elements of visual arts

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MARIA ESTELLA V. SANCHEZ

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Page 1: Elements of visual arts

MARIA ESTELLA V SANCHEZ

Any person object scene event

described or represented in a work of art

Art that has subject is representational

Art that does not have subject is non-

representational

Realism ndash things depicted as what

naturally appears in nature

Fernando Amorsolo

Abstraction ndash is a process of simplifying

andor reorganizing objects and elements

according to the demands of artistic

expression

Hernando Ocampo

Distortion ndash is done to mean

twisting stretching or deforming that

natural shape of the object It is to

dramatize the shape of the figure to create

an emotional effect

The Descent from the Cross by Rogier van der Weyden (c1435ndash38)

bullNaturalism ndashis a style and theory of

representation based on the accurate

depiction of detail

Subject ndash object depicted by the artist

Content ndash reveals the artistrsquos attitude

toward his subject

Parisian Life by Juan Luna 1892 Oil on Canvas 22 x 31 in (57 x

79 cm)

Refers to the materialClassification

Visual or space art ndash mediums can be seen

Two-dimensional art

Three-dimensional art

Auditory art ndash mediums can be heard and expressed in

time

Combined art ndash mediums both seen and heard and exist

in both time and space

Painting

Drawing

Printmaking

Photography

Sculpture

Architecture

Landscaping

Community planning

Industrial design

Craftsbull Ceramics

bull Furniture-making

Music bull The first time I loved forever

Literaturebull The road not taken by Robert Frost

bull Sonnet 116

Dancebull Hip hop Dance

Dramabull Macbeth

Operabull Les Miserables

Moviesbull Film Analysis

Artistrsquos knowledge of medium and his skill

in making what he wants to make

bull Ex Poetrsquos technique in putting words together to

express an emotion or narrate a story

Poersquos Annabel Lee

Fresco ndash wet plaster cannot be changed

bull School of Athens by Raphael

Tempera ndash wooden panels combination of

gypsumchalk gelatin or glue

Last Supper by Leonardo da Vinci

bull Oil ndash ready mixed in tubes dries slowly

Mona Lisa

by Leonardo da Vinci

bull Water Color ndash 19th Cent artist work rapidly and

cannot change anything

Horror Vacui ndash painters fill up all available spaces

with shapes and colors

Muslim Wedding (left)

by Carlos Francisco 1958

Mangingisda (right)

by Carlos Francisco

Stone

Wood

Metal

Marble

Bronze

Glass

Junk

Stone

Brick

Concrete

Steel

Glass

Wood

Shape of a work of art

Horizontal line ndash serenity and perfect

stability

Vertical line ndash poised and stable

Diagonal line ndash implies action movement

Curved line ndash grace and movement

Series of wave length

Beam of light contains different colors why

we see objects as having colors

Primary colors

Secondary colors

Tertiary colors

The way two objects feel to the touch

Smooth

Rough

Grooved

Ridged

Furry

Silky

Solidity and thickness

Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere

Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro

Use of larger amount of dark areas beside smaller areas of light for emphasis

Linear Perspective ndash objects become

smaller as they recede into the distance

Aerial Perspective ndash objects become

fainter in the distance due to the effects of

the atmosphere

Over-all design of a work of art

Triangular

Circular

Square

Rectangular

Oblong

Closed ndash contained within the frame

Open - action extends out of the frame

Mosaic - -creates pictures on flat surface

Stained Glass ndash enlivened tomblike a

interiors and introduced a bright and warm

atmosphere- means of religious instructions

Tapestry ndash decorated hangings to drab

interiors and served to warm the room

Free-Standing Sculpture ndash statuary

High-Relief Sculpture ndash flat background

Bas-Relief Sculpture ndash slightly raised

Retablo

Carving ndash subtractive process

removing unwanted portions

Modeling ndash additive process building

using wax or clay

Casting ndash complex process covers the

original model with a mold

Fabrication ndash additive process method

of joining or fastening as

nailing stapling soldering and welding

Post-and lintel ndash two vertical posts and

horizontal beam

Arch ndash wedge-shaped blocks arranged in

semi-circle

Truss ndash triangular forms assembles into

rigid framework and functioning like beam

or lintel bridges gymnasium halls

Skeleton ndash reinforced concrete and steel

Cantilever ndash beam or slab extending

horizontally into space beyond its

supporting post

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 2: Elements of visual arts

Any person object scene event

described or represented in a work of art

Art that has subject is representational

Art that does not have subject is non-

representational

Realism ndash things depicted as what

naturally appears in nature

Fernando Amorsolo

Abstraction ndash is a process of simplifying

andor reorganizing objects and elements

according to the demands of artistic

expression

Hernando Ocampo

Distortion ndash is done to mean

twisting stretching or deforming that

natural shape of the object It is to

dramatize the shape of the figure to create

an emotional effect

The Descent from the Cross by Rogier van der Weyden (c1435ndash38)

bullNaturalism ndashis a style and theory of

representation based on the accurate

depiction of detail

Subject ndash object depicted by the artist

Content ndash reveals the artistrsquos attitude

toward his subject

Parisian Life by Juan Luna 1892 Oil on Canvas 22 x 31 in (57 x

79 cm)

Refers to the materialClassification

Visual or space art ndash mediums can be seen

Two-dimensional art

Three-dimensional art

Auditory art ndash mediums can be heard and expressed in

time

Combined art ndash mediums both seen and heard and exist

in both time and space

Painting

Drawing

Printmaking

Photography

Sculpture

Architecture

Landscaping

Community planning

Industrial design

Craftsbull Ceramics

bull Furniture-making

Music bull The first time I loved forever

Literaturebull The road not taken by Robert Frost

bull Sonnet 116

Dancebull Hip hop Dance

Dramabull Macbeth

Operabull Les Miserables

Moviesbull Film Analysis

Artistrsquos knowledge of medium and his skill

in making what he wants to make

bull Ex Poetrsquos technique in putting words together to

express an emotion or narrate a story

Poersquos Annabel Lee

Fresco ndash wet plaster cannot be changed

bull School of Athens by Raphael

Tempera ndash wooden panels combination of

gypsumchalk gelatin or glue

Last Supper by Leonardo da Vinci

bull Oil ndash ready mixed in tubes dries slowly

Mona Lisa

by Leonardo da Vinci

bull Water Color ndash 19th Cent artist work rapidly and

cannot change anything

Horror Vacui ndash painters fill up all available spaces

with shapes and colors

Muslim Wedding (left)

by Carlos Francisco 1958

Mangingisda (right)

by Carlos Francisco

Stone

Wood

Metal

Marble

Bronze

Glass

Junk

Stone

Brick

Concrete

Steel

Glass

Wood

Shape of a work of art

Horizontal line ndash serenity and perfect

stability

Vertical line ndash poised and stable

Diagonal line ndash implies action movement

Curved line ndash grace and movement

Series of wave length

Beam of light contains different colors why

we see objects as having colors

Primary colors

Secondary colors

Tertiary colors

The way two objects feel to the touch

Smooth

Rough

Grooved

Ridged

Furry

Silky

Solidity and thickness

Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere

Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro

Use of larger amount of dark areas beside smaller areas of light for emphasis

Linear Perspective ndash objects become

smaller as they recede into the distance

Aerial Perspective ndash objects become

fainter in the distance due to the effects of

the atmosphere

Over-all design of a work of art

Triangular

Circular

Square

Rectangular

Oblong

Closed ndash contained within the frame

Open - action extends out of the frame

Mosaic - -creates pictures on flat surface

Stained Glass ndash enlivened tomblike a

interiors and introduced a bright and warm

atmosphere- means of religious instructions

Tapestry ndash decorated hangings to drab

interiors and served to warm the room

Free-Standing Sculpture ndash statuary

High-Relief Sculpture ndash flat background

Bas-Relief Sculpture ndash slightly raised

Retablo

Carving ndash subtractive process

removing unwanted portions

Modeling ndash additive process building

using wax or clay

Casting ndash complex process covers the

original model with a mold

Fabrication ndash additive process method

of joining or fastening as

nailing stapling soldering and welding

Post-and lintel ndash two vertical posts and

horizontal beam

Arch ndash wedge-shaped blocks arranged in

semi-circle

Truss ndash triangular forms assembles into

rigid framework and functioning like beam

or lintel bridges gymnasium halls

Skeleton ndash reinforced concrete and steel

Cantilever ndash beam or slab extending

horizontally into space beyond its

supporting post

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 3: Elements of visual arts

Realism ndash things depicted as what

naturally appears in nature

Fernando Amorsolo

Abstraction ndash is a process of simplifying

andor reorganizing objects and elements

according to the demands of artistic

expression

Hernando Ocampo

Distortion ndash is done to mean

twisting stretching or deforming that

natural shape of the object It is to

dramatize the shape of the figure to create

an emotional effect

The Descent from the Cross by Rogier van der Weyden (c1435ndash38)

bullNaturalism ndashis a style and theory of

representation based on the accurate

depiction of detail

Subject ndash object depicted by the artist

Content ndash reveals the artistrsquos attitude

toward his subject

Parisian Life by Juan Luna 1892 Oil on Canvas 22 x 31 in (57 x

79 cm)

