encryption and decryption of the alphabetical hieroglyphs

7/28/2019 Encryption and Decryption of the Alphabetical Hieroglyphs

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Encryption and Decryption of the Alphabetical Hieroglyphsjwr

public domainin the United States, copied from Wikipedia's pageUpsilon1

Intro to one of the vowels

Upsilon is known as the Pythagoras' letter, or the Samian letter, because Pythagorasused it as anemblem of the path of virtue or vice. Lactantius, an early Christian author ca. !"# $ ca. %!#&, refersto this as follows!

()herefore all this discussion respecting the two ways has reference to frugalityand luxury.*or they say that the course of human life resembles the letter Y, because every one of men,when he has reached the threshold of early youth, and has arrived at the place (where theway divides itself into two parts,+ is in doubt, and hesitates, and does not know to whichside he should rather turn himself.%+

)his idea interested me and decided to see where the idea had been discussed. -f course myinterest also had been based on the encryption and decryption of the ideas behind the vowels. ndof all vowels the / had been the hardest nut to be cracked.

0 page of the work Champ *leuryauquel est contenu l'art et science de la deue et vraye proportio des lettres ...! from Wikipedia's pageUpsilon% Wikisource: The ivine !nstitutes. pp. 1ook 2 Chapter . translated "yWilliam #letcher

#ig. 1: $eoffroy Tory%1&()*1+(- psilon
http://de.scribd.com/jwr47http://commons.wikimedia.org/wiki/Public_domainhttp://en.wikipedia.org/wiki/Upsilonhttp://en.wikipedia.org/wiki/Upsilonhttp://en.wikipedia.org/wiki/Upsilonhttp://en.wikipedia.org/wiki/Pythagorashttp://en.wikipedia.org/wiki/Lactantiushttp://gallica.bnf.fr/ark:/12148/bpt6k50961phttp://gallica.bnf.fr/ark:/12148/bpt6k50961phttp://en.wikipedia.org/wiki/Upsilonhttp://en.wikipedia.org/wiki/Upsilonhttp://en.wikisource.org/wiki/Ante-Nicene_Fathers/Volume_VII/Lactantius/The_Divine_Institutes/Book_VI/Chap._IIIhttp://en.wikisource.org/wiki/Author:William_Fletcherhttp://en.wikisource.org/wiki/Author:William_Fletcherhttp://en.wikipedia.org/wiki/Geoffroy_Toryhttp://en.wikipedia.org/wiki/Geoffroy_Toryhttp://gallica.bnf.fr/ark:/12148/bpt6k50961phttp://commons.wikimedia.org/wiki/Public_domainhttp://en.wikipedia.org/wiki/Upsilonhttp://en.wikipedia.org/wiki/Upsilonhttp://en.wikipedia.org/wiki/Pythagorashttp://en.wikipedia.org/wiki/Lactantiushttp://en.wikisource.org/wiki/Ante-Nicene_Fathers/Volume_VII/Lactantius/The_Divine_Institutes/Book_VI/Chap._IIIhttp://en.wikisource.org/wiki/Author:William_Fletcherhttp://de.scribd.com/jwr47


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Upsilon as a diphthong

n the comment to Wikipedia's page Upsilonit is said that

()he man on the left side of the drawing plummeting into the fire is what was known in theclassical tradition as afalling&diphthong+.

1ut what is supposed to befalling the manor the diphthong/3

found some answers to the falling diphthong in Upsilon 4 Pronunciation

Upsilon participated as the second element in falling diphthongs, which have subse5uentlydeveloped in various ways for instance after alpha or epsilon it is pronounced 6f7 or 6v7.

)his however could not be understood from (a man who was plummeting into the fire...+.

)o find out some more about the original drawing had to read the Champ *leuryin *rench, whichis rather difficult if most of the linguistic redundancy had been lost in the scanning procedure.

Champ Fleury - the art of designing letters8aving found the image immediately understood the illustration dated 09!:& in which the road toluxuryis an easy road to the left4sided /4branch with meat and wine, which is leading the studentsinto hell's abyss $ and not a falling diphthong /.

n contrast the road to frugalityat theright side is thorny and hard. )he traveler student will beattacked by three howling, wild animals named!nvidia%envy-, Super"ia%vanity- and/i"ido%lust-,

but in the end the student will be honored in his studies "yhis studies.

)he illustrations are part of a document named

Champ *leuryauquel est contenu l'art et science de la deue et vraye proportio des lettres ...

