digital booklet - taylor swift karaoke - red.pdf

7/28/2019 Digital Booklet - Taylor Swift Karaoke - Red.pdf

1/13


2/13

There's an old poem by Neruda that Ive always beencaptivated by, and one o the lines in it has stuck withme ever since the frst time I read it. It says "love is soshort, orgetting is so long." It's a line Ive related to inmy saddest moments, when I needed to know someoneelse had elt that exact same way. And when we'retrying to move on, the moments we always go backto aren't the mundane ones. They are the momentsyou saw sparks that weren't really there, elt starsaligning without having any proo, saw your uturebeore it happened, and then saw it slip away withoutany warning. These are moments o newound hope,extreme joy, intense passion, wishul thinking, and insome cases, the unthinkable letdown. And in my mind,every one o these memories looks the same to me. I seeall o these moments in bright, burning, red.

My experiences in love have taught me difcult lessons,especially my experiences with crazy love. The redrelationships. The ones that went rom zero to a hundredmiles per hour and then hit a wall and exploded. Andit was awul. And ridiculous. And desperate. Andthrilling. And when the dust settled, it was somethingId never take back. Because there is something to besaid or being young and needing someone so badly,you jump in head frst without looking. And there'ssomething to be learned rom waiting all day or a trainthat's never coming. And there's something to be proudo about moving on and realizing that real love shinesgolden like starlight, and doesn't ade or spontaneouslycombust. Maybe Ill write a whole album about thatkind o love i I ever fnd it. But this album is about theother kinds o love that Ive recently allen in and out o.Love that was treacherous, sad, beautiul, and tragic.But most o all, this record is about love that was red.

Love

is aruthLessgameunLess you

pLay it goodand right

proLogue


3/13

Written by Taylor Swit

I'm waLking ast thrOugh the traclights / busy streets and busy liVes/ and all wE know is touch and go/ we are alone with our changingminds / we all in love till it hurts orbleeds or ades in time//and i neversaw You coming / and ill never bethe same //yOu come aroUnd anDthe armOr alls / piErce the room likea cannonball / now all we know... isdon't let go / we are alone juSt youand me / up in your room, aNd ourslates are clean / jusT twin re signs,our blue eyes / so you were never

a saint / and ive loved in shadeso wrong / we learn to live with thepain / mosaiC brOken hearts / bUtthis love is brave aNd wild //andi never saw you coming / and illnever be The sAme//this is a state oFgrace / This is the worthwhilE ght/ love is a Ruthless game / unless

you play it Good and right / theseare the hands O ate / yOu're myachilles heel / this is the golDen ageo something good and right andreal//and i never saw you coming/ and ill never Be the same / andi never saw You coming / and illnEver be the same//this is a state o

grace / this is the worthwhile ght /love is a ruthless game / unless youplay it good and right // 2012 Sony/ATV Tree Publishing/ Taylor Swit Music (BMI). All

Rights Reserved. Used By Permission. Produced

by Nathan Chapman, Taylor Swit / Recorded by

Chad Carlson at Blackbird Studios (Nashville, TN);

Assisted by Leland Elliot / Additional Engineering

by Brian David Willis, Matt Rausch / Mixed by

Justin Niebank at Blackbird Studios (Nashville,

TN); Assisted by Drew Bollman / Mastered by Hank

Williams at MasterMix (Nashville, TN) / Production

Coordinators: Jason Campbell, Mike Frog

Grith, LeAnn Goddess Bennett // Acoustic

Guitar, Electric Guitar, Bass Nathan Chapman /

Percussion Eric Darken / Drums Nick Buda /

Background Vocals Taylor Swit

state

oFgraCeWritten by Taylor Swit

redloving him iS like driving a new maserati down a deadend street / aster than the wind, passionate as sin,ending so suddenly / loving him is like trying to change

your mind once you're already fying through the reeall / like the colors in autumn so bright just beore they

lose it all // losing him was blue, like id never known/ missing him was dark gray, all alone / orgetting himwas like trying to know somebody you never met / butloving him was red / loving him was red // touchinghim was like realizing All you ever wanted was rightthere in ront o you / memorizing him was as easyas knowing all the words to your old avorite song /ghting with him was like trying to solve a crosswordand realizing there's no right answer / regretting himwas like wishing you never ound out that love could bethat stronG // losing him was blue, like id never known/ missing him was dark gray, all alone / orgettinghim was like trying to know somebody you've nevermet / but loving him was red, oh red, burning red //remembering him comes in fashbacks and echoes / tellmysel it's time now gotta let go / but moving on rom

him is impossible when i still see it all in my headin burning red/ burning, it was red// losing him wasblue, like id never known / missing him was darkgray, all alone / orgetting him was like trying to knowsomebody you've never met / cause loving him was

