ebb& flow-thesis book

Preserving Historythrough the built environment

Tiffany Hoffman Thesis Project │ Spring 2013

*Front Cover picture from ArtStor database

Table of Contents

Intro

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Introduction 1- Table of Contents 3- Executive Statement 7- Project Goals & Objectives

Program

10- Fuctional/Spatial Requirements 12- Adjacencies 14- Area Specifics 16- Precedent Studies

Research 58- Types & Theories of Preservation 60- Color Study 64- Lighting Study

Site Analysis 68- Location 70- Demographics 72- History & Culture 74- Site Context 76- Existing Site Conditions

Concept 80- Concept 82- Concept Inspiration 84- Architectural Inspiration

Process 88- Initial Diagrams & Sketches 94- Schematic Design

Design Development 102- Colors and Materials 106- Floor Plans 110- Elevations & Sections 115- Renderings

References 124- Reviewers 125- Sources

Executive Statement

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With this project, the goal is to raise awareness of the alternatives available and the benefits they provide. In doing this, it will also be saving pieces of the United States heritage and history, promoting reuse over demolition, shedding light on how it can save money and time, and opening the doors to educating current and future generations about historical qualities and adaptation of buildings.

The location selected for this project will be in the jazz district in Kansas City, Missouri. Contrary to the efforts made to revive this district, there are several buildings throughout the area left neglected and worn. This district was the heart of jazz and African American culture in the late 1800s to early 1900s. The building selected, on the corner of 19th & Vine is an abandoned building that once housed a jazz club. By revitalizing this building into a jazz club that helps embrace both the past and future needs of the area can bring life back to a once thriving district and draw attention to a part of Kansas City history that is falling away.

Preserving historic and architecturally interesting buildings can support and maintain knowledge of the past. The future is ever-changing and no one can predict what is to come, but to think flexibly and speculatively in design can open a whole new realm of possibilities.

In the United States, the awareness of preserving historical buildings has been a topic of conversation for years. After the establishment of the US National Trust for Historic Preservation organization in 1949, many other organizations followed. These organizations have been an outstanding starting point for the preservation and conservation of the built environment in The United States; however, the process is lengthy and difficult and many buildings still lay vacant. If these buildings continue to be neglected, much of America’s heritage will be lost and never experienced by future generations. Depending on the existing conditions and what architectural and historical elements it has to offer, reuse can be costly if done appropriately and sympathetically. Depending on the age, construction, and degree of neglect, there are a variety of ways to revitalize historic buildings. Each of these options has something unique to offer, but reuse and rehabilitation provide the most flexibility. When it comes to modifying an existing historic building, much consideration needs to be taken into account and “the owner must find a balance between significant features and maintaining a profitable and viable building” (Pfaehler).

Intro

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(Lewis and Littlefield)

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Intro

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Preserving History through the built environment ghas its fans and foes, however, existing buildings have many things to offer including insightinto the history of the past. Simon Henly speaks of firsthand experience in working with existing structures:

“As an architectural practice conserving existing buildings for adaptive reuse, we are in effect dealing withmonuments of the unintended variety. They are old and exhibit ‘age-value’. But we recognise that these buildings have a voice; furthermore, their conservation and reuse can strengthen that voice. Not only does the act of conservation imply interest in age and historical value, but our work may also be seen to translate the unintentioned into the intensioned (the search for collective meaning) be devising an analogue (something that resembles something else) which may be latent within the form and fabric of the existing structure” (Lewis and Littlefield 72).

Project Goals & Objectives

Create an environmentally concious environment

• Incorporate sustainable mechanical systems• Maximize use of daylighting throughout the space• Repair thermal envelope for a better building seal

Develop an efficient floor plan

• Create areas that are aesthetically pleasing and functional• Showing sensitivity to adjacencies• Utilizing the floorplates to maximize function

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Show the positive outcomes of saving a neglected building

• Creating an rducational display showing historical elements and preservation process• Use resources at hand to bring more business to the area• Proving economic benefits to using an existing building

Create a series of spaces that will continue to be relevant in the future

• Keeping the floorplan flexible• Designing for future trends• Allowing the building to be adaptable to a variety of uses

Increase public knowledge and appreciation for local heritage

• Enhancing historical elements throughout the design• Educating through materiality and attention to unique architectural elemrnts

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Functional/Spatial Requirements

Space Area Function

Entry Valet Drop-off Operational during the eveningd. Located outside the front entrance

Reception Greets guests as they enter the facility

Coat Check Coats can be handed over at reception

Ammenities Dining Seating for dining and social purposes

Bar Well-equipped with liquor and beer for all varieties of drinks

Dance Floor An open space for people to interact with the music

Stage A space used for live bands and ensambles

Services Offices Used for accounting, employee file storage, and one-on-one employee meetings

Kitchen For food prep Storage Necessary for cleaning and other supplies

Bathrooms For guests to use

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Valet Drop-offReceptionCoat CheckDiningBarDance FloorStageOfficesKitchenStorageBathrooms

DesiredNeutralAvoid

Adjacencies

Reception

Coat Check

Dining

Bar

Stage

Dance Floor

ValetDrop-off

Kitchen

Offices

Storage

Bathrooms

Service

Entry

Guest Experience

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Entry

www.foodserviceresourse.com www.brandautopsy.com

Entry of a space is a guest’s first impression of a space. It has a large impact on the rest of their experience and if they will return. It is important to focus on these aspects and make sure they have a positive experience.

Valet Drop-off- this will be occuring on the exterior of the building only for convenience and safety of the vehicle.

Reception- Guests can reserve tables for specific live events at the host stand as well as finding a seat within the restaurant portion of the facility. The host is available for any aditional wants or needs.

Coat Check- This will be available as an additional option for guest to dispose of extra garments that may otherwise crowd the dance floor and seating areas.

Area Specifics

Guest Experience

www.roomservicestore.com www.cambridgehistory.org

Dining- A few fixed and moveable tables for a dining experience during the day into the early evening before the kitchen closes. After this, the restaurant will transform into a night club setting with live jazz and bar.

Bar- This will be available to guests from open to close. It will serve a variety of drinks ranging from wells to top shelf liquors. It will be in close proximity to the dance floor and dining areas.

Dance Floor- This area is available for an alternative way to enjoy the live music. During non-event hours, this area can double as additional seating for the restaurant.

Stage- Attached to the dance floor and visible from most everywhere, this will be designated for bands and ensambles the play. Accoustics and lighting will be taken into account to enhance the experience.

Dining- A few fixed and moveable tables for a dining experience during the day into the early evening before the kitchen closes. After this, the restaurant will transform into a night club setting with live jazz and bar.

Bar- This will be available to guests from open to close. It will serve a variety of drinks ranging from wells to top shelf liquors. It will be in close proximity to the dance floor and dining areas.

Dance Floor- This area is available for an alternative way to enjoy the live mu-sic. During non-event hours, this area can double as additional seating for the restaurant.

Stage- Attached to the dance floor and visible from most everywhere, this will be designated for bands and ensambles the play. Accoustics and lighting will be taken into account to enhance the experience.

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Service

www.hookedonhouses.net www.apartmenttherapy.com

Kitchen- This area will be out of the way of the guests, but in close proximity to the dining area to better serve guests. The kitchen will close around 10pm before the facility turns into a night club.

Offices-There will be a kitchen chef office as well as a manag-ing office. These two offices don’t necessarily have to be next to each other, but away from the noise of the dance floor.

Storage- A few storage closets could be helpful to the kitchen staff, reception area, and bar area for additional supplies and functional needs.

Bathrooms-Easy to access for both staff and guest, but out of the way from the main events.

