Download - week three work
Bodies and SkinsArch 12B: Visual Comunications
Fall 2010Instructor: Neiel Norhiem
Z
Y
X
Z
Y
X
Z
Y
X
Z
Y
X
Z
Y
X
Z
Y
X
Z
Y
X
Z
Y
X
Z
Y
X
Z
Y
X
Z
Y
X
Z
Y
X
1) DRAW A 6” LINE, REBUILD WITH 7 CV’S
2) DRAG THE FOURTH CV DOWN 2” 3) DRAG THE THIRD CV UP 1” 4) DRAG THE FIFTH CV UP 1” 5) DRAG THE SECOND CV DOWN 1”
6)DRAG THE SIXTH CV DOWN 1”
7) DRAG THE SEVENTH CV DOWN 2”
8) ROTATE THE LINE 90 DEGREES VERTICALLY
9) COPY LINE 9” IN Y DIRECTION
10) ROTATE COPIED LINE 180 DEGREES VERTICALLY
11) LOFT THE LINES TO CREATE SURFACE
12) REBUILD SURFACE WITH 45 U’S AND 35 V’S
By using a simple curve, we maniplate the control points to create comlex curves. With these complex cuves we generate a series of ‘skins’ that later become ‘bodies’ of smooth complexities. By using simple techniques, we are able to uncover complexities hidden within curves.
BODIES AND SKINS
Project Description
ProcessThe project began with the exploration of the different ways to manipulate lines. By rebuilding lines and using there CV’s, complex forms are generated with inverted qualitites. it begins with having a line at an axis point and performing all of the transformations in a controled environment.
13) ROTATE SURFACE 90 DEGREES VERTICAL 14) COPY SURFACE 4 TIMES
15) ROTATE 2ND SURFACE 90 DEGREES HORIZONTALY AND JOIN TO BOTTOM CORNER OF FIRST SURFACE
16) ROTATE 3RD SURFACE 180 DEGREES HORIZONTALY AND JOIN TO BOTTOM CORNER OF 2ND SURFACE
17) ROTATE 4TH SURFACE 90 DEGREES, JOIN TO THE BOTTOM CORNER OF 1ST AND 3RD SURFACE
18) LOFT THE OPEN GAP 19) LOFT THE REMAINING GAPS
20) CREATE MULTI LINE SURFACE WITH TOP AND BOTTOM EDGES
Straight Line Geometry to SurfaceArch 14: Materials and Process of Construction
Fall 2010Instructor: Coleman Griffith, Donicio Valdez
HYPERBOLIC WOOD STRUCTURE
MATERIAL: 2”x4” LUMBER
LOCATION: PASADENA CITY COLLEGE AMPLITHEATER
Objective: As a group, we were to design and build an inter-active space using only one kind of material. By studing the advantages and disadvantages of our material, we were able of design a form that takes a single line and becomes a continuous field.
Project Description: The approach in designing a hyperbolic form was to go from a single line to creating a field of lines. By using a jig, created trough modeling, we were able to keep precision which is key in making a hyperbolic paraboloid. The field is continuous and by exploring the form we are able to see an axis where all of the rotation occcurs.
JIG USED FOR BUILDING
Process:We started our research with the Phillips Pavilion by Le Corbusier and studied how hyperbolic paraboloids were being used as an advantage. After studing multiple forms and strategies of how hyperbolic paraboloids are form, we started to build our form. By using a jig and 2” x 4” pieces of lumber we were able to create a complex curve out of a field of simple lines.
HYPERBOLIC WOOD STRUCTURE
MATERIAL: 2”x4” LUMBER
LOCATION: PASADENA CITY COLLEGE AMPLITHEATER
Objective: As a group, we were to design and build an inter-active space using only one kind of material. By studing the advantages and disadvantages of our material, we were able of design a form that takes a single line and becomes a continuous field.
Project Description: The approach in designing a hyperbolic form was to go from a single line to creating a field of lines. By using a jig, created trough modeling, we were able to keep precision which is key in making a hyperbolic paraboloid. The field is continuous and by exploring the form we are able to see an axis where all of the rotation occcurs.
JIG USED FOR BUILDING
Process:We started our research with the Phillips Pavilion by Le Corbusier and studied how hyperbolic paraboloids were being used as an advantage. After studing multiple forms and strategies of how hyperbolic paraboloids are form, we started to build our form. By using a jig and 2” x 4” pieces of lumber we were able to create a complex curve out of a field of simple lines.
