Download - Culture Hack panel SXSW 2013
Culture HackLibraries, Archives and Museums
Open for MakingTag: #lodlam
Questions: #asklodlam
Introductions
Digital Public Library of America @dpla
Emily Gore @ncschistory
Europeana @EuropeanaEU
Antoine Isaac @antoine_isaac
Open Knowledge Foundation @openglam
Sam Leon @noel_mas
Digital Public Library of America
• The Digital Public Library of America (DPLA) will make the cultural and scientific heritage of humanity available, free of charge, to all. The DPLA’s primary focus is on making available materials from the United States.
Code – where possible make use of existing free and open source code; built on open standardsMetadata – shareable; available under CC0 license to allow for unrestricted reuse; goal to operate as part of global linked data environment; resolves to digital objectsContent – incorporate all types of content beginning with “green lighted” & public domain content that resolves to digital objectsTools & Services – provide tools and services for enhanced use of content and content creationCommunity – participatory platform – WE are the DPLA
Europeana.eu, Europe’s cultural heritage portal
Audiovisual collections
National Aggregators
Regional Aggregators
Archives
Thematic collections
Libraries
26M objects from 2,200 European galleries, museums, archives and libraries
What types of objects does Europeana gives access to?
Text Image Video Sound 3D
http://openglam.org
A global movement to open up knowledge around the world and see it used and useful
Today's Points of Discussion
• Copyright and open licensing
• Infrastructure to enable
• Open business models
• What are we building?
• Community as resource
Copyright and open licensing
Copyright and open data licensing
• Large institutions making $ selling data?
• Rights not always clear or known by institution
• Creative Commons has developed licensing tools now being widely adopted by CH institutions for their data
Copyright and Open data in DPLADPLA Policy Statement on Metadata
1) The Vast Majority of Metadata is Not Subject to Copyright Restrictions
2) The DPLA's Partners Share the DPLA's Commitment to Open Data = CC0 license for all metadata
3) The DPLA asserts NO Rights Over its Database of Metadata and Waives all Claims for Infringement Thereof.
4) Free and Unencumbered Access to Metadata
What Europeana makes available
Metadata
Link to digital objects online
Content (digital objects on the site of the provider)
Metadata (descriptive object information)
Different options
Two categories of rights
CC
Rights Statements for content
Open
Not open – but clear
Not open
Infrastructure to enable
APIs and interoperability
• DPLA API - github.com/dplao Available under AGPLv3
• Europeana APIo pro.europeana.eu/api
• Europeana Linked Open data piloto data.europeana.eu
Data model and interoperability
From dozens of metadata formats to one
Europeana Data model
Consolidated with partners who re-use it – DPLA!
Licensing framework
Metadata AND content
Licensing campaign
Give better rights data for more content!
http://pro.europeana.eu/pro-blog/-/blogs/europeana-launches-rights-labelling-campaign
http://agris.fao.org/openagris/
Open EnablersCrowd Crafting
http://crowdcrafting.org/
The Timelinerhttp://timeliner.reclinejs.com/
Open (business models)
Partners
ResourcesActivitiesActivitiesActivities Relationship
Value Proposition
Stakeholders
Channels
BenefitsCosts
‘The business model describes the logic of our organization to create and deliver value’
Case 1
Europeana
We had aggregated millions of objects and made them available through one specific interface
But the portal setup didn’t cater to the needs of wildly differing customer segments...
2008-2012
Who have their own workflows and preferences for accessing information
2008-2012
The key to this was changing the licensing framework
But how does this affect the business model of our partner institutions?
Case 2
National Archives of the Netherlands
The project made 400 photos available on Flickr-The Commons
1M page viewsphotos on flickr were viewed 160 times as much as on own site...
2000 comments, 14000 tags
Case 3
Rijksmuseum Amsterdam
http://bit.ly/mRoOfp
The Rijksmuseum found out that yellow copies of Vermeer’s Milkmaid became so persistent on the
web that visitors started to believe the original was a fake...
See: White Paper, The Problem of the Yellow Milkmaid on pro.europeana.eu
Case 4
Walters museum
What are we building?
Graphing the history of philosophyhttp://griffsgraphs.com/
Mapping the Republic of Lettershttps://republicofletters.stanford.edu/
Linked Jazzhttp://linkedjazz.org/network/
Visualising the Humanities
DM2E Pundithttp://dm2e.eu
TEXTUShttp://textusproject.org Annotation Tools
OHMShttp://nunncenter.org/ohms-enhancing-oral-history-online/
Exhibitions
exhibitions.europeana..eu
Community building
Competitions
Apply now!
http://openhumanities.org
http://summit2013.lodlam.net/
Hackathonshttp://pro.europeana.eu/hackathon-prototypes
http://dp.la/get-involved/events/appfest/the-apps/
Become an Ambassador
http://openglam.org
Questions?
Emily Gore @ncschistory
http://dp.la
Antoine Isaac @antoine_isaac
www.europeana.eu
Sam Leon @noel_mas
openglam.org
Some slides re-used from Harry Verwayen (http://www.slideshare.net/hverwayen/business-model-innovation-open-data) and Julia Fallon