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Transcript

Conten

ts

04

About

06

Inspira

tion

22

Steward

ship

32

Arts

54

Story

74

Craft

82

Scienc

e

90

Imag

e

BROO

KLYN

PUB

LIC

LIBR

ARY,

HAN

DRA

IL D

ETAI

L

Conten

ts

04

About

06

Inspira

tion

22

Steward

ship

32

Arts

54

Story

74

Craft

82

Scienc

e

90

Imag

e

BROO

KLYN

PUB

LIC

LIBR

ARY,

HAN

DRA

IL D

ETAI

L

4 5

Conceptual design, technical detailWorking closely with architects at all stages of a project, Arup’s lighting specialists provide original and authentic conceptual design. Uniquely well-placed to turn vision into reality, they transform creative concepts into detailed technical specifications.

Arup worked with Louis Vuitton’s architecture atelier to develop a fully integrated lighting concept that forms a seamless part of the customer experience. After a number of highly successful trials, the lighting concept is now being rolled out to Louis Vuitton stores worldwide.

Natural lightingGreat lighting design also relies on using natural light effectively. Arup Lighting is a market leader in daylighting. Its specialists work with architects to understand how natural light is distributed through building geometries, and how it reflects and diverts in different colours and materials. Together, they use this to enhance the building’s performance and aesthetics.

As part of an expansion to the High Museum of Art in Atlanta, USA, Arup Lighting designed a series of 1,000 ‘light scoop’ skylights to light display areas naturally and without damaging sensitive artwork. State of the art controls for the galleries and offices adjust to the level of daylight for maximum energy efficiency.

Innovative philosophyWith the potential to change how we perceive architecture and public space, our lighting teams across the globe are experts in designing with smart envelopes, chip-based lighting equipment and media facades. We explore the synthesis of light, media and scientific ambition.

Our current project base highlights a number of world class examples of the application of Arup’s trademark innovation. For example, at the Galleria Fashion Mall in Seoul, South Korea, a media facade wraps around the building to form a fluid, dynamic skin. Designed in collaboration with UNStudio, nearly 5,000 glass discs make up an ocean of colours and movements. Also, for the first time globally, Arup combined LED lighting with photovoltaic arrays in the GreenPix - Zero Energy Media Wall, creating a dynamic façade that produces twice the energy it consumes.

Award-winning teamAt Arup, lighting is an integral and important element of intelligent building design, as well as a specialty field in its own standing. Working from offices in the UK, the Netherlands, Germany, Russia, Japan, Australia and the US, Arup Lighting’s award-winning team creates unique and creative answers to clients’ particular business objectives.

In skilled hands, lighting becomes the fourth dimension of architecture, integrating and enhancing the other design disciplines. Arup Lighting provides a comprehensive architectural lighting design service to clients around the world.

About Arup Lighting

4 5

Conceptual design, technical detailWorking closely with architects at all stages of a project, Arup’s lighting specialists provide original and authentic conceptual design. Uniquely well-placed to turn vision into reality, they transform creative concepts into detailed technical specifications.

Arup worked with Louis Vuitton’s architecture atelier to develop a fully integrated lighting concept that forms a seamless part of the customer experience. After a number of highly successful trials, the lighting concept is now being rolled out to Louis Vuitton stores worldwide.

Natural lightingGreat lighting design also relies on using natural light effectively. Arup Lighting is a market leader in daylighting. Its specialists work with architects to understand how natural light is distributed through building geometries, and how it reflects and diverts in different colours and materials. Together, they use this to enhance the building’s performance and aesthetics.

As part of an expansion to the High Museum of Art in Atlanta, USA, Arup Lighting designed a series of 1,000 ‘light scoop’ skylights to light display areas naturally and without damaging sensitive artwork. State of the art controls for the galleries and offices adjust to the level of daylight for maximum energy efficiency.

Innovative philosophyWith the potential to change how we perceive architecture and public space, our lighting teams across the globe are experts in designing with smart envelopes, chip-based lighting equipment and media facades. We explore the synthesis of light, media and scientific ambition.

Our current project base highlights a number of world class examples of the application of Arup’s trademark innovation. For example, at the Galleria Fashion Mall in Seoul, South Korea, a media facade wraps around the building to form a fluid, dynamic skin. Designed in collaboration with UNStudio, nearly 5,000 glass discs make up an ocean of colours and movements. Also, for the first time globally, Arup combined LED lighting with photovoltaic arrays in the GreenPix - Zero Energy Media Wall, creating a dynamic façade that produces twice the energy it consumes.

Award-winning teamAt Arup, lighting is an integral and important element of intelligent building design, as well as a specialty field in its own standing. Working from offices in the UK, the Netherlands, Germany, Russia, Japan, Australia and the US, Arup Lighting’s award-winning team creates unique and creative answers to clients’ particular business objectives.

In skilled hands, lighting becomes the fourth dimension of architecture, integrating and enhancing the other design disciplines. Arup Lighting provides a comprehensive architectural lighting design service to clients around the world.

About Arup Lighting

In architecture, light directs, sculpts, enriches, and gives people a comfortable, safe and inspiring environment

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In architecture, light directs, sculpts, enriches, and gives people a comfortable, safe and inspiring environment

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Inspiration

Arup Lighting offers a comprehensive lighting design service, from initial strategic advice and concept development all the way through to construction documents and on-site support. Our work can be characterised as engaged and involved, with a strong emphasis on creativity that we combine with the technical excellence for which Arup is famous.

Our team comprises over 40 lighting designers, with various specialisms such as natural light, fixture design, brand identity and lighting engineering.

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Light is the source of everything on earth. In architecture, light directs, sculpts, enriches, and gives people a comfortable, safe and inspiring environment.

1 California Academy of Sciences, San Francisco

2 California Academy of Sciences, San Francisco, Rainforest Bolla

3 High Museum of Art, Atlanta, Preliminary Daylighting Mesh

4 High Museum of Art, Atlanta, Atmospheric Testing Model

5 High Museum of Art, Atlanta, Typical Installed Gallery

“I believe that architecture has the power to inspire, to elevate the spirit, to feed both the mind and the body. It is for me the most public of the arts.” - Richard Meier

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Inspiration

Arup Lighting offers a comprehensive lighting design service, from initial strategic advice and concept development all the way through to construction documents and on-site support. Our work can be characterised as engaged and involved, with a strong emphasis on creativity that we combine with the technical excellence for which Arup is famous.

Our team comprises over 40 lighting designers, with various specialisms such as natural light, fixture design, brand identity and lighting engineering.

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Light is the source of everything on earth. In architecture, light directs, sculpts, enriches, and gives people a comfortable, safe and inspiring environment.

