Leonardo

Front MatterSource: Leonardo. Supplemental Issue, Vol. 1, Electronic Art (1988)Published by: The MIT PressStable URL: http://www.jstor.org/stable/1557899 .

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LEONAKDO Supplemental Issue 1988

JOURNAL OF THE INTERNATIONAL SOCIETY FOR THE ARTS, SCIENCES AND TECHNOLOGY

ELECTRONIC ART

0

>,W2 Pergamon Press OXFORD * NEW YORK * BEIJING * FRANKFURT T SAO PAULO * SYDNEY * TOKYO * TORONTO

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FIRST INTERNATIONAL SYMPOSIUM ON ELECTRONIC ART September 27-30, 1988 Presented by the Foundation for Creative Computer Applications (SCCA) and the Center for Art, Media and Technology of the Utrecht Academy of Arts

Organi7ing Committee Ton Hokken, chairman Johan den Biggelaar, chairman Wim van der Plas, advisor

Program Committee Paul Berg (Netherlands) Frederik van der Blij (Netherlands) Wim Bijleveld (Netherlands) Wim Crouwel (Netherlands) Charles A. Csuri (U.S.A.) Herbert W. Franke (Fed. Rep. Germany) Theo Hesper (Netherlands) Robin G. King (Canada) John Lansdown (U.K.) Thomas E. Linehan (U.S.A.) Tod Machover (U.S.A.) Nadia Magnenat-Thalmann (Canada) Roger F. Malina (U.S.A.) Jean-Claude Risset (France) Itsuo Sakane (Japan) John Vince (U.K) Iannis Xenakis (France)

Committee of Recommendation E. van Spiegel, Director General Science Policy,

Ministry of Education and Sciences A. J. van der Staay, Director, Social and

Cultural Planning Bureau M. W. M. Vos-van Gortel, Mayor of Utrecht

Acknowledgments Secretariat The members of the Organizing Anjerfonds Utrecht SCCA/FISEA

Committee wish to express their Computer Music Association P. 0. Box 23330 gratitude to the following for their I.S.A.S.T./Leonardo 3001 KJ Rotterdam cooperation and support: KLM The Netherlands

Ministry of Economic Affairs Netherlands Universities Foundation for Telephone: 31-10-4 36 0371 Ministry of Welfare, Health and Culture International Cooperation (NUFFIC) Fax: 31-10-4 36 0346

Affairs Royal DutchJaarbeurs E-mail: movax!hku!fisea Gemeente Utrecht Stichting Post Kunstvakonderwijs Provincie Utrecht Stichting voor Publieksvoorlichting over A. Fentener van Vlissingenfonds Wetenschap en Techniek (PWT)

LEONARDO SUPPLEMENTARY ISSUE-ELECTRONIC ART Published in conjunction with the First International Symposium on Electronic Art

Coordinating Editor Pamela Grant-Ryan

Main Editorial Office Executive Editor Electronic Composition Leonardo Roger F. Malina Richard A. Wilson/Intelligent Tool & Eye 2020 Milvia Street

Managing Editor Design Berkeley, CA 94704, U.S.A. Berkeley, CA 94704, U.S.A. Pamela Grant-Ryan Thomas Ingalls + Associates, San Francisco European Editorial Office Associate Editors Leonardo Leonardo . Lisa Bornstein 8 rue PEmile Dunois 8 rue Emile Dunois . Elizabeth Crumley 92100 Boulogne sur Seine, France Marre Mala

Marjorie Malina Christine Maxwell Susannah Gardiner

Publisher's Offices

Pergamon Press plc, Headington Hill Hall, Oxford OX3 OBW, U.K. Tel. 0865 64881

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Copyright ? 1988 ISAST ISBN 0-08-036978-2

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The Item-Fee ode for this publication is: 0024-094X/88 $3.00 + 0.00 ISBN 0-08-036978-2 ISSN 00244094X LEONDP SUPP 1-123 (1988)

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CONTENTS

ELECTRONIC ART

EDITORIAL TON HOKKEN,JOHAN DEN BIGGELAAR, AND WIM VAN DER PLAS: FISEA 1

PAPERS ADRIANO ABBADO: Perceptual Correspondences of Abstract Animation and Synthetic Sound 3

ROY ASCOTT: Art and Education in the Telematic Culture 7

JUR(EN CIAUS: The Electronic Bauhaus: Gestalt Technologies and the Electronic Challenge 13 to Visual Art

ERNEST EDMONDS: Logic and Time-Based Practice 19

A. ELIuNS: Computational Art 21

BRIAN EVANS: Establishing a Tonic Space with Digital Color 27

HENRY S. FLURRY: The Creation Station: An Approach to a Multimedia Workstation 31

MATHIAS FUCHS: Computer Music Languages ... and the Real World 39

ROBIN G. KING: Computer Graphics and Animation as Agents of Personal Evolution in the Arts 43

JOAN I. KIRSCH and RUSSELL A. KIRSCH: Storing Art Images in Intelligent Computers 47

N. MAGNENAT-THALMANN: The Making of a Film with Synthetic Actors 55

PHILIPPE MENARD: Towards a Universal and Intelligent MIDI-Based Stage System: 63 A Composer/Performer's Testimony

MICHEL NARANJO and ASSUH KOFFI: Geometric Image Modelling of the Musical Object 69

JOHN PEARSON: The Computer: Liberator orJailer of the Creative Spirit 73

PATRIC D. PRINCE: The Aesthetics of Exhibition: A Discussion of Recent American Computer Art Shows 81

LILLIAN F. SCHWARTZ: The Staging of Leonardo's Last Supper: A Computer-Based Exploration of Its 89

Perspective

SETH SHOSTAK: State-of-the-Art Art 97

JOAN TRUCKENBROD: A New Language for Artistic Expression: The Electronic Arts Landscape 99

RICHARD WRIGHT: Some Issues in the Development of Computer Art as a Mathematical Art Form 103

EDWARD ZAJEC: Orphics: Computer Graphics and the Shaping of Time with Color 111

ABSTRACTS ANNA CAMPBELL BLISS, JOHN COATE, CARL LOEFFLER, ROBERT MALLARY, HAROLD MCWHINNIE, 117

J. NECHVATAL, VERNON REED, DAVID ROSENBOOM, FREDERICKJOHN TRUCK, PAUL WINSOR

Front cover: Lillian F. Schwartz, Mona Leo, computer-generated image, 1987. Side-by-side juxtapositioned halves of the Mona Lisa and reversed Self-Portrait by Leonardo da Vinci. The striking unity of these two 'different' subjects led Lillian Schwartz to identify Leonardo as the primary model for the Mona Lisa, thereby bringing the 500-year-old riddle of the

identity of the celebrated surface Mona Lisa to a remarkable conclusion. Mona Leo ? 1987 Lilyan Productions, Inc. All rights reserved.

LEONARKDDO Supplemental Issue 1988

JOURNAL OF THE INTERNATIONAL SOCIETY FOR THE ARTS, SCIENCES AND TECHNOLOGY

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