleness” en verso; together with five works including: a matted group of two watercolor figures of women: “Miranda”, with a miniature printed version of the “Siren” watercolor above, overall 8 1/4 in. x 12 in.; and “View Near the Malvern Hills, Worcestershire..., June 1828”, initialed, titled and dated lower right, image 4 1/4 in. x 6 1/4 in; George Washington Sully (American, 1816-1890), “Nighttime Landscape of a Farm”, watercolor, pen and ink on paper, 5 5/8 in. x 6 5/8 in; and “Portrait of a Woman”, pencil, watercolor, pen and ink on paper, 4 in. x 4 in.; and attributed to Thomas Ogilvie Sully (American, 19th c.), “Fruit and Flower Composition”, watercolor on paper mounted with a poem, “The Voice of Her I love...” inscribed “written by T.O. Sully, Tallahassee, Florida, Aug. 15th, 1833”, and with extensive newspaper clippings pasted en verso, image 5 3/4 in. x 4 in.; all unframed, (6 pcs.)

$500/700

W 965. Rosalie Roos Wiener (American/New Orleans 1899-1982, active Newcomb College 1931-1935), “Still Life of Roses in a Blue Vase”, watercolor, signed lower right, 13 1/2 in. x 8 3/4 in., framed.

$500/700

Provenance: Ex-Collection of Dr. James W. Nelson, Gonzales, Louisiana.

966. Marie Atkinson Hull (American/Mississippi, 1890-1980), “Moss Hung Oak”, watercolor on paper, signed lower right, signed, titled and inscribed en verso, 11 1/4 in. x 14 1/2 in., matted and framed.

$1500/2500

Provenance: Gift of the artist to current owner.

967. Marie Atkinson Hull (American/Mississippi, 1890-1980), “Wash Day”, watercolor on paper, signed lower left, signed, titled and inscribed en verso, 10 in. x 14 in., and “Cabin in the Woods”, watercolor on paper, signed lower right, 15 in. x 18 in., both unframed. (2 pcs.)

$1200/1800

Provenance: Gift of the artist to current owner.

968. Alexander John Drysdale (American/New Orleans, 1870-1934), “Dawn on the Louisiana Bayou”, oil wash on board, signed lower right, sight 19 3/4 in. x 29 1/2 in., period frame.

$2500/3500

969. Alexander John Drysdale (American/New Orleans, 1870-1934), “Live Oak Tree and Pirogue”, 1932, oil wash on board, signed and dated lower left, 10 1/2 in. x 20 in., framed.

$2000/3000

966

968

969

967

180

972. Angela Gregory (American/New Orleans, 1903-1990), “John McDonogh”, 1934, painted plaster bust, signed and dated en verso, height 34 in., width 30 in., depth 22 1/4.

$3000/5000

Note: This plaster bust was the model for the bronze now conserved in Duncan Plaza, New Orleans, and originally unveiled in 1938. John McDonogh (1779-1850) built a huge fortune in shipping and land holdings and was said to have the largest number of acres under private ownership in the nation in 1850. After losing a Senate race, he moved from New Orleans to the west bank of the Mississippi and established the town of McDonoghville, now called McDonogh. Although known as a loner and miser, McDonogh

left the bulk of his fortune to the cities of New Orleans and Baltimore for the building of schools for poor children. Over thirty schools were built in New Orleans, most named after him, and about seven still bear his name.

973. Southern School, mid-19th c., “Portrait of Thomas Ruffin, Jr. (North Carolina, 1824-1889) and his wife Mary Clark (Cain) Ruffin (North Carolina, 1827/8-1908)”, probably c. 1858, the year of their marriage, a pair of oils on canvas, unsigned, 29 1/4 in. x 24 1/4 in. and 29 3/4 in. x 25 in., respectively, framed alike.

$2000/3000

Provenance: Descended in the family of the sitters; to their son William C. Ruffin (b. 1865); to his daughter Jane Ruffin Ferrell (1900/1-1965); to her daughter Mary F. Reily, New Orleans.

Note: Attorney Thomas Ruffin, Jr. was the son of Judge Thomas Carter Ruffin (1787-1870), Chief Justice of the North Carolina Supreme Court 1833-1852.

970. Knute Heldner (Swedish/Louisiana, 1877-1952), “Summer Landscape”, oil on canvas, signed lower right, old inscription “Property of Bess L. Mc Allister” en verso, 12 in. x 16 1/8 in., period frame.

$1800/2500

971. George Frederick Castleden (British/New Orleans, 1861-1945), “Courtyard of Le Petit Theatre”, 1938, watercolor, signed and dated lower right, sight 12 1/2 in. x 9 1/2 in., matted and framed.

$1200/1500

970

972

971

973


974. J.S. Marsh (American, 19th c.), “Mouth of the St. John’s River, Fla-Looking out to Sea”, 1872, oil on board, signed and dated lower left, signed, titled, and dated on period label en verso, 11 3/4 in. x 19 3/4 in., framed.

$5000/8000

Note: Another landscape by this artist, also dated 1872, is in the Roger Ogden collection and illustrated in Art in the American South, p. 24. The painting offered here shows the St. John’s River lighthouse among the dunes and palm trees at the mouth of the river. Originally built in 1830, the lighthouse went through several relocations at the mouth of the river. This work is a rare early view of Northeast Florida.

Only a handful of artists, such as John Bunyan Bristol, George Harvey and Edwin Lord Weeks, had painted views of Florida earlier than Marsh’s work here.Reference: Delehanty, Randolph. Art in the American South: Works from the Ogden Collection. Baton Rouge: LSU Press, 1996.

975. Attributed to George Henry Clements (American/Louisiana, 1854-1935), “Sail Boat on Lake Pontchartrain at Dusk”, watercolor, unsigned, 11 in. x 15 in., framed.

$700/1000

976. American School, 19th c., “Steamship Oceana”, oil on canvas, unsigned, 17 1/2 in. x 23 1/4 in., framed.

$800/1200

977. J.T.W. Jennings (American, b. 1846), “Basilica di Santa Maria della Salute, Venice”, 1925, oil on canvas, signed and dated lower right, partial artist’s label en verso, 21 3/4 in. x 26 1/2 in., antique frame.

$800/1200

974

975

976

977

182

978. Alexander John Drysdale (American/New Orleans, 1870-1934), “Live Oaks, Louisiana Bayou”, oil wash on board, signed lower left, sight 4 3/4 in. x 9 1/2 in., framed.

$800/1200

979. Marie Atkinson Hull (American/Mississippi, 1890-1980), “Still Life of Petunias”, 1943, oil on canvas board, signed lower right, signed, titled and dated on “From Mrs. Emmett J. Hull, 825 Belhaven Street, Jackson, Mississippi” label, Bryant Galleries, Jackson label, and Devoe and Raynolds

Co. label en verso, 20 in. x 15 3/4 in., period frame.

$2500/3500

W 980. Louise Sarrazin (American/New Orleans, 1888-1967), “Cabin Scene”, 1944, watercolor on paper, signed and dated lower right, sight 14 1/2 in. x 19 3/4 in., gilt frame.

$800/1200

981. A Late Classical Carved Mahogany Extension Dining Table, American or English, mid-19th c., molded top opening to receive two leaves, straight frieze, bulbous lappet carved legs, brass ferrules, casters, height 29 in., width 57 in., depth 47 in.

$1500/2500

982. An American Classical Carved Mahogany Sideboard, early 19th c., attributed to Anthony Quervelle, Philadelphia, pedimented mirror back flanked by colonnettes and cornucopia brackets, small drawers above paneled doors with lozenge panels, flanked by drawers over shaped doors, plinth base, paw feet, height 57 in., width 73 in., depth 23 1/2 in.

$3000/5000

Provenance: Boor Collection, Philadelphia.

978

981

982

979


983. An American Classical Carved Mahogany Gentleman’s Wardrobe, mid-19th c., possibly Baltimore, flared cornices over torus molding, bowed doors flanked by colonnettes, void hanging interior, centered by mirrored doors over two small drawers above four drawers (one an escritoire drawer); plinth base, scrolled feet, height 86 in., width 92 in., depth 25 1/2 in.

$2500/3500

985. An American Renaissance Highly Carved and Burled Walnut Bedroom Suite, late 19th c., Philadelphia, comprising bedstead and mirror back dresser; bedstead with sunflower crest, interlaced banded frieze, shell panel, paneled head board with floral panel, turned and carved posts with sunflower banding, conforming foot board and bracketed rails; dresser with original marble top, three over two drawers, blocked base, bedstead height 89 in., inside length 77 in., inside width 59 in.; dresser height 94 in., width 53 1/2 in., depth 22 1/2 in.

$4000/6000

Note: The brass hardware is marked “Pat. Nov. 26 1878”. George W. Tucker of Waterbury, CT, registered a patent for drawer pulls on that day.

984. A Pair of American Aesthetic Carved Rosewood Side Chairs, late 19th c., attributed to Herter Bros., New York, spindled crest, foliate-incised stiles with rosette blocks, turned legs.

$1200/1800983

985

984

184

986. An American Classical Carved Mahogany Box Sofa, c. 1835, probably J. & J.W. Meeks, New York, scrolled crest, S-scroll arms, ogee seat rail, scroll feet, casters, height 36 in., width 79 3/4 in., depth 31 5/8 in.

$2000/3000

Note: A sofa of this type is illustrated in the 1833 Joseph Meeks and Sons Broadside, No. 44.

987. An American Gothic Carved Rosewood Gentleman’s Armchair, 19th c., crocketed crest with pierced quatrefoil, turned finials, padded arms with spherule terminals, turned legs.

$700/900

988. Two American Rococo Carved Mahogany Daybeds, one c. 1840, attributed to Prudent Mallard, New Orleans; the other c. 1910, probably Bittner’s, Louisville, KY; each with arched shell crest, ripple molded head and footboards with shells, cluster column posts surmounted by finialed mosquito bars, height 39 in., length 76 1/2 in., width 35 in. Note: In “estate” condition.

$3000/5000

986

988

987


989. An American Classical Carved Mahogany Sofa, early 19th c., Philadelphia, cornucopia and shell carved crest, paneled back, cornucopia arms, paneled seat rail, hairy paw feet, height 43 1/2 in., width 85 in., depth 23 1/2 in.

$1500/2500

Provenance: Boor Collection, Philadelphia.

990. A Fine American Late Federal Carved and Gilded Overmantel Mirror, early 19th c., step molded cornice over églomisé frieze with central shell, flanked by rosette blocks, tripartite églomisé and mirror panels, height 29 in., width 50 1/4 in.

$2500/3500

991. An American Classical Carved and Gilt Mirror, early 19th c., molded surround, height 70 1/2 in., width 33 1/2 in.

$700/1000

W 992. A Patinated Bronze Statuette of Capt. Nathan Hale (1755-1776), Yale Class of 1773, reduction after the celebrated life-size statue of c. 1915 by Bela Lyon Pratt (1867-1917) on the Old Campus of Yale University, New Haven, with a replica also beside the Constitution Avenue facade of the Department of Justice in Washington, height 6 1/2 in.

$250/350

Note: Nathan Hale, arrested by the British army in New York City as an American spy, spoke one of the most famous lines in American history, when he proclaimed (from the scaffold) “I only regret that I have but one life to lose for my country”.

993. John D. Perry (American/Boston, b. 1845), “Portrait Bust of a Gentleman, probably a Statesman”, 1870, carved white marble, initialed “J.P.” and dated, socle base, height 25 3/8 in.

$800/1200

Note: John D. Perry produced smaller Parian sculptures with the James Carr Pottery Co. (active beginning in 1853). Comparable works by Perry are conserved at the Museum of Fine Arts, Boston (Harvey D. Parker, 1874, acc. #02.446) and at the Newark Museum (Charles Sumner, 1874, acc. #24.69)

989

990

993

991

186

W 994. A Good American Beaux Arts Giltwood Frame, late 19th c., the quarter round outer frame with rose boughs, the inset liner with scrolling acanthus on a fluted ground, interior 20 3/8 in. x 27 3/8 in.

$300/500

995. A Pair of Aesthetic Wrought Iron and Gilt Bronze “Sunflower” Andirons, c. 1890, boldly cast finial, standard with twisted ring, on “penny” feet, height 34 in., width 12 in., depth 26 in.

$1500/2500

996. A Doulton Lambeth Polychrome-Decorated Pottery Vase, c. 1890, with impressed and stamped marks, of baluster form with floral decoration, height 26 in., diameter 8 in.

$800/1200

997. A Large Sheffield Plate Tray, c. 1830, James Dixon & Sons, Sheffield, crested, grape and grape leaf decoration, with original tinned back, 37 1/4 in. x 23 in.

$1200/1800

W 998. A Regency-Style Silverplate Tea Set, Birks - Ellis Regency Plate, comprised of a teapot, sugar and creamer; together with a gallery tray, Barker - Ellis, Birmingham, from 1912; teapot height 6 in., tray length 14 3/4 in.

$250/350

999. A Set of Four Antique Sheffield Plate Telescopic Candlesticks, 19th c., gadrooned borders, height 8 5/8 in.

$300/500

W 1000. An Antique Continental Silverplate Hot Water Urn, 19th c., domed lid with turned finial, pear-shaped body with scrolled handles, two spouts and three double scroll legs, height 14 in., width 7 1/2 in.

$150/250

W 1001. A Paris Porcelain Fish Service, including a shaped rectangular platter, height 2 1/8 in., width 22 3/4 in., depth 8 1/4 in., and 12 fish plates, diameter 8 3/8 in, each decorated with fish swimming amid seaweed, together with a similarly decorated sauce boat and underplate.

$200/300

W 1002. A Set of Twelve Continental Porcelain Dessert Plates, late 19th c., each marked 01108/XV, decorated with harbor scenes, diameter 8 1/4 in.; together with two family letters, the first a note to Charles and Clara Bell on their wedding day, c. 1888; the second from Clara Bell to her niece Margaret Giesen Johnson, 1923, 5339 Coliseum Street.

$300/500

Provenance: Descended in the family of Louise Amelia Giesen Woodward, wife of William Woodward

995 996

997

999


1003. An American Rococo Carved and Laminated Rosewood Slipper Chair, mid-19th c., attributed to John Henry Belter, New York, arched floral crest, molded frame enclosing oak leaf pierced back, floral serpentine seat rail, cabriole legs, casters.

$1200/1800

1004. An American Classical Gilt and Faux Bois “Fancy” Chair, early 19th c., probably Baltimore, tablet crest, cornucopia slat, rush seat, turned legs joined by stretchers.

$500/750

W 1005. A Victorian Carved Walnut and Needlepoint Oval Stool, late 19th c., molded scrolled legs, casters, height 19 in., width 22 in., depth 16 in.

$300/500

1006. An American Aesthetic Gilt Incised and Ebonized Bench, late 19th c., molded seat rail, turned, tapered fluted legs joined by stretchers, casters, height 18 1/2 in., width 44 in., depth 17 1/2 in.

$500/750

1007. A Pair of American Classical Gilt and Carved Mahogany Games Tables, early 19th c. and later, Philadelphia, each with foldover top, scrolled supports centered by a column, incurvate plinth, scrolled feet, height 28 in., width 36 1/8 in., depth 18 in.

$7500/10000

Note: Bears old pencil-inscription and paper label of Peter J. Jirak, Philadelphia conservator, c. 1936.

1007

1003

1006 1004

188

1008. An American Rococo Carved and Laminated Rosewood Parlor Suite, mid-19th c., attributed to John Henry Belter, New York, in the pattern known as “Henry Clay,” comprising a sofa, two armchairs and four side chairs, sofa height 39 1/2 in., width 73 in., depth 25 1/2 in.

$12000/18000

Provenance: Discovered in a Nacogdoches, Texas collection, c. 1975.

Note: The suite offered here relates closely to the well-known suite at Ashland, the Henry Clay Estate in Lexington, Kentucky.

1009. A Fine American Classical Bronze Mounted, Ebonized, and Carved Mahogany Dressing Bureau, early 19th c., New York, acanthus scrolled mirror supports, superstructure of three drawers above frieze drawer, two drawers flanked by molded columns, acanthus paw feet, height 36 1/2 in., width 40 1/2 in., depth 20 in.

$2000/3000

1010. An American Queen Anne Carved Cherrywood Lowboy, 18th c. and later, associated top, case with one long and two short drawers, scalloped skirt, cabriole legs ending in pad feet, pine and poplar secondary woods, height 32 in., width 36 in., depth 20 in.

$1000/1500

1008

1009

1010


1011. An American Classical Carved Mahogany Work Table, c. 1820-1840, Boston, drop-leaf top, two drawers over work basket, columnar supports, incurvate stretcher shelf, ball feet, height 29 in., width 35 1/2 in., depth 18 in.

$1000/1500

1012. A Rare American Late Classical Carved Mahogany and Leather Wing Chair, mid-19th c., of typical form with adjustable back and hinged arms, raised on turned legs.

$1500/2500

1013. An American Late Classical Cherrywood and Birdseye Maple Chest of Drawers, early 19th c., Mid-Atlantic, rectangular top above an outset drawer flanked by paneled stiles, three drawers below flanked by ring turned stiles, turned feet, height 50 in., width 43 in., depth 23 in.

