drew audition packet · drew is playing his guitar. he doesn’t notice sherrie with a newspaper...

DREW AUDITION PACKET

BLUE LIGHT PLAYERS

!"#$%#&'()#*+,#*-+-# # */#

HERTZ/ MAYOR/ FRANZ WE (WE’LL) BUILT (RID) THIS CITY!!

ENSEMBLE

TOO MUCH TIME ON MY HANDS

HERTZ/ MAYOR/ FRANZ ON (OF) ROCK AND ROLL!!

LONNY/ DREW/ DENNIS/ FRANZ/ HERTZ/ MAYOR/ GROUPIES

(whispered) TOO MUCH TIME ON MY HANDS TOO MUCH TIME ON MY HANDS TOO MUCH TIME--

HERTZ

Shall I call zee bulldozers?

DENNIS Remember when you tea bagged that baby llama?

STACEE JAXX/ MAYOR I’ll do it. The MAYOR and HERTZ shake hands.

LIGHTS OUT. Scene 4 INT. “Dupree’s Bourbon Room.” Day.

DREW is playing his guitar. He doesn’t notice SHERRIE with a newspaper enter behind him.

DREW

GOT A GIRL WITH LEGS SO LONG WRAPPED AROUND ME, IN THE BACK... OF HER DADDY’S STATION WAGON AND SHE’S GOT A KILLER RACK.

Stupid. DREW (cont’d)

AND SHE’S REACHIN’ FOR MY SACK. God, that sucks.

!"#$%#&'()#*+,#*-+-# # *0#

SHERRIE Reachin’ for your sack, huh?

DREW (startled) Oh, hey! No, that’s just, ah, rock stuff... metaphors. It’s complicated.

SHERRIE (shrug) Nice hook though. Reminds me of Judas Priest’s “Eat Me Alive.” (sings) “...Squealing in passion as the rod of steel injects.”

DREW I love you.

SHERRIE What?

DREW Nothing. What are you doing?

SHERRIE picks up her newspaper.

SHERRIE Dramalogue said they’re having an open call for some movie... “Encino Hot Tub Police.” Figured I’d go down and try out. Not sure what (reads) “suggested fellatio” is but sounds like I better work on an accent.

DREW (Aside) I could probably help you with that. (to her) Wow, right off the bus and hittin’ auditions. Pretty cool.

SHERRIE Well, I ain’t gonna make it sitting on my butt, right? SHERRIE sits and starts applying make-up

DREW Guess that’s true

SHERRIE So where you from, Drew?

DREW Detroit... (raises his right hand and points to his palm) Michigan.

SHERRIE

So, you come out here to be a rockstar, Wolfgang?

!"#$%#&'()#*+,#*-+-# # *1#

DREW Oh, I don’t know. I guess.

SHERRIE Guess? There’s no “guess.” You want something? (putting lipstick on him) You wanna be one of those multi-platinum Gods? You gotta just take it.

DREW (smacking his lips) Okay.

SHERRIE Okay, what?

DREW Sure, yes I’d like—

SHERRIE “Like” nothing. Forceful. Right now. What’s bustin’ out of your heart, Drew? What do you want?

DREW I... (frustrated) I don’t know. I guess I want...

SHERRIE Come on! Don’t think. First thing that comes out of your mouth!

DREW Well...

SHERRIE Say it, Wolfgang!!

DREW (sung a capella) I WANNA ROCK?!

Suddenly, the world around DREW becomes a metal video.

“I WANNA ROCK”

ENSEMBLE ROCK!

DREW

I WANNA ROCK!

!"#$%#&'()#*+,#*-+-# # 24#

PRODUCER Yeah, well... I produce over at Orion Pictures.

The PRODUCER gives her his card.

PRODUCER (cont’d) (pointing to a number) That’s my beach house. I gotta say, I see in you a real Molly Ringwald quality.

SHERRIE You got that from a “two for one” lapdance?

PRODUCER I’m really good at my job. (re: card) Think about it.

As the PRODUCER slowly crosses away, DREW mopes down The Strip, reading a Tiger Beat magazine...

