digital photography basics with jason barnette
TRANSCRIPT
![Page 1: Digital Photography Basics with Jason Barnette](https://reader037.vdocuments.mx/reader037/viewer/2022103000/5557d62cd8b42ab6258b49c3/html5/thumbnails/1.jpg)
What is Photography?Jason Barnette
Photojournalist and Travel Photographer
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Photography Basics
What makes a great photo? It tells a story It has meaning It is powerful It is unique
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Photography Basics
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Photography Basics
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Photography Basics
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Photography Basics
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Photography Basics
Composition and framing
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Photography Basics
Composition and framing Use the space wisely
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Photography Basics
Composition and framing Use the space wisely Keep the camera level
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Photography Basics
Composition and framing Use the space wisely Keep the camera level Make sure you draw attention to subject of photo
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Photography Basics
Rule of Thirds
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Photography Basics
Rule of Thirds Divide a photo into thirds both horizontally and vertically
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Photography Basics
Rule of Thirds Divide a photo into thirds both horizontally and vertically Horizon line should be on one of the horizontal lines
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Photography Basics
Rule of Thirds Divide a photo into thirds both horizontally and vertically Horizon line should be on one of the horizontal lines Place main subject in either 1/3 or 2/3 of the frame
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Photography Basics
Rule of Thirds Divide a photo into thirds both horizontally and vertically Horizon line should be on one of the horizontal lines Place main subject in either 1/3 or 2/3 of the frame Use “sweet spots” for perfect placement
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Photography Basics
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How to Choose Camera Equipment
Camera Bodies
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How to Choose Camera Equipment
Camera Bodies
Lenses
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How to Choose Camera Equipment
Camera Bodies
Lenses
Lighting (Strobes)
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How to Choose Camera Equipment
Camera Bodies
Lenses
Lighting (Strobes)
Accessories
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How to Choose Camera Equipment
Camera Bodies - Types Cellphones Point & Shoot DSLR (Digital Single Lens Reflex) Medium Format Large Format
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How to Choose Camera Equipment
Camera Bodies – Brand Names Nikon Canon Pentax Sigma Olympus Sony
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How to Choose Camera Equipment
Camera Bodies – What to Look For Fully manual controls Uses something other than AA batteries Uses CF or SD memory cards Replaceable lenses Resolution is irrelevant
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How to Choose Camera Equipment
Camera Lenses – Types Fisheye: 10mm or smaller
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How to Choose Camera Equipment
Camera Lenses – Types Fisheye: 10mm or smaller Wide Angle: 10-30mm
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How to Choose Camera Equipment
Camera Lenses – Types Fisheye: 10mm or smaller Wide Angle: 10-30mm Normal: 35-70mm
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How to Choose Camera Equipment
Camera Lenses – Types Fisheye: 10mm or smaller Wide Angle: 10-30mm Normal: 35-70mm Telephoto: 85-200mm
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How to Choose Camera Equipment
Camera Lenses – Types Fisheye: 10mm or smaller Wide Angle: 10-30mm Normal: 35-70mm Telephoto: 85-200mm Supertelephoto: 200-600mm
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How to Choose Camera Equipment
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How to Choose Camera Equipment
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How to Choose Camera Equipment
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How to Choose Camera Equipment
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How to Choose Camera Equipment
Camera Lenses – Prime vs. Zoom
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How to Choose Camera Equipment
Camera Lenses – Prime vs. Zoom Prime lenses use a single focal length
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How to Choose Camera Equipment
Camera Lenses – Prime vs. Zoom Prime lenses use a single focal length Zoom lenses can vary greatly or only slightly
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How to Choose Camera Equipment
Camera Lenses – Prime vs. Zoom Prime lenses use a single focal length Zoom lenses can vary greatly or only slightly Prime lenses are sharper, lighter, cheaper
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How to Choose Camera Equipment
Camera Lenses – Prime vs. Zoom Prime lenses use a single focal length Zoom lenses can vary greatly or only slightly Prime lenses are sharper, lighter, cheaper Prime lenses are often the better choice for portraits,
landscapes, products, and marketing
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How to Choose Camera Equipment
Camera Lenses – Prime vs. Zoom Prime lenses use a single focal length Zoom lenses can vary greatly or only slightly Prime lenses are sharper, lighter, cheaper Prime lenses are often the better choice for portraits,
landscapes, products, and marketing Zoom lenses are heavier, more expensive, more easily