-bviously the work describes the art of correct proportioning alpha"etical characters. n the;iddle ge art however also implied philosophy. decided to analy


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Vowels AEIOV Y and H

t page ZZ2 of Champ *leury recogni


4/23

Apollo, Muses, Arts, Virtues and Graces

ccording to the author ]eoffroy )orythe alphabet is an artwork of : ;uses, ^ rts, " cardinal2irtues and % ]races, composed "y 4pollo. )he influence of ]reek mythology seemed to beoverwhelming and only a few details reminded me of the Church's fundamentals. ll references forvowel symbolism had been taken from genuine ]raeco4[oman traditions.

)henine musesare Clio, )halia, \rato, \uterpe, Polyhymnia, Calliope, )erpsichore, Urania,;elpomene.

)he seven liberal arts were taught in two groups the trivium ]rammar, =ialectic and[hetoric& and the quadrivium%rithmetic,]eometry,stronomy, ;usic&.

)he cardinal virtues are Prudence, ustice, )emperance or [estraint and *ortitude orCourage.

)he )hree ]races are from youngest to oldest& glaea Splendor&, \uphrosyne;irth&, and )halia]ood Cheer&.

Copied from Champ *leurydated 09!:&

logic

#ig. &: The seven li"eral arts including 4pollo
http://en.wikipedia.org/wiki/Geoffroy_Toryhttps://en.wikipedia.org/wiki/Musehttps://en.wikipedia.org/wiki/Musehttp://simple.wikipedia.org/wiki/Triviumhttp://simple.wikipedia.org/wiki/Grammarhttp://simple.wikipedia.org/wiki/Grammarhttp://simple.wikipedia.org/wiki/Dialectichttp://simple.wikipedia.org/wiki/Rhetorichttp://simple.wikipedia.org/wiki/Quadriviumhttp://simple.wikipedia.org/wiki/Arithmetichttp://simple.wikipedia.org/wiki/Geometryhttp://simple.wikipedia.org/wiki/Geometryhttp://simple.wikipedia.org/wiki/Astronomyhttp://simple.wikipedia.org/wiki/Astronomyhttp://simple.wikipedia.org/wiki/Musichttps://en.wikipedia.org/wiki/Cardinal_virtueshttps://en.wikipedia.org/wiki/Cardinal_virtueshttps://en.wikipedia.org/wiki/Prudencehttps://en.wikipedia.org/wiki/Prudencehttps://en.wikipedia.org/wiki/Prudencehttps://en.wikipedia.org/wiki/Justice_(virtue)https://en.wikipedia.org/wiki/Temperance_(virtue)https://en.wikipedia.org/wiki/Temperance_(virtue)https://en.wikipedia.org/wiki/Fortitudehttps://en.wikipedia.org/wiki/Fortitudehttp://en.wikipedia.org/wiki/Chariteshttp://en.wikipedia.org/wiki/Aglaeahttp://en.wikipedia.org/wiki/Aglaeahttp://en.wikipedia.org/wiki/Euphrosyne_(mythology)http://en.wikipedia.org/wiki/Thalia_(grace)http://gallica.bnf.fr/ark:/12148/bpt6k50961phttp://gallica.bnf.fr/ark:/12148/bpt6k50961phttp://simple.wikipedia.org/wiki/Logichttp://simple.wikipedia.org/wiki/Logichttp://en.wikipedia.org/wiki/Geoffroy_Toryhttps://en.wikipedia.org/wiki/Musehttp://simple.wikipedia.org/wiki/Logichttp://simple.wikipedia.org/wiki/Triviumhttp://simple.wikipedia.org/wiki/Grammarhttp://simple.wikipedia.org/wiki/Dialectichttp://simple.wikipedia.org/wiki/Rhetorichttp://simple.wikipedia.org/wiki/Quadriviumhttp://simple.wikipedia.org/wiki/Arithmetichttp://simple.wikipedia.org/wiki/Geometryhttp://simple.wikipedia.org/wiki/Astronomyhttp://simple.wikipedia.org/wiki/Musichttps://en.wikipedia.org/wiki/Cardinal_virtueshttps://en.wikipedia.org/wiki/Prudencehttps://en.wikipedia.org/wiki/Justice_(virtue)https://en.wikipedia.org/wiki/Temperance_(virtue)https://en.wikipedia.org/wiki/Fortitudehttps://en.wikipedia.org/wiki/Fortitudehttp://en.wikipedia.org/wiki/Chariteshttp://en.wikipedia.org/wiki/Aglaeahttp://en.wikipedia.org/wiki/Euphrosyne_(mythology)http://en.wikipedia.org/wiki/Thalia_(grace)http://gallica.bnf.fr/ark:/12148/bpt6k50961p


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Metrics

s an artisan ]eoffroy )oryalso respected a human body's proportions in his designs. )he design ofthe letter had been drawn in the same 0# 0# grid he had used for the human body.

