early renaissance architecture.ppt
TRANSCRIPT
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EARLY RENAISSANCEARCHITECTURE
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Renaissance- AnOverview
The spread of the Renaissancemovement
RENAISSANCE- REBIRTH , A REVIVA !" THE #REE$ AN% R!&ANCASSICA A#E
The Vitr'vian man- h'manism,h'man proportionsRenaissance-
Ear() RenaissanceHi*h Renaissance&annerist movement
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Renaissance- AnOverview+'attrocento Ear() Renaissance ./00-.1002 3
concepts of architect'ra( order e4p(ored and r'(es
5ere form'(ated6
Hi*h renaissance .100-.1712 - concepts derivedfrom c(assica( anti8'it) 5ere deve(oped and 'sed5ith *reater s'ret)6
&annerism .170-.9002 3 architectse4perimented 5ith architect'ra( forms toemphasis so(id and spatia( re(ationships6
A:ove;
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llipo Brunelleschi
&echanica( technica( *eni's
%evised scheme for constr'ctin* the "(orence Cathedra( a(on* 5ithre8'ired mechanica( devices, hoists, etc6
Credited 5ith deve(opin* (inear perspective6
"(orence Cathedra( and its iconicdome
"i(ippo Br'ne((esc
%ome interior vie5
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llipo Brunelleschi
"i(ippo Br'ne((esc
San oren=o, "(orence &ain nave space
Vie5 of side chape(s, perspectiverecession
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llipo Brunelleschi
"i(ippo Br'ne((esc
!rphana*e
*enera( ?atness ofc(assica( detai(
dra5n on pietra serena, *re)sandstone, on so(id 5hitep(aster :ac@*ro'nd6
!speda(e %e*(i Innocenti, "(orence
Caref'( attention to proportion in threedimensions6
E4amp(e of ne5 civic spirit
Ro'nd arches c(assica( pro(es
Re*'(arit) of p(anp(an
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llipo Brunelleschi
"i(ippo Br'ne((esc
Santo Spiriti, vie5
Interior vie5
idea(, :a(ancedproportions ininterior space ande4terior massin*
ais(es have a more so(id fee(6 C(assica( detai(s6
contin'o's am:'(ator) of s8'are :a)s
faade 5as nished (ater6 C'rved vo('tes seenover ais(es 5hich co'(d have :een A(:erti>s
in?'ence6
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on Baisa Al!erini
A(:ertini
rst theorist of the ne5 h'manist arts6
5rote treatises on paintin*, sc'(pt're and architect're6
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on Baisa Al!erini
Santa &aria Nove((a, "(orence
'sed proto- Renaissance
pattern e(ements, parts of#othic "acade and c(assica(Roman architect'ra(voca:'(ar)
the str'ct're ts 5ithin aperfect s8'are
more so(idit), pi(asterends, stron* separation:ands :et5een (eve(s
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chiecural Ele"e"s
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nclu#in$ In%erences
Ear() Renaissance :'i(din*s disp(a)ed a certain so:riet) Dh'm:(e,
in5ard (oo@in* and separation :et5een the p':(ic Dfacade and theprivate Dinterior, co'rt)ard e(ementsThe interp(a) :et5een repetitive mod'(es, no5 ca((ed for *ro'pin*and a(ternatin* of the same e(ements6
"or instance, e8'idistant apert'res in the facade 5ere no5 *ro'pedto*ether fo((o5ed :) a(ternatin* 5ide or narro5 :(an@ masonr) strips6
The apert'res themse(ves ass'med *reater importance and 5ereframed 5ith com:inations of pi(asters, architraves or arches, andortrian*'(ar or ro'nded *a:(es, fre8'ent(), a com:ination of a((
perm'tations and com:inations6
The o:vio's distin*'ishin* feat'res of C(assica( Roman architect're5ere adopted :) Renaissance architects6
The ancient orders 5ere ana()sed and reconstr'cted to serve ne5p'rposes