$800/1200

1014. A George III-Style Carved Mahogany Tea Table, 19th c., pie crust tilt-top, anthemion stem, arched foliate legs ending in ball and claw feet, height 30 1/2 in., width 31 1/4 in., depth 30 1/2 in.

$500/750

1015. An Antique Chippendale Mahogany Camel-Back Settee, arched back, scrolled arms, straight rail, square molded legs, stretchers, height 34 1/4 in., width 58 in., depth 22 in.

$700/1000

1011 1012

1013 1014

1015

190

1017. An American Queen Anne Carved Mahogany Candlestand, 18th c., dished tilt top, vasiform stem, arched legs, slipper feet, height 27 in.

$500/700

1020. An Irish Chippendale Carved Mahogany Chairback Settee, 18th c., arched crest rail with volute “ears”, pierced splats, molded arms, cabriole legs ending in claw and ball feet, height 39 in., width 71 in., depth 24 in.

$1500/2500

1016. A Carved Mahogany Cabinetmaker’s Tool Chest, 19th c., molded lift top enclosing a fully fitted interior of sliding shelves and compartments with brass campaign pulls, dovetailed case with carrying handles, plinth base, mahogany secondary wood, height 25 3/8 in., width 37 3/4 in., depth 25 3/4 in.

$1000/1500

Note: A cabinetmaker’s single most valuable possession, next to the tools themselves, is his tool chest. The extensive use of mahogany as a secondary wood shows the value the individual placed on this piece. The extensive and precise dovetailing throughout the piece shows off his skill.

1018. A Set of Six Regency Mahogany Dining Chairs, comprised of four side chairs and two armchairs, paneled crests, square backs, conforming tapered square legs, stretchers. Note: One armchair associated.

$500/750

1019. A George III Carved Mahogany Corner Cabinet, 18th c., dentillated broken pediment centered by a basket of flowers, arched glazed doors, scalloped shelves, medial drawer, paneled doors below, molded base, bracket feet, height 98 in., width 43 1/2 in., depth 19 in.

$1500/25001016

1019

1017

1018

1020


1021. School of Ferdinand Bol (Dutch, 1616-1680), “Judgment at Court”, oil on wood panel, partial signature on step at dog’s foot, gallery label en verso, 15 in. x 23 1/4 in., antique frame.

$6000/9000

1022. A French Provincial Carved Walnut Buffet, 18th c., molded top, frieze fitted with three drawers over paneled doors, plinth base, height 36 in., width 57 in., depth 25 in.

$1200/1800

1023. An Antique Empire-Style Bronze-Mounted Mahogany Console Table, late 19th c., marble top above a frieze with blind drawer, columnar supports, plinth base, height 35 3/4 in., width 39 1/2 in., depth 13 1/2 in.

$1000/1500

1024. A Set of Ten Dutch Rococo-Style Carved Walnut Dining Chairs, foliate crest, pierced vasiform splat, molded stiles, serpentine slip seats, shell cartouche seat rail, cabriole legs, ball and claw feet.

$2500/3500

W 1025. An Antique English Carved Mahogany Two Pedestal Dining Table, molded top opening to received three leaves, turned supports on scroll legs, casters, height 28 5/8 in., extended length 107 1/4 in., width 47 1/2 in.

$800/1200

W 1026. A Pair of Louis XV Carved Fruitwood Fauteuils, 18th c., molded frames, serpentine seats, cabriole legs.

$800/1200

1021

1022

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192

1027. Karl Lindermann-Frommel (German, 1819-1891), “Pedestrians and Carts Beside a Barn, on a Road Leading to a Village”, late 19th c., oil on canvas, fully signed lower left, 28 1/2 in. x 24 1/2 in., original frame.

$2500/3500

1028. Continental School, 18th/19th c., “Floral Still Life in a Bronze Vase”, oil on canvas, 30 in. x 25 in., framed.

$1200/1800

1029. Manner of Pietro Longhi (Italian, 1702-1785), “Preparing for the Masked Ball”, oil on canvas laid on board, 16 3/4 in. x 22 1/2 in., framed.

$1500/2500

1030. French School, 19th c., “Portrait of Napoleon, Wearing Three Imperial Orders”, oil on canvas, unsigned, 32 1/2 in. x 26 3/4 in., gilt frame.

$2000/3000

W 1031. A Pair of Antique French Architectural Prints, 19th c., colored engravings of Egyptian ornament, sight 20 1/2 in. x 14 1/4 in., matted and framed.

$300/500

1027

1028

1030

1029


W 1032. Daniel Giraud Elliot (American, 1835-1915), “Phasianus Insignis” and “Phasianus Soemmerringii”, two hand-colored lithographs from A Monograph of the Phasianidae, 1870-72, sight 17 in. x 22 in., matted and framed.

$500/700

1033. After Rembrandt van Rijn (Dutch, 1606-1669), 19th c. printing of “A Bearded Man in a Fur Oriental Cape and Robe (Possibly portrait of Rembrandt’s father or his brother)”, etching, unsigned, pencil inscribed en verso, Bartsch 263, plate 8 in. x 6 in., sheet 9 1/8 in. x 6 7/8 in., matted and framed.

$1000/1500

1034. After Rembrandt van Rijn (Dutch, 1606-1669), “A Warrior”, 19th c. engraving by Anthony Cardon (1772-1813), artist’s and engraver’s name printed in margin, and “St.D.” stamped in red en verso, 10 in. x 7 3/4 in., matted and framed.

$1000/1500

W 1035. After Rembrandt van Rijn (Dutch, 1606-1669), a reversed 19th c. print by Captain Baillie (1723-1818), “Jan Uytenbogaert, The Gold-Weigher”, engraving, pencil inscribed en verso, Bartsch 281, 10 1/8 in. x 8 in., matted and framed.

$800/1200

1036. Pablo Picasso (Spanish, 1881-1973), “La Ronde de la Jeunesse (The Dance of the Youth)”, 1961, color lithograph on arches paper, pencil-signed, signed and dated in plate, numbered 77/200, sheet 25 3/4 in. x 19 3/4 in., framed.

$1000/1500

1037. William Nicholson (English, 1872-1949), “E is for Executioner”, 1898, woodblock print, signed lower left, inscribed lower right, sight 12 3/4 in. x 9 in., matted and framed.

$500/800

Note: The print is part of William Nicholson’s An Illustrated Alphabet published by William Heinemann in 1898. The “E For Executioner” print was replaced early on by “E is for Earl” print by the artist and publisher.

W 1038. An American or English Brass Trivet, 19th c., tripod base, height 9 1/2 in., diameter 8 1/2 in.

$200/300

1033 1034

10361037

194

1039. A Pair of George III-Style Carved and Inlaid Mahogany Knife Boxes, serpentine front, fitted interior, height 13 1/2 in., width 8 1/2 in., depth 10 3/4 in.

$500/1000

1040. An American Pine Work Table, early 19th c., associated plank top above a pegged frieze, square tapered legs, height 28 1/4 in., width 45 3/4 in., depth 32 3/4 in. Note: Base with old white-washed surface, lacking drawer.

$800/1200

1041. An American Classical Carved Mahogany Pier Table, c. 1830, Philadelphia, marble top, molded frieze, S-scroll supports, mirrored back, shaped shelf, scrolled feet, casters, height 38 1/8 in., width 41 in., depth 20 1/4 in.

$1000/1500

1042. An American Classical Carved Mahogany Pier Table, early19th c., rectangular marble top over frieze with rosette blocks, scrolled supports ending in paw feet, mirrored back, incurvate plinth base, height 34 in., width 36 in., depth 17 in.

$1000/2000

W 1043. A Queen Anne Mahogany Tilt-Top Tea Table, 18th c. and later, American or English, circular top above a turned vasiform standard, arched legs, slipper feet, height 28 1/2 in., diameter 23 1/2 in. Note: Later top.

$500/750

1044. American School, mid-19th c., “Portrait of Elizabeth Ann Kennedy with her Pet Canary, a Seascape in the Window Beyond”, oil on canvas, unsigned, 45 1/2 in. x 33 in

$1500/2500

Provenance: Descended from the sitter to Mr. and Mrs. Jefferson Davis Hardin, Jr., Oak Alley Plantation, Vacherie, LA; thence by bequest to their daughter, Julia Hardin Kuntz.

1039

1040

1041

1044

1042


1045. An American Rococo Carved Mahogany Half-Tester Bed, mid-19th c., New Orleans, serpentine beaded tester, tapered chamfered posts, shaped crest centered by a feather carved cartouche, paneled headboard, shaped rails, conforming footboard, height 106 1/2 in., inside length 77 1/2 in., inside width 58 in.

$6000/8000

Note: A bed at Stanton Hall, Natchez and a bed bearing multiple “C. Lee” stamps which descended in the family of Mississippi riverboat captain Tom Powell and was installed for many years at 2427 St. Charles Avenue, New Orleans, feature testers, headboards, rails and finials nearly identical to those seen here.Reference: The Powell bed was sold by Neal Auction Company as lot 902 April 9, 2009. Another C. Lee bed related to those above was sold as lot 864, October 2, 2004. See Harrison. “C. Lee, Maker of Bedsteads for the Southern Market”, Maine Antiques Digest (April 1994), pp. 30, fig. 5.

1046. An American Renaissance Carved Mahogany Armchair, late 19th c., arched crest centered by a cabochon, padded arms, rosette blocks, toupie feet.

$800/1200

1047. An American Federal Carved Cherrywood Washstand, 19th c., rectangular top on ring-turned uprights, two drawers below, turned legs, height 35 1/4 in., width 17 1/4 in., depth 16 1/4 in.

$300/400

1045

1047

1046

196

1048. An American Late Classical Mahogany Secretary Bookcase, mid-19th c., ogee molded cornice above mirrored doors, Gothicized stiles, drawers below, lower case with fitted escritoire drawer, “S” scroll legs, height 85 in., width 41 1/2 in., depth 23 1/2 in.

$1500/2000

1049. A Louisiana Carved Walnut Armoire, early 19th c. and later, molded cornice, straight frieze, paneled doors over medial belt of drawers, paneled doors below, shaped apron, cabriole legs, cypress and poplar secondary woods, height 74 in., width 51 in., depth 20 in.

$2500/3500

1050. Two Chippendale Carved Mahogany Side Chairs, late 18th c., American or English, each with shaped crest, scrolled molded “ears”, entwined pierced splat, trapezoidal slip seat, square molded legs.

$600/900

1051. A Pair of Chippendale-Style Carved Mahogany Armchairs, rectangular back, straight seat rail, bead and acanthus supports, bracketed blind fretwork legs, pierced stretchers.

$1500/2500

1052. Joseph Paulman (English, late 19th/early 20th c.), “Pastoral Landscape with Children and Sheep”, oil on canvas, signed lower right, Winsor & Newton, London canvas stamp en verso, 19 3/4 in. x 29 1/2 in., in period ornate gilt frame.

$800/1200

1048 1049

1051

1052

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1053. English School, 19th c., “Genre Scene in the Dutch Manner of a Boy Stealing Grapes”, oil on canvas, unsigned, 36 1/4 in. x 28 1/2 in., period frame.

$1000/1500

1054. Clémentine Buchère Martin (French, 1819-1873), “Bleeding Hearts and Blue Trumpets”, watercolor on vellum, Christie’s label and artist information en verso, sight 20 in. x 16 in., framed.

$500/800

Note: Clémentine Buchère was a student of Pierre-Joseph Redouté; she primarily worked in watercolor and exhibited in both Paris and Dijon. Her “brilliant debut” at the Paris Salon was noted in the 1840 Journal des Artistes and her work was described as “composed with great taste” in Paris’ Le Ménestrel of April 19, 1840. She later married Amédée-Henry Martin and is sometimes erroneously referred to as Clémentine Martin-Buchère.Reference: Elisabeth Hardouin-Fugier and Etienne Grafe. French Flower Painters of the 19th Century. Harper & Row, 1989, p. 120. Le Journal des Artistes, Paris, 1840. Le Ménestrel, Heugel, Paris, 1833-1840.

1055. A Pair of French Gilt Bronze Columnar Candlesticks, 19th c., shafts with spiral grape leaf decoration, urn form candle sockets with wreath and anthemion motif, height 10 1/2 in., base diameter 5 in.

$600/900

W 1056. A French Gilt Bronze Encrier, c. 1840, rectangular form with Gothic tracery, fitted pen well and glass ink pots, on scrolled feet, height 2 3/4 in., width 12 1/2 in., depth 12 3/4 in.

$200/400

1057. An Antique English Leather Trunk, early 20th c., marked “Made in England” and with retailer “Saks, Fifth Avenue, New York”, brass hardware and copper rivets, leather-lined interior with removable tray, height 14 1/2 in., width 37 in., depth 23 in.

$800/1200

Provenance: Ambassador Anthony Drexel Biddle, Jr.

W 1058. A Grand Tour Black Marble Obelisk, engraved with hieroglyphics, and labeled “Goshen” on the plinth, height 18 5/8 in.

$500/750

W 1059. A Gothic Revival Bronze Casket, with overall relief of figures amidst Gothic architecture, with bale handle, on bracket feet, height 4 1/4 in., width 8 1/2 in., depth 4 5/8 in.

$250/500

W 1060. Two Italian Grand Tour Bronze Models of The Temple of Vesta, 19th c., height 2 1/4 in., diameter 2 1/2 in., and height 3 3/4 in., diameter 3 1/4 in.

$250/350

W 1061. An Italian Grand Tour Bronze Inkwell, 19th c., modeled as “The Temple of Vesta”, on conforming marble plinth with glass liner, height 3 1/2 in., diameter 3 1/4 in.

$250/350

W 1062. A Pair of Louis XV-Style Gilt Metal and Crystal Five-Light Girandoles, late 19th c., removable finial, height 24 in., diameter 10 in.

$600/900

1053

1054

1057

1055

198

1067. A Pair of Continental Neoclassical-Style Carved Mahogany Jardinières, with carved floral decoration, metal liners, now resting on contemporary iron bases, height 27 in., width 48 in., depth 12 1/4 in.; height of jardinières outside of iron base 12 in.

$1500/2500

1063. An Antique Italian Carved Giltwood Putto, 19th c., figure holding a fruit, with remnants of gilt, height 25 in., width 15 in., depth 11 in.

$500/700

1064. A Continental Carved Marble Roundel of “Dawn”, after Bertel Thorvaldsen (Danish, 1770-1844), the figure of Aurora carrying a young Eros, with the torch of Day, unsigned, height 26 1/2 in., width 26 in., depth 2 1/4 in.

$800/1200

1065. An Empire-Style Patinated Bronze Surtout de Table, relief decoration of classical figures and horses, height 3 1/2 in., diameter 16 in.

$700/900

1066. A Pair Continental Specimen Marble Obelisks, of typical form inlaid with various marbles, pedestal bases, height 21, width 6 in., depth 6 in.

$800/1200

1063

1066

1064

1065

1067


1068. A Pair of Italian “Fantasy” Carved Fruitwood Wall Brackets, 19th c., each scalloped shelf on figural bracket, pierced acanthine back, height 21 1/4 in., width 18 1/2 in., depth 11 1/4 in.

$1000/1500

1069. A Monumental French Painted Cast Iron Jardinière, 19th c., flared lip, lion masque handle, square plinth, height 39 in., diameter 27 in.

$1800/2500

1070. A Pair of Louis XV-Style Argenté Bronze Girandole Mirrors, shield shaped floral and acanthus frame with broken arch lattice crest, candle arm at the base, height 37 in., width 22 in.

$1200/1800

1071. A Monumental Black Forest Carved Walnut Wall Clock, late 19th c., shield and branch-form backplate, dial with cast brass Roman numerals, surrounded by intricately carved life-sized figures of fox, deer, game bird, powder horn, and game bag, height 45 in., width 26 in., depth 9 1/2 in.

$5000/7000

1072. A Pair of Antique Baroque-Style Carved Oak Cushion Mirrors, each with openwork crest centering cabochon flanked by lions, acanthus corners and pierced foliate surround, height 58 in., width 44 in.

$2000/3000

1068

1070

1072

1071

1069

200

1073. A Continental Carved and Limed Pine Overmantel Mirror, 19th c., branchwork surround, grape cluster crest, conforming base, traces of gesso overall, height 55 in., width 62 in.

$1500/2000

1074. A Louis Philippe Gilt and Patinated Bronze Figural Mantel Clock, c. 1840, silk thread movement, the

Elizabethan maiden reclining on a rocaille case, tall plinth base with anthemion and palmette design, scrolled feet, height 17 1/2 in., width 13 1/2 in., depth 4 1/2 in.

$800/1200

1075. An Edwardian Carved Mahogany Carlton House Desk, late 19th c., superstructure fitted with drawers and cupboards, inset tooled

leather writing slide, kneehole configuration of drawers below, bracketed square tapered legs, spade feet, height 35 in., width 42 in., depth 20 in.

