visitors assessment: ripponlea house and garden
TRANSCRIPT
1. Assessment of the Site
1.1. Introduction of the Site
Rippon Lea House and Gardens is a 19th century estate situated in a vast
area in the suburb of Elsternwick in Melbourne. The property comprises of a
two-storey mansion and a garden, which features an extensive lawn, a range
of ferneries, lake and a glasshouse. The ownership and construction
background of the estate in 1869 contribute to its historical importance of
Victorian period architecture, especially the water self-sufficiency system for
the house and the garden (Department of the Environment 2015). The ornate
mansion was owned by Sir Frederick Thomas Sargood (1834-1903) and had
been an evident of his wealth and status as a merchant and a politician
(Rickard n.d.).
As with most historical buildings or sites in Australia, Rippon Lea is
managed under the care of the National Trust and has been close to the
community of Melbourne since its opening to the public over 30 years ago.
Being a tourism site associated with its cultural heritage, Rippon Lea is a
display of ‘Victorian Italianate’ style in Melbourne that can modify its setting
for events or other programmes (Department of the Environment 2015).
Although similar house and garden attraction and functions are offered by
tourism site nearby, like Como House in South Yarra, Rippon Lea offers an
authentic experience of the late 19th century architecture and a relaxing
outdoor venue to its visitors.
It appears that the historical mansion of Rippon Lea is popular to a group
of people of over 50 years old, while family with children often prefers the
garden. These circumstances are perceived from the visitors during
weekdays and weekends, as well as the reviews in TripAdvisor as the essential
part of this report.
Figure 1.
A group of visitors inside the mansion
1.2. Content Analysis of Visitor Experience
TripAdvisor ranks Rippon Lea as number one out of three things to do in
Elsternwick (TripAdvisor 2015), although the content analysis as prepared for
this report will further represent the facts assessed by TripAdvisor reviewers
and therefore genuinely describe the visitor experience. To do this, the
research first outlines the content analysis with the sample data from 100
TripAdvisor reviews. The four members of the group had each 25 reviews to
analyse and later formulated the overarching themes, interpretative and free
codes in the group discussions as stated in the Project Log (Appendix 2). The
group also arranged to go to Rippon Lea in two rounds of site visitation; the
first round was done on the weekend and second in the weekday. The group
then analysed the strengths, weaknesses, opportunities and threats (SWOT)
of the site drawn from the visitor experience in the content analysis as well as
the observation during the group visitation.
The first step of the analysis is to define the overarching themes of Rippon
Lea. There are three themes that are established based on what the visitors
focused on in their reviews: house feature, garden feature, setting feature
and tourist feature.
1.2.1. House Feature
Although Rippon Lea House and Gardens is the whole attraction, the
house and garden features are set apart as different overarching themes
because some visitors mentioned to have only walked around the garden or
gone only for the in-house exhibition. The interpretive codes for the house
feature are the background and the house attributes (Appendix 1). Because
of its significance to original housing during Victoria’s gold boom period
(National Trust of Australia 2007), the house as the core product of Rippon
Lea attracts cultural tourists with comments such as: “This is an outstanding
house and gardens. It is a window into a period of both great wealth and
opulence in Melbourne colonial past”. However, there were reviews
indicating opposite experience, in particular regarding the house
maintenance or the exhibition: “Think some parts of the mansion, e.g. roof,
wall, need bit of restoration” or “People wanted to see the house not a bunch
of sad old wedding dresses put up on display. One room, okay, I could
understand that but the entire house?”
1.2.2. Garden Feature
The majority of the visitors were appreciative towards the garden feature
(Appendix 1). They described that it was beautiful and worth the visit. There
were a lot to occupy themselves with in the garden because of its facilities:
“The gardens have several interesting features - the botany itself is
marvellous, then there's a fountain, a stream, walking paths, an ornate
overbridge and a really nice gazebo that you can climb all the way to the top
of”.
1.2.3. Setting Feature
Under the setting feature, the visitors evaluated the overall facilities more
often than other descriptive codes such as price or signage (Appendix 1).
They were aware of the facilities and mentioned to have utilized them with
dominant positive reviews.
As with criticism, there are several reviews portrayed how the entrance
fee to the house was expensive: “…and it cost $30 for 2 adults (2YO free I
think). This is pretty hefty price given Botanical gardens are free but it is
beautiful…” and the parking was difficult: “There is no parking onsite, but we
easily found a park on a side street”. However, these comments were
compensated by their positive reviews.
1.2.4. Tourist Feature
Several visitors described their experience through their engagement
with the facilities such as having afternoon tea, taking a picnic or even having
wedding reception. In the morning, Rippon Lea is quiet and peaceful that
some of the reviewers suggested coming early right after it opens at 10 a.m.
