déjà-vu # 1...notes all special notation will be explained in the score, except for the following:...

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Déjà-vu # 1 for percussion ensemble Pietro Dossena

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Page 1: Déjà-vu # 1...NOTES All special notation will be explained in the score, except for the following: for Player 1 (ride cymbal): for Player 3: According to the instrument that is being

Déjà-vu # 1

for percussion ensemble

Pietro Dossena

Page 2: Déjà-vu # 1...NOTES All special notation will be explained in the score, except for the following: for Player 1 (ride cymbal): for Player 3: According to the instrument that is being

INSTRUMENTATION

STAGE DISPOSITION

Player 1

Snare Drum (high register) Ride Cymbal

Player 2

Snare Drum (medium register) Triangle Crash Cymbal Hi-Hat Cymbal

Player 3

Upside-down Cymbal on a Timpano 3 Tom-Toms (high, medium, low register)

Player 4

Tenor Drum Hi-Hat Cymbal Tamtam (medium size)

Player 5

3 Wood-Blocks (high, medium, low register) Bass Drum Hairdryer (2 fan speeds)

5

2 3

1 4

------------------------------------------- audience

Total duration: 4 min. approx. Dedicated to Joel Feigin.

Page 3: Déjà-vu # 1...NOTES All special notation will be explained in the score, except for the following: for Player 1 (ride cymbal): for Player 3: According to the instrument that is being

NOTES All special notation will be explained in the score, except for the following: for Player 1 (ride cymbal):

for Player 3: According to the instrument that is being played, the three lines of the staff indicate respectively three different registers (high, medium, low) for the cymbal on the timpano, or three different tom-toms.

The four alternative patterns referred to as “groove”:

h = c 106

Page 4: Déjà-vu # 1...NOTES All special notation will be explained in the score, except for the following: for Player 1 (ride cymbal): for Player 3: According to the instrument that is being

ã

ã

ã

ã

ã

C

C

C

C

C

snare dr.ride cym.

snare dr.triang.

crash cym.hi-hat

cymb.on timp.

tenor dr.hi-hat

tamtam

3 w-bl.bass dr.h. dryer

1

2

3

4

5

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ

h = c 106snares offhard mallets

medium mallets

Fast and mechanical

R

π

L sim.

R

p

L sim.

border

œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ

∑highmed.low

œ œ œ œ œ œ œ œ

soft mallets

center

œ¿ ‰ Œ Ó

Ͼ

œ œ œ œ œ œ œ œ

œ ‰ Œ Ó

muffled

from narrow and fast vibrato...

snares on

(pedal glissandos)

roll

r.s.

ƒ

p

ƒbass drum mallet

Ó Œ œ œÓ Œ œ œ

œ œ œ œ œ œ œ> œ>

half-open, to producea rattling sound

πdampen

R R

Ó Œ ‰ œ∑

. .æ̇ jœæ

œ œ œ œ œ œ œ œ>

cresc. poco a poco

soft mallets

cresc. poco a poco

π p

L

cresc. poco a poco

R sim.

Ó Œ œ œÓ Œ œ œ

.æ̇ Œ

œ œ œ œ œ œ œ> œ>

π

L L

Page 5: Déjà-vu # 1...NOTES All special notation will be explained in the score, except for the following: for Player 1 (ride cymbal): for Player 3: According to the instrument that is being

ã

ã

ã

ã

ã

snare dr.ride cym.

snare dr.triang.

crash cym.hi-hat

tenor dr.hi-hat

tamtam

3 w-bl.bass dr.h. dryer

1

2

3

4

5

61

œ œ

61

61L H: soft malletR H: soft mallet + hard mallet

61

œ

61

each measure 5" approx.

sim.

freely slowing down until the pulsereaches approx. 90 beats per minute

cymb.on timp.

medium tam tam

Mysterious, with a slow feel

L H: metal mallet (dragged)

snares off

f

π

upside-down cymbal on a timpano

œ œ

Ͼ

(soft mallets)

œ œ

(pedal glissandos)

ostinato pulse, at the speed of player 1's last strokes

R H: metal mallet (hit)

roll

( pp )

F

f

œ œ œ œ œ œ œ œ œ œ

Ͼ

Ͼ

œ œ

l.v.

f

as fast as possible

π F

Ͼ

Ͼ

¿ ¿ostinato pulse, slow speedad lib. (hit the body of thetimpano with the hard mallet)f

π( pp )

π

π

œo œo

Ͼ

hard mallets

ostinato pulse, fast speedad lib. (hit the upper andlower cymbal alternatively)

f

F

9

Page 6: Déjà-vu # 1...NOTES All special notation will be explained in the score, except for the following: for Player 1 (ride cymbal): for Player 3: According to the instrument that is being

ã

ã

ã

ã

ã

snare dr.ride cym.

snare dr.triang.

crash cym.hi-hat

tenor dr.hi-hat

tamtam

3 w-bl.bass dr.h. dryer

1

2

3

4

5

66

œ œ œ œ œ

66

œo œo66

Ͼ

Ͼ

66

66

cymb.on timp.