DREW

(sad) I WANNA ROCK

PRODUCER (passing DREW) Let it go.

SHERRIE and DREW bump passing each other.

SHERRIE Jesus! Why don’t you --

Looking up, SHERRIE sees who it is. DREW is equally surprised.

SHERRIE (cont’d)

Drew? Oh my God, I... How are you?

DREW Sherrie. I’m fine. And you?

SHERRIE Good... Great, actually.

DREW Oh yeah? So the acting? That going well?

!"#$%#&'()#*+,#*-+-# # 3-#

SHERRIE Yeah. I was actually just meeting with a pretty big producer at, ah, Orion Pictures. Think it could really lead to... something.

DREW That’s great. Well, you take care, Sherrie.

DREW begins to walk away.

SHERRIE Wait. What about you? Your music?

DREW Um... I got a new band. Street Boyz... with a Z. Gonna be huge. Got a Tiger Beat shoot and everything.

SHERRIE Tiger Beat? That’s... a departure from rock, isn’t it?

DREW (snarky) Yeah well, I guess sometimes people change their minds about things, people they like, wine coolers...

SHERRIE Hold on, you’re mad at me?!

DREW I think I’m entitled.

SHERRIE If you remember you’re the one who turned your back on me the minute I was fired! Buddy, it look me a long time to get over--

DREW Turned my back on you?! Time out! What about when you... (can’t say it) with Stacee Jaxx!

SHERRIE You said we were just “friends!” Y’know, “just drinkin’ wine coolers?!”

DREW I never said that!

Suddenly, LONNY appears.

!"#$%#&'()#*+,#*-+-# # 3+#

LONNY Yeah, actually you did.

Realizing this is a private moment, LONNY slips back off.

LONNY (cont’d) Sorry.

SHERRIE Dammit, I was crazy about you.

DREW You were?

SHERRIE Goodbye, Drew.

SHERRIE begins to walk away.

DREW Sherrie...?

DREW reaches into his pocket and hands SHERRIE a cassette.

DREW (cont’d)

Maybe give it a listen. It’s about you.

SHERRIE I’m scared...

DREW No, it’s good stuff.

DREW begins to exit.

SHERRIE (feeling honest) I’m a stripper. (embarrassed) Exotic dancer. (then) Stripper. Venus club.

DREW My manager dressed me like this and that’s the first demo tape anyone’s taken off my hands.

SHERRIE wants to say more.

!"#$%#&'()#*+,#*-+-# # 3*#

DREW (cont’d) I better go.

SHERRIE Drew. For whatever it’s worth. Street Boyz or whatever. I thought you made a really hot rocker.

The two separate. Once alone...

SHERRIE (cont’d) (to herself) God, you are so stupid.

DREW (to himself) Why did you say “friends!?”

SHERRIE (re: tape) He wrote me a song?

DREW (to himself) She was crazy about me? “HIGH ENOUGH”

SHERRIE I DON’T WANNA HEAR ABOUT IT ANYMORE IT’S A SHAME I’VE GOT TO LIVE WITHOUT YOU ANYMORE

DREW

THERE’S A FIRE IN MY HEART A POUNDING IN MY BRAIN IT’S DRIVING ME CRAZY

DREW/ SHERRIE

WE DON’T NEED TO TALK ABOUT IT ANYMORE YESTERDAY’S JUST A MEMORY CAN WE CLOSE THE DOOR

SHERRIE

I JUST MADE ONE MISTAKE

DREW I DIDN’T KNOW WHAT TO SAY

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Anixter Rice Music Service 212-265-3101630 Ninth Ave, NYC 10036

PIANO/CONDUCTOR

I Wanna Rock

[c. 3/10]

#4

Orchestration: Ethan Popp

R-6742/802

Cue: SHERRIE: "Say it Wolfgang!"