)hese designs followed the ancient mythical rules of archaic philosophy, which even included the

muses in dimensioning artwork. )he design looks like Leonardo da 2inci's 5itruvian 6anc. 0":#&^, but this time the artist adds the alphabetical symbolic roots for the mute letters1C=*]P) and pollo's name.


IH is sometimes interpreted as meaning!esus 7ominum Salvatoresus, Savior of men inLatin& or connected with!n 7oc Signo. Such interpretations are known asbackronyms.

t is followed by two capital& letters chiand rho& of the ]reek word q 89hristanda trailing letter .

^ ccademia, 2enice

*ig. ^ bbreviations for the name (\SUS C8[S)2S+

#ig. : esigning the /etter 4

#ig. +: 4pollo ; the


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=id ]eoffroy )oryreally merge and combine the designs of the vowels and 2 to produce anothervowel /3

ll copied fromChamp *leurydated 09!:&

#ig. : esigning the /etter =/=

*ig.: =esigning the Letter / from an (+ and a(2+ 3&

#ig. 11: esigning an ! #ig. 1(: esigning an 5
http://en.wikipedia.org/wiki/Geoffroy_Toryhttp://gallica.bnf.fr/ark:/12148/bpt6k50961phttp://gallica.bnf.fr/ark:/12148/bpt6k50961phttp://en.wikipedia.org/wiki/Geoffroy_Toryhttp://gallica.bnf.fr/ark:/12148/bpt6k50961p


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Understanding the Pythagorean Y

Copied from Page LZ ofChamp *leurydated 09!:&

lthough all designs for the alphabetical elements have been documented in at least two pagessome etra effort has been invested for the documentation of the /.

)he ambivalent structure of the /4symbol is similar to the duality of the ways to frugality andluxury. 8owever the image has been simplified. n etra cryptic illustration has been decorated inorder to promote the letter for higher or even highest 3& ranking in the alphabetic hierarchy.

n this illustration the eplanatory power obviously has been suppressed. )he image will beunderstood for those, who already had seen, known or heard the story before. )he coronationclearly indicates the victory for the rightside. )he fire illustrates the left wrong& side.

\ven if we do not understand all symbols we may confirm the story of good and bad. _o fallingman or falling diphthongs will be needed any more.

#ig. 12: The am"ivalent structure of the )sym"ol
http://gallica.bnf.fr/ark:/12148/bpt6k50961phttp://gallica.bnf.fr/ark:/12148/bpt6k50961phttp://gallica.bnf.fr/ark:/12148/bpt6k50961p


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he e!planatory s"etch


.

#ig. 1: The 0ild animals are named!nvidia%envy-, Super"ia%vanity- and/i"ido%lust-
http://gallica.bnf.fr/ark:/12148/bpt6k50961phttp://gallica.bnf.fr/ark:/12148/bpt6k50961phttps://en.wikipedia.org/wiki/Invidiahttp://en.wiktionary.org/wiki/superbiahttp://en.wikipedia.org/wiki/Libidohttps://en.wikipedia.org/wiki/Invidiahttp://en.wiktionary.org/wiki/superbiahttp://en.wikipedia.org/wiki/Libidohttp://gallica.bnf.fr/ark:/12148/bpt6k50961p


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The Greek alphabet

Champ *leury also includes designs for at least two do


10/23

O#er#iew o$ the alpha%et&s 'o(position

n an overview the vowels ~ 0^ consonants !% characters of the Latin alphabet are depicted asthe rays of the solar composer Creator ]od pollo, who is playing his instrument.


11/23

A hierarchical order

t surprised me to see seven (vowels+ to the vowel branch. \ven more the category of semivowelsmay be considered as most interesting. *rom a philosophical standpoint the semivowels might be

playing a role in the hieroglyphic hierarchy, in which the vowels \-U belong to the highest levelmaybe with a vowel (+ at the top 3&

9 [oman vowels \-2 and the additional ]reek vowel / and the aspiration 8 ^ semivowels L;_[SZ` : mute letters 1C=*]P)

)he vowels I$A$%seemed to be a standard for all alphabets, but what role had been taken by the /3)he Upsilon seemed to be aCokerin the contest, switching between Iand &4vocals ad lib.

