drawing 1 final review. balance symmetrical asymmetrical radial

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Drawing 1 Final Review

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Page 1: Drawing 1 Final Review. Balance symmetrical asymmetrical radial

Drawing 1 Final Review

Page 2: Drawing 1 Final Review. Balance symmetrical asymmetrical radial

Balance

symmetrical

asymmetrical

radial

Page 3: Drawing 1 Final Review. Balance symmetrical asymmetrical radial

Movement

The path that our eye follows as we look at a work of art

Page 4: Drawing 1 Final Review. Balance symmetrical asymmetrical radial
Page 5: Drawing 1 Final Review. Balance symmetrical asymmetrical radial

Rhythm

A movement in which some elements recur regularly

Page 6: Drawing 1 Final Review. Balance symmetrical asymmetrical radial

Regular Rhythm Alternating Rhythm

Flowing Rhythm Random Rhythm

Page 7: Drawing 1 Final Review. Balance symmetrical asymmetrical radial

Emphasis

Importance, value or prominence given to something, becomes dominant and subdues everything else in the composition

Page 8: Drawing 1 Final Review. Balance symmetrical asymmetrical radial

Unity

Oneness, this occurs when all of the elements in a design work together

Page 9: Drawing 1 Final Review. Balance symmetrical asymmetrical radial

Contrast

Refers to the difference in value, colors, texture, shape and other elements of art. Using light against dark, large against small, etc…

Page 10: Drawing 1 Final Review. Balance symmetrical asymmetrical radial

Hatching The most basic method of creating value in ink drawing is linear hatching. Fine parallel lines fill an area, so that from just a slight distance, we have the illusion of value. The closer the lines are, the less white paper shows, and the darker the value appears. Heavier line weight (pressing more firmly or using a bigger nib) also gives a darker appearance.

Page 11: Drawing 1 Final Review. Balance symmetrical asymmetrical radial

Crosshatching Crosshatching uses layers of hatching placed at an angle. Usually, the first layer would be vertical, the next horizontal, the next at forty-five degrees, and so on. This methodical approach can look a little mechanical, so artists often use variation in direction to add interest.

Page 12: Drawing 1 Final Review. Balance symmetrical asymmetrical radial

Contour Hatching

This technique is often used in figure drawing, with the direction of line helping to suggest the cross-contours of the body. Hatching which follows a contour can also help to make objects appear more three-dimensional.

Page 13: Drawing 1 Final Review. Balance symmetrical asymmetrical radial

Stippling

Stippling uses tiny dots to create value. The closer together the dots, the darker the tone. Larger dots create a denser tonal value more quickly, but can look coarse

Page 14: Drawing 1 Final Review. Balance symmetrical asymmetrical radial

Cross Contour Lines

Lines that cross the object and create volume

Page 15: Drawing 1 Final Review. Balance symmetrical asymmetrical radial

Gestures

Lines that show action or movement

Page 16: Drawing 1 Final Review. Balance symmetrical asymmetrical radial

Proportions of the Face

Page 17: Drawing 1 Final Review. Balance symmetrical asymmetrical radial

Proportions of the Body

Page 18: Drawing 1 Final Review. Balance symmetrical asymmetrical radial

Burnishing: Using a white or other light value pencil with firm pressure over a previously drawn area

Impressed Line: Colored pencil technique for achieving white lines

Layering: Applying one pencil value or color over another

Colored Pencil Techniques