Many of the tourists were also motivated to visit Rippon Lea because of the
event and exhibition held in the house: “Went specifically to see the Miss
Fisher costume exhibition, which was really lovely”.
Some people gave general comments about the overall experience and
showed their wanting to visit Rippon Lea again. Having seen some similarities
with other cultural heritage site, there was a visitor that recommended, “…to
combine with a trip to Como House nearby”.
1.3. Interpretation Methods with 6 Tilden’s Principles
1.3.1. “Any interpretation that does not somehow relate what is being displayed or being described to something within the personality or experience of the visitor will be sterile”
Many visitors cherished their moments in Rippon Lea because they
enjoyed the activity of sightseeing around the house and gardens, which are
the core elements connecting the visitors of the present time with the
heritage value of the past. The experience increased when the visitors
mentioned that they did the activity in the house during the events or
exhibitions. Tilden’s (1977) approach required the relation between the
attraction and the personal experience of the visitors. This relation only
occurred when Rippon Lea held a significant exhibition for the visitors to
engage with, such as Miss Fisher exhibition. The visitors were allowed to try
on some available authentic costumes (Figure 2) and be photographed in
them. There is also an opportunity to solve Miss Fisher murder mystery with
the engagement of communication technology device like hiring an
electronic tablet.
Figure 2.
A staff with Miss Fisher costume on display
1.3.2. “Information, as such, is not interpretation. Interpretation is revelation based upon information. But they are entirely different things. However, all interpretation includes information”
Another interpretation of the house is also limited to only delivering
information. Although the interpretation of an attraction is revealed according
to information, the visitors understand better when information as well as
engaging activities are provided (Tilden 1977). The tour of the mansion is
actually an attractive way to have a glimpse of an experience and look at the
way of life in the era of the past. Guided curated tours are also available for
the visitors to attend to where they will be provided with explanation of the
costumes of Miss Fisher. Providing these tours is an approach of Rippon Lea
to provide information about the heritage importance in the past and the
present. However, there was not much information available among all the
furniture or rooms to explain the history or unique architectural importance of
the house—as it is known for its underground watering system in the
nineteenth century. This circumstance may not affect the guided visitors, but
those self-guided ones may have less interesting experience inside the house
because of their lack of knowledge and therefore historical understanding.
1.3.3. “Interpretation is an art, which combines many arts whether the materials presented are scientific, historical or architectural. Any art is in some degree teachable”
Rippon Lea offers education program for the visitors, particularly their
student visitors. There is a range of programs: full day Primary Program with
engaging activities and old fashioned games for Prep to 6 year-olds, Mrs
Sargood Incursion Program with an experience of a nineteenth century
classroom, and other programs for children. These particular programs
suggest that education is part of Rippon Lea’s method to translate the cultural
heritage experience to a simple understanding for young audience.
1.3.4. “The chief aim of interpretation is not instruction, but provocation”
The guided tour is highly evaluated by most of the reviewers. The fact that
the tour guides resourcefully interpreted the historical essentials is engaging,
they were considered as: “… a very knowledgeable guide who did not rush us
too much”.
1.3.5. “Interpretation should aim to present a whole rather than a part and must address itself to the whole man rather than any phase”
The activities for the house and the garden in Rippon Lea are not
integrated as a single attraction. Some visitors would wander around the
garden without the willing to visit the house. The visitors who would only like
to participate in the Miss Fisher exhibition only recommended arranging casual
walking in the garden in a separate visit.
1.3.6. “Interpretation addressed to children should not be a dilution of the presentation to adults, but should follow a fundamentally different approach. To be at its best it will require a separate program”
The education programs seemed to be in line with Tilden’s (1977)
approach to design separate platform for children—with any methods that are
demonstrable—and yet to generate similar understanding as for adults. The
use of different platform is suitable for Rippon Lea because it has different
groups of visitors who have different preferences. There was a visitor with a
toddler who expressed personal preference: “The mansion…it would have
been interesting but I assume boring for a 2 yo. so we prioritized the garden”.
1.4. Online Presence of Rippon Lea
In terms of its online presence, Rippon Lea House and Garden uses a
website as a service to communicate with its visitors. This type of media
ensures that the National Trust controls its public communication, as
described by Mitsche et. al. (2008), to distribute the information and extend
the heritage significance of Rippon Lea to the visitors before, during and after
their visits.
