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National Art Education Association

Back MatterSource: Art Education, Vol. 41, No. 1, Teaching Art (Jan., 1988), pp. 29-67Published by: National Art Education AssociationStable URL: http://www.jstor.org/stable/3194137 .

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K

Be sure to join us Sunday evening at the Los Angeles Museum of Contemporary Art (MOCA) for a reception for California Artists.

An Invitation To The

National Art Education Association

Annual Convention

Los Angeles, California

April 8-12, 1988

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___ _ __ ____ _ _ __. .___ __ _ __ _____ ___ __ __ I



Sebastien Sam Francis

GUEST SPEAKERS

Sebastien, a young Mexican artist, is noted for his transformable sculptures which the spectator can manipulate to change in form and configuration. Sebastien works with cardboard models, which he then enlarges in wood or metal, in a highly innovative achitectonic expression. He will discuss his approach to sculpture.

Sam Francis, a native of San Mateo, California, is an internationally noted painter working in a rich and lyrical form of abstraction. His paintings, which emphasize spatters and dripped paint, are expressionist in their power and color vibrance. Mr. Francis will share some of his views on painting.

Brent Wilson, NAEA member and Professor of Art Education at The Pennsylvania State University; and Warren Newman, Director of the Arts In Education Program of the National Endowment for the Arts. Dr. Wilson is the chief writer of a Congressionally-required study of arts education in the U.S., a project undertaken by both the National Endowment for the Arts and the National Endowment for the Humanities, with cooperation of the U.S. Secretary of Education. Dr. Wilson and Dr. Newman will speak about the report, its findings, and possible effects.

Frank Hodsoll, Chairman of the National Endowment for the Arts. The Endowment has recently revised its guidelines toward more substantive art education. It has released $800,000 in cooperation with the U.S. Department of Education to open two arts research centers to study how students learn in the arts and how the arts can be taught and arts learnings assessed. Mr. Hodsoll's address will concern these developments.

Milton Rhodes, President of the American Council for the Arts (ACA). The ACA was instrumental in bringing 27 private sector arts groups and the arts education associations together to form a series of working statements on the arts. A major conference on arts education was sponsored by ACA in November, 1987, in Interlochen, Michigan. Mr. Rhodes will elaborate upon these ACA initiatives.

Leilani Lattin Duke, Director of the Getty Center for Education in the Arts, Los Angeles. Ms. Duke will discuss the Getty Center's programs in Discipline-Based Art Education.

Juan Lara, Dean, College of Education, University of California at Los Angeles; and Ann Reynolds, California educator and former Ohio dean. Dr. Reynolds backed the passage of a higher education entrance requirement of art in the state university systems of Ohio and California. Dr. Lara has worked for passage of the requirement in the California state university system. They will discuss the achievement of this important NAEA GoaL

Robert Irwin, painter, and native of California. He has exhibited at the Museum of Modem Art in New York, the Chicago Museum of Contemporary Art, the Walker Art Center in Minneapolis, and the Whitney Museum of American Art in New York.

Julie Lazar, curator for Media and Performing Arts at The Museum of Contemporary Art (MOCA) in Los Angeles where she develops programs in the performing arts, radio, film, and video.

Marcia Simon Weisman, a collector, who at present has one of the most comprehensive collections of modem and contemporary art in the United States. The collection has been featured in Connaissance des Arts, Vogue Magazine, Esquire Magazine, and Home Magazine. Works from this collection have been loaned to the Metropolitan Museum of Art, New York; the Museum of Modern Art, New York; The National Collection of Fine Arts, Smithsonian Institute; and the Los Angeles County Museum of Art, Los Angeles.

Brent Wilson Frank Hodsoll



Leilani Lattin Duke

SPECIAL EVENTS L I~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

300 LOS ANGELES COUNTY MUSEUM OF ART Friday, April 8; 6:00 p.m. - 9:00 p.m.; Price: $5.00

Share the 50th birthday of Los Angelest own David Hockney at the museum, where a retrospective of his works will be on exhibit. Binney & Smith and the California Art Education Association will host the evening reception in the Times Mirror Central Court, the focal point of the County Museum complex on Wilshire Boulevard. The Hockney exhibition, which premieres in Los Angeles, includes paintings, drawings, photographs, several suites of prints, and illustrated books from the British-born artist's last 30 years. Hors d'oeuvres, drinks, and entertainment are planned from 6:00 p.m. to 9:00 p.m. In addition, a display depicting Binney & Smith's support of the arts will be on exhibit

301 "SUMMER AND SMOKE" (Ahmanson Theatre - Music Center Complex) Saturday, April 9; 8:00 p.m.; Price: $31.00; Preregistration Only Transportation to and from theatre on your own (5 blocks from hotel)

"Summer and Smoke", by Tennessee Williams. Starring Broadway and motion picture star Christopher Reeve. Hailed by the New York Times as "a vibrant work of art", the play tells the romantic story of the love of a proper and inhibited minister's

daughter for a reckless, exciting young doctor, portrayed by Reeve.

302 "MADE IN BANGKOK" (Mark Taper Forum - Music Center Complex) Saturday, April 9; 8:00 p.m.; Price: $21.00; Preregistration Only Transportation to and from theatre on your own (5 blocks from hotel)

"Made In Bangkok", by Anthony Minghella, is about five British tourists in Thailand who find their lives profoundly altered as

their misconceptions about another culture breaks down. Hailed by London Theatre Critics as the most promising young writer of the British stage, Minghella has created an engrossing and provocative metaphor for Western imperialism and its efforts to recreate the East in its own image. "Made In Bangkok" was named Best Play of 1987.

303 AN EVENING WITH CALIFORNIA ARTISTS Sunday, April 10; 6:30 p.m. - 8:30 p.m.; Price: $7.00

Stroll from your hotel to the new, internationally acclaimed Museum of Contemporary Art (MOCA) for a reception for California Artists. MOCA is the first American commission for Japan's distinguished architect, Arata Isozaki, and is celebrated for its innovative use of red Indian sandstone, crystalized glass, barrelled vault, and pyramid skylights. The magnificent structure and its collections have drawn praise from visitors around the world.

Please register early to avoid disappointment

Because- many workshops, tours, and functions have limits, members are encouraged to register as early as possible. It is NAEA's policy to accept ticketed functions on a first-come, first-served basis.