red, yeah yeah red, burning red// and thats why hesspinning around in my head / comes back to me inburning red/ loving him is like driving a new maseratidown a dead end street // 2012 Sony/ATV Tree Publishing/Taylor Swit Music (BMI). All Rights Reserved. Used By Permission. Produced

by Dann Hu, Nathan Chapman, Taylor Swit / Recorded by Steve Marcantonio

at Blackbird Studios (Nashville, TN); Assisted by Seth Morton / Digital Editing

by David Hu / Mixed by Justin Niebank at Blackbird Studios (Nashville,

TN); Assisted by Drew Bollman / Mastered by Hank Williams at MasterMix

(Nashville, TN) / Production Coordinators: Mike Frog Grith, Jason

Campbell // Acoustic Guitar, Percussion Nathan Chapman / Electric Guitar

Tom Bukovac, Dann Hu / Steel Guitar Paul Franklin / Bouzouki Dann

Hu / Ganjo Nathan Chapman, Ilya Toshinskiy / Bass Jimmie Sloas / Cello,

Fiddle Jonathan Yudkin / Upright Piano, Synth, B-3 Organ Charlie Judge

/ Drums Aaron Sterling


4/13

treaCherous

Written by Taylor Swit, Dan Wilson

put your lips close to mine / as long as they don't touch/ out o ocus, eye to eye / till the gravity's too much /and ill do anything you say / i you say it With yOurhaNds / and id be smarT to walk away / but you'requick Sand //Chorus / This slOpe is treacherous / thisPath is reckless / This slope Is treacherous / and i, i, iLike it // i can't decide i it's a choice / getting sweptaway / i hear the sound o my own voice / asking youto stay / and alL we are Is skin and bone / Trained toget along / orever going with the fow / but you'reriction //repeatChorus// two headlightS shine thrOughthe sleepless night and i will / get you a, get youalone / your name has echoed through my mind andi just / think you should, think you should know /that nothing sae is worth the driVe and i would... /ollow you, ollow you homE / i'll ollow you, ollow

you home // this hope is tReacherous / this daydreamis dangerous / this hope is treacherous / i, i, i... i, i, ii, i, i // two headlights shine through the sleepless

night and i will... / get you, ill get you alone / yourname has echoed through my mind and i just... / think

you should, think you should know / that nothing saeis worth the drive and i would... / ollow you, ollow

you home / i'll ollow you, ollow you home / i'll ollowyou, ollow you home / i'll ollow you, ollow you home// this slope is treacherous / i, i, i like it // 2012 Sony/ATV Tree Publishing/ Taylor Swit Music (BMI)/ Chrysalis Music/ Sugar Lake

Music (ASCAP). All rights administered by Chrysalis Music Group, Inc., a

BMG Chrysalis Company. All Ri ghts Reserved. Used By Permission. Produced

by Dan Wilson / Recorded by John Rausch, Eric Robinson, Andy Thompson

at Ballroom West (Los Angeles, CA), Marlay Studio (North Hollywood, CA),

Instrument Landing (Minneapolis, MN) / Mixed by Manny Marroquin at

Larrabee Studios (Universal City, CA); Assisted by Chris Galland, Delbert

Bowers / Mastered by Hank Williams at MasterMix (Nashville, TN) //

Acoustic Guitar Taylor Swit / Electric Guitar, Bass, Piano Dan Wilson

/ Electric Piano, Synth Strings, Guitar Andy Thompson / Drums Aaron

Sterling / Background Vocals Taylor Swit, Dan Wilson

i Kne w you

were troubLe.

once upon a time, a eW mistakes ago /i was in your sigHts, you got mE aloNe /You ound me, you Ound me, you oUndme / i gueSs you didn't cAre and i guessi liked that / and i When i ell hard, youtook a step back / without Me, without mE,without me / and he's long gone whenhe's next to me / and i realize the blameis on me, cause//Chorus/ i knew you weretrouble when you walkeD in / so shAme onme Now / few me to plaCes id never beentill you put me down / oh I knew you weretrouble when you walked iN / so shame on

me now / few me to places id never been /now im lyinG on the cold hard ground / ohoh trouble, trouble, trouble / oh oh trouble,trouble, trouble//no apologies, he'll neversee you cry / pretends he doesn't know thathe's the reason why / you're drowning,

youre drowning, youre drowning / andi heard you moved on rom whispers on thestreet / a new notch in your belt is all illever be / and now i see, now i see, now isee / he was long gone when he met me/ and i realize the joke is on me / hey! //repeatChorus//and the saddest ear / comescreeping in / that you never loved me /or her...or anyone...or anything /yeah //repeatChorus//i knew you were trouble when

you walked in / trouble, trouble, trouble / iknew you were trouble when you walkedin / trouble, trouble, trouble // 2012 Sony/ATV Tree Publishing/ Taylor Swit Music (BMI)/ MXM.