Through the website, the National Trust invites visitors to have a brief
information about Rippon Lea. The general information of the core attraction
is available online, as well as the details on planning the visit and links to
follow more resources of Rippon Lea. The quality of a destination starts from
the beginning of the travel when the destination manager is able to build
interaction with the visitors acquiring information they need prior to travel
(Russo & Van der Borg 2002). Moreover, ensuring the use of Information and
Communication Technology (ICT) for cultural heritage sites will also cause
better-informed visitors (Ross & Economou 1998). So, it is a provoking way to
learn that there is a 3D interactive photography menu on the website that the
visitors may explore—before their real visit—inside the mansion and around
the gardens within the reach of their fingertips.
It would be a more interesting website content to have more education
components of the cultural heritage site, particularly with regards to its
preservation attempt. This is rather answered by the links that the website
provides when the visitors click on the menu of Rippon Lea’s Significance.
Most of the links leads to the website of the Department of Environment of
the Australian Government where the history, official values and statement of
significance of Rippon Lea are specified.
Arranged at the top of the menu and sidebar, the events and exhibition
are the menu on the overall website display as it is also the crucial selling
point of Rippon Lea. In fact, the current exhibition of Miss Fisher’s Murder
Mysteries has its own detailed website at www.missfisherexhibition.com.au.
These two features, events and exhibition, appear to be the result of word of
mouth in social media like Facebook. People would tag their locations in
Rippon Lea during their wedding events or participation in the exhibition
activity. As a result, their circle of friends shared comments of interest to go to
Rippon Lea. This shows that the marketing strategy of word of mouth may be
effective in obtaining visitors, in particular through social media. However, the
link in Facebook is the unofficial page of Rippon Lea, meaning that the
National Trust does not utilize the marketing buzzes of Facebook or any other
social media to attract more visitors.
1.5. Existing Event Activities
As a heritage site that offers a beautiful venue, people would book
Rippon Lea House and Gardens for their private occasions. Many events and
exhibition have been taking place in Rippon Lea’s extravagant mansion or
garden, or probably both. Ranges of events include birthday parties,
wedding ceremonies or reception, corporate events, garden parties, or even
live music. McKercher and du Cros (2002) supports this condition as a
strategic benefit for the National Trust as the heritage operator to improve its
business profit while making the attraction more accessible to public.
During the group visitation, Rippon Lea was still featuring the Miss
Fisher’s Murder Mysteries Costume Exhibition as its five-months major
exhibition. The visitors who are interested in this exhibition can follow up link
on the Rippon Lea website to go to Miss Fisher Exhibition website. Despite
being the only current exhibition, Miss Fisher exhibition completely captures
the visitors’ attention. As described in their reviews in TripAdvisor, they were
eager into trying on the replica costumes, interacting with the props from the
show. Another activity offered in Rippon Lea is murder mysteries. Some of the
reviewers in TripAdvisor also mentioned their participation in solving crimes
by looking out clues in the mansion, as they were also given the option to hire
an electronic tablet to do so. This experience allowed the visitors to explore
the mansion and to learn the TV show scripts and costume making.
The fact that the National Trust, together with a third party assistance,
organizes this exhibition to acknowledge the historical nuance of the 1920s
era, is a good opportunity to offer to the visitors. Rippon Lea is the attraction
as Leiper (1995, as cited in Weidenfeld & Leask 2013) calls it ‘nucleus’ or the
core attraction that the tourists look for in their travel. This central position is
enhanced with the presence of the exhibition. In some degree, however, the
events and exhibition are overpowering the house and gardens as the main
charm of Rippon Lea. Connecting the core attraction with several integrated
events—particularly events of similar significance with the heritage site—is
suitable, but the events and exhibition need to be observed as different
priorities from the actual attraction (Weidenfeld & Leask 2013). It would be a
challenge for Rippon Lea to be more appealing when the events and
exhibition end, because they are not the ‘nucleus’ as both are periodic and
venue-based.
2. SWOT Conclusions and Recommendations
2.1. SWOT Analysis
This report analyses the strengths, weaknesses, opportunities and threats
(Table 1) that Rippon Lea has throughout its operation as a cultural heritage
site and attraction.
Table 1 SWOT Analysis of Rippon Lea House and Gardens
Strength (Internal) Weakness (Internal)
• Historical Significance • Location • Accessibility by public transport • Staff service • General facilities (garden, house) • Events • Reputation of National Trust
• Signage in general • Signage in other languages • Online presence: no social media
sites • Reliance on exhibitions • Parking • Gift shop (prices and items for sale
and overall aesthetics) • Maintenance
Opportunities (External) Threats (External)
• Growth in domestic visitor markets • Growth of Asian (Chinese visitors) • Package/bundling ‘value for
money’ • Capitalizing on cultural awareness
of 1900’s i.e. Great Gatsby popularity
• Competition - Como • Competition - Other Melbourne
attractions i.e. The Zoo, Museum, Eureka Tower etc.
