everymaneveryman “how transytory we be all daye”

23
Everyman Everyman How transytory we be all daye” How transytory we be all daye”

Upload: alfred-bryan

Post on 28-Dec-2015

225 views

Category:

Documents


0 download

TRANSCRIPT

Page 1: EverymanEveryman “How transytory we be all daye”

EverymanEverymanEverymanEveryman

““How transytory we be all How transytory we be all daye”daye”

““How transytory we be all How transytory we be all daye”daye”

Page 2: EverymanEveryman “How transytory we be all daye”

EverymanEverymanEverymanEveryman

Critical Terms

Everyman: history; form

The Allegorical plot of Everyman

Critical Terms

Everyman: history; form

The Allegorical plot of Everyman

http://www.theatrehistory.com/medieval/everyman001.html

Page 3: EverymanEveryman “How transytory we be all daye”

Critical TermsCritical TermsCritical TermsCritical Terms

Miracle Play or Mystery Play

Morality Play

Allegory

Miracle Play or Mystery Play

Morality Play

Allegory

Series of images from Hans Holbein’s Dance of Death: http://homepage.mac.com/mseffie/assignments/everyman/everymansg.html

Page 4: EverymanEveryman “How transytory we be all daye”

Miracle Play or Mystery Miracle Play or Mystery PlayPlay

Miracle Play or Mystery Miracle Play or Mystery PlayPlay

A form of medieval drama which dramatized the liturgy of the Roman Catholic Church that reached its height in the 15th century. Written in Latin, the play was preceded by a prologue or by a herald who gave a synopsis and was closed by a herald's salute. When control of the plays passed from the clergy into the hands of the town guilds in 1210, and various changes ensued: vernacular language replaced Latin, and scenes were inserted that were not from the Bible. The acting became more dramatic as characterization and detail became more important.

A form of medieval drama which dramatized the liturgy of the Roman Catholic Church that reached its height in the 15th century. Written in Latin, the play was preceded by a prologue or by a herald who gave a synopsis and was closed by a herald's salute. When control of the plays passed from the clergy into the hands of the town guilds in 1210, and various changes ensued: vernacular language replaced Latin, and scenes were inserted that were not from the Bible. The acting became more dramatic as characterization and detail became more important.

Page 5: EverymanEveryman “How transytory we be all daye”

http://www.anglistik.uni-freiburg.de/intranet/englishbasics/DramaTypesofStages01.htm

Page 7: EverymanEveryman “How transytory we be all daye”

http://www.waits.org.uk/festival2.html

Page 8: EverymanEveryman “How transytory we be all daye”

http://www.assemblyrooms.org.uk/history/boughton/everyman.html

Page 10: EverymanEveryman “How transytory we be all daye”

http://www.dundee.ac.uk/english/everyman.htm

Page 11: EverymanEveryman “How transytory we be all daye”

Morality PlayMorality PlayMorality PlayMorality PlayThe "moralities" were a fairly rich, late medieval genre encouraged by the church and civil authorities because they taught social and moral values through amusing dramatic actions. Morality characters are allegorical, and the plot's action must be interpreted as teaching something about the human condition. The form was generally static. The moralities were performed by troupes of actors, outdoors with rudimentary costumes and scenery, before an audience of people from all social classes. They also might have been staged as travelling shows on a "pageant wagon." They contributed significantly to the secularization of European drama.

The "moralities" were a fairly rich, late medieval genre encouraged by the church and civil authorities because they taught social and moral values through amusing dramatic actions. Morality characters are allegorical, and the plot's action must be interpreted as teaching something about the human condition. The form was generally static. The moralities were performed by troupes of actors, outdoors with rudimentary costumes and scenery, before an audience of people from all social classes. They also might have been staged as travelling shows on a "pageant wagon." They contributed significantly to the secularization of European drama.

Page 12: EverymanEveryman “How transytory we be all daye”

The Seven Deadly Sins and the The Seven Deadly Sins and the Seven Cardinal VirtuSeven Cardinal Virtueses

The Seven Deadly Sins and the The Seven Deadly Sins and the Seven Cardinal VirtuSeven Cardinal Virtueses

The Sins: Envy, Anger, Sloth, Greed, Gluttony, Lust, Pride

The Virtues: Love, Kindness, Zeal, Charity, Temperance, Self-Control, Humility

The Sins: Envy, Anger, Sloth, Greed, Gluttony, Lust, Pride

The Virtues: Love, Kindness, Zeal, Charity, Temperance, Self-Control, Humility

http://www.godecookery.com/macabre/holdod/holdod28.htm

Page 13: EverymanEveryman “How transytory we be all daye”

AllegoryAllegoryAllegoryAllegory

A symbolic story that serves as a disguised representation for meanings other than those indicated on the surface. The characters in an allegory often have no individual personality, but are embodiments of moral qualities and other abstractions.