Refers to the materialClassification

Visual or space art ndash mediums can be seen

Two-dimensional art

Three-dimensional art

Auditory art ndash mediums can be heard and expressed in

time

Combined art ndash mediums both seen and heard and exist

in both time and space

Painting

Drawing

Printmaking

Photography

Sculpture

Architecture

Landscaping

Community planning

Industrial design

Craftsbull Ceramics

bull Furniture-making

Music bull The first time I loved forever

Literaturebull The road not taken by Robert Frost

bull Sonnet 116

Dancebull Hip hop Dance

Dramabull Macbeth

Operabull Les Miserables

Moviesbull Film Analysis

Artistrsquos knowledge of medium and his skill

in making what he wants to make

bull Ex Poetrsquos technique in putting words together to

express an emotion or narrate a story

Poersquos Annabel Lee

Fresco ndash wet plaster cannot be changed

bull School of Athens by Raphael

Tempera ndash wooden panels combination of

gypsumchalk gelatin or glue

Last Supper by Leonardo da Vinci

bull Oil ndash ready mixed in tubes dries slowly

Mona Lisa

by Leonardo da Vinci

bull Water Color ndash 19th Cent artist work rapidly and

cannot change anything

Horror Vacui ndash painters fill up all available spaces

with shapes and colors

Muslim Wedding (left)

by Carlos Francisco 1958

Mangingisda (right)

by Carlos Francisco

Stone

Wood

Metal

Marble

Bronze

Glass

Junk

Stone

Brick

Concrete

Steel

Glass

Wood

Shape of a work of art

Horizontal line ndash serenity and perfect

stability

Vertical line ndash poised and stable

Diagonal line ndash implies action movement

Curved line ndash grace and movement

Series of wave length

Beam of light contains different colors why

we see objects as having colors

Primary colors

Secondary colors

Tertiary colors

The way two objects feel to the touch

Smooth

Rough

Grooved

Ridged

Furry

Silky

Solidity and thickness

Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere

Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro

Use of larger amount of dark areas beside smaller areas of light for emphasis

Linear Perspective ndash objects become

smaller as they recede into the distance

Aerial Perspective ndash objects become

fainter in the distance due to the effects of

the atmosphere

Over-all design of a work of art

Triangular

Circular

Square

Rectangular

Oblong

Closed ndash contained within the frame

Open - action extends out of the frame

Mosaic - -creates pictures on flat surface

Stained Glass ndash enlivened tomblike a

interiors and introduced a bright and warm

atmosphere- means of religious instructions

Tapestry ndash decorated hangings to drab

interiors and served to warm the room

Free-Standing Sculpture ndash statuary

High-Relief Sculpture ndash flat background

Bas-Relief Sculpture ndash slightly raised

Retablo

Carving ndash subtractive process

removing unwanted portions

Modeling ndash additive process building

using wax or clay

Casting ndash complex process covers the

original model with a mold

Fabrication ndash additive process method

of joining or fastening as

nailing stapling soldering and welding

Post-and lintel ndash two vertical posts and

horizontal beam

Arch ndash wedge-shaped blocks arranged in

semi-circle

Truss ndash triangular forms assembles into

rigid framework and functioning like beam

or lintel bridges gymnasium halls

Skeleton ndash reinforced concrete and steel

Cantilever ndash beam or slab extending

horizontally into space beyond its

supporting post

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 4: Elements of visual arts

Abstraction ndash is a process of simplifying

andor reorganizing objects and elements

according to the demands of artistic

expression

Hernando Ocampo

Distortion ndash is done to mean

twisting stretching or deforming that

natural shape of the object It is to

dramatize the shape of the figure to create

an emotional effect

The Descent from the Cross by Rogier van der Weyden (c1435ndash38)

bullNaturalism ndashis a style and theory of

representation based on the accurate

depiction of detail

Subject ndash object depicted by the artist

Content ndash reveals the artistrsquos attitude

toward his subject

Parisian Life by Juan Luna 1892 Oil on Canvas 22 x 31 in (57 x

79 cm)

Refers to the materialClassification

Visual or space art ndash mediums can be seen

Two-dimensional art

Three-dimensional art

Auditory art ndash mediums can be heard and expressed in

time

Combined art ndash mediums both seen and heard and exist

in both time and space

Painting

Drawing

Printmaking

Photography

Sculpture

Architecture

Landscaping

Community planning

Industrial design

Craftsbull Ceramics

bull Furniture-making

Music bull The first time I loved forever

Literaturebull The road not taken by Robert Frost

bull Sonnet 116

Dancebull Hip hop Dance

Dramabull Macbeth

Operabull Les Miserables

Moviesbull Film Analysis

Artistrsquos knowledge of medium and his skill

in making what he wants to make

bull Ex Poetrsquos technique in putting words together to

express an emotion or narrate a story

Poersquos Annabel Lee

Fresco ndash wet plaster cannot be changed

bull School of Athens by Raphael

Tempera ndash wooden panels combination of

gypsumchalk gelatin or glue

Last Supper by Leonardo da Vinci

bull Oil ndash ready mixed in tubes dries slowly

Mona Lisa

by Leonardo da Vinci

bull Water Color ndash 19th Cent artist work rapidly and

cannot change anything

Horror Vacui ndash painters fill up all available spaces

with shapes and colors

Muslim Wedding (left)

by Carlos Francisco 1958

Mangingisda (right)

by Carlos Francisco

Stone

Wood

Metal

Marble

Bronze

Glass

Junk

Stone

Brick

Concrete

Steel

Glass

Wood

Shape of a work of art

Horizontal line ndash serenity and perfect

stability

Vertical line ndash poised and stable

Diagonal line ndash implies action movement

Curved line ndash grace and movement

Series of wave length

Beam of light contains different colors why

we see objects as having colors

Primary colors

Secondary colors

Tertiary colors

The way two objects feel to the touch

Smooth

Rough

Grooved

Ridged

Furry

Silky

Solidity and thickness

Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere

Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro

Use of larger amount of dark areas beside smaller areas of light for emphasis

Linear Perspective ndash objects become

smaller as they recede into the distance

Aerial Perspective ndash objects become

fainter in the distance due to the effects of

the atmosphere

Over-all design of a work of art

Triangular

Circular

Square

Rectangular

Oblong

Closed ndash contained within the frame

Open - action extends out of the frame

Mosaic - -creates pictures on flat surface

Stained Glass ndash enlivened tomblike a

interiors and introduced a bright and warm

atmosphere- means of religious instructions

Tapestry ndash decorated hangings to drab

interiors and served to warm the room

Free-Standing Sculpture ndash statuary

High-Relief Sculpture ndash flat background

Bas-Relief Sculpture ndash slightly raised

Retablo

Carving ndash subtractive process

removing unwanted portions

Modeling ndash additive process building

using wax or clay

Casting ndash complex process covers the

original model with a mold

Fabrication ndash additive process method

of joining or fastening as

nailing stapling soldering and welding

Post-and lintel ndash two vertical posts and

horizontal beam

Arch ndash wedge-shaped blocks arranged in

semi-circle

Truss ndash triangular forms assembles into

rigid framework and functioning like beam

or lintel bridges gymnasium halls

Skeleton ndash reinforced concrete and steel

Cantilever ndash beam or slab extending

horizontally into space beyond its

supporting post

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 5: Elements of visual arts

Distortion ndash is done to mean

twisting stretching or deforming that

natural shape of the object It is to

dramatize the shape of the figure to create

an emotional effect

The Descent from the Cross by Rogier van der Weyden (c1435ndash38)

bullNaturalism ndashis a style and theory of

representation based on the accurate

depiction of detail

Subject ndash object depicted by the artist

Content ndash reveals the artistrsquos attitude

toward his subject

Parisian Life by Juan Luna 1892 Oil on Canvas 22 x 31 in (57 x

79 cm)

Refers to the materialClassification

Visual or space art ndash mediums can be seen

Two-dimensional art

Three-dimensional art

Auditory art ndash mediums can be heard and expressed in

time

Combined art ndash mediums both seen and heard and exist

in both time and space

Painting

Drawing

Printmaking

Photography

Sculpture

Architecture

Landscaping

Community planning

Industrial design

Craftsbull Ceramics

bull Furniture-making

Music bull The first time I loved forever

Literaturebull The road not taken by Robert Frost

bull Sonnet 116

Dancebull Hip hop Dance

Dramabull Macbeth

Operabull Les Miserables

Moviesbull Film Analysis

Artistrsquos knowledge of medium and his skill

in making what he wants to make

bull Ex Poetrsquos technique in putting words together to

express an emotion or narrate a story

Poersquos Annabel Lee

Fresco ndash wet plaster cannot be changed

bull School of Athens by Raphael

Tempera ndash wooden panels combination of

gypsumchalk gelatin or glue

Last Supper by Leonardo da Vinci

bull Oil ndash ready mixed in tubes dries slowly

Mona Lisa

by Leonardo da Vinci

bull Water Color ndash 19th Cent artist work rapidly and

cannot change anything

Horror Vacui ndash painters fill up all available spaces

with shapes and colors

Muslim Wedding (left)

by Carlos Francisco 1958

Mangingisda (right)

by Carlos Francisco

Stone

Wood

Metal

Marble

Bronze

Glass

Junk

Stone

Brick

Concrete

Steel

Glass

Wood

Shape of a work of art

Horizontal line ndash serenity and perfect

stability

Vertical line ndash poised and stable

Diagonal line ndash implies action movement

Curved line ndash grace and movement

Series of wave length

Beam of light contains different colors why

we see objects as having colors

Primary colors

Secondary colors

Tertiary colors

The way two objects feel to the touch

Smooth

Rough

Grooved

Ridged

Furry

Silky

Solidity and thickness

Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere

Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro

Use of larger amount of dark areas beside smaller areas of light for emphasis

Linear Perspective ndash objects become

smaller as they recede into the distance

Aerial Perspective ndash objects become

fainter in the distance due to the effects of

the atmosphere

Over-all design of a work of art

Triangular

Circular

Square

Rectangular

Oblong

Closed ndash contained within the frame

Open - action extends out of the frame

Mosaic - -creates pictures on flat surface

Stained Glass ndash enlivened tomblike a

interiors and introduced a bright and warm

atmosphere- means of religious instructions

Tapestry ndash decorated hangings to drab

interiors and served to warm the room

Free-Standing Sculpture ndash statuary

High-Relief Sculpture ndash flat background

Bas-Relief Sculpture ndash slightly raised

Retablo

Carving ndash subtractive process

removing unwanted portions

Modeling ndash additive process building

using wax or clay

Casting ndash complex process covers the

original model with a mold

Fabrication ndash additive process method

of joining or fastening as

nailing stapling soldering and welding

Post-and lintel ndash two vertical posts and

horizontal beam

Arch ndash wedge-shaped blocks arranged in

semi-circle

Truss ndash triangular forms assembles into

rigid framework and functioning like beam

or lintel bridges gymnasium halls

Skeleton ndash reinforced concrete and steel

Cantilever ndash beam or slab extending

horizontally into space beyond its

supporting post

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 6: Elements of visual arts

bullNaturalism ndashis a style and theory of

representation based on the accurate

depiction of detail

Subject ndash object depicted by the artist

Content ndash reveals the artistrsquos attitude

toward his subject

Parisian Life by Juan Luna 1892 Oil on Canvas 22 x 31 in (57 x

79 cm)