DrewEnsemble

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Anixter Rice Music Service 212-265-3101

-2-PC #4. “I Wanna Rock” [c. 3/10]

630 Ninth Ave, NYC 10036

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-3-PC #4. “I Wanna Rock” [c. 3/10]


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Moderate 80's Pop Ballad [q = 102]Safety (Out on any 2-bar phrase)

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- - -

Anixter Rice Music Service 212-265-3101630 Ninth Ave, NYC 10036

PIANO/CONDUCTOR

Waiting For A Girl Like You

[c. 3/10]

#6A

Orchestration: Ethan Popp

DrewSherrieStaceeEnsemble

A3797/802

Cue: LONNY: "So let's set a nice mood, shall we?..."

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19 œ œ œ œ œ œ œ œI need to know if you feel

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-2-PC #6A. “Waiting For A Girl Like You” [c. 3/10]


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41 œb .œ œ œn Óing

Œ œSHERRIE: œ œ œ œ œI've been wai ting for a

∑

∑


˙̇̇ œœœ œ œœœ œœœ˙

(+Bs)

œ œ œ œDm

CD

Dm

42 ‰ œ œ œ œb œ œ œ œ ‰ Jœfor a girl like you to

œ œ œ œ œ ‰ jœboy like you to

Ó œ(breathy...)

œ œ œWait ing for a...

Ó œ(breathy...)œ œ œWait ing for a...


...˙̇̇ œœœœ œ œ œ œ

C

43 Jœ œ Jœ Jœ œ Jœcome in to my life.

jœ œ jœ jœ œ jœcome in to my life.

∑

∑

œ œœ œ Jœ .œ

wwwwwBb Bb/A

44 œ Œ Ó

œ Œ Ó

∑

∑

wwwggggg˙̇̇̇ jœœœœ ‰ Œ

˙ œ œ œ#Gm

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√45 œRhoades-y Sparkle Thingy

(+Gtr2) œ œn œ œ œ œ œ˙̇̇Still Wurli, but addphasing vocal pad

œœœ œ œœœ œœœœAm G/A

46 œ œ œ œ œ œ œ œwwww

47œ œ œ œ œ œ œ œ˙̇̇ œœœ œ œœœ œœœœ

Am G/A

48 œ œ œ œ œ œ œ œwwww

&?

49

˙̇̇Dark Wurli(both hands)

(+Gtr1 - comp)

œœœ œ œœœ œœœœw

(+Bs)

.˙ œ œAm G/A

50

wwww

SHERRIE: "I still can't believe you're opening for Arsenal. That is so cool!"

ww

51


Am G/A

52

wwww

DREW: "And I owe it all to you." (cont...)

wwœ

(Bs)œ œ œ œ œ

œ œ œ œAnixter Rice Music Service 212-265-3101



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44

SHERRIE: (to herself) "God, you are so stupid."DREW: (to himself) "Why did you say 'friends!?' "

[q = 82]1 !U

3œ(Gtr 2 - Acoustic)

Pœ œ .˙

UwwwU (Gtr 1 - Clean elec. w/trem)

SHERRIE: (re: tape) "He wrote me a song?"DREW: (to himself) "She was crazy about me?"(go on)

2 ÓU Ó3œ œ œ œ

Uœœ œ œœ œ

wwwU

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jœ œSHERRIE:

œ œ œ œ œ œ œ œ œ œI don't wan na hear a bout it

œœœ(Gtr 2 - Rhythm)

œ œœœ œ œœœ œœœ œœ œ œœœ œwA

w

4 Œ œ œ jœ œ jœ ‰ ‰ œ œan y more. It's a

œœœ œ œœœ œ œœœ œœœ œœ œ œœœ œ˙ œ œ œ œ

E/G#˙ œ œ œ œ

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jœ œ œ œ œ œ œ œ œ œ œ œshame I've got to live with out you

œœœœ œ œœœœ œ œœœ œœœ œœ œ œœ œ˙ .œ œ œ

F#m7(add4)w

6 Œ œ œ œ œ jœ ‰ ‰ œDREW:

œan y more. There's a

V

œœœœ œ œœœœ œ œœœ œœœ œœ œ œœœ œww

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FireFly Music Service (917) 523-1495331 W57th Street #541 NYC 10019

SherrieDrewEnsemble

PIANO / VOCAL

High Enough

[c. 3/10]

#14

Cue: SHERRIE: "Drew. For whatever it's worth. Street Boyz or whatever. I thought you made a really hot rocker."(SHERRIE and DREW part...)