Milton Rhodes Marcia Weisman



CALIFORNIA ARTIST SERIES Register early to avoid disappointment

ART CENTER COLLEGE OF DESIGN 400 "Automobile and Product Design Workshop" {Limit 25)

Saturday, April 9; 1:00 - 4:00 p.m.; Price: $16.00 Richard Hutting

Have you ever wanted to change the look of your car, or even your coffeemaker? Enjoy this rare opportunity to work with a professional automotive designer from one of the world's leading car companies. You will learn the inside story on how cars and other consumer products are designed and fabricated and get a chance to create your own design. The instructor will take you step by step through the process he uses in his own studio, including concerns for styling and market appeal and the practical aspects of human factors and engineering. The workshop will provide valuable information for any of your students interested in these industrial design areas - and you'll leave the workshop with your own original design! The instructor, Richard Hutting, is President of Concept Center of California and directs Ford Motor Company's advanced concept studio in California. He is responsible for developing and creating prototypes for Ford's forward-reaching automobiles. He has taught advanced transportation design courses at the Art Center for the past nine years.

401 "Drawing Workshop" {Limit 35) Saturday, April 9; 1:00 - 4:00 p.m.; Price: $16.00 Philip Hays

You will be provided with a dramatic set and intriguing models. The Chairman of the Illustration Department and two of the top instructors will work with you on new ways of approaching the figure and composition, emphasizing expression of mood, and evoking personal interpretation. The instructors will share their individual approaches as you draw a variety of tableaux and single poses. You'll also hear some unique ideas for set-ups you can create in your own classroom. The instructor, Philip Hays, has illustration work in the permanent collection of the Museum of Modern Art and the Metropolitan Museum of Art in New York. Some of his many clients have included Coca-Cola, American Airlines, Columbia, and Motown Records. His work has appeared in many prominent magazines, and he has won over 200 awards for excellence from various organizations. He is currently Chairman of the Illustration Department at the Art Center.

402 "Meet The Mac! (An Introduction To Computer Graphics)" {Limit 18) Saturday, April 9, 1:00 - 4:00 p.m.; Price: $16.00 Sharon Aki

Computer technology is having a dramatic impact on all of the design professions. This workshop will present an overview of the computer graphics field. You will be introduced to the state-of-the-art equipment in the computer graphics labs and instruction will be given on the use of a Macintosh SE system. You will learn to create drawings or simple graphics on the computer and generate a printout of your original piece. The workshop will acquaint you with affordable computer-assisted design tools and techniques. The instructor, Sharon Aki, is President of Aki Valentine International and is a professional graphic designer whose clients include the New York World Trade Center, J. Paul Getty Museum, L'Oreal, and the National Football League. She has achieved several awards of excellence from various organizations. She currently teaches computer graphics and graphic design at the Art Center.

403 "Exploring New Media" {Limit 25) Saturday, April 9; 1:00 - 4:00 p.m.; Price: $21.00 Dwight Harmon

Tired of the same old pencil drawings? Try some new techniques that can be easily used in the classroom. You will explore a range of non-traditional drawing and design methods, including unfused Xeroxing, use of masking fluids, and charcoal and graphite powder techniques. A playful way to explore new effects which create some very serious insights and results! The instructor, Dwight HIarmon, is a painter whose work has been exhibited at the Butler Institute of American Art and the Los Angeles Art Association. His work centers on a mixed-media approach combining collage and other elements. He has taught at the Art Center for the past 18 years and currently instructs classes in The Structure of Painting and Media Experimentation.

404 "Graphics and Advertising Workshop" {Limit 25) Saturday, April 9; 1:00 - 4:00 p.m.; Price: $16.00 Roland Young

Change is the only constant in the ever expanding fields of graphic design and advertising. We'll provide you with an overview of the numerous career opportunities in these fields and give you the chance to work with a nationally known designer. He'll talk about approaches to skill development for these fields and convey his own techniques for encouraging creative thinking. You'll have a chance to complete your own ad or graphic project and take home with you ideas for beginning student assignments. The instructor, Roland Young, is co-owner of the Tracey Shiffman/Roland Young Design Group and is an art director whose clients include the Museum of Contemporary Art, Capitol Records, and Windham Hill. His "Famous Amos" package designs appear in the Smithsonian Institute collection and he has been a pioneer in the field of album cover design and entertainment industry promotion. He teaches Communication Design at the Art Center.



405 "Furniture Design - With A Twist" {Limit 25} Saturday, April 9; 1:00 - 4:00 p.m.; Price: $21.00 Gaylord Eckles

A piece of furniture has to look good, be functional, and sometimes address special environmental requirements. In this hands-on workshop, you'll design a corrugated cardboard chair that has to meet these requirements. The instructor will work with you on an original sketch design and provide you with the materials to build your chair. You will be encouraged to synthesize simple, yet beautiful forms while meeting some special technical challenges. That's where the twist comes in - you must be able to sit in your chair when it's finished and collapse it to carry home with you. It's a fun project that can be duplicated with your students. The instructor, Gaylord Eckles, is an architectural sculptor whose clients have included the Museum of Science and Industry - Los Angeles, the San Diego Zoo, the Singapore Science Center, and the Los Angeles County Department of Parks and Recreation. He is currently the Director of the Art Center's Environmental Design program.

THE OTIS ART INSTITUTE OF PARSONS SCHOOL OF DESIGN 406 "Ceramics Workshop" {Limit 25}

Sunday, April 10; 1:00 - 4:00 p.m.; Price: $16.00 Ed O'Riley

This workshop will feature hand-building techniques in clay, and exploring form and shape through a found object mold-making process. A lesson plan will be given to participants that will outline a ten-hour assignment that takes a student from exploring form in the everyday world to making a mold, to casting, to firing, to the painting and decorating, to the last firing, and ending up with a completed piece. A resource list of found objects will also be included. This assignment should intensify the student's perception of form and space in their everyday life, to take a specific form and put it through a creative process, and having the student explore another visual solution to any everday recognizable form or object. The instructor, Ed O'Riley, is currently an instructor in The Ceramics Department at Otis/Parsons andformerly taught at Penland School of Crafts in North Carolina. He developed and directs the successful summer "Clay In LA" programfor advanced ceramicists to study and work in a professional studio environment at Otis/Parsons.