$700/1000

W 1076. An Italian Crème Peinte and Parcel Gilt Console Table, 18th c., serpentine marble top, scrolled acanthine frieze, scroll legs.

$500/750

1077. A Fine Pair of Early Louis XVI Carved, Gilded and Crème Peinte Fauteuils, c. 1770, Lyon, oval padded back with beribboned crest rail, padded arms terminating in scrolls, serpentine ribbon-carved seat rail, stop-fluted tapering legs with rosette blocks.

$800/1200

1078. A Pair of Antique Verte Marble Pedestals, height 36 1/2 in., diameter 12 3/8 in.

$1200/1800

1073

1075

1077

1078

1074


1079. A French Provincial Carved Fruitwood Buffet á Deux Corps, 19th c., upper case with flared cornice over a pair of glazed doors, shelf interior; lower case with a pair of frieze drawers, paneled doors, fiche hinges, blocked feet, height 87 in., width 57 in., depth 20 1/4 in.

$800/1200

1080. A Venetian Paint-Decorated Bedstead, 19th c., serpentine head and footboard extensively painted with scrolls and floral sprays enclosing vignettes of ruins, straight rails, height 52 1/2 in., length 80 in., width 51 in.

$1000/2000

1081. A Louis Philippe Mahogany Commode, 19th c., variegated marble top above an ogee frieze drawer, three graduated drawers, blind plinth drawer, bracket feet, height 38 in., width 50 1/2 in., depth 22 in.

$1200/1800

1082. A Pair of Louis XV Carved Fruitwood and Caned Fauteuils, 18th c., each with arched crest, shaped arms, cabriole legs, shaped stretchers.

$1500/2500

1083. A Pair of Continental Empire Bronze-Mounted Mahogany Consoles, 19th c., rectangular top, frieze drawer, scrolled supports, mirrored back, stretcher shelf, blocked feet, height 20 1/2 in., width 27 in., depth 15 in.

$2000/3000

1079

1081

1082

1083

1080

202

1084. Eugène Verboeckhoven (Belgian, 1798/99-1881), “Grazing in the Shade”, oil on canvas, signed lower left, 20 in. x 24 in., period giltwood frame.

$5000/7000

1085. Dutch School, late 18th/early 19th c., “Coastal Landscape with Five Travelers and Isolated Cottages”, oil on canvas, unsigned, 21 in. x 28 3/4 in., framed.

$1000/1500


1086. A Suite of Six Louis XVI-Style Doré Bronze and Crystal Three-Light Sconces,

plaque with torch finial, issuing central support, two scrolled supports with bobêches, crystal swags and prisms, height 19 in., width 11 in., depth 11 in.

$1500/2000

W 1087. An English Brass and Wirework Fire Fender, early 19th c., urn finials, molded brass top rail, height 14 in., width 60 in., depth 17 in.

$500/700

W 1088. A French Needlepoint Cornice, 19th c., blue, red, and gold scrolling acanthus leaves on black ground, wool with silk tassel fringe lower edge and rope braid upper edge, length 14 ft., depth 12 in.

$700/1000

W 1089. An American Patinated Bronze Hexagonal Hanging Lantern, 19th c., cut and etched glass panes, height 17 1/2 in., diameter 9 1/2 in., electrified.

$300/500

W 1090. A Wrought Iron and Patinated Metal Six-Light Chandelier, 19th c., circlet in the form of a crown, height 21 in, diameter 24 in., electrified.

$600/900

W 1091. A Pair of French Gilt and Patinated Bronze Lamps, late 19th c., encircled by a Bacchic procession, on molded wood base, height 12 in., diameter 6 in., electrified.

$150/250

W 1092. A French Blue Opaline Glass Hall Lantern, late 19th c., scrolled and foliate repoussé corona and mounts, mechanical pull down mechanism allowing access to candleholder, height 34 in., diameter 8 in.

$500/700

1093. A Pair of French Bronze Doré Hexagonal Wall Lanterns, 19th c., each with foliate backplate, scrolled bracket support, height 17 in., width 9 in., depth 15 1/2 in. , electrified.

$1500/2500

1084

1085

1086

1093 (1 of a pair)


1094. A Continental Carved Walnut Figural Four Light Chandelier, early 20th c., foliate carved bowl, mounted with a figure of an owl perched on a stack of books, height 27 in., diameter 29 in.

$600/800

Provenance: A Prague University Library.

1095. A Pair of Italian Carved Giltwood Two-Light Sconces, c. 1900, urn and scroll carved backplate, hung with crystals, height 31 in., width 13 1/2 in., depth 6 in.

$600/800

1096. A Muller Freres Art Glass, Wrought Iron and Patinated Metal Chandelier, early 20th c., etched mark of “Muller Freres/ Luneville”, with finely crafted foliate decoration, interior of bowl with accent lights, height 20 in. diameter 24 in.

$1000/2000

1097. A Pair of Louis XVI-Style Gilt Bronze Three-Light Sconces, 19th c., ribbon and quiver form backplate intertwined with oak and laurel branches, issuing scrolled supports and realistically modeled carnations and peonies, height 37 1/2 in., width 19 in., depth 9 in.

$700/1000

1098. A Pair of French Louis XVI-Style Bronze Mounted Marble Cassolettes, fruit finial, monopod legs with ram’s head and hoof feet, tripartite base on lobed feet, height 20 in., diameter 7 1/2 in.

$2000/3000

1094

1095

1096

1098

1097

204

1099. A Pair of Neoclassical-Style Bronze-Mounted Cut Crystal Urns, with mask handles, diaper pattern cut crystal, with acanthine border, on marble base, height 18 in., diameter 8 1/2 in.

$1200/1800

1100. An American or French Gilt Bronze and Brass Four-Light Gasolier, 19th c., faceted shade with opaline glass panes centered by a conforming pendant, reticulated and pressed surround with fleur-de-lis decoration, overall height 47 in., diameter 24 1/2 in.

$1200/1800

Note: A similar gasolier hung in the surgical amphitheatre of the Pennsylvania Hospital, the nation’s oldest operating room.

1101. A Pair of Continental Tôle Peinte Lamps, c. 1840, Persian style decoration, height 27 in., diameter 7 1/2 in.

$1200/1800

1102. An Architectonic French Carved Mahogany Fireplace Surround, late 19th c., in the Beaux Arts taste, the superstructure with step molded cornice, paneled frieze centered by a lozenge, central oil on board by Valere Bernard (French, 1860-1936), “Woman Amid Fruiting Grape Vine”, signed lower right, within an arch amid floral relief panels; the mantel with stepped shelf, frieze fitted with two Jules Loebnitz, (Paris, active 1836-1895) ceramic figural tiles (stamped en verso), columnar uprights on plinth bases, overall height 107 in., width 62 3/4 in., depth 12 1/8 in.; opening 30 1/2 in. x 34 3/4 in.

$2500/3500

1099

1100

1101

1102


1103. A Regence-Style Carved Giltwood Mirror, arched crest centering an acanthus cartouche, paneled framework with pierced foliate corners, beveled mirror plate, height 52 in., width 33 in.

$1200/1800

1104. An Antique Venetian Etched Glass Mirror, 19th c., reticulated foliate crest, oval center with segmented surround, branded “Venessia” over a crown and “1793” en verso, height 51 in., width 45 in. Note: Restorations.

$600/900

W 1105. A Continental Gilt Bronze-Mounted Porcelain Clock, late 19th c., in the Royal Vienna style, the domed lid and panels decorated with maidens and cherubs, enamel dial with Roman numerals, height 12 1/2 in., width 6 in., depth 5 1/2 in.

$400/600

W 1106. An Italian Louis XVI-Style Gilt Metal and Enamel Clock Garniture, early 20th c., lyre-form case flanked by young satyrs, shaped base on paw feet, conforming seven light candelabra with removable finial, clock height 24 in., width 14 1/2 in., depth 8 in.

$600/900

W 1107. Richard Evett Bishop (American, 1887-1975), “Sunset”, 1925, etching, pencil-signed, titled and dated, Sessler’s Book Shop, Philadelphia label with artist and title en verso, plate 10 1/2 in. x 7 3/4 in., framed.

$300/500

W 1108. An Antique Grand Tour Lekythos Pottery Figure, in the Attic black-figure style, reserve of two classically draped figures and a Pegasus figure, height 6 in.

$300/500

W 1109. A George Jones Pâte-sur-Pâte Vase, late 19th c., olive green ground, decorated with cavorting putti within beribboned morning glory wreaths, gilt decorated rim, base with gilder’s number “5665” and incised “X”, height 5 1/2 in.

$400/600

HWM 1110. A Large Turtle Carapace, mounted verso with a light, length 31 in., width 23 in., depth 8 in.

$800/1200

1111. An American Art Deco Revival Chrome Mounted Glass Firescreen by Dennis Abbe (1942-2012), carved and etched glass, signed lower right, height 29 1/2 in., width 31 1/2 in., depth 8 in.

$1200/1800

1103

1110

1111

1104

206

W 1112. A Continental Mixed Metals Jardinière, late 19th c., ovoid form with applied foliate decoration, surmounted by figure of a school boy, overall incised floral and scroll decoration, height 15 1/2 in., width 18 in., depth 6 in.

$400/600

1113. A Pair of Continental Paint-Decorated Candelabra, central standard with pricket, three scrolled candlearms, height 40 in., diameter 14 in.

$500/750

Provenance: Ex-Collection Amy Perlin.

W 1114. Two American Glass Campagna-Form Urns, early 20th c., possibly Steuben, one clear glass with handles and rolled rim, height 5 7/8 in., width 6 in., depth 6 in.; the other opalescent glass with handles and square base, height 6 3/4 in., width 4 1/8 in., depth 4 1/8 in.

$300/500

W 1115. A Black Forest Carved and Painted Figural Wall Plaque, late 19th c., branch and oak leaf carved plaque with bearded gentleman, height 15 in., width 9 1/2 in., depth 8 in.

$200/400

W 1116. A Good Antique English Silverplate Wine Coaster, Hawksworth, Eyre & Co., Sheffield, mid-19th c., reticulated gallery, turned hardwood base with central button, height 2 3/4 in., diameter 5 1/2 in.

$150/250

W 1117. An American Sterling Silver Sandwich or Asparagus Tongs, 20th c., in the Colonial Revival taste, length 8 in., weight 4.35 troy ozs.; together with an American sterling silver sugar and creamer, marked “PSCo”, weighted bases, height 4 3/8 in.

$200/300

W 1118. Two American Art Nouveau Sterling Silver Bowls, one Tiffany & Co., c. 1898, with reticulated everted rim of applied berries and foliage, engraved monogram in center, height 2 1/2 in., diameter 9 in.; the other engraved “1878/c/1903”, combined weight 15.90 troy ozs.

$200/300

W 1119. A Set of Six American Aesthetic Sterling Silver Dinner Forks, late 19th c., with ropetwist shafts and bright cut floral decoration, script monogram “C”, length 7 3/8 in., weight 9.15 troy ozs.

$250/350

W 1120. An Antique Silverplate Gallery Tray, with gadrooned border and rolled handles, length 26 1/2 in., width 16 1/2 in.; together with a pair of silverplate candlesticks with crest, height 12 1/4 in.

$250/350

W 1121. A Good Group of Six English and American Sterling Silver Picture Frames, including a pylon form with guilloche engraving, Sanders & Mackenzie, Birmingham, 1927, 8 3/8 in. x 6 1/8 in.; a modified gadroon, William Neale, Chester, 1900, 11 1/2 in. x 9 7/8 in.; another guilloche example, Birmingham, 1910, maker’s mark rubbed, 11 5/8in. x 9 1/4 in.; Birmingham, 1923, 6 1/2 in. x 5 3/4 in.; a hand-hammered example, R.H. Macy & Co., 6 1/2 in. x 4 3/4 in.; and another unmarked modified gadroon, 6 1/2 in. x 4 3/4 in.

$500/750

W 1122. An English Silverplate Epergne in the Regency Taste, with glass bowls, stand height 10 3/4 in.

$500/750

W 1123. A Regency-Style Silverplate Tea Tray, marked “Cheltenham & Co. Ltd./ Made in Sheffield, England/ Silver on Copper”, gadrooned border with openwork gadrooned handles, chased well with motto “Preserverantia Et Industria”, length 30 in., width 19 in.

$300/500

HWM 1124. An Arts and Crafts-Style Floral Wall Hanging, 19th c., silk needlework in tones of blue-green and peach, with chrysanthemums, peonies, roses and other flowers, height 62 in., width 36 in.

$500/750

1113

1124


1125. A Pair of French Gilt Bronze Three-Light Bouillotte Lamps, 20th c., hunting horn-form light supports, adjustable tôle shades, dished base, height 24 in., diameter 13 in.

$700/900

W 1126. A Pair of English Aesthetic Brass Mirrored Two-Light Sconces, c. 1900, manner of Christopher Dresser, beveled mirror plate, surround with stylized flowers, spherical candlecups, height 16 in., width 10 in., depth 3 1/4 in.

$400/600

W 1127. An English Victorian 10 kt. Yellow Gold and Coral Bead Brooch, grape and grapeleaf motif. Note: Missing one bead.

$300/500

1128. A 14 kt. Yellow Gold and Diamond Cluster Ring, set with 8 full cut diamonds totalling approx. .70 ct.

$800/1200

W 1129. A Retro 14 kt. Yellow Gold, Turquoise and Pearl Pagoda Brooch, weight 6 dwts.

$400/600

W 1130. Two Antique American 14 kt. Yellow Gold and Enamel Stick Pins, one with Athena head set with 3 old mine diamonds and a green garnet; the other circular with old mine diamond.

$300/500

W 1131. An Edwardian 18 kt. White Gold, Rose Diamond and Seed Pearl Barette, flower basket design, note loss to pearls; together with a sterling silver, enamel and marcasite pin, Chinese boatmen design.

$300/500

1132. A 14 kt. Yellow Gold, Black Enamel and Diamond Circular Brooch, set with approx. .90 ct. diamonds.

$1200/1500

W 1133. A 14 kt. Yellow Gold, Blue Enamel and Diamond Crescent-Shaped Brooch, set with approx. .30 ct. old mine diamonds.

$400/600

W 1134. An Antique 14 kt. Yellow Gold Lady’s Elgin Pocket Watch, with ornate white dial.

$400/600

1135. A 14 kt. White Gold, Platinum and Diamond Ring, set with 3 full cut diamonds totalling approx. 1 ct., color I-J, together with a 14 kt. white gold wedding band set with 3 baguettes and 4 small round diamonds.

$1200/1500

1136. James McGarrell (American/Indiana, b.1931), “Orpheus, Song and Proof”, 1991-92, eight bronze plaques, all signed, dated and numbered 4/5 en verso, 11 1/2 in. x 10 in.

$2000/3000

1125

1132

1136 (4 of 8)

1135

1128

208

W 1137. A French Art Deco Bronze Female Figure of “The Awakening”, titled “Reveil” on front of self-socle and signed “Philips” on upper surface, on molded black marble base, height 16 3/4 in.

$500/700

W 1138. A Patinated Bronze Figure of a Greek Warrior with Medusa Shield and Spear, figure height 5 7/8 in., presented on a sienna marble base.

$250/350

W 1139. A Good French Bronze Figure of an Artillery Boy, in costume from the Franco-Prussian War of 1871, after Jean Garnier (France, 1820-1895), signed on base, height 13 1/4 in.

$400/600

W 1140. A Venetian-Style Etched Glass Mirror, ovoid form with arched crest, pendant base, height 55 in., width 25 3/4 in.

$700/1000

W 1141. A Continental Gilt Copper Repoussé Cushion Mirror, 19th c., surmounted by foliate crest centered by a masque, height 25 3/4 in., width 20 1/2 in.

$300/500

W 1142. A Louis XV-Style Carved Oak Table Vitrine, mid-20th c., New Orleans, glass lift-top, shaped frieze centered by a foliate shell, cabriole legs, height 35 in., width 46 in., depth 16 in.

$600/900

1143. An American Aesthetic Ebonized and Incised Hanging Cabinet, late 19th c., spindled gallery, glazed doors over mirrored shelf and drawer, height 31 in., width 21 5/8 in., depth 9 3/4 in.

$500/700

W 1144. A “Turkish” Chaise, late 19th c., upholstered back and low arm, rounded foot on fluted turned legs, height 32 in., length 66 in., width 34 1/2 in.

$500/700

1145. An English Renaissance Carved Rosewood Corner Vitrine, c. 1870, serpentine top, single glazed door with gilt border, shelf interior, mirrored back, barley twist stiles, conforming base, height 42 1/2 in., width 49 1/2 in., depth 25 1/2 in.

$600/900

1146. A Venetian Gilt and Polychromed Console Table, 19th c., rectilinear top depicting a bucolic scene, frieze drawer with floral reserve, fluted square tapered legs, height 30 1/4 in., width 50 in., depth 22 1/2 in.

$1000/2000

1143

1145

1146


1147. A Louis XVI-Style Bronze-Mounted, Burled and Kingwood Bureau Plat, inset leather top, three drawers on one side, opposing faux drawers, on square tapered legs ending in brass ferrules, height 32 1/2 in., width 59 3/4 in., depth 32 in.