Precedent Studies- Selexyz

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Location

Address:Dominikanerkerkstraat 16211 CZ MaastrichtThe Netherlands

The cathedral sits in the heart of the entirely redesigned Entre Deux shopping center

It is also around the corner from Vrijthof Square

www.maps.google.com www.maps.google.com

Overview

Selexyz Dominicanen BookstoreMaastricht, Netherlands

13th century church converted into bookstoreCompleted in 2008

Restored by: Satijnplus architectenDesigned by: Merkx + GirodComissioned by: Selexyz bookstores

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Location

Address:Dominikanerkerkstraat 16211 CZ MaastrichtThe Netherlands

The cathedral sits in the heart of the entirely redesigned Entre Deux shopping center

It is also around the corner from Vrijthof Square


Overview

Selexyz Dominicanen BookstoreMaastricht, Netherlands


Restored by: Satijnplus architectenDesigned by: Merkx + GirodComissioned by: Selexyz bookstores


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Restoration

No significant changes to the existing airframe performed.

Much attention went to the consolidation and restoration of the ancient frescoes and ceiling paintings.

These faded remains of ceiling paintings are from around 1337. There are also other murals dating from 1619 by the artist Jan Vessens, depicting saints and sinners and episodes from the Bible.

History

This Dominican church was built in 1294 and part of a friary, but was invaded by Napoleon in 1794.

This caused the church to fall into disuse.

Since that point it has been briefly used as a parish, then a warehouse, an archive, and finally a giant parking lot for bicycles before becoming a book shop.

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Restoration

No significant changes to the existing airframe performed.

Much attention went to the consolidation and restoration of the ancient frescoes and ceiling paintings.

These faded remains of ceiling paintings are from around 1337. There are also other murals dating from 1619 by the artist Jan Vessens, depicting saints and sinners and episodes from the Bible.

History

This Dominican church was built in 1294 and part of a friary, but was invaded by Napoleon in 1794.

This caused the church to fall into disuse.

Since that point it has been briefly used as a parish, then a warehouse, an archive, and finally a giant parking lot for bicycles before becoming a book shop.


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Design Program

Cellar

Rather than break up the vertical space with multiple floors, a three story book flat takes up less of the footprint.

In addition to the bookstore, the program also houses a coffee bar, an exhibition area and a stage in the sanctuary for performances, lectures, discussions, and art.

Design Concept

Merkx + Girod’s goal was to be sympathetic to the architecture of the cathedral, allowing patrons to experience the architecture and the books, and they needed to increase selling space.

The outcome was to suspend very linear elements in separation from the existing structure to expose and celebrate the history and height of the building.

It was also a factor to celebrate the apex of the cathedral. A central feature was created: a long, cruciform table lit by a lamp suspended from the stone vaults in the form of a modern halo.

A long high-rise bookshelf structure helps accentuate the length and height of the church. Popular books are kept on lower shelves, and academic, esoteric and theological works are kept higher up (closer to heaven). The most popular works, the bestsellers and the ones on special offer, are stored on low tables.

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Design Program

Cellar

Rather than break up the vertical space with multiple floors, a three story book flat takes up less of the footprint.

In addition to the bookstore, the program also houses a coffee bar, an exhibition area and a stage in the sanctuary for performances, lectures, discussions, and art.

Design Concept

Merkx + Girod’s goal was to be sympathetic to the architecture of the cathedral, allowing patrons to experience the architecture and the books, and they needed to increase selling space.

The outcome was to suspend very linear elements in separation from the existing structure to expose and celebrate the history and height of the building.

It was also a factor to celebrate the apex of the cathedral. A central feature was created: a long, cruciform table lit by a lamp suspended from the stone vaults in the form of a modern halo.

A long high-rise bookshelf structure helps accentuate the length and height of the church. Popular books are kept on lower shelves, and academic, esoteric and theological works are kept higher up (closer to heaven). The most popular works, the bestsellers and the ones on special offer, are stored on low tables.


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Design Program

First Floor

Design Program

Ground Floor

barcafe

children’s corner

info deskbook displays

book flatelevator

canteen

entrance

mural

cash register

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Design Program

First Floor

Design Program

Ground Floor

barcafe

children’s corner

info deskbook displays

book flatelevator

canteen

entrance

mural

cash register


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Design Program

Section Lighting Diagram

Design Program

Second Floor

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Design Program

Section Lighting Diagram

Design Program

Second Floor


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Design Details

The cross-shaped reading table has been placed in what was the altar.

Anyone is welcome to take a seat and go through the magazines and newspapers kept in the gaps that run through the middle of the table.

Design Details

The scale of the perforated black steel bookstack was needed because a spread of shelves along and across the nave would have detracted from its character. Also, by doing this, it increased the usable space from the 750 sq m floor area to a 1,200 sq m selling space.

Even though the book flat is large, it does not hinder sightlines of the architectural details. This form works with the architecture to frame views of the nave on both sides beyond it. The bays of the nave are also neatly lined with bookshelves, so what you see through the bookstack are many rows of books.

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Design Details

The cross-shaped reading table has been placed in what was the altar.

Anyone is welcome to take a seat and go through the magazines and newspapers kept in the gaps that run through the middle of the table.

Design Details

The scale of the perforated black steel bookstack was needed because a spread of shelves along and across the nave would have detracted from its character. Also, by doing this, it increased the usable space from the 750 sq m floor area to a 1,200 sq m selling space.

Even though the book flat is large, it does not hinder sightlines of the architectural details. This form works with the architecture to frame views of the nave on both sides beyond it. The bays of the nave are also neatly lined with bookshelves, so what you see through the bookstack are many rows of books.


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Analysis

This building has the difficult task of coexisting with something so old and so new. By stacking the library shelves, the architecture is able to be seen. The use of perforated metal helps alleviate the feel of big massing. The orientation of the stacks are sympathetic to the stone ribbing on the ceiling as well as the procession a church would have.

In addition to this, careful attention was put into how the utilize the altar area. Instead of more floor displays, it was decided to celebrate that area with a cafe and seating. The halo and cross-shaped table is an interesting concept, however, it was executed a bit too literal.

The balance between the old stone and the black metal beams is a very fine line. The more modern approach taken with the metal stacks is a bold choice. Some patrons may not know how to feel in this space or even if it is morrally acceptable to the individual to utilize a church dwelling for anything else other than a church.

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Analysis

This building has the difficult task of coexisting with something so old and so new. By stacking the library shelves, the architecture is able to be seen. The use of perforated metal helps alleviate the feel of big massing. The orientation of the stacks are sympathetic to the stone ribbing on the ceiling as well as the procession a church would have.

In addition to this, careful attention was put into how the utilize the altar area. Instead of more floor displays, it was decided to celebrate that area with a cafe and seating. The halo and cross-shaped table is an interesting concept, however, it was executed a bit too literal.

The balance between the old stone and the black metal beams is a very fine line. The more modern approach taken with the metal stacks is a bold choice. Some patrons may not know how to feel in this space or even if it is morrally acceptable to the individual to utilize a church dwelling for anything else other than a church.

Precedent Studies- Bishop’s Table

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Location

Address:22 E. 3rd StreetMaysville, KY 41056

The old Bishop’s Table is in a small town built on the edge of the Ohio River in northeastern Kentucky. It is one hour southeast of Cincinnati, Ohio and an hour from Lexington, Kentucky.

www.joshuanaylor.com www.joshuanaylor.com


Overview

The Bishop’s TableMaysville, Kentucky

Historc restaurant currently residential

Restored by: The Durable Restoration CompanyDesigned by: Duncan G. Stroik Architect, LLC

www.stroik.com

www.stroik.com

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Location

Address:22 E. 3rd StreetMaysville, KY 41056

The old Bishop’s Table is in a small town built on the edge of the Ohio River in northeastern Kentucky. It is one hour southeast of Cincinnati, Ohio and an hour from Lexington, Kentucky.

www.joshuanaylor.com www.joshuanaylor.com


Overview

The Bishop’s TableMaysville, Kentucky

Historc restaurant currently residential

Restored by: The Durable Restoration CompanyDesigned by: Duncan G. Stroik Architect, LLC

www.stroik.com

www.stroik.com


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Restoration

The adaptive reuse project of Bishop’s Table historic restaurant has been redesigned to be utilized as a private residence. The project included renovations to the garden patio, a new façade for an existing garage, carved Indiana limestone walls, handcrafted wrought-iron gates, and new gas lamps.