407 "Photography Workshop" {Limit 25} Sunday, April 10; 1:00 - 4:00 p.m.; Price: $16.00 Peter Reiss

This demonstration will take a photo assignment through a ten-hour process for participants to use in their classrooms with minimal facilities. A materials list and a ten-hour lesson plan will be furnished. Photograms and photo blue-printing will be the method the ten-hour assignment will address. Students participating in this class project will gain a better understanding of the photo process as well as to learn the importance of composition when working in the photo medium. The instructor, Peter Reiss, is currently an instructor in the BFA photo program at Otis/Parsons and also acts as faculty advisor to students participating in the BA/BFA degree program with Whittier College. He has received two NEA fellowships and has just received the 1987 Ferguson Grant sponsored by the Friends of Photography for emerging talent.

408 "Design Workshop" {Limit 25} Sunday, April 10; 1:00 - 4:00 p.m.; Price: $16.00 Kathleen O'Riley

A handmade small book project/demonstration will be given to incorporate the various aspects of design from form to layout, to total design, and presentation. A materials list and a ten-hour lesson plan will be given to participants. Using the book format, students will have the opportunity to explore the process of designing, as well as personal expression, through the content their book will undertake. Small artist books are a popular means for students to find personal expression through a design process that normally has rigid guidelines and specific audiences and markets. The instructor, Kathleen O'Riley, graduated from Otis/Parsons with the highest honors from the Communication Design Department. She has worked as a designer with the Debra Valencia studios and presently has just been selected to be the Assistant Communication Design Chairperson.

409 "Drawing Workshop" {Limit 25} Sunday, April 10; 1:00 - 4:00 p.m.; Price: $16.00 Joseph Gatto

This workshop will demonstrate exploration through media and surface quality and will refresh the participants' knowledge of the variety of drawing materials available (found and store bought) and how to use them effectively in the classroom. When one uses a variety of media and line, the attention given to the surface of the drawing becomes important. The workshop instructor will also address how to teach students to recognize the surface elements that play an important role in the assessment of quality in a drawing beyond capturing a photo look-alike of a particular object or image. A list of drawing utensils and materials will be given to participants, as well as an explanation of the effect made with the particular material or utensil. The use of the information provided at this workshop could be beneficial in getting the students tumed-on to the possibility of drawing and expression and how to appreciate the surface quality of drawing shown in books, galleries, and museums around the world. The instructor, Joseph Gatto, teaches Saturday and summer figure drawing classes at Otis/Parsons for high school students. He is the Visual Art Chairperson of the Los Angeles County High School for the Performing and Visual Arts. Last year he was awarded the BRAVO award from the Music Center's Educational Division for his outstanding accomplishments and dedication to the teaching of the visual art to secondary level students.



410 "Painting Workshop" {Limit 25} Sunday, April 10; 1:00 - 4:00 p.m.; Price: $16.00 Roy Dowell

This workshop/lecture demonstration will take place to teach participants how to incorporate art history lessons into their painting programs. Four major art movements will be addressed with basic painting lesson plans to accompany the different art movements. The periods covered will be modem art, social realism, abstract expressionism, and pop art. An art history reading list will also be included for further exploration by teacher or student. The lesson plans are designed to give the students a historical reference to their painting and to expose them to the type of perceptive and critical thinking involved in the art making process. Students should come away from these lessons with a broader knowledge about the art movements since the turn of the century and a clearer understanding of the interpretive aspect of painted images, which should enhance their art viewing as well as art making. The instructor, Roy Dowell, has taught at Otis/Parsons for the last eight years sharing his personal style and painting expertise in the summer high school program as well as in the Foundation and Fine Art departments. He currently shows at Rosamund Felsen Gallery in Los Angeles. His present position at Otis/Parsons is teaching advanced painting to upper level fine art students.

JUNIOR ARTS CENTER 411 "Point, Line, Plane, Volume: An Exploration Of Sculptural Form" {Limit 25}

Monday, April 11; 1:00 - 4:00 p.m.; Price: $11.00 Ann Page

Participants will examine the progression between point, line, plane, and volume. This involvement in the creative process will culminate in the creation of sculptural volumes based on forms found in nature. Organic and geometric forms of wire, paper, and natural materials will expand participants' definitions of sculpture. The issues of materials, structural integrity, texture, and symmetry will be explored in this hands-on workshop. The instructor, Ann Page, is a Los Angeles artist.

412 "With and Without A Press: Approaches To Printmaking" {Limit 25} Monday, April 11; 1:00 - 4:00 p.m.; Price: $11.00 Laura Stickney

Participants will explore a variety of printmaking techniques utilizing both hand-printing and a press. Participants will generate images using printing plates they make of metal, cardboard, and found materials. Drypoint, relief, and collograph will be some of the featured processes. Issues of paper and ink, and the fundamentals of shape, line, repetition, and pattern will be explored in this hands-on workshop. A slide/lecture showing a history of printmaking will begin this session. The instructor, Laura Stickney, is the Teacher Training Program Coordinator at the Junior Arts Center.

413 "The Visual Book: Structures and Contents" {Limit 25} Monday, April 11; 1:00 - 4:00 p.m.; Price: $11.00 Kitty Maryatt

Bookmaking structures and techniques applicable to the classroom setting will be featured. Four-signature booklets, book wrappings, and stitching will be explored. Participants will create several samples of different book forms. An overview of book designs will be presented through slide/lecture and example. Contemporary and ancient book structures will be explored. The instructor, Kitty Maryatt, is a book designer and proprietor of Two Hands Press, a book arts design studio in Woodland Hlills, California.

414 "Images In Movement: Elements Of Performance Art" {Limit 25} Monday, April 11; 1:00 - 4:00 p.m.; Price: $11.00 Louise Steinman

A performance artist and writer will present a slide/lecture illustrating various themes prevalent in the field of performance art. Exercises and games suitable for generating performance art material will be featured. Issues of language, gesture, movement, and environment will be presented in this participatory workshop. The instructor, Louise Steinman, is Special Events Coordinator at the Junior Arts Center.