Music & Lyrics by Jack Blades, Ted Nugent,

and Tommy R. ShawArrangement by Ethan Popp

H-5988/802

Arrangement by Ethan Popp

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7 jœ œ œ œ œ œ jœ œ œ jœ ‰ ‰ . rœfi re in my heart, a

œœœ œ œœœ œ œœœ œœœ œœ œ œœœœ œ.˙ .œ œ

Esus

w

8 jœ œ œ œ œ œ jœ œ .œ œ jœ œ œ œ œpound ing in my brain, it's driv ing me

œœœ œ œœœ œ œœœ œœœ œœ œ œœœœ œ˙ .œ œ .œ œE

.˙ .œ œ

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9 œ œ œ œ œ Œcra zy.

œœœœ œ œœœœ œ œœœœ œœœœ œœœ œ œœœœ œ.œ jœ œ œ œ œww

D2

10 !

œœ(Keys - Syn Strs)

œœ œœœœ œœ

ww

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11

œSHERRIE:

œ œ œ œ œ œ œ œ œ œ œWe don't need to talk a bout it

œDREW: œ œ œ œ œ œ œ œ œ œ œWe don't need to talk a bout it

wwœœœ œ œœœ œ œœœ œœœ œœ œ œœœ œwAw

12 Œ œ œ jœ œ jœ ‰ Œan y more.

Œ œ œ jœ œ Jœ ‰ Œan y more.

œœœ œ œœœ œ œœœ œœœ œœ œ œœœ œ˙ .œ œ œ

E/G#˙ .œ œ œ

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13jœ œ œ œ œ œ œ œ œ œ œ ‰Yes ter day's just a mem o ry.

jœ œ œ œ œ œ œ œ œ œ œ ‰Yes ter day's just a mem o ry.

œœœœ œ œœœœ œ œœœ œœœ œœ œ œœ œww

F#m7(add4)

14 ‰ œ œ .œ œ œ .œ ‰ jœCan we close the door? I

‰ œ œ .œ œ œ .œ ŒCan we close the door?

œœœœ œ œœœœ œ œœœ œœœ œœ œ œœœ œ..˙̇ œ œ

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15

œ œ œ œ œ œ Œjust made one mis take,

Ó Œ ‰ . rœI

œœœ œ œœœ œ œœœ œœœ œœ œ œœœœ œ..˙̇ ..œœ œ

Esus

16 Ó ‰ œ œ œ œwhen you called me

œ œ œ œ œ œ œ œ œ œ œdid n't know what to say, when you called me

œœœ œ œœœ œ œœœ œœœ œœ œ œœœœ œ..˙̇ œ œ

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17 .œ jœ ˙ba by..œ Jœ ˙ba by.

œœœœ œ œœœœ œ œœœœ œœœœ œœœ œ œœœœ œwwD2

18 .˙ Œ.˙ Œ

œœœœ(Drs - fill)

œ œœœœ œ œœœœ œœœœ œœœ œ œœœœ œww

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19

‰ jœ jœ .œ œ .œ ‰Don't say good night.

‰ Jœ jœ .œ œ .œ ‰Don't say good night.

œœœœœfœœœœœ œœ œœœœ œœ œ

œœ œ œ..œœ

jœœF2 G2

20 ‰ œ œ œ œ œ œ œ œ œ œ œ œSay you're gon na stay for ev er,

‰ œ œ œ œ œ œ œ œ œ œ œ œSay you're gon na stay for ev er,

...œœœjœœ œœœ œœœ œ

..œœjœœ œœ œ œ

F G Am

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21 jœ ‰ jœ .œ œ œ œ ‰ œ œ œoh oo whoa, all the way.

Jœ ‰ jœ .œ œ œ œ ‰ œ œ œoh oo whoa, all the way.