broken
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How to Choose Camera Equipment
Camera Lenses – Prime vs. Zoom Prime lenses use a single focal length Zoom lenses can vary greatly or only slightly Prime lenses are sharper, lighter, cheaper Prime lenses are often the better choice for portraits,
landscapes, products, and marketing Zoom lenses are heavier, more expensive, more easily
broken Zoom lenses are better for sports, editorial
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How to Choose Camera Equipment
Camera Lenses – Fixed Aperture vs. Variable Aperture
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How to Choose Camera Equipment
Camera Lenses – Fixed Aperture vs. Variable Aperture Cheaper lenses = variable maximum aperture
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How to Choose Camera Equipment
Camera Lenses – Fixed Aperture vs. Variable Aperture Cheaper lenses = variable maximum aperture Better lenses = fixed maximum aperture
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How to Choose Camera Equipment
Camera Lenses – Tips on Buying and Using
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How to Choose Camera Equipment
Camera Lenses – Tips on Buying and Using Get the right lens for the job
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How to Choose Camera Equipment
Camera Lenses – Tips on Buying and Using Get the right lens for the job Wide angle for tight spaces and large groups
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How to Choose Camera Equipment
Camera Lenses – Tips on Buying and Using Get the right lens for the job Wide angle for tight spaces and large groups Normal range for individual portraits and most common
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How to Choose Camera Equipment
Camera Lenses – Tips on Buying and Using Get the right lens for the job Wide angle for tight spaces and large groups Normal range for individual portraits and most common Telephoto for sports and wildlife
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How to Choose Camera Equipment
Camera Lenses – Tips on Buying and Using Get the right lens for the job Wide angle for tight spaces and large groups Normal range for individual portraits and most common Telephoto for sports and wildlife If you can be flexible during shoots, go with primes
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How to Choose Camera Equipment
Camera Lenses – Tips on Buying and Using Get the right lens for the job Wide angle for tight spaces and large groups Normal range for individual portraits and most common Telephoto for sports and wildlife If you can be flexible during shoots, go with primes If you don’t have much money to spend, buy one or two
zooms (worth three primes)
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How to Choose Camera Equipment
Camera Lenses – Tips on Buying and Using Get the right lens for the job Wide angle for tight spaces and large groups Normal range for individual portraits and most common Telephoto for sports and wildlife If you can be flexible during shoots, go with primes If you don’t have much money to spend, buy one or two
zooms (worth three primes) Start with 50mm prime
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How to Choose Camera Equipment
Camera Lenses – Tips on Buying and Using Get the right lens for the job Wide angle for tight spaces and large groups Normal range for individual portraits and most common Telephoto for sports and wildlife If you can be flexible during shoots, go with primes If you don’t have much money to spend, buy one or two
zooms (worth three primes) Start with 50mm prime Have at least one lens with an aperture of f/1.8 or f/1.4
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How to Choose Camera Equipment
Lighting (Strobes) Internal flashes are weak, narrow, consume battery power
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How to Choose Camera Equipment
Lighting (Strobes) Internal flashes are weak, narrow, consume battery power External flashes, also known as Strobes, are more
commonly used
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How to Choose Camera Equipment
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How to Choose Camera Equipment
Lighting (Strobes) Internal flashes are weak, narrow, consume battery power External flashes, also known as Strobes, are more
commonly used Light modification kits, bounce boards, diffusers
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How to Choose Camera Equipment
Lighting (Strobes) Internal flashes are weak, narrow, consume battery power External flashes, also known as Strobes, are more
commonly used Light modification kits, bounce boards, diffusers Remotes, such as Pocket Wizards, help fire strobes
remotely, but are not required
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How to Choose Camera Equipment
Lighting (Strobes) Internal flashes are weak, narrow, consume battery power External flashes, also known as Strobes, are more
commonly used Light modification kits, bounce boards, diffusers Remotes, such as Pocket Wizards, help fire strobes
remotely, but are not required Light stands, clamps, special adaptors
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How to Choose Camera Equipment
Accessories
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How to Choose Camera Equipment
Accessories Bags, cases, protection
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How to Choose Camera Equipment
Accessories Bags, cases, protection Tripod, monopod
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How to Choose Camera Equipment
Accessories Bags, cases, protection Tripod, monopod Filters (UV, CPL, ND)
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How to Choose Camera Equipment
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How to Choose Camera Equipment
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How to Choose Camera Equipment
