double bass solo

17
2. TORTUE S Le Cantm,al des Animaux Andante 1 maestoso 41 C {\IILLE (i835 46 -o S.{I\T-SJ - t9tl r 410 rnJf ,nJf 3. WALTZ Roses from the South (Op.3SS) JOHANN STRAU (1825 _ ee) -----_ . lr-- ,nf ___ .if

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  • 2. TORTUE SLe Cantm,al des Animaux

    Andante1

    maestoso41

    C {\IILLE(i835

    46-o

    S.{I\T-SJ-

    t9tl r

    410

    rnJf

    ,nJf

    3. WALTZRoses from the South (Op.3SS)

    JOHANN STRAU(1825 _ ee)

    -----_

    .

    lr-- ,nf

    ___

    .if

  • 1. CANON ON 'FRERE51,nrp hony I

    JACQUES.

    i\Iarcia funebrearco 2 4

    I

    rypizz.

    -

    p

    9

    I

    4 o .)

    -t

    e.4? 42 a

  • First Positionor

    S econd D eg re e

    Allegro assai4

    7. ODE TO JOYSymphony 9 'The Choral'

    L.van BEETHOVEN(r770

    - rs27)

    f,

    cresc. sub.p

  • 8. DRINK TO ME ONLYENGLISH AIR

    (17 th cent.)

    ry

    moto

    g. PILGRIMS' MARCHSymphony 4 'The Italian'

    FELIX MENDELSSOHN(180e

    - 47)Andante

    V1

    con

    1 ?r

    -

    =:-

    10. MINTJE,TW.A. MOZART

    (t7s6 -

    e1)Allegretto

    I2 Duets for two Basset Horns ( K.487 )

  • Allegrettoo1

    1I. MINUE,TAires and Dances JOH\ ECC L(16ttt

    .-:4a-'O4

    _------.--.----

    mJf f

    AntlantinoV

    ==--

    FRANZ SCHL BE I(179-

    - . 'l'

    12.THE TROUTVarintion 3: Piano Quintet (Op.1I4)

    \_;

    4

    -

    p

    -

  • Second Positionor

    Third Degree

    The notes in Bar ITo help produce a fine

    shouldlegato

    4

    fffi)g

    c

    cfl

    d

    lc,Gil

    A

    slurred across thenotes firmly down

    bb

    bf

    c'

    P.I. TCHAIKOVSKYstring. (1840

    -93)together.

    13. ANDANTE CANTABILE.String Quartet I (Op.I l )

    be taken in Second Position andsound, press the ngers for both

    :=:-

    mf

    -

    ---------

    JOHANNES BRAHMS(1833

    -e7)

    T4. LULLABYOp.49 No.4

    Andante

    rnf

  • I5. MARCHJudas .l'laccabaeus

    G.F. HANDEL(r68s

    - rlse))Iaestoso

    tnf

    f- ry@

    rnf

    16. NOW IS THE, MONTH OF MAYINGTHOMAS MORLEY

    (1ss7 -

    1603)@?..

    mf fepeat p)

  • -

    l_l

    17. OLD TRENCHAlbum for the l"ourtg

    SONG]Ioderato P.I. TCHAIKOVSKY(1840

    - e3)L?

    mf

    21@;_@1 naC>

  • Third Positionor

    Fifth Degree27. MY HEART E.VE,R FAITHF'TJL

    Cantata 68

    @J.S. BACH

    (168s -

    l7s0))Ioderato\/Y1

    22. LARGOSymphony 9 'From the New llorld' ANToNTN nvonr

    (184r -

    1eo4)In this, originally a solo for Cor Anglais, play the noter .[l as kgato as possible.

    t-----la-a ^-, /. ,^o 4]\-

    p--

    T

  • 23. MARCHScipio

    is played saccato .n . with

    13

    G.F. HANDEL(r68s

    - Lts9)

    &ie tlt.i

    same rhythm the notes 'hooked' together in one bow.,^@4fr!

    mf

    ,aa

    m--- rnf

    :::- rnJf

    rnJf

    24. ANDANTINOSymphony 4

    P.I. TCHAIKOVSKY(1840

    -e3)

    -1

    -

  • ]5. ANDA\ TE'ariarion : Rococo l.aiarions t t)p.3 3 I

    4

    P.I. TCH.{IKOVSK'(18.10

    - 93)@a

    ,^ls-\

    -_

    @1-.

    ---

    -_

    f

    Andante maestoso

    26. J I.JPITE,RThe Planets

    @4(^ GUSTAV HOLST(1874 -

    1e34)

    rnJf

    rnf

  • 27. THE. GIFT TO BE SIMPLE15

    SHAKER SONG(19th cent.)

    Allegro moderato

    cnf

    4^@

    rnJf -.:T-t'

    I

    28. WHE,RE'ER YOU WALKSemele

    The notes e' and dr in bars 26-27 introduce a new 'shift' into Fourth Position. G.F. HANDEL(168s

    - 17s9)Largo

    ryp

    a

    ,nJf

    f

    -

  • ]9. JESU. JOY OF MAN'S DESIRINGCantara I47)Ioderato

    i, q 2 @

    3h Positionor

    S ixth Deg ree

    30. GREEN SLE,E.VE,SAndantlZ t4'z- ,V iilk,,__

  • 19

    Fourth Positionor

    Seventh Degree

    -/l',fi 34.

    I

    \ \ \,_r,_''' " "'r."

    Andante pastorale

    MAY SAFE,LY GRAZECantata 208

    SHEEPj

    o3

    ^4r\

    ,-.4r\ @

    po3/-

    rall.,-ar2

  • oo33

    ,nJf

    37. RONDO ALL'ONGARESEPiano Trio in G

    A preparatory exercise: double,stopping in thirds.JOSEPH HAYDN

    (1732 -

    180e)

    The opening bars are fingered in some detail,the value of playing the notes across

    both to introducethe string in thirds.

    the notes e' and c' inSee also l{o.45, bars

    Fifth Position, and to showl2-16, in Sixth Positiort.

    Presto

    ry

    f" f" -f

    ry

  • .).)

    Fifth Positionor

    E ighth Degree

    38. INTtrRMEZZOCavalleria Rusticana

    The a' harmonic in bar 23 can be played with the

    Andante sostenuto 9t@

    PIETRO MASCAGI(1863

    - te4s)

    I st Finger in Fourth position.

    -_

    l@-_---.r

    f---

    p m orend o pp

    GEORGES BIZET(1838 __ 7s)

    39. TOREADOR'S SONGCarmen: Act 2 No.I4

    Allegro moderatoAZ} n mq

    pmf9- l,'@ Ie

    V

    -_---_._.--_

  • 2+

    The lnna lagdalena .\-otebook

    Allegretto

    -

    ,FmJf

    rnJf

    f-

    ---