digital photojournalism

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DIGITAL PHOTOGRAPHY AND PHOTOJOURNALISM REGIDOR G. GABOY CLSU - Center for Educational Resources Development and Services (CERDS)

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Page 1: Digital photojournalism

DIGITAL PHOTOGRAPHY AND PHOTOJOURNALISM

REGIDOR G. GABOY

CLSU - Center for Educational Resources Development

and Services (CERDS)

Page 2: Digital photojournalism

Photography

Photography is a means of recording forever the things one sees for a moment. It is better than memory because it does more than just recall things to the mind. It enables us to show what we have done, where we have been, what we have seen and even what we have thought

Page 3: Digital photojournalism

How does a camera work?

Page 4: Digital photojournalism

Know your camera!

What is your camera? What is the capability of your camera?

Page 5: Digital photojournalism

Basic Terms: Speed and Sensitivity

ASA–American Standard Association

ISO-International Standard (from International Organizational Standard)

DIN-German Institute for Standardization

GOST (Russian: ГОСТ) is an arithmetic scale which was used in the former Soviet Union before 1987

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Automatic Settings Portrait - Set your digital camera to

portrait mode when you are taking photographs of people. Portrait mode will set the image color for skin tone perfectly.

Landscape - Set your camera to this mode when you are taking photos of landscapes. For example if you are photographing beach or mountain sceneries.

Close Up - Close up mode speaks for itself. For example, when you want to photograph small objects so they fill the whole frame as if to appear larger.

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Sports - Sports mode should be used when you want to photograph a moving object such as a child or dog running.

Night Portrait - Choose night portrait automatic mode when you want to shoot a person in low light such as night time.

Flash Off - This mode is useful for times when you are not allowed to use a flash. For example, in an art gallery.

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Full-Automatic When your camera is on

automatic, all important settings such as ISO, Aperture and exposure are made for you, taking out the guess work.

When your camera is set on automatic, it's also recommended that your lens is set on automatic focus. That is if it has that option. If your lens has an option for automatic focus you will notice on the side of it letters AF.

Page 9: Digital photojournalism

Settings and options

The letters AV (for Canon camera's) or A (for Nikon camera's) on your mode dial sets your digital SLR camera to aperture priority. Your camera then changes all other settings such as shutter speed automatically to suit.

Remember: Opening your lens more refers to lowering the f number. Closing your lens more refers to a higher f number.

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A-DEP stands for 'automatic depth of field', or 'auto depth of field'. Meaning, the camera sets the depth of field automatically.

When the camera is set on A-DEP, the photographer doesn't need to set an aperture F number as the camera does this for them.

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Manual settings allow you to choose your own settings depending on your choice.

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Camera: Canon EOS 400D / Rebel XTi Lens: Canon EF-S17-85mm f/4-5.6 IS USMExposure: 0.2 sec (1/5)Aperture: f/22 Focal Length: 85 mm ISO Speed: 100 Exposure Program: ManualFlash: Flash did not fire

Why this shot worked (According to the photographer)“For this beach landscape, I wanted the whole scene from the sand in the

foreground, to the island and boat in the background to be fully in focus. I also intended for the ocean waves to have a slow motion dreamy look and feel to them.

For this to be achieved, the camera needed to be set on a high aperture f/22, and a relatively slow shutter speed of 1/5th of a second. If I had set the camera to aperture priority, then the shutter speed would have been automatically created for me, or conversely if I'd set shutter priority, the camera would have automatically set the aperture to suit.

Therefore, setting the camera on manual mode, allowed me to fully choose both the aperture and the shutter speed.” -

http://www.slrphotographyguide.com

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Bluish shot: a photo defect The blueish tinge is normally a result of using

an incorrect white balance.

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White Balance

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When to use white balance? Daylight (Canon) and Direct Sunlight (Nikon): This

is a good setting for direct sunlight. For example, a beach landscape mid morning where you're not shooting into shade.

When to use Shade white balance: Use shade white balance in shady area's or sunset shots. It will help give a warmer color to your shots.

When to use Cloudy: This is a good setting for cloudy days. It's also quite effective for shady area's as well.

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When to use Tungsten white balance: This is one of the most extreme balance settings of them all and should only be used with tungsten light bulbs. Or at times where you purposefully want a blue tinge to your images.

When to use fluorescent: This setting will help make inside fluorescent house lighting, look a bit better than the yellowy orange color you usually see.

Flash white balance: Flash white balance is used mostly for studio work.

Page 17: Digital photojournalism

Histogram A histogram is a bar chart

that shows you whether a photographs exposure is good or bad. You can view the histogram on your camera's LCD screen after you have taken the shot

Page 18: Digital photojournalism

How does it work?As you can see by the image below, it was underexposed (too dark). There is very little detail seen in the tree's, footpath and two people on the left.

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Notice this time, the high peaks are on the right hand side of the graph.

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REMEMBER!

What you should be aiming for, is a histogram that displays the

majority of peaks within the center of the graph!

Page 21: Digital photojournalism

Exceptions There are times when it's perfectly acceptable for the graph to

display high peaks at either end of the histogram.

For instance, if there is naturally a lot of white within the scenery (snow shots), then you would see high peaks on the right side of the histogram, even when the photo is perfectly exposed.

On the other hand, if there is a lot of black within the scenery or object you are photographing, then the high peaks would naturally occur on the left hand side of the graph.

Furthermore, if there is a good mixture of black and white within the scenery, you may find high peaks at both ends of the histogram.

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Color on Printing

CMYK RGB

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The image on right is separated for printing with process cyan, magenta, and yellow inks.

The image on left is separated with maximum black, to minimize ink use.

Page 24: Digital photojournalism

The triangle of camera operation

APPERTURE SHUTTER

ISO

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Techniques

Framing Timing Perspective Angle Panning

Page 26: Digital photojournalism

Rule of ThirdsThe rule of thirds is a compositional rule of thumb in visual arts such as painting, photography and design.

The rule states that an image should be imagined as divided into nine equal parts by two equally-spaced horizontal lines and two equally-spaced vertical lines, and that important compositional elements should be placed along these lines or their intersections.

Proponents of the technique claim that aligning a subject with these points creates more tension, energy and interest in the composition than simply centering the subject would.

Page 27: Digital photojournalism

We use photo because…

it catches the readers’ attention it serves as the lead of the news story it emphasizes a certain point

Page 28: Digital photojournalism

What is Photojournalism? Photojournalism is a branch of the field

of journalism characterized by the use of images to tell a story. The images in a photojournalism piece may be accompanied with explanatory text, or shown independently, with the images themselves narrating the events they depict.

Page 29: Digital photojournalism

Qualities of a Photojournalism Material

Timeliness — the images have meaning in the context of a recently published record of events.

Objectivity — the situation implied by the images is a fair and accurate representation of the events they depict in both content and tone.

Narrative — the images combine with other news elements to make facts relatable to the viewer or reader on a cultural level.

Page 30: Digital photojournalism

Qualities of a Good Photo

News Value Focus Depth Atmosphere Clarity Color tone Texture

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Captions

Captions are text materials that accompany photographs. They may be as short as three to four words, or as long as several paragraphs.