The garage, which had been a plain block building with one rectangular door, was transformed by a facade of stucco, installation of six doors, and ornamental cornice. Material selections and lighing choices were scrutinized to be as accurate as possible to that of the original building.

www.durablerestoration.comwww.durablerestoration.com

www.stroik.com

www.flickr.com

History

Built on a natural limestone landing, Maysville, is one of the oldest river towns in Kentucky. Before it was established, buffalo and Indians roamed the area. Maysville was incorporated in 1787 and was mostly a trade stop along the Ohio River until the first steamboat cam down the river from Pittsburgh to New Orleans in 1811. After this, the town of Maysville continued to grow into what it is today.

Today, Maysville has 48 buildings on the National Historic Register. It’s historic downtown and old homes offers visitors a chance to revisit an old 19th century harbor town. The Bank of Maysville, established in 1853, is the oldest Bank in Kentucky. The area surrounding Maysville contains 8 of the remaining 13 covered bridges in the entire state of Kentucky.

Bishop’s Table was an old restaurant that was a well-known stop of the underground.

www.wikimedia.org

www.hillbillysavants.blogspot.com

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Restoration

The adaptive reuse project of Bishop’s Table historic restaurant has been redesigned to be utilized as a private residence. The project included renovations to the garden patio, a new façade for an existing garage, carved Indiana limestone walls, handcrafted wrought-iron gates, and new gas lamps.

The garage, which had been a plain block building with one rectangular door, was transformed by a facade of stucco, installation of six doors, and ornamental cornice. Material selections and lighing choices were scrutinized to be as accurate as possible to that of the original building.


www.stroik.com

www.flickr.com

History

Built on a natural limestone landing, Maysville, is one of the oldest river towns in Kentucky. Before it was established, buffalo and Indians roamed the area. Maysville was incorporated in 1787 and was mostly a trade stop along the Ohio River until the first steamboat cam down the river from Pittsburgh to New Orleans in 1811. After this, the town of Maysville continued to grow into what it is today.

Today, Maysville has 48 buildings on the National Historic Register. It’s historic downtown and old homes offers visitors a chance to revisit an old 19th century harbor town. The Bank of Maysville, established in 1853, is the oldest Bank in Kentucky. The area surrounding Maysville contains 8 of the remaining 13 covered bridges in the entire state of Kentucky.

Bishop’s Table was an old restaurant that was a well-known stop of the underground.

www.wikimedia.org

www.hillbillysavants.blogspot.com


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Design Drawings

The garden, surrpounded by a balustraded and iron gate, has a linear path with a centralized water feature. A variety of seating options are available and found throughout the design.

Garden plan and Balustrade Detailwww.flickr.com

Design Concept

??? (still waiting on information being mailed to me)

???

www.stroik.com

www.stroik.com

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Design Drawings

The garden, surrpounded by a balustraded and iron gate, has a linear path with a centralized water feature. A variety of seating options are available and found throughout the design.

Garden plan and Balustrade Detailwww.flickr.com

Design Concept

??? (still waiting on information being mailed to me)

???

www.stroik.com

www.stroik.com


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Design Program

Watercolor Garden Plan and Balustrade Detailwww.durablerestoration.com

www.stroik.com

www.stroik.com

www.flickr.com

Design Drawings

The exterior was stripped and reclad with plaster, mouldings, and decorative doors. Exterior and sectiondetails

www.flickr.com

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Design Program

Watercolor Garden Plan and Balustrade Detailwww.durablerestoration.com

www.stroik.com

www.stroik.com

www.flickr.com

Design Drawings

The exterior was stripped and reclad with plaster, mouldings, and decorative doors. Exterior and sectiondetails

www.flickr.com


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Design Details

The classical French wall surrounding the garden is seven feet high and made of Indiana limestone. It was placed on a sandstone base which had been salvaged from the demolition of a local correctional facility.

Durable Restoration’s material manager created the mold for the relief sculpture suspended above the center door of the garage. The project foreman was in charge of tuckpointing the joints in the wall with historic lime-based mortar.

www.durablerestoration.com



Design Program

Elevation


www.flickr.com

www.flickr.com www.stroik.com

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Design Details

The classical French wall surrounding the garden is seven feet high and made of Indiana limestone. It was placed on a sandstone base which had been salvaged from the demolition of a local correctional facility.

Durable Restoration’s material manager created the mold for the relief sculpture suspended above the center door of the garage. The project foreman was in charge of tuckpointing the joints in the wall with historic lime-based mortar.




Design Program

Elevation


www.flickr.com

www.flickr.com www.stroik.com


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Analysis

The Bishop’s Table garage and patio was artfully crafted to meet the current needs while amintaining a tasteful sensitivity to the historic craftsmanship. Every step was taken to maintain the highest degree of accuracy while changing enough of the project to be well-designed.

There are some differences found between the actual built plans and the watercolor plans. Many details were taken out of the design that was built, especially on the facade of the garage. Most likely this was due to budget issues, however, the design could have benifited by having a few more of those details encorporated.

Overall, the reuse project was sucessful and beyond improvement from the privious state of it. Even in the design of the landscape, the it followed the classical French style that was used in the garage.

www.stroik.com

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Analysis

The Bishop’s Table garage and patio was artfully crafted to meet the current needs while amintaining a tasteful sensitivity to the historic craftsmanship. Every step was taken to maintain the highest degree of accuracy while changing enough of the project to be well-designed.

There are some differences found between the actual built plans and the watercolor plans. Many details were taken out of the design that was built, especially on the facade of the garage. Most likely this was due to budget issues, however, the design could have benifited by having a few more of those details encorporated.

Overall, the reuse project was sucessful and beyond improvement from the privious state of it. Even in the design of the landscape, the it followed the classical French style that was used in the garage.

www.stroik.com

Precedent Studies- Zeeburg

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Location

Address:S14 Amsterdam, ZeeburgNorth HollandThe Netherlands

The silos are located in the Zeeburger Island, which is approximately 120 hectares in size, is connected with other parts of the city via bridges and tunnels.

The island is also segmented by three major roads: the Zuiderzeeweg, the IJburglaan and the A10, Amsterdam’s motorway ring road.


www.loc.alize.us www.newwebpick.com

Overview

Silos ZeeburgAmsterdam, Netherlands


Designed by: Arons en Gelauff ArchitectsComissioned by: the city planning committee

www.aronsengelauff.nl

www.loc.alize.us

www.loc.alize.us

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Location

Address:S14 Amsterdam, ZeeburgNorth HollandThe Netherlands

The silos are located in the Zeeburger Island, which is approximately 120 hectares in size, is connected with other parts of the city via bridges and tunnels.

The island is also segmented by three major roads: the Zuiderzeeweg, the IJburglaan and the A10, Amsterdam’s motorway ring road.


www.loc.alize.us www.newwebpick.com

Overview

Silos ZeeburgAmsterdam, Netherlands


Designed by: Arons en Gelauff ArchitectsComissioned by: the city planning committee


www.loc.alize.us

www.loc.alize.us


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Design Concept

In 2009, the city held a contest for the reuse of these sewage silos. A design by Arons en Gelauff Architechts won the contest and is anticipated to be completed in 2012. The contest perameters were to focus on pioneering, promote mix/diversity, and create a community gathering space. The silos should essentially remain recognizable. The eastern most silo was commissioned to be offices and the remaining two were a part of this competition.

The winning firm chose to design an interactive multifuncional cultural center entitled the Annie MG Schmidt House. Annie Schmidt was an adored Duch writer specifically for her children’s books. The design incorporated many aspects of her beloved book and seeks to bring them to life. In addition to this, other functions have been added to the program for a wide range of community gatherings.

www.tvrage.com

www.parool.nl www.wewantwow.com www.bibwaregem.blogspot.comwww.jeugdbibliotheekbergen.blogspot.com

www.amazon.com

History

The district, created in 1990, was named after the Zeeburg dike and the Zeeburg island, which lay in the center of the borough.