Administered by Kobalt (ASCAP). All Rights Reserved. Used

By Permission. Produced by Max Martin and Shellback or

MXM Productions / Recorded by Michael Ilbert, Sam Holland

at MXM Studios (Stockholm, Sweden), Conway Studios (Los

Angeles, CA); Assisted by Eric Eylands / Engineered or Mix

by John Hanes; Assisted by Tim Roberts / Mixed by Serban

Ghenea at MixStar Studios (Virginia Beach, VA) / Mastered

by Tom Coyne at Sterling Sound (New York, NY) / Production

Coordinator: JoAnn Tominaga // Shellback Acoustic Guit ar,

Electric Guitar, Bass, Keyboards, Programming / Max Martin

Keyboards

Written by Taylor Swit, Max Martin, Shellback


5/13

aLLtooweLL

Written by Taylor Swit, Max Martin, Shellback

22

Written by Taylor Swit, Liz Rose

i walked through the door with you / the air was cold/ but soMething About it elt like home somehow / andi let my scar there at your sister's house / and you'vestill got it in your drawer even now / oh your sweetdisposition / and my wide-eyed gaze / we're singingin the car, getting lost uPstate / autumn Leaves allingdown likE pieces into place / and i can picture it ateralL these dAys / and i know it's long gone and Thatmagic's noT here no morE / and i might be okay butim not ne at all... //cauSe there we are again onthat / little town street / you almost ran the red cause

you were / lookin over at me / wind in my hair, i was

there / i remember it all too well//photo album on thecounter / your cheeks were turning red/ you used to bea little kid with glasses / in a twin sized bed / and yourmother's telling stories / about you on the tee ball team/ you taught me about your past / thinking your uturewas me / and i know it's long gone and there wasnothing else i could do / and i orget about you longenough to orget why i needed to...//cause there weare again in the middle o the night / we're dancinground the kitchen in the rerigerator light / down thestairs, i was there / i remember it all too well//wellmaybe we got lost in translation / maybe i asked ortoo much / but maybe this thing was a masterpiece /till you tore it all up / running scared, i was there / iremember it all too well / and you call me up again /

just to break me like a promise / so casually cruel inthe name o being honest / i'm a crumpled up pieceo paper lying here / cause i remember it all, all, all...too well//time won't fy, it's like im paralyzed by it/ i'd like to be my old sel again / but im still tryingto nd it / ater plaid shirt days and nights when you/ made me your own / now you mail back my thingsand i / walk home alone / but you keep my old scarrom that very rst week / cause it reminds you oinnocence / and it smells like me / you can't get rido it / cause you remember it all too well//cause therewe are again when i loved you so / back beore you

lost the one real thing you've ever known / it was rare,i was there, i remember it all too well / wind in myhair, you were there, you remember it all / down thestairs, you were there, you remember it all / it wasrare, i was there, i remember it all too well // 2012Sony/ATV Tree Publishing/ Taylor Swit Music (BMI)/ Liz Rose Music (BMI).

All rights administered by Songs o Kobalt Music Publishing. All Rights

Reserved. Used By Permission. Produced by Nathan Chapman, Taylor Swit

/ Recorded by Nathan Chapman at Pain In The Art Studios (Nashville, TN)

/ Additional Engineering by Brian David Willis / Mixed by Justin Niebank at

Blackbird Studios (Nashville, TN); Assisted by Drew Bollman / Mastered by

Hank Williams at MasterMix (N ashville, TN) / Production Coordinators: Jason

Campbell, Mike Frog Grith, LeAnn Goddess Bennett / / Acoustic Guitar,

Electric Guitar, Bass, Keyboards, Drums Nathan Chapman / Background

Vocals Nathan Chapman

it eels like A perect night / to dreSsup like Hipsters / and make un o ourexes / it eels Like a perect night / orbreakast at midnight / to all in lovEwith strangers / ah, ah. ah, ah. / Yeahwe're happy, ree, conuseD andlonely at the same time / Its miserAbleand magical, oh yeah / toNightsthe night wheN we orget About thedeadlines, its time // Chorus / i don'tknow about you / but im eeling 22/ everything will be alright i / youkeep me next to you / you don't know

about me / but ill bet you want to /everything will be alright i / we justkeep danCing Like we're...22, 22 //it seems like one o those nights / thisplAce Is too crowded / too many coolkids / ah, ah. ah, ah. / it seems like oneo those nights / we ditch the wholescene / and end up dReaming instEado Sleeping, yEah... / we're happy,ree, conused and Lonely in the bEstway / its miserable aNd mAgical, oh

