Die Orgel von Johann Konrad Wörle/Giovanni Corrado Verlè (1701 Vils - 1777 Rom)

im Oratorio del Crocifisso Rom (1744)Ein KlangportrÄt

The Organ by Johann Konrad Wörle/Giovanni Corrado Verlè (1701 Vils - 1777 Rome)

in Rome’s Oratorio del Crocifisso (1744)A Sound Portrait

L’organo di Giovanni Corrado Verlè (1701 Vils - 1777 Roma)

nell’Oratorio del Crocifisso A Roma (1744)Il profilo del suono

Herausgegeben von / Edited by / A cura di Hildegard Herrmann-Schneider

INSTITUT FÜR TIROLER MUSIKFORSCHUNG INNSBRUCK

Veröffentlichungen des Instituts für Tiroler Musikforschung Innsbruck geleitet von Manfred Schneider

KLINGENDE KOSTBARKEITEN AUS TIROL 94

Abbildung CoverOratorio del Crocifi sso in Rom, Blick zur Orgelempore, Detail, siehe Seite 79Foto: HHS 2014

Textübersetzung / TranslationRita Steblin (German-English)Francesco Tessari (German-Italian) Hildegard Herrmann-Schneider (Italian-German)

ISBN: 978-3-200-04191-2Grafi k: Tiroler Repro Druck GmbH, A 6020 Innsbruck, Michael LerchsterDruck: Kraler Druck, I 39040 Vahrn/Varna (BZ)CD-Herstellung: kdg mediatech AG, A 6652 Elbigenalp

Institut für Tiroler Musikforschung / Akademischer Musikverein für Tirol(ZVR Zl. 122 602 951) Vorstand: Prof. Dr. Manfred Schneider Rumer Str. 51d, A 6063 Innsbruck / Post Rumwww.musikland-tirol.at

Institut für Tiroler Musikforschung Innsbruck 2015 – Alle Rechte vorbehalten

Gefördert von

C & P

INHALT / CONTENTS / INDICE

CD 1 Tracklist Die Wörle-Orgel in der Alternatim-Praxis und als Begleitinstrument zur LiturgieWörle’s organ in alternatim and accompanying the liturgy 6

CD 2 Tracklist Die Wörle-Orgel als SoloinstrumentWörle’s organ as a solo instrument 8

Hildegard Herrmann-Schneider

Der Orgelbauer Johann Konrad Wörle (Giovanni Corrado Verlè) 11Zum Klangporträt der Wörle-Orgel 14The Organ Builder Johann Konrad Wörle (Giovanni Corrado Verlè) 26About the Sound Portrait of the Wörle Organ 30L’organaro Giovanni Corrado Verlè (Johann Konrad Wörle) 42Sul profilo del suono dell’organo di Verlè 45

Quintilio Palozzi Das Oratorio del SS. Crocifisso 57Das Einzigartige der Wörle-Orgel 58Oratorio del Santissimo Crocifisso 61The Uniqueness of the Wörle Organ 62L’Oratorio del SS. Crocifisso 64L’organo e la sua singolarità 65

Illustrations 68The texts for the vocal works 88The performers - Recording dates 95

CD 1

Die Wörle-Orgel in der Alternatim-Praxis und als Begleitinstrument zur LiturgieWörle’s organ in alternatim and accompanying the liturgy

Girolamo Chiti (1679 Siena - 1759 Roma)1 Magnificat Octavi Toni .................................................................................................................................... 4 : 51Aus der Sammelhandschrift/From the Manuscript Collection I-Rli Musica M 24/4, f. 7v-8v

Anonymus 2 Salve Regina ...........................................................................................................................................................4 : 26Aus der Sammelhandschrift/From the Manuscript Collection I-Rn Mss musicali 76, f. 40v-41r

Anonymus Missa Beatae Mariae Virginis3 Kyrie ...................................................................................................................................................................... 2 : 484 Gloria ........................................................................................................................................................................5 : 265 Sanctus .....................................................................................................................................................................1 : 276 Agnus Dei ................................................................................................................................................................1 : 317 Postcommunio ......................................................................................................................................................2 : 48Aus der Sammelhandschrift/From the Manuscript Collection I-Rn Mss musicali 76, f. 7v-8v

Anonymus 8 Veni Creator Spiritus ...........................................................................................................................................4 : 37Aus der Sammelhandschrift/From the Manuscript Collection I-Rn Mss musicali 76, f. 45r

Anonymus Missa in Dominicis et in Festis Simplicibus9 Kyrie ......................................................................................................................................................................... 4 : 0310 Gloria ..................................................................................................................................................................... 5 : 5111 Sanctus ................................................................................................................................................................... 2 : 1612 Elevazione ............................................................................................................................................................ 3 : 1213 Agnus Dei .............................................................................................................................................................. 1 : 4414 Postcommunio ................................................................................................................................................... 0 : 58Aus der Sammelhandschrift/From the Manuscript Collection I-Rn Mss musicali 76, f. 5v-7r

Girolamo Chiti 15 Magnificat Primi Toni ....................................................................................................................................... 4 : 42Aus der Sammelhandschrift/From the Manuscript Collection I-Rli Musica M 24/4, f. 6v-7v

Anonymus 16 Regina caeli ......................................................................................................................................................... 1 : 33Aus der Sammelhandschrift/From the Manuscript Collection I-Rn Mss musicali 76, f. 40r-40v

Anonymus 17 Custodes hominum ........................................................................................................................................... 2 :36Aus der Sammelhandschrift/From the Manuscript Collection I-Rn Mss musicali 76, f. 46v

CD 2

Die Wörle-Orgel als SoloinstrumentWörle’s organ as a solo instrument

Anonymus 1 [Toccata], C-Dur/C Major ........................................................................................................................................... 3 : 28Aus der Sammelhandschrift/From the Manuscript Collection I-Rn Mss musicali 76, f. 24r-25r