The Zeeburgerdijk is named after the fortress ‘Seeburg’ which in the 17th century was part of the dike that protected the land from the Zuiderzee. This dike connected Amsterdam and Muiden and was the only land route to Naarden before the Watergraafsmeer was drained.

From the end of the 19th century, with the construction of the Eastern Docklands and the residential Indische Buurt (Indonesian Ward) the area has slowly become part of the city.

www.loc.alize.us

www.loc.alize.us

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Design Concept

In 2009, the city held a contest for the reuse of these sewage silos. A design by Arons en Gelauff Architechts won the contest and is anticipated to be completed in 2012. The contest perameters were to focus on pioneering, promote mix/diversity, and create a community gathering space. The silos should essentially remain recognizable. The eastern most silo was commissioned to be offices and the remaining two were a part of this competition.

The winning firm chose to design an interactive multifuncional cultural center entitled the Annie MG Schmidt House. Annie Schmidt was an adored Duch writer specifically for her children’s books. The design incorporated many aspects of her beloved book and seeks to bring them to life. In addition to this, other functions have been added to the program for a wide range of community gatherings.

www.tvrage.com

www.parool.nl www.wewantwow.com www.bibwaregem.blogspot.comwww.jeugdbibliotheekbergen.blogspot.com

www.amazon.com

History

The district, created in 1990, was named after the Zeeburg dike and the Zeeburg island, which lay in the center of the borough.

The Zeeburgerdijk is named after the fortress ‘Seeburg’ which in the 17th century was part of the dike that protected the land from the Zuiderzee. This dike connected Amsterdam and Muiden and was the only land route to Naarden before the Watergraafsmeer was drained.

From the end of the 19th century, with the construction of the Eastern Docklands and the residential Indische Buurt (Indonesian Ward) the area has slowly become part of the city.

www.loc.alize.us

www.loc.alize.us


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Design Proposal

Program Specifics:

Multifunctional Cultural House (4,000 m²)

1,250 m² World of Annie M.G. Schmidt (museum, media center, souvenir shop)

700 m² theater, dressing rooms and foyer, 450 m² cinema and foyer 600 m² restaurant and cafe, 1,000 m² office space, plus 350 m² rooftop playground equipped with trademark Schmidt giraffe slide

www.aronsengelauff.nl www.aronsengelauff.nl

www.designboom.com

Design Proposal

Different functions and skins provide each of the silos with its own identity. One silo has a steel sheath perforated with text, which is illuminated at night from behind and topped with a rooftop restaurant. The other silo, whose programs don’t require daylight, is covered with ivy and has a large rooftop playground, which is connected over to the rooftop restaurant.The layout of the building allows the various programs to function independently of one another making it possible for all of the various functions to be utilized simultaneously.


www.aronsengelauff.nlwww.designboom.com

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Design Proposal

Program Specifics:

Multifunctional Cultural House (4,000 m²)

1,250 m² World of Annie M.G. Schmidt (museum, media center, souvenir shop)

700 m² theater, dressing rooms and foyer, 450 m² cinema and foyer 600 m² restaurant and cafe, 1,000 m² office space, plus 350 m² rooftop playground equipped with trademark Schmidt giraffe slide

www.aronsengelauff.nl www.aronsengelauff.nl

www.designboom.com

Design Proposal

Different functions and skins provide each of the silos with its own identity. One silo has a steel sheath perforated with text, which is illuminated at night from behind and topped with a rooftop restaurant. The other silo, whose programs don’t require daylight, is covered with ivy and has a large rooftop playground, which is connected over to the rooftop restaurant.The layout of the building allows the various programs to function independently of one another making it possible for all of the various functions to be utilized simultaneously.


www.aronsengelauff.nlwww.designboom.com


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Design Program

Technical Planwww.designboom.com

Design Program

Plan Viewwww.aronsengelauff.nl

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Design Program

Technical Planwww.designboom.com

Design Program

Plan Viewwww.aronsengelauff.nl


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Design Program

Section Viewwww.aronsengelauff.nl

Design Program

All images from www.aronsengelauff.nl

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Design Program

Section Viewwww.aronsengelauff.nl

Design Program

All images from www.aronsengelauff.nl


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Analysis

In the initial competition design, the program seemed very segmented. I would have liked to see the two silos working together more as an integrated program, The concept of this museum and multicultural multifunctional space allows many opportunities for community growth and togetherness. The use of the giraffe slide really starts to bring the story to life.

The revised design did a better job of connecting the two silos together by the use of the atrium. Even though the foliage cladding on one of the silos wasn’t added, an opportunity for a green roof was incorporated.

By not having the foliage-covered silo, it feels as though some of the individual identity of each silo has been diminished. Even though each silo is different in the revised design, the distinction is not as clear with the use of grey and white utilized on all three silos.

www.designboom.com

Design Revision

After the competition phase, the design was revised the better suite the needs of the area. It still maintains the silo with the words on it, but the silo covered in foliage was replaced with a patterned cladding. In addition to this, Atrium spaces were added to the base of the silos to better connect them to each other. The atriums open to a large plaza for additional opportunities for gathering.

www.kexcom.nl www.kexcom.nl

www.kexcom.nl

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Analysis

In the initial competition design, the program seemed very segmented. I would have liked to see the two silos working together more as an integrated program, The concept of this museum and multicultural multifunctional space allows many opportunities for community growth and togetherness. The use of the giraffe slide really starts to bring the story to life.

The revised design did a better job of connecting the two silos together by the use of the atrium. Even though the foliage cladding on one of the silos wasn’t added, an opportunity for a green roof was incorporated.

By not having the foliage-covered silo, it feels as though some of the individual identity of each silo has been diminished. Even though each silo is different in the revised design, the distinction is not as clear with the use of grey and white utilized on all three silos.

www.designboom.com

Design Revision

After the competition phase, the design was revised the better suite the needs of the area. It still maintains the silo with the words on it, but the silo covered in foliage was replaced with a patterned cladding. In addition to this, Atrium spaces were added to the base of the silos to better connect them to each other. The atriums open to a large plaza for additional opportunities for gathering.

www.kexcom.nl www.kexcom.nl

www.kexcom.nl

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Precedent Comparisons

Name Sylexyz Bookstore

***Use of existing conditions

Adaptibility

Cultural Sensitivity

Site Sensitivity

Historic Sensitivity

Public Space

Urban redevelopment

Creativity

Bishop’s Table Zeeburg Silos

** **** ***

** * ****** *** ****** *** ***** *** *** ***** * ***


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Name Sylexyz Bookstore

***Use of existing conditions

Adaptibility

Cultural Sensitivity

Site Sensitivity

Historic Sensitivity

Public Space

Urban redevelopment

Creativity

Bishop’s Table Zeeburg Silos

** **** ***

** * ****** *** ****** *** ***** *** *** ***** * ***

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Types & Theories of Preservation

Preservation focuses on the maintenance stabilization and repair of existing historic materials and retention of a property’s form as it has evolved over time. The work necessary generally focuses on the ongoing maintenance and repair of historic materials and features, rather than extensive replacement and new construction. Preservation does not include extensive new additions, however, limited and sensitive upgrading of mechanical, electrical, and plumbing systems to make properties functional is appropriate within a preservation project.

Restoration takes a property back to a particular period of time in its history, while removing evidence of other periods. The limited and sensitive upgrading of mechanical, electrical, and plumbing systems is also appropriate within a restoration project.

Rehabilitation acknowledges the need to alter or add to a historic property to meet continuing or changing uses while retaining the property’s historic character. Through rehabilitation, it is possible to adapt the building through repair while maintaining those portions or features which convey its historical, cultural, or architectural values.

Reuse interprets and utilizes portions of a building that have been neglected. The majority of

historical qualities are brought out in the new design, however, this form of preservation allows for

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Types & Theories of Preservation

Preservation focuses on the maintenance stabilization and repair of existing historic materials and retention of a property’s form as it has evolved over time. The work necessary generally focuses on the ongoing maintenance and repair of historic materials and features, rather than extensive replacement and new construction. Preservation does not include extensive new additions, however, limited and sensitive upgrading of mechanical, electrical, and plumbing systems to make properties functional is appropriate within a preservation project.