œœœœ œœ œ œœœœ œœ œœœ œ œ œœ œœF G

22 w

w

œœœœ œœœœ œœœœ# œœœœœœ œœ œœ œœ œœ œœ œœ œœ

Asus A


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23

Œ œSHERRIE:

œ œ œ œ œCan you take me high

Œ œDREW: œ œ œ œ œCan you take me high

Œ œœWOMEN: (off-stage) œœ œœ œœ œœ œœ

Can you take me high

Œ œœMEN: (off-stage) œœ œœ œœ œœ œœCan you take me high

œœœ œœœ œ œœœ œœœ..œœ

jœœ œœ œœD A

24 .œ œ œ œ œ œ œ Œe nough.œ œ œ œ œ Œe nough?

..œœ œœ œœ œœ œœ Œe nough?..œœ œœ œœ œœ œœ Œe nough?

...œœœ jœ œœ œ œœœ œ

..œœjœœ ..œœ œœ œœ

Bm

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25 ‰ jœ œ œ œ œ œ œto fly me o ver

Ó Œ jœ œ œFly me

œœœœ œœœ œ œœœ œœœœ..œœ

jœœ ..œœ œœ œœEm Em9

26 Œ jœ .œ œ .œ ‰yes ter day?

œ œ œ jœ .œ œ .œ ‰o ver yes ter day?

œœœ œœœ œ œœœ œ œ œ œ œ œ..œœ

jœœ ..œœjœœ

G A

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27 Œ œ œ œ œ œ œCan you take me high

Œ œ œ œ œ œ œCan you take me high

Œ œœ œœ œœ œœ œœ œœCan you take me high


...œœœ jœ œœœ œ œœœœ

..œœjœœ œœ œœ

D A2/C#

28 .œ œ œ œ œ œ œ Œe nough?.œ œ œ œ œ Œe nough?


˙̇̇̇ œœœœ œ œœœ œ..œœ

jœœ ..œœ œœ œœBm

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29 ‰ Jœ œ œ œ œ œ .œ jœ ‰It's nev ver o ver.

!

!

....œœœœ jœ œœ œœ


Em7

30 œ œ œ œ œ œ œ .œWhoa oh oh oh...

œ œ œ œ œ œ ‰ JœWhoa oh oh I'm

Ó Œ ‰ JœDREW: (alt. melody)

I'm

˙̇˙˙ ˙̇̇˙˙œœ œ œ ˙̇

G2 A2

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31

.œSHERRIE:

Jœ .œ jœOh

œDREW: .œ ˙ œ3

œN œ œrun ning.

œDREW: (alt. melody).œ ˙ œ

3

œ œ œrun ning.

..œœWOMEN: (off-stage) jœœ ..œœ jœœ

Oh

..œœMEN: (off-stage)

Jœœ ..œœ JœœOh

jœœœ>‰ jœœœ>

‰ jœœœ>‰ jœœœ>

‰

œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœBsus2

32 œ œ Ó

Jœ ‰ ‰ œ œ œ œ œ œ œ œI was run ning for the door.

Jœ ‰ ‰ œ œ œ œ œ œ œ œ œI was run ing for the door.

œœ œœ Ó

œœ œœ Ójœœœ> ‰ jœœœ> ‰ jœœœ>

‰ jœœœ>‰

œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœD A

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33 .œ Jœ .œ jœOh.œ ‰ Ó.œ ‰ Ó

..œœjœœ ..œœ jœœ

Oh

..œœ Jœœ ..œœ JœœOh



‰


34 œ œ Ó

Œ ‰ œ œ œ .œ œ œ œThe next thing I re mem

Œ ‰ œ œ œ œ œ œ œ œ œThe next thing I re mem

œœ œœ Ó

œœ œœ Ó

jœœœ> ‰ jœœœ> ‰ jœœœ>‰ jœœœ>

‰

œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœD

A

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35 .œ Jœ .œ jœOhœ .œ œ Ó

ber

œ .œ œ Óber


Oh




‰


36 œ œ Ó

Œ œ œ œ œ œ œ jœ œ œI was run ning back for more

Œ œ œ œ œ œ œ œ œI was run ning back for more

œœ œœ Ó

œœ œœ Ó

jœœœ> ‰ jœœœ> ‰ jœœœ>‰ jœœœ>

‰

œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœD A

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37 .œ Jœ .œ jœOh

œ œ œ ‰ " œ œ œ .œyeah,

œ œ œ ‰ " œ œ œ .œyeah,


Oh




‰


38 œ œ Ó

‰ Jœ œ .œ œ œ œ œyeah, yeah, yeah.