Accessories Bags, cases, protection Tripod, monopod Filters (UV, CPL, ND) Remotes
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How to Choose Camera Equipment
Accessories Bags, cases, protection Tripod, monopod Filters (UV, CPL, ND) Remotes Sensor and lens cleaning
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Camera Basics
Camera Basics – Aperture
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Camera Basics
Camera Basics – Aperture Aperture determines how much light enters the camera
body through the lens
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Camera Basics
Camera Basics – Aperture Aperture determines how much light enters the camera
body through the lens Uses a scale called the F-Scale and looks like f/5.6
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Camera Basics
Camera Basics – Aperture Aperture determines how much light enters the camera
body through the lens Uses a scale called the F-Scale and looks like f/5.6 The larger the aperture, the smaller the number
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Camera Basics
Camera Basics – Aperture Aperture determines how much light enters the camera
body through the lens Uses a scale called the F-Scale and looks like f/5.6 The larger the aperture, the smaller the number The smaller the aperture (larger the number) the more
limited the Depth of Field
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Camera Basics
Camera Basics – Exposure (Shutter Speed)
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Camera Basics
Camera Basics – Exposure (Shutter Speed) Exposure is the amount of time the sensor is exposed to
light
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Camera Basics
Camera Basics – Exposure (Shutter Speed) Exposure is the amount of time the sensor is exposed to
light Minimum exposure times are required for different
situations
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Camera Basics
Camera Basics – Exposure (Shutter Speed) Exposure is the amount of time the sensor is exposed to
light Minimum exposure times are required for different
situations Human action: 1/125
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Camera Basics
Camera Basics – Exposure (Shutter Speed) Exposure is the amount of time the sensor is exposed to
light Minimum exposure times are required for different
situations Human action: 1/125 Sports: 1/1000-1/2000
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Camera Basics
Camera Basics – Exposure (Shutter Speed) Exposure is the amount of time the sensor is exposed to
light Minimum exposure times are required for different
situations Human action: 1/125 Sports: 1/1000-1/2000 Wildlife: 1/500
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Camera Basics
Camera Basics – Exposure (Shutter Speed) Exposure is the amount of time the sensor is exposed to
light Minimum exposure times are required for different
situations Human action: 1/125 Sports: 1/1000-1/2000 Wildlife: 1/500 General rule for exposure: shutter speed should be faster
than 1 / focal length
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Camera Basics
Camera Basics – ISO
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Camera Basics
Camera Basics – ISO ISO determines how sensitive your sensor is to light
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Camera Basics
Camera Basics – ISO ISO determines how sensitive your sensor is to light Similar to ASA during days of film
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Camera Basics
Camera Basics – ISO ISO determines how sensitive your sensor is to light Similar to ASA during days of film Lower the ISO, the less sensitive (requires more light)
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Camera Basics
Camera Basics – ISO ISO determines how sensitive your sensor is to light Similar to ASA during days of film Lower the ISO, the less sensitive (requires more light) Typical ISO settings:
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Camera Basics
Camera Basics – ISO ISO determines how sensitive your sensor is to light Similar to ASA during days of film Lower the ISO, the less sensitive (requires more light) Typical ISO settings: 100 ISO = Sunny days
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Camera Basics
Camera Basics – ISO ISO determines how sensitive your sensor is to light Similar to ASA during days of film Lower the ISO, the less sensitive (requires more light) Typical ISO settings: 100 ISO = Sunny days 400 ISO = Cloudy days/indoor with strobe/portraits
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Camera Basics
Camera Basics – ISO ISO determines how sensitive your sensor is to light Similar to ASA during days of film Lower the ISO, the less sensitive (requires more light) Typical ISO settings: 100 ISO = Sunny days 400 ISO = Cloudy days/indoor with strobe/portraits 800 ISO = Pre-Dawn, post-dusk, very low light situations
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Camera Basics
Camera Basics – ISO ISO determines how sensitive your sensor is to light Similar to ASA during days of film Lower the ISO, the less sensitive (requires more light) Typical ISO settings: 100 ISO = Sunny days 400 ISO = Cloudy days/indoor with strobe/portraits 800 ISO = Pre-Dawn, post-dusk, very low light situations 1600 ISO = Indoor sports
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Camera Basics
Camera Basics – White Balance
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Camera Basics
Camera Basics – White Balance Determines what is white depending on color temperature
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Camera Basics
Camera Basics – White Balance Determines what is white depending on color temperature Most cameras have about 7 pre-set settings
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Camera Basics
Camera Basics – White Balance Determines what is white depending on color temperature Most cameras have about 7 pre-set settings An incorrect white balance can ruin a photo, but can be