• Competition for funding from National Trust
• Lack of knowledge of Australian history & understanding by Australians
• Exhibition competition - NGV, Melbourne Museum
2.1.1. Strengths
Rippon Lea is located in the suburb of Elsternwick, within 20 km of
Melbourne. It is easily reachable with public transportation; it is only 450
meters or 7 minutes walk from Rippon Lea station. The authenticity of Rippon
Lea as one of period mansions in Melbourne made it itemized on the
National Heritage List in August 2006 (Department of the Environment 2015).
The reputation of its operator, National Trust, also intensifies the significance
of Rippon Lea as a national heritage site.
Most of the TripAdvisor reviewers presented positive comments
regarding the heritage significance and the overall setting of Rippon Lea. The
facilities provide options for the visitors to do activities on the site and
because of which they commented about having an exciting day in Rippon
Lea. The staff service quality was also a component which the reviewers
expressed their fondness. These reviews are based on their experience on
doing activities, such as strolling around the nature walks, having picnic or
simply being guided inside the mansion.
2.1.2. Weaknesses
The experience of the visitors varies in reviews. The group visitation to the
site also confirmed some reviews found in TripAdvisor, particularly those
disagreeable ones. Although the distance from Rippon Lea station is not an
issue, the lack of directions to the site is apparently unhelpful for the first time
visitors. As for the visitors with cars, parking lot is not available.
There are a lot of historical facts of Rippon Lea (for example the furniture,
variety of room functions, unique brickwork material, heritage orchard), but
there is not much of message for the visitors to learn, other than information
told by the tour guides. There is a safety concern in the garden as well, but
signage to make sure the visitors’ awareness around the lake, lookout tower
or waterfall is less likely to find. Overall maintenance of the house and
gardens is necessary as some visitors mentioned how the place looked tired.
With the increasing of diverse types of visitors, Rippon Lea also does not have
social media to draw young adults attention or signage in other foreign
languages especially for the increasing Chinese visitors.
At the time visiting Rippon Lea, the group visitation’s first encounter was
the reception and gift shop at the front gate. These two services were too
swarming to be in a small space, because people were coming in and out as
well as looking round the souvenirs. The items on sale seemed to be
overpriced and mostly were the items with the current exhibition branding.
As such, the major exhibition like the existing Miss Fisher is likely the only
magnetic charm of Rippon Lea at current state and, consequently, there is
less display of the actual attraction of a heritage site.
2.1.3. Opportunities
The number of Chinese and domestic markets to Rippon Lea is growing,
however groups of people of certain age or families with children appeared
to be dominant at a certain visit time. The visitors coming from diverse origins
tend to be more aware of cultural heritage sites such as Rippon Lea. This
circumstance could be a chance for Rippon Lea to uniquely create new
distinct activities for each type of visitors, particularly activities signifying the
essence of nineteenth century cultural heritage. Additionally, it could be
more appealing for the visitors to try when these activities for different
audience are joined together for all audience but come with a special fee.
2.1.4. Threats
Despite facing competition from other tourism attractions in Melbourne,
Rippon Lea might also face a competition with other similar cultural heritage
tourism product in Melbourne—such as the period mansion of Como House,
which is also under the care of the National Trust. One review in TripAdvisor
explicitly voiced a disappointment to the National Trust for the inadequate
funding given to Rippon Lea. The reasoning was in a matter of maintenance
of the entire place and the over-dependence on volunteering staffs.
There is also an ironic concern about how the lack of awareness of
authentic Australian culture and heritage essentially comes from the
Australians. School lessons are not including the history and culture of
Australia for students, and for this reason, visiting a culture heritage site is not
a stimulating option for these groups of people in the future. The motivation
of going to Rippon Lea is most likely because of the exhibition, as shown from
the visitors’ reviews. Yet, larger private operators organize other competing
exhibitions in Melbourne; this could also intimidate the existing periodic
exhibition in Rippon Lea.
2.2. Recommendations
Rippon Lea needs significant capabilities to attract visitors because, as
Silberberg (1995) described, a culture heritage site might be an effective
tourist attractions when it has the capability to evaluate its culture heritage
assets. Its success also depends on whether the visitors are able to consume
these assets, and therefore this report agrees with McKercher and du Cros’
(2002) commodification of culture.
Different types of visitors require different treatments from the culture
heritage operator (Cohen 1979). In order to understand its culture heritage
assets, Rippon Lea may need to understand the different experiences among
different types of visitors. Based on the analysis in previous sections, this
report tries to respond to the mentioned issues occurred within the
management of Rippon Lea through five recommendations.
First, a clear idea should be established on prioritizing cultural heritage
essence of the house and gardens, while at the same time the operator could
lessen its reliance on major exhibition. Although, it may be a critical success in
attracting visitors, exhibitions are temporary event. The operator of Rippon
Lea should continuously elaborate creative programs for each market
segment. Otherwise, the visitors would likely be uninterested with
monotonous attraction (Carlsen et. al. 2008).