Restoration takes a property back to a particular period of time in its history, while removing evidence of other periods. The limited and sensitive upgrading of mechanical, electrical, and plumbing systems is also appropriate within a restoration project.

Rehabilitation acknowledges the need to alter or add to a historic property to meet continuing or changing uses while retaining the property’s historic character. Through rehabilitation, it is possible to adapt the building through repair while maintaining those portions or features which convey its historical, cultural, or architectural values.

Reuse interprets and utilizes portions of a building that have been neglected. The majority of

historical qualities are brought out in the new design, however, this form of preservation allows for

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Color Study

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31www. favim.com

www.runningatdisney.com

www.hqwallpapers.eu

www.mybestdesktops.com

www.wallpaper-z.com

Color Psychology

The meaning of colors can vary depending on culture and circumstances. Responses to color can

differences, and contextual and perceptual factors. Each color has many aspects to it, but the language of color can be understood with a few simple concepts.

Vibrant Tones

Red is a warm and positive color associated with ones most physical needs and will to survive. It excites the emotions and motivates one to take action. Energy, action, desire, passion

Orange radiates warmth and happiness and relates to gut

and can help cope with disappointment. Adventure, social interaction, friendship, divorce

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Color Study

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31www. favim.com

www.runningatdisney.com

www.hqwallpapers.eu

www.mybestdesktops.com

www.wallpaper-z.com

Color Psychology

The meaning of colors can vary depending on culture and circumstances. Responses to color can

differences, and contextual and perceptual factors. Each color has many aspects to it, but the language of color can be understood with a few simple concepts.

Vibrant Tones

Red is a warm and positive color associated with ones most physical needs and will to survive. It excites the emotions and motivates one to take action. Energy, action, desire, passion

Orange radiates warmth and happiness and relates to gut

and can help cope with disappointment. Adventure, social interaction, friendship, divorce

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Color Study

www.a-gc.com

www.messagenote.com

www.natures-desktop.com

www.123rf.com

www.optics.kulgun.net

www.purplepeopleunite.blogspot.com

www.statesymbolsusa.org

stardust1954.blogspot.comwww.granitex.eu

www.telegraph.co.uk

www.zqboten.en.albania.com

www.photographyblogger.net

www.jannomag.deviantart.com

www.123rf.com

www.oneirosia.wordpress.com

www.superscrappy.blogspot.com

Nature Tones

Green is the color of harmony creating equilibrium in the head and the heart. Green is an emotionally positive color. Balance, growth, hope

Yellow relates to acquired knowledge. The color psychology of yellow is uplifting, illuminating, and inspires original thought. Intellect, happiness, fun, communication of new ideas

Aquadic Tones

Blue is a color of trust, honesty and loyalty. It can also be reserved,quiet, reliable and responsible. Blue is a color that needs it’s own designated space. Honesty, peace, religion, wisdom, authority

Purple relates to the imagination and spirituality stimulating imagination. A variation of purple,violet, has the highest vibration in the visible spectrum. Inspiration, imagination, individuality, spirituality

Earth Tones

Brown is a serious, down-to-earth color signifying stability, structure and support with a sense of duty. Security, structure, natural, wholesome

Gold is the color of success, achievement and triumph. It

Success, wealth, prestige, luxury

Arctic Tones

White is color at its most complete and pure. It is the color of new beginnings. It contains an equal balance of all colors, representing the positive and negative aspects. Innocence, equality, unity, new beginnings

Black is the color of the hidden and unknown. It creates a barrier between itself and the outside world. Black is the absorption of all color and the absence of light. Mystery, power, control

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Color Study

www.a-gc.com

www.messagenote.com

www.natures-desktop.com

www.123rf.com

www.optics.kulgun.net

www.purplepeopleunite.blogspot.com

www.statesymbolsusa.org

stardust1954.blogspot.comwww.granitex.eu

www.telegraph.co.uk

www.zqboten.en.albania.com

www.photographyblogger.net

www.jannomag.deviantart.com

www.123rf.com

www.oneirosia.wordpress.com

www.superscrappy.blogspot.com

Nature Tones

Green is the color of harmony creating equilibrium in the head and the heart. Green is an emotionally positive color. Balance, growth, hope

Yellow relates to acquired knowledge. The color psychology of yellow is uplifting, illuminating, and inspires original thought. Intellect, happiness, fun, communication of new ideas

Aquadic Tones

Blue is a color of trust, honesty and loyalty. It can also be reserved,quiet, reliable and responsible. Blue is a color that needs it’s own designated space. Honesty, peace, religion, wisdom, authority

Purple relates to the imagination and spirituality stimulating imagination. A variation of purple,violet, has the highest vibration in the visible spectrum. Inspiration, imagination, individuality, spirituality

Earth Tones

Brown is a serious, down-to-earth color signifying stability, structure and support with a sense of duty. Security, structure, natural, wholesome

Gold is the color of success, achievement and triumph. It

Success, wealth, prestige, luxury

Arctic Tones

White is color at its most complete and pure. It is the color of new beginnings. It contains an equal balance of all colors, representing the positive and negative aspects. Innocence, equality, unity, new beginnings

Black is the color of the hidden and unknown. It creates a barrier between itself and the outside world. Black is the absorption of all color and the absence of light. Mystery, power, control

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Lighting Study

www.charlotteharbour.blogspot.com

www.enlightermagazine.com

Focal Light

Focal lighting is a sort of a directional lighting that adds drama to a room by creating visual interest. This lighting is used to highlight paintings, sculpture, wall texture, drapery or outdoor landscaping. Focal lighting requires at least three times as much light on the focal point as the ambient lighting around it. Depending on the design, track, recessed, or wall-mounted fixtures can be utilized to highlight details.

Ambient Light

Ambient lighting provides an area with overall illumination. This lighting radiates a comfortable level of brightness, enabling one to see and walk about safely. Ambient lightingis often provided by the traditional pendant type fixtures, down lights, chandiliers, or ceiling mounted fixtures, etc. The general decor and aspect of the room will affect the amount of general lighting required. The jazz club will need to have adjustable ambient lighting to accomodate for both the day time restaurant and night time club atmospheres.

www.mosbybuildingarts.com

www.zeospot.com

Decorative Light

Light strips, pendants, chandeliers, and sconces are all example of light fixtures that draw attention to themselves and add character to the room being lit. These are perfect examples of what can be incorporated into the jazz club. Decorative lighting is viewed as the “jewlery of lighting”. This lighting serves no purpose other than to catch the eye and does not much light to effect the overall illumination of a space.

Task Light

Task lighting refers to the lighting that is used at a particular location to perform a specific task such as reading, writing, and drawing. Desk lamps, ceiling pendant fixtures, and appliance lights are all good examples of task lighting fixtures. A desk lamp in an office or a ceiling pendant above the bar can give the needed additional lighting necessaryfor a restaurant and club environment such as this.

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Lighting Study

www.charlotteharbour.blogspot.com

www.enlightermagazine.com

Focal Light

Focal lighting is a sort of a directional lighting that adds drama to a room by creating visual interest. This lighting is used to highlight paintings, sculpture, wall texture, drapery or outdoor landscaping. Focal lighting requires at least three times as much light on the focal point as the ambient lighting around it. Depending on the design, track, recessed, or wall-mounted fixtures can be utilized to highlight details.

Ambient Light

Ambient lighting provides an area with overall illumination. This lighting radiates a comfortable level of brightness, enabling one to see and walk about safely. Ambient lightingis often provided by the traditional pendant type fixtures, down lights, chandiliers, or ceiling mounted fixtures, etc. The general decor and aspect of the room will affect the amount of general lighting required. The jazz club will need to have adjustable ambient lighting to accomodate for both the day time restaurant and night time club atmospheres.

www.mosbybuildingarts.com

www.zeospot.com

Decorative Light

Light strips, pendants, chandeliers, and sconces are all example of light fixtures that draw attention to themselves and add character to the room being lit. These are perfect examples of what can be incorporated into the jazz club. Decorative lighting is viewed as the “jewlery of lighting”. This lighting serves no purpose other than to catch the eye and does not much light to effect the overall illumination of a space.