'atin hierarchical order

Latin started with 9 vowels , \, , -, 2. )he primary diacriticwas the apeused to mark long

vowels, which had previously been written double. 8owever, in place of taking an ape, the letter iwas written as a long 4vowel0". )he letter towered over the four neighbors and looked like acentral master of the world.

Exa(ple for a long I$)owel

n written Latin, the apexis a mark roughly with the shape of an acute accent & which is placedover vowels to indicate that they are long.8owever an ape is not used with the letter i rather, theletter is written taller, as in fili& in the first and the third letter , which are to be lengthened.

originally posted to Flic*ras!##:#0#0!!0!9w,Creative Commonsttribution !.# ]enericlicense.

0" Latin alpha"et

#ig. 1: !nscription displaying apices %from the shrine of the 4ugustales

at 7erculaneum-
http://en.wikipedia.org/wiki/Diacritic_markhttp://en.wikipedia.org/wiki/Diacritic_markhttp://en.wikipedia.org/wiki/Apex_(diacritic)http://en.wikipedia.org/wiki/Long_vowelhttp://en.wikipedia.org/wiki/Long_vowelhttp://en.wikipedia.org/wiki/Long_ihttp://en.wikipedia.org/wiki/Latin_languagehttp://en.wikipedia.org/wiki/Acute_accenthttp://en.wikipedia.org/wiki/Long_vowelhttp://en.wikipedia.org/wiki/Long_vowelhttp://en.wikipedia.org/wiki/Long_ihttp://commons.wikimedia.org/wiki/Flickrhttp://flickr.com/photos/56109209@N00/3215597073http://flickr.com/photos/56109209@N00/3215597073http://en.wikipedia.org/wiki/en:Creative_Commonshttp://creativecommons.org/licenses/by/2.0/deed.enhttp://creativecommons.org/licenses/by/2.0/deed.enhttp://creativecommons.org/licenses/by/2.0/deed.enhttp://www.google.de/url?sa=t&rct=j&q=&esrc=s&source=web&cd=2&ved=0CD4QFjAB&url=http%3A%2F%2Fen.wikipedia.org%2Fwiki%2FLatin_alphabet&ei=4WzmUeiaENDNswbH6oDgDQ&usg=AFQjCNGZJ28o5TTCkNRw2xQg0lqFbPMazg&sig2=yZBBM-uZXZdbVWS8CCSOcQ&bvm=bv.49405654,d.Ymshttp://www.google.de/url?sa=t&rct=j&q=&esrc=s&source=web&cd=2&ved=0CD4QFjAB&url=http%3A%2F%2Fen.wikipedia.org%2Fwiki%2FLatin_alphabet&ei=4WzmUeiaENDNswbH6oDgDQ&usg=AFQjCNGZJ28o5TTCkNRw2xQg0lqFbPMazg&sig2=yZBBM-uZXZdbVWS8CCSOcQ&bvm=bv.49405654,d.Ymshttp://www.google.de/url?sa=t&rct=j&q=&esrc=s&source=web&cd=2&ved=0CD4QFjAB&url=http%3A%2F%2Fen.wikipedia.org%2Fwiki%2FLatin_alphabet&ei=4WzmUeiaENDNswbH6oDgDQ&usg=AFQjCNGZJ28o5TTCkNRw2xQg0lqFbPMazg&sig2=yZBBM-uZXZdbVWS8CCSOcQ&bvm=bv.49405654,d.Ymshttp://www.google.de/url?sa=t&rct=j&q=&esrc=s&source=web&cd=2&ved=0CD4QFjAB&url=http%3A%2F%2Fen.wikipedia.org%2Fwiki%2FLatin_alphabet&ei=4WzmUeiaENDNswbH6oDgDQ&usg=AFQjCNGZJ28o5TTCkNRw2xQg0lqFbPMazg&sig2=yZBBM-uZXZdbVWS8CCSOcQ&bvm=bv.49405654,d.Ymshttp://www.google.de/url?sa=t&rct=j&q=&esrc=s&source=web&cd=2&ved=0CD4QFjAB&url=http%3A%2F%2Fen.wikipedia.org%2Fwiki%2FLatin_alphabet&ei=4WzmUeiaENDNswbH6oDgDQ&usg=AFQjCNGZJ28o5TTCkNRw2xQg0lqFbPMazg&sig2=yZBBM-uZXZdbVWS8CCSOcQ&bvm=bv.49405654,d.Ymshttp://en.wikipedia.org/wiki/Diacritic_markhttp://en.wikipedia.org/wiki/Apex_(diacritic)http://en.wikipedia.org/wiki/Long_vowelhttp://en.wikipedia.org/wiki/Long_vowelhttp://en.wikipedia.org/wiki/Long_ihttp://en.wikipedia.org/wiki/en:Creative_Commonshttp://creativecommons.org/licenses/by/2.0/deed.enhttp://en.wikipedia.org/wiki/Latin_languagehttp://en.wikipedia.org/wiki/Acute_accenthttp://en.wikipedia.org/wiki/Long_vowelhttp://en.wikipedia.org/wiki/Long_ihttp://commons.wikimedia.org/wiki/Flickrhttp://flickr.com/photos/56109209@N00/3215597073