corrected with editing software
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Photography Law
Photography Law - Copyright
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Photography Law
Photography Law – Copyright A photograph is automatically protected the moment it is
created
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Photography Law
Photography Law – Copyright A photograph is automatically protected the moment it is
created You can register photos, but not necessary
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Photography Law
Photography Law – Copyright A photograph is automatically protected the moment it is
created You can register photos, but not necessary U.S. Copyright Office suggests you add the following to all
appearances of your photo: Copyright Symbol + Name + Date taken
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Photography Law
Photography Law – Copyright A photograph is automatically protected the moment it is
created You can register photos, but not necessary U.S. Copyright Office suggests you add the following to all
appearances of your photo: Copyright Symbol + Date Taken+ Name
Example: © 2011 Jason Barnette
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Photography Law
Photography Law - Releases
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Photography Law
Photography Law - Releases Only required when shooting individual or group portraits,
children, or on private property
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Photography Law
Photography Law - Releases Only required when shooting individual or group portraits,
children, or on private property Not required for shooting on public property, including
streets, sidewalks, parks, beaches, and any government-owned and operated property
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Photography Law
Photography Law - Releases Only required when shooting individual or group portraits,
children, or on private property Not required for shooting on public property, including
streets, sidewalks, parks, beaches, and any government-owned and operated property
Also not required if photos are used for editorial, educational, or non-profit uses
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Photography Law
Photography Law - Releases Only required when shooting individual or group portraits,
children, or on private property Not required for shooting on public property, including
streets, sidewalks, parks, beaches, and any government-owned and operated property
Also not required if photos are used for editorial, educational, or non-profit uses
You do not need a release as long as the person has no reasonable expectation of privacy
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Photography Law
Photography Law – Your Rights
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Photography Law
Photography Law – Your Rights You have the right to shoot any photo on public property
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Photography Law
Photography Law – Your Rights You have the right to shoot any photo on public property You can shoot any person on public property
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Photography Law
Photography Law – Your Rights You have the right to shoot any photo on public property You can shoot any person on public property You do not have to surrender yourself or camera gear to
any individual or police officer on public property
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Capturing Great Photos
Capturing Emotion
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Capturing Great Photos
Capturing Emotion Spontaneous
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Capturing Great Photos
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Capturing Great Photos
Capturing Emotion Spontaneous Better with a long lens from a distance
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Capturing Great Photos
Capturing Emotion Spontaneous Better with a long lens from a distance Be gentle, respectful, and use good judgement
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Capturing Great Photos
Capturing Emotion Spontaneous Better with a long lens from a distance Be gentle, respectful, and use good judgement Don’t draw attention to yourself
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Capturing Great Photos
Capturing Emotion Spontaneous Better with a long lens from a distance Be gentle, respectful, and use good judgement Don’t draw attention to yourself Mimic the emotions you are capturing
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Capturing Great Photos
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Capturing Great Photos
Telling a Story
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Capturing Great Photos
Telling a Story ALL photography is about telling a story
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Capturing Great Photos
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Capturing Great Photos
Telling a Story ALL photography is about telling a story Stories have characters, mood, setting, time of day or
year
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Capturing Great Photos
Telling a Story ALL photography is about telling a story Stories have characters, mood, setting, time of day or
year Use the environment to tell the story rather than words
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Capturing Great Photos
Telling a Story ALL photography is about telling a story Stories have characters, mood, setting, time of day or
year Use the environment to tell the story rather than words A great story-telling photo does not need a caption
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Capturing Great Photos
Photojournalism
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Capturing Great Photos
Photojournalism Photojournalism is the art of telling a story with photos
instead of words
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Capturing Great Photos