yeah / tonights the night when weorget about the heartbreaks, its time//repeatChorus/ i dont know about you/ 22, 22 // it eels like one o thosenights / we ditch the whole scene /

it eels like one o those nights / wewon't be sleeping / it eels like one othose nights / you look like bad news/ i gotta have you / i gotta have you//repeatChorus/ 22, 22//it eels like oneo those nights / we ditch the wholescene / it eels like one o those nights/ we won't be sleeping / it eels likeone o those nights / you look likebad news / i gotta have you / i gottahave you// 2012 Sony/ATV Tree Publishing/Taylor Swit Music (BMI)/ MXM. Administered

by Kobalt (ASCAP). All Rights Reserved. Used By

Permission. Produced by Max Martin and Shellback

or MXM Productions / Recorded by Michael Ilbert,

Sam Holland at MXM Studios (Stockholm, Sweden),

Conway Studios (Los Angeles, CA); Assisted by EricEylands / Engineered or Mix by John Hanes; Assisted

by Tim Roberts / Mixed by Serban Ghenea at MixStar

Studios (Virginia Beach, VA) / Mastered by Tom

Coyne at Sterling Sound (New York, NY) / Production

Coordinator: JoAnn Tominaga // Acoustic Guitar

Taylor Swit, Shellback / Electric Guitar, Bass,

Programming Shellback / Keyboards Shellback,

Max Martin


6/13

i bet this time o night you're still up/ i bet you're tired rom a long hardWeek / i bet you'Re sittin in yOurchair by The window / looking outat the city and i bEt / someTimes

you wonder about me // Chorus /and i just want to tell you / it takeseverything in me / not to call you/ and i wisH I could run to you /and i hope you know that / everytime i don't, i almoSt do / I almostdo//i bet you thiNk i either movedon or hate you / cauSe each Time

you rEach out, there's no reply / ibet it never, ever occurred to you/ thAt i can't say hello to you andrisk another gooDbye//repeatChorus//we made quite a mess, babe /it's probably better O this way /and i conFess baby / in my dreams

you're touChing my Ace / andasking me i id want to try againwith you / and i aLmost do //repeatChorus//i bet this time o night you'restill up / i bet you're tired rom aLong hard week / I bet you'resittiN in your chair by the window/ lookinG out at the city and i hope/ sometimes you wonder about me

// 2012 Sony/ATV Tree Publishing/ TaylorSwit Music (BMI). All Rights Reserved. Used

By Permission. Produced by Nathan Chapman,

Taylor Swit / Recorded by Nathan Chapman at

Pain In The Art Studios (Nashville, TN) / Mixed

by Justin Niebank at Blackbird Studios (Nashville,

TN); Assisted by Drew Bollman / Mastered by

Hank Williams at MasterMix (Nashville, TN) /

Production Coordinators: Jason Campbell, Mike

Frog Grith, LeAnn Goddess Bennett //

Acoustic Guitar, Bass, Drums Nathan Chapman

/ Background Vocals Taylor Swit


i aLmost do

we are

never evergetting baCKtogether

i remember When we broke uptHe rst timE / sayiNg "this is it,I've had enough" / cauSe like /we hadn'T seen each Other in amonth / when you said you neededsPace... what? / then you comearound again and say / "baby, imiss you and i swear i'm gonnachange. trust me." / remember

how that lasted or a day?/

i say"i hate you," we break uP, youcall mE... / i love you. / ooh, wecalleD it o again last night but /ooh, this time i'm telling you, i'mtelling you...//Chorus/ we are neverever ever... getting baCk together/ we Are neveR ever ever... gettIngback together / you go talk to yourrieNds, talk to my riends, talk tome / but we are never ever everever... Getting back together //like, ever.//i'm really gonna miss

you picking ghts / and me allingor it, screaming that i'm right / and

you Would Hide Away and nd

your peace o mind / wiTh someindie record that's much coolerthan mine / ooh, You called meup again tOnight bUt / ooh, Thistime, i'm telling you, i'm telling

you//repeatChorus//i used to tHinkthat we were Orever, ever and iUsed to say "never say never..."// spoken: (siGh)...so He callsme up, and he's like, "i sTill love

you," and i'm like, i mean this isexhausting. you know, like we arenever getting back together. like,ever. // repeat Chorus // we, ooh...getting back together / we, ooh...getting back together / you go talk

to your riends, talk to my riends,talk to me / but we are never everever ever... getting back together// 2012 Sony/ATV Tree Publishing/ TaylorSwit Music (BMI)/ MXM. Administered by