$1500/2500

1148. A Fine Belle-Époque Patinated, Bronze Doré and Specimen Marble Top Guéridon, late 19th c., inlaid top centered by a micromosaic roundel of the Colosseum, twist stem atop incurvate triangular support with bronze allegorical figures depicting History, Music and Justice amid ormolu strapwork, conforming plinth base, scroll feet, height 28 3/4 in., diameter 23 1/4 in.

$4000/6000

W 1149. An Italian Neoclassical-Style Bronze-Mounted Mahogany Bedside Commode, 19th c., door flanked by ebonized colonnettes, shelf interior, toupie feet, height 32 1/2 in., width 22 in., depth 16 1/2 in.

$500/750

1150. A French Louis XV-Style Bronze-Mounted and Inlaid Kingwood Commode, 19th c., shaped rouge marble top, conforming case fitted with two drawers, cabriole legs ending in sabots, height 32 1/2 in., width 31 in., depth 15 1/2 in.

$800/1200

1151. A Rococo-Style Patinated Bronze Center Table, variegated marble top within a rocaille surround, scrolled supports, putto mounted scroll feet, height 29 1/2 in., width 29 in., depth 22 in.

$1200/1800

1147

1150

1151

1148

210

1152. A French Renaissance-Style Wrought Iron Lectern, scrolled book rest, embellished square stem, scrolled legs, height 55 in., width 22 1/2 in.

$400/600

1153. An Antique Louis XV-Style Parcel Gilt and Verte Peinte Fire Screen, molded surround with tapestry panel, scrolled feet, height 39 1/4 in., width 24 3/4 in., depth 14 1/2 in.

$400/600

1154. A French Provincial Carved Fruitwood Farm Table, 19th c., frieze with bread-board end and opposing drawer raised on cabriole legs, height 30 in., width 59 1/2 in., depth 29 3/4 in.

$1000/1500

1155. A Pair of Biedermeier-Style Fruitwood and Ebonized Benches, scrolled uprights, scroll legs.

$500/750

1156. An Antique French Cast Iron and Marble Top Baker’s Table, molded marble top, pierced foliate frieze, scrolled supports, stretchers, height 29 in., width 47 1/2 in., depth 24 in.

$1200/1800

W 1157. A Pair of Aesthetic Beechwood Faux Bamboo Armchairs, late 19th c., each with reticulated back, tapered legs, X stretcher.

$400/800

W 1158. A Louis XIV-Style Carved Mahogany Dining Table, late 19th/early 20th c., rectangular banded top, molded frieze, bellflower carved tapered legs joined by X stretcher centered by an urn finial, height 31 1/2 in., length 73 in., width 46 1/2 in; together with two leaves.

$700/900

1152

1153

1154

1155

1156


1159. A Pair of Georgian-Style Lightwood Inlaid Mahogany Commodes, shaped top with central reserve, case with three graduated banded drawers, inlaid side panels with beribboned oval centering perched bird, bracket feet, height 32 1/2 in., width 41 in., depth 23 in.

$2000/3000

1160. A Good Set of Twelve Georgian-Style Carved Mahogany Dining Chairs, 20th c., comprised of four arm and eight side chairs, shaped crests, interlaced vasiform pierced splats, trapezoidal seats, molded bracketed square legs.

$2500/3500

1161. Continental School, 19th c., “A Biblical Scholar Holding a Child (possibly for Baptism)”, oil on canvas, unsigned, 33 1/8 in. x 26 1/2 in. oval, regilded original frame.

$1000/1500

1162. Continental School, 19th c., “Arab on Horseback”, oil on canvas, spuriously signed “Schreyer” lower left, inscribed “Ad. Schreyer” en verso of frame, 19 1/2 in. x 14 in., period frame.

$1200/1800

W 1163. Continental School, early 20th c., “Ancient Roman Grotesque Wall Panel with a Lamp and a Pair of Griffins”, oil on canvas, 75 in. x 55 in., framed.

$500/800

1159

1160

1161

1162

212

1168. An Antique Louis Philippe-Style Inlaid Rosewood Armoire, molded cornice over a single mirrored door, drawer below, bracket feet, height 83 1/2 in., width 43 1/2 in., depth 20 in.

$1200/1800

1169. An Antique Louis Philippe-Style Inlaid Rosewood Commode, variegated marble top over ogee frieze drawer and three graduated drawers, plinth base, bracket feet, height 39 in., width 53 in., depth 25 in.

$800/1200

1170. An Antique Louis Philippe-Style Inlaid Rosewood Sleigh Bed, en suite with preceding lot, height 43 in., length 71 in., width 49 in.

$800/1200

W 1167. After Francis Grant, R.A. (Scottish, 1803-1878), “Sir Richard Sutton and the Quorn Hounds”, hand-colored engraving, Frederick Bromley, engraver, sight 21 1/2 in. x 30 1/2 in., framed; and After William Barraud (British, 1811-1874) and Henry Barraud (British, 1810-1850), “Mr. William Long on ‘Bertha’”, hand-colored engraving, Edward Hacker, engraver, sight 18 3/4 in. x 21 1/4 in., framed. (2 pcs.)

$200/300

W 1164. British School, 19th c., “Portrait of Henry Purcell, English Composer (1659-1695), holding a sheet headed ‘Canon A’”, oil on wood panel, unsigned, 10 3/4 in. x 8 1/2 in., period frame.

$600/800


1165. English School, 19th c., “Hunting Dogs”, oil on canvas, 12 in. x 15 in., framed.

$1200/1800

W 1166. After Sir Joshua Reynolds (British, 1723-1792), “Master Bunbury”, mezzotint engraving, engraved by Francis Hawarde (British, 1759-1797), published in London, 15 1/8 in. x 11 1/8 in., framed.

$200/300

1171. An Antique Louis Philippe-Style Inlaid Rosewood Bedside Commode, en suite with preceding lot, height 29 1/2 in., width 16 in., depth 14 in.

$300/500

1165

1170

1168

1169

1171


1175. A Pair of Louis XV-Style Inlaid Kingwood and Bronze-Mounted Commodes, four drawers, chamfered stiles, cabriole legs ending in sabots, height 31 1/2 in., width 15 in., depth 12 in.

$600/800

1176. A Continental Carved Mahogany Duet Bench, late 19th/early 20th c., adjustable circular seats, turned tapered legs, stretcher base, height 18 1/2 in., width 36 in., depth 14 1/2 in.

$500/700

W 1172. A Pair of Antique Louis Philippe-Style Inlaid Rosewood Side Chairs, en suite with preceding lot.

$150/250

W 1173. An Antique Louis Philippe-Style Inlaid Rosewood Stool, en suite with preceding lot, height 19 in., diameter 14 in.

$100/200

1174. A Louis XVI-Style Brass Inlaid Mahogany Semainier, marble top, frieze drawer above seven paneled drawers, fluted columns to the sides, plinth base fitted with a drawer, toupie feet, height 63 in., width 28 1/2 in., depth 17 1/4 in.

$800/1200

1177. Four Art Nouveau-Style Carved and Gilded Mahogany Chairs, each of generous proportion, arched crest, reticulated splat, shaped legs, scrolled toes.

$1000/2000

1178. An American Carved Mahogany Hall Bench, late 19th c., paneled back, arms with embossed brass trim, tapered columnar uprights, conforming seat rail, massive acanthus paw feet, height 40 in., width 67 1/2 in., depth 21 1/2 in.

$1000/1500

1174

1177

1175

1176

1178

214

1180. An American Renaissance Carved and Burl Walnut Bedroom Suite, c. 1870, comprising a bedstead, dresser and armoire; bedstead with arched crest surmounted by a shell, scrolled brackets and shield, paneled headboard, conforming footboard center by floral roundel, bracketed rails; conforming dresser with mirrored back flanked by candleshelves and glove boxes, marble top over three graduated drawers; armoire with crest centered by a cabochon over conforming cornice, mirrored doors opening to shelves and hanging space, two plinth drawers below, bedstead height 90 in., length 80 1/2 in., width 58 1/2 in; armoire height 121 in., width 61 in., depth 25 in.; dresser height 105 in., width 46 1/2 in., depth 21 1/4 in.

$4000/60001179. An American Chippendale-Style Carved Mahogany Bookcase, glazed doors, adjustable shelves, ball and claw feet, height 74 in., width 53 in., depth 18 in.

$1000/2000

1180

1180

1179


1183. An Associated Set of Eight Renaissance Revival Carved Dining Chairs, late 19th c., consisting of six oak side chairs, each arched crest centered by a cabochon and portrait bust, engaged figural stiles, conforming legs ending in paw feet, incurvate stretcher; and two later mahogany armchairs, pierced crest, figural uprights.

$2000/3000

1181. A Monumental Renaissance Revival Highly Carved Oak Dining Table, late 19th c., probably Continental, possibly retailed by R.J. Horner, NY, molded edge and scrolled frieze opening to receive six leaves, figural supports ending in massive paw feet, central vasiform support on molded plinth, height 31 1/2 in., extended length 120 in., diameter 31 1/2 in.

$6000/8000

1182. A Renaissance Revival Highly Carved Oak Sideboard, late 19th c., openwork crest with central cabochon flanked by putti, tiered shelves on winged figural brackets, back with figural panels depicting putti in military and agricultural pursuits; base with drawers and cupboard doors amid lion masques and figural uprights, molded plinth, scrolled masque feet, height 92 in., width 67 in., depth 25 in.

$4000/6000

1184. A Renaissance Revival Highly Carved Oak Server, late 19th c., superstructure with openwork crest with central cabochon flanked by putti, shelf below with griffin brackets, back panel carved with putti at play; form base with inset marble top over a frieze drawer flanked by lion masques, figural supports, paneled back, shaped stretcher shelf, paw feet.

$1500/2500

1181

1182

1183

1184

216

1185. An American Belle Époque Carved Walnut Partner’s Desk, late 19th c., attributed to R.J. Horner, New York, molded top, kneehole configuration of drawers and cupboards, blocked base, the whole with caryatids, masks and griffons, height 31 1/2 in., width 51 in., depth 29 in.

$800/1200

1186. An American Rococo Carved Mahogany Games Table, mid-19th c., serpentine foldover top with circular baize playing surface, frieze centered by scrolled acanthus, cabriole legs, height 31 5/8 in., width 33 1/4 in., depth 16 1/2 in.

$400/600

1187. A Benchmade American Chippendale-Style Carved Walnut Secretary Bookcase, early 20th c., pierced rosette scrolled broken arch crest centered by an urn finial, glazed doors, adjustable shelves, slant front desk having a fitted interior, four graduated drawers, shaped bracket feet.

$800/1200

W 1188. An American Carved Rosewood Ladies Armchair, 19th c., floral crest, shaped back, molded legs, casters.

$600/900

1189. An American Classical Carved Mahogany Work Table, c. 1830, New York, sarcophagus top, fitted interior, conforming drawer and beveled work basket, cabriole legs, shaped stretcher, height 31 5/8 in., width 21 1/4 in., depth 16 1/4 in.

$800/1200

1190. An American Federal Carved Mahogany Chest of Drawers, early 19th c., probably Southern, two over three graduated drawers, bracket feet, pine secondary wood, height 38 in., width 38 1/2 in., depth 18 1/2 in.

$600/900

1185

1186

1189 1190

1187


W 1195. An American Federal Inlaid Mahogany Demilune Games Table, c. 1800, foldover top, paneled frieze, square tapered legs, height 30 in., width 36 in., depth 17 1/2 in.

$400/600

1191. An American Rococo Carved Mahogany Bookcase, 1856-60, Johnston, Meader & Co., Cincinnati, OH, stenciled label, reticulated crest over a pair of glazed doors, original shelf interior, plinth base fitted with two drawers, height 98 in., width 48 1/2 in., depth 17 in.

$2500/3500

Note: Charles Johnston partnered with John Fitch Meader from 1856 to 1860.

1192. An English Rococo Carved, Burled and Inlaid Elm Games Table, 19th c., shaped foldover top with circular inset green baize gaming surface, conforming frieze fitted with a drawer, C and S scrolled supports, scrolled feet, height 29 1/2 in., width 37 in., depth 18 in.

$800/1200

1193. An American Classical Mahogany and Gilt Overmantel Mirror, 19th c., cove-molded frame, tripartite mirror plate, height 63 in., width 25 1/2 in.

$400/600

1194. A Large Antique Burled Walnut and Giltwood Mirror, 19th c., probably English, arched crest, ogee framework, gilt moldings, height 59 in., width 36 in.

$800/1200

W 1196. An American Classical Mahogany Drop-Leaf Work Table, 19th c., molded drawers, tapered columnar pedestal, incurvate plinth, scrolled feet, height 28 1/2 in., width 19 in., depth 18 in. Note: Found in “estate” condition.

$300/500

W 1197. An American Rococo Carved Mahogany Armchair, mid-19th c., molded crest, padded arms, cabriole legs.

$500/700

1191

1193

1194

1192

218

1198. An American Classical Inlaid Mahogany Tallcase Clock, early 19th c., broken arch bonnet top with brass finials, painted dial with landscape spandrels, arched seascape, case having quarter fan panels, inlaid lamb’s tongue stiles, shaped base, “French” bracket feet, height 100 in., width 24 in., depth 10 in. Note: Restored dial.

$2000/3000

W 1199. An American Mahogany Sleigh Bed, paneled headboard, scrolled crest, conforming footboard, straight rails, height 51 in., length 79 1/2 in., width 39 in.

$300/500

1200. An American Country Pine Slant-Front Desk, 19th c., fitted desk interior, three graduated drawers below,

turned feet, height 42 in., width 45 1/2 in., depth 21 1/2 in.

$500/750

1201. An American Classical Carved Mahogany Drop-Leaf Work Table, c. 1835, molded drawers, square vasiform pedestal, scrolled feet, casters, height 29 1/2 in., width 18 1/2 in., depth 19 1/4 in.

$600/800

1198

1200

1201


1206. Jean Isy de Botton (French, 1898-1978), “Fleurs Precieuses”, 1968, oil on canvas, signed lower left, 16 in. x 12 1/4 in., framed.

$800/1200

1207. Niek van der Plas (Dutch, b. 1954), “Building a Sand Castle”, oil on wood panel, signed lower right, incised signature en verso, 9 1/2 in. x 10 1/2 in., framed.

$800/1200

1202. An English Burled Walnut Armoire, late 19th c., flared cornice, paneled frieze, a pair of arched doors, shelf interior, molded base, bracket feet, height 71 1/2 in., width 41 in., depth 21 in.

$800/1200

W 1203. A Pair of William IV Carved Mahogany Side Chairs, mid-19th c., shaped crest, scrolled “ears”, cabochon pierced rail, trapezoidal slip seat, sabre legs.

$200/400

1204. An American Carved Walnut Library Table, mid-19th c., molded top, frieze fitted with drawers, turned legs, height 30 1/2 in., width 53 1/2 in., depth 30 in.

$800/1200

1205. A Pair Louis XV-Style Painted and Parcel Gilt Fauteuils, shaped foliate carved crest, stiles and arms, conforming serpentine seat rail, cabriole legs.

$1000/1500

1202

1206

1204

1205

1207

220

W 1208. Leo Michelson (Russian/French, 1887-1978), “Three Girls in a Park”, oil on canvas, signed lower right, 16 in. x 20 in., framed.

$400/600

W 1209. Basil Holmes (English, 19th c.), “East Malling Church, Kent”, watercolor, signed lower left, titled lower right, sight 9 in. x 13 in., framed.

$500/700

1210. Scottish School, 19th c., “Portrait of a Boy Wearing a Kilt”, oil on canvas, unsigned, 30 in. x 25 in., period frame.

$700/900

W 1211. An Antique Georgian-Style Carved Mahogany Corner Chair, c. 1900, of generous proportions, arched crest rail, turned uprights, slip seat with molded rail, turned legs, cup casters.

$300/500

1212. An American Classical Carved Mahogany Games Table, c. 1825, Philadelphia, foldover banded top, torus molded frieze, ring-turned and acanthus support, plinth base, foliate carved paw feet, casters, height 29 1/3 in., width 37 in., depth 18 in.

$700/900

1213. An American Renaissance Carved and Burled Walnut Secretary Bookcase, c. 1875; upper case with molded cornice over glazed doors, lower case with fall front escritoire drawer with fitted interior, paneled doors below, molded base, height 91 in., width 50 in., depth 18 1/2 in.

$1500/2500

1214. An American Eastlake Carved and Burl Walnut Hallstand, c. 1880, molded cornice above reticulated back with brass hooks, central mirror over a bench, stretcher shelf, height 88 1/2 in., width 44 1/2 in., depth 16 1/2 in.

$1200/1800

1210

1212

1213

1214


1215. A Pair of American Wicker Rocking Chairs, early 20th c., probably Heywood Wakefield, Massachusetts, each with scalloped crest and waisted reticulated splat.

$400/600

1216. An Elizabethan-Style Carved Oak Court Cupboard, 19th c., molded top, three gothicized carved doors above a long drawer, raised on blocked legs, height 47 in., width 58 1/2 in., depth 21 in.