1 California Academy of Sciences, San Francisco

2 California Academy of Sciences, San Francisco, Rainforest Bolla

3 High Museum of Art, Atlanta, Preliminary Daylighting Mesh

4 High Museum of Art, Atlanta, Atmospheric Testing Model

5 High Museum of Art, Atlanta, Typical Installed Gallery

“I believe that architecture has the power to inspire, to elevate the spirit, to feed both the mind and the body. It is for me the most public of the arts.” - Richard Meier

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1 High Museum of Art, Atlanta, Exterior View

2 High Museum of Art, Atlanta, Hooded Penetrations on Roof

3 California Academy of Sciences, Penguin Exhibit

4 California Academy of Sciences, Water Planet LED Ridge

5 California Academy of Sciences, Water Planet

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Richard Meier and Renzo Piano’s High Museum of Art, and Renzo Piano’s California Academy of Sciences, are two unique projects that not only represent inspired works of art, but invoke further inspiration from those who visit. The High Museum of Art shown here, allows natural light into art galleries by way of a custom designed hood, which serves as a shield to all direct sunlight.

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1 High Museum of Art, Atlanta, Exterior View

2 High Museum of Art, Atlanta, Hooded Penetrations on Roof

3 California Academy of Sciences, Penguin Exhibit

4 California Academy of Sciences, Water Planet LED Ridge

5 California Academy of Sciences, Water Planet

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Richard Meier and Renzo Piano’s High Museum of Art, and Renzo Piano’s California Academy of Sciences, are two unique projects that not only represent inspired works of art, but invoke further inspiration from those who visit. The High Museum of Art shown here, allows natural light into art galleries by way of a custom designed hood, which serves as a shield to all direct sunlight.

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The new Academy of Sciences by Renzo Piano is the only place on the planet with an aquarium, a planetarium, a natural history museum, and a 4-storey rainforest all under one roof.

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Jason Edling, of Arup’s San Francisco office, looking up at the naturally and artificially illuminated rainforest exhibit of the California Academy of Sciences

The new Academy of Sciences by Renzo Piano is the only place on the planet with an aquarium, a planetarium, a natural history museum, and a 4-storey rainforest all under one roof.

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Jason Edling, of Arup’s San Francisco office, looking up at the naturally and artificially illuminated rainforest exhibit of the California Academy of Sciences

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1 Conde Nast, New York, LED Diffusion Mock-up

2 Conde Nast, New York, Public Viewing During Construction

3 Conde Nast, New York, Installed

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Located in the building interior without direct access to daylight or views to the outside, Conde Nast brings their cafeteria to life. This core space, developed by Arup with James Turrell, once a confining perimeter, becomes dynamic, vibrant and flexible with light.

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1 Conde Nast, New York, LED Diffusion Mock-up

2 Conde Nast, New York, Public Viewing During Construction

3 Conde Nast, New York, Installed

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Located in the building interior without direct access to daylight or views to the outside, Conde Nast brings their cafeteria to life. This core space, developed by Arup with James Turrell, once a confining perimeter, becomes dynamic, vibrant and flexible with light.

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1 Shangri-La’s Fijian Resort and Spa, Typical Suite

2 Shangri-La’s Fijian Resort and Spa, Tower Interior

3 Shangri-La’s Fijian Resort and Spa, Resort Entrance

4 Shangri-La’s Fijian Resort and Spa, Amenity Tower1 2 3 4

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1 Shangri-La’s Fijian Resort and Spa, Typical Suite

2 Shangri-La’s Fijian Resort and Spa, Tower Interior

3 Shangri-La’s Fijian Resort and Spa, Resort Entrance

4 Shangri-La’s Fijian Resort and Spa, Amenity Tower1 2 3 4

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Previous spread:

1 Center Street Bridge, Iowa, at Dawn.

2 Deerfield Academy, Circulation at Night

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This spread:

1 Deerfield Academy, Daylight Stair

2 Deerfield Academy, Hallway at Night

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Designed together with the artist James Turrell, the Deerfield Academy, as seen at night, encourages you to experience movement through a building in a new way.

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Previous spread:

1 Center Street Bridge, Iowa, at Dawn.

2 Deerfield Academy, Circulation at Night

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This spread:

1 Deerfield Academy, Daylight Stair

2 Deerfield Academy, Hallway at Night

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Designed together with the artist James Turrell, the Deerfield Academy, as seen at night, encourages you to experience movement through a building in a new way.

We stand alongside those who aim to serve as stewards to preserve our natural environment and evolve responsibly

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We stand alongside those who aim to serve as stewards to preserve our natural environment and evolve responsibly

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StewardshipAt Arup Lighting, we work closely with Arup’s building services engineers and environmental specialists, which gives us tremendous advantages over the traditional approach to lighting design. In harmony with aesthetics and vision, it is our responsibility to deliver a lighting

design that helps our clients to save energy and to create sustainable buildings. We strive to offer fresh insight as to how occupied spaces might become more alive, and in touch with the living environment.

1 39 Hunter Street, Sydney, Concept Natural Light Study

2 Morgan Library, New York, Daylit Reception at Dusk

3 Wal-mart Experimental Store, Aurora, PV Panels at Entries

4 California Academy of Sciences, San Francisco, Skylights Above Rainforest Bolla at Dusk

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“When one tugs at a single thing in nature, he finds it attached to the rest of the world.” - John Muir

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We stand alongside those who aim to serve as stewards to preserve our natural environment and evolve responsibly.

StewardshipAt Arup Lighting, we work closely with Arup’s building services engineers and environmental specialists, which gives us tremendous advantages over the traditional approach to lighting design. In harmony with aesthetics and vision, it is our responsibility to deliver a lighting

design that helps our clients to save energy and to create sustainable buildings. We strive to offer fresh insight as to how occupied spaces might become more alive, and in touch with the living environment.

1 39 Hunter Street, Sydney, Concept Natural Light Study

2 Morgan Library, New York, Daylit Reception at Dusk

3 Wal-mart Experimental Store, Aurora, PV Panels at Entries

4 California Academy of Sciences, San Francisco, Skylights Above Rainforest Bolla at Dusk

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“When one tugs at a single thing in nature, he finds it attached to the rest of the world.” - John Muir

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We stand alongside those who aim to serve as stewards to preserve our natural environment and evolve responsibly.

1 California Academy of Sciences, San Francisco, Exterior Green Roof

2 California Academy of Sciences, San Francisco, Rainforest Bolla

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26 27The rainforests of Renzo Piano’s California Academy of Sciences are in parallel both a preserved slice of ecology, and a gesture towards people’s instinctive desire for the harmony of building and nature.

1 California Academy of Sciences, San Francisco, Exterior Green Roof

2 California Academy of Sciences, San Francisco, Rainforest Bolla

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26 27The rainforests of Renzo Piano’s California Academy of Sciences are in parallel both a preserved slice of ecology, and a gesture towards people’s instinctive desire for the harmony of building and nature.