NORTH VIEW
HYPERBOLIC STRUCTURE AXON
TOP VIEW EXPLODED- AXIS OF ROTATION
PLAN VIEW
Places For March: Intergration of Street ScapeArch 10B: Design Fundamentals
Spring 2011Instructor: Coleman Griffith
Places For March: Intergration of Street Scapse
The purpose of this project is to establish a march path from the metro entrance at the intersection of Wilshire Blvd and Westwood Blvd to a march space at the intersection of Lindbrook Dr. and Veteran Street. The reason for this location is because the Federal Building is located off Wilshire, and there are regular protest going on. By having an establish march area, there can be more freedom, security, adn accessability.The march path will be defined by an overhead structure that connects and wraps around the existing architecture. The overhead structure is created by a single tile that is repeated and manipulated according to datums on the site.
Project Description
The research started with studying different forms of multi-media and how they impact the organization of a march. By using the organization of how Youtube works, and its impact on how easy it can be accessed, there started to form differ-ent hierarchies and transformations on the site. By using the two ideas of how Youtube is a community, but also run by the individual, the concept of interaction unites the two ideas to drive the organization of the project.
Process
Along Wilshire Blvd, there are multiple political, cultural, and social centers with the Ferderal Building being the most important. Not only that, but Wilshire Blvd also connects Downtown LA to the ocean.Wilshire Blvd is an axis that connects multiple areas making them part of one system. So by using this axis that has the Federal Building, we are able to build off from the axis and create an extension that still connects to the Federal Building systematically.
Site Analysis Wilshire Blvd.
Westw
ood Blvd.
Lindbrook Dr.
Federal Building
March Space
Journalism school
March Path
MARCHES RALLIES
EDUCATE THE PUBLIC ON YOUR ISSUE
HAVE PUBLIC MEETINGS, MEDIA, LETTERS, TELEVI-SION
INTERACTIVITY
FEED BACK
ANCHOR
SELF REGULATION
STRUCTURE CHANGES TO THE AMOUNT OF PEOPLE OR SUB GROUPS THAT JOIN.
MARCH IS CON-STANTLY ADJUST-ING
BEGIN AT SAFE HOUSE, END AT PICKED DESTINATION
SECURE PUBLIC ROUTE
POLICE ENFORCEMENT
SUB GROUPS CREATE HIEARCHY WITH DIFFERENT COLLECTIVE IDEAS
PROTESTERS MUST BE MENTALLY AND PHYSI-CALLY PREPARED FOR PROTEST
NO VIOLENCE
ONE BIG PUBLIC GATHERING WITH MAINLY ONE SPEAKER AND ONE COMMON CAUSE
EVERYONE IS IN ONE MAIN CROWD
PEOPLE CAN AGREE OR DISAGREE WITH THE SPEAKER.
GET THE PEOPLE RAMPED UP ABOUT ISSUE
PEOPLE INTERESTED JOIN CROWD, THOSE WHO DIS-AGREE LEAVE.
ONE SECURE LOCATION LOCATION RELATED TO THE THEME OF ISSUE.
AT RALLY PEOPLE COME TO HEAR A CERTAIN ISSUE
CHANGE PEOPLES THOUGHTS
EVERYONE HAS THERE OWN IDEAS
HIERARCHY IS LESS FILTERED IN A RALLY
COMMUNITY
INDIVIDUALITY
INTERACTION
GROUP GROWING IDEASLINKAGE MASSIVE GROUP INTERACTIONHELP SAFETYSYSTEM COLABERATION
SELF ENGAGED SINGLE SIDED IDEASINGULAR PRIVATE INTERACTION PROTECTIVE IN DANGERLINEAR DISTANT
USERBROWSE
CREATEACCOUNT
LOGIN
VIEWVIDEOS
CANT LIKECANT COMMENT
ACCOUNT
UPLOAD
CHANNELS
VIDEOS
INBOX
FAVORITES
INTERACTION WITH PEOPLE YOU KNOW
VIEW FRIENDS UPDATES/CHANNELS
CREATEVIDEO
EXISTING VIDEO
LIVE VIDEO
VIDEO UPLOADEDILLEGALVIDEO
ACCOUNT TERMINATED
CRATE NEWACCOUNT
LIKE/DISLIKE
COMMENTS
LINKED
UPLOAD ONSITES
POPULARITY
DISCUSSION
CONNECTED
SHARED
PUBLIC INTERATION
COMMUNITY CREATED
MORE PEOPLE WATCH AND CREATE THERE OWN VIDEOS
REALATED/ INSPREDBY ORIGINAL VIDEO
NEW VIDEOS CREATES
NEW CONTRIBUTERS
NEWIDEAS
NEW DISSCUSSION
NEWCOMMUNITY
YOUTUBE
COMMUNITY CIRCULATION
INDUVIDUAL CIRCULATION
CIRCULATION
INTERACTION
BOUNDING BOXDATUMSINTERACTIVE SPACES