$800/1200

W 1217. A Carved Wood Sign of the “Shop of the Two Sisters”, 20th c., New Orleans, carved wood and iron construction, double sided, height 36 in., width 52 1/2 in., depth 15 1/2 in.

$500/750

W 1218. An Allegorical Schoolgirl Needlework, c. 1830, angels in Biblical scene with trees and lamb, 25 1/4 in. x 22 1/4 in., period gilt frame.

$400/600

W 1219. A Pair of American Classical Brass Andirons, 19th c., each upright with ball surmounted by a spherule finial, spurred legs ending in ball feet, height 22 1/4 in., width 10 1/2 in., depth 19 1/4 in.

$300/500

W 1220. An American or English Brass Trivet, 19th c., quadripartite base, height 10 1/4 in.

$200/300

W 1221. A Leather Stetson Kindling Bag, overall height 14 in., width 16 in.

$75/100

W 1222. Two Sugar Plantation Carved Wood Mallets, one inscribed “T B Sons”, longest 28 in.

$200/400

1223. An Antique American Schooner Diorama, 19th c., carved wood construction, with painted background and waves, height 18 1/4 in., width 28 1/2 in., depth 5 1/4 in.

$500/750

W 1224. A Pair of American Brass Chenets, 19th c., urn finials, pierced body, with swag decoration, height 13 in., width 8 1/2 in., depth 8 1/2 in.

$300/500

W 1225. An Antique English Copper Cauldron and Coal Hod, the cauldron with wrought iron handle on tripod stand, height 23 in., diameter 19 in.; a copper coal hod with circular foot, height 13 in., width 10 1/2 in., depth 19 in.

$200/300

W 1226. Two Antique Silver Cups, one American coin silver, c. 1850, mark rubbed, seamed urn form on circular foot, repoussé chased rococo decoration, scroll handle, engraved “Old Billy” in script; the other French baluster form with bright-cut engraved swags, tassels and fleur-de-lis reserve engraved “AG”, large cup height 4 3/4 in., French cup height 2 3/4 in., combined weight 4.90 troy ozs.

$400/600

W 1227. A Group of Sterling Silver and Silver-Mounted Dressing Table Articles, c. 1900, including 2 card cases, 2 match cases, a mesh evening bag, 5 brushes, 3 manicure implements, an overlay scent bottle (without stopper), and a griffin decorated cuff, combined (weighable) weight 12.30 troy ozs., (15 pcs.)

$250/350

1215 1216

1223

222

W 1228. A Group of American Coin Silver Flatware, 19th c., including 6 downturned fiddletypt tablespoons, Taylor & Hinsdale, New York, active 1817-1847, marked “T&H” in rectangle; 3 upturned fiddletypt tablespoons, marked “H.N. POLLARD” in rectangle, unidentified; 1 downturned fiddletypt tablespoon, Hyde & Nevins, New York, marked “H&N” in rectangle, “BW & CO” in rectangle, unidentified, and pseudo marks; 1 downturned fiddletypt sauce ladle with drop, John Beauchamp, Bowling Green, KY, active 1847-1850 and Paducah, KY, active 1850-1870, marked “J. BEAUCHAMP” incuse; 1 downturned fiddletypt spoon with shell drop, marked “BENEDICT.WALL ST” in serrated rectangle; 1 tablespoon marked “JENNINGS” incuse; 1 beaded hollow handle knife with marks of Tifft and Whiting, active 1847-1866, New York (precursor to Whiting Mfg. Co.), combined weight 21.30 troy ozs., (14 pcs.)

$200/300

W 1229. A Group of Natchez Coin Silver Flatware, including a trowel form server, George Macpherson, active 1843-1871, having a vintage and shell handle, the blade with flowers, foliage and a gamebird, marked “G MACPHERSON” in rectangle, length 10 1/4 in.; one downturned fiddletypt tablespoon with shoulders and a drop, Thomas C. Coit, active 1826-1840s, marked “T.C.Coit” in rectangle, engraved script “B” on upper face; downturned fiddle typt salt spoon with shoulders Emile Profilet, active 1823-1868 marked “E. PROFILET” in rectangle, engraved script initials on upper face; fiddlethread fork, Samuel Cockrell, active 1838-1893, incuse marks “S. COCKRELL”, engraved “Betty” in script on reverse, length 6 3/4 in., combined weight 6.15 troy ozs., (4 pcs.)

$200/300Reference: Nineteenth Century Natchez-Made Silver.

W 1230. A Group of New Orleans Coin Silver Flatware, including a set of 10 fiddlethread teaspoons ret. E.A. TYLER, incuse marks, made by John Polhemus, New York, c. 1850, engraved script initials on reverse; set of 6 fiddlethread dessert spoons, with French-style shoulders, ret. FRANTZ BROS. & CO., incuse marks, c. 1890s, made by Wood & Hughes, New York, engraved script “B” on upperface; and 1 dessert spoon, upturned fiddle typt with French-style shoulders, engraved script “E” on the reverse, marked “HYDE & GOODRICH” in rectangle, New York maker, combined weight 16.85 troy ozs. (17 pcs.)

$200/300

W 1231. A Cased Pair of Antique Silverplate Fish Servers, 19th c., ornate scrollwork, fluted and foliate handles, fish slice with scimitar blade, length 12 in.

$150/250

W 1232. A Group of Six American Sterling Silver Baby Cups, various makers with engraved names, heights 1 1/2 in. to 2 3/4 in., combined weight 10.20 troy ozs.

$200/300

W 1233. An American Sterling Silver Coffee Pot, Currier and Roby, New York, wc. 1900 - c. 1943; in the Colonial taste, tapered form with molded rims, conforming hinged cover, wooden scroll handle; height 9 in., weight 18.45 troy ozs.

$500/750

1234. A Wallace “Grand Baroque” Pattern Sterling Silver Flatware Service, pat. 1941, comprising 12 salad forks, 11 dinner forks, 12 knives, and 11 spoons, weight (weighable) 54.25 troy ozs.

$2500/3500

W 1235. An Antique American Sterling Silver Dog Collar, Wood & Hughes, New York, wc. 1845-1899; engraved “’Chuck’/144 Capitol Ave./Dickinson”, width 1/2 in., adjustable circumference; together with a silverplate example, G. Cooper Maker, engraved

“Beauty”, width 5/8 in., adjustable circumference.

$300/500


W 1236. An American Arts and Crafts Sterling Silver Pin Tray, Katherine Pratt, Dedham, MA, wc. 1915-1940; hand-hammered with lobed sides, height 1 in., diameter 4 3/8 in., weight 3.50 troy ozs.

$150/250


W 1237. An Antique American Sterling Silver Telescoping “Gripper” Handle, the silverplate gripper marked “PAT.DEC.10.89”, extended length 10 1/4 in.; together with an American coin silver sugar tongs, marked “FG”, length.

$150/250


W 1238. An American Coin Silver Presentation Goblet, mid-19th c., unmarked; presentation inscription, “TO/Rev. Edwin M. Stowe/ from the/ Teachers of the Free Chapel/Sabbath School/ Dec. 25th 1863”, height 6 1/2 in., weight 5.55 troy ozs. Note: Old solder repair at stem.

$150/250


W 1239. An American Sterling Silver Tastevin, Ensko, New York, wc. 1878-1970, with serpent-form loop handle, the well inset with 1936 Delaware Tercentenary Half Dollar Coin, width 4 1/4 in., weight 3.95 troy ozs.

$300/500

W 1240. An American Gilt Lacquered Brass and Bronze Solar Lamp, c. 1867, kerosene burner with patent date, molded font atop red cut-to-clear standard, stepped base, prism hung, cut and etched glass shade, chimney, overall height 25 1/2 in.

$400/600

1234


W 1241. An American White Cut-to-Green Glass Lamp, mid-19th c., large font over gilt neck, vasiform standard, stepped marble and gilt bronze base, height 16 1/2 in., diameter 6 1/2 in. Note: No burner or shade.

$300/500

W 1242. An Empire Verdigris Tôle Peinte and Gilt Bronze Carcel Lamp, early 19th c., labeled “N 13478/ PAR BREVET D INVENTION LAMP...S HYDROSTATEIQUES / DE THILORIER & SERRUROT / RUE DU BOULOY No. 4”, period cut and etched blown glass globe, electrified, overall height 26 3/4 in.

$600/800

W 1243. A Continental Tôle and Crystal Ten-Light Chandelier, late 20th c., exuberant vining decoration with crystal flower buds, height 34 in., diameter 30 in.

$700/900

1244. A Pair of Empire-Style Gilt Metal Figural Torchères, c. 1920, in the form of classical maidens, on fluted standard, acanthine collar on outswept feet, height 58 in.

$600/900

W 1245. A Pair of American Patinated Iron and Steel Gates, 20th c., arched form, decorated in scrolls, handles and latches on both sides, mounted with wheels, height 99 in., total width 166 in., depth 3 in.

$700/1000

W 1246. An Antique Continental Relief Carved Oak Panel, depicting a Station of the Cross, height 18 in., width 13 in.

$400/600

W 1247. An American Aesthetic Carved Giltwood Mirror, late 19th c., foliate half-round molding, stippled and beaded inner frame, height 40 in., width 50 in.

$300/500

W 1248. A Georgian-Style Carved Mahogany Bedside Commode, shaped gallery, single door, square legs, casters, height 30 in., width 18 1/2 in., depth 14 1/2.

$600/900

W 1249. An Antique English Carved Mahogany Bottle Cooler on Stand, square with brass handle, bracketed square legs, retains zinc liner, height 24 1/2 in., width 12 in., depth 12 in.

$250/350

W 1250. Georges-Ebrin Adingra (African/France, 1933-2005), “Le Reve Fantastique”, 1964-65, sand and paint on canvas, signed, titled and dated en verso, 31 3/4 in. x 21 1/4 in., unframed.

$300/500

1251. William Hemmerling (American/Louisiana, c. 1943-2009), “Family Gathering”, multi-media painting and construction, signed lower center, 30 3/4 in. x 12 1/4 in. x 5 in.

$700/900

W 1252. Mario Bachelli (Italian/Memphis, 1893-1951), “Mississippi River”, etching, pencil-signed lower left, titled, dated, and localized lower right, sight 3 1/2 in. x 6 1/2 in., matted and framed.

$300/500

W 1253. Morris Henry Hobbs (American/New Orleans, 1892-1967), “The Village Depot”, 1943, etching and

aquatint on paper, pencil-signed, titled and dated, plate 11 3/4 in. x 8 3/4 in., framed.

$300/500

W 1254. Morris Henry Hobbs (American/New Orleans, 1892-1967), A collection of four miniature prints, “Adelyn”, “Kneeling Figure”, “Juanita” and “Satyrs Dance”, etchings, all pencil-signed and titled, all with Tahir Gallery, New Orleans labels and artist’s biography en verso, image ranging from 1 1/2 in. x 1 in. to 2 3/4 in. x 2 1/4 in., all attractively framed.

$400/600

Provenance: Purchased from legendary print dealer Abe Tahir of Tahir Gallery, 823 Chartres Street, French Quarter, New Orleans.

1255. Morris Henry Hobbs (American/New Orleans,

1892-1967), “Aphrodite”, etching, pencil-signed and titled, Associated American Artists label with artist biography and title en verso, plate 9 1/4 in. x 5 1/4 in., framed.

$300/500

1244

1251 1255

224

1256. Morris Henry Hobbs (American, 1892-1967), “St. Peter St., Old New Orleans” etching, pencil-signed and titled, plate 4 3/4 in. x 3 3/4 in., and “New Orleans”, etching 1943, pencil-signed, titled and dated, plate 4 3/4 in. x 3 1/4 in., in matching frames, (2 pcs.)

$700/900

1257. Clarence Millet (American/Louisiana, 1897-1959), “Claiborne Court”, hand-colored woodcut, pencil-signed and titled, The Dayton Company, Picture Galleries, Minneapolis label en verso, plate 5 3/4 in. x 6 1/2 in., framed.

$700/900

1258. James Milton Sessions (American, 1882-1962), “Cod Fishing”, watercolor, unsigned, Reader’s Digest illustration reference en verso, 22 in. x 30 in., matted and framed.

$1000/1500

1259. William Aiken Walker (American/South Carolina, 1838-1921), “Elderly Male Cotton Picker Smoking a Pipe in the Fields with Basket on his Head”, oil on artist’s board affixed to wood panel, unsigned (possibly reduced), 7 1/4 in. x 4 in., period gilt frame.

$3000/5000

Note: To be included in John Fowler’s forthcoming catalogue raisonné on William Aiken Walker.

1256 (1 of 2)

1259

1257

1258


1260. George Joseph Amede Coulon (American/New Orleans, 1854-1922), “Nature Morte: Duck”, pastel and pencil on paper, signed lower left, mat sight 18 3/4 in. x 32 3/4 in.

$1500/2500

Provenance: W.E. Groves, New Orleans to collection of Felix H. Kuntz, New Orleans.

1261. George Joseph Amede Coulon (American/New Orleans, 1854-1922), “Nature Morte: Trout”, pastel on paper, signed lower right, mat sight 32 3/4 in. x 18 3/4 in.

$1500/2500

Provenance: W.E. Groves, New Orleans to collection of Felix H. Kuntz, New Orleans.

1262. Clementine Hunter (American/Louisiana 1887-1988), “Funeral Procession”, oil on canvas board, monogrammed lower right, 16 in. x 20 in.

$1500/2500

1263. Jack R. Meyers (American/New Orleans, 1930-1994), “The Abandoned Church”, 1978, acrylic on masonite, signed and dated lower right, 15 1/2 in. x 19 1/2 in., framed.

$2000/3000

1260 1261

12631262

226

1264. William Branks Stewart (Scotland/New Orleans, 1898-1950), “Gulf Coast Marsh”, 1943, oil on canvas board, signed and dated lower right, New Orleans Art League label with title en verso, 19 3/4 in. x 23 3/4 in., period frame.

$1200/1800

Provenance: Acquired from the artist by a New Orleans family.

W 1265. William Branks Stewart (Scotland/New Orleans, 1898-1950), “Old House on the River Road (on the Mississippi, just north of New Orleans)”, c. 1930s, oil on canvas board, unsigned, titled, dated, provenance and photograph of the artist en verso, 18 in. x 24 in., unframed.

$500/700

1266. William Branks Stewart (Scotland/New Orleans, 1898-1950), “Beach Picnic, Lake Pontchartrain”, oil on canvas board, unsigned, 19 3/4 in. x 23 3/4 in., period frame.

$1000/1500


W 1266A. William Branks Stewart (Scotland/New Orleans, 1898-1950), “Back View of Plantation, Edgard, Louisiana”, c. early 1940s, pen and ink, unsigned, 5 in. x 7 1/4 in., framed.

$200/400


W 1267. Arnold E. Turtle (British/New Orleans, 1892-1954), “Beauregard-Keyes House, Chartres Street, French Quarter”, watercolor and charcoal, signed lower right, sight 12 1/2 in. x 9 1/2 in., matted and framed.

$500/800

W 1268. Ruth A. Anderson (American/Florida, 1891-1957), “Cypress in Moonlight”, watercolor, signed lower mid left, signed, titled and artist’s label en verso, sight 17 in. x 21 in., matted and framed.

$400/600

1269. Carl Ludwig Thilson Locher (Danish, 1851-1915), “Coastal Scene”, 1885, oil on canvas, signed and dated lower right, pencil inscription and partial label en verso, 23 5/8 in. x 37 3/4 in., framed.

$1200/1800

W 1270. Bertha Driver (American/Texas, 20th c.), “Texas Bluebonnets”, oil on canvas board, signed lower right, B. Driver Studio, Dallas label and pencil inscribed Bertha Driver en verso, 9 in. x 15 1/2 in., period frame.

$500/700

W 1271. Linda Picker (American/Arkansas, b. 1944), “Mallards in Flight”, 1985, watercolor, signed lower right, sight 16 3/4 in. x 28 1/2 in., matted and framed.

$800/1200

1272. Xavier Gonzales (Spain/Louisiana, 1898-1993), “Along the Shore”, 1963, watercolor, signed, dated and inscribed “To Herbert & Evelyn” lower right, sight 17 1/4 in. x 13 5/8 in., period frame.

$800/1200

W 1273. Augustus Weidenbach (German/Maryland, b. 1825), “Cows in the Stream”, oil on canvas, signed lower right, 22 in. x 36 in., period frame.

$1000/1500

1264

1269

1266

1272


1274. Augustus Weidenbach (German/Maryland, b. 1825), “The River through the Mountainous Terrain”, oil on canvas, signed lower right, 22 in. x 36 in., period frame.

$1000/1500

1275. Lawrence Mc Enaney (American, late 19th c.), “Portrait of a Child and Dog by the Shore”, 1899, oil on canvas, signed and dated lower right, 40 in. x 24 in., period frame.

$700/900

W 1276. American School, 19th c., “Bessie Behan Lewis as a Child”, c. 1875, watercolor and pastel, inscribed and dated en verso, 10 in. 8 in., period frame.

