don kalant jr portfolio

74
dk work

Upload: don-kalant

Post on 12-Mar-2016

268 views

Category:

Documents


9 download

DESCRIPTION

first three studios at UIC.

TRANSCRIPT

  • dkwork

  • dk

  • [email protected]

    mArch_candidate_UICbArch_university of kentucky

    contact

  • cont

    ents

  • fall_2012_the downtow convention center

    the DCC01 02

    extrusionproblems

    03rossiville

  • the DCC01

  • fall_201201

    instructors: Alexander Eisen-schmidt, Stewart Hicks & Ma-

    rina Nicolier

    Situated in the heart of down-town chicago directly off of the chicago river, the downtown concention center seeks to co-alesce typical convention cent-er typologies within a dense ur-ban fabric. Consisting of retail, hotel, business and convention space, the DCC creates a con-

    vention typology.

  • the initial site, separated by lake shore drive, offers little connec-

    tion to lake michigan

    a plinth provides an area for massing to be allocated as well as connecting the disparate

    sides

    a vertical offset of the plinth bridges both sides of the site and completes the connection

    between the two.

  • fall_2

    012_

    the d

    ownt

    ow co

    nven

    tion c

    enter

    the convention center, de-ployed as a datum activates the horizontality of the pro-gram as well as reinstall a hori-

    zontal context.

    focused depressions activate the site with respect to key as-

    pects of program.

    inflation creates a combination of both vertical and horizontal volumes that are more flexible

    towards programming.

  • fall_2012_the downtow convention center

    cylinders allow for vertical ty-pologies to emerge within the

    existin volume.

    performing boolean splits cre-ate circular cores allowing ven-tilation, lighting and site views

    out to the city

    final volume is ready for pro-gramming

  • fall_2

    012_

    the d

    ownt

    ow co

    nven

    tion c

    enter

  • fall_2012_the downtow convention center

  • fall_2

    012_

    the d

    ownt

    ow co

    nven

    tion c

    enter

    CONV

    ENTI

    ON &

    EXH

    IBI I

    ON

    OFFICE

    HOTEL

    RETAIL & RESTAURANTS

    12

    12

    LARG

    E RE

    TAIL

    OPERATIONS

    ADMINISTRATION

    HALL SUPPORT

    CONFERENCE

    FLEXIBLE HALL

    AUDITORIUM

    CONVENTIO

    N

    EXHIBITIO

    N

    RESTRO

    OMS

    OPER

    ATION

    S

    OFFIC

    E

    JOINT

    USE

    ENTR

    Y

    RECE

    PTIO

    NRESTROOM

    S

    MULTI-PURPOSE

    LOUNGE

    RECREATION

    LARGE LECTURE

    PRE-FUNCTION

    LOUNGE

    RESTAURANT

    ADMINISTRATIVE

    CONFERENCE

    500 ROOMS

    BARS

    CAFES

    RESTA

    URAN

    TSRES

    TROO

    MSBOOK

    STOR

    E

    SMAL

    L RET

    AIL

    am

    pm

    program duration diagram

    program massing diagram

  • fall_2012_the downtow convention center

  • fall_2

    012_

    the d

    ownt

    ow co

    nven

    tion c

    enter ground floor plan

  • fall_2012_the downtow convention center

  • fall_2

    012_

    the d

    ownt

    ow co

    nven

    tion c

    enter

  • fall_2012_the downtow convention center

  • fall_2

    012_

    the d

    ownt

    ow co

    nven

    tion c

    enter

    convention plan

  • fall_2012_the downtow convention center

  • fall_2

    012_

    the d

    ownt

    ow co

    nven

    tion c

    enter

  • fall_2012_the downtow convention center

    urban vignettes

    site section

  • fall_2

    012_

    the d

    ownt

    ow co

    nven

    tion c

    enter

  • fall_2012_the downtow convention center

  • fall_2

    012_

    the d

    ownt

    ow co

    nven

    tion c

    enter

  • fall_2012_the downtow convention center

  • fall_2

    012_

    the d

    ownt

    ow co

    nven

    tion c

    enter

  • fall_2012_the downtow convention center

  • 02extrusionproblems

  • 02spring_2012

    instructor: Andrew Zago

    Traditional architecture, in es-sence is little more than a ver-tical extrusion of a plan. These plans, no matter how dynamic are rendered as rectilinear when viewed traditionally. By using non-orthogonal extrusions along with boolean operations, new typologies and forms may emerge seperate from stand-

    ard extrusions.

  • fall_2012_the downtow convention center

    extrusion path diagram with intersection high-lighted blue

  • sprin

    g_20

    12_e

    xtrus

    ion pr

    oblem

    s

    initial intersection stud-ies were of orthogonal extrusion paths

  • spring_2012_extrusion problems

  • sprin

    g_20

    12_e

    xtrus

    ion pr

    oblem

    s

    developing models further investigated enon othrogonal exru-sion paths as well as boolean operations