Refers to the materialClassification

Visual or space art ndash mediums can be seen

Two-dimensional art

Three-dimensional art

Auditory art ndash mediums can be heard and expressed in

time

Combined art ndash mediums both seen and heard and exist

in both time and space

Painting

Drawing

Printmaking

Photography

Sculpture

Architecture

Landscaping

Community planning

Industrial design

Craftsbull Ceramics

bull Furniture-making

Music bull The first time I loved forever

Literaturebull The road not taken by Robert Frost

bull Sonnet 116

Dancebull Hip hop Dance

Dramabull Macbeth

Operabull Les Miserables

Moviesbull Film Analysis

Artistrsquos knowledge of medium and his skill

in making what he wants to make

bull Ex Poetrsquos technique in putting words together to

express an emotion or narrate a story

Poersquos Annabel Lee

Fresco ndash wet plaster cannot be changed

bull School of Athens by Raphael

Tempera ndash wooden panels combination of

gypsumchalk gelatin or glue

Last Supper by Leonardo da Vinci

bull Oil ndash ready mixed in tubes dries slowly

Mona Lisa

by Leonardo da Vinci

bull Water Color ndash 19th Cent artist work rapidly and

cannot change anything

Horror Vacui ndash painters fill up all available spaces

with shapes and colors

Muslim Wedding (left)

by Carlos Francisco 1958

Mangingisda (right)

by Carlos Francisco

Stone

Wood

Metal

Marble

Bronze

Glass

Junk

Stone

Brick

Concrete

Steel

Glass

Wood

Shape of a work of art

Horizontal line ndash serenity and perfect

stability

Vertical line ndash poised and stable

Diagonal line ndash implies action movement

Curved line ndash grace and movement

Series of wave length

Beam of light contains different colors why

we see objects as having colors

Primary colors

Secondary colors

Tertiary colors

The way two objects feel to the touch

Smooth

Rough

Grooved

Ridged

Furry

Silky

Solidity and thickness

Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere

Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro

Use of larger amount of dark areas beside smaller areas of light for emphasis

Linear Perspective ndash objects become

smaller as they recede into the distance

Aerial Perspective ndash objects become

fainter in the distance due to the effects of

the atmosphere

Over-all design of a work of art

Triangular

Circular

Square

Rectangular

Oblong

Closed ndash contained within the frame

Open - action extends out of the frame

Mosaic - -creates pictures on flat surface

Stained Glass ndash enlivened tomblike a

interiors and introduced a bright and warm

atmosphere- means of religious instructions

Tapestry ndash decorated hangings to drab

interiors and served to warm the room

Free-Standing Sculpture ndash statuary

High-Relief Sculpture ndash flat background

Bas-Relief Sculpture ndash slightly raised

Retablo

Carving ndash subtractive process

removing unwanted portions

Modeling ndash additive process building

using wax or clay

Casting ndash complex process covers the

original model with a mold

Fabrication ndash additive process method

of joining or fastening as

nailing stapling soldering and welding

Post-and lintel ndash two vertical posts and

horizontal beam

Arch ndash wedge-shaped blocks arranged in

semi-circle

Truss ndash triangular forms assembles into

rigid framework and functioning like beam

or lintel bridges gymnasium halls

Skeleton ndash reinforced concrete and steel

Cantilever ndash beam or slab extending

horizontally into space beyond its

supporting post

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 7: Elements of visual arts

Subject ndash object depicted by the artist

Content ndash reveals the artistrsquos attitude

toward his subject

Parisian Life by Juan Luna 1892 Oil on Canvas 22 x 31 in (57 x

79 cm)

Refers to the materialClassification

Visual or space art ndash mediums can be seen

Two-dimensional art

Three-dimensional art

Auditory art ndash mediums can be heard and expressed in

time

Combined art ndash mediums both seen and heard and exist

in both time and space

Painting

Drawing

Printmaking

Photography

Sculpture

Architecture

Landscaping

Community planning

Industrial design

Craftsbull Ceramics

bull Furniture-making

Music bull The first time I loved forever

Literaturebull The road not taken by Robert Frost

bull Sonnet 116

Dancebull Hip hop Dance

Dramabull Macbeth

Operabull Les Miserables

Moviesbull Film Analysis

Artistrsquos knowledge of medium and his skill

in making what he wants to make

bull Ex Poetrsquos technique in putting words together to

express an emotion or narrate a story

Poersquos Annabel Lee

Fresco ndash wet plaster cannot be changed

bull School of Athens by Raphael

Tempera ndash wooden panels combination of

gypsumchalk gelatin or glue

Last Supper by Leonardo da Vinci

bull Oil ndash ready mixed in tubes dries slowly

Mona Lisa

by Leonardo da Vinci

bull Water Color ndash 19th Cent artist work rapidly and

cannot change anything

Horror Vacui ndash painters fill up all available spaces

with shapes and colors

Muslim Wedding (left)

by Carlos Francisco 1958

Mangingisda (right)

by Carlos Francisco

Stone

Wood

Metal

Marble

Bronze

Glass

Junk

Stone

Brick

Concrete

Steel

Glass

Wood

Shape of a work of art

Horizontal line ndash serenity and perfect

stability

Vertical line ndash poised and stable

Diagonal line ndash implies action movement

Curved line ndash grace and movement

Series of wave length

Beam of light contains different colors why

we see objects as having colors

Primary colors

Secondary colors

Tertiary colors

The way two objects feel to the touch

Smooth

Rough

Grooved

Ridged

Furry

Silky

Solidity and thickness

Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere

Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro

Use of larger amount of dark areas beside smaller areas of light for emphasis

Linear Perspective ndash objects become

smaller as they recede into the distance

Aerial Perspective ndash objects become

fainter in the distance due to the effects of

the atmosphere

Over-all design of a work of art

Triangular

Circular

Square

Rectangular

Oblong

Closed ndash contained within the frame

Open - action extends out of the frame

Mosaic - -creates pictures on flat surface

Stained Glass ndash enlivened tomblike a

interiors and introduced a bright and warm

atmosphere- means of religious instructions

Tapestry ndash decorated hangings to drab

interiors and served to warm the room

Free-Standing Sculpture ndash statuary

High-Relief Sculpture ndash flat background

Bas-Relief Sculpture ndash slightly raised

Retablo

Carving ndash subtractive process

removing unwanted portions

Modeling ndash additive process building

using wax or clay

Casting ndash complex process covers the

original model with a mold

Fabrication ndash additive process method

of joining or fastening as

nailing stapling soldering and welding

Post-and lintel ndash two vertical posts and

horizontal beam

Arch ndash wedge-shaped blocks arranged in

semi-circle

Truss ndash triangular forms assembles into

rigid framework and functioning like beam

or lintel bridges gymnasium halls

Skeleton ndash reinforced concrete and steel

Cantilever ndash beam or slab extending

horizontally into space beyond its

supporting post

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 8: Elements of visual arts

Refers to the materialClassification

Visual or space art ndash mediums can be seen

Two-dimensional art

Three-dimensional art

Auditory art ndash mediums can be heard and expressed in

time

Combined art ndash mediums both seen and heard and exist

in both time and space

Painting

Drawing

Printmaking

Photography

Sculpture

Architecture

Landscaping

Community planning

Industrial design

Craftsbull Ceramics

bull Furniture-making

Music bull The first time I loved forever

Literaturebull The road not taken by Robert Frost

bull Sonnet 116

Dancebull Hip hop Dance

Dramabull Macbeth

Operabull Les Miserables

Moviesbull Film Analysis

Artistrsquos knowledge of medium and his skill

in making what he wants to make

bull Ex Poetrsquos technique in putting words together to

express an emotion or narrate a story

Poersquos Annabel Lee

Fresco ndash wet plaster cannot be changed

bull School of Athens by Raphael

Tempera ndash wooden panels combination of

gypsumchalk gelatin or glue

Last Supper by Leonardo da Vinci

bull Oil ndash ready mixed in tubes dries slowly

Mona Lisa

by Leonardo da Vinci

bull Water Color ndash 19th Cent artist work rapidly and

cannot change anything

Horror Vacui ndash painters fill up all available spaces

with shapes and colors

Muslim Wedding (left)

by Carlos Francisco 1958

Mangingisda (right)

