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44

-

César

Albino

~-

% ,-

g

..

e

jj

.

-.

-

..

w e

-

.-

e =

  3

 

,&=

&L&

::

> *a

Minueto I saxes em mib)

5

Bach 1685-175

@ ~ ~

Ar ran jo para 2 saxofones de César Albino

Os acidentes indicados antes da fórmula de compasso são válidos para toda a m úsica em todas as oitavas.

Sax

alto

Sax

alto

2

* Do

livro

de Ana M adalena Bach

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Método de Saxofone apítulo IV 45

Minuelo

1

(saxes

em sib)

J

5 Bach

1685-1750)

e~~

r ran jo para

2

saxofo nes de César lbino

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46 César

lbino

Minuets 2 S ~ X ~ S

J Bach 1685-1750

em mib)

@ ~ ~ 8

r ran jo para 2 saxofon es de César lbino

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Método de Saxofone Capítulo IV 7

Minuele a

solxtrs

em

si )

J 5 Bach 1685-1750)

@ ~ ~ 8

r r an jo para 2 saxofones de César lb ino

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48 César lbino

Minuets 3

saxes

em

mib

J

5

Bach

1685-1

  rranjo para

2

saxofon es de César lbino

0 ~ ~ 7 9

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Método de Saxofone Capítulo IV

49

lnuefe 3 saxes em

rib)

J 5 Bach 1685-1750)

~ ~ 7 1

r ran jo para

2

saxofones de César lbino

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50

César lbino

J.

5.

Bach

dap tado p ara dois saxofones iguais por César lb ino

s x

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5

ésar

Albino

A mú sica Blu es Rondó a Ia Turk , de Dave Brubeck é um excelente exemplo de como algu ma s

s i t u a ~ õ e sm u s i c a i s d o s é cu lo XX r o m p e r a m c om e s s a r e g r a : o c o m p o s i t o r u t i l i z a u m

agrupamen to 2 2 2 3 = em 3 compassos:

radicional ituliuiiu

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98 César  lbino

m CONCORDÂNCIA DIFERENÇAS

e ~84 p r dois s xofones igu is

[saxofones em Mib]

ndante

Instrument 1

espr

Instrument 2

J m

Celso Mojola

espr

espr

2003 Celso Mojola All rights reserved

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Método de Saxofone CapítuloVI 99

cresc

cresc

a

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  César Albino

CONCORDÂNCIA E DIFERENÇAS

4

para dois saxofones iguais

[saxofones

em

Sib]

Celso Mojola

ndante J 100

Instrument 1

Instrument 2

espr

2 3 Cels o Mojola. AI1 rights rese rved .

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Método de Saxofone apítulo

VI

cresc

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