FREE AIRLINE TICKET DRAWING If you make your airline reservations through MICA, your name will automatically be entered into a drawing for a free roundtrip ticket for travel throughout the Continental United States. The winner's name will be drawn at the Awards Ceremony, to be held Saturday evening, April 9. Also, when you purchase your ticket through MICA, you will receive a free transfer, one way, from the airport to the hotel. See last page for MICA reservation information.



415 "Dialogues With Art: Approaches To Art Criticism" {Limit 25} Monday, April 11; 1:00 - 4:00 p.m.; Price: $11.00 Carla Fantozzi

This experience institute will explore several approaches to art criticism using actual works of art in a museum setting. Teachers will actively participate in dialogues about contemporary art which develop perceptual and interpretive skills. Techniques will include questioning strategies, word games, storytelling, poetry, and metaphor. Participants will leave this session with a variety of dialogue techniques that go beyond the superficial. The instructor, Carla Fantozzi, is Education Coordinator at the Los Angeles Municipal Art Gallery.

THE PASADENA ART WORKSHOPS {Limit 45} 416 Monday, April 11; 1:00 - 4:00 p.m.; Price: $9.00 This three-hour experience institute will be divided into two sections. The first will focus on ways in which teachers can integrate art-making into the study of various cultures and the art objects produced by the culture. The second part will address ways in which teachers can create exciting programs for their students by utilizing cultural resources which are available to them in their immediate community. Part One is Exploring Cultural Heritage. It will begin with a program overview and then participants will break into small groups to facilitate discussion/interaction and exploration of a different theme. In each group, authentic artifacts and objects will be studied through a variety of participatory teaching strategies: inquiry, theatre games, improvisation, visualization, sensory exercises, etc. Emphasis will be put on placing objects into a specific context: historical, cultural, or aesthetic. The observation skills involved in this exercise can be used in a diversity of situations, not only those associated with looking at art objects. Part one will end with a demonstration of studio projects corresponding to the discussion group theme. NOTE: these projects are suitable for grade and middle school levels only. Part Two will be Utilizing Cultural Resources In Your Community. It will focus on presenting ways in which teachers can utilize cultural resources which are readily available, free of cost, and located near the school, to develop exciting programs which can enhance core curriculum subject areas through community outreach and art-making. Part Two begins with large group discussion and the introduction of a hypothetical school and community, complete with demographics. Three distinctly different cultural resources located near the proposed school will be reviewed, including the histories. Then small groups will brainstorm on programs to be developed around your curriculum or other curriculum areas which utilize these available resources. The session will end with the large group sharing program ideas and discussing their activities.



1988 NAEA CONVENTION PREREGISTRATION, April 8 - 12, Los Angeles, California

PREREGISTRATION CLOSES MARCH 15 Registration forms received after March 15 will be returned to sender. If you are unable to preregister, you may register when you arrive at the Westin Bona- venture Hotel. Type of registration and number of tickets desired for any function must be indicated on this form, and payment in full must be enclosed. Registrations received without payment will be returned to sender. Registration packets, including all tickets ordered, will be available beginning Friday, April 8, 8:00 a.m., at the Pre- registration Desk.

Division Status (Check one)

NAME AND ADDRESS (Print or type) (One preregistration form per person)

Name

Address

City State Zip

Member I.D. Number Telephone Number

Elementary E Secondary E Museum 0 Supervision/Administration 1 College/University E Student Retired 0

MEMBERSHIP DUES New 0 Renewal 1 (Canadian/Foreign members remit in U.S. dollars; add $5 postage) Regular $50 D Comprehensive $65 0 Institutional $150 1 Associate (Retired) $40 D First Year Professional $40 0 Associate Comprehensive $55 0 *Student $20 El *Student Comprehensive $30 0

*Sponsor signature confirming your full time student status School

CONVENTION PREREGISTRATION FEES

On-site registration will be $15.00 additional for members and $5 additional for student members.

Active $50 0 Student $20 D Retired $25 D Non-member $100 D Institutional (no charge) 0

CONVENTION TOURS (Some tours are limited -- register early to avoid disappointment)

Friday, April 8, 1:00 p.m. Friday, April 8, 10:00 a.m. Friday, April 8, 10:00 a.m. Friday, April 8, 10:00 a.m. Friday, April 8, 9:30 a.m. Friday, April 8, 9:30 a.m. Friday, April 8, 9:30 a.m. Friday, April 8, 10:00 a.m. Monday, April 11, 1:00 p.m. Monday, April 11, 1:00 p.m. Monday, April 11, 1:00 p.m.

L.A. County High School for the Arts Los Angeles Murals J. Paul Getty Museum The Museum Center Westside Galleries and Studios Huntington, Pacific-Asia, Norton Simon Historic Pasadena, Huntington, Gamble House Universal Studios Multi-Cultural Los Angeles La Cienega/Melrose Avenue Heritage, Lummis House, Southwest Museum

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Saturday, April 9, 12:00 noon Saturday, April 9, 12:00 noon Saturday, April 9, 12:00 noon Saturday, April 9, 12:00 noon Saturday, April 9, 12:00 noon Sunday, April 10, 12:00 noon Sunday, April 10, 12:00 noon Sunday, April 10, 12:00 noon Sunday, April 10, 12:00 noon Monday, April 11, 12:00 noon Monday, April 11, 12:00 noon

Elementary Division Luncheon Secondary Division Luncheon Higher Education Division Luncheon Supervision/Administration Division Luncheon Museum Division Luncheon Eastern Region Luncheon Southeastern Region Luncheon Pacific Region Luncheon Western Region Luncheon COMC Luncheon International Luncheon

SPECIAL EVENTS (Some events are limited -- register early to avoid disappointment)

Friday, April 8, 6:00 p.m. Saturday, April 9, 8:00 p.m. Saturday, April 9, 8:00 p.m. Sunday, April 10, 6:30 p.m.

Los Angeles County Museum of Art "Summer and Smoke" {Preregistration only} "Made In Bangkok" {Preregistration only} An Evening With California Artists

@$ 5.00= @ $31.00= @ $21.00 = @$ 7.00 =

CALIFORNIA ARTIST SERIES (Workshops are limited -- register early to avoid disappointment)

Saturday, April 9 Sunday, April 10 Monday, April 11

Enter three-digit number Enter three-digit number Enter three-digit number

EXPERIENCE INSTITUTES (Workshops are limited - register early to avoid disappointment)

Saturday, April 9 Monday, April 11

Enter three-digit number Enter three-digit number

TOTAL AMOUNT ENCLOSED $

NOTE: A $20 processing fee will be chargedfor all preregistration cancellations postmarked before March 1. After that date, no refunds will b made.