by Carlos Francisco

Stone

Wood

Metal

Marble

Bronze

Glass

Junk

Stone

Brick

Concrete

Steel

Glass

Wood

Shape of a work of art

Horizontal line ndash serenity and perfect

stability

Vertical line ndash poised and stable

Diagonal line ndash implies action movement

Curved line ndash grace and movement

Series of wave length

Beam of light contains different colors why

we see objects as having colors

Primary colors

Secondary colors

Tertiary colors

The way two objects feel to the touch

Smooth

Rough

Grooved

Ridged

Furry

Silky

Solidity and thickness

Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere

Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro

Use of larger amount of dark areas beside smaller areas of light for emphasis

Linear Perspective ndash objects become

smaller as they recede into the distance

Aerial Perspective ndash objects become

fainter in the distance due to the effects of

the atmosphere

Over-all design of a work of art

Triangular

Circular

Square

Rectangular

Oblong

Closed ndash contained within the frame

Open - action extends out of the frame

Mosaic - -creates pictures on flat surface

Stained Glass ndash enlivened tomblike a

interiors and introduced a bright and warm

atmosphere- means of religious instructions

Tapestry ndash decorated hangings to drab

interiors and served to warm the room

Free-Standing Sculpture ndash statuary

High-Relief Sculpture ndash flat background

Bas-Relief Sculpture ndash slightly raised

Retablo

Carving ndash subtractive process

removing unwanted portions

Modeling ndash additive process building

using wax or clay

Casting ndash complex process covers the

original model with a mold

Fabrication ndash additive process method

of joining or fastening as

nailing stapling soldering and welding

Post-and lintel ndash two vertical posts and

horizontal beam

Arch ndash wedge-shaped blocks arranged in

semi-circle

Truss ndash triangular forms assembles into

rigid framework and functioning like beam

or lintel bridges gymnasium halls

Skeleton ndash reinforced concrete and steel

Cantilever ndash beam or slab extending

horizontally into space beyond its

supporting post

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 9: Elements of visual arts

Painting

Drawing

Printmaking

Photography

Sculpture

Architecture

Landscaping

Community planning

Industrial design

Craftsbull Ceramics

bull Furniture-making

Music bull The first time I loved forever

Literaturebull The road not taken by Robert Frost

bull Sonnet 116

Dancebull Hip hop Dance

Dramabull Macbeth

Operabull Les Miserables

Moviesbull Film Analysis

Artistrsquos knowledge of medium and his skill

in making what he wants to make

bull Ex Poetrsquos technique in putting words together to

express an emotion or narrate a story

Poersquos Annabel Lee

Fresco ndash wet plaster cannot be changed

bull School of Athens by Raphael

Tempera ndash wooden panels combination of

gypsumchalk gelatin or glue

Last Supper by Leonardo da Vinci

bull Oil ndash ready mixed in tubes dries slowly

Mona Lisa

by Leonardo da Vinci

bull Water Color ndash 19th Cent artist work rapidly and

cannot change anything

Horror Vacui ndash painters fill up all available spaces

with shapes and colors

Muslim Wedding (left)

by Carlos Francisco 1958

Mangingisda (right)

by Carlos Francisco

Stone

Wood

Metal

Marble

Bronze

Glass

Junk

Stone

Brick

Concrete

Steel

Glass

Wood

Shape of a work of art

Horizontal line ndash serenity and perfect

stability

Vertical line ndash poised and stable

Diagonal line ndash implies action movement

Curved line ndash grace and movement

Series of wave length

Beam of light contains different colors why

we see objects as having colors

Primary colors

Secondary colors

Tertiary colors

The way two objects feel to the touch

Smooth

Rough

Grooved

Ridged

Furry

Silky

Solidity and thickness

Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere

Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro

Use of larger amount of dark areas beside smaller areas of light for emphasis

Linear Perspective ndash objects become

smaller as they recede into the distance

Aerial Perspective ndash objects become

fainter in the distance due to the effects of

the atmosphere

Over-all design of a work of art

Triangular

Circular

Square

Rectangular

Oblong

Closed ndash contained within the frame

Open - action extends out of the frame

Mosaic - -creates pictures on flat surface

Stained Glass ndash enlivened tomblike a

interiors and introduced a bright and warm

atmosphere- means of religious instructions

Tapestry ndash decorated hangings to drab

interiors and served to warm the room

Free-Standing Sculpture ndash statuary

High-Relief Sculpture ndash flat background

Bas-Relief Sculpture ndash slightly raised

Retablo

Carving ndash subtractive process

removing unwanted portions

Modeling ndash additive process building

using wax or clay

Casting ndash complex process covers the

original model with a mold

Fabrication ndash additive process method

of joining or fastening as

nailing stapling soldering and welding

Post-and lintel ndash two vertical posts and

horizontal beam

Arch ndash wedge-shaped blocks arranged in

semi-circle

Truss ndash triangular forms assembles into

rigid framework and functioning like beam

or lintel bridges gymnasium halls

Skeleton ndash reinforced concrete and steel

Cantilever ndash beam or slab extending

horizontally into space beyond its

supporting post

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 10: Elements of visual arts

Sculpture

Architecture

Landscaping

Community planning

Industrial design

Craftsbull Ceramics

bull Furniture-making

Music bull The first time I loved forever

Literaturebull The road not taken by Robert Frost

bull Sonnet 116

Dancebull Hip hop Dance

Dramabull Macbeth

Operabull Les Miserables

Moviesbull Film Analysis

Artistrsquos knowledge of medium and his skill

in making what he wants to make

bull Ex Poetrsquos technique in putting words together to

express an emotion or narrate a story

Poersquos Annabel Lee

Fresco ndash wet plaster cannot be changed

bull School of Athens by Raphael

Tempera ndash wooden panels combination of

gypsumchalk gelatin or glue

Last Supper by Leonardo da Vinci

bull Oil ndash ready mixed in tubes dries slowly

Mona Lisa

by Leonardo da Vinci

bull Water Color ndash 19th Cent artist work rapidly and

cannot change anything

Horror Vacui ndash painters fill up all available spaces

with shapes and colors

Muslim Wedding (left)

by Carlos Francisco 1958

Mangingisda (right)

by Carlos Francisco

Stone

Wood

Metal

Marble

Bronze

Glass

Junk

Stone

Brick

Concrete

Steel

Glass

Wood

Shape of a work of art

Horizontal line ndash serenity and perfect

stability

Vertical line ndash poised and stable

Diagonal line ndash implies action movement

Curved line ndash grace and movement

Series of wave length

Beam of light contains different colors why

we see objects as having colors

Primary colors

Secondary colors

Tertiary colors

The way two objects feel to the touch

Smooth

Rough

Grooved

Ridged

Furry

Silky

Solidity and thickness

Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere

Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro

Use of larger amount of dark areas beside smaller areas of light for emphasis

Linear Perspective ndash objects become

smaller as they recede into the distance

Aerial Perspective ndash objects become

fainter in the distance due to the effects of

the atmosphere

Over-all design of a work of art

Triangular

Circular

Square

Rectangular

Oblong

Closed ndash contained within the frame

Open - action extends out of the frame

Mosaic - -creates pictures on flat surface

Stained Glass ndash enlivened tomblike a

interiors and introduced a bright and warm

atmosphere- means of religious instructions

Tapestry ndash decorated hangings to drab

interiors and served to warm the room

Free-Standing Sculpture ndash statuary

High-Relief Sculpture ndash flat background

Bas-Relief Sculpture ndash slightly raised

Retablo

Carving ndash subtractive process

removing unwanted portions

Modeling ndash additive process building

using wax or clay

Casting ndash complex process covers the

original model with a mold

Fabrication ndash additive process method

of joining or fastening as

nailing stapling soldering and welding

Post-and lintel ndash two vertical posts and

horizontal beam

Arch ndash wedge-shaped blocks arranged in

semi-circle

Truss ndash triangular forms assembles into

rigid framework and functioning like beam

or lintel bridges gymnasium halls

Skeleton ndash reinforced concrete and steel

Cantilever ndash beam or slab extending

horizontally into space beyond its

supporting post

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 11: Elements of visual arts

Music bull The first time I loved forever

Literaturebull The road not taken by Robert Frost

bull Sonnet 116

Dancebull Hip hop Dance

Dramabull Macbeth

Operabull Les Miserables

Moviesbull Film Analysis

Artistrsquos knowledge of medium and his skill

in making what he wants to make

bull Ex Poetrsquos technique in putting words together to

express an emotion or narrate a story

Poersquos Annabel Lee

Fresco ndash wet plaster cannot be changed

bull School of Athens by Raphael

Tempera ndash wooden panels combination of

gypsumchalk gelatin or glue

Last Supper by Leonardo da Vinci

bull Oil ndash ready mixed in tubes dries slowly

Mona Lisa

by Leonardo da Vinci

bull Water Color ndash 19th Cent artist work rapidly and

cannot change anything

Horror Vacui ndash painters fill up all available spaces

with shapes and colors

Muslim Wedding (left)

by Carlos Francisco 1958

Mangingisda (right)

by Carlos Francisco

Stone

Wood

Metal

Marble

Bronze

Glass

Junk

Stone

Brick

Concrete

Steel

Glass

Wood

Shape of a work of art

Horizontal line ndash serenity and perfect

stability

Vertical line ndash poised and stable

Diagonal line ndash implies action movement

Curved line ndash grace and movement

Series of wave length

Beam of light contains different colors why

we see objects as having colors

Primary colors

Secondary colors

Tertiary colors

The way two objects feel to the touch

Smooth

Rough

Grooved

Ridged

Furry

Silky

Solidity and thickness

Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere

Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro

Use of larger amount of dark areas beside smaller areas of light for emphasis

Linear Perspective ndash objects become

smaller as they recede into the distance

Aerial Perspective ndash objects become

fainter in the distance due to the effects of

the atmosphere

Over-all design of a work of art

Triangular

Circular

Square

Rectangular

Oblong

Closed ndash contained within the frame

Open - action extends out of the frame

Mosaic - -creates pictures on flat surface

Stained Glass ndash enlivened tomblike a

interiors and introduced a bright and warm

atmosphere- means of religious instructions

Tapestry ndash decorated hangings to drab

interiors and served to warm the room

Free-Standing Sculpture ndash statuary

High-Relief Sculpture ndash flat background

Bas-Relief Sculpture ndash slightly raised

Retablo

Carving ndash subtractive process

removing unwanted portions

Modeling ndash additive process building

using wax or clay

Casting ndash complex process covers the

original model with a mold

Fabrication ndash additive process method

of joining or fastening as

nailing stapling soldering and welding

Post-and lintel ndash two vertical posts and

horizontal beam

Arch ndash wedge-shaped blocks arranged in

semi-circle

Truss ndash triangular forms assembles into

rigid framework and functioning like beam

or lintel bridges gymnasium halls

Skeleton ndash reinforced concrete and steel

Cantilever ndash beam or slab extending

horizontally into space beyond its

supporting post

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 12: Elements of visual arts

