Dr. Frederick Lau Professor of Music, Ethnomusicology The University of Hawai‘i at Mānoa Selected publications: 2017 “Chou Wen-chung: Voice of Authenticity in the Age of Change.” in Music of Two Cultures: Cross- Cultural Synthesis in the Music of Chou Wen-chung. Co-edited by Mary Arlin and Mark Radice. London and New York: Routledge (forthcoming). 2016 “Molihua: Culture and Meaning of China’s Most Well-travelled Folksong.” in Making Waves: Traveling Musics in Asia and the Pacific. Co-edited by Frederick Lau and Christine R. Yano. Honolulu, University of Hawaii Press (forthcoming). 2016 “When a Great Nation Emerges: Chinese Music in the World,” in East-West Musical Encounters: Representation, Reception, and Power Politics in Sino-Western Musical Relations,” edited by Michael Saffle and Helan Yang. University of Michigan Press (in press). 2016 “Glamerous Girls and Heavenly Angels,” in Music in China Today, edited by Bernhard Hanneken, Germany: University of Weimar (forthcoming). 2015 “CenterorPeriphery?”:RegionalMusicinContemporaryChina.”InterculturalCommunicationof ChineseCulture2/1:31–47.2015 “RiseUpandDream:NewWorkSongsfortheNewChina,”inThisThingCalledMusic:EssaysinHonor ofBrunoNettl,Lanham,Maryland:RowmanandLittlefieldPublishers, 419-432. 2015 “Modernism and Modernity is Asian Performing Arts” in The Modernist World. London and New York: Routledge, 62-69. 2014 “Performing and Representation of National Minorities in Chinese Ethnic Music,” Proceedings for Plural Coexistence and its Discontents, Rakuyu Kaikan, Kyoto University, 47-62. 2013 “Voice, Culture, and Ethnicity in Contemporary Chinese Compositions,” in Vocal Music and Cultural Identity in Contemporary Music: Unlimited Voices in East Asia and the West. Co-edited by Frederick Lau and Christian Utz New York & London: Routledge, 99-115. _____ “Introduction: Voice, Identities, and Reflexive Globalization in Contemporary Music Practices,” in Vocal Music and Cultural Identity in Contemporary Music: Unlimited Voices in East Asia and the West. Co- edited by Frederick Lau and Christian Utz New York & London: Routledge, 1-24. 2012 “Big Gods and Hidden Spectacle: The Daoist jiao Ritual of Cheung Chau, Hong Kong,” Perspectives on Korean Music: Sanjo and Issues of improvisation in Musical Traditions of Asia, Volume 2, 127-152. _____ “Hong Kong Chic: 1960s Hong Kong Pop Music and Modernity,” in Intra-Asia Cultural Studies, forthcoming. 2008 “Nationalizing Sound on the Verge of Chinese Modernity” in Nation, Modernity, and the Restructuring of

the Field of Cultural Production in China: Beyond the May Fourth Paradigm, edited by Wing-kai Chow, Tze-ki Hon, Hong-yuk Ip, Lanham, MD: Lexington Books, 209-226.

2007 “Context,Agency,andChineseness:theMusicofLawWingFai,”ContemporaryMusicReview 26/5:585-603.2006 “‘CelestialSoundsorEthnicMusic?’:CompositionandChineseMusicintheGlobalAge” Proceedings ofThirdAsiaPacificArtsForum:(Un)Masking:TheArtofDisguise/DisclosureinAsia-Pacific Cultures.TaipeiNationalTaipeiUniversityofFineArts,Taiwan,351-362.2005 “Entertaining Chineseness: Chinese Singing Clubs in Contemporary Bangkok.” Visual Anthropology,

18:1-24. 2004 “Serenading the Ancestors: Chinese Qingming Festival in Honolulu.” Yearbook for Traditional Music, vol.

36: 128-143. 2004 “MorphingChineseness:TheChangingImagesofAmateurChineseMusicClubsinSingapore.”in

DiasporasandInterculturalisminAsianPerformingArts:TranslatingTraditions,editedbyHae-kyungUm,London:Routledge,30-42.

2004 "Fusion or Fission: The Paradox and Politics of Contemporary Chinese Avant-garde Music" in Locating East Asia in Western Art Music, edited by Yayoi Uno Everett and Frederick Lau, Middleton: Wesleyan University Press 22-39.

2004 “TheEasternMusicExpressandtheImaginationofMulticulturalism,”ProceedingsoftheSymposiumofthe2003ChineseComposer’sFestival,editedbyDanielLawandChanMing-chi.HongKong:HongKongComposer'sGuild,27-36.

2001 “Performing Identity: Musical Expression of Thai-Chinese in Contemporary Bangkok” SOJOURN, 16/1:38-70