1 Wal-mart Experimental Store, Aurora, Daylit Clerestory

2 Wal-mart Experimental Store, Aurora, Active Solar Tubes

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Wal-mart’s prototype stores include developing technologies such as motorised sunlight redirection units, as well as traditional passive clerestories over its open floorplan.

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1 Wal-mart Experimental Store, Aurora, Daylit Clerestory

2 Wal-mart Experimental Store, Aurora, Active Solar Tubes

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Wal-mart’s prototype stores include developing technologies such as motorised sunlight redirection units, as well as traditional passive clerestories over its open floorplan.

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1 39 Hunter Street, Sydney, Concept Daylighting Sketch

2 Morgan Library, New York, Daylighting at Main Level

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The atrium form at 39 Hunter Street Sydney was developed with the design team to maximise daylight deep within the building and improve amenities for the building occupants.

1 39 Hunter Street, Sydney, Concept Daylighting Sketch

2 Morgan Library, New York, Daylighting at Main Level

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The atrium form at 39 Hunter Street Sydney was developed with the design team to maximise daylight deep within the building and improve amenities for the building occupants.

In the theatre, light creates a scene’s suspense, romance, excitement or fear

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In the theatre, light creates a scene’s suspense, romance, excitement or fear

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ArtsLight designers are sculptors, painters and authors all at the same time. Many of our clients employ light as an artistic component in their architecture, and use light to differentiate their appearance in the market.

We are inspired by the performing arts, and several designers within Arup Lighting can bring theatrical or musical experience to your project.

In the theatre, light creates a scene’s suspense, romance, excitement or fear.

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1 Bahnhofstrasse, Zurich, World’s Largest Timepiece

2 Web of Light with Ai Weiwei, Liverpool

3 Institute of Contemporary Art, Boston, Concept Lighting Sketch

4 Webb Dock Bridge, Melbourne, Pedestrian Experience

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“The object of art is to give life a shape.“ - Shakespeare

ArtsLight designers are sculptors, painters and authors all at the same time. Many of our clients employ light as an artistic component in their architecture, and use light to differentiate their appearance in the market.

We are inspired by the performing arts, and several designers within Arup Lighting can bring theatrical or musical experience to your project.

In the theatre, light creates a scene’s suspense, romance, excitement or fear.

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1 Bahnhofstrasse, Zurich, World’s Largest Timepiece

2 Web of Light with Ai Weiwei, Liverpool

3 Institute of Contemporary Art, Boston, Concept Lighting Sketch

4 Webb Dock Bridge, Melbourne, Pedestrian Experience

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“The object of art is to give life a shape.“ - Shakespeare

1 Concert Hall at Kings Place, London, Colour Blending

2 Concert Hall at Kings Place, London, Colour Blending

3 The Modern Wing at The Art Institute of Chicago, Solar Shading

4 The Modern Wing at The Art Institute of Chicago, Interior Exhibition Space

5 The Modern Wing at The Art Institute of Chicago, Pedestrian View by Night

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The Hall at Kings Place in London is lit from behind columns with red, blue and white fixtures that can be dimmed and mixed to compliment the programme.

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1 Concert Hall at Kings Place, London, Colour Blending

2 Concert Hall at Kings Place, London, Colour Blending

3 The Modern Wing at The Art Institute of Chicago, Solar Shading

4 The Modern Wing at The Art Institute of Chicago, Interior Exhibition Space

5 The Modern Wing at The Art Institute of Chicago, Pedestrian View by Night

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The Hall at Kings Place in London is lit from behind columns with red, blue and white fixtures that can be dimmed and mixed to compliment the programme.

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Webb Dock Bridge, Melbourne

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Webb Dock Bridge, Melbourne

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1 Lighthive with Alex Haw, London

2 Lighthive with Alex Haw, London

3 Bahnhofstrasse, Zurich, World’s Largest Timepiece, Early Concept Studies

4 Bahnhofstrasse, Zurich, World’s Largest Timepiece, LED Prototype

5 Bahnhofstrasse, Zurich, World’s Largest Timepiece, Snapshot of the Lightshow

6 Bahnhofstrasse, Zurich, World’s Largest Timepiece, Installation by Day

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40 41The “World’s Largest Timepiece” in Bahnhofstrasse in Zurich and the Lighthive project with Alex Haw both are interpretation pieces. The Lighthive consists of over 1,000 LEDs, which literally mimic the way in which light travels through the building at 1:6 scale. Bahnhofstrasse is known to be the world’s largest timepiece with 240 light poles totalling 240,000 LEDs.

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1 Lighthive with Alex Haw, London

2 Lighthive with Alex Haw, London

3 Bahnhofstrasse, Zurich, World’s Largest Timepiece, Early Concept Studies

4 Bahnhofstrasse, Zurich, World’s Largest Timepiece, LED Prototype

5 Bahnhofstrasse, Zurich, World’s Largest Timepiece, Snapshot of the Lightshow

6 Bahnhofstrasse, Zurich, World’s Largest Timepiece, Installation by Day

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40 41The “World’s Largest Timepiece” in Bahnhofstrasse in Zurich and the Lighthive project with Alex Haw both are interpretation pieces. The Lighthive consists of over 1,000 LEDs, which literally mimic the way in which light travels through the building at 1:6 scale. Bahnhofstrasse is known to be the world’s largest timepiece with 240 light poles totalling 240,000 LEDs.

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This spread:

1 Tempe Center for the Arts, Entry

2 Tempe Center for the Arts, River View

3 Tempe Center for the Arts, Exterior Fireside Terrace

4 Tempe Center for the Arts, Auditorium

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Next spread:

1 Institute of Contemporary Art, Boston, Pedestrian View

2 Institute of Contemporary Art, Boston, Pedestrian View

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This spread:

1 Tempe Center for the Arts, Entry

2 Tempe Center for the Arts, River View

3 Tempe Center for the Arts, Exterior Fireside Terrace

4 Tempe Center for the Arts, Auditorium

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Next spread:

1 Institute of Contemporary Art, Boston, Pedestrian View

2 Institute of Contemporary Art, Boston, Pedestrian View

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Web of Light in Liverpool, Designed by Ai Weiwei, Artistic Consultant for the Beijing National Stadium for the 2008 Olympics

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In Liverpool’s Exchange Flag’s Square, The Web of Light marries the playful side of public art with the technical challenges of suspending over 400 metres of stainless steel cables above the pedestrian square.

Web of Light in Liverpool, Designed by Ai Weiwei, Artistic Consultant for the Beijing National Stadium for the 2008 Olympics

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In Liverpool’s Exchange Flag’s Square, The Web of Light marries the playful side of public art with the technical challenges of suspending over 400 metres of stainless steel cables above the pedestrian square.