Kobalt (ASCAP). All Rights Reserved. Used

By Permission. Produced by Max Martin and

Shellback or MXM Productions / Recorded by

Sam Holland, Michael Ilbert at Conway Studios

(Los Angeles, CA), MXM Studios (Stockholm,

Sweden); Assisted by Eric Eylands, Greg Fuess

/ Engineered or Mix by John Hanes; Assisted

by Tim Roberts / Mixed by Serban Ghenea at

MixStar Studios (Virginia Beach, VA) / Mastered

by Tom Coyne at Sterling Sound (New York,

NY) / Production Coordinator: JoAnn Tominaga

// Guitar, Bass, Keyboards, Programming

Shellback / Keyboards Max Martin

Written by Taylor Swit,Max Martin, Shellback


7/13


stay staystay

i'm pretty sure we almost broke up lastnight / i threw my phone across the room at

you / i was expecting some Dramatic turnAway but You stayeD // this moRning isaid wE should tAlk about it / cause i read

you should never leave a ght unresolved/ that's when you caMe In weariNg aootball helmet and said "ok, let's talk" andi said //Chorus / stay stay stay / i've beenlovinG you or quite some / time time time/ you think thAt it's unny when im / madmad mad / But i think that it's best i webOth stay // beore yoU id only daTedsel indulgent takeRs / who took all o thEirproblems out on me / but you cArry mygroceries and now im aLways Laughing /and i lOve you because you haVe givEnmeno choice but to // repeat Chorus / stay

stay //you took the time to memorize me/ my ears my hopes and dreams / i justlike hanging out with you / all the time / allthose times that you didn't leave / it's beenoccurring to me / i'd like to hang out with

you / or my whole lie//stay... and i'll beloving you or quite some time / no one elseis gonna love me when i get mad, mad,mad / so i think that it's best i we both stay/ stay, stay, stay, stay, stay//repeatChorus/stay, stay, stay, stay, stay//repeatChorus// 2012 Sony/ATV Tree Publishing/ Taylor Swit Music (BMI).

All Rights Reserved. Used By Permission. Produced by

Nathan Chapman, Taylor Swit / Recorded by Chad Carlson at

Blackbird Studios (Nashville, TN); Assisted by Leland Elliott /

Additional Engineering by Brian David Willis, Matt Rausch /

Mixed by Justin Niebank at Blackbird Studios (Nashville, TN);

Assisted by Drew Bollman / Mastered by Hank Williams at

MasterMix (Nashville, TN) / Production Coordinators: Jason

Campbell, Mike Frog Grith, LeAnn Goddess Bennett //

Acoustic Guitar, Electric Guitar, Mandolin, Bass, Keyboards

Nathan Chapman / Percussion Eric Darken / Drums Nick

Buda / Background Vocals Taylor Swit, Nathan Chapman

the Last timeFeaturinggary Lightbody oF snow patroL

Written by Taylor Swit, Gary Lightbody, Jacknie Lee

i nd myseL At your dOor / just like all those timesbeore / i'm Not sure how i got there / all roads,theY lead me here / i imagine yOu are home / in

yoUr Room, all alone / and you open your eyes intomine / and everything eels Better / and Right bEore

your eyes / i'm breAking / no past, no reasons why/ just you and me//Chorus/ this is the last time imasKing you this / put my name at the top o your list/ this is the last time im asking you why / you breakmy heart in the blink o an eye//you nd yourselat my door / just like all those times beore / youwear your best apology / but i was there to watch

you leave / and all the times i let you in / just oryou to go again / disappear when you come back/ everything is better / and right beore your eyes,im aching / no past, nowhere to hide / just you andme...//repeatChorus//this is the last time you tell meive got it wrong / this is the last time i say, its been

you all along / this is the last time i let you in mydoor / this is the last time i won't hurt you anymore//repeatChorus/ oh, oh, oh oh /repeatChorus//this is thelast time im asking you, last time im asking you,last time im asking you this / this is the last time im

asking you, last time im asking you, last time imasking you this / this is the last time im asking you,last time im asking you, last time im asking youthis / this is the last time im asking you, last timeim asking you, last time im asking you this // 2012 Sony/ATV Tree Publishing/ Taylor Swit Music (BMI)/ Polar Songs

Ltd/ Universal Music Publishing Ltd/ Besme/ Big Lie Music. All Rights

Reserved. Used By Permission. Produced by Jacknie Lee / Recorded

by Sam Bell, Jacknie Lee, Matt Bishop at The Garage (Topanga Cyn,

CA), The Village (Los Angeles, CA); Assisted by Chris Owens / Editing

by Matt Bishop / Mixed by Mark Spike Stent at The Mixsuite LA (Los

Angeles, CA); Assisted by Matty Green / Mastered by Hank Williams at

MasterMix (Nashville, TN) / Production Coordinator: JoAnn Tominaga //

Guitars, Bass, Keyboards, Programming Jacknie Lee / Orchestration,

Conducting Owen Pallett / Orchestra Fixer Eric Gorain / Violin Eric

Gorain (Concertmaster), Daphne Chen, Marisa Kuney, Radu Pieptea,

Amy Wickman, Gina Kronstadt, Wes Precourt, Neli Nikolaeva / Viola

Lauren Chipman, Brett Banducci, Rodney Wirtz / Cello Richard

Dodd, John Krovoza, Peggy Baldwin / Contrabass Simeon Pillich, JeTakiguchi / Harp Marcia Dickstein / Piano Jamie Muhoberac / Drums