A symbolic story that serves as a disguised representation for meanings other than those indicated on the surface. The characters in an allegory often have no individual personality, but are embodiments of moral qualities and other abstractions.

Page 14: EverymanEveryman “How transytory we be all daye”

EverymanEverymanEverymanEveryman

After 1485

4 printed copies, different editions, 1508—1537

Regularly performed

Possibly a translation of a Dutch play, Elckerlijk

After 1485

4 printed copies, different editions, 1508—1537

Regularly performed

Possibly a translation of a Dutch play, Elckerlijk

http://www.godecookery.com/macabre/holdod/holdod35.htmImage over: http://www.kb.nl/galerie/100hoogtepunten/029-en.html

Page 15: EverymanEveryman “How transytory we be all daye”
Page 16: EverymanEveryman “How transytory we be all daye”

FormFormFormForm

Rhyming verse in irregular meter and rhyme scheme, but tending toward rhyming couplets in four- or five-stress lines that often would be, if smoothed out, reasonable iambic tetrameter and iambic pentameter.

Rhyming verse in irregular meter and rhyme scheme, but tending toward rhyming couplets in four- or five-stress lines that often would be, if smoothed out, reasonable iambic tetrameter and iambic pentameter.

Page 17: EverymanEveryman “How transytory we be all daye”

“Nothing in the play is extraneous to the central homiletic* purpose.”“Nothing in the play is extraneous to the central homiletic* purpose.”

*Homily: A sermon, especially one intended to edify a congregation on a practical matter and not intended to be a theological discourse. An inspirational saying or platitude.American Heritage Dictionary

Page 18: EverymanEveryman “How transytory we be all daye”

The Allegorical Plot of The Allegorical Plot of EverymanEveryman

The Allegorical Plot of The Allegorical Plot of EverymanEveryman

Messenger God Death Death demands the account book from Everyman and tells him to prepare for his Pilgrimage

Messenger God Death Death demands the account book from Everyman and tells him to prepare for his Pilgrimage

http://www.godecookery.com/macabre/holdod/holdod23.htm

Page 19: EverymanEveryman “How transytory we be all daye”

Everyman loses his companions     Fellowship     Kindred and Cousin     Goods

Everyman loses his companions     Fellowship     Kindred and Cousin     Goods

http://www.godecookery.com/macabre/holdod/holdod39.htm

Page 20: EverymanEveryman “How transytory we be all daye”

Good Deeds (bound to the ground by Everyman's sins, l 486) Everyman's penance     Confession     Knowledge (or contrition, Knowledge of sin)     "Scourge of Penance" (l 605) Everyman's good deeds are liberated (l 619) Knowledge gives Everyman a "garment of sorrow" (l 643) Knowledge advises Everyman to seek out a priest and receive extreme unction (l 706)

Good Deeds (bound to the ground by Everyman's sins, l 486) Everyman's penance     Confession     Knowledge (or contrition, Knowledge of sin)     "Scourge of Penance" (l 605) Everyman's good deeds are liberated (l 619) Knowledge gives Everyman a "garment of sorrow" (l 643) Knowledge advises Everyman to seek out a priest and receive extreme unction (l 706)

Page 21: EverymanEveryman “How transytory we be all daye”

Digression on the priesthood Everyman's bodily progress toward death: He loses     Beauty     Strength     Discretion     Five-Wits Knowledge remains until he sees where Everyman "shall become" (l 863)

Digression on the priesthood Everyman's bodily progress toward death: He loses     Beauty     Strength     Discretion     Five-Wits Knowledge remains until he sees where Everyman "shall become" (l 863)

Page 22: EverymanEveryman “How transytory we be all daye”

Everyman and Good Deeds Descend into the Grave Knowledge hears the Angels sing The angel welcomes Everyman and tells him his "reckoning is clear"

Doctor recounts the Moral

Everyman and Good Deeds Descend into the Grave Knowledge hears the Angels sing The angel welcomes Everyman and tells him his "reckoning is clear"

Doctor recounts the Moral

http://www.godecookery.com/macabre/holdod/holdod48.htm

Page 23: EverymanEveryman “How transytory we be all daye”