Check made payable to NAEA enclosed E Please charge to my VISA O MasterCard EJ

This form must be received by March 15. Mail to: Card No.

NAEA CONVENTION REGISTRATION Expiration Date 191 Associatio Driv 1916 Association Drive Reston, VA 22091

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Signature

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CONVENTION TOURS Register early to avoid disappointment

200 LOS ANGELES COUNTY HIGH SCHOOL FOR THE ARTS Friday, April 8; 1:00 p.m. - 5:00 p.m.; Price: $12.00; {LIMIT 25}

The Los Angeles County High School for the Arts is the only school of its kind in the state of California. It will serve as the model for implementation and curriculum for other school districts. You will visit this unique experiment in arts education and observe the interaction among teachers and students. You will also gain insight into the organization, implementation, and funding of the school.

201 LOS ANGELES MURALS Friday, April 8; 10:00 a.m. - 1:00 p.m.; Price: $18.00

Social & Public Artists Resource Center is a non-profit organization committed to producing public works of art such as murals. You will tour many of the outdoor murals found on the streets of Los Angeles, with a representative from S.P.A.R.C. as your guide. Included will be murals by renowned artist Judy Baca.

202 J. PAUL GETTY MUSEUM Friday, April 8; 10:00 a.m. - 5:00 p.m.; Price: $23.00; {LIMIT 100}

This celebrated museum is situated in the mountains overlooking the beautiful Pacific Ocean. Modeled after a prominent Roman Villa which was destroyed by Mt. Vesuvius, it contains seven areas of art antiquities from Greece and Rome, medieval manuscripts, Renaissance through 19th century paintings from Europe, 18th century decorative arts form France, drawings, and photographs. There will be ample time to explore the museum and the beautiful gardens and participate in museum education workshops. Time will also be spent visiting a Getty Institute school site. Lunch will be provided on the tour.

203 THE MUSEUM CENTER Friday, April 8; 10:00 a.m. - 5:00 p.m.; Price: $23.00

The Los Angeles County Museum of Art's permanent collection contains works from pre-history through the 20th century. The East Indian and Islamic holdings are among the finest in America. There are also notable collections of Western European and American painting and sculpture, oriental, primitive, modem, medieval, classical, and textile art. 20th century pieces are housed in the recently completed Anderson Wing. The La Brea Tar Pits contain the largest collection of pleistocene fossils ever found in a single location. The adjacent George C. Page Museum houses the many finds from the La Brea Tar Pits. The Craft & Folk Art Museum, located across the street, offers changing exhibitions of ethnic and contemporary folk art. You will also visit several contemporary art galleries in the area, including Jan Baum, Jack Rutberg, and John Green Gallery.

204 WESTSIDE GALLERIES AND STUDIOS Friday, April 8; 9:30 a.m. - 5:00 p.m.; Price: $23.00

You will visit art galleries and artists' studios on the westside of town. Galleries to be visited will include Pence, Blum Helman, Karl Bornstein, Robert Berman, Corcoran, Tortue, S.P.A.R.C., and L.A.C.E., as well as artists' studios, including Ruth Weisberg, Jud Fine, Jean Edelstein, Laddie Dill, and Tony Berlandt.

205 HUNTINGTON, PACIFIC-ASIA, & NORTON SIMON MUSEUMS Friday, April 8; 9:30 a.m. - 5:00 p.m.; Price: $25.00

You will visit the beautiful 200 acre estate of H.E. Huntington. The library contains over a half million volumes of rare books, including a Gutenberg Bible and Ben Franklin's handwritten autobiography. The Art Museum contains the finmest collection of 18th century British art in the United States, including Thomas Gainsborough's "Blue Boy". Last, but not least, are the acres of rural and formal gardens which are open to the public. Visit the Shakespeare garden, desert garden, Japanese gardens, rose garden, and more. The Pacific-Asia Museum was commissioned in 1924 by Grace Nichols. The finished building is not purely Chinese, but an imaginative amalgam of rare beauty and serenity. The museum features changing exhibits of the Far East and Pacific Basin. The Norton Simon Museum contains one of the finest collections of art in the United States in this striking building designed by Ladd and Kelsey. The spacious galleries are hung with works according to school or century, spanning over 2,000 years. The museum shop has one of the finmest selections of art books in the city and also offers prints and cards.

206 HISTORIC PASADENA, HUNTINGTON MUSEUM, & GAMBLE HOUSE Friday, April 8; 9:30 a.m. - 5:00 p.m.; Price: $23.00

This tour begins with a visit to the historic Wrigley Mansion, the home of the Tournament of Roses Association, which produces the world famous Rose Parade on New Year's Day. Then on to the Gamble House (built in 1908), which embodies the highest level of the California Bungalow style and is one of the finest examples of the American Craftsman movement. You will be guided by student docents at the Gamble House. Next, the beautiful suburb of San Marino to visit the home and 200 acre estate of H.E. Huntington. Within the estate are three particular areas of interest to visit: the library, which contains over a half million volumes of rare books and five million manuscripts; the Art Gallery, which contains 18th century British art that is considered the best in this country; and the acres of rural and formal gardens, which are open to the public.



207 UNIVERSAL STUDIOS Friday, April 8; 10:00 a.m. - 3:30 p.m.; Price: $31.00

Universal is the largest major motion picture studio in the world. A tram will take you on a narrated tour of the back lot and sound stages, allowing you to view the technical side of films and see simulated special effects, such as the Runaway Train, the 24-foot shark from the movie "Jaws", and the "King Kong Extravaganza". Only in Hollywood can you find such an absolutely fascinating, behind-the-scenes tour of a major studio. See spectacular stunts, sets where famous movies were filmed, and favorite characters of stage and screen. If you're looking for an entertaining and informative experience, this is a "must".