Bill Riefin / Gary Lightbody o Snow Patrol appears courtesy o Fiction

Records


8/13

i Was reminiscing just tHe othErday / while haviNg coee all alone/ and lord it took me awaY / backtO a rst glance eeling on new yorktime / back when yoU t my poemslike a perect rhyme / took o asterthan a green light, go / yeah you skipthe Conversation when you Alreadyknow / i let a note on the door witha joke we'd Made / and that was thErsT day//and darling it was gOod/ never looking down / and righTtHere whEre we Stood / was Holy

ground//spinning like girl in a brandnew dress we had this big wide cityall tO ourselves / We block the noisewith the sound o I need you / aNdor the rst time i had Something tolose / and i guess we ell apart inthe usual way / and the story's gotDust on every page / but sometimesi wonder how you think about it now/ and i see your ace in every crowd//cause darling it was good / neverlooking down / and right there wherewe stood / was holy ground//tonightim gonna dance / or all that we'vebeen through / but i don't want todance / i im not dancing with you/ tonight im gonna dance / like youwere in this room / but i don't wantto dance / i im not dancing with you //it was good / never looking down/ and right there where we stood /was holy ground//tonight im gonnadance / or all that we've beenthrough / but i don't want to dance /i im not dancing with you / tonightim gonna dance / like you were inthis room / but i don't want to dance/ i im not dancing with you // 2012 Sony/ATV Tree Publishing/ Taylor Swit Music

(BMI). All Rights Reserved. Used By Permission.

Produced by Je Bhasker / Recorded by Pawel Sek

at Enormous Studios (Los Angeles, CA) / Guitars

Recorded by Tyler Johnson / Engineered or Mix by

John Hanes; Assisted by Tim Roberts / Mixed by

Serban Ghenea at MixStar Studios (Virginia Beach,

VA) / Mastered by Tom Coyne at Sterling Sound

(New York, NY) / Production Coordinator: JoAnn

Tominaga // Guitars Anders Mouridsen / Bass,

Keyboards, Piano, Programming Je Bhasker /

Background Vocals Je Bhasker, Tyler Johnson


sadbeautiFuL tragiC


long handWritten note, deep in your pocket / words, Howlittle they mean when you're a little too late / I stood rightby the tracks, your ace in a Locket / good girls, hopEultheY'll be and lOng they will wait//Chorus/ we had... / abeaUtiul, magic love there / What a sad... / bEautiul,tRagic lovE aair // in dreams, i meet yOu in warmcoNversation / we both wAke in lonely beds, dierenTcities / and time is taking its sweet time eRasing you / And

you've got your demons and darling / they all look likeme, cause //repeatChorus //distance, timIng, breakdowN,ghting / silence, the train runs o its tracks / kiss me, tryto x it / could you just try to listen? / hang up, give up and

or the lie o us / we can't get back...//a beautiul magiclove there / what a sad... / beautiul, tragic, beautiul,tragic / beautiul...//repeatChorus//repeatChorus// 2012 Sony/ATV Tree Publishing/ Taylor Swit Music (BMI). All Rights Reserved. Used By

Permission. Produced by Nathan Chapman, Taylor Swit / Recorded by Nathan

Chapman at Pain In The Art Studios (Nashville, TN) / Mixed by Justin Niebank at

Blackbird Studios (Nashville, TN); Assisted by Drew Bollman / Mastered by Hank

Williams at MasterMix (Nashville, TN) / Production Coordinators: Jason Campbell,

Mike Frog Grith, LeAnn Goddess Bennett // Acoustic Guitar, Electric Guitar,

Ukulele, Bass, Keyboards, Percussion, Drums Nathan Chapman / Background

Vocals Taylor SwithoLy

ground


9/13

theLuCKy

one


new to toWn with a made up name/ in the angel's city chasing Ortuneand ame / and the camera fashesmake it look like a dream / yoU had itgured out since you were in school/ everybody Loves pretty, everybodyloves cool / so overnight, you looklike a 60s queen / another namegoes up in lights / like Diamonds inthe sky... // Chorus / aNd They'll tellYou nOw / yoU're the Lucky one /

yeah, they'll tell you now / you're thelucky one / but can you tell me now/you're the lucky one

/oh, oh, oh...