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t least the Latin had been highlighting the Ias a long vowel. t the left and right side the longvowels and 2 had been located as ministers. )he long vowels and seemed to be servantscompared the main IA&triad.

+,-./ )owards the end of the [oman [epublic, after the con5uest of ]reece 0" 1C& the ]reek letters

ypsilonandDetawere added to the end of the Latin alphabet, in the form of y andD, so that the[omans could properly spell ]reek words and names 09. )his however added another vowel /& tothe system, which destroyed the symmetry. -bviously the [omans had lost the keys to theirhieroglyphic system.

Hebrew hierarchical order

)he perfect symmetry has also been identified in the 8ebrew vowels. )he ewish alphabet had beendesigned to generate 9 long vocals , , , , from " consonants aleph, he, 0a0and yod&the letters leph and the three letters of the )etragrammaton0. )he letter @ayinhad been consideredas a consonant. )he6atres /ectionismerely allowed to generate long0^vocals and therefore onlythe longvocals may be considered as allowable translations for the 8ebrew hieroglyphs

, 1,

, 2,

3ree* hierarchical order

1efore the th century 1C the vowels \ta and -mega had not been included and the alphabet'svowels had been arranged in an identical order to the 8ebrew and ]reek systems. )here had been a

perfect symmetry as may be seen from the five ]reek vowels. [emember that the long vowels 6e7and 6o7 had to be formed by concatenating other vowels to EFand GH. )he rules to be followed are

s in Phoenician, the difference in length was not originally made in writing. 6u7 and 6i7already had been designed as long vowelsin the Phoenician alphabet. Long 6e7 and 6o7 had

been written with the digraphsEFand GH, respectively, whereas long and short 4a5" 4i5" 4u5

never were distinguished in writing. nitially the letter IJthwas retained in ]reek as aconsonant, eta, representing the 6h7 sound in those dialects which had an 6h70. Upsilonforthe vowel 6u7 was added at the end of the alphabet. Phoenician hJhad been used as a materlectionisfor both 6a7 and 6e7 in addition to 6h7, but in ]reek it was restricted to 6e7.

09 )he Lapis _iger 4 Code ::

0 _otes to Sefer /et


13/23

, E,

,!,/

fter the th century 1C the vowels \ta and -mega had been included and that was the event inwhich the symmetry had been lost. e also might consider this as the era in which the hieroglyphickeys had been lost. People who insert the -mega at the end did not really know that the / had to bethe last element instead of the long vowel -.

f we highlight the 44/ structure inside the new ]reek alphabet the asymmetric structure will beseen immediately a 1abylonian confusion of the vowels must be dated at the introduction of 8 and around the th century 1C.

, E,8,,!,/,n a correct order we might have epected

, 8, E,

,!,,

/or, E,8,,, !,/


14/23

Checking of the Vowel ymbolism!s Theory

)ycli$$e&s Y

remembered the letter / had been used by ycliffe in the translation of the 1ible e.g.]enesis& as

an ego4pronoun and considered the special vowel at the time of ycliffe's translation 0%%#40%"&might have been placed at the hierarchical top.

(nd the Lord seide to Cayn, here is bel thi brother3 hich answerde, Ywoot notwhether Yam the kepere of my brothir3+

'o(paring Geo$$roy ory&s structure to the He%rew alpha%et

compared ]eoffroy )ory's structure with the 8ebrew alphabet with the three ;other or Primaryletters 6leph&, ;, Sh&, the seven =ouble letters ), [, Ph, Ch, =, ], 1& and the twelve Simpleor \lemental letters , )s, ]h, S, _, L, I, ), 8, `, %, E&0:.