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This Spread:

1 de Young, San Francisco, Callaghan Exhibit

2 de Young, San Francisco, Customising Blown Glass

3 de Young, San Francisco, Customising Blown Glass

4 de Young, San Francisco, Finished Blown Glass

5 de Young, San Francisco, Finished Blown Glass Pendants in Café

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Next Spread:

1 de Young, San Francisco, Fern Court Stairs

2 de Young, San Francisco, Wilsey Court

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This Spread:

1 de Young, San Francisco, Callaghan Exhibit

2 de Young, San Francisco, Customising Blown Glass

3 de Young, San Francisco, Customising Blown Glass

4 de Young, San Francisco, Finished Blown Glass

5 de Young, San Francisco, Finished Blown Glass Pendants in Café

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Next Spread:

1 de Young, San Francisco, Fern Court Stairs

2 de Young, San Francisco, Wilsey Court

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de Young, San Francisco

Herzog & de Meuron with Fong & Chan Architects designed the de Young Museum with an expansive double skin with the outer skin made of embossed raw copper. This outer skin is an open mesh in some areas, selectively shading gallery spaces from direct sunlight where required. The tower, overlooking Golden Gate Park and the city of San Francisco, is also clad in a copper mesh to shade the interior while still providing views out.

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de Young, San Francisco

Herzog & de Meuron with Fong & Chan Architects designed the de Young Museum with an expansive double skin with the outer skin made of embossed raw copper. This outer skin is an open mesh in some areas, selectively shading gallery spaces from direct sunlight where required. The tower, overlooking Golden Gate Park and the city of San Francisco, is also clad in a copper mesh to shade the interior while still providing views out.

In entertainment and movies alike, light is a narrative element of the set

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In entertainment and movies alike, light is a narrative element of the set

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1 The New Acropolis Museum, Athens, Archaic Gallery

2 The New Acropolis Museum, Athens, Night Time Exterior

3 YAS Marina Resort, Abu Dhabi, Gridshell over Link Bridge

4 Beijing National Stadium, Reflection

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Story

In architecture, we like to explore this dimension of light as well. Retail spaces benefit from a strong narrative, and facades can convey a brand or corporate identity using light and shadow.

Lighting is intersecting with video and media increasingly, to converge with a single visual concept, and Arup Lighting continues to design some of this field’s pioneering projects.

In entertainment and movies alike, light is a narrative element of the set

“Each story we approach in the same way, with curiosity and interest and determination to get behind the image.”- Martin Bashir

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1 The New Acropolis Museum, Athens, Archaic Gallery

2 The New Acropolis Museum, Athens, Night Time Exterior

3 YAS Marina Resort, Abu Dhabi, Gridshell over Link Bridge

4 Beijing National Stadium, Reflection

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Story

In architecture, we like to explore this dimension of light as well. Retail spaces benefit from a strong narrative, and facades can convey a brand or corporate identity using light and shadow.

Lighting is intersecting with video and media increasingly, to converge with a single visual concept, and Arup Lighting continues to design some of this field’s pioneering projects.

In entertainment and movies alike, light is a narrative element of the set

“Each story we approach in the same way, with curiosity and interest and determination to get behind the image.”- Martin Bashir

3

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1 YAS Marina Hotel, Abu Dhabi, Towers by Night

2 YAS Marina Hotel, Abu Dhabi, Gridshell Lighting Scene at Dawn

3 YAS Marina Hotel, Abu Dhabi, Mock-up of Glass Panel RGBW LEDs

4 YAS Marina Hotel, Abu Dhabi, Solar Shading Study

5 YAS Marina Hotel, Abu Dhabi, Early Prototype of RGBW LED Luminaires

6 YAS Marina Hotel, Abu Dhabi, Installation of Individual LED Units

7 YAS Marina Hotel, Abu Dhabi, View Through Individual Glass Panels

8 YAS Marina Hotel, Abu Dhabi, mock-up by night to Evaluate LED Behaviour with Various Glass Panels

9 YAS Marina Hotel, Abu Dhabi, Thermal Testing of LEDs for Desert Conditions

10 YAS Marina Hotel, Abu Dhabi, Verification of Luminaires and Lighting Control System in Preperation for Mock-up

11 YAS Marina Hotel, Abu Dhabi, Early Glass Panel Model

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Collaboration with Asymptote Architecture on Aldar Properties PJSC’s Flagship 5-Star Hotel at YAS Island in the UAE, the YAS Marina Hotel was the iconic centrepiece at the 2009 Formula 1™ Etihad Airways Grand Prix. The hotel straddles the racetrack, features 252 deluxe and 247 executive rooms and suites within two towers, on 850,000 square feet of built space as part of the hotel project.

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1 YAS Marina Hotel, Abu Dhabi, Towers by Night

2 YAS Marina Hotel, Abu Dhabi, Gridshell Lighting Scene at Dawn

3 YAS Marina Hotel, Abu Dhabi, Mock-up of Glass Panel RGBW LEDs

4 YAS Marina Hotel, Abu Dhabi, Solar Shading Study

5 YAS Marina Hotel, Abu Dhabi, Early Prototype of RGBW LED Luminaires

6 YAS Marina Hotel, Abu Dhabi, Installation of Individual LED Units

7 YAS Marina Hotel, Abu Dhabi, View Through Individual Glass Panels

8 YAS Marina Hotel, Abu Dhabi, mock-up by night to Evaluate LED Behaviour with Various Glass Panels

9 YAS Marina Hotel, Abu Dhabi, Thermal Testing of LEDs for Desert Conditions

10 YAS Marina Hotel, Abu Dhabi, Verification of Luminaires and Lighting Control System in Preperation for Mock-up

11 YAS Marina Hotel, Abu Dhabi, Early Glass Panel Model

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Collaboration with Asymptote Architecture on Aldar Properties PJSC’s Flagship 5-Star Hotel at YAS Island in the UAE, the YAS Marina Hotel was the iconic centrepiece at the 2009 Formula 1™ Etihad Airways Grand Prix. The hotel straddles the racetrack, features 252 deluxe and 247 executive rooms and suites within two towers, on 850,000 square feet of built space as part of the hotel project.

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1 YAS Marina Hotel, Abu Dhabi, Curvilinear Gridshell

2 YAS Marina Hotel, Abu Dhabi, Curvilinear Gridshell

3 YAS Marina Hotel, Abu Dhabi, Gridshell over Link Bridge

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The sweeping iconic curvilinear Gridshell structure incorporates a striking veil of steel and glass, of approximately 5,000+ custom frit glass panels, each a medium for the programmed lighting and media sequences to illuminate the glass. The bespoke luminaires feature high-end RGB+W LEDs, which provide feedback to the lighting control system to monitor energy and heat issues across multiple panel sizes.