Second, an effective interpretation method is often a way to enhance the
visitors’ experience and induce environmental awareness (Powell & Hamm
2008; Wallace & Gaudry 2008, as cited in Skibins, Powell & Stern 2012).
Storyboards inside the mansion and description boards for significant
heritage trees and plants in the garden could be an initiative to present useful
knowledge to the visitors. The interpretation method should also incorporate
the interests from multi-lingual market. The ICT approach on using electronic
tablet for Miss Fisher Murder Mystery exhibition could be applied for these
initiatives.
Third, the establishment of social media advance is more likely to be
effectual because the growing domestic and international market lives in an
urban upbringing that demands information through virtual spaces (Stuedahl
& Lowe 2014). Some market segments have been familiar with Rippon Lea
through its unofficial page in Facebook. The National Trust could start to
rebrand Rippon Lea by creating Facebook official account as its first initiative
on social media approach.
Fourth, visitors tend to seek culture heritage tourism product that is value
for money (Silberberg 1995). There are several activities in Rippon Lea that
can be packaged together in a fixed reduced price, instead of setting up a
separate program in the house and the gardens. Additionally, there is an
external opportunity to be considered. Despite of being a competitor to one
another—and since both are managed by the National Trust, Rippon Lea and
Como House trip could be bundled, for example, in a heritage trail using an
interactive interpretation.
Fifth, the items on sale in the gift shop need to be assorted and offered in
a more reasonable price. The selection of items are mostly related to Miss
Fisher exhibition, but rarely found with Rippon Lea branding.
All of these recommendations are not in a certain order. Nevertheless,
this report is expected to answer the issues in improving the experience
quality, and therefore, the visitors’ satisfaction of Rippon Lea House and
Gardens.
Appendix 1: Content Analysis of Visitor Experience (TripAdvisor)
Overarching Theme: House Feature
Interpretive Codes
Free Codes + - Freq. %
Background Historical significance 31 - 31 6,2
House Attributes
Interior design & setting, physical characteristics, maintenance, other
47 18 65 12,9
Overarching Theme: Garden Feature
Interpretive Code
Free Codes + - Freq. %
Garden Attributes Gardens of special interest, maintenance, overall setting
58 4 62 12,3
Garden Facilities Nature walks, lake, picnic areas, others 35 3 38 7,5
Overarching Theme: Setting Feature
Interpretive Code Free Codes + - Freq. %
Facilities (mentions of these in general)
Guided tours, gift shop, tea house / coffee shop, functions, education services, wedding receptions, ceremonies, exhibitions, free game tool rentals, bathrooms
39 2 41 8,1
Transportation Parking, public transport 9 6 15 3,0
Price Price 3 6 9 1,8
Staff Staff service 10 - 10 2,0
Child/Family Friendly
Child/family friendly 10 - 10 2,0
Signage Signage 3 2 5 1,0
Overarching Theme: Tourist Feature
Interpretive Codes Free Codes + - Freq. %
Fellow Guests General recommendations 38 4 42 8,3
Tourist Behaviours (mentions of participating in the following)
Gift shop, coffee shop, functions, education services, wedding receptions, ceremonies, exhibitions, picnic, website
54 9 63 12,5
Tourist Motivations Tourist motivations 32 1 33 6,5
Tourist Preferences Visit time, combo trip (Como House nearby)
9 1 10 2,0
Repeating Experiences Previous visit, tendency for a visiting again
14 - 14 2,8
Trip Experiences General comment on their experience 52 4 56 11,1
Appendix 2: Project Log
Meeting 1 - Agenda
Overview Meeting Date: 10 August 2015 Meeting Time: 6pm Place: HB35.1 Goals To gain a further understanding of the Rippon Lea Estate and develop the content analysis Schedule 1. Overview of findings on Rippon Lea Estate 2. Run through of part 1 of the assignments questions
• A brief introductory statement describing the attraction, its heritage and tourism-related significance to the Victorian market, and tourism core markets. (approx.. 300 words)