//now It's big blacK cars and riviEraviews / and your lover in the oyerdoesn'T even knOw you / and yoursecrets end up splashed on the newsront page / and they tell you that

you're lucKy but you're so coNused/ cause yOu don't eel pretty, you justeel used / and all the young thingsline up to take your place / anothername goes up in lights / you Wonderi you'll make it out alive//repeatChorus//it was a ew years later i showedup here / and they still tell the legendo how you disappeared / how youtook the money and your dignity

and got the hell out / they say youbought a bunch o land somewhere /chose the rose garden over madisonsquare / and it took some time, buti understand it now... / cause nowmy name is up in lights / but i think

you got it right//let me tell you now /you're the lucky one / let me tell younow / you're the lucky one / let metell you now / you're the lucky one/ oh, oh, oh...//repeatChorus// 2012Sony/ATV Tree Publishing/ Taylor Swit Music

(BMI). All Rights Reserved. Used By Permission.

Produced by Je Bhasker / Recorded by Pawel Sek

at Enormous Studios (Los Angeles, CA) / Guitars

Recorded by Tyler Johnson / Engineered or Mix by

John Hanes; Assisted by Tim Roberts / Mixed bySerban Ghenea at MixStar Studios (Virginia Beach,

VA) / Mastered by Tom Coyne at Sterling Sound

(New York, NY) / Production Coordinator: JoAnn

Tominaga // Guitars Anders Mouridsen / Bass,

Keyboards, Piano, Programming Je Bhasker /

Background Vocals Je Bhasker

Written by Taylor Swit, Ed Sheeran

all i knew this morning wHen i woke / is i knowsomething now, know something now i didntbeore / and all ive seen since 18 hours ago /is green eyes and reckles / and your smile in theback o my mind making me eel like / i just wantto know you better, know You better, know youbetter now / I just wAnt to kNow you better, kNow

you better, know you better now / I juSt wantto know you better, know you better, know youbetter now / i just want to know you, know you,know you...//Chorus/ cause all i know is we saidhello / and your eyes look like coming home / all iknow is a simPle name / everything has changed

/ all i knOw is you held the dooR / you'll be mineand ill be yours / all i know since yesTerday / iseverything has changed//and all my walls stoodtall, painted blue / i'll take em down, take emdown / and open up the door or you / and all ieel in my stomach is butterfies, the beautiul kind/ makin up or lost time, takin fight making meeel like / i just want to know you better, know youbetter, know you better now / i just want to know

you better, know you better, know you better now/ i just want to know you better, know you better,

know you better now / i just want to know you,know you, know you...//repeatChorus//come backand tell me why / i'm eeling like ive missed you allthis time / and meet me there tonight / let me knowthat it's not all in my mind / i just want to know youbetter, know you better, know you better now / ijust want to know you, know you, know you... //repeatChorus//all i know is we said hello / so dusto your highest hopes / all i know is pouring rain /and everything has changed / all i know is a newound grace / all my days ill know your ace / all iknow since yesterday / is everything has changed// 2012 Sony/ATV Tree Publishing/ Taylor Swit Music (BM I)/ Sony/

ATV Music Publishing LLC/ Sony/ATV Music Publishing (UK) Limited(PRS). All Rights Reserved. Used By Permission. Produced by Butch

Walker / Recorded by Jake Sinclair at Ruby Red Productions (Santa

Monica, CA) / Mixed by Justin Niebank at B lackbird Studios (Nashville,

TN); Assisted by Drew Bollman / Mastered by Hank Williams at

MasterMix (Nashville, TN) / Production Coordinator: JoAnn Tominaga

// Guitars, Keyboards, Percussion, Drums Butch Walker / Bass

Jake Sinclair / String Arrangement, Composition Patrick Warren /

Background Vocals Gary Lightbody, Butch Walker, Jake Sinclair /

Ed Sheeran appears courtesy o Atlantic Records / Gary Lightbody o

Snow Patrol appears courtesy o Fiction Records

everythinghas ChangedFeaturing ed sheeran


10/13star LightWritten by Taylor Swit

i said oh my, what a marvelous tune / it wasthe best night / never would Forget hOw hemoved / the whole place / was dRessed tothE nines / and we were dancing, dancing/ like we're made o sTarlight // i met bobbyon the boardwalk / summer o '45 / pickedme up late one nigHt / out thE window wewere seventeen / and crazy, running wiLdwild / can't remember what song it wasplaying when we walked in / the night wesnuck into a / yacht club party, pretendingto / be a duchess and a prince // and i saidoh my, what a marvelous tune / it was thebest night / never would orget how hemoved / the whole place / was dressed tothe nines / and we were dancing, dancing/ like we're made o starlight, starlight /like we're made o starlight, starlight //he said, look at you, worrying too muchabout things you can't change. / you'llspend your whole lie singing the bluesi you keep thinking that way. / he wastrying to skip rocks on the ocean, saying tome / don't you see the starlight, starlight?don't you dream impossible things? // likeoh my, what a marvelous tune / it was thebest night / never would orget how hemoved / the whole place / was dressed tothe nines / and we were dancing, dancing