Next spread:

YAS Marina Hotel, Abu Dhabi, Lateral View by Night

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1 YAS Marina Hotel, Abu Dhabi, Curvilinear Gridshell

2 YAS Marina Hotel, Abu Dhabi, Curvilinear Gridshell

3 YAS Marina Hotel, Abu Dhabi, Gridshell over Link Bridge

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The sweeping iconic curvilinear Gridshell structure incorporates a striking veil of steel and glass, of approximately 5,000+ custom frit glass panels, each a medium for the programmed lighting and media sequences to illuminate the glass. The bespoke luminaires feature high-end RGB+W LEDs, which provide feedback to the lighting control system to monitor energy and heat issues across multiple panel sizes.

Next spread:

YAS Marina Hotel, Abu Dhabi, Lateral View by Night

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1 Beijing National Stadium, Daytime View during the 2008 Olympics

2 Beijing National Stadium, Interior at Night

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Full of hidden symbolism, the Beijing National Stadium by Herzog & de Meuron has been hailed as being among the finest stadiums in the world.

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1 Beijing National Stadium, Daytime View during the 2008 Olympics

2 Beijing National Stadium, Interior at Night

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Full of hidden symbolism, the Beijing National Stadium by Herzog & de Meuron has been hailed as being among the finest stadiums in the world.

64 65

1 Brian Stacy of Arup’s New York Office Inspecting a Detail for the Institute of Contemporary Art, Boston

2 Institute of Contemporary Art, Boston, Museum Interior Lighting Radiance Study

3 Institute of Contemporary Art, Boston, Exterior “SunView” Radiance Animation

4 Boston ICA, Daylighting Model

1 2 3 4

The New York Arup Lighting group ushered the Institute of Contemporary Art in Boston through several iterative design steps, including Radiance, daylighting studies and scale mock-ups.

66 67

1 Brian Stacy of Arup’s New York Office Inspecting a Detail for the Institute of Contemporary Art, Boston

2 Institute of Contemporary Art, Boston, Museum Interior Lighting Radiance Study

3 Institute of Contemporary Art, Boston, Exterior “SunView” Radiance Animation

4 Boston ICA, Daylighting Model

1 2 3 4

The New York Arup Lighting group ushered the Institute of Contemporary Art in Boston through several iterative design steps, including Radiance, daylighting studies and scale mock-ups.

66 67

68 69

68 69

70 71

This spread:

1 The New Acropolis Museum, Athens, Pedestrian View

2 The New Acropolis Museum, Athens, Typical Museum Layout

1 2

Previous Spread:

The New Acropolis Museum, Athens, Showcasing of Excavations and Architectural Sculptures from the Acropolis in Athens

70 71

This spread:

1 The New Acropolis Museum, Athens, Pedestrian View

2 The New Acropolis Museum, Athens, Typical Museum Layout

1 2

Previous Spread:

The New Acropolis Museum, Athens, Showcasing of Excavations and Architectural Sculptures from the Acropolis in Athens

72 73

Shakhtar Stadium, Ukraine

The landmark 50,000 seat Shakhtar Stadium is the first FIFA 5 Star football stadium in the Ukraine.

72 73

Shakhtar Stadium, Ukraine

The landmark 50,000 seat Shakhtar Stadium is the first FIFA 5 Star football stadium in the Ukraine.

Models, samples, and tabletop setups are all part of our design process

GALL

ERIA

DEP

ARTM

ENT

STOR

E, S

EOUL

, MOC

K-UP

Models, samples, and tabletop setups are all part of our design process

GALL

ERIA

DEP

ARTM

ENT

STOR

E, S

EOUL

, MOC

K-UP

1 Galleria Department Store, Seoul, Artistic Content Commissioning

2 Galleria Department Store, Seoul, Facade Visualisation

3 Galleria Department Store, Seoul, Commissioning Process

4 Galleria Department Store, Seoul, Director Rogier Van der Heide From Arup’s Amsterdam Office Set to Perform Some Final Inspections

5 Galleria Department Store, Seoul, Lighting Mock-ups & Experiments

6 Galleria Department Store, Seoul, Lighting Mock-ups & Experiments

7 Galleria Department Store, Seoul, Lighting Mock-ups & Experiments

8 Galleria Department Store, Seoul, Facade in Motion

76 77

CraftLighting design may seem abstract, but it is not. Arup Lighting has developed a set of tools that make light not only understandable, but also tangible.

Light, as the metaphysical space, integrates with the physical space as it reflects and refracts. We want to understand this aspect of the lighting before we draw construction documents, and keep the clients and the architects we work with involved throughout the process.

Models, samples, and tabletop setups are all part of our design process.

“You can design and create, and build the most wonderful place in the world. But it takes people to make the dream a reality.“ - Walt Disney

2

1 3 45 6

7 8

1 Galleria Department Store, Seoul, Artistic Content Commissioning

2 Galleria Department Store, Seoul, Facade Visualisation

3 Galleria Department Store, Seoul, Commissioning Process

4 Galleria Department Store, Seoul, Director Rogier Van der Heide From Arup’s Amsterdam Office Set to Perform Some Final Inspections

5 Galleria Department Store, Seoul, Lighting Mock-ups & Experiments

6 Galleria Department Store, Seoul, Lighting Mock-ups & Experiments

7 Galleria Department Store, Seoul, Lighting Mock-ups & Experiments

8 Galleria Department Store, Seoul, Facade in Motion

76 77

CraftLighting design may seem abstract, but it is not. Arup Lighting has developed a set of tools that make light not only understandable, but also tangible.

Light, as the metaphysical space, integrates with the physical space as it reflects and refracts. We want to understand this aspect of the lighting before we draw construction documents, and keep the clients and the architects we work with involved throughout the process.

Models, samples, and tabletop setups are all part of our design process.

