evam indrajith
DESCRIPTION
A note on the techniques of a street play from the Indian street drama by Badal SarcarTRANSCRIPT
YOUR LIFE IN 3 ACTS
STREET PLAY
It’s a outdoor performance, conducted in places of mass gatherings.
It has simple costumes, props and amplification of sound and actors depend
on their vocals.
May include Mimes, Dances and Comedies.
Must possess simple language.
Famous personalities includes Robin Williams (Flubber), David Bowie and so on.
1. NO MAKE UP pg 7 Stage Direction (suddenly … no special
make-up …)
2. GRABBING ATTENTION pg 30
Vimal. [loudly.] Hareesh…Indrajit. [Loudly.]
Hareesh…
3. NO STAGE DECORATION pg 3 a table, a chair, the writer & audience in the front.
pg 30 an office, chairs in rows, a big chair, a big table with a telephone.
4. ACTOR AUDIENCE ASSOCIATION
pg 4 calling out actors from the common crowd
pg 28 (how long…?)
pg 36 (Yes! Marriage!...)
5. HUMOR pg 5 in Calcutta
pg 12 – 123123212345645654567
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6. MUSIC Simple music of percussion instruments or
made of animal’s skin.
pg 7 (suddenly music drowns…)
pg-9 (repetitive pattern on the tabla…)
Pg 36 (marriage music…)
dampati, jampati, jayapati
7. VOICES OR THE CHORUS
PG 6 (Amal, Vimal, Kamal and Indrajit. V, K & I. K & I. & I. I.I.I.)
PG 11 (1231232123123212345645654564565456789
78987897898789987654321)
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8. THEMES OF A STREET PLAY
Social awareness, morality, social issues and
so on.
Our Street Play deals with your/our lives in school,
office and marriage.
9. ROLE CHANGE
pg 33 the writer becoming the boss
pg 33 Manasi becomes a Secretary
FINALLY. EDU TAINMENT
Educating about our/your mechanical life,
Entertainment in a light heartedway.
THANK YOU XELANS