)he Sefer /et


15/23

'o(paring Ara%ic, He%rew, 0atin and Gree"

rabic language, which seemed to be based on % vowels A$I$&ruled by the leph&, may share thebasic vocal U4triad with 8ebrew language with its 9 long vocals 9" 1" :" 2" ;and the early versionof Latin with A$E$I$!$%, but without the /& as well as the early ]reek alphabet with 9 vowels A,E,I" !" Y. n the course of time these alphabets seemed to have been in a philosophical contest,from which the ]reeks already had left the game for their mistakes in arranging the correct vowelorder. )he vowel concept for the Latin alphabet may be considered as intact if the /4vowel isignored.

n this contest only the longvowels had been considered as important. Some languages did not evendocument their short vowels in scripture. learned to identify the A$I$& in ]reek 44/&combination asa high ranked subset, in which each letter seemed to have won individual games, butnone of the languages seemed to have won the battle.

)he letter I/od& seemed to have played a maYor role in the archaic Latin and ancient ]reekculture. ]eoffroy )oryhowever taught me the impact of the additional ]reek letters Yand H, whichcompleted the medieval *rench alphabet to si or seven (vowels+. Seven had been considered thesacred number and for good reasons the seventh letter Yhad been named the Pythagorean letter,completing the *rench alphabet to cope with the ]reek alphabet A, E,H" I" !" Y" #.

Still these ^4fold structures did not meet the criteria for ideal structures. )he new ]reek alphabet forinstance also included short vowels E and !, which had been ecluded from scripture in otherlanguages. nd even if these elements had been neglected the 44/ structure of the new ]reekalphabet had been disturbed in a catastrophic way.

nother problem might have been the strange character of the letter /, which seemed to have beenvarying or even erring somewhere between the 4 and U4vocals, including the intermediate sonus medius. n [ome's empire the / was usually pronounced =u= or =i=which might have initiated the

idea of a variable element. \mperor Claudius may have felt a need to change this situation, butfailed in managing an efficient introduction of his concept.

decided to document some of the observed (rules+ in the appendi, which will be ordered in achronological order. )he rules reflect an intermediate phase in a proceeding process, which mightneed a do


16/23

" Concept for Vowel ymbolism

Archaic Vowels

0. )he ewish alphabet had been designed to generate 9 long vocals 9" 1" :" 2" ; from "

consonants aleph, he, 0a0 and yod& the letters leph and the three letters of the)etragrammaton!%. )he letter @ayinhad been considered as a consonant.

!. )he 8ebrew6atres /ectionismerely allowed to generate long!"vocals and therefore onlythe longvowels may be considered as hieroglyphs.

%. ]reek fragment of Leviticus !!40& discovered in the =ead Sea scrolls umran& has>?@ao&, the ]reek form of the 8ebrew trigrammaton YH.6%7!9!

". )he three *ates!^created the first five vowels of the ]reek alphabet and the letters 1 and ).t is said that Palamedesinvented the remaining eleven consonants. -ther consonants havesince been added to the ]reek alphabet!.

9. -riginally the ]reek alphabet started with five vowel symbols by altering the Phoenicianconsonants >?leph!:to a vowel a heto e,@ayinto o%#,0auto u andyodtothe iota6i7%0.

. s in Phoenician, the difference in length was not originally made in writing. 6u7 and 6i7already had been designed as long vowelsin the Phoenician alphabet. Long 6e7 and 6o7 had

been written with the digraphs EF and GH,respectively, whereas long and short 6a7, 6i7, 6u7never were distinguished in writing. nitially the letter IJthwas retained in ]reek as aconsonant, eta,representing the 6h7 sound in those dialects which had an 6h7 %!. Upsilonforthe vowel 6u7 was added at the end of the alphabet. Phoenician hJhad been used as a materlectionisfor both 6a7 and 6e7 in addition to 6h7, but in ]reek it was restricted to 6e7.

^. nitially in ]reek language the first letter and the last letter UpsilonU& were vowels.

. *or their historical record of long and short character 4a5" 4i5" 4u5 may be considered as thearchaic, fundamental triad of vocals in an alphabetical phase in which long 6e7 and 6o7 had

been represented by their digraphsEFand GH.

:. ccording to a thesis in the Kunes)ictionary by Udo aldemar ieterich 0""& thearchaic runes had been e5uipped with only three runes for vowels A" I" &as well.

0#. _early all languages have at least three phonemic vowels, usually i, a, u as in Classicalrabic%%.

!% _otes to Sefer /et


17/23

Episode $ro( the 1th century 2' onwards

0. 1y the th century 1C the letter eta%"came to stand for the long vowel 6x7, and a new letter,omega, was developed for long 6z7%9. )he lphabet now used ^ vowels A, E, 8, I, !, Y, ,in which A" E" I" !" Ywere short and A" H" I" #" Ywere the long vowels.