Task Light

Task lighting refers to the lighting that is used at a particular location to perform a specific task such as reading, writing, and drawing. Desk lamps, ceiling pendant fixtures, and appliance lights are all good examples of task lighting fixtures. A desk lamp in an office or a ceiling pendant above the bar can give the needed additional lighting necessaryfor a restaurant and club environment such as this.

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Location

The site is one block away from the historical juction of 18th & Vine in the heart of the Kansas City jazz district

Jazz from Kansas City is internationally recegnized and is marked as a historic district


www.maps.google.com

Site Information:

Parcel ID: 29-620-12-12-00-0-00-000

Parcel Address:1600 E. 19th StreetKansas City, Missouri 64108

Owner Information:Atlas1068 WebsterKansas City, KS 66104

Property Information:Year built:1890Census Neighborhood: Wendell PhillipsZoning: UR (Urban Redevelopment)

Square Feet: 2,910.411Acres: 0.067Perimeter: 218.304

Assessment Information:Tax Year: 2012Market Value Total: $22,786Taxable Value Total: $7,292Assessed Value Total: $7,291

*Information obtained by the Kansas City, Missouri parcel information and Jackson County, Missouri Assessor websites

www.maps.kcmo.org/apps/parcelviewer/ www.maps.kcmo.org/apps/parcelviewer/

62’

24.5

’

www.maps.google.com

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Site

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Location

The site is one block away from the historical juction of 18th & Vine in the heart of the Kansas City jazz district

Jazz from Kansas City is internationally recegnized and is marked as a historic district


www.maps.google.com

Site Information:

Parcel ID: 29-620-12-12-00-0-00-000

Parcel Address:1600 E. 19th StreetKansas City, Missouri 64108

Owner Information:Atlas1068 WebsterKansas City, KS 66104

Property Information:Year built:1890Census Neighborhood: Wendell PhillipsZoning: UR (Urban Redevelopment)

Square Feet: 2,910.411Acres: 0.067Perimeter: 218.304

Assessment Information:Tax Year: 2012Market Value Total: $22,786Taxable Value Total: $7,292Assessed Value Total: $7,291

*Information obtained by the Kansas City, Missouri parcel information and Jackson County, Missouri Assessor websites

www.maps.kcmo.org/apps/parcelviewer/ www.maps.kcmo.org/apps/parcelviewer/

62’

24.5

’

www.maps.google.com

Demographics

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Demographics Climate

www.city-data.com

www. rssweather.com

www. kansas-city.climatemps.comwww. climate-charts.com

www.city-data.com

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Climate

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Demographics Climate

www.city-data.com

www. rssweather.com

www. kansas-city.climatemps.comwww. climate-charts.com

www.city-data.com

History & Culture

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History & Culture

18th and Vine in Kansas City is internationally recognized as one of the cradles of jazz. Along with New Orleans's Basin Street, Beale Street in Memphis, 52nd Street in New York City and Los Angeles's Central Avenue - the 18th and Vine area was a midwife to the birth of a new style of jazz. The jazz that evolved in the 18th and Vine dis-trict was just as distinctive as the spicy bbq. Unique to Kansas City was a riff-based sound fueled by jam sessions in the district's crowded clubs.

Charlie Parker is likely the most noted modern jazz musician to come from Kansas City. However, many notables call the city home or got their start in this significant jazz scene.Located just east of Downtown Kansas City, it is the Kansas City metropolitan area's historic center of African

American culture at 18th Street and Vine Street. It has been the focus of more than $30 million of civic investment since the late 1980s, but the district's redevelopment has struggled.

Today, the 18th and Vine district includes the Mutual Musicians Foundation, the Gem Theater, the long-time offices of African-American newspaper The Call, the Blue Room jazz club, the American Jazz Museum, the Negro Leagues Baseball Museum, restaurants and apartments. The district is also home to the Historic Lincoln Building which served as a hub of professional and business activity in the Black community.

www.americanjazzmuseum.com www.kcjazzdistrict.org www.hotelplanner.com www.historykansascity.org

www.perceptivetravel.com

www.americanjazzmuseum.com

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Site

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History & Culture

18th and Vine in Kansas City is internationally recognized as one of the cradles of jazz. Along with New Orleans's Basin Street, Beale Street in Memphis, 52nd Street in New York City and Los Angeles's Central Avenue - the 18th and Vine area was a midwife to the birth of a new style of jazz. The jazz that evolved in the 18th and Vine dis-trict was just as distinctive as the spicy bbq. Unique to Kansas City was a riff-based sound fueled by jam sessions in the district's crowded clubs.

Charlie Parker is likely the most noted modern jazz musician to come from Kansas City. However, many notables call the city home or got their start in this significant jazz scene.Located just east of Downtown Kansas City, it is the Kansas City metropolitan area's historic center of African

American culture at 18th Street and Vine Street. It has been the focus of more than $30 million of civic investment since the late 1980s, but the district's redevelopment has struggled.

Today, the 18th and Vine district includes the Mutual Musicians Foundation, the Gem Theater, the long-time offices of African-American newspaper The Call, the Blue Room jazz club, the American Jazz Museum, the Negro Leagues Baseball Museum, restaurants and apartments. The district is also home to the Historic Lincoln Building which served as a hub of professional and business activity in the Black community.

www.americanjazzmuseum.com www.kcjazzdistrict.org www.hotelplanner.com www.historykansascity.org

www.perceptivetravel.com

www.americanjazzmuseum.com

Site Context

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Site Context

www.kcjazzdistrict.orgwww.kcjazzdistrict.org

http://www.mndrsn.com/illustration/18th-vine/

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Site Context

www.kcjazzdistrict.orgwww.kcjazzdistrict.org

http://www.mndrsn.com/illustration/18th-vine/

Existing Site Conditions

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Con

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Concept Statement

There are many forms of this craft, but it all comes back to the idea of individual story-telling and the journey of the song. Through and through, at its most instinctive form, it is all about Blurring the Boundaries of cultural and social norms, expectations, and promotes acceptance and diversity.

The building located at the intersection of 19th and Vine streets is currently abandoned. By utilizing this building to design a jazz club and blurring the boundaries between old and new, the story of jazz in Kansas City can thrive once more.

Intuitive, primordial, spirited, instinctive, spOnTAneOUs, Individuality, continuous movement artfully STRUCTURED through harmony. These are all words that describe what happens in the art of creating the musical style ofJaZz.

Since the birth of jazz, its most RAW form was a way of expressing and experiencing life’s ups and downs through the soulful interpretation of musical harmonies. This freedom of expression allowed for free flowing ideas among musicians; otherwise known as IMPROVISATION.

“Master your instrument, master the music, and then forget all that and just play it.”

-Charlie Parker

instrument = tools music = craft

Design Motto

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Concept Inspiration

Elacticity Motion

Individuality Harmony

83

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Individuality Harmony

Motion Repetition

Old vs. New Parts of a Whole

Architectural Inspiration

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Proc

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Initial Diagrams & Sketches

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Scale

Project numberDateDrawn byChecked by

www.autodesk.com/revit 1/8" = 1'-0"

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1/8" = 1'-0"1 Section 1

PRODUCED BY AN AUTODESK STUDENT PRODUCT

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SCHEME 1

SCHEME 2

Jazz Club Reuse Project

Intuitive, primordial, spirited, instinctive, spOnTAneOUs, Individuality, continuous movement artfully STRUCTURED through harmony. These are all words that describe what happens in the art of creating the musical

style of JaZz.

Since the birth of jazz, its most RAW form was a way of expressing and experiencing life’s ups and downs through the soulful interpretation of musical harmonies. This freedom of expression allowed for free flowing ideas among

musicians; otherwise known as IMPROVISATION.