$500/700

W 1277. An American Jacquard Coverlet, mid-19th c., signed “Mathias Klein” and dated “1845”, geometric and floral designs in rose, blue and gold, swag border on two sides with two-headed eagle holding arrows, height 84 in., width 76 in. Note: condition.

$300/500

W 1278. A Patinated Brass and Glass Hanging Hall Lantern, scrolled brackets suspending shaped body centered by a five-light stem, height 21 3/4 in., diameter 14 1/4 in.

$600/900

W 1279. An American Gilt Lacquered Bronze and Brass Solar Lamp, mid-19th c., molded font over faceted columnar standard and plinth, cut and etched glass shade, prism hung, electrified, overall height 26 3/4 in.

$600/900

W 1280. [English Accounts of the Revolutionary War], two issues of the The London Chronicle, one July 29-August 1, 1775, containing an account of the Battle of Bunker Hill and the appointment of Washington as Commander of the American forces; the other March 25-27, 1777, with an account of Washington crossing the Delaware, each 8 pages, 8 1/4 in. x 11 1/4 in.

$300/500

W 1281. [Historical Collections of Louisiana], Benjamin French, Historical Collections of Louisiana, embracing many rare and valuable documents relating to the Natural, Civil and Political History of the State..., 1846-1851, three volumes, published by Wiley and Putnam, NY, a compilation of historical writings.

$500/700

W 1282. [Early Louisiana Geology], R. Thomassy, Geologie Pratique de la Louisiane, published in New Orleans and Paris, 1860, in French, illustrated with 5 maps, some fold-out of the Mississippi and illustrations of the “Mud Lumps”, hard cover, 10 1/2 in. x 8 1/2 in 263 pages.

$500/700

1283. A Fine Antique American Cast Iron Jockey Figure, 19th c., labeled “Foundry Union Beach, N.J.”, found with original paint surface, height 47 in.

$1500/2000 1284. A French “Growler” Bulldog Pull Toy, late 19th c., papier-mâché with glass eyes, growls and nods head when chain is pulled, height 14 in., length 17 in.

$1500/2000

1274

1284

1275

1283

228

1285. A Vintage Steiff Mickey Mouse Figure with an Associated Minnie Mouse Figure, early 20th c., Steiff figure retains brass tab and cloth label in ear as well as original paper label, height 6 1/4 in.; the c. 1935 wooden Minnie Mouse figure with paper ears, and Disney decal, height 7 in.

$1000/1500

W 1286. An Oak Twelve-Air Cylinder Music Box, late 19th c., probably a Swiss import, the support cast with a US patent date of 1884, with manuscript list of songs, molded case with chamfered corners, height 8 1/4 in., width 27 3/4 in., depth 12 in.

$300/500

W 1287. After George Louis Viavant (American/New Orleans, 1872-1925), three limited edition prints, including “Nature Morte: Wood Duck” and “Nature Morte: Hare”, c. 1970, published by Viavant Family, edition of 300, Upton Printing, New Orleans, 28 3/4 in. x 16 in. and 32 in. x 16 3/4 in., and “Nature Morte: Hanging Canvasback Drake”, c. 1970, published by the Tally-Ho Club, edition of 250, Upton Printing, New Orleans, 33 in. x 23 3/4 in., all unframed.

$250/350

Provenance: Acquired from the artist’s son, James Viavant, c. 1980.

W 1288. American School, late 19th c., “The Water Gatherer”, oil on canvas, unsigned, 24 in. x 18 in.

$500/700

W 1289. American School, late 19th/early 20th c., “Day and Night Tributaries of the Ohio River”, two oils on canvas, both unsigned, 16 in. x 18 in., gilt frames.

$700/900

W 1290. Paul Bernard Vera (American, 1882-1957), “Portrait of Vigee”, oil on canvasboard, unsigned, inscribed with artist’s name and titled en verso, Cleveland Museum of Art May Show 1944 label en verso, 14 1/2 in. x 11 3/4 in., period frame.

$200/400

W 1291. Don Wright (American/Louisiana, 1938-2007), “Still Life of Fruit”, 1975, oil on canvas board, signed and dated lower right, sight 8 3/4 in. x 11 1/2 in., framed.

$400/600

Provenance: Ex-Collection of Dr. James W. Nelson, Gonzales, Louisiana.

W 1292. Ellsworth Woodward (American/New Orleans, 1861-1939), “Soldier’s Profile”, double sided pencil drawings, unsigned, 6 3/4 in. x 10 1/4 in., framed.

$600/800

Provenance: Ex- Collection of Carl Ellsworth Woodward; from Ellsworth Woodward’s Sketchbook, c. 1890 (accompanied by photocopy relating to provenance).

W 1293. Mercedes Herr (Louisiana, 1869-1956), “Louisiana Landscape”, 1922, pastel, signed lower right, Seebold label en verso, 18 1/4 in. x 9 3/4 in., framed.

$400/600

W 1294. Rolland Golden (American/Louisiana, b. 1931), “Seated Female Nude”, 1963, watercolor, signed and dated lower right, Rolland Golden, Patio Art Studio, Royal Street card en verso, sight 16 in. x 13 in., framed.

$400/600

1295. Colette Pope Heldner (American/New Orleans, 1902-1990), “Swamp Idyll (Louisiana Bayou Country)”, oil on canvas, signed lower left, signed, titled and with “The Little Gallery, Rue Royale, New Orleans” stamp en verso, 16 in. x 20 in., period frame.

$800/1200

W 1296. An American or English Carved Mahogany Trolley, early 19th c., pineapple finials, three graduated tiers, turned uprights, scrolled trestle base on incurvate plinth, casters, height 38 in., width 30 1/2 in., depth 20 1/2 in.

$500/700

W 1297. An American or English Carved Mahogany Writing Chair, 19th c., spindled barrel back, scrolled arm with swivel writing surface over a drawer, saber legs.

$300/500

W 1298. A British Arts and Crafts Carved Oak Stool, U-form seat with geometric border, seat rail with trefoils, foliate legs, height 17 in., width 18 1/2 in., depth 16 1/2 in.

$300/500

1285

1295


1299. Beauregard A. Redmond (New Orleans/Florida, 20th c.), “The Turpin-Kofler-Buja House, 2321 Magazine Street, New Orleans”, 1968, oil on masonite, initialed and dated lower left, signed, dated and inscribed en verso, 20 in. x 28 in., framed.

$1000/1500

Note: Born in New Orleans, Beauregard Redmond graduated from Washington and Lee University with dual majors in Fine Arts and Economics. Initially Redmond pursued a career in banking, while continuing to paint and exhibit his works at the Downtown Gallery. In 1980, he gave up banking to become a full time painter. Soon after, he moved to St. Augustine, Florida, where he opened a studio. Paintings by this artist generally convey a strong sense of time and place, as can be seen here. The Turpin-Kofler-Buja House was designed by New Orleans architect James Gallier, Jr., best known for his design of the French Opera House in 1859.

1300. Noel Rockmore (American/New Orleans, 1928-1995) “After Life: Egyptian Series”, watercolor and ink, signed, titled and dated lower right, Bryant Galleries, New Orleans label en verso, sight 14 1/2 in. x 20 in., matted and framed.

$300/500

1301. Noel Rockmore (American/New Orleans, 1928-1995), “Three Revelers: Egyptian Series”, 1990, acrylic on canvas, signed and dated lower right, title label and Bryant Galleries Ltd, New Orleans label en verso, 48 in. x 36 in., framed.

$1500/2500

1302. Noel Rockmore (American/New Orleans, 1928-1995), “Yellow Girls—Old Kingdom: Egyptian Series”, 1990, oil on canvas, signed and dated upper right, title label and Bryant Galleries Inc., New Orleans label en verso, 36 in. x 48 in., framed.

$1500/2500

1303. Martin Laborde (American/New Orleans, b. 1943), “Snake Woman”, oil on canvas, signed and dated “’86” lower right, signed, titled and dated “6/12/86” en verso, 36 in. x 24 in., unframed.

$500/800

1299

1302

1303

1301

1300

230

1304. Martin Laborde (American/New Orleans, b. 1943), “I-Two”, oil on canvas, signed and dated “84” lower right, signed, titled, dated, and inscribed “Izzy Moto & The Clang Clones” en verso, 31 7/8 in. x 25 1/8 in., unframed.

$500/800

1305. Charles Whitfield Richards (American/New Orleans, 1906-1992), “Self-Portrait with Donna”, 1988, oil on canvas, signed lower left, inscribed en verso on stretcher, 22 in. x 28 in., framed.

$500/700

Provenance: Collection of Alice Barry, New Orleans and Pass Christian, MS.

1306. Leo Meiersdorff (American/New Orleans, 1934-1994), “Big Band Night, New Orleans Steamboat Co. Restaurant”, 1990, watercolor on paper, signed and dated upper left, 22 1/4 in. x 30 in., framed.

$500/800

W 1307. Leo Meiersdorff (American/New Orleans, 1934-1994), “Jam Session, Cajun Seafood Restaurant”, 1990, signed and dated upper left, 22 in. x 30 in., framed.

$500/800

W 1308. William James “Jack” McLarty (American, 1919-2011), four fine art prints including “Recline Figures”, 1975, color woodcut pencil-signed, titled and numbered 9/75, image 2 1/4 in. x 5 in.; “Black and Brown”, 1976, linocut, pencil-signed, titled and numbered 32/100, image 3 in. x 4 in.; “Lady with a Cat”, 1973, color woodcut, pencil-signed, titled and numbered 27/100, sight 6 in. x 3 in.; and “Contour”, 1973, woodcut, pencil-signed, titled and numbered 27/75, image 4 in. x 5 in., all with Tahir Gallery labels and artist’s biography en verso, all framed.

$400/600

Provenance: Acquired from legendary print dealer

Abe Tahir at Tahir Gallery, 823 Chartres Street, French Quarter, New Orleans.

W 1309. Xavier de Callatay (Belgium/New Orleans, 1932-1998) “Iron”, 1963, oil on canvas, initialed lower right, signed, inscribed and dated en verso, 9 in. x 9 in., framed.

$400/600

1310. Malaika Favorite (Louisiana/Georgia, b. 1949), “Women”, oil on shaped canvas, signed lower left, Stella Jones Gallery, New Orleans label en verso, 29 in. x 25 in.

$1000/1500

Provenance: Estate of Judith Gic Shelton, New Orleans.

1304

1310

1306

1305


1311. Tayo Adenaike (Nigerian, b. 1954) “Untitled”, 1997, watercolor, signed and dated lower right, Stella Jones Gallery, New Orleans label en verso, 23 in. x 17 in., matted and framed.

$1200/1800

1312. Phoebe Beasley (American, b. 1943), “Freeway to Canaan”, 1992, mixed media collage on canvas, signed lower left, signed, dated, artist’s stamp and Stella Jones Gallery, New Orleans label en verso, 40 in. x 30 in., framed.

$1200/1800

W 1313. Randell Henry (American/Louisiana, b. 1958), “Blue Figure II”, 1998, acrylic and oil paintsticks on masonite, signed and dated upper right, signed, titled, dated and Stella Jones Gallery, New Orleans label en verso, 24 in. x 24 1/6 in., framed.

$500/700

W 1314. Matthew Tarrell (American, 20th/21st c.), “Porch Scenes”, 1998, two oils on canvas, both signed and dated lower right, signed and dated en verso, 30 in. x 24 in., framed.

$700/900


W 1315. Tommy Yow (American/New Orleans, 20th c.), “Old Spanish Stables, 716-24 Governor Nicholls Street”, oil on canvas, signed lower right, 16 in. x 20 in., framed.

$300/500

W 1316. Robin Durand (American/New Orleans, 20th c.), “Sunset Houses”, oil on masonite, signed lower right, titled and Cole Pratt Gallery Ltd., New Orleans labels en verso, 10 in. x 8 in., framed.

$250/350

1317. James Michalopoulos (American/New Orleans, b. 1951), “Orb for a Pass”, 2001, oil on canvas, signed lower left, signed, dated, and titled en verso, 36 in. x 48 in., framed.

$6000/8000

1318. James Michalopoulos (American/New Orleans, b. 1951), “Red Shutters”, 1998, oil on canvas, signed lower left, signed and dated en verso, 24 in. x 48 in., framed.

$5000/7000

1311 1312

1317

1318

232

1321. An American Mid-Century Modern Walnut and Brass-Mounted Dining Table, c. 1950, Paul McCobb, foldover top on straight frieze, tapered legs, brass X-stretcher, height 29 in., width 34 in., depth 34 in.

$800/1200

1322. An American Mid-Century Modern Walnut and Brass-Mounted Credenza, c. 1950, Paul McCobb, Calvin Group, rectangular top over paneled doors, brass legs, stretchers, height 34 1/4 in., width 36 in., depth 19 in.

$500/700

W 1319. Robin Durand (American/New Orleans, 20th c.), “Overpass and House”, oil on masonite, signed lower left, titled and Cole Pratt Gallery, Ltd., New Orleans labels en verso, 16 in. x 20 in., framed.

$250/350

1320. Four American Mid-Century Modern Cherrywood and Woven Leather Armchairs, c. 1950, possibly Paul McCobb, each with tablet back, straight seat rail, tapered legs.

$1200/1800

1323. A Pair of American Mid-Century Modern Walnut Side Tables, c. 1950, Paul McCobb, each with square top, caned stretcher shelf, height 15 in., width 20 1/2 in., depth 20 1/2 in.

$800/1200

W 1324. A Suite of Four Danish Modern Teakwood Wall-Mounted Modular Shelving Units, mid-20th c., probably Torbjorn Afdal, comprising a bookshelf, credenza fitted with drawers and a cabinet, and two bookshelves with cabinet bases.

$800/1200

W 1325. A Danish Modern Teakwood Drop-Leaf Dining Table, mid-20th c., F.F. France for John Stuart, labeled, demilune leaves, X-form hinged shaped supports, height 28 1/2 in., length 64 in., closed width 18 in.

$500/700

W 1326. A Trio of Danish Modern Teakwood Graduated Side Tables, mid-20th c., labeled Will Beck, triangular tops, largest height 18 in., width 20 in., depth 20 in.

$300/500

W 1327. An American Mid-Century Modern Painted Console, early 20th c., Jamestown Lounge Co., Colonnade Collection, shaped top above three grillework doors, center fitted with drawers, plinth base, height 31 1/2 in., width 53 in., depth 20 in.

$600/900

W 1328. A Contemporary Polished Steel and Glass Dining Table, single thick glass top on rectilinear frame, height 29 1/2 in., length 72 in., width 36 in.

$700/1000

1320

1322

1321

1323


W 1329. An English Art Moderne Mahogany Wardrobe, 20th c., paired doors opening to a hanging compartment and fitted shelves and drawers, bracket feet, height 72 in., width 47 1/2 in., depth 19 1/4 in.

$500/700

W 1330. Sam Still (American/New York, b. 1943), “Smooth Jazz I” and “Smooth Jazz II”, 1981, two ink and Prismacolors on paper, signed, titled and dated en verso, sight 11 1/2 in. x 22 in., framed.

$400/600

Provenance: The Imagination Collection, Hotel InterContinental, New Orleans, LA.

1331. Robyn Geddes (American, 20th/21st c.), “Dove”, 1996, oil on canvas, signed, titled and dated en verso, 15 in. x 52 in., unframed.

$800/1200

Provenance: Collection of Molly Reily, New Orleans, LA.

Note: Geddes was an assistant to Andy Warhol, 1978-1983.

W 1332. Allison Stewart (American/New Orleans, b. 1941) “Abstraction with Blue and Orange”, 1983, acrylic on canvas, signed and dated en verso, 36 in. x 60 in., unframed.

$700/1000


W 1333. Allison Stewart (American/New Orleans, b. 1941) “Abstraction with Orange, White and Black”, 1983, acrylic on canvas, signed and dated en verso, 36 in. x 60 in., unframed.

$700/1000

1334. Allison Stewart (American/New Orleans, b. 1941), “Origami II”, acrylic on canvas, signed and titled en verso, 60 in. x 48 in., unframed.

$1200/1800

1335. James McGarrell (American/Indiana, b. 1931), “Lavabo”, 1988, oil on canvas, signed, titled and dated en verso, 80 in. x 62 in., framed.

$2000/3000

1336. Wellington “Duke” Reiter (American, b. 1957), “Flying Fish Series #4”, 1983, mixed media on paper, signed lower right, titled lower left, sight 38 in. x 57 in., framed.

$800/1200


W 1337. Wellington “Duke” Reiter (American, b. 1957), “Flying Fish Series #5”, 1983, mixed media on paper, signed and dated lower right, titled lower left, sight 38 in. x 57 in., framed.

$800/1200

W 1338. Antonio Carreño (Dominican Republic/

American, b. 1963), “Arcaico # 2”, 1996, mixed media on canvas, signed lower right, signed, titled and dated en verso, Stella Jones Gallery, New Orleans label en verso, 40 in. x 60 in., unframed.

$500/700


1331

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1336

234

1339. John Akers (American, d. 2006), “A Golden Moment”, oil on masonite, signed lower right, titled en verso, 23 3/4 in. x 40 in., frame with artist plaque.