/ like we're made o starlight, starlight /like we're made o starlight, starlight // oohooh, he's talking crazy / ooh ooh, dancingwith me / ooh ooh, we could get married /have ten kids and teach them how to dream// oh my, what a marvelous tune / it wasthe best night / never would orget how hemoved / the whole place / was dressed tothe nines / and we were dancing, dancing/ like we're made o starlight, starlight / likewe're made o starlight, starlight / like we'remade o starlight, starlight // like we dreamimpossible dreams / like starlight, starlight/ like we dream impossible dreams / dont

you see the starlight, starlight? / don't youdream impossible things? // 2012 Sony/

ATV Tree Publishing/ Taylor Swit Music (BMI). All RightsReserved. Used By Permission. Produced by Dann Hu,

Nathan Chapman, Taylor Swit / Recorded by Joe Baldridge

at Blackbird Studios (Nashville, TN) / Engineered or Mix by

John Hanes; Assisted by Tim Roberts / Mixed by Serban

Ghenea at MixStar Studios (Virginia Beach, VA) / Mastered

by Tom Coyne at Sterling Sound (New York, NY) / Production

Coordinators: Mike Frog Grith, Jason Campbell // Electric

Guitar Dann Hu, Nathan Chapman / Electric Guitar Solo

Conceived by Nathan Chapman, Played by Dann Hu / Bass

Jimmie Sloas / Piano, Synth Nathan Chapman / Synth,

Strings Charlie Judge / Drums, Percussion Programming

J Bonilla

took a deep breath in the mirror / hedidn't like It when i Wore high hEels/ but i do / turn the lock And put myheadphones on / he always said hedidn't get this song / but i do, i do //walked in expecting you'd be late /but you got heRe early and you standand wave / i walk to you / you pull mycHair out and hElp mE in / and youdon't know how nice that is / but i do//Chorus/ and you throw your head backLaughing / like a little kid / i think it'sStrange that you thiNk im unny cause/ he never did / i've been spending thelast 8 months / thinking all lOve everdoes / is break and burn and end / buton a Wednesday in a cae / i watchedit begin again//you said you never metone girl who / had as many james taylorrecords as you / but i do / we tell storiesand you don't know why / i'm comingo a little shy / but i do // repeat Chorus//and we walked down the block, tomy car / and i almost brought him up/ but you start to talk about the movies/ that your amily watches every singlechristmas / and i want to talk about that/ and or the rst time / what's past ispast//repeatChorus//but on a wednesday

in a cae / i watched it begin again// 2012 Sony/ATV Tree Publishing/ Taylor Swit Music(BMI). All Rights Reserved. Used By Permission.

Produced by Dann Hu, Nathan Chapman, Taylor Swit

/ Recorded by Steve Marcantonio at Blackbird Studios

(Nashville, TN); Assisted by Seth Morton / Digital Editi ng

by David Hu / Mixed by Justin Niebank at Blackbird

Studios (Nashville, TN); Assisted by Drew Bollman /

Mastered by Hank Williams at MasterMix (Nashville, TN)

/ Production Coordinators: Mike Frog Grith, Jason

Campbell // Acoustic Guitar Nathan Chapman, Dann

Hu / High String Acoustic Guitar Dann Hu / Electric

Guitar Tom Bukovac, Dann Hu / Steel Guitar Paul

Franklin / Mandolin Ilya Toshinskiy / Bass Jimmie

Sloas / Violin Jonathan Yudkin / B-3 Organ, Synths,

Strings, Accordion, Piano Charlie Judge / Drums

Aaron Sterling / Background Vocals Caitlin Evanson

Credits: Executive Producer: Scott Borchetta aLbum

paCKaging Credits: Creative Direction: Taylor Swit

/ Photography: Sarah Barlow / Art Direction: Josh &

Bethany Newman / Design: Austin Hale or ST8MNT

/ Wardrobe Stylist: Joseph Cassell / Hair: Jemma

Muradian / Make-up: Lorrie Turk projeCt support

and Coordination: Big Machine Records and 13

Management Teams KaraoKe produCtion (Cd+g): Je

Michaels, Musical Creations Ltd. KaraoKe produCtion

(dvd): Andy Reuter, Denise Simonsen & Todd Cassetty,

Hi-Fi Fusion

begin

againWritten by Taylor Swit


11/13

TAYLORSWIFT.COM

BIGMACHINERECORD

S.COM/TAYLORSWIFT


12/13

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digital booklet - taylor swift karaoke - red.pdf

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