“You can design and create, and build the most wonderful place in the world. But it takes people to make the dream a reality.“ - Walt Disney

2

1 3 45 6

7 8

78 79

78 79

80 81

This spread:

1 350 George Street, Sydney

2 Fusionopolis Research & Development Complex, Singapore

3 Fusionopolis Research & Development Complex, Singapore

1

2

Previous Spread:

NAB Docklands, Melbourne

3

The emphasis for lighting Singapore’s Fusionopolis lies at the centralised theatre sphere - the physical and psychological hub - with an array of dynamic LEDs pulsating like a brain processing data

80 81

This spread:

1 350 George Street, Sydney

2 Fusionopolis Research & Development Complex, Singapore

3 Fusionopolis Research & Development Complex, Singapore

1

2

Previous Spread:

NAB Docklands, Melbourne

3

The emphasis for lighting Singapore’s Fusionopolis lies at the centralised theatre sphere - the physical and psychological hub - with an array of dynamic LEDs pulsating like a brain processing data

The phenomenon of photons radiated onto our environment and then bounced into our eyes is what we call light

GREE

NPI

X, B

EIJI

NG,

ZER

O EN

ERGY

LED

/PV

FAÇA

DE

The phenomenon of photons radiated onto our environment and then bounced into our eyes is what we call light

GREE

NPI

X, B

EIJI

NG,

ZER

O EN

ERGY

LED

/PV

FAÇA

DE

1 GreenPix, Beijing, Installation Team

2 GreenPix, Beijing, Solar Study

3 GreenPix, Beijing, Radiance Study

4 GreenPix, Beijing, Final Installation

1 3

4

2

84 85

Science

When designing museums, workplaces or public spaces, a deep understanding of the scientific design of light and lighting is critical to the success of your project. Arup Lighting is proud to offer world class design of natural light, including advanced simulation and rendering tools, physical mock-ups in our studios, incorporation

of statistical weather data in our designs and thorough knowledge of passive conservation of artifacts. We also believe that sustainability and energy savings are among the most important themes in the near future and have fully integrated these into our approach of every project.

The phenomenon of photons radiated onto our environment and then bounced into our eyes is what we call light.

“Science does not know its debt to imagination.“- Ralph Waldo Emerson

1 GreenPix, Beijing, Installation Team

2 GreenPix, Beijing, Solar Study

3 GreenPix, Beijing, Radiance Study

4 GreenPix, Beijing, Final Installation

1 3

4

2

84 85

Science

When designing museums, workplaces or public spaces, a deep understanding of the scientific design of light and lighting is critical to the success of your project. Arup Lighting is proud to offer world class design of natural light, including advanced simulation and rendering tools, physical mock-ups in our studios, incorporation

of statistical weather data in our designs and thorough knowledge of passive conservation of artifacts. We also believe that sustainability and energy savings are among the most important themes in the near future and have fully integrated these into our approach of every project.

The phenomenon of photons radiated onto our environment and then bounced into our eyes is what we call light.

“Science does not know its debt to imagination.“- Ralph Waldo Emerson

1 Greenpix, Beijing, Mock-up Tests;

2 Greenpix, Beijing, Final Installation;

3 Greenpix, Beijing, Final Installation Illuminated.

1

2

3

86 87

West Beijing’s GreenPix Zero Energy Media Wall is a triumph of energy-efficient lighting design and engineering. The largest colour LED light wall in the world, integrating LED systems and photovoltaic (PV) modules that capture solar energy by day, which exceeds double that consumed by the lighting.

1 Greenpix, Beijing, Mock-up Tests;

2 Greenpix, Beijing, Final Installation;

3 Greenpix, Beijing, Final Installation Illuminated.

1

2

3

86 87

West Beijing’s GreenPix Zero Energy Media Wall is a triumph of energy-efficient lighting design and engineering. The largest colour LED light wall in the world, integrating LED systems and photovoltaic (PV) modules that capture solar energy by day, which exceeds double that consumed by the lighting.

88 89

Interior of the Alfred Intensive Care Unit in Melbourne

The Alfred Hospital Intensive Care Unit is one of Australia’s leading Intensive Care Units, admitting approximately 2000 patients per annum. It is a university attached quaternary referral centre, providing State Services for heart & lung transplantation (including pediatric lung transplantation), artificial heart technology, extra-corporeal membrane oxygenation (ECMO), burns and hyperbaric medicine.

88 89

Interior of the Alfred Intensive Care Unit in Melbourne

The Alfred Hospital Intensive Care Unit is one of Australia’s leading Intensive Care Units, admitting approximately 2000 patients per annum. It is a university attached quaternary referral centre, providing State Services for heart & lung transplantation (including pediatric lung transplantation), artificial heart technology, extra-corporeal membrane oxygenation (ECMO), burns and hyperbaric medicine.

A natural desire to fuse image and identity is a goal shared by architects, fashion designers and businesses alike

PRAD

A, T

OKYO

A natural desire to fuse image and identity is a goal shared by architects, fashion designers and businesses alike

PRAD

A, T

OKYO

1 Wonder Room, Selfridges, London, Fine Jewlery Hall, Bespoke Mirror-finished ‘Halo’ Pendants and Integral LED Lighting in Cabinets

2 Prada, Tokyo, Bespoke Lighting

3 Louis Vuitton, Lee Garden, Hong Kong, Bespoke Branding Icon LED Lighting

1

2 3

Image

With a strong track record in integrated retail design and branding, we bring confidence, fun and the ability to innovate to the assignments we enter into. This often results in a sense of playfulness, which is conveyed through our designs.

But to align the aesthetics and design philosophy of modern retail brands with an educated public requires more than the traditional approach of simply spotlighting a product, At Arup Lighting, the approach is that of corporate identity and brand image encased in clean and neatly finished detail, thoroughly customised for each client.

A natural desire to fuse image and identity is a goal shared by architects, fashion designers and businesses alike.

“In order to be irreplaceable one must always be different” - Coco Chanel

92 93

1 Wonder Room, Selfridges, London, Fine Jewlery Hall, Bespoke Mirror-finished ‘Halo’ Pendants and Integral LED Lighting in Cabinets

2 Prada, Tokyo, Bespoke Lighting

3 Louis Vuitton, Lee Garden, Hong Kong, Bespoke Branding Icon LED Lighting

1

2 3

Image

With a strong track record in integrated retail design and branding, we bring confidence, fun and the ability to innovate to the assignments we enter into. This often results in a sense of playfulness, which is conveyed through our designs.

But to align the aesthetics and design philosophy of modern retail brands with an educated public requires more than the traditional approach of simply spotlighting a product, At Arup Lighting, the approach is that of corporate identity and brand image encased in clean and neatly finished detail, thoroughly customised for each client.

A natural desire to fuse image and identity is a goal shared by architects, fashion designers and businesses alike.

“In order to be irreplaceable one must always be different” - Coco Chanel

92 93

94 95

1 Prada, Tokyo, View of Shop From Exterior

2 Prada, Tokyo, Custom Cold Cathode Entrance Lighting

In Tokyo’s fashionable Aoyama district, this Prada store was designed by Herzog & de Meuron to feature an unmistakable and inviting entrance.

1 2

94 95

1 Prada, Tokyo, View of Shop From Exterior

2 Prada, Tokyo, Custom Cold Cathode Entrance Lighting

In Tokyo’s fashionable Aoyama district, this Prada store was designed by Herzog & de Meuron to feature an unmistakable and inviting entrance.

1 2

96 97

Located in Selfridges of London, the Wonder Room and the Wonder Bar, maintain a consistently warm atmosphere with warm lighting at a handheld scale.