$1200/1800

W 1340. Larry Winston Collins (American, 20th c.), “Count Basie”, linoleum block print, pencil-signed and titled, artist proof, artist’s embossed stamp lower right, Stella Jones Gallery, New Orleans labels en verso, image 6 in. x 5 1/2 in., sheet 11 3/4 in. x 9 in., attractively matted and framed.

$200/300


W 1341. Leonard Barkin (Canadian/American, 1922-2000), “Seagull and Shark: Moby Dick Suite”, 1970, lithograph, pencil signed, signed and dated in plate mid right, numbered 189/200, sight 16 1/2 in. x 11 in., framed.

$300/500

W 1342. A Large Continental Turquoise Glazed Terracotta Vase, baluster form, rolled lip, height 29 1/2 in., diameter 24 in.

$700/1000

W 1343. A Santa Clara Pueblo Pottery Bowl, late 20th c., signed “Peggy Tafoya, Santa Clara”, height 2 1/2 in., diameter 3 1/4 in.

$200/300

W 1344. Three Pieces of Rookwood Art Pottery, comprising a teapot, c. 1893, decorated by Harriette Rosemary Strafer; a creamer, c. 1893, decorated by Helen Padobie Stuntz; and a small ewer, c. 1902, decorated by Jeannette Swing, each piece with standard glaze with ochre-brown ground and floral decoration, ewer height 6 1/2 in.

$500/700

W 1345. A Pair of Art Nouveau Copper and Gilt Metal Urns, weighted bases, one numbered, height 16 in.; together with an American cut glass and gilt bronze-mounted garniture vase, white marble base, height 11 1/4 in. (3 pcs.)

$200/400

W 1346. An Antique Venetian Glass Table Garniture, 19th c., comprising a compote, two tazzas, and 4 candlesticks, 3 applied swans on each stem, removable floral finials, compote height 9 in., diameter 11 in.; candlestick height with finial 17 in.

$800/1200

W 1347. A Pair of Continental Gilt and Patinated Bronze Blackamoor Candlesticks, each with feathered headdress, holding torchère, height 16 in., width 6 3/4 in., depth 6 in.

$600/900

W 1348. Two Metal Sculptures, including an articulated fish grasping a smaller fish in its jaw, extended length 18 1/2 in; and a songbird with removable cover perched on a prunus branch, height 7 1/4 in.

$300/500

W 1349. Three American Sterling Silver Cups, 19th c., including a Gorham, 1869, barrel form, height 3 3/4 in.; a Wood & Hughes, Aesthetic-style flat surface decoration, height 3 in.; and a smaller barrel form, height 3 in., marked “G. BUS(C)H” incuse on bottom, possibly George Bush, Easton, PA; together with two silverplate cups, combined weight (weighable) 11.25 troy ozs. (5 pcs.)

$300/400

W 1350. A Moroccan Carpet, wool flat weave stripes in red, purple and orange, with hooked diamond and cross patterns, 4 ft. 10 in. x 6 ft. 6 in.

$500/700

W 1351. A Panderma Prayer Rug, woven wool flat weave carpet with central vase overflowing with scrolling flowers flanked by a pair of Cyprus trees surrounded by a wide foliate and arborial border, 4 ft. 7 in. x 6 ft. 7 1/2 in.

$500/700

W 1352. A Wool Dhurrie Carpet, boldly patterned with dark green vines with salmon buds set within an overall cream field surrounded by salmon geometric meander border, 8 ft. 11 in. x 11 ft. 4 in.

$500/800

W 1353. An Antique Persian Runner, red ground with overall paisley pattern and white ground border, 16 ft. 4 in. x 3 ft. 9 in.

$700/1000

W 1354. An Antique Kilim Rug, vibrantly patterned with red, turquoise, brown and gold geometric overall designs, 10 ft. 5 in. x 6 ft.

$500/700

1355. A Large Kirman Carpet, c. 1950, ruby ground with blue and black repeating arborial motifs with peacock on cream ground, 11 ft. x 15 ft. 9 in.

$1800/2500

1339

1355


W 1356. A Kirman Carpet, c. 1960, muted green, rose and blue scrolling foliate designs on cream ground, 5 ft. 10 in. x 9 ft.

$700/1000

1357. A Persian Hamadan Carpet, geometric floral designs on shades of rose, cream and brown, 10 ft. 9 in. x 5 ft. 7 in.

$1800/2200

1358. A Persian Turkaman Carpet, geometric stylized floral patterns on red ground with border of red, tan and deep blue, 8 ft. 6 in. x 6 ft. 6 in.

$1400/1800

W 1359. A Pair of Contempo-rary Glass Table Lamps, each standard in the form of graduated spheres, with chrome collars, square plinth base, round white shades with sphere finial, height 27 in., diameter 13 in.

$200/300

1360. A Pair of Louis XV-Style Bronze Doré and Porcelain Three-Light Sconces, foliate backplate and arms entwined with variety of porcelain flowers, height 26 in., width 16 in., depth 7in.

$800/1200

W 1361. A Lynx Fur Trench Coat, leather belt.

$600/800W 1362. A Black Mink Full Length Coat.

$600/800

W 1363. A Polished Steel Staghead, of typical form, large antlers mount in the manner of Black Forrest examples, height 22 3/4 in., width 18 in., depth 9 1/4 in.

$500/700

1364. A Pair of Large Royal Vienna Cobalt, Gilt and Polychrome Decorated Vases, c. 1900, beehive mark, titles of allegorical scenes in iron red: Augustus & Cleopatra, Cupid & Cephisa, height 37 in., width 12 in., depth 10 in. Note: Restorations.

$1200/1800

1357

1364

1358

1360

236

1371. Colette Pope Heldner (American/New Orleans, 1902-1990), “Le Petit Theatre Courtyard, French Quarter”, oil on canvas, signed lower left, 20 in. x 36 in., framed.

$1000/1500

W 1372. Allison Stewart (American/New Orleans, b. 1941), “Irises”, pair of pastels on paper, one signed and inscribed “For Adelle” lower right, each 20 1/2 in. x 11 3/8 in., in matching frames.

$500/800

HWM W 1373. An American Union Thermoplastic Daguerreotype Case, c. 1857, by Peck & Halvorson, 1/4 plate, embossed with “The Capture of Major Andre”, after the painting by Asher B. Durand, engraved by F. Goll, converted to gilt brass “compact” case.

$200/300

W 1374. [New Orleans History], an ironstone platter from the Roosevelt Hotel, early 20th c., length 11 3/4 in., width 7 in.

$100/150


W 1375. A Match Italian Pewter-Mounted Ceramic “Convirio White” Center Bowl, labeled, height 6 3/8 in., width 17 in.

$200/400

W 1365. A Porcelain and Fabric Floral Diorama “A Breath of Paris”, attributed to Narcissa Niblack Thorne (1882-1966), label en verso, gesso and gilt frame, 23 1/2 in. x 20 1/2 in.

$700/900

Provenance: The home of Mrs. Jane Carson Myre, daughter of Luther F. Carson.

Note: Mrs. Thorne’s dioramas are found in several museum collection, including the Art Institute of Chicago.

W 1366. An American Mid-Century Modern Credenza, mid-20th c., paneled doors, tapered legs, height 31 in., width 36 in., depth 20 in.

$400/600

W 1367. Nestor Hippoyle Frugé (American/New Orleans, b. 1916), “French Quarter Street Scene” and “Cabin on the Bayou”, two watercolors, both signed lower left, each 15 in. x 11 in., framed as a pair.

$400/600

W 1368. Dorothy Kuester (American/New Orleans, mid-20th c.), “Brulatour Courtyard, French Quarter”, 1937, oil on canvas board, signed and dated lower right, 15 1/2 in. x 11 1/2 in., period frame.

$250/350

W 1369. Al Federico (American/New Orleans, 20th c.), “French Quarter Courtyard”, 1978, acrylic on masonite, signed and dated lower right, 20 in. x 16 in., framed.

$300/500

W 1370. Don Wright (American/Louisiana, 1938-2007), “On Night: Moonlit Cabin on the Bayou”, 1995, oil on canvas, signed, titled and dated en verso, 18 in. x 13 3/4 in., framed.

$500/800

W 1376. A Pair of Continental Carved Giltwood and Carved Soapstone Mirrors, surmounted by a phoenix, the scrolled frame with integral shelf displaying carved soapstone phoenix, height 30 1/4 in., width 14 1/2 in., depth 4 1/2 in.

$500/750

W 1377. An Art-Nouveau

Bronze-Mounted Sevres Porcelain Lidded Urn, late 19th c., marked Sèvres in underglaze blue, also stamped “France” on bronze base, with fine full-length portrait of a lady and sinuous foliate scroll decoration, height 19 in., diameter 5 in., “as is”.

$500/800

W 1378. A Continental Polychrome Porcelain Five-Light Chandelier, early-to-mid 20th c., standard and arms ending in bouquets, allover applied flowers, gilt highlights, height 39 in., diameter 23 in.

$200/400

W 1379. A Large Gilt Metal and Giltwood Five-Light Sconce, prism hung, electrified, height 30 in., width 53 in., depth 13 in.

$400/600

W 1380. A Cross Mink Full Length Fur Coat.

$600/800

W 1381. A Lynx Fur Coat, leather belt.

$500/700

W 1382. A Waist Length Lynx Fur Coat.

$500/700

1371


UPCOMING AUCTIONSSpring Estates Auction

May 4 & 5

Summer Estates Auction July 13 & 14

Autumn Estates Auction September 7 & 8

Louisiana Purchase Auction™ November 23 & 24

Name ��

Address ��

City ��

State �� ZIP Code ��

Check Visa MasterCard Discover AMEX

Card number ��

Expiration Date �� V-Code ��

Signature X ��

Annual subscription � � � � � � � � � � � � � � � � � � $125

International subscription� � � � � � � � � � � � � $325

Mail check and order form to:Neal Auction Company

4038 Magazine StreetNew Orleans, Louisiana 70115

or e-mail to: [email protected] fax to: 504-617-6539


✹SUBSCRIPTION ORDER FORM ✹

238

Notes

240

Notes


Headley-Whitney Museum

Founded by George Headley,

world-renowned jewelry and

bibelot designer.

Gem of the Bluegrass

The

4435 Old Frankfort Pike, Lexington, KY 40510 www.headley-whitney.org 859-255-6653

242

Important Bidding Information

All Absentee/Telephone bids for the Saturday and Sunday auction sessions must be received by

Friday, February 22 at 5 P.M. C.S.T.

For a Telephone Bid each item must have a

minimum low estimate of $500.

Visit www.nealauction.com

Please note that all of the terms and descriptions used in this catalogue are intended as qualified opinions only and are subject to the Condi-tions of Sale and Limited Warranty set forth elsewhere. Neal Auction Company assumes no express or implied warranty with respect to these terms and descriptions, and they shall not be construed to be a warranty, representation or assump-tion of liability. Subject to the fore-going, with respect to authorship of works of art, the following terms shall have the following meanings:

George Inness - In our qualified opinion, we believe the work is by the artist named.

Attributed to George Inness - In our qualified opinion, we believe the work may be ascribed to the art-ist named on the basis of style and period, but our opinion is less cer-tain than in the previous category.

Signed “George Inness” - In our qualified opinion, the signature, monogram or other indication of authorship is a signature of the art-ist.

School of George Inness - In our qualified opinion, the work is of the period of the artist named, by a stu-dent or a follower of the artist, but not by the artist.

Manner of George Inness - In our qualified opinion, although the work is in the style of the artist named, it is actually of a later period.

After George Inness - In our quali-fied opinion, the work is a copy of a known work of the artist named.

Bears signature “George Inness” - In our qualified opinion, although the work bears the signature or monogram of the artist, the work most likely is not that of the artist.

GLOSSARY OF TERMSWIRE

TRANSFER INFORMATION:

Capital One 313 Carondelet Street

New Orleans, LA 70130504-533-7223

ACCT# 026223628ROUTING #065000090

International Swift #HIBKUS44

243

A Charles Partridge Adams,

435Wayman Elbridge Adams,

393Tayo Adenaike, 1311Georges Ebrin Adingra,

1250John Akers, 1339American School, 428,

976, 1044, 1276, 1288, 1289

Ruth A. Anderson, 1268Asian School, 819John James Audubon,

408, 411-413Austrian School, 888

BMario Bachelli, 1252Leonard Barkin, 1341Phoebe Beasley. 1312James Carroll Beckwith,

479Valere Bernard, 1102Basil Besler, 489Huang Binhong (sig), 795Ricahard Evett Bishop,

1107Charles L. Boisset, 399Ferdinand Bol, 1026Alfred Thompson Bricher,

217William Henry Buck, 299,

471George Elbert Burr, 962Joseph Henry Bush (attr),

297

CXavier de Callatay, 1309Sir David Young

Cameron, 526Antonio Canova (aft), 63Antonio Carreno, 1338Mary Cassatt, 351, 352Castiglione (manner),

635George Frederick

Castleden, 971Elizabeth Catlett, 443Paul Cézanne, 35Marc Chagall, 889Charleston School, 958William Merritt Chase

(aft), 365Chinese Export School,

245Chinese School, 99-103,

719, 752, 758 Richard Clagne (aft), 460George Henry Clements,

395, 398, 405George Henry Clements

(attr) 975Achille Collas, 82Larry Winston Collins,

1340Continental School, 6,

37, 81, 544, 1028

George Esten Cooke, 461Washington Bogart

Cooper and William Brown Cooper, 454

George Joseph Amede Coulon, 1259-1260

Robert H. Cumming, 368William Curtis, 4

DElliot Daingerfield, 475-

477Jules-Aime Dalou (aft), 62Zhang Daqian (sig), 804Charles Francois

Daubigny, 346Herbert Dicksee, 956Arthur Vidal Diehl, 301Bertha Driver, 1270Alexander John Drysdale,

300, 387, 397, 403, 456, 968, 969, 978

George Bauer Dunbar, 446

Robin Durand, 1316, 1319

George Valentine Dureau, 438, 447

Dutch School, 1085Frank Duveneck, 369

EDaniel Giraud Elliot, 1032English School, 218,

1053, 1164, 1165

FMalaika Favorite, 1310Al Federico, 1369Giovanni Battista Ferrari,

486S. Fonceca, 523Franco-American School,

453French School, 66, 302,

338, 529, 954, 1030Nestor Hippoyle Fruge,

1367

GJean Garnier (aft), 1139Robyn Geddes, 1331Louis C. Girault, 460William Glackens, 441Arnold Marc Gorter, 527Xavier Gonzales, 1272Rolland Golden, 1294John Gould (aft), 951-

953Francis Grant (aft), 1167Angela Gregory, 380,

972Louis Oscar Griffith, 388,

963Guercino (manner), 525

HPhilip Leslie Hale, 433Colette Pope Heldner,

406, 1295, 1371Knute Heldner, 392, 970

William Hemmerling, 1251

Barbara Henry, 83Randall Henry, 1313Mercedes Herr, 1293Morris Henry Hobbs,

1253-1256Basil Holmes, 1209Emil Eugen Holzhauer,

404Song Huizong, 101Marie Atkinson Hull, 390,

966, 967, 979Clementine Hunter, 1262Sidney Hutter, 86Alfred Heber Hutty, 363

IIndian School, 89Jean Isy de Botton, 1206Italian School, 336

JJapanese School, 823,

826John Wesley Jarvis (attr),

298J.T.W. Jennings, 977

KGeorge Wilkins Kendall,

409Ida Rittenberg Kohlmeyer,

445Dorothy Kuester, 1368

LMartin Laborde, 1303,

1304Clarence John Laughlin,

432Ma Lin (sig), 100Karl-Lindermann-

Frommel, 1027Marvin Lipofsky, 87Carl Ludwig Thilson

Locher, 1269Pietro Longhi (manner),

1029

MJ.S. Marsh, 974Clementine Buchere

Martin, 1054Lawrence Mc Enaney,

1275William James “Jack”

McLarty, 1257James McGarrell, 1136,

1335Leo Meiersdorff, 1306,

1307Andrew W. Melrose, 474William Meyerowitz, 434Jack R. Meyers, 1263Jean Mich, 451James Michalopoulos,

439, 1317, 1318Leo Michelson, 1208Clarence Millet, 1257James Nathan Muir, 426A

Walter Tandy Murch, 367

NBruce Nelson,362William Nicholson, 1037

OThomas O’Den, 425Adriaen Jansz Van Ostade

(manner), 891

PJoseph Paulman, 1052Pheidias (aft), 82Pablo Picasso, 3, 364,

1036Niek Van der Plas, 1207Emile Louis Picault (aft),

545Linda Picker, 1271John D. Perry, 993Bela Lyon Pratt (aft), 992

RBeauregard A. Redmond,

1299Pierre Joseph Redouté,

347-350 Pierre Joseph Redouté

(aft), 890Wellington “Duke”