• A peer-to-peer content analysis of visitor experience at the site drawn from TripAdvisor. This will provide you with real data on the attitudes of some visitors regarding the attraction's strengths and weaknesses according to visitors. Use this analysis as supporting evidence for your SWOT analysis and recommendations for improving the visitor experience of the asset undertaken in Part 2. (approx. 500 words)
• A critique of the interpretation methods at the attraction using Tilden’s approach and in the context of its core markets and sustainable preservation. (approx. 500 words)
• A critique of the online presence of the attraction in the context of its core markets and sustainable preservation. (approx. 500 words)
• A critique of the existing event activity engaged in by the attraction. (approx. 500 words)
3. Discussion of trip advisor reviews: common themes & things worth noting 4. Set date for Ripponlea Estate Visit
5. Plan of action for the week ahead including:
• Set dates for full content analysis data to be submitted • Your suggested SWOT analysis
6. Set date for next meeting
Meeting 1 - Minutes
Meeting Start Time: 6.10pm Meeting Finish Time: 8.30pm Present At Meeting: Rebecca, Anastasia, Eugena, Jessica Minute Taker: Jessica
General Discussion Anastasia: looked at reviews – divided positive and negative. Questions what should be included in the intro. Content analysis Rebecca: went through reviews: tried to put in categories. Group like: Events, Interior Design, Outdoor spaces, tea room, accessibility, gift shop, services (tour guides, maintenance, exhibitions). Negative feedback trend is accessibility- couldn’t see from outside or too far, parking problem. Tea room references negative. Jessica: More feedback when the exhibitions are on. Just need to agree upon the codings. Eugena: Family and child friendly environment. Anastasia: Exhibition activities, price often noted in reviews. Jessica: Quat Quatta E: should guided tours and events/weddings to link directly to facilities Group Questions: How should we do our logbooks? J: Our log books will all be the same, sign and submit with our individual assignments Content Analysis Group agreement: Follow the style of the Panda article J: list of feature on site – should be its own category and then broken into augmented product The below was agreed upon by the group as the structure for the content analysis. This was the bulk of our group discussion: Key Bold = Overarching Theme Italic = Interpretative Codes Plain = Free Codes
House: Background
− Historical significance House Attributes
− Interior Design & Setting − Physical Characteristics − Maintenance − Other
Garden: Garden Attributes
− Lake − Gardens of special interest − Maintenance
Garden facilities − Nature Walks − Picnic Areas − Other
Setting Features: Facilities
− Guided tours − Gift and coffee shop − Functions − Education services − Wedding receptions − Ceremonies − Exhibition
Transportation − Parking − Public transport
Price − Price
Staff − Staff service
Child/Family Friendly
− Child/Family Friendly Tourist Features Fellow guests
− General recommendations
Tourist behaviors − Guided tours − Gift and coffee shop − Functions − Education services − Wedding receptions − Ceremonies − Exhibition
Tourist Motivations − Tourist motivations
Tourist Preferences − Visit time
Trip Experience − Previous visit − Would you visit again
Tripadvisor reviews broken up into: 1-25 = Rebecca 26-50 = Jessica 51-75 - Anastasia 76-100 - Eugena Actions:
1. Write a brief summary of what you found out about Rippon Lea Estate (ALL) Due Date: Next Wednesday 19 August 2015
2. Content Analysis Table where people can make suggestions (add/remove) and edit (Jess) Due Date: Wednesday
3. Create individual content analysis tables for each person to fill in (Jess) Due Date: Friday 14 August 2015
4. Content analysis (tables/frequencies filled out) (ALL) Due Date: Next Wednesday 19 August 2015
5. General ideas of suggested SWOT Analysis (ALL) Due Date: Next Wednesday 19 August 2015
6. Create Minutes (Jess) Due Date: ASAP
Agreed next meeting: Wednesday Site Visits: Rebecca & Jessica Saturday 15 August 2015, Eugena & Anastasia Sunday 16 August 2015.