The 18th and Vine District in Kansas City, Missouri was once known as the hot spot for the exchanging of ideas and experimentation with new methods of jazz. The area has since been left neglected after WWII and attempts of revitalizing the area have been ongoing for years. The building located at the intersection of 19th and Vine streets is currently abandoned. By utilizing this building to design a jazz club and blurring the boundaries between old and new, the story of jazz in Kansas City can thrive once more.

Design Motto: Master the instrument (tools), master the music (craft), then forget all the rules and just play.

“Master your instrument, master the music, and then forget all that shit and just play it.” Charlie Parker

PARTI 1

PARTI 2

Function Diagram

Function Diagram

Block Diagram

Block Diagram

Basement Level

Basement Level

Main Level

Main Level Mezzanine Level

Mezzanine Level

Section B

Section BSection A

Section A

Interior Detail

Interior Detail

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PARTI 1

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Function Diagram

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Section B

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Interior Detail

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89

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SCHEME 1

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PARTI 1

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Function Diagram

Function Diagram

Block Diagram

Block Diagram

Basement Level

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Main Level


Mezzanine Level

Section B

Section BSection A

Section A

Interior Detail

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Initial Diagrams & SketchesLevel 1

0' - 0"

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SCHEME 1

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PARTI 1

PARTI 2

Function Diagram

Function Diagram

Block Diagram

Block Diagram

Basement Level

Basement Level

Main Level


Mezzanine Level

Section B

Section BSection A

Section A

Interior Detail

Interior Detail

Level 10' - 0"

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Level 0-11' - 0"

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Scale



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SCHEME 1

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style of JaZz.







PARTI 1

PARTI 2

Function Diagram

Function Diagram

Block Diagram

Block Diagram

Basement Level

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Main Level


Mezzanine Level

Section B

Section BSection A

Section A

Interior Detail

Interior Detail

91

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Scale



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SCHEME 1

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style of JaZz.







PARTI 1

PARTI 2

Function Diagram

Function Diagram

Block Diagram

Block Diagram

Basement Level

Basement Level

Main Level


Mezzanine Level

Section B

Section BSection A

Section A

Interior Detail

Interior Detail

Initial Diagrams & Sketches

Level 10' - 0"

Level 416' - 6"

Level 0-11' - 0"

Level 524' - 0"

Level 21' - 6"

Level 311' - 0"

Scale



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SCHEME 1

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style of JaZz.







PARTI 1

PARTI 2

Function Diagram

Function Diagram

Block Diagram

Block Diagram

Basement Level

Basement Level

Main Level


Mezzanine Level

Section B

Section BSection A

Section A

Interior Detail

Interior Detail

93

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Level 10' - 0"

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Level 524' - 0"

Level 21' - 6"

Level 311' - 0"

Scale



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A103Unnamed

Project NumberOwner



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CT

Level 10' - 0"

Level 416' - 6"

Level 524' - 0"

Level 21' - 6"

Level 311' - 0"

1/8" = 1'-0"1 Section 3


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SCHEME 1

SCHEME 2



style of JaZz.







PARTI 1

PARTI 2

Function Diagram

Function Diagram

Block Diagram

Block Diagram

Basement Level

Basement Level

Main Level


Mezzanine Level

Section B

Section BSection A

Section A

Interior Detail

Interior Detail

Schematic Design

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First Floor Second Floor

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Second Floor Basement Floor Roof Plan

Schematic Design

South Elevation 1/8" = 1'-0"1 South

1/8" = 1'-0"1 West 1/8" = 1'-0"1 East

West Elevation East Elevation

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East Elevation

1/8" = 1'-0"1 Section 2

Section 1

Section 2

Schematic Design

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1 3D View 5


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Colors & Materials

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Colors & Materials

Floor Material Pattern- Level 1

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Floor Material Pattern- Level 2

Floor Plans

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Site Plan1/64”= 1’

19th Street

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18th Street

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Access Diagram

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Plans

1.01

18th & Vine District

May 10, 2013TMH

RA


Ti�any Ho�man

EBB & FLOWJazz Club

TMH

First Floor1/4”= 1’

Reception

Bar

Server Station StageDining

Lounge

Access Diagram

Floor Plans

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May 10, 2013TMH

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Ti�any Ho�man

EBB & FLOWJazz Club

TMH

Second Floor1/4”= 1’

Office

Bar

Server Station StageDining

Lounge

Patio

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May 10, 2013TMH

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Ti�any Ho�man

EBB & FLOWJazz Club

TMH

Basement Floor1/4”= 1’

Mech. Room

Toilets

Kitchen

Elevations & Sections

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Elevations

1.01


May 10, 2013TMH

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Ti�any Ho�man

EBB & FLOW

TMHLIVE MUSIC

THE CHRISTOPHER JON TRIO8:30 PM

GRAND MARQUIS10:30PM

South Elevation3/16”= 1’

LIVE MUSIC

THE CHRISTOP JON TRIO8:30 PM

GRAND M10:30PM

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Elevations

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EBB & FLOWTMH

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Elevations

1.01


May 10, 2013TMH

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Ti�any Ho�man

EBB & FLOW

TMH

West Elevation3/16”= 1’


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Date

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Elevations

1.01


May 10, 2013TMH

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EBB & FLOWTMH

East Elevation3/16”= 1’

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Sections

1.01


May 10, 2013TMH

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Ti�any Ho�man

EBB & FLOW

TMH

Section 11/4”= 1’


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Sections

1.01


May 10, 2013TMH

RA


Ti�any Ho�man

EBB & FLOW

TMH

Section 21/4”= 1’

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EBB & FLOW

TMH

Renderings

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Plans

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May 10, 2013TMH

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EBB & FLOWJazz Club

TMH

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May 10, 2013TMH

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EBB & FLOWJazz Club

TMH

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Renderings

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EBB & FLOWJazz Club

TMH

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May 10, 2013TMH

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EBB & FLOWJazz Club

TMH

2

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TMH

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Reviewers Sources

Refe

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es

1

“13th Century Church Gets New Life as a Bookstore.” Book Riot. Disqus, 12 Aug 2012. Web. Web. 4 Oct. 2012. <http://bookriot.com/2012/08/17/13th-century-church-gets-new-life-as-a- bookstore/>. “Anthropometrics.” Archipaedia. Blogger, 24 2011. Web. Web. 26 Nov. 2012. <http://archipaedia- archipod.blogspot.com/2011/12/anthropometrics.html>.“Arons en Gelauff Architecten: Annie MG Schmidt House.” Designboom. N.p., 7 Jan 2009. Web. 11 Oct 2012. <http://www.designboom.com/weblog/cat/9/view/6863/arons-en-gelauff- architecten-annie-mg-schmidt-house.html>.“Arons en Gelauff Architects Win Annie MG Schmidt House Competition in Amsterdam.” Bustler. N.p., 14 Apr 2009. Web. 11 Oct 2012. <http://www.bustler.net/index.php/article/arons_en_ge lauff_architects_win_annie_mg_schmidt_house_competition_in_amste/>. “Back to Selexyz Dominicanen Bookstore by Merkx Girod Architecten.” HomeDSGN. N.p., n.d. Web. 4 Oct 2012. <http://www.homedsgn.com/2012/07/05/selexyz-dominicanen-bookstore-by- merkxgirod-architecten/selexyz-dominicanen-bookstore-27/>.“Boekhandel Dominicanerkerk Maastricht.” Satijnplus Architecten. N.p., n.d. Web. 4 Oct 2012. <http://www.satijnplus.nl/page.aspx?id=50>.“Bookstore Selexyz Dominicanen.” Open Buildings. N.p., n.d. Web. 4 Oct 2012. <http://openbuild ings.com/buildings/bookstore-selexyz-dominicanen-profile-38887Brodin, Sueli. “Selexyz Dominicanen opens in Maastricht.” Crossroads. 20 11 2006: n. page. Web. 4 Oct. 2012. <http://crossroadsmag.net/2006/11/new-bookshop-in-maastricht-selexyz-domini canen/>.“December 2007: The Zeeburger Island.” Amsterdam.nl. N.p., 13 Oct 2008. Web. 11 Oct 2012. <http://www.amsterdam.nl/@496669/pagina/>.Glancey , Jonathan. “Bookstore Selexyz Dominicanen Maastricht.” Guardian (2008): n.pag. World Buildings Directory. Web. 4 Oct 2012. <http://www.worldbuildingsdirectory.com/proj ect.cfm?id=437>. Kremer, Jonathan. “4 Types of Lighting.” Megavolt. Jonathan Kremer, n.d. Web. 27 Nov 2012. <http://www.megavolt.co.il/Tips_and_info/Types_of_lighting.html>.Loc.alize.us. Geoeye, 2012. Web. 11 Oct 2012. <http://loc.alize.us/