208 MULTI-CULTURAL LOS ANGELES Monday, April 11; 1:00 p.m. - 5:00 p.m.; Price: $18.00

Ethnic diversity has characterized Los Angeles since its earliest days. You will visit some of the different and varied ethnic communities in the Los Angeles area, including Olvera Street and the Plaza De La Raza; the Japanese cultural Center with lunch on your own in Little Tokyo; the California Afro-American Museum; the Temporary Contemporary Art Museum; I-Max Theatre; Watts Tower; and the U.S.C. "British Portraiture".

209 LA CIENEGA/MELROSE AVENUE: THE DESIGN CENTER, GALLERIES, & SHOPS Monday, April 11; 1:00 p.m. - 5:00 p.m.; Price: $18.00

The unmistakable silhouette of the blue-glass Pacific Design Center dominates this neighborhood. Designed by Cesar Pelli in 1975, this wholesale and retail mall for the interior design trade is nicknamed the "Blue Whale". Then for a decidedly different diversion, a visit with time for shopping on a street that has fast attained a reputation as the "new" center of fashion, food, and frolic! A journey down this avenue is likely to afflict you with "Melrose Madness". This boulevard of the bizarre has become so popular, and with such a diversity of restaurants, designers, uncrowded stores, and awash with an ambiance all of its own, there is sure to be a little something to suit every taste and passion. To make the day complete, you will also visit several galleries (as time allows), including Kurland Summers Gallery, Janus Gallery, Jan Turner Gallery, and Flow-Ace.

210 HERITAGE SQUARE, LUMMIS HOUSE, & SOUTHWEST MUSEUM Monday, April 11; 1:00 p.m. - 5:00 p.m.; Price: $18.00

Heritage Square is the home of many Victorian structures saved from destruction. Some of the structures include the Hale House, a Queen Anne-Eastlake house, built circa 1888, and the Valley Knudsen Garden Residence, which is a rare example of the Second Empire French Style. At the Southwest Museum, you will visit one of the finmest collections of western Indian artifacts in the world, which are housed in a 1914 Mission style building designed by Sumner Hunt and Silas R. Burns. Included will be a visit to the Lummis House, which is built from boulders from the Arroyo. Charles F. Lummis was the founder of the Southwest Museum. Also visited will be the Casa de Adobe, which is a 1917 historical recreation of a Mexican Adobe. Lunch on your own will be at Lawry's California Center in a beautiful outdoor setting. Mexican food is served cafeteria-style in pavillions and patios.

CONVENTION PROGRAM OVERVIEW

Friday Saturday Sunday Monday Tuesday April 8 April 9 April 10 April 11 April 12

8:00 a.m. 9:00- 10:00 9:00- 10:30 9:00 - 10:00 9:00- 10:00 Registration opens 1st General Session 2nd General Session 4th General Session 5th General Session

States Assembly 9:00 - 5:00 9:00 - 5:00 10:00- 3:00 11:00 -12:00 Leadership Seminar Placement Service Placement Service Commercial Exhibitors Super Sessions

Tours Electronic Gallery 10:00- 3:00 Electonic Gallery Special Interest Commercial Exhibitors Seminars

12:00 -2:00 10:00- 3:00 12:00 - 2:00 12:00- 2:00 Division States Assembly Luncheon Commercial Exhibitors Regional Luncheons International Luncheon Sessions

COMC Luncheon

INSEA 12:00- 2:00 1:00 - 4:00 1:00 - 4:00 Research Division Luncheons California Artist California Artist Seminars

Series Workshops Series Workshops

Women's Caucus States Assembly 2:00 - 3:00 3:00 - 4:00 3rd General Session Lowenfeld Lecture

Research Seminars 1:00- 4:00 6:30 - 8:30 4:00- 5:00 California Artist Museum of Super Sessions Series Workshops Contemporary Art

Caucus on Social 5:30 - 7:00 7:30 - 10:00 Theory Sessions Awards Session Experience Institutes

6:00 - 8:00 7:30- 10:00 Opening Session Experience Institutes Los Angeles County Museum of Art



EXPERIENCE INSTITIUTES Register early to avoid disappointment

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500 "The Sketchbook As A Learning Tool" {Limit 25} Saturday, April 9; 7:30 p.m. - 10:00 p.m.; Price: $5.00 Susan Farmer

Hands-on workshop using the sketchbook as a learning tool, similar to a workbook in the other basics. Share sketchbook assignments that assist students in studio, art history, criticism, and aesthetics.

502 "Calder Wire Drawings: An Afternoon At The Circus" {Limit 25} Saturday, April 9; 7:30 p.m. - 10:00 p.m.; Price: $5.00 Patricia Moffatt Gans

Introduce Calder to the artroom! Using circus animals and entertainment as motivation, teachers will do their own "drawings in wire". Class project is group wire sculpture. Bibliography and handouts will be distributed.

503 "'A' Is For Alligators . . Art . . and Audobon" {Limit 25} Saturday, April 9; 7:30 p.m. - 10:00 p.m.; Price: $10.00 Rosemary Scheuering

Utilizing students' fascination for animals, this demonstration guides the participant in developing concepts of spatial organization and ecological awareness in the tradition of the outdoor masters.

504 "Let's Make A Book" {Limit 25} Saturday, April 9; 7:30 p.m. - 10:00 p.m.; Price: $10.00 Marjorie Rose Anderson

Combine a year's approach to reading, writing, and art into an Art Form - "The Book".

505 "Pen and Ink Texturing Techniques" {Limit 25} Saturday, April 9; 7:30 p.m. - 10:00 p.m.; Price: $10.00 Claudia Nice, Bob Coe

Discover the world of Rapidograph art through this hands-on pen and ink sketching workshop. Start with basic strokes, move on to texturing techniques, add a little color, and the possibilities are endless!

506 "Paper Caper" {Limit 25} Saturday, April 9; 7:30 p.m. - 10:00 p.m.; Price: $5.00 Shannon Lorenzo-Rivero

This workshop will examine the paper cutting art form of many countries stressing design, motif, and color. Slides will be shown. Participants will make a variety of paper cuts.

507 "Celebrations" {Limit 25} Monday, April 11; 7:30 p.m. - 10:00 p.m.; Price: $7.00 Rochelle Robkin

Multicultural experiences in the artroom - puppetry, traditional techniques, dance, and food from Latin America, Japan, and the grandparents of the students in the Baraboo Schools.