Gaetano Franzaroli (vor 1700 – nach 1756) 2 Arpeggio, f-Moll/F Minor .......................................................................................................................................... 3 : 133 Basso, c-Moll/C Minor ................................................................................................................................................ 2 : 294 Arpeggio, g-Moll/G Minor ....................................................................................................................................... 3 : 16Aus der Sammelhandschrift/From the Manuscript Collection Bassi Per Bene Accompagnare Al Cembalo [all’organo], D-MÜs SANT Hs 1540

Giovanni Battista Martini (1706 Bologna - 1784 Bologna) Sonata, C-Dur/C Major op. 3/65 Adagio .............................................................................................................................................................................. 3 : 056 Allegro .............................................................................................................................................................................. 1 : 57Nr. 6 aus/No. 6 from [6] Sonate per l’organo e il cembalo, Bologna: Lelio della Volpe, 1747

Lorenzo De Rossi (1720 Roma - 1794 Roma) Sonata, A-Dur/A Major7 Andante ........................................................................................................................................................................... 3 : 108 Allegro .............................................................................................................................................................................. 2 : 46Nr. 2 aus/No. 2 from Sei Sonate per cembalo da eseguirsi ancora coll’organo, Venezia: Innocente Alessandri & Pietro Scataglia, ca. 1750

Anonymus 9 [Giga], d-Moll/D Minor ...........................................................................................................................................1 : 2410[Preludio], D-Dur/D Major ....................................................................................................................................2 : 2911 [Verso], a-Moll/A Minor ..........................................................................................................................................0 : 3712 Balletto allegro, E-Dur/E Major ..........................................................................................................................1 : 49Aus der Sammelhandschrift/From the Manuscript Collection I-Rn Mss musicali 76, f. 21v-22r, 29r-29v, 30r, 19r-19v

Andrea Basili (1705 Città della Pieve - 1777 Loreto) Esercizio, g-Moll/G Minor 13 Scala ...............................................................................................................................................................................0 : 4514 [Basso numerato] ....................................................................................................................................................1 : 3915 Fuga ...............................................................................................................................................................................3 : 0516 Capriccio ......................................................................................................................................................................3 : 26Nr. 11 aus/No. 11 from Musica Universale Armonico-Pratico […] per i suonatori di grave cembalo, ed organo […], Venezia: Innocente Alessandri & Pietro Scataglia, 1776

Lorenzo De Rossi Sonata, D-Dur/D Major 17 Andante amoroso ....................................................................................................................................................3 : 2818 Allegro spirituoso ..............................................................................................................................................4 : 28Nr. 6 aus/No. 6 from Sei Sonate per cembalo da eseguirsi ancora coll’organo, Venezia: Innocente Alessandri & Pietro Scataglia, ca. 1750

Domenico Zipoli (1688 Prato - 1726 Córdoba/Argentina) 19 Verso, d-Moll, Nr. 1/ D Minor, No. 1 ................................................................................................................... 0 : 5620 Verso, d-Moll, Nr. 2/ D Minor, No. 2 .................................................................................................................. 0 : 3821 Verso, d-Moll, Nr. 3/ D Minor, No. 3 .................................................................................................................. 0 : 4222 Verso, d-Moll, Nr. 4/ D Minor, No. 4 .................................................................................................................. 0 : 3623 Verso, C-Dur, Nr. 1/ C Major, No. 1 ................................................................................................................... 0 : 4824 Verso, C-Dur, Nr. 2/ C Major, No. 2 ................................................................................................................... 0 : 3925 Verso, C-Dur, Nr. 3/ C Major, No. 3 ................................................................................................................... 0 : 3726 Verso, C-Dur, Nr. 4/ C Major, No. 4 .................................................................................................................. 0 : 36Aus/From Sonate d’Intavolatura Per Organo, E Cimbalo, Parte prima […], Opus 1, ohne Ort, ohne Jahr/no place, no date (Roma 1716)

Domenico Zipoli 27 Pastorale, C-Dur .......................................................................................................................................................3 : 53Aus der Sammelhandschrift/From the Manuscript Collection I-Rn Mss musicali 76, f. 32r-32vErstausgabe in/First Edition in Sonate d’Intavolatura, op. 1 (Roma 1716)

Die Ausführenden / The Performers

Florian Bassani, Orgel / organSchola Benedictina Muri-Gries (Kloster Muri-Gries / Benedictine Monastery Muri-Gries, Bolzano)P. Urban Stillhard OSB, Fr. Arno Hagmann OSB, Fr. Ulrich Kössler OSB, Andreas Ellecosta Soli: Fr. Ulrich Kössler OSB: CD 1 Track 1, Track 8: Strophe 3, Track 17: Strophe 3, Intonations; Andreas Ellecosta: CD 1 Track 8: Strophe 6

Idee, Konzept, Projektleitung / Idea, Concept, Project managementHildegard Herrmann-Schneider

Aufnahme / Recording

13th/14th September 2014, Rome, Oratorio del Santissimo Crocifisso Technik / Recording Technology: Peter Golser Aufnahmeleitung, Schnitt / Recording producer, CD Section: Christine Hornstein

The project received excellent support from individuals and institutions in Rome. Special thanks go to Prof. Quintilio Palozzi (Ispettore Onorario del Ministero dei Beni Culturali per la Tutela degli Organi Storici di Roma e del Lazio), Dott. Paolo Castellani (Soprinten-denza per il Polo Museale Romano), Sr. M. Josefa Fumagalli Mges (Mother Superior of the sister convent of the Oratorio del Crocifisso) and Daniel Joseph Taccini (organ builder).