fair use & critical commons
DESCRIPTION
Presentation from the 2008 New Media Consortium conference on Fair use in media education.TRANSCRIPT
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Fair Ripping: Media in the Classroom
Steve Anderson + Holly WillisInstitute for Multimedia LiteracyUSC School of Cinematic Arts
6.13.2008 New Media Consortium
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-Lawrence Lessig
“Fair use is not the right to use copyrighted materials, it’s the right to hire a lawyer.”
Fair Use Sucks!
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Conversations about Fair Use should not be solely the domain of experts (i.e., lawyers and technologists)
We also need to hear from people who depend on fair use for everyday cultural practices:
-Educators-Media makers
-Librarians-Students
-Fans
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Polarization of discourse surrounding copyright
Rhetorical
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Polarization of discourse surrounding copyright
Legal
QuickTime™ and aTIFF (LZW) decompressor
are needed to see this picture.
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Polarization of discourse surrounding copyright
Technical
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Polarization of discourse surrounding copyright
Cultural
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Polarization of discourse surrounding copyright
Cultural
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Polarization of discourse surrounding copyright
Cultural
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Polarization of discourse surrounding copyright
Cultural
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Is there a role for civil disobedience?
http://www.negativland.comhttp://www.greytuesday.org
Is there a role for electronic civil disobedience?
http://www.geocities.com/frankentoons
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Abuse of Power
http://www.youwouldnt.nethttp://www.respectcopyrights.com
MPAA: Piracy It’s a Crime Abuse of Power (2006)
Who are the real pirates?
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Faden / Maloney
A Fair(y) Use TaleEric Faden
Gimme the MermaidNegativland & Tim Maloney
What kind of access to culture do we want?
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Berkman Center for Internet & SocietyHarvard Law School
http://cyber.law.harvard.edu
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The Digital Learning Challenge: Obstacles to Educational Uses of Copyrighted Material in the Digital
Age (2006)
Lack of clarity
Digital Rights Management
Impracticality of licensing
Undue gatekeeping
-William Fisher & William McGeveran
Berkman Center for Internet and Society
http://cyber.law.harvard.edu/media/files/copyrightandeducation.html
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What’s the problem?
Fear
Confusion
Lack of support
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What’s the solution?
Get informed
Get connected
Get active
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Top Ten Reasons to be hopeful about Fair Use
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Top Ten Reasons to be hopeful about Fair Use
10. The more you know, the less scared you are
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Critical Commons
Critical Commonshttp://criticalcommons.org
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Top Ten Reasons to be hopeful about Fair Use
10. The more you know, the less scared you are
9. The Digital Millennium Copyright Act (DMCA) safe harbor
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YouTomb
YouTombhttp://youtomb.mit.edu
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Top Ten Reasons to be hopeful about Fair Use
10. The more you know, the less scared you are
9. The Digital Millennium Copyright Act (DMCA) safe harbor
8. Sharing is good business
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Prelinger
Prelinger Collection at Internet Archivehttp://archive.org
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Top Ten Reasons to be hopeful about Fair Use
10. The more you know, the less scared you are
9. The Digital Millennium Copyright Act (DMCA) safe harbor
8. Sharing is good business
7. Digital Rights Management (DRM) doesn’t work
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Defective by design
Defective by Designhttp://defectivebydesign.org
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Top Ten Reasons to be hopeful about Fair Use
10. The more you know, the less scared you are
9. The Digital Millennium Copyright Act (DMCA) safe harbor
8. Sharing is good business
7. Digital Rights Management (DRM) doesn’t work
6. Aggressive tactics of MPAA and RIAA radicalizing consumers
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Chilling effects
Chilling Effectshttp://www.chillingeffects.org
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Top Ten Reasons to be hopeful about Fair Use
10. The more you know, the less scared you are