1 The Wonder Bar, Selfridges, London, Seating

2 The Wonder Bar, Selfridges, London, Bar

3 The Wonder Bar, Selfridges, London, Candlelights

4 The Wonder Bar, Selfridges, London, Retail Space

5 The Wonder Bar, Selfridges, London, Identity Signage

6 The Wonder Bar, Selfridges, London, Stairway

7 The Wonder Bar, Selfridges, London, Retail Space

1 2 3 4 5 6 7

96 97

Located in Selfridges of London, the Wonder Room and the Wonder Bar, maintain a consistently warm atmosphere with warm lighting at a handheld scale.

1 The Wonder Bar, Selfridges, London, Seating

2 The Wonder Bar, Selfridges, London, Bar

3 The Wonder Bar, Selfridges, London, Candlelights

4 The Wonder Bar, Selfridges, London, Retail Space

5 The Wonder Bar, Selfridges, London, Identity Signage

6 The Wonder Bar, Selfridges, London, Stairway

7 The Wonder Bar, Selfridges, London, Retail Space

1 2 3 4 5 6 7

1 The Wonder Bar, Selfridges, London, Bespoke Lighting

2 The Wonder Bar, Selfridges, London, Bespoke Lighting

3 The Wonder Bar, Selfridges, London, Bespoke Lighting

1

2

3

98 99

1 The Wonder Bar, Selfridges, London, Bespoke Lighting

2 The Wonder Bar, Selfridges, London, Bespoke Lighting

3 The Wonder Bar, Selfridges, London, Bespoke Lighting

1

2

3

98 99

1 Louis Vuitton, San Francisco, Branding Icon, Interior Storefront Facing Mall Space

2 Louis Vuitton, Lee Garden, Hong Kong, Branding Icon, Exterior Pedestrian Storefront

100 101

This Louis Vuitton storefront entrance slowly mixes red, green and blue LEDs to alter it’s appearance throughout the day. It’s individual fixtures are custom designed to the shape of Louis Vuitton’s original 1800s diamond shaped logo.

1

2

1 Louis Vuitton, San Francisco, Branding Icon, Interior Storefront Facing Mall Space

2 Louis Vuitton, Lee Garden, Hong Kong, Branding Icon, Exterior Pedestrian Storefront

100 101

This Louis Vuitton storefront entrance slowly mixes red, green and blue LEDs to alter it’s appearance throughout the day. It’s individual fixtures are custom designed to the shape of Louis Vuitton’s original 1800s diamond shaped logo.

1

2

1 Interior of Louis Vuitton Store, Madrid, Spain

2 Exterior of Louis Vuitton Store, Madrid, Spain

1 2

As a testament to Louis Vuitton’s classic elegance, interior lighting schemes in their stores worldwide have been greatly simplified through the use of a kit of parts that can be applied on a store-by-store basis, as needed.

102 103

1 Interior of Louis Vuitton Store, Madrid, Spain

2 Exterior of Louis Vuitton Store, Madrid, Spain

1 2

As a testament to Louis Vuitton’s classic elegance, interior lighting schemes in their stores worldwide have been greatly simplified through the use of a kit of parts that can be applied on a store-by-store basis, as needed.

102 103

© information:Front/Rear Cover Image/Special Photography ©Arup/ www.rolaesphotography.com

Page 3 ©Arup

Page 4-5 ©Arup

Page 6 ©Arup/Randy Olaes

Page 8-9 (1) ©ArupPage 8-9 (2) ©Tim Griffith, courtesy of California Academy of SciencesPage 8-9 (3) ©ArupPage 8-9 (4) ©ArupPage 8-9 (5) ©Arup/Arfon Davies

Page 10-11 (1) ©Arup Page 10-11 (2) ©RPBW/Jonathan Hillyer Page 10-11 (3) ©Arup/Key Anderson Page 10-11 (4) ©Arup/Key Anderson Page 10-11 (5) ©Arup

Page 12-13 ©Arup/Key Anderson

Page 14-15 (1-3) ©Arup

Page 16-17 (1-4) ©Arup/Paul Guger

Page 18 ©Arup/Jake Wayne

Page 19-21 ©Arup/Richard Fisher

Page 22 ©Costea Photography

Page 24-25 (1) ©Arup/Paul Guger Page 24-25 (2) ©Arup Page 24-25 (3) ©Costea Photography Page 24-25 (4) ©Tim Griffith, courtesy of California Academy of Sciences

Page 26-27 (1-2) ©Tim Griffith

Page 28-29 (1-2) ©Costea Photography

Page 30-31 (1) ©Arup/Paul Guger Page 30-31 (2) ©Arup

Page 32 ©Arup

Page 34-35 (1) ©Arup/Roman Keller/Gramazio & Kohler Page 34-35 (2) ©David Millington Photography Limited Page 34-35 (3) ©Arup Page 34-35 (4) ©Martin Saunders Photography

Page 36-37 (1-2) ©Keith Paisley/Spring House Design Associates Page 36-37 (3-5) ©Arup/Richard Fisher

Page 38-39 ©Shannon McGrath

Page 40-41 (1-2) ©Redshift Photography Page 40-41 (3-4) ©Arup Page 40-41 (5-6) ©Arup/Roman Keller/Gramazio & Kohler

Page 42-43 (1-4) ©John Linden

Page 44-45 (1-2) ©www.andyryan.com

Page 46-47 ©David Millington Photography Limited

Page 48-51 ©Corporation of the Fine Arts Museums

Page 52-53 ©Arup

Page 54 ©Arup/Zhao Meng

Page 56-57 (1) ©Arup Page 56-57 (2) ©Susie Cho/Arup Page 56-57 (3) ©Paolo Castellani Page 56-57 (4) ©Arup/Clive Lewis

Page 58-59 (1) ©Bjorn MoermanPage 58-59 (2) ©Bjorn MoermanPage 58-59 (3) ©ArupPage 58-59 (4) ©ArupPage 58-59 (5-8) ©ArupPage 58-59 (9) ©Arup/Cooper LightingPage 58-59 (10-11) ©Arup

Page 60-61 (1-2) ©ArupPage 60-61 (3) ©Paolo Castellani

Page 62 ©Bjorn Moerman

Page 64-65 (1-2) ©Zhao Meng

Page 66-77 ©Arup

Page 78-79 ©John Gollings Photography

Page 80-81 ©Arup

Page 82 ©Arup/SimoneGiostra/Ruogu

Page 84-85 (1-3) ©Arup/SimoneGiostra Page 84-85 (4) ©Arup/SimoneGiostra/Ruogu

Page 86-87 (1-2) ©Arup/SimoneGiostraPage 86-87 (3) ©Arup/SimoneGiostra/Ruogu

Page 88-89 ©Rhiannon Slatter Photography

Page 90 ©Arup/Jeff Shaw

Page 92-93 (1) ©Chris GascoignePage 92-93 (2) ©Arup/Jeff ShawPage 92-93 (3) ©Arup

