develop sight reading

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"OMPLETE INCLUDING VOL. I and VOL. 2 FOR ALL INSTRUMENTS 3 + 15 West 53rd St., New York, N. Y. 10019 L - 1

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Ejercicios para desarrollar una mejor lectura musical

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Page 1: Develop Sight Reading

"OMPLETE INCLUDING VOL. I and VOL. 2 FOR ALL INSTRUMENTS 3

+ 15 West 53rd St., New York, N. Y. 10019

L - 1

Page 2: Develop Sight Reading

Preface "DEVELOP SIGHTREADING" establishes i tself as a vital contribution

i n music literature. This study material, technical i n nature i s indispensm able for it stimulates, coordinates, and stabilizes one's mental and physical ref l exes.

These writings present an adventurous challenge into the land of musical and technical intrigue.

A strand of musical genius i s weaved throughout these musical pass- ages of unusual originality. By atuning one's thoughts towards a grouping of phrases expressing each phrase as a beautiful musical thought, one w i l l respond )o he iRy3iratEenal beauty that the authors so cleverly highlighted.

Two of the MUSIC WORLD'S most respected artist-performers and teachers GASTON DUFRESNE and ROGER LOUIS VOISIN, members of the BOSTON SYMPHONY ORCHESTRA, also faculty members of the NEW ENG- LAND CONSERVATORY of MUSIC, Boston, Massachusetts and the BERK- SHIRE MUSIC CENTER are credited with this work.

An unprecedented rise to musical fame came to GASTON DUFRESNE after receiving the highest honors ever awarded at the NATIONAL CONSER- VATORY in FRANCE, MR. DUFRESNE has contributed many fruitful years to the world's greatest music, from the CONCERTS COLONNE i n PARIS, to the CHICAGO SYMPHONY and is presently one of the senior members of the BOSTON SYMPHONY ORCHESTRA.

The e d i t 4 m n s u l t a n t advisor, ROGER LOUIS VOISIN'S family tradition stems back for generations i n the WHO'S WHO IN THE MUSIC WORLD. MR. VOiSIN i s continually elevating this tradition to i t s well de- served musical greatness. A fu l l fledged soloist and a permanent member of the BOSTON SYMPHONY since the age of sixteen, MR. VOlSlN enjoys the success of being one of the world's most celebrated soloists.

To h is credit are the following recordings of which MR. VOlSlN can be heard as a featured soloist:

Brandenburg Concerto, Bach Poem of Ecstasy, Scriabi n Bach Festival Music of Jubilee, Bach ElLl EILI, Boston Pops Bacham, Manna-Zucca Trumpeter's L u l laby, Anderson The Toy Trumpet

Victor Victor Columbia Columbia Victor Victor Victor Victor

Page 3: Develop Sight Reading

. Moderato

Copyright 0 1972 by CHARLES COLIN - 315 West 53rd St., New York, N. Y. 10019 All Rights Reserved International Copyright Secured Made in U. S. A.

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I Andante

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Allegro deciso

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my- -

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A1leet.o con fuoco

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Alla Breve J. S. BACH

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Alleero deciso A

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I . d m - -

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Allegretto

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Adagio h76

Allegro risoluco d=92

The beat unit in the 6 first bars is the eight as represented by the notation > = 76 -- On bar 7 the half-note is the beat-unit s = 92 - On bar 22 the quarter is the beat unit J = 184 - Starting the 7/8 time on bar 41 thc eight has the same tempo as in the preceding 3,/4 time -' The 3d beat of bar 41 has the length of one beat and a half of the preceding 3j4 - Bar 42 has the First beat longer by one eight than the preceding 3/4 time - Bar 44, resume tempo of preceding 4 , -- 92 - Bar 45 - Same as bar 41.

Page 34: Develop Sight Reading

Andanre deciso J = 84

On bar 23 take 2/8 tilnc twice faster than the preceding 314 (keeping the same tempo eighth for eighth b=b ). Bar 32 - 9/1G should I)c 1)eatcrl in 4 - same tempo per beat a s of the preceding bars in 2/8 time, however the 4th

bcat should be longer to play the 3 sixtc~cnths a t the same ra te of speed a s the preceding 5 notes (avoid triplets on that beat) -

Bar 36 same as har 32 but 3 bent tilnc - Bar 37 heat twice slower than preceding 2/P anti 2 firs1 bcats of bar 36 - Last 3/8 bar twice faster than 3/4 -

Page 35: Develop Sight Reading

I Moderato =72

con anrttla

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Beat bar #(i a s previous measure fo r 3 I,c..ts, in thc 4th hcat give the bent enough time to play the 6 notes a t the same *peed you play the 1 6 t h ~ in the Is t , 2nd and 3d h a t s -

Salnc* ol~servation on I J ~ I # 7 and on ba r 2.i Takc Irar 27 i t1 cut tinir r . - Bar 29 twice fas ter then prcccding OIW - Back to cut time on ba r 30 - In the 5 t 4 ume

otl 34 krcp the tempo of the Xths exactly as i n p r c r e d i n ~ rncasure, beat in onc and play the five notes exactly alike with ;~cccntuatic~ti otl 1st otlc of each bar.