‰ Jœ œ .œ œ œ œ œyeah, yeah, yeah.

œœ œœ Ó

œœ œœ Ójœœœ> ‰ jœœœ> ‰ jœœœ>

‰ jœœœ>‰

œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœD A Bsus2

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39

‰ JœSHERRIE: .œ œ œ Œ

Don't say good bye.

‰ JœDREW: .œ œ œ ŒDon't say good bye.

œœœœœ œœœœœ œœ œœœœ œœ œœœ œ œ ..œœ

jœœG2 A2

40 ‰ œ œ œ œ œ œ œ œ œ œSay you're gon na stay for ev er,

‰ œ œ œ œ œ œ œ œ œ œSay you're gon na stay for ev er,

...œœœjœœ œœœ œœœ œ

..œœjœœ œœ œ œ

G A Bm

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41 jœ ‰ .œ œ œ œ ‰ œ œ œoh, oo oh, all the way.

Jœ ‰ .œ œ œ œ ‰ œ œ œoh, oo oh, all the way.

œœœœ œœ œ œœœœ œœ œœœ œ œ œœ œœG A

42 ˙ Œ ‰ JœAll

œ ‰ Jœ œ œ .œAll the way,

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœœœ œœ œœ œœ œœ œœ œœ œœ

B5

43 œ œ œ œ .˙the way,œ ‰ Jœ .œ œ œ œ .œ

yeah

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœœœ œœ œœ œœ œœ œœ œœ œœ

A5

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44

Œ œSHERRIE: œ œ œ œ œ

Can you take me high

Jœ ‰ œDREW: œ œ œ œ œCan you take me high

Œ œœWOMEN: (off-stage)

œœ œœ œœ œœ œœCan you take me high

Œ œœMEN: (off-stage)œœ œœ œœ œœ œœCan you take me high

œœœ>Œ Œ œœœ> œœœ>

œœ>Œ Œ œœ>

œœ>D A Bm

45 .œ œ œ œ œ Œe nough?.œ œ œ œ œ Œe nough?


...œœœ jœ œœ œ œœœ œ

..œœjœœ ˙̇

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46 ‰ œ œ œ œ œ jœ œ ‰Can you fly me o ver

Ó Œ œ œFly me

œœœœ œœœ œ œœœ œœœœ˙̇ œœ œœ œœ

Em7 Em9

47 Œ .œ œ œ œ œ œyes ter day?

œ œ œ .œ œ œ œ œ œov er yes ter day?

œœœ œœœ œ œœœ œ œ œ œ œ œœœ œ œ ..œœ

jœœG A

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48 Œ œ œ œ œ œ œCan you take me high

Œ œ œ œ œ œ œCan you take me high



...œœœ jœ œœœ œ œœœœ˙ œ œ œD A/C#.˙ œ

49 .œ œ œ œ œ Œe nough?.œ œ œ œ œ Œe nough?


˙̇̇̇ œœœœ œ œœœ œ..œœ

jœœ œœ œœBm

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SHERRIE: œ œ œ œ œ .œ jœ ‰It's nev ver o ver.

....œœœœ jœ œœ œœ


Em

51 jœ œ œ œ œ œ œ œ œ œ œYes ter day's just a mem o ry...

˙ ˙wwwwG Gmaj7

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˙ Ó

jœ œDREW: œ œ œ œ œ œ jœ œ œ œ œ .œYes ter day's just a mem o ry...

˙˙̇̇ ˙̇̇˙˙

˙ ˙Em7 A

˙ ˙

53 !U

.˙ ŒU

wwwwwU

al niente

wUw

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drew audition packet · drew is playing his guitar. he doesn’t notice sherrie with a newspaper...

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