508 "Be A Junk Genius" {Limit 25} Monday, April 11; 7:30 p.m. - 10:00 p.m.; Price: $10.00 Susan Childs, Joan Harrison, Mary Worthington

Staff of the Los Angeles Children's Museum will lead a hands-on workshop on using industrial recycle and other found objects in the classroom. Focus will be 3-D group projects themed to classroom study.

509 "Creating Colorful Kaleidoscopes - The Inside and Outside Scope" {Limit 20} Monday, April 11; 7:30 p.m. - 10:00 p.m.; Price: $10.00 Arthur Guagliumi

A workshop dealing with the artistic and learning aspects of creating kaleidoscopes. Participants will make their own model utilizing demonstrated construction methods. Original booklet available free to participants.



510 "Presenting Present Art@ " {Limit 25} Monday, April 11; 7:30 p.m. - 10:00 p.m.; Price: $7.00 Joseph Pizzat

A hands-on workshop introducing a visual/tactile art system called Present Art? which utilizes pressure sensitive and self- adhesive materials as the primary media for expression.

511 "Life Mask" {Limit 25} Monday, April 11; 7:30 p.m. - 10:00 p.m.; Price: $10.00 Virgil Lampton

Each participant will produce a mask from his or her own face. Slides and lecture will introduce the methods to be used.

512 "The Eternal Triangle" {Limit 25} Monday, April 11; 7:30 p.m. - 10:00 p.m.; Price: $5.00 Pauline G. Gawlik, Keith Amey, Bernice Coleman

Colored papers, basic geometric concepts and design elements allow students to gain an insight into how art needs geometry and how geometry can be learned more readily through visual statements.

513 "'Baking With Bernard' - An Animated Film" {Limit 25} Monday, April 11; 7:30 p.m. - 10:00 p.m.; Price: $7.00 Karen Wychock

Learn to bring the elusive animated figures into your classroom using various photographic techniques, early movie machines, and 8mm film. Come and enjoy hands-on experiences and literature to go!



Always a highlight of the NAEA convention is the beautiful Art Materials Exhibit - a vast array of the finest quality art materials and equipment, publications, books, and visuals for your art program, handsomely displayed by our commercial exhibitors, who will demonstrate processes and techniques for you. A rich source of materials, lesson ideas, and new techniques for your classroom! In addition, a number of fine art schools and art departments will display materials describing their art programs. At publication time, the following had already reserved booths:

Shorewood Fine Art Reproductions Skutt Ceramic Products Walker Systems, Inc. Reading & OReilly, Inc. Crystal Productions Alarion Press, Inc. The Design Schools Createx Colors Arts & Activities Davis Publications, Inc. Tandy Leather Company School of Visual Arts Koh-I-Noor Rapidograph, Inc. CRIZMAC Triarco Arts & Crafts, Inc. Bemiss-Jason Corporation Educational Dimensions Group Art Education, Inc. Binney & Smith, Inc. Garrard Publishing Company Glencoe Publishing Company Artograph, Inc.

Welsh Products, Inc. Farquhar International Ltd. Sandak, Inc. Hunt Manufacturing Company Fine Art Distributors Holt, Rinehart, & Winston, Inc. Paasche Airbrush Company Conference Book Service, Inc. Dixon Ticonderoga Company Fashion Institute of Technology AMACO/BRENT Nicpen, Inc. Olympus Corporation Scratch-Art Company Les Editions L'Image de L'Art Chaselle, Inc. Chroma Acrylics Country Lane Collectibles Dale Seymour Publications NASCO West, Inc. Imaginus Fine Arts Dufo Art Industries, Inc.

Sax Arts and Crafts Savage Universal Corporation Otis/Parsons School of Design J.L. Hammett Company R.B. Walter DELTA/SHIVA Friendly Plastic Company Frisk Products (USA), Inc. Alto's EZ Mat, Inc. Art Center College of Design Advance Process Supply Company Hartford Art School Ringling School of Art & Design Kendall College of Design Art Academy of Cincinnati Pacific Northwest College of Art Moore College of Art Art Institute of Southern California Memphis College of Art Milwaukee Institute of Art & Design



MEAL EVENTS

Division Luncheons Saturday, April 9; 12:00 - 2:00 p.m.; $19.00 Deli plate, including assorted cold cuts, ham, turkey, potato salad, pickles, tomato wedges, and hard boiled egg.

Elementary Division Luncheon Coordinator: Thelma Hahn Secondary Division Luncheon Coordinator: Dean Johns Higher Education Division Luncheon Coordinator: Maurice Sevigny Supervision/Administration Division Luncheon Coordinator: James Clarke Museum Education Division Luncheon Coordinator: Nancy Berry

Regional Luncheons Sunday, April 10; 12:00 - 2:00 p.m.; $20.00 Chicken breast dijon - supreme sauce flavored with mustard and tarragon. Fresh vegetables, rice or potatoes, and french rolls will also be served.

Eastern Region Luncheon Coordinator: Jean Koran Southeastern Region Luncheon Coordinator: Verle Mickish Pacific Region Luncheon Coordinator: Katherine A. Schwartz Western Region Luncheon Coordinator: Mary Sue Foster

COMC Luncheon Monday, April 11; 12:00 - 2:00 p.m.; $19.00

International Luncheon Monday, April 11; 12:00 - 2:00 p.m.; $19.00



Receive A Free Win A Free Arrival Transfer Airline Ticket

SPECIAL AIRFARES 1-800-888-MICA

Save 5% off published promotional airfares (meeting all restrictions) or 45% off coach fares (with a 7-day advance purchase) to the National Art Education Association convention in Los Angeles, April 8- 12, 1988. Only through MICA can you receive these substantial discounts on Delta Airlines. Please Note: the lowest published promotional fares often require a Saturday night stay, are subject to an airline change/cancellation penalty, and must be purchased at least 30 days prior to departure.

Win a free airline ticket! Simply make your airline reservations through MICA and your name will be entered into a drawing for afree roundtrip ticket for travel throughout the Continental U.S.

Additional savings . . . with each ticket purchased through MICA, you will receive a free transfer from the airport to the hotel.

Make your reservations today! For reservations on all airlines, call MICA directly on their nationwide toll-free number, 1-800-888-MICA. You may pay by credit card or ask to be invoiced. Your airfare is guaranteed when your ticket is written!