F

fas fast as possible

l.v.

π F

œ œ

Ͼ

¿ ¿

π

f

ostinato pulse, at the speed of player 3's last strokes

π

play eithera, b, c or d(on snare, crashand hi-hat ad lib.)

Ͼ

groove* (1 x)

F

h = c 106

p

F

œ œ

π

*groove

choose 2 out ofthe 4 patterns(play on snareand ride ad lib.)

Ͼ

Ͼ

Ͼnon vib.

ON OFF

groove* (2 x)

f

l.v.

speed: low

( F )

πhalf-open, to producea rattling sound

π

10

Page 7: Déjà-vu # 1...NOTES All special notation will be explained in the score, except for the following: for Player 1 (ride cymbal): for Player 3: According to the instrument that is being

ã

ã

ã

ã

ã

snare dr.ride cym.

snare dr.triang.

crash cym.hi-hat

tenor dr.hi-hat

tamtam

3 w-bl.bass dr.h. dryer

1

2

3

4

5

122

122 Ó œ Œ‰ œ œ œ Ó

122

œ ‰ Œ œœ œ ‰

122 œ œ+ œ œ œ œ

122

Ó œ Œ

3 t-toms

R L L sim.

œ Œ œ Œ‰ œ œ œ ‰ œ œ œ

Œ œœ œ ‰ Œ

œ œ Œ œŒ œ œ Œ œ œ

Œ œ Ó

œ Œ œ ŒÓ ‰ œ œ œ

œœ œ œ

œ œ œœ

œ Œ œ œŒ œ œ Œ œ œ

œ Ó œ

œ Œ œ Œ‰ œ œ œ Ó

œ œœ œ œ

œ œ œ

Œ œ œ ŒŒ œ œ Œ œ œ

Ó œ Œ

œ Œ œ Œ‰ œ œ œ ‰ œ œ œ

œ œ œœ œ œ

œ œ

œ œ Œ œŒ œ œ Œ œ œ

Œ œ ‰ ‰ œ ŒŒ œ Ó

œ Œ œ ŒÓ ‰ œ œ œ

œœ œ œ

œ œ œœ

œ Œ œ œŒ œ œ Œ œ œ

œ ‰ ‰ œ Œ œ ‰œ Ó œ

œ œ œ œ œ œ3 3

œ Œ œ Œ‰ œ œ œ Ó

œ œœ œ œ

œ œ œ

Œ œ œ ŒŒ œ œ Œ œ œ

‰ œ Œ œ ‰ ‰ œÓ œ Œ

f

17

Page 8: Déjà-vu # 1...NOTES All special notation will be explained in the score, except for the following: for Player 1 (ride cymbal): for Player 3: According to the instrument that is being

ã

ã

ã

ã

ã

46

46

46

46

46

snare dr.ride cym.

snare dr.triang.

crash cym.hi-hat

tenor dr.hi-hat

tamtam

3 w-bl.bass dr.h. dryer

1

2

3

4

5

129

œ œ œ œ œ œ3 3

129 œ Œ œ Œ‰ œ œ œ ‰ œ œ œ

129

œ œ œœ œ œ

œ œ

129 œ œ Œ œŒ œ œ Œ œ œ

129 Œ œ ‰ ‰ œ ŒŒ œ Ó

3 t-toms

œ œ œ œ œ œ

œœ

œœ

œœ

œ œœ

œœ

œ

œœ œ œ

œ œ œœ

4 4

œ œ+ œ œ œ œ ‰ œ œ œ œ

œ Œ Œ œ Œ Œ œ Œ4:3 4

œ Œ Œ œ2:3 2

h = h.

ƒ

ƒ

R R R

ƒ

ƒ

L L L L

ƒ

œ œ œ œ œ œ

œœ

œœ

œœ

œ œœ

œœ

œ

œ œœ œ œ

œ œ œ

4 4

œ œ œ œ œ œ ‰ œ œ œ œ

Œ œ Œ Œ œ Œ Œ œ4 4

œ œ Œ œ2 2

R

œ œ œ œ œ œ

œœ

œœ

œœ

œ œœ

œœ

œ

œ œ œœ œ œ

œ œ4 4

œ œ œ œ œ œ ‰ œ œ œ œ

Œ Œ œ Œ Œ œ Œ Œ4 4

œ œ Œ œ2 2

18