Dancebull Hip hop Dance

Dramabull Macbeth

Operabull Les Miserables

Moviesbull Film Analysis

Artistrsquos knowledge of medium and his skill

in making what he wants to make

bull Ex Poetrsquos technique in putting words together to

express an emotion or narrate a story

Poersquos Annabel Lee

Fresco ndash wet plaster cannot be changed

bull School of Athens by Raphael

Tempera ndash wooden panels combination of

gypsumchalk gelatin or glue

Last Supper by Leonardo da Vinci

bull Oil ndash ready mixed in tubes dries slowly

Mona Lisa

by Leonardo da Vinci

bull Water Color ndash 19th Cent artist work rapidly and

cannot change anything

Horror Vacui ndash painters fill up all available spaces

with shapes and colors

Muslim Wedding (left)

by Carlos Francisco 1958

Mangingisda (right)

by Carlos Francisco

Stone

Wood

Metal

Marble

Bronze

Glass

Junk

Stone

Brick

Concrete

Steel

Glass

Wood

Shape of a work of art

Horizontal line ndash serenity and perfect

stability

Vertical line ndash poised and stable

Diagonal line ndash implies action movement

Curved line ndash grace and movement

Series of wave length

Beam of light contains different colors why

we see objects as having colors

Primary colors

Secondary colors

Tertiary colors

The way two objects feel to the touch

Smooth

Rough

Grooved

Ridged

Furry

Silky

Solidity and thickness

Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere

Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro

Use of larger amount of dark areas beside smaller areas of light for emphasis

Linear Perspective ndash objects become

smaller as they recede into the distance

Aerial Perspective ndash objects become

fainter in the distance due to the effects of

the atmosphere

Over-all design of a work of art

Triangular

Circular

Square

Rectangular

Oblong

Closed ndash contained within the frame

Open - action extends out of the frame

Mosaic - -creates pictures on flat surface

Stained Glass ndash enlivened tomblike a

interiors and introduced a bright and warm

atmosphere- means of religious instructions

Tapestry ndash decorated hangings to drab

interiors and served to warm the room

Free-Standing Sculpture ndash statuary

High-Relief Sculpture ndash flat background

Bas-Relief Sculpture ndash slightly raised

Retablo

Carving ndash subtractive process

removing unwanted portions

Modeling ndash additive process building

using wax or clay

Casting ndash complex process covers the

original model with a mold

Fabrication ndash additive process method

of joining or fastening as

nailing stapling soldering and welding

Post-and lintel ndash two vertical posts and

horizontal beam

Arch ndash wedge-shaped blocks arranged in

semi-circle

Truss ndash triangular forms assembles into

rigid framework and functioning like beam

or lintel bridges gymnasium halls

Skeleton ndash reinforced concrete and steel

Cantilever ndash beam or slab extending

horizontally into space beyond its

supporting post

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 13: Elements of visual arts

Artistrsquos knowledge of medium and his skill

in making what he wants to make

bull Ex Poetrsquos technique in putting words together to

express an emotion or narrate a story

Poersquos Annabel Lee

Fresco ndash wet plaster cannot be changed

bull School of Athens by Raphael

Tempera ndash wooden panels combination of

gypsumchalk gelatin or glue

Last Supper by Leonardo da Vinci

bull Oil ndash ready mixed in tubes dries slowly

Mona Lisa

by Leonardo da Vinci

bull Water Color ndash 19th Cent artist work rapidly and

cannot change anything

Horror Vacui ndash painters fill up all available spaces

with shapes and colors

Muslim Wedding (left)

by Carlos Francisco 1958

Mangingisda (right)

by Carlos Francisco

Stone

Wood

Metal

Marble

Bronze

Glass

Junk

Stone

Brick

Concrete

Steel

Glass

Wood

Shape of a work of art

Horizontal line ndash serenity and perfect

stability

Vertical line ndash poised and stable

Diagonal line ndash implies action movement

Curved line ndash grace and movement

Series of wave length

Beam of light contains different colors why

we see objects as having colors

Primary colors

Secondary colors

Tertiary colors

The way two objects feel to the touch

Smooth

Rough

Grooved

Ridged

Furry

Silky

Solidity and thickness

Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere

Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro

Use of larger amount of dark areas beside smaller areas of light for emphasis

Linear Perspective ndash objects become

smaller as they recede into the distance

Aerial Perspective ndash objects become

fainter in the distance due to the effects of

the atmosphere

Over-all design of a work of art

Triangular

Circular

Square

Rectangular

Oblong

Closed ndash contained within the frame

Open - action extends out of the frame

Mosaic - -creates pictures on flat surface

Stained Glass ndash enlivened tomblike a

interiors and introduced a bright and warm

atmosphere- means of religious instructions

Tapestry ndash decorated hangings to drab

interiors and served to warm the room

Free-Standing Sculpture ndash statuary

High-Relief Sculpture ndash flat background

Bas-Relief Sculpture ndash slightly raised

Retablo

Carving ndash subtractive process

removing unwanted portions

Modeling ndash additive process building

using wax or clay

Casting ndash complex process covers the

original model with a mold

Fabrication ndash additive process method

of joining or fastening as

nailing stapling soldering and welding

Post-and lintel ndash two vertical posts and

horizontal beam

Arch ndash wedge-shaped blocks arranged in

semi-circle

Truss ndash triangular forms assembles into

rigid framework and functioning like beam

or lintel bridges gymnasium halls

Skeleton ndash reinforced concrete and steel

Cantilever ndash beam or slab extending

horizontally into space beyond its

supporting post

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 14: Elements of visual arts

Fresco ndash wet plaster cannot be changed

bull School of Athens by Raphael

Tempera ndash wooden panels combination of

gypsumchalk gelatin or glue

Last Supper by Leonardo da Vinci

bull Oil ndash ready mixed in tubes dries slowly

Mona Lisa

by Leonardo da Vinci

bull Water Color ndash 19th Cent artist work rapidly and

cannot change anything

Horror Vacui ndash painters fill up all available spaces

with shapes and colors

Muslim Wedding (left)

by Carlos Francisco 1958

Mangingisda (right)

by Carlos Francisco

Stone

Wood

Metal

Marble

Bronze

Glass

Junk

Stone

Brick

Concrete

Steel

Glass

Wood

Shape of a work of art

Horizontal line ndash serenity and perfect

stability

Vertical line ndash poised and stable

Diagonal line ndash implies action movement

Curved line ndash grace and movement

Series of wave length

Beam of light contains different colors why

we see objects as having colors

Primary colors

Secondary colors

Tertiary colors

The way two objects feel to the touch

Smooth

Rough

Grooved

Ridged

Furry

Silky

Solidity and thickness

Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere

Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro

Use of larger amount of dark areas beside smaller areas of light for emphasis

Linear Perspective ndash objects become

smaller as they recede into the distance

Aerial Perspective ndash objects become

fainter in the distance due to the effects of

the atmosphere

Over-all design of a work of art

Triangular

Circular

Square

Rectangular

Oblong

Closed ndash contained within the frame

Open - action extends out of the frame

Mosaic - -creates pictures on flat surface

Stained Glass ndash enlivened tomblike a

interiors and introduced a bright and warm

atmosphere- means of religious instructions

Tapestry ndash decorated hangings to drab

interiors and served to warm the room

Free-Standing Sculpture ndash statuary

High-Relief Sculpture ndash flat background

Bas-Relief Sculpture ndash slightly raised

Retablo

Carving ndash subtractive process

removing unwanted portions

Modeling ndash additive process building

using wax or clay

Casting ndash complex process covers the

original model with a mold

Fabrication ndash additive process method

of joining or fastening as

nailing stapling soldering and welding

Post-and lintel ndash two vertical posts and

horizontal beam

Arch ndash wedge-shaped blocks arranged in

semi-circle

Truss ndash triangular forms assembles into

rigid framework and functioning like beam

or lintel bridges gymnasium halls

Skeleton ndash reinforced concrete and steel

Cantilever ndash beam or slab extending

horizontally into space beyond its

supporting post

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 15: Elements of visual arts