Photojournalism Photojournalism is the art of telling a story with photos
instead of words If you can use an action verb to describe a photo, it is
photojournalism
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Capturing Great Photos
Photojournalism Photojournalism is the art of telling a story with photos
instead of words If you can use an action verb to describe a photo, it is
photojournalism All photos should tell a story, regardless of purpose or
intent
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Capturing Great Photos
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Capturing Great Photos
Position
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Capturing Great Photos
Position Forget eye-height and experiment
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Capturing Great Photos
Position Forget eye-height and experiment Different positions suggest different moods
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Capturing Great Photos
Position Forget eye-height and experiment Different positions suggest different moods Standing higher, looking down suggests the subject is
small, weak, powerless
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Capturing Great Photos
Position Forget eye-height and experiment Different positions suggest different moods Standing higher, looking down suggests the subject is
small, weak, powerless Sitting low, looking up suggest the subject is larger than
life, dominating, powerful
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Capturing Great Photos
Position Forget eye-height and experiment Different positions suggest different moods Standing higher, looking down suggests the subject is
small, weak, powerless Sitting low, looking up suggest the subject is larger than
life, dominating, powerful Canted angles should almost always be avoided
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Capturing Great Photos
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Capturing Great Photos
Working with the Greatest Light Source: The Sun
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Capturing Great Photos
Working with the Greatest Light Source: The Sun #1 problem in amateur photography: fighting the sun
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Capturing Great Photos
Working with the Greatest Light Source: The Sun #1 problem in amateur photography: fighting the sun Best hours of day to shoot outside: 3 hours after sunrise,
3 hours before sunset
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Capturing Great Photos
Working with the Greatest Light Source: The Sun #1 problem in amateur photography: fighting the sun Best hours of day to shoot outside: 3 hours after sunrise,
3 hours before sunset Always place sun behind you
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Capturing Great Photos
Working with the Greatest Light Source: The Sun #1 problem in amateur photography: fighting the sun Best hours of day to shoot outside: 3 hours after sunrise,
3 hours before sunset Always place sun behind you The sun changes position and inclination in the sky
depending on time of year
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Capturing Great Photos
Working with the Greatest Light Source: The Sun #1 problem in amateur photography: fighting the sun Best hours of day to shoot outside: 3 hours after sunrise,
3 hours before sunset Always place sun behind you The sun changes position and inclination in the sky
depending on time of year Use an almanac or online sun plotter to determine angle
and position of sun
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Capturing Great Photos
Working with the Greatest Light Source: The Sun #1 problem in amateur photography: fighting the sun Best hours of day to shoot outside: 3 hours after sunrise,
3 hours before sunset Always place sun behind you The sun changes position and inclination in the sky
depending on time of year Use an almanac or online sun plotter to determine angle
and position of sun Sometimes, waiting on the sun is the most important part
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Capturing Great Photos
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Amateur vs. Professional
A professional is simply someone who earns a living primarily from photography
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Amateur vs. Professional
A professional is simply someone who earns a living primarily from photography
A professional can do something an amateur cannot
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Amateur vs. Professional
A professional is simply someone who earns a living primarily from photography
A professional can do something an amateur cannot
A professional knows how to handle all situations
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Amateur vs. Professional
A professional is simply someone who earns a living primarily from photography
A professional can do something an amateur cannot
A professional knows how to handle all situations
A professional is also a businessperson
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Capturing Great Photos
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5 Rules for a Great Photographer
Never Set the Camera Down
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5 Rules for a Great Photographer
Never Set the Camera Down
Never Draw Attention to Yourself
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5 Rules for a Great Photographer
Never Set the Camera Down
Never Draw Attention to Yourself
Don’t Become Part of the Story
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5 Rules for a Great Photographer
Never Set the Camera Down
Never Draw Attention to Yourself
Don’t Become Part of the Story
Always Charge Your Batteries
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5 Rules for a Great Photographer
Never Set the Camera Down
Never Draw Attention to Yourself
Don’t Become Part of the Story
Always Charge Your Batteries
Be Prepared for Anything