Transcript
Page 1: Luciano Berio Sequenza III for female voice study 1

Luciano Berio

Sequenza III for female voicestudy 1

Page 2: Luciano Berio Sequenza III for female voice study 1

What we will be covering

Berio the composer

Italian Futurism

Background to the Sequenzas

Some score convertions

Performance with score

Cathy Berberian

Page 3: Luciano Berio Sequenza III for female voice study 1

Luciano Berio

Italian composerborn 1927died 2003 Contemporary with

Pierre BoulezKarlheinz Stockhausen

Mauricio Kagel

György Ligeti

Witold Lutosławski

Elliott Carter

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Luciano Berio

Prolific

Highly individual

Lyrical

Varied output

Many vocal works

Many literary

influencesMany musical

influences

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Cathy Berberian

American Mezzo Soprano

born 1925

died 1983

Married to Berio

1950 - 1964

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Italian Futurism

Filippo Tommaso Marinetti

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TextHow is the order of the text to be interpreted?

give me

a truth

before night comes

for a woman

to build a house

a few words

allowing us

without worrying

to sing

give me

a truth

before night comes

for a woman

to build a house

a few words

allowing us

without worrying

to sing

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The Sequenzas Sequenza I for flute (1958)

Sequenza II for harp (1963)

Sequenza III for female voice (1965)

Sequenza IV for piano (1966)

Sequenza V for trombone (1965)

Sequenza VI for viola (1967)

Sequenza VII for oboe (1969)

Sequenza VIII for violin (1976)

Sequenza IXa for clarinet (1980)

Sequenza IXb for alto saxophone (1981)

Sequenza X for trumpet in C and piano resonance (1984)

Sequenza XI for guitar (1987-88)

Sequenza XII for bassoon (1995)

Sequenza XIII for accordion (1995)

Sequenza XIVa for violoncello (2002)

Highly virtuosic

Written for specific

performers

Extended technique

A cycle of works for solo

instrument

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Trends in notation circa 1960s

Xenakis Pithoprakta

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Penderecki De natura sonoris

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Cardew Treatise page 75

Cradew Treatise page 183

Berio Circles

Berio Circles

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Luciano Berio

Sequenza III

for female voice


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