Tempera ndash wooden panels combination of

gypsumchalk gelatin or glue

Last Supper by Leonardo da Vinci

bull Oil ndash ready mixed in tubes dries slowly

Mona Lisa

by Leonardo da Vinci

bull Water Color ndash 19th Cent artist work rapidly and

cannot change anything

Horror Vacui ndash painters fill up all available spaces

with shapes and colors

Muslim Wedding (left)

by Carlos Francisco 1958

Mangingisda (right)

by Carlos Francisco

Stone

Wood

Metal

Marble

Bronze

Glass

Junk

Stone

Brick

Concrete

Steel

Glass

Wood

Shape of a work of art

Horizontal line ndash serenity and perfect

stability

Vertical line ndash poised and stable

Diagonal line ndash implies action movement

Curved line ndash grace and movement

Series of wave length

Beam of light contains different colors why

we see objects as having colors

Primary colors

Secondary colors

Tertiary colors

The way two objects feel to the touch

Smooth

Rough

Grooved

Ridged

Furry

Silky

Solidity and thickness

Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere

Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro

Use of larger amount of dark areas beside smaller areas of light for emphasis

Linear Perspective ndash objects become

smaller as they recede into the distance

Aerial Perspective ndash objects become

fainter in the distance due to the effects of

the atmosphere

Over-all design of a work of art

Triangular

Circular

Square

Rectangular

Oblong

Closed ndash contained within the frame

Open - action extends out of the frame

Mosaic - -creates pictures on flat surface

Stained Glass ndash enlivened tomblike a

interiors and introduced a bright and warm

atmosphere- means of religious instructions

Tapestry ndash decorated hangings to drab

interiors and served to warm the room

Free-Standing Sculpture ndash statuary

High-Relief Sculpture ndash flat background

Bas-Relief Sculpture ndash slightly raised

Retablo

Carving ndash subtractive process

removing unwanted portions

Modeling ndash additive process building

using wax or clay

Casting ndash complex process covers the

original model with a mold

Fabrication ndash additive process method

of joining or fastening as

nailing stapling soldering and welding

Post-and lintel ndash two vertical posts and

horizontal beam

Arch ndash wedge-shaped blocks arranged in

semi-circle

Truss ndash triangular forms assembles into

rigid framework and functioning like beam

or lintel bridges gymnasium halls

Skeleton ndash reinforced concrete and steel

Cantilever ndash beam or slab extending

horizontally into space beyond its

supporting post

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 16: Elements of visual arts

bull Oil ndash ready mixed in tubes dries slowly

Mona Lisa

by Leonardo da Vinci

bull Water Color ndash 19th Cent artist work rapidly and

cannot change anything

Horror Vacui ndash painters fill up all available spaces

with shapes and colors

Muslim Wedding (left)

by Carlos Francisco 1958

Mangingisda (right)

by Carlos Francisco

Stone

Wood

Metal

Marble

Bronze

Glass

Junk

Stone

Brick

Concrete

Steel

Glass

Wood

Shape of a work of art

Horizontal line ndash serenity and perfect

stability

Vertical line ndash poised and stable

Diagonal line ndash implies action movement

Curved line ndash grace and movement

Series of wave length

Beam of light contains different colors why

we see objects as having colors

Primary colors

Secondary colors

Tertiary colors

The way two objects feel to the touch

Smooth

Rough

Grooved

Ridged

Furry

Silky

Solidity and thickness

Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere

Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro

Use of larger amount of dark areas beside smaller areas of light for emphasis

Linear Perspective ndash objects become

smaller as they recede into the distance

Aerial Perspective ndash objects become

fainter in the distance due to the effects of

the atmosphere

Over-all design of a work of art

Triangular

Circular

Square

Rectangular

Oblong

Closed ndash contained within the frame

Open - action extends out of the frame

Mosaic - -creates pictures on flat surface

Stained Glass ndash enlivened tomblike a

interiors and introduced a bright and warm

atmosphere- means of religious instructions

Tapestry ndash decorated hangings to drab

interiors and served to warm the room

Free-Standing Sculpture ndash statuary

High-Relief Sculpture ndash flat background

Bas-Relief Sculpture ndash slightly raised

Retablo

Carving ndash subtractive process

removing unwanted portions

Modeling ndash additive process building

using wax or clay

Casting ndash complex process covers the

original model with a mold

Fabrication ndash additive process method

of joining or fastening as

nailing stapling soldering and welding

Post-and lintel ndash two vertical posts and

horizontal beam

Arch ndash wedge-shaped blocks arranged in

semi-circle

Truss ndash triangular forms assembles into

rigid framework and functioning like beam

or lintel bridges gymnasium halls

Skeleton ndash reinforced concrete and steel

Cantilever ndash beam or slab extending

horizontally into space beyond its

supporting post

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 17: Elements of visual arts

bull Water Color ndash 19th Cent artist work rapidly and

cannot change anything

Horror Vacui ndash painters fill up all available spaces

with shapes and colors

Muslim Wedding (left)

by Carlos Francisco 1958

Mangingisda (right)

by Carlos Francisco

Stone

Wood

Metal

Marble

Bronze

Glass

Junk

Stone

Brick

Concrete

Steel

Glass

Wood

Shape of a work of art

Horizontal line ndash serenity and perfect

stability

Vertical line ndash poised and stable

Diagonal line ndash implies action movement

Curved line ndash grace and movement

Series of wave length

Beam of light contains different colors why

we see objects as having colors

Primary colors

Secondary colors

Tertiary colors

The way two objects feel to the touch

Smooth

Rough

Grooved

Ridged

Furry

Silky

Solidity and thickness

Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere

Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro

Use of larger amount of dark areas beside smaller areas of light for emphasis

Linear Perspective ndash objects become

smaller as they recede into the distance

Aerial Perspective ndash objects become

fainter in the distance due to the effects of

the atmosphere

Over-all design of a work of art

Triangular

Circular

Square

Rectangular

Oblong

Closed ndash contained within the frame

Open - action extends out of the frame

Mosaic - -creates pictures on flat surface

Stained Glass ndash enlivened tomblike a

interiors and introduced a bright and warm

atmosphere- means of religious instructions

Tapestry ndash decorated hangings to drab

interiors and served to warm the room

Free-Standing Sculpture ndash statuary

High-Relief Sculpture ndash flat background

Bas-Relief Sculpture ndash slightly raised

Retablo

Carving ndash subtractive process

removing unwanted portions

Modeling ndash additive process building

using wax or clay

Casting ndash complex process covers the

original model with a mold

Fabrication ndash additive process method

of joining or fastening as

nailing stapling soldering and welding

Post-and lintel ndash two vertical posts and

horizontal beam

Arch ndash wedge-shaped blocks arranged in

semi-circle

Truss ndash triangular forms assembles into

rigid framework and functioning like beam

or lintel bridges gymnasium halls

Skeleton ndash reinforced concrete and steel

Cantilever ndash beam or slab extending

horizontally into space beyond its

supporting post

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 18: Elements of visual arts

Horror Vacui ndash painters fill up all available spaces

with shapes and colors

Muslim Wedding (left)

by Carlos Francisco 1958

Mangingisda (right)

by Carlos Francisco

Stone

Wood

Metal

Marble

Bronze

Glass

Junk

Stone

Brick

Concrete

Steel

Glass

Wood

Shape of a work of art

Horizontal line ndash serenity and perfect

stability

Vertical line ndash poised and stable

Diagonal line ndash implies action movement

Curved line ndash grace and movement

Series of wave length

Beam of light contains different colors why

we see objects as having colors

Primary colors

Secondary colors

Tertiary colors

The way two objects feel to the touch

Smooth

Rough

Grooved

Ridged

Furry

Silky

Solidity and thickness

Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere

Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro

Use of larger amount of dark areas beside smaller areas of light for emphasis

Linear Perspective ndash objects become

smaller as they recede into the distance

Aerial Perspective ndash objects become

fainter in the distance due to the effects of

the atmosphere

Over-all design of a work of art

Triangular

Circular

Square

Rectangular

Oblong

Closed ndash contained within the frame

Open - action extends out of the frame

Mosaic - -creates pictures on flat surface

Stained Glass ndash enlivened tomblike a

interiors and introduced a bright and warm

atmosphere- means of religious instructions

Tapestry ndash decorated hangings to drab

interiors and served to warm the room

Free-Standing Sculpture ndash statuary

High-Relief Sculpture ndash flat background

Bas-Relief Sculpture ndash slightly raised

Retablo

Carving ndash subtractive process

removing unwanted portions

Modeling ndash additive process building

using wax or clay

Casting ndash complex process covers the

original model with a mold

Fabrication ndash additive process method

of joining or fastening as

nailing stapling soldering and welding

Post-and lintel ndash two vertical posts and

horizontal beam

Arch ndash wedge-shaped blocks arranged in

semi-circle

Truss ndash triangular forms assembles into

rigid framework and functioning like beam

or lintel bridges gymnasium halls

Skeleton ndash reinforced concrete and steel

Cantilever ndash beam or slab extending

horizontally into space beyond its

supporting post

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 19: Elements of visual arts

Stone

Wood

Metal

Marble

Bronze

Glass

Junk

Stone

Brick

Concrete

Steel

Glass

Wood

Shape of a work of art

Horizontal line ndash serenity and perfect

stability

Vertical line ndash poised and stable

Diagonal line ndash implies action movement

Curved line ndash grace and movement

Series of wave length

Beam of light contains different colors why

we see objects as having colors

Primary colors

Secondary colors

Tertiary colors

The way two objects feel to the touch

Smooth

Rough

Grooved

Ridged

Furry

Silky

Solidity and thickness

Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere

Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro

Use of larger amount of dark areas beside smaller areas of light for emphasis

Linear Perspective ndash objects become

smaller as they recede into the distance

Aerial Perspective ndash objects become

fainter in the distance due to the effects of

the atmosphere

Over-all design of a work of art

Triangular

Circular

Square

Rectangular

Oblong

Closed ndash contained within the frame

Open - action extends out of the frame

Mosaic - -creates pictures on flat surface

Stained Glass ndash enlivened tomblike a

interiors and introduced a bright and warm

atmosphere- means of religious instructions

Tapestry ndash decorated hangings to drab

interiors and served to warm the room

Free-Standing Sculpture ndash statuary

High-Relief Sculpture ndash flat background

Bas-Relief Sculpture ndash slightly raised

Retablo

Carving ndash subtractive process

removing unwanted portions

Modeling ndash additive process building

using wax or clay

Casting ndash complex process covers the

original model with a mold

Fabrication ndash additive process method

of joining or fastening as

nailing stapling soldering and welding

Post-and lintel ndash two vertical posts and

horizontal beam

Arch ndash wedge-shaped blocks arranged in

semi-circle

Truss ndash triangular forms assembles into

rigid framework and functioning like beam

or lintel bridges gymnasium halls

Skeleton ndash reinforced concrete and steel

Cantilever ndash beam or slab extending

horizontally into space beyond its

supporting post

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 20: Elements of visual arts