Call Today 1-800-888-MICA And Save! Monday-Friday, 9:00 amn. - 6:00 p.m. E.S.T.

Meetings, Incentives, Conventions of America, Inc. 195 Farmington Avenue, Farmington, CT 06032

(203) 678-1040

Please register early to avoid disappointment

THE WESTIN BONAVENTURE RESERVATION INFORMATION Los Angeles

Name 404 South Figueroa Street, Los Angeles, CA 90071 Phone: (213) 624-1000

NATIONAL ART EDUCATION ASSOCIATION Day Phone ( _ )

April 8-12, 1988 Arrival Date

I ___. Departure Date

Reservations must be received by March 15, 1988 1 and are subject to group rate availability. (Check-out time is 1:00 p.m.)

Reservations held until 6:00 p.m. unless guaranteed.

Please circle preferred rate below: Guaranteed by:

No. of Rooms: Card Type

__ SINGLE (one person) $80 Number

TWIN (two persons) $90 Expiration Date with two single beds

Card Holder DOUBLE (two persons) $90 with one queensize bed Card Holder Signature on request

I TRIPLE $105 QUADS NOT AVAILABLE

m. __ m_mm_mmmm_mm_ mm m mm m - mm mm mm mm mm mm m m m m m m mm



I one week workshops

CERAMICS: Zakin, Lawton, M. Simon/ RBER-FABRIC: Cramer, Funk, Bringle, Grayson, Carson, Law, McGuire, Kristoferson, Revor, Beytebiere, Halpern/METAL: Cogswell, Havener, Sanford/STONE CARVING: Lockhart/WOOD: Stirt. Stubbs, Doyle

graduate/undergraduate credit assistantships/scholarships year round gallery exhibition schedule summer workshops June 6 - August 12, 1988

r ARWRRPwMONT hScool of Aris and Crafts

im Box 567, Gatlinburg. TN 37738 (615) 436-5860

The Department of Creative Arts at

PURDUE UNIVERSITY MA and PhD Programs in Art Education Department of Creative Arts, Purdue University Teaching assistantships available.

For information call: Martha Dimmich

0>f^e ,* Creative Arts Building #1 --r=^ a Purdue University

W. Lafayette, IN 47907 M t.,70 (317)4943056

Purdue is an equal access/equal opportunity University.

Impeccable

CRAFTSMANSHIP Artistic

EXPRESSION Graphic Design Industrial/Interior Design Packaging Design Medical Illustration Painting, Printmaking Painting-Illustration Printmaking-Illustration Computer Graphics Design Art Education Ceramics/Ceramic Sculpture Glass, Metalcrafts/Jewelry Weaving/Textile Design Woodworking/Furniture Design

_l Rochester Institute of Technology

School of Art and Design School for American Craftsmene College of Fine and Applied Arts One Lomb Memorial Drive Rochester, NY 14623

I Getaway to Meeker, Colorado in Summer ' 88

Getaway to Meeker, Colorado 'in Summer '88 j1A CU graduate courses in fine arts take advantage of the natural environment and scenic beauty of the White River Valley. Learn techniques and develop a body of work in painting, landscape painting or electronic photography. Intensive three-week courses. Artists in residence from the CU faculty: Luis Eads, Charles Forsman, Ken Iwamasa, Charles Roitz. Tuition: $165 per course, resident or nonresident. June 13-July 1 and July 13-July 29, 1988 Offered as part of the Statewide Extended Studies Program For information: Phone (303)-492-6409 (1-800-332-5839, toll free in Colorado) or write to Meeker '88, Dept. AN, Division of Continuing Education, University of Colorado at Boulder, Box 178, Boulder, CO 80309-178.

GCawetmy . . a to MekerI

Art Education/January 1988 67

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DESIGN GjRADUATES AT WORK

His job came about when the company phoned the Art Institute of Pittsburgh and asked for a graduate with experience in art and photography. "I'd had both," says Jim Peelor, "and so they flew me down for an interview."

He was hired, and then Jim became art director at Paul French & Partners Inc., a company that produces audio-visual slide shows, documentaries and films in LaGrange, Georgia.

What impressed Jim most about his Art In- stitute education was the level of instruction: "Any question I could ask, the teachers could answer. They're willing to take you as far as you want to go!"

As far as you want to go is what The Design Schools are all about. Graduates are ready and able to find a place in today's job market because they have completed 24 months of intensive training in Commercial Art, Photography or Fashion Illustration, or 27 months in the Interior Design program.

The Design Schools prepare more students for careers in art than any other single source in the United States. To learn more, simply fill out the coupon below.

The

Art Institute of Atlanta Art Institute of Dallas Art Institute of Fort Lauderdale Art Institute of Houston Art Institute of Philadelphia Art Institute of Pittsburgh Art Institute of Seattle Colorado Institute of Art

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Edward A. Hamilton, Design Director AE-54 The Design Schools 34 South Broadway White Plains, NY 10601

Please send me information on the following: D Art Institute of Atlanta El Art Institute of D Art Institute of Dallas Philadelphia O Art Institute of D Art Institute of Pittsburgh

Fort Lauderdale O Art Institute of Seattle L] Art Institute of Houston -I Colorado Institute of Art

Name Position School Phone ( ) Address

City State Zip

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Bright Colors. Bright Ideas Help your kids develop bright ideas with the brilliant colors of

Crayola? markers. Drawing with the bright clear colors of Crayola? markers can be the catalyst for the expression of imagination and creativity.

While kids may not appreciate the superior design of our high- quality markers, we know you do. Because, as a teacher, you know that quality products can mean the difference between a roomful of frus- trated kids and a class of involved, excited students.

Crayola? markers are the most popular brand of marker and have all the best features built in. Intense color that doesn't bleed through. More ink capacity for longer use. And of course, ink that is water-based and non-toxic. When caps are left off, prematurely dried out markers can be revived in warm water for the ultimate in economy.

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When a marker delivers superior performance plus bright, clear I color, it will spark some of the brightest ideas you've seen. After all, isn't that the best reason to specify Crayola? markers.

? 1987 Binney & Smith Inc. All rights reserved. CRAYOLA, Chevron and Serpentine designs are registered trademarks of Binney & Smith Inc.

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