  • spring_2012_extrusion problems

  • sprin

    g_20

    12_e

    xtrus

    ion pr

    oblem

    s

    version 01 3d print

  • spring_2012_ extrusion problems

  • sprin

    g_20

    12_e

    xtrus

    ion pr

    oblem

    s

    Version 01 3d print

  • spring_2012_extrusion problems

    8

    9

    11

    10

    1312

    17

    15

    16

    15

    14

    08_Depart G

    allery09_M

    edium sized exhibition

    10_Permanent G

    alery11_Bathroom

    s

    12_Special Gallery

    13_Other Storage

    14_Workshop Space

    15_CLassroom

    16_Study Hall

    17_Bathrooms

    17

    1st floor

    2nd floor

    3rd floor

  • sprin

    g_20

    12_e

    xtrus

    ion pr

    oblem

    s

    version_02 section

  • spring_2012_extrusion problems

    version_02 section

  • sprin

    g_20

    12_e

    xtrus

    ion pr

    oblem

    s

    1st floor 2nd floor

    3rd floor 4th floor

  • spring_2012_extrusion problems

    version_02_section model

  • 03rossiville

  • 03fall_2011

    instructors: Paul Preissner & Kelly Bair

    After developing an under-standing for Rossis approach to architectural drawing, the task of drawing problem two was to reinterpret the drawing set from the reverse perspec-tive. The known elements of drawing set one were used to determine the unknown con-ditions present in drawing set

    two.

  • fall_2011_rossiville

    concept diagram

  • fall_2

    011_r

    ossiv

    ille

  • fall_2011_rossiville

  • fall_2

    011_r

    ossiv

    ille

    MIX-PROGRAM

    PUBLIC

    circulation conceptprogram concept

  • fall_2011_rossiville

    ground floor plan

  • fall_2

    011_r

    ossiv

    ille

    evolutionary development

  • fall_2011_rossiville

  • fall_2

    011_r

    ossiv

    ille

    second floor plan

  • fall_2011_rossiville

    third floor plan

  • fall_2

    011_r

    ossiv

    ille

    west elevationwest elevation

  • fall_2011_rossiville

    east elevation

  • After copying and interpret-ing the known set of drawings, problem three focused on de-termining what the original set could achieve if digital tools were available. A similar cata-logue was developed to the twelve drawings of the original set. The operations allowed for both interior and exterior vol-

    umes to emerge.

    drawingproblem #3

  • fall_2

    011_r

    ossiv

    ille

  • fall_2011_rossiville

    _09 _10

    _11 _12

    _13 _14

    _15 _16

    _16_15

    _11_12_13_14

    starting_plane

    subdivide_plane

    vertical_control point_move

    plan_07

    plan_06

    plan_05

    plan_04

    plan_03

    plan_02

    plan_01

    long_section_01

    long_section_02

    long_section_03

    long_section_04_01 _02 _03 _04

    long_section_01

    long_section_02

    long_section_04_01 _02 _03_03_03 _04_04

    long_section_03

  • After developing an under-standing for Rossis approach to architectural drawing, the task of drawing problem two was to reinterpret the drawing set from the reverse perspec-tive. The known elements of drawing set one were used to determine the unknown con-ditions present in drawing set

    two.

    drawingproblem #2

  • A A A A A A A A A A A A A

    Casa dabitazrone a Milano / jallaratera 1870_dk

    etate _01

    monuments di Jejnate_1865_dk

    etate_02

    Le Case sul Ticina_1976_dk

    etate _07

    Il Portico di Modena_1977_dk

    etate _08

  • fall_2

    012_

    the d

    ownt

    ow co

    nven

    tion c

    enter

    Il Cubo di Cuneo_1962_dk

    etate_03

    Le Case di Bergamo_1979_dk

    etate _09

    IH

    G

    F

    E

    C

    A

    pile foundation for lighthouse with theatre_dk

    etate_04

    Le Scuola di Broni_1978_dk

    etate _10

  • fall_2012_the downtow convention center

    Il Cubino dell Elba_1975_dk

    etate_05

    la Casa delle Studente di Chieti_1976_dk

    etate_06

    Teatro Veneziano_1979_dk

    etate _11

    Porta a Venezia_1980_dk

    etate _12

  • Aldo Rossis set of 12 drawings from the summer of 1980 was the focus for drawing problem one. The repetetive portayal of architectural typologies across the set was a consistent theme. From rigorous copying, a bet-ter understanding of funda-mental drawing techniques was developed. The resultant set, although a copy, produced insight into a masters rawing

    techniuqe.

    drawingproblem #1

  • A A A A A A A A A A A A

    Casa dabitazione a Milano / Gallaratese_1970_dk

    etate 80/1

    Il Monumento di Segrate_1965_dk

    etate 80/2

    Le Case sul Ticino_1975dk

    etate 80/7

    Il Portico di Modena_1977dk

    etate 80/8

  • fall_2

    012_

    the d

    ownt

    ow co

    nven

    tion c

    enter

    Il Cubo di Cuneo_1962_dk

    etate 80/3

    Le Case di Bergamo_1979dk

    etate 80/9

    I

    H

    G

    F

    E

    C

    A

    Pile Foundation for Lighthouse with Theatre_1980dk

    etate 80/4

    Le Scuola di Broni_19798dk

    etate 80/10

  • fall_2012_the downtow convention center

    le Cubino dell Elba_1975dk

    etate 80/5

    la Casa delle Studente di Chieti_1976dk

    etate 80/6

    Teatro Veneziano_1979dk

    etate 80/11

    Porta a Venezia_1980dk

    etate 80/12

  • dk

  • dk