Stone

Brick

Concrete

Steel

Glass

Wood

Shape of a work of art

Horizontal line ndash serenity and perfect

stability

Vertical line ndash poised and stable

Diagonal line ndash implies action movement

Curved line ndash grace and movement

Series of wave length

Beam of light contains different colors why

we see objects as having colors

Primary colors

Secondary colors

Tertiary colors

The way two objects feel to the touch

Smooth

Rough

Grooved

Ridged

Furry

Silky

Solidity and thickness

Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere

Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro

Use of larger amount of dark areas beside smaller areas of light for emphasis

Linear Perspective ndash objects become

smaller as they recede into the distance

Aerial Perspective ndash objects become

fainter in the distance due to the effects of

the atmosphere

Over-all design of a work of art

Triangular

Circular

Square

Rectangular

Oblong

Closed ndash contained within the frame

Open - action extends out of the frame

Mosaic - -creates pictures on flat surface

Stained Glass ndash enlivened tomblike a

interiors and introduced a bright and warm

atmosphere- means of religious instructions

Tapestry ndash decorated hangings to drab

interiors and served to warm the room

Free-Standing Sculpture ndash statuary

High-Relief Sculpture ndash flat background

Bas-Relief Sculpture ndash slightly raised

Retablo

Carving ndash subtractive process

removing unwanted portions

Modeling ndash additive process building

using wax or clay

Casting ndash complex process covers the

original model with a mold

Fabrication ndash additive process method

of joining or fastening as

nailing stapling soldering and welding

Post-and lintel ndash two vertical posts and

horizontal beam

Arch ndash wedge-shaped blocks arranged in

semi-circle

Truss ndash triangular forms assembles into

rigid framework and functioning like beam

or lintel bridges gymnasium halls

Skeleton ndash reinforced concrete and steel

Cantilever ndash beam or slab extending

horizontally into space beyond its

supporting post

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 21: Elements of visual arts

Shape of a work of art

Horizontal line ndash serenity and perfect

stability

Vertical line ndash poised and stable

Diagonal line ndash implies action movement

Curved line ndash grace and movement

Series of wave length

Beam of light contains different colors why

we see objects as having colors

Primary colors

Secondary colors

Tertiary colors

The way two objects feel to the touch

Smooth

Rough

Grooved

Ridged

Furry

Silky

Solidity and thickness

Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere

Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro

Use of larger amount of dark areas beside smaller areas of light for emphasis

Linear Perspective ndash objects become

smaller as they recede into the distance

Aerial Perspective ndash objects become

fainter in the distance due to the effects of

the atmosphere

Over-all design of a work of art

Triangular

Circular

Square

Rectangular

Oblong

Closed ndash contained within the frame

Open - action extends out of the frame

Mosaic - -creates pictures on flat surface

Stained Glass ndash enlivened tomblike a

interiors and introduced a bright and warm

atmosphere- means of religious instructions

Tapestry ndash decorated hangings to drab

interiors and served to warm the room

Free-Standing Sculpture ndash statuary

High-Relief Sculpture ndash flat background

Bas-Relief Sculpture ndash slightly raised

Retablo

Carving ndash subtractive process

removing unwanted portions

Modeling ndash additive process building

using wax or clay

Casting ndash complex process covers the

original model with a mold

Fabrication ndash additive process method

of joining or fastening as

nailing stapling soldering and welding

Post-and lintel ndash two vertical posts and

horizontal beam

Arch ndash wedge-shaped blocks arranged in

semi-circle

Truss ndash triangular forms assembles into

rigid framework and functioning like beam

or lintel bridges gymnasium halls

Skeleton ndash reinforced concrete and steel

Cantilever ndash beam or slab extending

horizontally into space beyond its

supporting post

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 22: Elements of visual arts

Series of wave length

Beam of light contains different colors why

we see objects as having colors

Primary colors

Secondary colors

Tertiary colors

The way two objects feel to the touch

Smooth

Rough

Grooved

Ridged

Furry

Silky

Solidity and thickness

Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere

Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro

Use of larger amount of dark areas beside smaller areas of light for emphasis

Linear Perspective ndash objects become

smaller as they recede into the distance

Aerial Perspective ndash objects become

fainter in the distance due to the effects of

the atmosphere

Over-all design of a work of art

Triangular

Circular

Square

Rectangular

Oblong

Closed ndash contained within the frame

Open - action extends out of the frame

Mosaic - -creates pictures on flat surface

Stained Glass ndash enlivened tomblike a

interiors and introduced a bright and warm

atmosphere- means of religious instructions

Tapestry ndash decorated hangings to drab

interiors and served to warm the room

Free-Standing Sculpture ndash statuary

High-Relief Sculpture ndash flat background

Bas-Relief Sculpture ndash slightly raised

Retablo

Carving ndash subtractive process

removing unwanted portions

Modeling ndash additive process building

using wax or clay

Casting ndash complex process covers the

original model with a mold

Fabrication ndash additive process method

of joining or fastening as

nailing stapling soldering and welding

Post-and lintel ndash two vertical posts and

horizontal beam

Arch ndash wedge-shaped blocks arranged in

semi-circle

Truss ndash triangular forms assembles into

rigid framework and functioning like beam

or lintel bridges gymnasium halls

Skeleton ndash reinforced concrete and steel

Cantilever ndash beam or slab extending

horizontally into space beyond its

supporting post

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 23: Elements of visual arts

The way two objects feel to the touch

Smooth

Rough

Grooved

Ridged

Furry

Silky

Solidity and thickness

Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere

Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro

Use of larger amount of dark areas beside smaller areas of light for emphasis

Linear Perspective ndash objects become

smaller as they recede into the distance

Aerial Perspective ndash objects become

fainter in the distance due to the effects of

the atmosphere

Over-all design of a work of art

Triangular

Circular

Square

Rectangular

Oblong

Closed ndash contained within the frame

Open - action extends out of the frame

Mosaic - -creates pictures on flat surface

Stained Glass ndash enlivened tomblike a

interiors and introduced a bright and warm

atmosphere- means of religious instructions

Tapestry ndash decorated hangings to drab

interiors and served to warm the room

Free-Standing Sculpture ndash statuary

High-Relief Sculpture ndash flat background

Bas-Relief Sculpture ndash slightly raised

Retablo

Carving ndash subtractive process

removing unwanted portions

Modeling ndash additive process building

using wax or clay

Casting ndash complex process covers the

original model with a mold

Fabrication ndash additive process method

of joining or fastening as

nailing stapling soldering and welding

Post-and lintel ndash two vertical posts and

horizontal beam

Arch ndash wedge-shaped blocks arranged in

semi-circle

Truss ndash triangular forms assembles into

rigid framework and functioning like beam

or lintel bridges gymnasium halls

Skeleton ndash reinforced concrete and steel

Cantilever ndash beam or slab extending

horizontally into space beyond its

supporting post

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 24: Elements of visual arts

Solidity and thickness

Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere

Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro

Use of larger amount of dark areas beside smaller areas of light for emphasis

Linear Perspective ndash objects become

smaller as they recede into the distance

Aerial Perspective ndash objects become

fainter in the distance due to the effects of

the atmosphere

Over-all design of a work of art

Triangular

Circular

Square

Rectangular

Oblong

Closed ndash contained within the frame

Open - action extends out of the frame

Mosaic - -creates pictures on flat surface

Stained Glass ndash enlivened tomblike a

interiors and introduced a bright and warm

atmosphere- means of religious instructions

Tapestry ndash decorated hangings to drab

interiors and served to warm the room

Free-Standing Sculpture ndash statuary

High-Relief Sculpture ndash flat background

Bas-Relief Sculpture ndash slightly raised

Retablo

Carving ndash subtractive process

removing unwanted portions

Modeling ndash additive process building

using wax or clay

Casting ndash complex process covers the

original model with a mold

Fabrication ndash additive process method

of joining or fastening as

nailing stapling soldering and welding

Post-and lintel ndash two vertical posts and

horizontal beam

Arch ndash wedge-shaped blocks arranged in

semi-circle

Truss ndash triangular forms assembles into

rigid framework and functioning like beam

or lintel bridges gymnasium halls

Skeleton ndash reinforced concrete and steel

Cantilever ndash beam or slab extending

horizontally into space beyond its

supporting post

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 25: Elements of visual arts