Reviewers

Studio Professor: Ryadi Adityavarman

Professional Reviewer: Vibhavari Jani

Peer Reviewers: Maggie Bierschwal Ashley Culler Diana Blando

125

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es

SourcesSources

Refe

renc

es

1

“13th Century Church Gets New Life as a Bookstore.” Book Riot. Disqus, 12 Aug 2012. Web. Web. 4 Oct. 2012. <http://bookriot.com/2012/08/17/13th-century-church-gets-new-life-as-a- bookstore/>. “Anthropometrics.” Archipaedia. Blogger, 24 2011. Web. Web. 26 Nov. 2012. <http://archipaedia- archipod.blogspot.com/2011/12/anthropometrics.html>.“Arons en Gelauff Architecten: Annie MG Schmidt House.” Designboom. N.p., 7 Jan 2009. Web. 11 Oct 2012. <http://www.designboom.com/weblog/cat/9/view/6863/arons-en-gelauff- architecten-annie-mg-schmidt-house.html>.“Arons en Gelauff Architects Win Annie MG Schmidt House Competition in Amsterdam.” Bustler. N.p., 14 Apr 2009. Web. 11 Oct 2012. <http://www.bustler.net/index.php/article/arons_en_ge lauff_architects_win_annie_mg_schmidt_house_competition_in_amste/>. “Back to Selexyz Dominicanen Bookstore by Merkx Girod Architecten.” HomeDSGN. N.p., n.d. Web. 4 Oct 2012. <http://www.homedsgn.com/2012/07/05/selexyz-dominicanen-bookstore-by- merkxgirod-architecten/selexyz-dominicanen-bookstore-27/>.“Boekhandel Dominicanerkerk Maastricht.” Satijnplus Architecten. N.p., n.d. Web. 4 Oct 2012. <http://www.satijnplus.nl/page.aspx?id=50>.“Bookstore Selexyz Dominicanen.” Open Buildings. N.p., n.d. Web. 4 Oct 2012. <http://openbuild ings.com/buildings/bookstore-selexyz-dominicanen-profile-38887Brodin, Sueli. “Selexyz Dominicanen opens in Maastricht.” Crossroads. 20 11 2006: n. page. Web. 4 Oct. 2012. <http://crossroadsmag.net/2006/11/new-bookshop-in-maastricht-selexyz-domini canen/>.“December 2007: The Zeeburger Island.” Amsterdam.nl. N.p., 13 Oct 2008. Web. 11 Oct 2012. <http://www.amsterdam.nl/@496669/pagina/>.Glancey , Jonathan. “Bookstore Selexyz Dominicanen Maastricht.” Guardian (2008): n.pag. World Buildings Directory. Web. 4 Oct 2012. <http://www.worldbuildingsdirectory.com/proj ect.cfm?id=437>. Kremer, Jonathan. “4 Types of Lighting.” Megavolt. Jonathan Kremer, n.d. Web. 27 Nov 2012. <http://www.megavolt.co.il/Tips_and_info/Types_of_lighting.html>.Loc.alize.us. Geoeye, 2012. Web. 11 Oct 2012. <http://loc.alize.us/

Reviewers

Sources

Refe

renc

es

1

“Maysville, Kentucky.” Kentucky Tourism. Aristotle, 2012. Web. 9 Oct 2012. <http://www.ken tuckytourism.com/city/maysville/>. “Places to Visit and Interesting Stops Along the Way.” Higginsport, Ohio. N.p., n.d. Web. 9 Oct 2012. <http://www.higginsportohio.com/places.html>.“Portfolio Bishop’s Table.” The Durable Restoration Company. Fast Forward Marketing, 2011. Web. 9 Oct 2012. <http://www.durablerestoration.com/portfolio-bishops-table.html>.“Silo Competition.” Architectenweb. N.p., 18 June 2008. Web. 11 Oct 2012. <http://www.architec tenweb.nl/aweb/redactie/redactie_detail.asp?iNID=14726>.“Silo’s Zeeburg.” Arons en Gelauff. Grafisch lokaal, 2012. Web. 11 Oct 2012. <http://aronsengelauff. nl/cultural/silos-zeeburg>.“The Bishop’s Table.” Duncan G. Stroik Architect, LLC. Cre8, 2012. Web. 9 Oct 2012. <http://www. stroik.com/portfolio/the-bishops-table/>.Tom, . “Abandonments Reinvented: The World’s Most Stunning Bookshops.” Architecture (2010): n.pag. Urban Ghosts. Web. 4 Oct 2012. <http://www.urbanghostsmedia.com/2010/04/aban donment-reinvented-the-worlds-most-stunning-bookshops/>. “Understanding the Meaning of Colors in Color Psychology.” Empower yourself with color psychol ogy. N.p.. Web. 27 Nov 2012. <http://www.empower-yourself-with-color-psychology. com/meaning-of-colors.html>.“Zeeburg.” JLG Realestate. N.p., n.d. Web. 11 Oct 2012. <http://www.jlgrealestate.com/english/ zeeburg>.“Zeeburger Silos.” Kexcom. N.p., n.d. Web. 11 Oct 2012. <http://www.kexcom.nl/en/projects/zee burger-silos/>.

Sources

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fere

nces

1

“Maysville, Kentucky.” Kentucky Tourism. Aristotle, 2012. Web. 9 Oct 2012. <http://www.ken tuckytourism.com/city/maysville/>. “Places to Visit and Interesting Stops Along the Way.” Higginsport, Ohio. N.p., n.d. Web. 9 Oct 2012. <http://www.higginsportohio.com/places.html>.“Portfolio Bishop’s Table.” The Durable Restoration Company. Fast Forward Marketing, 2011. Web. 9 Oct 2012. <http://www.durablerestoration.com/portfolio-bishops-table.html>.“Silo Competition.” Architectenweb. N.p., 18 June 2008. Web. 11 Oct 2012. <http://www.architec tenweb.nl/aweb/redactie/redactie_detail.asp?iNID=14726>.“Silo’s Zeeburg.” Arons en Gelauff. Grafisch lokaal, 2012. Web. 11 Oct 2012. <http://aronsengelauff. nl/cultural/silos-zeeburg>.“The Bishop’s Table.” Duncan G. Stroik Architect, LLC. Cre8, 2012. Web. 9 Oct 2012. <http://www. stroik.com/portfolio/the-bishops-table/>.Tom, . “Abandonments Reinvented: The World’s Most Stunning Bookshops.” Architecture (2010): n.pag. Urban Ghosts. Web. 4 Oct 2012. <http://www.urbanghostsmedia.com/2010/04/aban donment-reinvented-the-worlds-most-stunning-bookshops/>. “Understanding the Meaning of Colors in Color Psychology.” Empower yourself with color psychol ogy. N.p.. Web. 27 Nov 2012. <http://www.empower-yourself-with-color-psychology. com/meaning-of-colors.html>.“Zeeburg.” JLG Realestate. N.p., n.d. Web. 11 Oct 2012. <http://www.jlgrealestate.com/english/ zeeburg>.“Zeeburger Silos.” Kexcom. N.p., n.d. Web. 11 Oct 2012. <http://www.kexcom.nl/en/projects/zee burger-silos/>.

Sources

ebb& flow-thesis book

Documents

historical buildings

historic buildings

jazz district

adaptation of buildings

interesting buildings

jazz club

future generations

united states heritage