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* : baulkarea@gmail.com

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6

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7

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. [...] [...] , . (Fante 1982/2010: 115116)

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9

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Cawelti, J. G. (2001). The Concept of Formula in the Study of Popular Literature, : Harrington, C. L. & D. D. Bielby (.), Popular Culture: Production and Consumption. Malden, MA: Blackwell Publishing, 203209.

Fante, D. (1985/2003). Put za Los Aneles. Beograd: Lom. Fante, D. (1982/2010). Snovi sa Bunker Hila. Beograd: Lom. Fisk, D. (1991/2001). Popularna kultura. Beograd: Clio. Harrington, C. L. & Bielby, D. D. (2001). Constructing the Popular: Cultural Production and

Consumption, : Harrington, C. L. & D. D. Bielby (.), Popular Culture: Production and Consumption. Malden, MA: Blackwell Publishing, 115.

Williams, R. (1983). Keywords. London: Fontana.

ELEMENTS OF POPULAR CULTURE IN JOHN FANTE'S NOVEL

DREAMS FROM BUNKER HILL

Summary: Popular culture represents a widespread set of beliefs and practices which

permeates every layer of modern society. This paper aims to seek for the elements of popular culture

and present the importance of their role in the plot of a literary work which does not belong to the

field of popular literature, John Fantes novel Dreams from Bunker Hill. The paper starts with an attempt at defining the notion of popular culture as close as possible and determining a theoretical

framework. The analysis of the novel follows, with a particular emphasis on two of the most

significant elements of popular culture in this book, Hollywood film industry and professional

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wrestling. The text observes a specific relationship between the main protagonist of the novel, Arturo

Bandini, and these aspects of popular culture, on his way toward fulfilling his dream of becoming a

famous writer. The paper ends with a conclusion that more attention should be paid to the study of

elements of popular culture in high literature at the academic level. Key words: popular culture, cultural studies, literature, John Fante, Dreams from Bunker

Hill.

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