Meeting 2 – Agenda
Overview Meeting Date: 24 August 2015 Meeting Time: 6pm Place: HB35.1 Goals To discuss our findings of our individual content analysis and make suggestions for the SWOT analysis. Schedule
1. Discussion of our site visits to Rippon Lea Estate 2. Discussion of content analysis including:
• Any recurring themes • Any points to note • Any questions
3. Discussion of SWOT analysis 4. Any outstanding questions Meeting 2 – Minutes
Meeting Start Time: 6pm Meeting Finish Time: 7.30pm Present At Meeting: Rebecca, Anastasia, Eugena, Jessica Minute Taker: Jessica General group discussion of site visits. Key points to note:
• Lack of signage • Underwhelming and overpriced gift shop • Safety concerns • Transportation options everyone took
Content Analysis discussion. Key points to note:
• Everyone found this OK • Any reviews that stood out (group discussion on reviews that were
funny/terrible) SWOT Analysis discussion. Suggestions:
Strengths (Internal) • Historical Significance
• Location • Accessibility by public transport • Staff service • General facilities (garden, house) • Events • Reputation of National Trust
Weaknesses (Internal) • Signage in general • Signage in other languages • Online presence: no social media sites • Reliance on exhibitions • Parking • Gift shop (prices and items for sale and overall esthetics) • Maintenance
Opportunities (External) • Growth in domestic visitor markets • Growth of Asian (Chinese visitors) • Package/bundling ‘value for money’ • Capitalising on cultural awareness of 1900’s i.e. Great Gatsby popularity
Threats (External) • Competition - Como • Competition - Other Melbourne attractions i.e. The Zoo, Museum,
Eureka Tower etc. • Competition for funding from National Trust • Lack of knowledge of Australian history & understanding by Australians • Exhibition competition - NGV, Melbourne Museum
Actions: 1. Rebecca and Eugena to visit the Exhibition 2. Site visit write ups to be produced:
• Rebecca: Her original visit where Rebecca and Jessica were present • Eugena: Her second visit where Rebecca and Eugena were present
(exhibition visit) • Anastasia: Her original visit were Anastasia and Eugena were present • All due ASAP
3. Jessica to write the meeting minutes *It was decided amongst the group that another meeting was not needed and all remaining questions could be discussed via email and WhatsApp
Group Visitation 1
Date : Saturday, 15 August 2015
Time : 10.00 am - 1.00 pm
Attendees : Rebecca and Jessica
FINDINGS
Getting there: Rebecca went by train while Jessica drove there. Rebecca found her way with Google map, as there were no signages around the station and on the way, yet it was not too hard. The only signage was seen right in front of the front gate of Rippon Lea House and Gardens. The site:
• We were directed to enter the site through the gift shop. (The other way was going directly on the driveway to the garden)
• We didn’t enter the house in the first visit. • The garden was huge and comprehensive, with attributes such as lake,
boat house, waterfall, bridge, tower, etc. But there was no signage in the site showing the direction.
• Storyboards were found besides the tower and the in front of the kitchen stating the historical information about the place.
• There was a farm-like area besides the tower, but nothing was there, we assume it’s because of the winter.
• Two young girls were having a picnic on the grass although the weather was a bit cold.
• More than 2 couples were seen doing venue visit with the staff, should be planning to have their wedding there.
• Area around the swimming pool was a bit old and lack of maintenance. • There was lack of warning signs for the lake area and steep staircases. • Toilets were a bit hard to find. • Kitchen area was locked on the day of our visit. • The service and food in the teahouse were both nice; there were posters
of the exhibition on the wall of the teahouse. Pricing is very reasonable.
Group Visitation 2
Date : Sunday, 16 August 2015
Time : 11.00 am - 12.30 pm
Attendees : Anastasia and Eugena
FINDINGS
Getting there: Visiting Rippon Lea for the first time with public transportation, the group members found it hard to locate the site from the train station. There was no direction on which way to go. The group members only relied on the GPS of Google maps. Also, there were groups of over 45 years old women getting of at Rippon Lea station and trying to locate the site with a traditional map.
The site: • The group members only went about the garden. The next visit was
intended to do the house/mansion visit. • At the time of visit, Sunday around 11.00 in the morning, the group
members only encountered two staffs at the reception, which was located together with the gift shop in a small house by the entrance.
• The garden is well maintained and has a lot of varieties, but there was no descriptive board as to explain the trees and plants in the garden (knowing that Rippon Lea garden and fernery are acknowledged for its heritage plants like heritage orchard).
• The fernery also has a variety of trees and plants, but it looked empty with no one to attend to, so the group members did not go in.
• There was a swimming pool between the side entrance of the mansion and the fernery.
• There was a lake with a tiny island in the middle, a lookout tower, fernery, and a waterfall. Having several facilities that require safety such as lookout tower, bridge over the lake or slippery soil around the waterfall, Rippon Lea does not sufficient signages to alarm the visitors.
• There were not much of people walking around the garden. What could be seen were a couple with a child (2 or 3 years old), an old woman with her granddaughter, and a couple with no children. There was also a group of old women in line to buy the exhibition ticket and visit the house.
• Education programs are part of the activities Rippon Lea conduct for target market like small children or elementary students. At the time of visit, the group members noticed a message attached on the lake house’ door advising the education programs are cancelled.
• Amenities such as toilet, tea/coffee shop, are available. Although, the toilet was only available in the entrance house and that would require a long walk from the garden.
• When the group members left by the exit, which was the same way as the entrance, there were more people coming in and ranging from family with children, old people and couples or friends. The family with children headed straight to the garden, while the other groups walked towards the garden and the house, too.
Group Visitation 3
Date : Thursday, 20 August 2015
Time : 10.00 am - 12.00 pm
Attendees : Eugena and Rebecca
FINDINGS
Getting there: Rebecca took Eugena’s car to Ripponlea, while Eugena found it was a bit hard to find a place to park, but fortunately there are lots of spaces to park on Hotham Grove, which is very close to the site. The site:
• We headed to Miss Fisher Exhibition, and got a student concession for only $16 per person (original price is $20)
• The attendant at the gate told us briefly about the history of the house, and things need to notice like we cannot touch the wallpaper.