Page 94-95 (1) ©Nacasa & Partners Page 94-95 (2) ©Arup/Jeff Shaw

Page 96-97 (1-7) ©Arup

Page 98-99 (1-3) ©Chris Gascoine

Page 100-101 (1) ©Arup/Randy Olaes Page 100-101 (2) ©Arup

Page 102-103 (1-2) ©Arup

Thanks to: Katie Davies, Jason Edling, Phillip Greenup, Shigeru Hikone, Chieri Iizuka, Florence Lam, Randy Olaes, Jeff Shaw, Brian Stacy, John Waite, Stephanie Whittaker

Authored by Key Anderson | Designed by Tim Pattinson

LIGHT is printed on 100% post-consumer waste, chlorine-free paper which is FSC certified, Green-e® certified and Ancient Forest Friendly. This publication uses only water-based coatings and soy/vegetable based inks, and was printed on a 100% wind powered press.

© information:Front/Rear Cover Image/Special Photography ©Arup/ www.rolaesphotography.com

Page 3 ©Arup

Page 4-5 ©Arup

Page 6 ©Arup/Randy Olaes

Page 8-9 (1) ©ArupPage 8-9 (2) ©Tim Griffith, courtesy of California Academy of SciencesPage 8-9 (3) ©ArupPage 8-9 (4) ©ArupPage 8-9 (5) ©Arup/Arfon Davies

Page 10-11 (1) ©Arup Page 10-11 (2) ©RPBW/Jonathan Hillyer Page 10-11 (3) ©Arup/Key Anderson Page 10-11 (4) ©Arup/Key Anderson Page 10-11 (5) ©Arup

Page 12-13 ©Arup/Key Anderson

Page 14-15 (1-3) ©Arup

Page 16-17 (1-4) ©Arup/Paul Guger

Page 18 ©Arup/Jake Wayne

Page 19-21 ©Arup/Richard Fisher

Page 22 ©Costea Photography

Page 24-25 (1) ©Arup/Paul Guger Page 24-25 (2) ©Arup Page 24-25 (3) ©Costea Photography Page 24-25 (4) ©Tim Griffith, courtesy of California Academy of Sciences

Page 26-27 (1-2) ©Tim Griffith

Page 28-29 (1-2) ©Costea Photography

Page 30-31 (1) ©Arup/Paul Guger Page 30-31 (2) ©Arup

Page 32 ©Arup

Page 34-35 (1) ©Arup/Roman Keller/Gramazio & Kohler Page 34-35 (2) ©David Millington Photography Limited Page 34-35 (3) ©Arup Page 34-35 (4) ©Martin Saunders Photography

Page 36-37 (1-2) ©Keith Paisley/Spring House Design Associates Page 36-37 (3-5) ©Arup/Richard Fisher

Page 38-39 ©Shannon McGrath

Page 40-41 (1-2) ©Redshift Photography Page 40-41 (3-4) ©Arup Page 40-41 (5-6) ©Arup/Roman Keller/Gramazio & Kohler

Page 42-43 (1-4) ©John Linden

Page 44-45 (1-2) ©www.andyryan.com

Page 46-47 ©David Millington Photography Limited

Page 48-51 ©Corporation of the Fine Arts Museums

Page 52-53 ©Arup

Page 54 ©Arup/Zhao Meng

Page 56-57 (1) ©Arup Page 56-57 (2) ©Susie Cho/Arup Page 56-57 (3) ©Paolo Castellani Page 56-57 (4) ©Arup/Clive Lewis

Page 58-59 (1) ©Bjorn MoermanPage 58-59 (2) ©Bjorn MoermanPage 58-59 (3) ©ArupPage 58-59 (4) ©ArupPage 58-59 (5-8) ©ArupPage 58-59 (9) ©Arup/Cooper LightingPage 58-59 (10-11) ©Arup

Page 60-61 (1-2) ©ArupPage 60-61 (3) ©Paolo Castellani

Page 62 ©Bjorn Moerman

Page 64-65 (1-2) ©Zhao Meng

Page 66-77 ©Arup

Page 78-79 ©John Gollings Photography

Page 80-81 ©Arup

Page 82 ©Arup/SimoneGiostra/Ruogu

Page 84-85 (1-3) ©Arup/SimoneGiostra Page 84-85 (4) ©Arup/SimoneGiostra/Ruogu

Page 86-87 (1-2) ©Arup/SimoneGiostraPage 86-87 (3) ©Arup/SimoneGiostra/Ruogu

Page 88-89 ©Rhiannon Slatter Photography

Page 90 ©Arup/Jeff Shaw

Page 92-93 (1) ©Chris GascoignePage 92-93 (2) ©Arup/Jeff ShawPage 92-93 (3) ©Arup

Page 94-95 (1) ©Nacasa & Partners Page 94-95 (2) ©Arup/Jeff Shaw

Page 96-97 (1-7) ©Arup

Page 98-99 (1-3) ©Chris Gascoine

Page 100-101 (1) ©Arup/Randy Olaes Page 100-101 (2) ©Arup

Page 102-103 (1-2) ©Arup

Thanks to: Katie Davies, Jason Edling, Phillip Greenup, Shigeru Hikone, Chieri Iizuka, Florence Lam, Randy Olaes, Jeff Shaw, Brian Stacy, John Waite, Stephanie Whittaker

Authored by Key Anderson | Designed by Tim Pattinson

LIGHT is printed on 100% post-consumer waste, chlorine-free paper which is FSC certified, Green-e® certified and Ancient Forest Friendly. This publication uses only water-based coatings and soy/vegetable based inks, and was printed on a 100% wind powered press.

London UK

13 Fitzroy StreetLondon, W1T 4BQ+44 20 7636 1531

Amsterdam NETHERLANDS

Beta Building Naritaweg 118Amsterdam, 1043 CA+31 20 305 8500

Melbourne AUSTRALIA

1 Nicholson St, Level 17Melbourne, 3000+61 3 9668 5500

Moscow RUSSIA

Krasnoproletarskaya Street 36 4th FloorMoscow, 127473 +7 495 933 7557

New York USA

155 Avenue of the AmercasNew York, 10013+1 212 229 2669

San Francisco USA

560 Mission Street 700San Francisco 94105+1 415 957 9445

Tokyo JAPAN

3F Tobu Fuji Building24-4 Sakuragaoka-cho Shibuya-kuTokyo, 150-0031+81 3 3461 1155

Berlin GERMANY

Uhlandstrasse 20-25Berlin, 10623+49 30 885 9100

GLOBAL LIGHTING OFFICES

www.arup.com/lighting [email protected]


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