9. The Digital Millennium Copyright Act (DMCA) safe harbor
8. Sharing is good business
7. Digital Rights Management (DRM) doesn’t work
6. Aggressive tactics of MPAA and RIAA radicalizing consumers
5. Mainstreaming of participatory culture and peer networks
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Wikipedia / Long Tail
Wikipediahttp://www.wikipedia.org
The Long Tailhttp://www.thelongtail.com
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Top Ten Reasons to be hopeful about Fair Use
10. The more you know, the less scared you are
9. The Digital Millennium Copyright Act (DMCA) safe harbor
8. Sharing is good business
7. Digital Rights Management (DRM) doesn’t work
6. Aggressive tactics of MPAA and RIAA radicalizing consumers
5. Mainstreaming of participatory culture and peer networks
4. Vibrancy of remix culture
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DIY
24/7: DIY Video Summithttp://www.video24-7.org
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Top Ten Reasons to be hopeful about Fair Use
10. The more you know, the less scared you are
9. The Digital Millennium Copyright Act (DMCA) safe harbor
8. Sharing is good business
7. Digital Rights Management (DRM) doesn’t work
6. Aggressive tactics of MPAA and RIAA radicalizing consumers
5. Mainstreaming of participatory culture and peer networks
4. Vibrancy of remix culture
3. Open source movements
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Open source software
From open source software…
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Open education
…to open education
http://ocw.mit.edu
http://www.oercommons.org
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Top Ten Reasons to be hopeful about Fair Use
10. The more you know, the less scared you are
9. The Digital Millennium Copyright Act (DMCA) safe harbor
8. Sharing is good business
7. Digital Rights Management (DRM) doesn’t work
6. Aggressive tactics of MPAA and RIAA radicalizing consumers
5. Mainstreaming of participatory culture and peer networks
4. Vibrancy of remix culture
3. Open source movements
2. Media and learning
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MacArthur Foundation: Digital Media & Learninghttp://www.macfound.org
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Critical Commons
Critical Commonshttp://criticalcommons.org
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Top Ten Reasons to be hopeful about Fair Use
10. The more you know, the less scared you are
9. The Digital Millennium Copyright Act (DMCA) safe harbor
8. Sharing is good business
7. Digital Rights Management (DRM) doesn’t work
6. Aggressive tactics of MPAA and RIAA radicalizing consumers
5. Mainstreaming of participatory culture and peer networks
4. Vibrancy of remix culture
3. Open source movements
2. Media in education
1. It sucks
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Unhappy Birthdayhttp://www.unhappybirthday.com
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Confu
CONFU | 1996
FAIR USE GUIDELINES FOR EDUCATIONAL MULTIMEDIA
NONLEGISLATIVE REPORT OF THE SUBCOMMITTEE ON COURTS AND INTELLECTUAL PROPERTY COMMITTEE ON THE JUDICIARY US HOUSE OF REPRESENTATIVES
4.2.2 Text MaterialUp to 10% or 1000 words, whichever is less, in the aggregate of a copyrighted work consisting of text material may be reproduced or otherwise incorporated as part of a multimedia project created under Section 2 of these guidelines. An entire poem of less than 250 words may be used, but no more than three poems by one poet, or five poems by different poets from any anthology may be used. For poems of greater length, 250 words may be used but no more than three excerpts by a poet, or five excerpts by different poets from a single anthology may be used.
Should Fair Use look like this?
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CSM / Duke
http://www.law.duke.edu/cspd/comics
Or like this?
http://www.centerforsocialmedia.org/resources/publications/
statement_of_best_practices_in_fair_use
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Center for social media
Center for Social Mediahttp://www.centerforsocialmedia.org
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Electronic frontier
Electronic Frontier Foundationhttp://www.eff.org
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Creative Commons
Creative Commonshttp://creativecommons.org
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Participatory Culture
Participatory Culture Foundationhttp://participatoryculture.org
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Free culture
Free Culturehttp://freeculture.org
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Transformative Works
Organization for Transformative Workshttp://www.transformativeworks.org
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Project remix
Project Remix | Disney-ABC & USC Cinematic Arts | 2007
QuickTime™ and aTIFF (Uncompressed) decompressor
are needed to see this picture.
Creative Commons Chair, Joi Ito after meeting with executives at Disney-ABC