• We were free to try the costumes and act like Miss Fisher. • People were engaged in the exhibition by digital technology (video
broadcasting on the wall, 3D digital portrait) and interactive games (finding clues of murderer, paint your own dress)
• Furniture and wallpaper inside of the mansion are well maintained. • Visitors were a bit of quite while watching the exhibition; there are small
groups of people with their personal tour guides as well. • Maintainers were dressed like old fashion lady, some visitors dressed
like this as well. • Most of the visitors were more than middle-aged people. • Kitchen area was opened and was quite dark and cold inside. • The storyboard about scullery was informative. • There was quite a little dust on the kitchen stuffs. • Upstairs in the kitchen was restricted to access, only National Trust staff
could get onto it.
LIST OF REFERENCE
Carlsen, J, Hughes, M, Frost, W, Pocock, C & Peel, V 2008, ‘Success Factors in
Cultural Heritage Tourism Enterprise Management’, Sustainable Tourism CRC, viewed 5 August 2015, http://www.sustainabletourismonline.com/120/cultural-heritage-tourism/success-factors-in-cultural-heritage-tourism-enterprise-management
Cohen, E 1979, ‘Rethinking the Sociology of Tourism’, Annals of Tourism
Research, vol. 6, no.1, pg. 18-35, doi:10.1016/0160-7383(79)90092-6 Department of the Environment 2015, National Heritage Places - Rippon Lea
House and Gardens, Victoria, viewed 24 August 2015, http://www.environment.gov.au/heritage/places/national/rippon-lea/index.html
Dictionary of Biography, National Centre of Biography, Australian National
University, viewed 26 August 2015, http://adb.anu.edu.au/biography/sargood-sir-frederick-thomas-4538/text7435
McKercher, B & Du Cros, H 2002, Cultural Tourism: The Partnership between
Tourism and Cultural Tourism Management, Haworth Hospitality Press, New York.
Mitsche, N, Reino, S, Knox, D and Bauernfeind, U 2008, ‘Enhancing Cultural
Tourism e-Services through Heritage Interpretation’, In: O’Connor, P., Hopken, W. and Gretzel, U. (eds), Information and Communication Technologies in Tourism 2008: proceedings of the International Conference in Innsbruck, Austria 2008, New York, Springer, pp. 418-429, viewed 28 August 2015, http://eresearch.qmu.ac.uk/228/1/228.pdf
National Trust of Australia 2007, Rippon Lea House and Gardens,
Significance, viewed 28 August 2015, http://www.ripponleaestate.com.au/significance
Ross, S & Economou, M 1998, ‘Information and Communication Technologies
in Cultural Sector, The Need for National Strategy’, D-Lib Magazine, Humanities Advanced Technology & Information Institute (HATII), viewed 31 August 2015, http://www.dlib.org/dlib/june98/06ross.html
Russo, A P & Van der Borg, J 2002, ‘Planning considerations for cultural
tourism: A case study of four European cities’, Tourism Management, vol. 23, no. 6, pp. 631-637, doi: 10.1016/S0261-5177(02)00027-4
Silberberg, T 1995, ‘Cultural Tourism and Business Opportunities for
Museums and Heritage Sites’, Tourism Management, vol. 16, no.5, pg. 361-365, doi:10.1016/0261-5177(95)00039-Q
Skibins, J C, Powell, R B & Stern, M J 2012, ‘Exploring Empirical Support for
Interpretation’s Best Practices’, Journal of Interpretation Research, vol. 17, no. 1, pg. 25 (20).
Stuedahl, D & Lowe, S 2014, ‘Social Media as Resource for Involving Young
People in Museum Innovation: A Cultural Studies Approach to Co-Design’, International Journal of Sociotechnology and Knowledge Development (IJSKD), vol. 6, no.3, pg. 60-80, doi:10.4018/ijskd.2014070104
Tilden, F 1977, Interpreting Our Heritage, 3rd edn, Chapel Hill books,
University of North Carolina Press, Chapel Hill. TripAdvisor 2015, Top Things to Do in Elsternwick, viewed 28 August 2015,
http://www.tripadvisor.com.au/Attractions-g2325584-Activities-Elsternwick_Glen_Eira_Greater_Melbourne_Victoria.html
Weidenfeld A & Leisk A 2013, ‘Exploring the Relationship between Visitor
Attractions and Events: Definitions and Management Factors’, Current Issues in Tourism, vol. 16, no. 6, pg. 552-569, doi: 10.1080/13683500.2012.702736