B a r :IN (i.'8 time, krcp still same speed of the eights. S a m r otl I ~ a r .i(i ; u ~ d 47 ( f rom I,ar 27 to 47, always same tcmpo of eighths. )=) )

Page 37: Develop Sight Reading

Bar #3, 1st and 2nd beat same as beats of 2 preceding measures but the 316 beat should have the length of 1 and 1/2 time value of 1st and 2nd beats J J))J

Same on Bar 17 (do not play the 3rd beat like triplets). Bar 32 - keep the speed of the 5 1 6 t h ~ as in the preceding measures. Bar 41 - Same time for 1 6 t h ~ a s in preceding measures. Bar 42 - keep same note value a s in the preceding measure.

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Andante J=76 37

Starting Bar #22 beat twice faster than previous measures - Bar #23, the 3rd beat has the value of 3/16ths (not triplets =

Bar #26 beat twice slower than previously. Bar #27 beat twice faster - Beat bar #28 as bar #27 giving a longer 3d beat - Same thing with bar #35.

Page 39: Develop Sight Reading

Moderato J 166-72

In first bar the 5 notes in the last beat should be equal - Avoid or - Same in bars #5, #8 and 9 - a

In bar 13 speed up (accellerando) to have the last note (El establish the speed of the 3/8 time fol- lowing -

In bar 30 beat twice slower than previous measure - Bar 42 has a longer 3d beat (avoid triplets) - Same with bar $--j,

Bar 52 as : &-$k

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Andante J.=76

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Moderato J = 69

J con anima

On bar e 2 3 play 3/4 time in one - Bar &27 beat in one the measure having the duration of two quarters - On bar 46 beat in two keeping the Fame value of quarter and eighths - then proceed beating in one up t o the 4 /4 time.

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Moderato d = 66

In this lesson the quarter has always the same value, measure in 2/2 or 3/2 should be.beaten faster - I would recommend to study the exercise at first in subdividing the 9/4 time in nine - 12/4 in

twelve - 2/2 in four and 3/2 in six - and . . later on playing the whole exercise without subdividing.

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Beat in two (cut time) beat third measure in onc - Beat 5/4 a t #10 in 3 and 2 twice faster than preceding measures - Bar #13 should be beaten in two in a slower tempo -

Bar #15 beat in 3 twice faster - Beat bar #32 in one - On bar #53 beat 3/4 twice faster than previous measures and twice slower on bar #55 -

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Moderato h 92 43

Subdivide (beating the eighth) from Start up to bar 17 - Then beat in 3 (vivace) beat bar #24 in 2 with the 2nd beat having the time value of three eighths At #35 beat 3/4 time in one -

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Andante J=76

At measure 25 beat .7/8 a s 3 /8 and 2/4 - Beat measure #38 in 3 and 2 - On measure 39 the beat is twice slower than in the previous me* .I s I I ~ P

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Subdivide beating the eighth up to measure 40 -- On measure 40 beat 3/4 time in. 3, every beat, having the time value of two eighths.

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Beat measure #23 two and three. On measure #26 beat twice faster. On measure #31 beat 9/16 in four the f au l th beat having the time value of three sixteenths - On measure #32

beat ir. four with the f i rs t beat having the time value of three sixteenths. On measure 41 beat like 3 /8 with the third beat having thvee sixteenths - Same with measures #42, 43, 44 - Be sure t o avoid playing the three sixteenths like triplets - On measure #46 beat in 4 a s in beginning of lesson.

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Largo J=62 -

w - On Bar 36 (3/$ time) beat twice faster than previous 2L4 measure - From then on keep same value

of eight regardless of difference in time signature - On Bar #40 beat in three with third beat 1-1/ 2 time as long as previous 2 beats - Same on bar #45

where fifth beat has time value of 3 1 6 t h ~ .

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' ~ l l e ~ r e t t o J 4 0 4 Con spirit0 6

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At Bar 017 beat 3/4 twice faster than previous bar in t (keeping same value of quarters) - At bar 56 beat 5 beats as indicated by dotted line (twice faster than 6). At bar $85 keep same tempo of the eights as in the previous 3/4 - Beat the 5 . 4 time in two as indicated by the dotted lines.

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Cont'd

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<- Larghetto 0 = 66

Beat unit is the whole note. Do not subdivide. When going from 3/ l t o 12/2 (Bar 19) do not change the tempo, the last beat of Bar 1% already establishes the 12/2 meter.

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A t Liar ::7 Iwat twice faster than bar before, then twice slower at #40. Same at 52.

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A Andante >= 76 - 80

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First 8 measures sh(')~tI(I I)e pl;iyccl freely (Recitative) From Bar *30 to ?he entl krcp same value to the eighth - Beat bar rq41 twice slower than previous

one RJ

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Suhdivitlp the 12'8 as ititlirated ,h = 100 - ..At hal. ~ 1 7 heat 314 in one - Number 25 should be interpreted freely (Rreitativo) -

A t hav 43 Iwat one to a measure -

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RHI. GR i t 1 o t i ( \ ( I / : { R ~ ~ O I . ~ C I . than previous or follow in^ bar) -- Same on Bars 71, 76 to 78. At ha]. 99, keep ci.ght in same tempo up to bar 11118, (beat.5/8 in two)-

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At #I19 beat 3 /2 in three, 5. 4 in two, 31'4 in one, 6 / 4 in two, 7!4 in three always the same. v;~ luc~ 011 thc quarters up to bar #I39 - A t bar 110 14Y8 timr should be heaten in four as indicated , =PO.