Transcript
Page 1: Inspire Inspire inspire Here ’ s your shot Basketball

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

Here’s your shotHere’s your shotBasketball

Page 2: Inspire Inspire inspire Here ’ s your shot Basketball

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

Here are your tips:• Every photo doesn’t have to be of someone shooting for the basket.• Shoot both offense and defense.• Use the white balance feature on your camera for gyms with strange lighting that may appear too green or yellow.• Since so many shots will be vertical, look for horizontal opportunities to provide variety for design.

Page 3: Inspire Inspire inspire Here ’ s your shot Basketball

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

Page 4: Inspire Inspire inspire Here ’ s your shot Basketball

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

• The photographer uses a zoom lens with a large aperture to move in close and blur the background.

• The girl in the back is from the photographer’s school. The focus on the eyes makes the photo powerful.

Photocomposition• Aperture control• Fill the frame

Page 5: Inspire Inspire inspire Here ’ s your shot Basketball

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

Page 6: Inspire Inspire inspire Here ’ s your shot Basketball

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

• Shoot on defense and offense.

• Be ready to move without any equipment that may

limit you.

Photocomposition• Unique angle• Fill the frame• Emotion

Page 7: Inspire Inspire inspire Here ’ s your shot Basketball

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

Page 8: Inspire Inspire inspire Here ’ s your shot Basketball

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

• The lower angle gives the appropriate background.

• Remember to use bird’s eye view and worm’s eye

view.

Photocomposition• Unique angle• Fill the frame• Framing

Page 9: Inspire Inspire inspire Here ’ s your shot Basketball

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

Page 10: Inspire Inspire inspire Here ’ s your shot Basketball

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

• Look for interaction between coaches and players.

• Position yourself to get faces instead of the backs of

heads without any faces.

Photocomposition• Emotion• Fill the frame

Page 11: Inspire Inspire inspire Here ’ s your shot Basketball

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

Page 12: Inspire Inspire inspire Here ’ s your shot Basketball

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

• Crop tightly through the viewfinder but make sure all

body parts for a shot like this are there.

• Position yourself under the goal and on the sidelines.

Move around to ensure a variety of shots.

Photocomposition• Keep the ball in the shot• Fill the frame

Page 13: Inspire Inspire inspire Here ’ s your shot Basketball

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

Page 14: Inspire Inspire inspire Here ’ s your shot Basketball

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

• Set the camera to shoot rapidly.• When you are at the opposite goal and the action turns toward your basket, shoot non-stop and follow the action with the lens.

Photocomposition• Stop action• Emotion

Page 15: Inspire Inspire inspire Here ’ s your shot Basketball

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

Page 16: Inspire Inspire inspire Here ’ s your shot Basketball

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

• By shooting non-stop with shutter override, you can select the image at the height of the action.• The ball at the top of a dribble is easier to stop because of inertia.

Photocomposition• Fill the frame• Stop action

Page 17: Inspire Inspire inspire Here ’ s your shot Basketball

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

Page 18: Inspire Inspire inspire Here ’ s your shot Basketball

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

• Don’t forget to shoot when your team is on defense. It’s a great opportunity for intensity on the players’ faces.• Once again, the ball is at the top of its arc.

Photocomposition• Stop action• Fill the frame

Page 19: Inspire Inspire inspire Here ’ s your shot Basketball

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

Page 20: Inspire Inspire inspire Here ’ s your shot Basketball

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

• During emotional moments , don’t forget to shoot the bench.• Look for contrast of emotion or repetition.• The bench is also an opportunity for a horizontal shot..

Photocomposition• Fill the frame• Contrast• Emotion

Page 21: Inspire Inspire inspire Here ’ s your shot Basketball

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

Page 22: Inspire Inspire inspire Here ’ s your shot Basketball

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

• The ball gives the reader a point of reference for the action.• Repetitive shooting allows you to capture the right moment.

Photocomposition• Fill the frame• Emotion• Stop action

Page 23: Inspire Inspire inspire Here ’ s your shot Basketball

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

Page 24: Inspire Inspire inspire Here ’ s your shot Basketball

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

• The moment right before an attempted shot can be intense.• Shoot the scoreboard if the player makes the shot so the caption will be easier to write.

Photocomposition• Stop action• Fill the frame• Emotion


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