Linear Perspective ndash objects become

smaller as they recede into the distance

Aerial Perspective ndash objects become

fainter in the distance due to the effects of

the atmosphere

Over-all design of a work of art

Triangular

Circular

Square

Rectangular

Oblong

Closed ndash contained within the frame

Open - action extends out of the frame

Mosaic - -creates pictures on flat surface

Stained Glass ndash enlivened tomblike a

interiors and introduced a bright and warm

atmosphere- means of religious instructions

Tapestry ndash decorated hangings to drab

interiors and served to warm the room

Free-Standing Sculpture ndash statuary

High-Relief Sculpture ndash flat background

Bas-Relief Sculpture ndash slightly raised

Retablo

Carving ndash subtractive process

removing unwanted portions

Modeling ndash additive process building

using wax or clay

Casting ndash complex process covers the

original model with a mold

Fabrication ndash additive process method

of joining or fastening as

nailing stapling soldering and welding

Post-and lintel ndash two vertical posts and

horizontal beam

Arch ndash wedge-shaped blocks arranged in

semi-circle

Truss ndash triangular forms assembles into

rigid framework and functioning like beam

or lintel bridges gymnasium halls

Skeleton ndash reinforced concrete and steel

Cantilever ndash beam or slab extending

horizontally into space beyond its

supporting post

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 26: Elements of visual arts

Over-all design of a work of art

Triangular

Circular

Square

Rectangular

Oblong

Closed ndash contained within the frame

Open - action extends out of the frame

Mosaic - -creates pictures on flat surface

Stained Glass ndash enlivened tomblike a

interiors and introduced a bright and warm

atmosphere- means of religious instructions

Tapestry ndash decorated hangings to drab

interiors and served to warm the room

Free-Standing Sculpture ndash statuary

High-Relief Sculpture ndash flat background

Bas-Relief Sculpture ndash slightly raised

Retablo

Carving ndash subtractive process

removing unwanted portions

Modeling ndash additive process building

using wax or clay

Casting ndash complex process covers the

original model with a mold

Fabrication ndash additive process method

of joining or fastening as

nailing stapling soldering and welding

Post-and lintel ndash two vertical posts and

horizontal beam

Arch ndash wedge-shaped blocks arranged in

semi-circle

Truss ndash triangular forms assembles into

rigid framework and functioning like beam

or lintel bridges gymnasium halls

Skeleton ndash reinforced concrete and steel

Cantilever ndash beam or slab extending

horizontally into space beyond its

supporting post

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 27: Elements of visual arts

Mosaic - -creates pictures on flat surface

Stained Glass ndash enlivened tomblike a

interiors and introduced a bright and warm

atmosphere- means of religious instructions

Tapestry ndash decorated hangings to drab

interiors and served to warm the room

Free-Standing Sculpture ndash statuary

High-Relief Sculpture ndash flat background

Bas-Relief Sculpture ndash slightly raised

Retablo

Carving ndash subtractive process

removing unwanted portions

Modeling ndash additive process building

using wax or clay

Casting ndash complex process covers the

original model with a mold

Fabrication ndash additive process method

of joining or fastening as

nailing stapling soldering and welding

Post-and lintel ndash two vertical posts and

horizontal beam

Arch ndash wedge-shaped blocks arranged in

semi-circle

Truss ndash triangular forms assembles into

rigid framework and functioning like beam

or lintel bridges gymnasium halls

Skeleton ndash reinforced concrete and steel

Cantilever ndash beam or slab extending

horizontally into space beyond its

supporting post

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 28: Elements of visual arts

Stained Glass ndash enlivened tomblike a

interiors and introduced a bright and warm

atmosphere- means of religious instructions

Tapestry ndash decorated hangings to drab

interiors and served to warm the room

Free-Standing Sculpture ndash statuary

High-Relief Sculpture ndash flat background

Bas-Relief Sculpture ndash slightly raised

Retablo

Carving ndash subtractive process

removing unwanted portions

Modeling ndash additive process building

using wax or clay

Casting ndash complex process covers the

original model with a mold

Fabrication ndash additive process method

of joining or fastening as

nailing stapling soldering and welding

Post-and lintel ndash two vertical posts and

horizontal beam

Arch ndash wedge-shaped blocks arranged in

semi-circle

Truss ndash triangular forms assembles into

rigid framework and functioning like beam

or lintel bridges gymnasium halls

Skeleton ndash reinforced concrete and steel

Cantilever ndash beam or slab extending

horizontally into space beyond its

supporting post

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 29: Elements of visual arts

Tapestry ndash decorated hangings to drab

interiors and served to warm the room

Free-Standing Sculpture ndash statuary

High-Relief Sculpture ndash flat background

Bas-Relief Sculpture ndash slightly raised

Retablo

Carving ndash subtractive process

removing unwanted portions

Modeling ndash additive process building

using wax or clay

Casting ndash complex process covers the

original model with a mold

Fabrication ndash additive process method

of joining or fastening as

nailing stapling soldering and welding

Post-and lintel ndash two vertical posts and

horizontal beam

Arch ndash wedge-shaped blocks arranged in

semi-circle

Truss ndash triangular forms assembles into

rigid framework and functioning like beam

or lintel bridges gymnasium halls

Skeleton ndash reinforced concrete and steel

Cantilever ndash beam or slab extending

horizontally into space beyond its

supporting post

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 30: Elements of visual arts

Free-Standing Sculpture ndash statuary

High-Relief Sculpture ndash flat background

Bas-Relief Sculpture ndash slightly raised

Retablo

Carving ndash subtractive process

removing unwanted portions

Modeling ndash additive process building

using wax or clay

Casting ndash complex process covers the

original model with a mold

Fabrication ndash additive process method

of joining or fastening as

nailing stapling soldering and welding

Post-and lintel ndash two vertical posts and

horizontal beam

Arch ndash wedge-shaped blocks arranged in

semi-circle

Truss ndash triangular forms assembles into

rigid framework and functioning like beam

or lintel bridges gymnasium halls

Skeleton ndash reinforced concrete and steel

Cantilever ndash beam or slab extending

horizontally into space beyond its

supporting post

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 31: Elements of visual arts

Retablo

Carving ndash subtractive process

removing unwanted portions

Modeling ndash additive process building

using wax or clay

Casting ndash complex process covers the

original model with a mold

Fabrication ndash additive process method

of joining or fastening as

nailing stapling soldering and welding

Post-and lintel ndash two vertical posts and

horizontal beam

Arch ndash wedge-shaped blocks arranged in

semi-circle

Truss ndash triangular forms assembles into

rigid framework and functioning like beam

or lintel bridges gymnasium halls

Skeleton ndash reinforced concrete and steel

Cantilever ndash beam or slab extending

horizontally into space beyond its

supporting post

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 32: Elements of visual arts

Carving ndash subtractive process

removing unwanted portions

Modeling ndash additive process building

using wax or clay

Casting ndash complex process covers the

original model with a mold

Fabrication ndash additive process method

of joining or fastening as

nailing stapling soldering and welding

Post-and lintel ndash two vertical posts and

horizontal beam

Arch ndash wedge-shaped blocks arranged in

semi-circle

Truss ndash triangular forms assembles into

rigid framework and functioning like beam

or lintel bridges gymnasium halls

Skeleton ndash reinforced concrete and steel

Cantilever ndash beam or slab extending

horizontally into space beyond its

supporting post

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 33: Elements of visual arts

Modeling ndash additive process building

using wax or clay

Casting ndash complex process covers the

original model with a mold

Fabrication ndash additive process method

of joining or fastening as

nailing stapling soldering and welding

Post-and lintel ndash two vertical posts and

horizontal beam

Arch ndash wedge-shaped blocks arranged in

semi-circle

Truss ndash triangular forms assembles into

rigid framework and functioning like beam

or lintel bridges gymnasium halls

Skeleton ndash reinforced concrete and steel

Cantilever ndash beam or slab extending

horizontally into space beyond its

supporting post

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 34: Elements of visual arts

Casting ndash complex process covers the

original model with a mold

Fabrication ndash additive process method

of joining or fastening as

nailing stapling soldering and welding

Post-and lintel ndash two vertical posts and

horizontal beam

Arch ndash wedge-shaped blocks arranged in

semi-circle

Truss ndash triangular forms assembles into

rigid framework and functioning like beam

or lintel bridges gymnasium halls

Skeleton ndash reinforced concrete and steel

Cantilever ndash beam or slab extending

horizontally into space beyond its

supporting post

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 35: Elements of visual arts

Fabrication ndash additive process method

of joining or fastening as

nailing stapling soldering and welding

Post-and lintel ndash two vertical posts and

horizontal beam

Arch ndash wedge-shaped blocks arranged in

semi-circle

Truss ndash triangular forms assembles into

rigid framework and functioning like beam

or lintel bridges gymnasium halls

Skeleton ndash reinforced concrete and steel

Cantilever ndash beam or slab extending

horizontally into space beyond its

supporting post

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 36: Elements of visual arts

Post-and lintel ndash two vertical posts and

horizontal beam

Arch ndash wedge-shaped blocks arranged in

semi-circle

Truss ndash triangular forms assembles into

rigid framework and functioning like beam

or lintel bridges gymnasium halls

Skeleton ndash reinforced concrete and steel

Cantilever ndash beam or slab extending

horizontally into space beyond its

supporting post

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 37: Elements of visual arts

Arch ndash wedge-shaped blocks arranged in

semi-circle

Truss ndash triangular forms assembles into

rigid framework and functioning like beam

or lintel bridges gymnasium halls

Skeleton ndash reinforced concrete and steel

Cantilever ndash beam or slab extending

horizontally into space beyond its

supporting post

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 38: Elements of visual arts

Truss ndash triangular forms assembles into

rigid framework and functioning like beam

or lintel bridges gymnasium halls

Skeleton ndash reinforced concrete and steel

Cantilever ndash beam or slab extending

horizontally into space beyond its

supporting post

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 39: Elements of visual arts

Skeleton ndash reinforced concrete and steel

Cantilever ndash beam or slab extending

horizontally into space beyond its

supporting post

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 40: Elements of visual arts

Cantilever ndash beam or slab extending

horizontally into space beyond its

supporting post

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 41: Elements of visual arts

Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc

Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc

Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers

Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store

Page 42: Elements of visual arts