Reiter, 1336-1337Pierre-Auguste Renoir,

444Sir Joshua Reynolds (aft),

1166Charles Whitfield

Richards, 1305Rembrandt van Rijn (aft),

1033-1035Noel Rockmore, 1300-

1302George Rodrigue, 407Salvatore Rosa (style), 37Harry Herman Roseland,

472Robert M. Rucker, 427

SSadahiro (aft), 832Louise Sarrazin, 980Piat-Joseph Sauvage

(circle), 5Fred Grayson Sayre, 366Scottish School, 1210James Milton Sessions,

1258Samuel Seymour, 410H. Alvin Sharpe, 879-884Peter Sheppard, 579Katsukawa Shunko (aft),

832Frederick William Sievers,

457Pierre Jean Smet (aft),

955Henry Pember Smith, 216Hughie Lee Smith, 442Southern School (North

Carolina), 973

Spanish Colonial School, 478, 528

Joseph Stella, 440Will Henry Stevens, 396,

402, 437Allison Stewart, 1332-

1334, 1372William Banks Stewart,

1264-1266ASam Still, 1330Robert Matthew Sully,

964

TAlex Taller, 88, 120-123,

162-164Alex Taller (attr), 161Mathew Tarrell, 1314David Teniers the

Younger (manner), 524

John Teunisson, 863-867Bertel Thorvaldsen (aft),

1064Toyokuni III (aft), 832Helen Marie Turner, 394Arnold E. Turtle, 1267

VPaul Bernard Vera, 1290George Louis Viavant,

455George Louis Viavant (

aft), 1287Eugene Verboeckhoven,

1084Edouard Vuillard, 36

WWilliam Aiken Walker,

303, 459, 1261Augustus Weidenbach,

1273-1274Madeleine Rachel Holmes

Wells, 950Rosalie Roos Wiener, 965Patricia Whitty, 436Bror Anders Wikstrom,

385, 386Theodore “Fonville”

Winans, 429, 430Frederick de Wit

(follower), 314Jacob de Wit, 1Henry Wolfe, 365Thomas Waterman

Wood, 473Ellsworth Woodward,

400, 401, 1292William Woodward, 296,

384, 389, 391, 957, 959-961

Don Wright, 1291, 1370

YTommy Yow, 1315

Feb

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Auction Date: February 23 & 24, 2013

Neal Auction CompanyAuctioneers & Appraisers of Antiques & Fine Art4038 Magazine Street, New Orleans, Louisiana 70115504929 • Fax: 504708 • www.nealauction.com

SELECT:

All reports will be sent via Fax or email ❒ Fax ❒ Email

First Name: ______________________________________________ Last Name: __________________________________

Company: _____________________________ Address: ________________________________________________________

City: ___________________________________________ Prov/State__________________ Postal Code __________________

Home Ph.: (____)___________________ Work Ph.: (____)______________________ Fax:(____)_____________________

Email: ______________________________________________________

LOT # DESCRIPTION SPECIAL REQUESTS

Fax this form to 504-897-3808 on or before Wednesday, 02/21/13.

Condition Report Request Form Please Review Guidelines FoR Condition RePoRt Requests:

1. Items must have a minimum low estimate of $500. 2. Condition Reports will not be given verbally. 3. The Condition Reports Department is available to take requests two weeks prior to every auction. 4. Photo requests will only be processed for items not illustrated in our catalogue or on our website at

www.nealauction.com. Detail photos provided upon discretion. 5. Condition Report Requests should be submitted by facsimile to 504-897-3808 or via the online request form by

Wednesday, 02/21/13. 6. All property is sold “AS IS”. No statement regarding condition of any item, whether it is made orally at

the auction or any other time, or in writing in the catalogue or elsewhere, shall be deemed to be a warranty, representation or assumption of liability.

245

#

Confidential Absentee / Telephone Bid Form

I understand that Neal Auction Company undertakes the execution of absentee bids as a convenience for clients and is not responsible for inadvertent fail-ure to execute bids, or for any error in the execution of bids. I have read and agree to the “Conditions of Sale” as stated in the catalogue. I understand that a buyer’s premium will be charged on each lot purchased at 22% up to and including $200,000 plus 10% of the hammer price greater than $200,000. For purchase made by cash, check or wire transfer, the buyer’s premium shall be discounted 2.5% of this 22%. No exceptions.

✍ Signature Required Date

For Internal Use Only: Approved _____________Registered ___________ Entered ____________

Clerks Initial _______________ Account # _________________ Confirmed ______________________

Fax Form on or before Friday, 02/22/13 to 504-617-6431 or 504-617-9990

Neal Auction CompanyAuctioneers & Appraisers of Antiques & Fine Art4038 Magazine Street, New Orleans, Louisiana 70115504929 • Fax: 504708 • www.nealauction.com

Lot# Description Bid Amount $ or Telephone No.

1. Telephone bidding will be taken at the discretion of Neal Auction Company. Each item must have a low estimate of $500 or more. Absentee bids are gladly accepted for all items below $500.

2. All absentee bids and/or telephone bids must be in our gallery by 5 P.M. CST the Friday prior to the auction.3. In the event identical bids are submitted, the earliest bid received will take precedence. 4. A 25% deposit must accompany all bids. A credit card number is required for securing your bids.5. Auction addendum available prior to the auction on the website or via facsimile.6. All property is sold “AS IS”. No statement regarding condition of any item, whether it is made orally at the auction or any other time, or in

writing in the catalogue or elsewhere, shall be deemed to be a warranty, representation or assumption of liability.7. In the event of discrepancies, lot number and not lot description will take precedence.

First Last Name: _________________________ Name: ____________________________________ Company: __________________________

Address: ______________________________________________________________________________________________________

City: _____________________________________________ Prov/State _______________________ Postal Code ________________

Home Ph.: (_____)___________________ Work Ph.: (_____)______________________ Fax: (_____)_____________________

Dealer Resale# ________________________________ State __________ Email: __________________________________________________Dealers must provide Neal Auction Company with proper documentation prior to bidding.

MUST PROVIDE: Visa/MC/Discover/Amex_______________________________________ Exp: _______

Credit Card V-code:________ IF SUCCESSFUL, please bill my card.

☎ Number To Call For Phone Bid: (1) (____)__________________________ (2) (____)__________________________

MUST PROVIDE:

PaymentMethod:

Credit Card

CashCheckWire

13/02M

Please Review Guidelines FoR absentee & telePhone biddinG:

246 246

13/02M

Name: ________________________________________________________________________

#Neal Auction CompanyAuctioneers & Appraisers of Antiques & Fine Art4038 Magazine Street, New Orleans, Louisiana 70115504929 • Fax: 504708 • www.nealauction.com

page 2

For Internal Use Only:

Approved _______________________ Registered________________Entered ______________________

Clerks Initial ____________________ Account # _____________ Confirmed ______________________

Fax Form on or before Friday, 02/22/13 to 504-617-6431 or 504-617-9990

Lot# Description Bid Amount $ or Telephone

I understand that Neal Auction Company undertakes the execution of absentee bids as a convenience for clients and is not responsible for inadvertent fail-ure to execute bids, or for any error in the execution of bids. I have read and agree to the “Conditions of Sale” as stated in the catalogue. I understand that a buyer’s premium will be charged on each lot purchased at 22% up to and including $200,000 plus 10% of the hammer price greater than $200,000. For purchase made by cash, check or wire transfer, the buyer’s premium shall be discounted 2.5% of this 22%. No exceptions.

✍ Signature Required Date

247

CONDITIONS OF SALEPlacing a bid at auction constitutes buyer’s acceptance of and agreement to these Conditions of Sale.

1. WAIVER OF WARRANTY: All lots are sold “AS IS”. No statement regarding condition, kind, value, or quality of a lot, whether made orally at the auction or at any other time, or in writing in this cata-logue or elsewhere, shall be construed to be an express or implied warranty, representation, or assumption of liability. Any such warranty is WAIVED. Regarding works of art, Neal Auction Company does not make any express or implied warranty as to authorship. No statement in the catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED.

Buyer agrees and acknowledges that: (a) buyer is not relying on Neal Auction Company’s skill or judgment in selecting to purchase any lot; (b) no oral or written statements in the catalogue of Neal Auc-tion Company or elsewhere regarding condition, attribution, kind, quality, value or authorship are the cause of or reason behind buyer’s purchase of any lot; (c) buyer would have incurred the purchase of any lot regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (d) Neal Auction Company did not know and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why buyer decides to purchase any lot; (e) buyer’s purchase of any lot is not intended to gratify a nonpe-cuniary interest; and (f) Neal Auction Company did not know, nor should it have known, that any oral or written statement about a lot in the catalogue or elsewhere would cause a nonpecuniary loss to buyer.

Notwithstanding the foregoing WAIVER OF WARRANTY, agreements and acknowledgements, Neal Auction Company may in its sole discre-tion, but shall not be obligated to, consider any reasonable request for rescission of a sale on the basis of authenticity of authorship of a work of art under the following terms and conditions only, all of which must be met:

A. Neal Auction Company shall not grant rescission regarding lots identified by Neal Auction Company by the terms “attributed to,” “school of,” “manner of,” “after,” or “signature of.”

B. Neal Auction Company shall not grant rescission regarding any lot unless the buyer notifies Neal Auction Company in writing within a reasonable time from the date of the auction, and returns the lot to Neal Auction Company in the same condition that the lot was in at the time of sale.

C. Neal Auction Company shall not grant rescission regarding any lot unless the buyer presents to Neal Auction Company a written docu-ment signed by a recognized art expert acceptable to Neal Auction Company that the lot in question is a forgery.

D. Neal Auction Company shall not grant rescission to any person (including but not limited to the original buyer’s heirs, legatees, assigns, transferees, or subsequent purchasers) other than the origi-nal buyer, and any rights of the original buyer are not transferrable or assignable.

E. Neal Auction Company shall not grant rescission when: (i) there is a conflict of expert opinion as to the authorship; (ii) expert opinion supported authorship at the time of sale, although expert opinion may have changed after the date of sale; and (iii) scientific processes that were unavailable, expensive or impractical at the time of sale have revealed since the time of sale that the author or period Neal Auction Company believed to be accurate at the time of sale was inaccurate.

F. In any dispute between Neal Auction Company and buyer regard-ing authorship of a work of art, it is stipulated that rescission of the sale and refund of the price paid shall be the buyer’s sole recourse or remedy, if any is available, and Neal Auction Company shall not be responsible or obligated for any damages (including compensatory, general, incidental, exemplary or special damages), non-pecuniary losses, costs, expenses, injury, mental anguish, lost profits, attorney’s fees, or any other monetary or injunctive relief.

2. The auctioneer shall have absolute discretion in determining the suc-cessful bidder. At the fall of the auctioneer’s hammer, title to the offered lot will pass to the bidder acknowledged by the auctioneer. The bidder thereupon assumes full risk and responsibility and will pay full pur-chase price for the said lot.

3. The auctioneer may decide that any original bid is not commensurate with the value of the article offered, or that any advance thereafter is not of sufficient amount, he may reject the same.

4. The auctioneer reserves the right to withdraw any item at any time before the sale of the item.

5. No merchandise will be released before the end of the auction.6. If the buyer fails to comply with any of the conditions of sale, Neal

Auction Company reserves the right to hold such defaulting buyer li-able for the purchase price; to cancel the sale, retaining as liquidated damages any payment made by the buyer; resell the property without reserve at public auction or privately on seven days’ notice to the buyer or, take such other actions available by law as deemed necessary or appropriate. If Neal Auction Company resells the property, the origi-nal defaulting buyer shall be liable for the payment of any defi-ciency in the purchase price and all costs and expenses, including warehousing, the expenses of both sales, reasonable attorneys’ fees, commissions, incidental damages and all other charges due hereunder.

ABSENTEE/TELEPHONE BIDS1. All absentee bids and/or telephone bids must be in our gallery by

5 P.M. CST the Thursday prior to the auction. 2. All arrangements for bidding should be made as early as possible. Tele-

phone bidding will be taken at the discretion of the Neal Auction Company. Each item must have a minimum low estimate of $500.

3. We assume no responsibility for failure to execute bids for any reason whatsoever.

4. We reserve the right to require that advance bids be accompanied by a 25% deposit.

PAYMENT1. The successful bidder agrees to pay a buyer’s premium in the amount

of 22% of the hammer price on each lot up to and including $200,000, plus 10% of the hammer price greater than $200,000. For purchases made by cash, check or wire transfer, the buyer’s premium shall be discounted 2.5% of this 22%.

2. Unless exempt by law, the purchaser will be required to pay Louisiana and local taxes, and, if applicable, any federal luxury or other tax, on the total purchase price.

3. Documentation of tax exemption must be provided upon registra-tion.

4. Payment in full must be made by the successful bidder within ten days of the auction date. Interest charges will apply to invoices paid after this period expires. We reserve the right to require payment in full of the sales price at the moment of the successful bid.

5. VISA, MasterCard, Discover and American Express are accepted for invoices up to $25,000 per customer.

LIVE INTERNET BIDDINGLive internet bidding is available through Live Auctioneers at a buyer’s premium in the amount of 23% of the hammer price. See www.liveauctioneers.com

TERMSAny customer not accredited by Neal Auction Company must present a letter of reference from their bank or other suitable source acceptable to Neal Auction Company. Neal Auction Company requests that the mer-chandise be held on premises until the check clears or money can be wired into the Neal Auction Company account.

SHIPPINGWe will assist buyers in making shipping arrangements by furnishing information on packers and shippers. Handling of purchased lots by us is at the risk of the purchaser. Final shipping arrangements and agreements are strictly between the buyer and the shipper.

STORAGEWe will be glad to store certain items purchased at auction until trans-portation is arranged. Unless other arrangements are made and con-firmed in writing, all items must be removed within one week of the auction. On the first business day following that time period, merchan-dise remaining in the gallery will be turned over to a storage facility. The owner will be responsible for handling and storage costs. Handling costs will be a minimum of $50. Storage rates will carry a minimum charge of $15 per month. For a list of our storage charges by item category, please ask our customer service personnel at the front desk area. All items han-dled or stored will be at the purchaser’s risk. Storage charges are billed monthly and must be paid before merchandise is released. We are not li-able for any damage to merchandise after the sale.

248

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ADMINISTRATIONDirector of Administration & Finance Michelle LeBlanc Leckert, CAIDatabase Manager/Assistant to Director Jackie HernandezClient Services Johanna DarilekDatabase/Administrative Assistant Lisa Weisdorffer

GENERAL MANAGER Jason Leckert

GRAPHICSArt Director Emory Nolan

Catalogue Design Carolyn Finnell

Photography Jason Leckert Tom Simpson Reneé Gautreaux

OPERATIONSDirector of Operations Charles Lee

Operations Staff Sol Carter Charlie Clay Kelvin Gibson Thomas Johnson Jerry Majors

EXHIBITION STAFF

Sybil Lawson Carolyn Wogan Cammie Mayer Clare Stewart Ann Mahorner Cecile Ballard Mimi Abbott

AUCTIONEERS Neal Alford #797

Michelle LeBlanc Leckert #1514

John R. NealChairman

CONSIGNMENTSDirector of Furniture & Decorative Arts Neal Alford; Rachel WeathersDirector of Research Douglas Lewis, Ph.D., F.A.A.R.Director of Consignments, Books & Manuscripts Marc FaganDirector of Paintings, Prints & Photography Rachel WeathersAssociate Director of Consignments Leslee GarfieldSilver & Decorative Arts Katherine HovasInventory Coordinator Steven G. RutledgeFine Arts Amie StricklandAsian Arts Bettine Field Carroll

AUCTION SERVICESDirector of Business Development Bettine Field CarrollTrust & Estates Advisor Henry G. McCallSenior Appraiser Fine Arts Amanda Mantle WinsteadAppraisals Rachel Weathers Marc FaganMuseum Services Douglas Lewis, Ph.D., F.A.A.R.

CATALOGUE CONSULTANTSPaintings and Fine Arts Claudia KheelFurniture & Decorative Arts Doris MollenkopfNewcomb Pottery & Decorative Arts Sally MainSilver Carey Mackie-AlsobrookDecorative Arts & Victoriana Ann M. MassonFine & Decorative Arts Linda StubbsAsian Arts Richerson Rhodes

Neal AlfordPresident

Katherine HovasSenior Vice President

Michelle LeBlanc Leckert, CAIVice President

Front Cover (detail):

Chinese School, “Swans beneath Winter Willow,” ink and color on silk, two seals, mounted with a calligraphy panel, together 76 3/4 x 38 1/2 in., scroll, Prov.: Parke-Bernet Galleries, Dec. 1967,

attr. Ma Lin (1180-1256); G. W. Headley; Headley-Whitney Museum.

Back Cover (detail):

Suite of Four Rococo Monochrome Overdoors, “Putto Personification of Comedy and Tragedy, with Lyric and Melodic Music,” mid-18th c., o/c, each 28 x 43 ½ in.

This Page:

Ida Rittenberg Kohlmeyer (American/New Orleans, 1912-1997), “Transverse #3,” 1974, oil and graphite/c, sd., 56 ½ x 60 ½ in.

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Neal AuctionWinter Estates Auction

February 23 & 24, 2013

february 23 & 24, 2013 winter estates auction

Documents