6 January – EYA; Allison Mondel, Kristen Dubenion-Smith & Cross-ley Hawn; medieval chant and polyphony for Christmas & Epiphany-tide from this exquisite DC-based vocal trio.

13 January – Noah Getz, Saxophone & Manny Ar-cinega, percussion; A contemplation of pushing boundaries in music by Steve Reich, Louis Andriessen and Motown.

20 January – The Beau Soir Ensemble; Carrie Rose, flute Jennifer Ries, viola Michelle Myers Lundy, harp in music by Leclair and Ibert.

27 January – The Marquis Trio; Rich Kleinfeldt saxophone, Igor Zubkovsky cello, Diane Winter Pyles piano offering music Beethoven, Bartok and neglected Frenchman Vincent d'Indy.

3 February – Brooke Evers, soprano, Stephanie Gustafson, harp, Jeremy Filsell, piano in music by Purcell, Britten, Ravel and Ned Rorem.

10 February – Deborah Lee, piano plays Mozart, Chopin and Schumann’s cycle ‘Kreisleriana’ Op. 16.

17 February – Corda Nova Ensemble; Edmond Chan, violin Amy Domingues, viola da gamba Anthony Harvey, theorbo; 17th century music from

France, Germany, and Italy.

24 February – Alexandra Katelyn Mills, harp; this award-winning harpist plays music by Paul Hindemith and Debussy.

3 March –Washington Bach Consort, J. Reilly Lewis, Music Director Cantata: Herr Jesu Christ, wahr’ Mensch,

BWV 127; Prelude and Fugue in D Major, BWV 532 with Julie Huang, organ

10 March –Elizabeth Adams, violin Sam Post, piano: Schubert, Shostakovich and Schnittke — ‘Subversive Geniuses’.

17 March – The US Air Force String Orchestra plays Romantic masterworks for Strings.

24 March – Sarah Biber, cello Jeremy Filsell, piano perform Rachmaninov’s epic Sonata in G minor Op. 19 for cello and piano.

31 March – Rebecca Kellerman Petretta &

Katelyn Aungst, sopranos Jeremy Filsell continuo: Introspective and melismatic polyphonic music for Holy Week: François Couperin’s Leçons de Ténèbres.

3 April, Good Friday at 6:00PM – Marcel Dupré Le Chemin de la Croix Op. 29 – Jeremy Filsell, organ & Bard Wickkiser, narrator: the Stations of the Cross — a meditative Good Friday musical offering with the poetry of Paul Clau-del (French Ambassador to Washing-ton DC, 1928-33).

7 April – Washington Bach Consort, J. Reilly Lewis, Music Director Cantata: Siehe zu, daß deine Gottesfurcht, BWV 179; Fantasia in G Major, BWV

572 with William Neil, organ

14 April – Douglas Buchanan, organ; ‘Welkinharmonie’; translated as ‘sky-sounds’ or ‘heaven-music,’ this music draws inspiration from the organ masses of Bach and Couperin, and explores the mythic triad of Crea-tion, Preservation and Destruction.

21 April – Rachel Evangeline Barham, soprano; James Rogers, baritone Jeremy Filsell, piano in ‘The Foolest Month’: a program of comic and novelty songs from the 19th and 20th centuries.

28 April – Soyoon Yim, piano Albert Hunt, clari-net Rachelle Betancourt, violin: ‘Defining New Boundaries’: music by Schumann & Stravinsky.

5 May –Washington Bach Consort, J. Reilly Lewis, Music Director Cantata: Wachet! betet! betet! wachet! BWV 70;

Prelude and Fugue in A Minor, BWV 543 with Todd Fickley, organ

12 May – Hyewon Lee Gessner, piano plays Schubert’s masterpiece Sonata in A major D. 959.

19 May – The Ars Nova Brass Ensemble offers an eclec-

tic mix and sonic feast of music for brass ensemble.

26 May – Sarah Rose Taylor, soprano Nigel Potts, organ: a concert which includes Nigel Potts’ transcriptions of Elgar’s Sea Pictures, Wagner’s Wesendonck Lieder and Mélodies by Reynaldo Hahn.

2 June – Jeremy Filsell, piano Mark Willey, organ: music by Frenchman Louis Vierne on the eve of the 78th anniversary of his death, including the Poème Op. 50 for piano & organ.

9 June – Mary Findlay, violin plays selected Sonatas & Parti-tas for solo violin by J. S. Bach.

16 June – Anna Nizhegorodtseva, piano plays Beethoven, Tchaikovsky and Scriabin’s transcendent Sonata no.4 in F# major.

23 June – Serenade: Michelle La Porte, flute Gerry Saulter, guitar in lyrical music from Argentina, Brazil and Italy.

30 June – MAGNIFICAT sings Monteverdi: Philip Cave directs his professional and award-winning British Early Music Ensemble in madri-gals & motets by the early baroque master.