!. Latin started with 9 vowels , \, , -, 2. )he primary diacriticwas the apeused to marklong vowels, which had previously been written double. 8owever, in place of taking anape, the letter i was written as a long 4vowel%

+, -./ %. \ssentially the five long fundamental vocals 9" 1" :" 2" ;had been available in 8ebrew in

the letters leph and the three letters of the )etragrammaton&, in ]reek initially in A" E" I"!" Yand later more specifically in A" H" I" Y" #& and in Latin in B C / , in which theLong i$)owelhad been written as if the vowel had been set in a special archaic form of anUpper 9ase. )his might have been a good reason for \nglish language to capitalie the

ego$pronoun I.&". n all variants of these three languages the Ihad been located at a central highlighted&

position of the long vowels%^

4 in 8ebrew in the five long fundamental vocals 9" 1":" 2" ;4 in ]reek in A, E, 8, I, !, Y, , within the archaic undifferentiated A" E" I" !" Yand laterwithin the subset of long vowels A" H" I" Y" #GHENB FH F?B BKBOFgeneration of (a)e+ or (e)e+&.

0#. 1asically the Latin word {| NO BBR RHQ N?IB? H NIB NO BIB QBB FH FH ?NIBbeen derived from similar vowel hieroglyphs representing the vocals , , , , .

Episode $ro( /31 2' onwards

0. )owards the end of the [oman [epublic, after the con5uest of ]reece 0" 1C& the ]reeklettersypsilonandDetawere added to the end of the Latin alphabet, in the form of yandD,so that the [omans could properly spell ]reek words and names"9.

!. )he usage of/ in Latin dates back to the first century 1C. t was used to transcribeloanwords from ]reek, so it was not a native sound of Latin and was usually pronounced=u=or =i=. )he latter pronunciation was the most common in the Classical period and was used

by most people ecept the educated ones. )he [oman \mperor Claudius proposedintroducing a new letterinto the Latin alphabetto transcribe the so4calledsonus mediusashort vowel before labial consonants&, but in inscriptions, the new letter was sometimes usedfor ]reek upsilon instead".

%. hen introduced in Latin the letter / was probably called hy hy as in ]reek, the name upsilonnot being in use yet, but this was changed to i 3raeca 3ree* i& as Latin speakershad difficulty distinguishing its foreign sound=y=from =i=.

". )he Claudian letterswere developed by the [oman \mperorClaudiusreigned "0$9"&. 8eintroduced three new letters4 , digamma inversum& to represent consonantal U6w7v&"^

4 antisigma& to replace 1S and PS4 sonus mediusor 84=imidia&, a vowel sound between i and u eample optumus optimus, maNimus O maNumus&.

9. _umerous 8ebrew scholars believed, owing to the work of ohn Pic della ;irandola0"%$0":"&, that the name Iehouahad a pagan origin that is to say that it came from a change ofthe name Ioueupiter& into Iouathen IehouaJ.

#unes

t must be a set of vowels which was to form a symbolic center for several alphabets. )he mystery

of the real heart pu


19/23

)his alphabet only provides three vowels U, , and does not contain a vowel (-+. _o Prune hasbeen found in inscriptions, but it has been postulated that it was a mirrored form of the "rune due topairings indicated in the staveless runes.

published at Staveless runesby 8kan Svensson Zaua&Permission is granted to copy, distribute andor modify this document under the terms of the 3K& FreeDocu(entation 'icense,2ersion 0.! or any later version published by the *ree Software *oundation

with no nvariant Sections, no *ront4Cover )ets, and no 1ack4Cover )ets.

#ig.1Q: 7Rgs kyrka, 7udiksvall.

Kune stone 7s 12.
http://en.wikipedia.org/wiki/Ansuz_runehttp://en.wikipedia.org/wiki/Ansuz_runehttp://en.wikipedia.org/wiki/Berkananhttp://en.wikipedia.org/wiki/Staveless_runeshttp://en.wikipedia.org/wiki/Staveless_runeshttp://en.wikipedia.org/wiki/en:GNU_Free_Documentation_Licensehttp://en.wikipedia.org/wiki/en:GNU_Free_Documentation_Licensehttp://en.wikipedia.org/wiki/en:GNU_Free_Documentation_Licensehttp://en.wikipedia.org/wiki/en:Free_Software_Foundationhttp://en.wikipedia.org/wiki/Ansuz_runehttp://en.wikipedia.org/wiki/Berkananhttp://en.wikipedia.org/wiki/Staveless_runeshttp://en.wikipedia.org/wiki/en:GNU_Free_Documentation_Licensehttp://en.wikipedia.org/wiki/en:GNU_Free_Documentation_Licensehttp://en.wikipedia.org/wiki/en:Free_Software_Foundation


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n staveless runes the is the only runic symbol, which fills the available space between the upperand lower bar.

