d's visual journal + portfolio
DESCRIPTION
-a collection of art work and accompanying reflections + resources for EDCP 301 with Professor Elsa Lenz KotheTRANSCRIPT
Exquisite Corpse, Sept 13 I LOVED this activity…it’s extremely accessible, requiring
minimal materials and lots of student creativity. I also
like that it can serve as a spring board to many different
discussion across many content areas.
E.g. This art activity could lead to very interesting
discussions/further study into Biology/Ecology/animal
adaptations, etc. Kris Fontes work suggests a lot of
potential for integrating issues of social justice into the
Art classroom; meaningful discussions on body-image, and
gender stereotypes come to mind. And perhaps even
writing as evidenced by this surrealist kids literary
adventure with the Library of congress.
Snapshot from my class notes of my simple rendition
of an exquisite corpse…a giraffe-hippo-duck! Sadly, I
don’t have a picture of the large size Exquisite Corpse
I made in class, but you get the idea…
Sample Grade 6 Exquisite Corpse project;
Kris Fontes, Union City Art Department
Partner Visual History:
Here I learned about where Josh
came from…
Bookbinding, Sept 13, 2011
A lot of creative +
differentiated
education options
with choice of
stitches
Things got crafty in our first Art Education class! Judah was particularly
helpful in walking me through the construction process. It was helpful to
experience this art activity from a student’s perspective. In particular I
noticed how challenging it is for a teacher to explain how to make this to a
class of 30 students.
Many of the stitches and specific punches are difficult to
demonstrate in a way that all the students can see clearly. I am
wondering if something like a cooking class overhead demo. mirror
is required...but is this feasible?
My second art-class creation!
DIY bookbinding for
adults + kids
I can see a lot of integrated lesson possibilities with this activity…
My first attempt at leaf-printing in 20+ years!
Leaf-rubbing Video
-A less messy alternative
to what we did in class;
cleaner, but arguably
less fun! (Click title for video.)
Printmaking, Sept 27 In today’s class, things got MESSY in a fun, kindergarden
sort of way. I particularly enjoyed this activity because it
made me consider negative space, reflection of images, and
pay close attention to the properties of the materials I was
using. Many of my prints didn’t quite turn out as I
expected, largely because of the latter.
This activity could be used to introduce discussions
about students’ sense of place and their local
environment. My wife and I are certainly living proof
of this… Excited about what I had experienced in
class, I took my wife on a leaf tour of our local
neighbourhood!
My lovely wife
Namsu, and
our baby-to-be
Gourd Instruments, Oct 11 As Burns aptly observed, “The best laid plans of mice and men [and eager PBL’rs] often
go awry. Such is the case with my Gourd project; I had eagerly started this project,
but a month later, my instrument is yet to be completed. Reflecting on this made me
think seriously about how I, as an emerging teacher, would fairly assess this if my
students presented me with a similar outcome, especially if their reasons for their
incompletion were legitimate.
After a hectic resource package schedule punctuated
by a really bad cold, this is what actually resulted.
Fantasy! Reality… I had hoped I would have completed a 3-prong gourd of
epic percussion qualities matched only by Desi Arnaz…
Ughhh…
Percussion Anyone?
How to make a kids’
TOM-TOM video
A [Virtual] Trip to MOA, Oct 25 Most of this week, I spent in bed, very sick with a particularly tenacious strain of the
FLU… Thank God for the Internet! From my laptop, under the numerous blankets of
my comfy bed, I was able to learn more about the elementary programs offered by the
museum and the amazing sculpture work of Bill Reid.
Mythical Icons Video
Haida Gwaii artist, Bill Reid
The MOA’s elementary programs seem to be a great place to engage students in
discussions about Aboriginal culture and art, that could be then continued in the Art and
Social Studies classroom. After some discussion in tutorial class, I wonder how a non-
native teacher can most respectfully introduce Native art and story telling into the
elementary classroom? I remember doing a “build your own totem pole” art activity as
a young child, but I am unsure whether this increased my appreciation for Native art, or
simply trivialized it. The Appendix H of the BC Ministry’s Aboriginal Education
document, Shared Learnings, seems like a great place to start responding to this issue in
more culturally sensitive ways.
Some of my classmate’s tiles…interestingly enough, I forget to take a picture of my own!
Clay Tile-Making, Nov 8 I found today’s class FASCINATING on two counts…one by the
sheer beauty of the Islamic art pieces Elsa showed us during her
lecture (The Islamic tiles from Iran and Pakistan were
gorgeous!), but also by the incredible craftsmanship and intelligence of the artists who built these massive pieces. On
first glance of these pieces, it is obvious that there are
mathematical connections to this form of art, but I didn’t
realize how DEEP these were. In this regard, the posted
Nature article was quite illuminating…before reading that I had
no clue what a girih was!
In addition to Math, I think these types of art projects lend
themselves to natural explorations of different cultures with our
students. E.g. Middle Eastern culture.
A girih in action!
Other TILE projects:
Pumpkin seed mosaic
Tangrams…
Math, Tile Art,
or Both?
Thankyou Elsa! Nov 22
If we are to take Picasso’s statement seriously, then we need elementary teachers
who take the arts seriously. Elsa, thank you so much for giving me a chance to
explore my artistic side in such an engaging way. More importantly, thanks for
reminding me of the importance of encouraging artistic discovery with my students!
“Every child is an artist. The problem is how to remain an artist once we grow up.”