GNU Free Documentation License,5ersion 1.2 or any later versionpu"lished "y the #ree Soft0are #oundation 0ith no !nvariant Sections,

no #ront)9over TeNts, and no 3ack)9over TeNts.

6agnus


21/23

Other Vowel67e8uences

0. Long or genuine vowel se5uences QRSLTUVWXL aeonmay be considered as hieroglyphicwords. n ]nosticism an onis a spirit being emanating from the ]odhead. Aeonianfirstusage 0^9& is defined as (lasting for an immeasurably or indefinitely long period of time+99

!. n -ld \nglish is defined as (custom, tradition, law+9

Cognate with -ld Saon 1o, -l*risian ewa, 1we, 1, 9, -ld ]erman 1wa, 1ha, 1a, 1]erman Ehe" =utchecht&.

%. n some _orwegian and =anish dialects9^ is used as an ego4pronoun9 I&. (n manywestern, northern, and southwestern _orwegian dialects, and in the western =anish dialectsof )hy and South utland, the phoneme66x7 has a significant meaning the first personsingular pronoun I"and it is thus a normally spoken word usually, it is written as 6whenthese dialects are rendered in writing. n *aroese, it is pronounced the same way, but it iswritten as eg+.

". )he vowel Iis being used as an ego4pronoun in \nglish. Yhas been used by ycliffe in his]enesis9:. )he rabs say yfor (e637(.

9. 1ased on the principal position of the I4vowel in the fundamental vowel subset 9" 1":" 2" ;the word and eventually an e5uivalent /3& seem to have been designed from the centralmasterof the fundamental hieroglyphs 9" 1" :" 2" ;.

. AEI!& was a symbolic device utili


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'haldean +and planetary- 5elations

0. )he historian ohn the Lydian th century& wrote )he [oman 2aro 600$!^ 1C\7defining him 6that is the ewish god7 says that he is called Iaoin the Zhaldeanmysteries.=e ;ensibus 2 9%&%

!. nitially the five basic elements , , , , do not directly match the seven Zhaldeanplanets ;oon, ;ercury, 2enus, Sun, ;ars, upiter and Saturn. 8owever in )imaeusPlatoreduces the seven planetary orrery to a basically simpler five (swiftness+4system of 9(independent+ planets [oon" \un" [ars" upiter and \aturn by categori


23/23

Contentsntro to one of the vowels.....................................................................................................................0Upsilon as a diphthong.........................................................................................................................!Champ *leury 4 the art of designing letters..........................................................................................!

2owels \-2 $ / and 8...............................................................................................................%pollo, ;uses, rts, 2irtues and ]races........................................................................................."

;etrics.............................................................................................................................................9Understanding the Pythagorean /...................................................................................................^)he eplanatory sketch....................................................................................................................

)he ]reek alphabet...............................................................................................................................:-verview of the alphabet's Composition.......................................................................................0# hierarchical order........................................................................................................................00

Latin hierarchical order.............................................................................................................00\ample for a long 4vowel.......................................................................................................008ebrew hierarchical order.........................................................................................................0!]reek hierarchical order............................................................................................................0!

Checking of the 2owel Symbolism's )heory......................................................................................0"ycliffe's /....................................................................................................................................0"Comparing ]eoffroy )ory's structure to the 8ebrew alphabet.....................................................0"oue oua ehoua 3&............................................................................................................0"Comparing rabic, 8ebrew, Latin and ]reek...............................................................................09

Concept for 2owel Symbolism.......................................................................................................0rchaic 2owels..............................................................................................................................0\pisode from the th century 1C onwards....................................................................................0^\pisode from 0" 1C onwards......................................................................................................0

[unes..................................................................................................................................................0)he 8elsingia runic alphabet.........................................................................................................0

=ouble [........................................................................................................................................!#-ther 2owel4Se5uences.................................................................................................................!0Chaldean and planetary& [elations...............................................................................................!!

Conclusion..........................................................................................................................................!!

encryption and decryption of the alphabetical hieroglyphs

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